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Fonte : Wikipedia
Florence and the Machine (styled as Florence + the Machine) are an English indie rock band that formed in London in 2007, consisting of lead singer Florence Welch, Isabella Summers, and a collaboration of other artists. The band's music received praise across the media, especially from the BBC, which played a large part in their rise to prominence by promoting Florence and the Machine as part of BBC Introducing. At the 2009 Brit Awards they received the Brit Awards "Critics' Choice" award. The band's music is renowned for its dramatic and eccentric production and also Welch's powerful vocal performances.
The band's debut studio album, Lungs, was released on 6 July 2009, and held the number-two position for its first five weeks on the UK Albums Chart. On 17 January 2010, the album reached the top position, after being on the chart for twenty-eight consecutive weeks.As of October 2010, the album had been in the top forty in the United Kingdom for sixty-five consecutive weeks, making it one of the best-selling albums of 2009 and 2010. The group's second studio album, Ceremonials, released in October 2011, entered the charts at number one in the UK and number six in the US. The band's third album, How Big, How Blue, How Beautiful, was released on 2 June 2015. It topped the UK charts, and debuted at number one on the US Billboard 200, their first to do so. The album reached number one in a total of eight countries and the top ten of twenty. Also in 2015, the band was the headlining act at Glastonbury Festival, making Florence Welch the first British female headliner this century.
Florence and the Machine's sound has been described as a combination of various genres, including rock and soul. Lungs won the Brit Award for Best British Album in 2010. Florence and the Machine has been nominated for eight Grammy Awards including Best New Artist and Best Pop Vocal Album. Additionally, the band performed at the 2010 MTV Video Music Awards and the 2010 Nobel Peace Prize Concert
For all their naff plastic generics and movie themed tat you can still rely on Hot Wheels for bringing out some highly effective modern Lamborghini models such as this Huracan LP 620-2 Super Trofeo seen here in its new for 2017 recolour. Its dramatic looks have been well captured and like most HW Lambos you'll find at least front tampo detailing regardless of whether it has side decoration or not, possibly a licensing stipulation. Bought from ASDA back in November 2016. Mint and boxed.
Rouken Glen Park is a historic park located next to Thornliebank, Giffnock and Newton Mearns.
It contains a range of features and facilities including the pavilion visitor centre which hosts various exhibitions throughout the year ranging from health awareness days to old photo exhibits of the park and surrounding areas, play area, walled garden, the Glen with its dramatic water falls and woodland paths, and a boating pond. There is also a garden centre, café and restaurant and art gallery located in the park.
Throughout the year the park hosts many events ranging from local Community Gala Days to national events like Armed Forces Day.
The Iya Valley (祖谷渓谷 Iya Keikoku) region in Tokushima Prefecture, Japan is a scenic area known for its dramatic mountain valleys and old vine bridges. Although access has improved in recent years, the Iya Valley and the inner parts of Shikoku have historically been remote and difficult to enter, making them a favorite retreat for refugees and defeated warriors. Most notably, members of the Taira clan were rumored to have entered the area after losing the Genpei War to the Minamoto clan in the late 12th century.
Smailholm Tower is a peel tower that stands around five miles west of Kelso in the Scottish Borders. Its dramatic situation, atop a crag of Lady Hill, commands wide views over the surrounding countryside.
Smailholm Tower was originally built in the 15th century or early 16th century by the Pringle family. Followers of the Earl of Douglas, the Pringle (anciently spelt Hoppringle) family had held the lands of Smailholm from the early 15th century, and managed part of Ettrick Forest for their feudal superior.
Smailholm Tower was designed, in common with all Scottish peel towers, to provide its occupants with protection from sporadic English raids. The tower was attacked by English soldiers in 1543, 1544 and again in 1546, when the garrison of Wark Castle sacked the tower and carried off prisoners and cattle. The castle was successfully defended against the English in 1640, by Sir Andrew Ker of Greenhead.
Smailholm was obtained by the Scotts of Harden around this time. The Scotts, ancestors of Sir Walter, rebuilt parts of the tower and barmkin. In the 18th century the tower decayed, after the family moved into nearby Sandyknowe. The last owner, the Earl of Ellesmere, handed the property into state care in 1950. It was restored in the 1980s, and now operates as a museum. (Wikipedia)
If you've seen an Ontario coyote, you've likely seen a coywolf. ... If you were standing in Ontario when you saw it, here's why you could say that you saw either one. The coywolf, a hybrid of the wolf and the western coyote, is the dominant species of coyote in Ontario. Coywolf or coyote are usually one and the same.Dec 10, 2019
If you've seen an Ontario coyote, you've likely seen a coywolf. ... If you were standing in Ontario when you saw it, here's why you could say that you saw either one. The coywolf, a hybrid of the wolf and the western coyote, is the dominant species of coyote in Ontario. Coywolf or coyote are usually one and the same.Dec 10, 2019.
The eastern coyote is generally larger and heavier than the western one. This size difference gives eastern coyotes an edge in fights, making them stronger than western coyotes. Eastern coyotes also have a more intense color compared to the eastern species. Lastly, the two subspecies live in different geographical ranges and have different territory sizes, even if they prefer the same habitats.
The table at the beginning of this Album shows a quick comparison between western coyote vs. eastern coyote subspecies:
When the western coyotes moved towards the east of the United States, they amazingly changed their characteristics. This happened because of the breeding between western coyotes and eastern wolves. Thus, eastern coyotes were born. And the discussion of eastern coyote vs western coyote began.
Now, this phenomenon occurred over the course of a hundred years. And the new type of coyotes really left the scientific community confused. Are they coyotes or wolves or a new species? The debate is still going on. But most agree that these animals are coyotes with quite a few wolf characteristics.
So, the eastern coyote became known by a lot of names like a coydog, tweed wolf, brush wolf, and nowadays coywolf. If they are a new species or not that’s a debate for the scientists.
The Sleeping Giant is a formation of mesas and sills on Sibley Peninsula which resembles a giant lying on its back when viewed from the west to north-northwest section of Thunder Bay, Ontario, Canada. As one moves southward along the shoreline toward Squaw Bay the Sleeping Giant starts to separate into its various sections. Most distinctly in the view from the cliffs at Squaw Bay the Giant appears to have an Adam's Apple. The formation is part of Sleeping Giant Provincial Park. Its dramatic steep cliffs are among the highest in Ontario (250 m). The southernmost point is known as Thunder Cape, depicted by many early Canadian artists such as William Armstrong.
