158x126cm or 80x64cm, Lightjet on photographic paper

funabashi near from tokyo,Japan

Adox CHSⅡ iso80

Rodenstock sironar 210mm f16 2s(3s)

spur 2525SD 14+1 20℃ 11min

Ikeda Anba w 6x12 adapter / Foma 100 / Rodinal 1:100

if you look long enough, all thing will be revealed to you.

scanned 4x5 negative.

4x5 camera

210mm

ilford FP4+

test image for a home made large format camera.

f22 @ 5 seconds.

Taken on adorama 5x7 photographic paper.

tokyo,Japan

From my first batch of 4x5 negs. Gonna need a better scanner... my HP document scanner doesn't seem to have enough DR to get the cloud details. Also the sharpness of the scan is so low that I need to rescale from 1200dpi to 600dpi and apply some unsharp masking to get a nice picture. (I can clearly see the bricks on the building on the neg with my 10x loupe!)

1/250 f/22

Linhof Technika III

Angulon 90/6.8

Ilford HP5 Plus

taken in my backyard 2003

Zeiss Ikon Maximar, f:9 1/10 sec

ilford fp4 125 developed in id-11. digitzed with iphone 8 and processed in PS express on iphone. the brown toning was just straight color inversion, normally i would desaturate a color photo to do black and white but i liked the effect.

Space for the film holder/ground glass.

contact printed on gallery wall with liquid emulsion from largeformat negative

Untouched negative. No adjustments whatsoever in Photoshop. Same tech details as the Scotland 1

It was getting dark with a storm brewing when I took this one.

contact printed on gallery wall with liquid emulsion from largeformat negative

velvia 50

A close up of a log in my backyard 4x5 Tmax 100 contact print

To hold the film back in place I use a length of elastic cord held in place with a couple of eye screws and bicycle spoke elbows.