View allAll Photos Tagged largeformat

Upside Down tree in Denmark. Sinar F1, Agfa APX 100

Super angulon 75,拍的时候懒得用快门线。。结果拍到一半的手,裁掉了半张

158x126cm or 80x64cm, Lightjet on photographic paper

the pentax67 SMC 150mm lens mounted to Horseman L45, image circle is insufficient but anyway it works

funabashi near from tokyo,Japan

Ikeda Anba w 6x12 adapter / Foma 100 / Rodinal 1:100

the gallen optics China 120mm f2.8 large format lens. It was a rehouse from an instrumental optical lens which hard to know the original supplier and technical data. It is 4 group 6 element double gauss design and covering more than 4X5 at wide open, with insane sharpness on 4X5 film at f2.8. I rebuilt the housing with aluminum and mounted it on COPAL 3s shutter. Acutally the original modification which built with 3D printing had been tested for more than half year. We were shocked by the performance and now made it into metal.

There were still some lens available and if you have interest, let‘s discuss !

if you look long enough, all thing will be revealed to you.

 

scanned 4x5 negative.

4x5 camera

210mm

ilford FP4+

test image for a home made large format camera.

 

f22 @ 5 seconds.

Taken on adorama 5x7 photographic paper.

From my first batch of 4x5 negs. Gonna need a better scanner... my HP document scanner doesn't seem to have enough DR to get the cloud details. Also the sharpness of the scan is so low that I need to rescale from 1200dpi to 600dpi and apply some unsharp masking to get a nice picture. (I can clearly see the bricks on the building on the neg with my 10x loupe!)

 

1/250 f/22

Linhof Technika III

Angulon 90/6.8

Ilford HP5 Plus

158x126cm or 80x64cm, Lightjet on photographic paper

taken in my backyard 2003

Zeiss Ikon Maximar, f:9 1/10 sec

large format shooting @ nanjing road, shanghai

ilford fp4 125 developed in id-11. digitzed with iphone 8 and processed in PS express on iphone. the brown toning was just straight color inversion, normally i would desaturate a color photo to do black and white but i liked the effect.

Space for the film holder/ground glass.

contact printed on gallery wall with liquid emulsion from largeformat negative

Untouched negative. No adjustments whatsoever in Photoshop. Same tech details as the Scotland 1

 

It was getting dark with a storm brewing when I took this one.

contact printed on gallery wall with liquid emulsion from largeformat negative

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