One Ojibway legend identifies the giant as Nanabijou, who was turned to stone when the secret location of a rich silver mine now known as Silver Islet was disclosed to white men.[3]
Barsana Monastery - Maramures - Romania
Barsana Monastery - - A Step Closer to Heaven
Barsana monastery, one of the main attractions in Maramures, Romania
When UNESCO designated parts of the Maramures Region in Northern Transylvania a WORLD HERITAGE site, it was aimed at protecting the stylized wooden architecture and its dramatic vernacular. Of particular appeal are the tall spires of orthodox churches that dot the area. One of these is the recently constructed Barsana Monastery complex - actually a convent with sixteen nuns. Created in post-Communist years on the site of a church abandoned in 1790, the complex has become a significant cultural and religious attraction. Its 56 meter-tall (180 feet) spired church is reputedly the tallest wooden structure in Europe.
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Fonte : Wikipedia
Florence and the Machine (styled as Florence + the Machine) are an English indie rock band that formed in London in 2007, consisting of lead singer Florence Welch, Isabella Summers, and a collaboration of other artists. The band's music received praise across the media, especially from the BBC, which played a large part in their rise to prominence by promoting Florence and the Machine as part of BBC Introducing. At the 2009 Brit Awards they received the Brit Awards "Critics' Choice" award. The band's music is renowned for its dramatic and eccentric production and also Welch's powerful vocal performances.
The band's debut studio album, Lungs, was released on 6 July 2009, and held the number-two position for its first five weeks on the UK Albums Chart. On 17 January 2010, the album reached the top position, after being on the chart for twenty-eight consecutive weeks.As of October 2010, the album had been in the top forty in the United Kingdom for sixty-five consecutive weeks, making it one of the best-selling albums of 2009 and 2010. The group's second studio album, Ceremonials, released in October 2011, entered the charts at number one in the UK and number six in the US. The band's third album, How Big, How Blue, How Beautiful, was released on 2 June 2015. It topped the UK charts, and debuted at number one on the US Billboard 200, their first to do so. The album reached number one in a total of eight countries and the top ten of twenty. Also in 2015, the band was the headlining act at Glastonbury Festival, making Florence Welch the first British female headliner this century.
Florence and the Machine's sound has been described as a combination of various genres, including rock and soul. Lungs won the Brit Award for Best British Album in 2010. Florence and the Machine has been nominated for eight Grammy Awards including Best New Artist and Best Pop Vocal Album. Additionally, the band performed at the 2010 MTV Video Music Awards and the 2010 Nobel Peace Prize Concert
Crane Flower
Strelitzia reginae, commonly known as the crane flower, bird of paradise, or isigude in Nguni,[3] is a species of flowering plant native to the Cape Provinces and KwaZulu-Natal in South Africa. An evergreen perennial, it is widely cultivated for its dramatic flowers. In temperate areas it is a popular houseplant.
Marsden village was built for the miners of Whitburn Colliery. The Colliery was sunk in 1878 by the Harton Coal Company and at its peak it employed 1,900 men. Confusingly, perhaps because of its dramatic location overlooking the famous Marsden Rock, the village was always known as Marsden rather than Whitburn Colliery and the local miners' lodge was Marsden not Whitlburn lodge. In the Early 1960's the British film "Life for Ruth" (Directed by Basil Dearden 1962) was shot here. The pit closed in 1968 and 147 men are recorded as being killed here. The site is now a visitor centre and country park.
Antique Heriz Serapi Persian Rugs #44085 by Nazmiyal Collection
Antique Heriz-Serapi, Persia, late nineteenth century A grand medallion design spewing palmette vinescrolls and finials virtually rules the field of this arrestingly beautiful antique Serapi. Vinescroll cornerpieces give the soft camel ground a hexagonal form, while they echo the rich palette of reds, terracotta, greens, and soft blues of the main floral elements. A vinescroll border provides a framing contrast in scale, while its dramatic blue-black ground reprises the ground color and graphic impact of the central medallion. Serapi carpets represent the finest grade of Heriz, but this magnificent example is extraordinary for its bold drawing and color, even among Serapis.
Pudatso is China's first national park, opened in 2007, Nestled deep in the mountains of northwest Yunnan at an elevation ranging from 3,500 to 4,000 meters (11,500 to 13,100 feet), Pudatso is an integral part of the Three Parallel Rivers Scenic Area, as it is the source of China's three most famous rivers: the Yellow, Yangtze, and Mekong. The area is recognized for its dramatic topological contours and rich biodiversity. Foremost among the lakes in the park are the Bita and Shudu lakes, though the extended wetlands area extends far beyond to encompass forested mountains, grasslands in river valleys and a great abundance of rare plants and animals.
The Düsseldorf Media Harbor, or Medienhafen, is a striking example of urban regeneration that has transformed a derelict industrial port into one of the city's most fashionable and dynamic districts. Once a bustling commercial harbor filled with warehouses and disused buildings, the area began its dramatic makeover in the 1990s. City planners embarked on a strategic project to rejuvenate the waterfront, focusing on a plot-by-plot approach that blended new, avant-garde architecture with the preservation of historic industrial elements. The result is a vibrant hub that seamlessly combines the old and the new, attracting both locals and tourists with its unique atmosphere and creative energy.
The architectural landscape of the Medienhafen is its most prominent feature, showcasing the works of some of the world's most renowned architects. The most iconic structures are undoubtedly the "Gehry Buildings," officially known as the Neuer Zollhof. Designed by the visionary Frank O. Gehry, these three asymmetrical, sculptural high-rises—clad in stainless steel, red brick, and white plaster—have become a symbol of modern Düsseldorf. Other notable buildings include the Colorium, with its eye-catching kaleidoscopic glass facade by William Alsop, and the sleek Stadttor by Helmut Jahn. These architectural masterpieces stand alongside renovated historic warehouses, creating a visually captivating and diverse urban environment that has made the area a must-see for architecture enthusiasts.
