View allAll Photos Tagged largeformat

Still catching up on previous scans done. Was out in the grey day with the Horseman Woodman 45 and expired HP5 and rodinal semistand. It probably wasn't the best combination for an expired film, but the lighting conditions were subpar as well. But even though the equipment and I got rained on, it was still great to get out there, slow down, spot meter, and still try to capture images for the detail that large format so wonderfully does. Thanks for the inspiration from my flickeranian colleagues.

treasure island, june 2006

Polaroid fp3000

Chamonix

Shot in partnership with Alec Simonson.

The hardware is solid brass, and (apparently) cleans up nicely.

Camera: Globica II

Format: 13x18

Sochi, Russia

 

shiprsochi@gmail.com

158x126cm or 80x64cm, Lightjet on photographic paper

This was almost an afterthought and it shows. As with some of my other Burnham photos, I couldn't get the focal plane right. This is not a building I am going to be able to photograph with the Burke & James; it will require the ToyoG.

Ponte Dolo

 

Paper negative ilford multigrade glossy 20x25

f32, exp 3 min

Dev:dektol 1+9

ilfostop, rapid fixer

tokyo,Japan

Menningarnótt 2012

 

Anniversary Speed Graphic

FP-100c

 

Shen Hao TZ45IIB

Fomapan 100

kodak portra 160 developed in unicolor c41. light box capture on olympus epl1 and converted in lightroom and photoshop.

f400 popcorn tin camera, cylindrical film plane, Arista APHS ortho lith film (6.2"x10"), developed in Soemarko LC-1, scanned from negative in two passes and stitched in Photoshop

What a great day that was. First being at the wonderful Wiener Fotobörse by Jo Geier and then I captured a „memory lane“ dry plate on my way home and did a salt print of it. Check out my video about it: youtu.be/0C3MvXUT86M #analog #largeformat #analogue #landscapephotography #handmade

Calumet 45n, Rodenstock 150mm 5.6 Sironar-N, Kodak Tri-X in T-Max developer

Re-scan in the works..

went to school and scanned everything I had been too lazy to contact, of course everything I didn't contact was 20 times better than the stuff I had put up a couple days ago.

tokyo,Japan

Vines growing on a fence in my backyard. 4x5 format Tmax 100 and a contact print

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