Beyond its architectural appeal, the Media Harbor is a thriving economic center. As its name suggests, it is home to over 800 companies, primarily from the media, advertising, and creative sectors. The area's revitalization was driven by a vision to create a hub for these industries, and the project has been a resounding success. The modern office buildings and refurbished industrial spaces provide a unique and inspiring setting for creative work. This concentration of innovative firms has not only revitalized the district but has also solidified Düsseldorf's reputation as a major player in Germany's creative economy.
The cultural and leisure offerings in the Medienhafen are as diverse as its architecture. The waterfront is lined with a variety of trendy cafes, upscale restaurants, and vibrant bars, catering to the district's sophisticated crowd. Visitors can enjoy a wide range of culinary experiences, from Mediterranean cuisine and gourmet burgers to fine dining with stunning views of the Rhine River. The area is also a popular spot for leisure activities, whether it's a stroll along the promenade, a sightseeing cruise on the river, or simply enjoying the lively atmosphere. The fusion of business and pleasure makes the Medienhafen a destination where people can work, dine, and relax in style.
In essence, the Düsseldorf Media Harbor is a testament to the power of thoughtful urban redevelopment. It has successfully transformed an aging industrial zone into a modern, stylish, and economically significant district. By preserving its historical character while embracing cutting-edge architecture and new industries, the Medienhafen has created a unique identity. It stands as a symbol of Düsseldorf's reinvention and a vibrant, forward-looking neighborhood that attracts a mix of creatives, business professionals, and tourists alike, all drawn to its dynamic blend of art, commerce, and culture.
One of the carvings adorning the wall arcading at the west end of the south aisle. This section is actually 'fake', being a highly convincing early 18th century copy of the genuine medieval work nearby.
There is a danger of running out of superlatives when trying to describe Beverley Minster. It is not only the second finest non-cathedral church in the country but is architecturally a far finer building than most of our cathedrals themselves! It will come as a surprise to many visitors to find this grand edifice simply functions today as a parish church and has never been more than collegiate, a status it lost at the Reformaton. What had added to its mystique and wealth was its status as a place of pilgrimage housing the tomb of St John of Beverley, which drew visitors and revenue until the Reformation brought an end to such fortunes and the shrine was destroyed (though the saint's bones were later rediscovered and reinterred in the nave). That this great church itself survived this period almost intact is little short of a miracle in itself.
There has been a church here since the 8th century but little remains of the earlier buildings aside from the Saxon chair near the altar and the Norman font in the nave. The present Minster's construction spans the entirety of the development of Gothic architecture but forms a surprisingly harmonious whole nevertheless, starting with Early English in the 13h century choir and transepts (both pairs) with their lancet windows in a building phase that stopped at the first bays of the nave. Construction was then continued with the nave in the 14th century but only the traceried windows betray the emergent Decorated style, the design otherwise closely followed the work of the previous century which gives the Minster's interior such a pleasingly unified appearance (the only discernable break in construction within can be seen where the black purbeck-marble ceased to be used for certain elements beyond the eastern bay of the nave). Finally the building was completed more or less by 1420 with the soaring west front with its dramatic twin-towers in Perpendicular style (the east window must have been enlarged at this point too to match the new work at the west end).
The fabric happily survived the Reformation intact aside from the octagonal chapter-house formerly adjoining the north choir aisle which was dismantled to raise money by the sale of its materials while the church's fate was in the balance (a similar fate was contemplated for the rest of the church by its new owners until the town bought it for retention as a parish church for £100). The great swathes of medieval glass alas were mostly lost, though seemingly as much to neglect and storm-damage in the following century than the usual iconoclasm. All that survived of the Minster's original glazing was collected to form the patchwork display now filling the great east window, a colourful kaleidoscope of fragments of figures and scenes. Of the other furnishings the choir stalls are the major ensemble and some of the finest medieval canopied stalls extant with a full set of charming misericords (though most of these alas are not normally on show).
There are suprisingly few monuments of note for such an enormous cathedral-like church, but the one major exception makes up for this, the delightful canopied Percy tomb erected in 1340 to the north of the high altar. The tomb itself is surprisingly plain without any likeness remaining of the deceased, but the richly carved Decorated canopy above is alive with gorgeous detail and figurative embellishments. There are further carvings to enjoy adorning the arcading that runs around the outer perimeter of the interior, especially the north nave aisle which has the most rewarding carved figures of musicians, monsters and people suffering various ailments, many were largely restored in the 19th century but still preserve the medieval spirit of irreverent fun.
To summarise Beverley Minster would be difficult other than simply adding that if one enjoys marvelling at Gothic architecture at its best then it really shouldn't be missed and one should prioritise it over the majority of our cathedrals. It is a real gem and a delight to behold, and is happily normally open and welcoming to visitors (who must all be astonished to find this magnificent edifice is no more than a simple parish church in status!). I thoroughly enjoyed this, my second visit here (despite the best efforts of the poor weather!).
Smailholm Tower is a peel tower at Smailholm, around five miles west of Kelso in the Scottish Borders. Its dramatic situation, atop a crag of Lady Hill, commands wide views over the surrounding countryside
There is a danger of running out of superlatives when trying to describe Beverley Minster. It is not only the second finest non-cathedral church in the country but is architecturally a far finer building than most of our cathedrals themselves! It will come as a surprise to many visitors to find this grand edifice simply functions today as a parish church and has never been more than collegiate, a status it lost at the Reformaton. What had added to its mystique and wealth was its status as a place of pilgrimage housing the tomb of St John of Beverley, which drew visitors and revenue until the Reformation brought an end to such fortunes and the shrine was destroyed (though the saint's bones were later rediscovered and reinterred in the nave). That this great church itself survived this period almost intact is little short of a miracle in itself.
There has been a church here since the 8th century but little remains of the earlier buildings aside from the Saxon chair near the altar and the Norman font in the nave. The present Minster's construction spans the entirety of the development of Gothic architecture but forms a surprisingly harmonious whole nevertheless, starting with Early English in the 13h century choir and transepts (both pairs) with their lancet windows in a building phase that stopped at the first bays of the nave. Construction was then continued with the nave in the 14th century but only the traceried windows betray the emergent Decorated style, the design otherwise closely followed the work of the previous century which gives the Minster's interior such a pleasingly unified appearance (the only discernable break in construction within can be seen where the black purbeck-marble ceased to be used for certain elements beyond the eastern bay of the nave). Finally the building was completed more or less by 1420 with the soaring west front with its dramatic twin-towers in Perpendicular style (the east window must have been enlarged at this point too to match the new work at the west end).
The fabric happily survived the Reformation intact aside from the octagonal chapter-house formerly adjoining the north choir aisle which was dismantled to raise money by the sale of its materials while the church's fate was in the balance (a similar fate was contemplated for the rest of the church by its new owners until the town bought it for retention as a parish church for £100). The great swathes of medieval glass alas were mostly lost, though seemingly as much to neglect and storm-damage in the following century than the usual iconoclasm. All that survived of the Minster's original glazing was collected to form the patchwork display now filling the great east window, a colourful kaleidoscope of fragments of figures and scenes. Of the other furnishings the choir stalls are the major ensemble and some of the finest medieval canopied stalls extant with a full set of charming misericords (though most of these alas are not normally on show).
There are suprisingly few monuments of note for such an enormous cathedral-like church, but the one major exception makes up for this, the delightful canopied Percy tomb erected in 1340 to the north of the high altar. The tomb itself is surprisingly plain without any likeness remaining of the deceased, but the richly carved Decorated canopy above is alive with gorgeous detail and figurative embellishments. There are further carvings to enjoy adorning the arcading that runs around the outer perimeter of the interior, especially the north nave aisle which has the most rewarding carved figures of musicians, monsters and people suffering various ailments, many were largely restored in the 19th century but still preserve the medieval spirit of irreverent fun.
To summarise Beverley Minster would be difficult other than simply adding that if one enjoys marvelling at Gothic architecture at its best then it really shouldn't be missed and one should prioritise it over the majority of our cathedrals. It is a real gem and a delight to behold, and is happily normally open and welcoming to visitors (who must all be astonished to find this magnificent edifice is no more than a simple parish church in status!). I thoroughly enjoyed this, my second visit here (despite the best efforts of the poor weather!).
Manufacturer: Thunderhead Automotive Division
Nationality: United States of America
First assembled: July 19th, 1971
Birthplace: Milwaukee, Wisconsin
Engine: 7 L Hemi V8
HP: 434 BHP
0-60: 5.8 Seconds
Top speed: 150.40 MPH
When Thunderhead resurrected the Asgard nameplate in the early 2040s, it was like the world stopped. A manufacturer that before then had no real sportscar or even just a truly sporty model suddenly had something that sat in this strange midground between a classic musclecar and full-blown supercar. The low, sleek design enhanced by some beefy design elements certainly made it look the part, and the immense 7.3 L V12 engine was something unique not just in Thunderhead's lineup, but in all of the western hemisphere's auto industry. The Asgard quickly made waves when it landed, with significant public exposure thanks to plenty of viral videos and celebrity owners. Its performance made sure it wasn't writing checks its burly looks couldn't cash, either. With that V12 producing over 800 naturally-asperated horses thundering the Asgard to nearly 220 MPH, this was truly a machine to be respected and feared. The new Asgard didn't have just its own merit to stand on, however. As said before, Thunderhead *resurrected* the nameplate. The Asgard is a historic name for the brand, and to see why that name is so historic in the first place, you have to go back to the golden era of musclecar, nearly a century ago.
After WWII, The United States was unquestionably the greatest industrial superpower on the planet, which was one major element that lead to them having such a thriving economy after the war. Car manufacturing wasn't left out from this boom, which in no part helped greatly increase car ownership in North America. Car brands could have multiple models sharing a category and still make money, a fact that was especially apparent with Thunderhead. Their stable of sporty models was varied and plentiful, meeting every size and performance niche you could imagine. At the bottom there was the Phantom, an "entry-level" ponycar. Sitting on the very top however was none other than the Hammer of the Gods itself. The original 1969 Thunderhead Asgard wasn't just meant to take on the best of the North American sector, but the entire world as a global offering to take the fight directly to European marques slipping their way into the US market. While the Asgard was distinctly and proudly American in appearance, in design its European-fighting directive becomes quite clear with a closer look. The Asgard was obviously a big mean musclecar in size and demeanor, but the long front hood, low position and 2-seat coupe setup made it something that wouldn't look too out-of-place across the Atlantic. What would make it stand out across the pond was what was under that long hood; a 6.3 L V8 that was standard. Producing over 340 HP, the original Asgard isn't impressive by todays standards, but in the mid/late 20th century power like this was believed to be the kind of stuff that could split the earth open. Yet even with its euro-esque setup and quintessentially American grunt, the Asgard had some trouble competing on a global scale. Funnily enough, Thunderhead's entry-level model the Phantom was a bigger hit in Europe, though only meagerly. To truly give Europe something to think about, the Asgard would have to go bigger. And go bigger it would in a way that truly made it an American legend.
1971 might just be one of the most important years in Thunderhead's history, as it was the year that the Asgard truly earned its legendary status. How so? By introducing the all-powerful 426 "Mjolnir" V8 Hemi engine. That's 7 liters of displacement, making this engine one of the biggest on the road at the time. It was also one of the most advanced since its origins are traced back to motorsports. The 426 Mjolnir more or less began life in the mid-1960s as a pure race engine built for use in stock car racing, a fact they leaned heavily on in marketing when this engine was tuned for road use. The main trick of the 426 was the use of hemispherical combustion chambers in the cylinder heads, which is where the term "hemi" comes from. The main advantage of this design is increased compression, which in turn increases power. The larger intake and exhaust valves also help, allowing better flow of intake and exhaust gasses, also resulting in improved volumetric efficiency, and most importantly even greater power. This absolutely meaty powertrain made its debut in the new top-ot-the-line trim for the Asgard in 1972, which shared its name with the engine. What buyers would get with this new flagship was the closest thing America had to an outright supercar at the time. All that focus on increasing power paid off, with Thunderhead stating the Mjolnir produced over 430 HP. Independent dynamometer testing however showed that Thunderhead wasn't being truthful...in that power actually reached over 440, with some even theorizing that 450 could be possible. This is respectable by modern standards, but in the early 1970s power like this was outright apocalyptic. It's no surprise that the Asgard 426 wasn't exactly slow, with independent tests putting 0-60 in just under 6 seconds, and top speed estimated to just break the 150 MPH barrier. Again, not the greatest stats by modern standards, but in the 1970s the only people making faster machines were also flying said machines to the moon.
The Asgard 426 certainly had the power to fight the Europeans, but this is where its advantages really began and ended. The big power made the Asgard 426 fast, sure, but it also made it about as much of a classic musclecar as it gets. In that handling wasn't the best. Tires, brakes, and suspension tech at the time just simply couldn't deal with the kind of power the Asgard 426 was putting down, making the driving experience outside of quarter-mile runs unsatisfying at best and outright suicidal at worst. The luxuries weren't that impressive even by 1970s standards, either, which was another area the Asgard's overseas competitors excelled in. What probably caused the Asgard 426 to truly lose its fight to the Europeans was that it's basically didn't show up to begin with. Sure, in the US it was as present as it gets, providing customers with a cheaper, more powerful alternative to foreign offerings. Due to Thunderhead not having a fantastic distribution network in Europe though, potential customers would be having a rough time just finding an Asgard in the first place, let alone choosing it over more domestic options that arguably had more to offer. So overall, no, the Asgard 426 did not succeed at becoming a serious player on the international market. Domestically, though? The Asgard 426 was above and beyond the most desirable car Thunderhead had ever made up to that point, with the company unable to match demand. And sadly, they'd never even get the chance. Come roughly over a year after the Asgard 426 was first built, an oil crisis would kick the world into a recession, Which in turn brought about stringent emissions regulations that would force Thunderhead to kill production of the Asgard 426 outright. The Asgard nameplate would stick around up until the very end of the 20th century, but none of these later iterations would ever reach the heights the Asgard 426 reached, barring its dramatic resurrection in the 2040s.
Because the production window was so small thanks to the emissions regulations, the Asgard 426 wasn't built in great numbers. Estimates range from about over 1,200 to as low as 800 were ever built, and that number has only gotten lower over time no thanks in due part due to plenty of inexperienced owners crashing them. This means the Asgard 426 is basically just as desirable as it was back in the 1970s where its from, and far more expensive. The average asking price for a well-kept Asgard 426 easily reaches $150,000, with some exceptional examples approaching 7-figure pricetags. Even for all its shortcomings, the Asgard 426 earned its legendary status in American car culture thanks to all that insane power, and resurrecting the nameplate in the 2040s was one of the better choices Thunderhead has made. Right next to seemingly correcting the mistakes they made with the Asgard 426 with it's modern successor. The new Asgard offers more luxurious features, and every other performance component on it is as advanced as they can be to truly handle the massive power, making sure the new Asgard is a genuine world-fighting supercar than put its horses down anywhere, not just a straight line. But all its performance would've never mattered if it wasn't for the Asgard 426 making the nameplate something worth seeing.
is a canyon system of the Caprock Escarpment located in the Texas Panhandle near the city of Amarillo, Texas, United States. As the second largest canyon in the United States, it is roughly 193 km (120 mi) long and has an average width of 10 km (6.2 mi), but reaches a width of 32 km (20 mi) at places. Its depth is around 250 m (820 ft), but in some locations it can increase up to 304 m (997 ft). Palo Duro Canyon has been named "The Grand Canyon of Texas" both for its size and for its dramatic geological features, including the multicolored layers of rock and steep mesa walls similar to those in the Grand Canyon.
One of the most amazing places that I have ever seen! The Lighthouse Trail was awesome and unforgettable!
More information:
English: en.wikipedia.org/wiki/Palo_Duro_Canyon
German: de.wikipedia.org/wiki/Palo_Duro_Canyon
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without my explicit permission. © All rights reserved.
Iceland, a Nordic island nation, is defined by its dramatic volcanic landscape of geysers, hot springs, waterfalls, glaciers and black-sand beaches. The capital, Reykjavik, home to the majority of the population, runs on geothermal power and offers a renowned nightlife scene as well as Viking history museums. The glaciers in Vatnajökull and Snæfellsnes national parks are popular for ice climbing, hiking and snowmobiling.
Roosevelt Island
The Octagon, located at the northern end of Roosevelt Island, served as the administrative center and main entrance hall of the New York City Lunatic Asylum, one of the first institutions of its kind established in this country.
Designs for the Asylum were prepared in 1834-35 by the acted New York architect, Alexander Jackson Davis, and the building was opened in 1839. Davis' plans called for a much more elaborate scheme than was actually built by the City; the Octagon was to have been one of a pair within a great U-shaped complex, ordered around a central rectangular pavilion.
As built, the single Octagon, from which two long wings extended, became the focal point of the building. Much admired in the 19th century for its architectural excellence, the Octagon now stands alone, the imposing geometric clarity and simplicity of its design fully revealed.
The City of New York purchased Blackwell's Island, as Roosevelt Island was called, in the 19th century, in 1828 with a view to institutional development; it was believe that the pleasant island surroundings would be conducive to both physical and mental rehabilitation. The island Penitentiary was begun in 1829, and the Lunatic Asylum was constructed at the end of the following decade. An Almshouse, Workhouse, and numerous charity hospitals were also built on Blackwell's Island during the course of the century, The Lunatic Asylum was erected in response to the desperate need for proper accomodation of the insane.
Previously, these cases had been assigned to a few overcrowded and poorly maintained wards in Bellevue Hospital, In the middle years of the 19th century, the attitude towards the treatment and care of the insane underwent significant and progressive change. Recognition that they required medical assistance, not merely custodial restraint, led to the founding of such institutions as the New York City Lunatic Asylum.
That this change in. attitude was, however, only gradually accomplished is well demonstrated by the fact that, in the early years of the Lunatic Asylum, patients were supervised by inmates from the Penitentiary under the direction of a small medical staff. The physicians in charge deplored this situation, and a suitable staff of orderlies and nurses was finally hired in 1850. Physical activity and labor as well as entertainment were prescribed as therapeutic for mental disturbances.
Thus, the male patients of the lunatic Asylum who were willing and able, worked in vegetable gardens or built sea walls in order to reclaim land, while female patients aided in housekeeping chores and worked as seamstresses.
A library—for the most part the result of donations from publishing houses and private citizens-- •• was formed, and weekly dances were held. At the recommendation of a resident physician, even a billiard table was purchased.
The Asylum was, however, plagued with difficulties, primarily due to overcrowding and financial inadequacies. In the early years the diet of the patients was inadequate, and scurvy was a relatively common disease.
Typhus and cholera epidemics afflicted the patients and staff alike in the 1860s. When Charles Dickens visited the United States in 1842, he was taken on a tour of the Black-well's Island Lunatic Asylum where he much admired the architecture, calling the building "handsome" and the Octagon an especially "elegant" feature; but he further commented in his American Notes (1842): "... everything (at the Asylum) had a lounging, listless, madhouse air which was very painful."
Through the perseverance of the resident physicians and other concerned New Yorkers, conditions were gradually improved. Additional buildings were constructed to ease overcrowding and to separate violent patients from less serious cases.
The facilities in general were made more pleasant and comfortable. By 1875 a contributor to Harper's Weekly magazine was able to write that "very few sane persons inhabit more healthy and convenient chambers."
In 1894 it had been determined that municipal facilities could no longer adequately care for the great numbers of indigent insane. Ward's Island also in the Hast River was consequently ceded to the State of New York, and all New York City mental patients were transferred to hospitals there.
The Lunatic Asylum was renamed Metropolitan Hospital and became a general hospital with special emphasis on the treatment of tubercular patients. In the 1950s the buildings on the island were abandoned for new quarters in Manhattan. By the late 1960s the island redevelopment project of the New York State Urban Development Corporation, threatened the old Asylum with demolition.
Fortunately it was decided, on the basis of. recommendations made by the Landmarks Preservation Commission and a report prepared by the noted architectural historian, Henry-Russell Hitchcock, to preserve the central Octagon, Demolition of the two wings which projected at right 'angles to the south and west was completed in 1970, and temporary preservation the measures were taken for the Octagon under the direction of the New York architect, Giorgio Cavaglieri, who also restored two other buildings on the island, the Blackwell House and the Chapel of the Good Shepherd.
The Octagon has a complicated history of alteration and modification., which has carefully traced by Jane B. Davies, an authority on the work of A.J. Davis. The original 1834-35 design by Davis was in what he termed the "Tuscan Style".
The Octagon was to have had a low-pitched hip roof with wide eaves and a central skylight. Construction of the Asylum had barely begun, however, when the City Council ordered work halted because of disagreements over the design.
In 1837 work was resumed, but Davis' great U-shaped plan was reduced to a single octagon joined to a single east-west wing. The upper portion of the Octagon was altered to include a crenelated cupola and the architectural detail was changed to the Greek Revival style. Davis had intended that the Octagon should house a kitchen and dining hall, day rooms, a laundry, and baths. It now became the administrative center and main entrance as well as the living quarters for the Resident Physician.
This phase of construction was completed in 1839, under the supervision of two master-builders, as Davis was apparently no longer associated with the project. In 1847-48 a north-south wing was built repeating the style of the earlier east-west wing. Architect Joseph M. Dunn was commissioned in 1879 to alter the Asylum.
He raised the wings one story in height and, to retain the visual prominence of the Octagon, added a dome-like convex mansard roof with neo-Grec detail. To further enhance the Octagon, a new main entrance was constructed with a double staircase.
The Octagon, executed in the gray "granite" (actually gray gneiss) quarried on the island in' the 19th century, is a smooth-walled, crisply faceted structure, relying for its dramatic effect on the clarity of its geometry and the boldness of its silhouette. The fenestration is especially notable as the earliest surviving example of the "Davisean window" ; paired windows appear at each floor, separated by heavy mullions and by simple stone transverse members, creating a very modern feeling of continuous verticality.
The main entrance of the Octagon, at first floor level, is approached by a double staircase of stone which was originally covered by a wooden porch, and has heavy wing walls adorned by recessed
the third floor by a simple projecting metal cornice with boldly scaled dentils and a paneled frieze beneath. At the center of the roof is the simple octagonal cupola surmounted by its dome-like octagonal roof.
This tall, convex mansard roof is crowned by a heavy cornice and pierced by two tiers of dormer windows. The rectangular windows are enframed by neo-Grec pilasters and pediments, and smaller dormers with oval windows appear above.
The plan of the Octagon is composed of a central rotunda surrounded by four rooms, separated by corridors which radiate outward. The rotunda contains a spiral staircase constructed of cast iron with wood Ionic columns encircling the high central stairwell -an especially beautiful space, described by Henry-Russell Hitchcock as one of the grandest interiors in the City.
Although the silhouette and proportions of the Octagon have been altered by the addition of Dunn's mansard dome, the major credit for the design of the structure may be assigned to Alexander Jackson Davis (1803-1892), a native New Yorker and highly successful architect, who worked throughout the United States.
In the early years of his career Davis was in partnership with the prominent architect Ithiel Town (1784-1844) with whom he designed the New York Customs House (now Federal Hall National Memorial), a designated New York City Landmark. During the period of his association with Town, Davis designed the Blackwell's Island Lunatic Asylum, as well as the State Capitols of Indiana, North Carolina, Illinois, and Ohio, the Wadsworth Athenaeum in Hartford, and the Patent Office in Washington D.C.
His commissions were, however, not limited solely to public buildings; he was also responsible for numerous commercial buildings, churches and domestic structures, and was the author of two books, Views of the Public Buildings in the City of New York (c, 1830) and Rural Residences 1837). While Davis was a highly competent practitioner of the Greek Revival style --in his early twenties he made an intensive study of Greek detail — he was also well versed in many other styles, as his original "Tuscan" design for the Lunatic Asylum demonstrates.
The architectural historian, Talbot Hamlin, has praised Davis' "consistent feeling for logical planning." The original symmetrical plan made by Davis for the New York City Lunatic Asylum took into account efficient supervision of patients, ease of circulation and ample provision for good lighting and ventilation in the wards.
Davis' plan was a variant of the influential "panoptic plan," which was centralized with radiating wings, developed in Great Britain by Jeremy Bentham (1742 -1832), a philosopher and jurist interested in prison reform. While only a portion of Davis' original proposal for the Lunatic Asylum was actually built, the plan still functioned very effectively. Davis' New York, City Asylum project was also significant in that it served as the prototype for his North Carolina Hospital for the Insane at Raleigh.
Dr. R.L. Parsons, Resident Physician of the Lunatic Asylum during the 1860s, remarked in his annual report of 1865 that the Octagon "has a symmetry, a beauty and a grandeur even, that are to be admired." These qualities arc still in evidence, not only to the visitor to Roosevelt Island, but also from Manhattan where the picturesque silhouette of the Octagon is a prominent feature of the island's skyline.
- From the 1976 NYCLPC Landmark Designation Report
Detail of the beautiful mid-14th century canopy of the Percy Tomb on the north side of the high altar. The tomb itself has disappeared and the exact identity of its occupant remains unclear, though Lady Eleanor (d.1328) is considered a likely candidate.
beverleyminster.org.uk/visit-us-2/percy-canopy/
There is a danger of running out of superlatives when trying to describe Beverley Minster. It is not only the second finest non-cathedral church in the country but is architecturally a far finer building than most of our cathedrals themselves! It will come as a surprise to many visitors to find this grand edifice simply functions today as a parish church and has never been more than collegiate, a status it lost at the Reformaton. What had added to its mystique and wealth was its status as a place of pilgrimage housing the tomb of St John of Beverley, which drew visitors and revenue until the Reformation brought an end to such fortunes and the shrine was destroyed (though the saint's bones were later rediscovered and reinterred in the nave). That this great church itself survived this period almost intact is little short of a miracle in itself.
There has been a church here since the 8th century but little remains of the earlier buildings aside from the Saxon chair near the altar and the Norman font in the nave. The present Minster's construction spans the entirety of the development of Gothic architecture but forms a surprisingly harmonious whole nevertheless, starting with Early English in the 13h century choir and transepts (both pairs) with their lancet windows in a building phase that stopped at the first bays of the nave. Construction was then continued with the nave in the 14th century but only the traceried windows betray the emergent Decorated style, the design otherwise closely followed the work of the previous century which gives the Minster's interior such a pleasingly unified appearance (the only discernable break in construction within can be seen where the black purbeck-marble ceased to be used for certain elements beyond the eastern bay of the nave). Finally the building was completed more or less by 1420 with the soaring west front with its dramatic twin-towers in Perpendicular style (the east window must have been enlarged at this point too to match the new work at the west end).
The fabric happily survived the Reformation intact aside from the octagonal chapter-house formerly adjoining the north choir aisle which was dismantled to raise money by the sale of its materials while the church's fate was in the balance (a similar fate was contemplated for the rest of the church by its new owners until the town bought it for retention as a parish church for £100). The great swathes of medieval glass alas were mostly lost, though seemingly as much to neglect and storm-damage in the following century than the usual iconoclasm. All that survived of the Minster's original glazing was collected to form the patchwork display now filling the great east window, a colourful kaleidoscope of fragments of figures and scenes. Of the other furnishings the choir stalls are the major ensemble and some of the finest medieval canopied stalls extant with a full set of charming misericords (though most of these alas are not normally on show).
There are suprisingly few monuments of note for such an enormous cathedral-like church, but the one major exception makes up for this, the delightful canopied Percy tomb erected in 1340 to the north of the high altar. The tomb itself is surprisingly plain without any likeness remaining of the deceased, but the richly carved Decorated canopy above is alive with gorgeous detail and figurative embellishments. There are further carvings to enjoy adorning the arcading that runs around the outer perimeter of the interior, especially the north nave aisle which has the most rewarding carved figures of musicians, monsters and people suffering various ailments, many were largely restored in the 19th century but still preserve the medieval spirit of irreverent fun.
To summarise Beverley Minster would be difficult other than simply adding that if one enjoys marvelling at Gothic architecture at its best then it really shouldn't be missed and one should prioritise it over the majority of our cathedrals. It is a real gem and a delight to behold, and is happily normally open and welcoming to visitors (who must all be astonished to find this magnificent edifice is no more than a simple parish church in status!). I thoroughly enjoyed this, my second visit here (despite the best efforts of the poor weather!).
The Düsseldorf Media Harbor, or Medienhafen, is a striking example of urban regeneration that has transformed a derelict industrial port into one of the city's most fashionable and dynamic districts. Once a bustling commercial harbor filled with warehouses and disused buildings, the area began its dramatic makeover in the 1990s. City planners embarked on a strategic project to rejuvenate the waterfront, focusing on a plot-by-plot approach that blended new, avant-garde architecture with the preservation of historic industrial elements. The result is a vibrant hub that seamlessly combines the old and the new, attracting both locals and tourists with its unique atmosphere and creative energy.
The architectural landscape of the Medienhafen is its most prominent feature, showcasing the works of some of the world's most renowned architects. The most iconic structures are undoubtedly the "Gehry Buildings," officially known as the Neuer Zollhof. Designed by the visionary Frank O. Gehry, these three asymmetrical, sculptural high-rises—clad in stainless steel, red brick, and white plaster—have become a symbol of modern Düsseldorf. Other notable buildings include the Colorium, with its eye-catching kaleidoscopic glass facade by William Alsop, and the sleek Stadttor by Helmut Jahn. These architectural masterpieces stand alongside renovated historic warehouses, creating a visually captivating and diverse urban environment that has made the area a must-see for architecture enthusiasts.
Beyond its architectural appeal, the Media Harbor is a thriving economic center. As its name suggests, it is home to over 800 companies, primarily from the media, advertising, and creative sectors. The area's revitalization was driven by a vision to create a hub for these industries, and the project has been a resounding success. The modern office buildings and refurbished industrial spaces provide a unique and inspiring setting for creative work. This concentration of innovative firms has not only revitalized the district but has also solidified Düsseldorf's reputation as a major player in Germany's creative economy.
The cultural and leisure offerings in the Medienhafen are as diverse as its architecture. The waterfront is lined with a variety of trendy cafes, upscale restaurants, and vibrant bars, catering to the district's sophisticated crowd. Visitors can enjoy a wide range of culinary experiences, from Mediterranean cuisine and gourmet burgers to fine dining with stunning views of the Rhine River. The area is also a popular spot for leisure activities, whether it's a stroll along the promenade, a sightseeing cruise on the river, or simply enjoying the lively atmosphere. The fusion of business and pleasure makes the Medienhafen a destination where people can work, dine, and relax in style.
In essence, the Düsseldorf Media Harbor is a testament to the power of thoughtful urban redevelopment. It has successfully transformed an aging industrial zone into a modern, stylish, and economically significant district. By preserving its historical character while embracing cutting-edge architecture and new industries, the Medienhafen has created a unique identity. It stands as a symbol of Düsseldorf's reinvention and a vibrant, forward-looking neighborhood that attracts a mix of creatives, business professionals, and tourists alike, all drawn to its dynamic blend of art, commerce, and culture.
Dag 11: Nagar and Hopper Valleys - Ganish village.
Nagar Valley.
Nagar Valley is a stunning high-altitude region in Gilgit-Baltistan, known for its dramatic mountains, glaciers and rich cultural heritage.
this photo was taken whilst we was on a boat trip down the colorado river in the wonderful west rim of the grand canyon.
The Colorado River is the principal river of the Southwestern United States and northwest Mexico. The 1,450-mile (2,330 km) river drains an expansive, arid watershed that encompasses parts of seven U.S. and two Mexican states. Rising in the central Rocky Mountains in the U.S., the river flows generally southwest across the Colorado Plateau before reaching Lake Mead on the Arizona–Nevada line, where it turns south towards the international border. After entering Mexico, the Colorado forms a large delta, emptying into the Gulf of California between Baja California and Sonora.
Known for its dramatic canyons and whitewater rapids, the Colorado is a vital source of water for agricultural and urban areas in the southwestern desert lands of North America.[6] The river and its tributaries are controlled by an extensive system of dams, reservoirs, and aqueducts, which furnish irrigation and municipal water supply for almost 40 million people both inside and outside the watershed.[7] The Colorado's large flow and steep gradient are used for generating hydroelectric power, and its major dams regulate peaking power demands in much of the Intermountain West. Since the mid-20th century, intensive water consumption has dried the lower 100 miles (160 km) of the river such that it no longer reaches the sea except in years of heavy runoff.[8]
Beginning with small bands of nomadic hunter-gatherers, Native Americans have inhabited the Colorado River basin for at least 8,000 years. Between 2,000 and 1,000 years ago, the river and its tributaries fostered large, sedentary agricultural civilizations, which may have been some of the most sophisticated indigenous cultures in North America. These societies are believed to have collapsed due to a combination of severe drought and poor land use practices. Most native peoples that inhabit the river basin today are descended from other groups that settled in the region beginning about 1,000 years ago. Europeans first entered the Colorado River watershed in the 16th century, when explorers from Spain began mapping and claiming the area, which later became part of Mexico upon its independence from Spain in 1821. Early contact between foreigners and natives was generally limited to the fur trade in the headwaters and sporadic trade interactions along the lower river.
After the Colorado River basin became part of the U.S. in 1846, the river's course was still largely unknown, and the whereabouts of its headwaters and mouth were still the subject of myths and speculation. Several expeditions charted the Colorado in the mid-19th century, of which one was the first to run the rapids of the Grand Canyon, led by John Wesley Powell in 1869. American explorers collected valuable information that would later be used to investigate the feasibility of developing the river for navigation and water supply. Large-scale settlement of the lower basin began in the mid-to-late 19th century, with steamboats providing transportation and trade along the Colorado and Gila rivers. Lesser numbers settled in the upper basin, which was also the setting of major gold strikes in the 1860s and 1870s.
Major engineering of the river basin began around the start of the 20th century, with many guidelines for development established in a series of domestic and international treaties known as the "Law of the River". The U.S. federal government was the main driving force behind the construction of hydraulic engineering projects in the river system, although many state and local water agencies were also involved. Most of the major dams in the river basin were built between 1910 and 1970, with the system keystone, Hoover Dam, completed in 1935. Because of these developments, the Colorado River is now considered among the most controlled and litigated in the world, with every drop of its water fully allocated.
The construction of dams and associated water export schemes on the Colorado River system have been a flashpoint for the environmental movement in the American Southwest, due to their impacts on the ecology and natural beauty of the river and its tributaries. During the construction of Glen Canyon Dam, environmental organizations vowed to block any further development of the river, and a number of later dam and aqueduct proposals were defeated by citizen opposition. As demands for Colorado River water continue to rise, the level of human development and control of the river continues to generate controversy.
SCALPED #12
Written by Jason Aaron
Art by John Paul Leon
Cover by Dave Johnson
As the first year of SCALPED comes to its dramatic conclusion, we spend a night with Dash Bad Horse - the reservation's resident bad-ass - as he lays out his hopes and dreams, his fears and darkest secrets, and his plan for staying alive throughout the turmoil.
On sale December 5 o 32 pg, FC, $2.99 US o MATURE READERS
Breakfast at Podere al Salcio's delightful panoramic breakfast in the verandah, with biscuits, cappuccino, tea, fruit juices, fresh fruit, cereal and yoghurt.
Podere al Salcio is an 18th century stone and brick country house originally built in the local tradition as a farming building, with animals in the low building on the left, haystack, granary and deposit on the ground floor of the main house. The first floor used to hosts the farmers' families.
It enjoys the most stunning views 360° degrees round, changing in colour throughout the day and seasons. Val d'Orcia is a Unesco World Heritage region for its dramatic beauty and untouched landscapes.
Smailholm Tower is a peel tower at Smailholm, around five miles (8 km) west of Kelso in the Scottish Borders. Its dramatic situation, atop a crag of Lady Hill, commands wide views over the surrounding countryside. The tower is located at grid reference NT637346, just west of Sandyknowe farm, and is now a Scheduled Ancient Monument in the care of Historic Scotland. In June 2007 it was awarded the maximum "five-star" status as a tourist attraction from VisitScotland, a rating bestowed on only eight other sites in Scotland.
White Sands National Monument is in the northern Chihuahuan Desert in the U.S. state of New Mexico. It's known for its dramatic landscape of rare white gypsum sand dunes. Trails through the dunes include the raised Interdune Boardwalk and the Dune Life Nature Trail, dotted with interpretive exhibits on wildlife and other features. Dunes Drive is a looped road from the White Sands Visitor Center to the dune field. Read the blog post - www.dvrawfiles.com/white-sands-new-mexico Watch the vlog - www.youtube.com/watch?v=GhwKZVqNfiU
Day 5: Rumbur Valley - Chitral - Mastuj.
Rumbur Valley - Nature.
Rumbur is one of the famous Kalasha valleys in Lower Chitral District, Khyber Pakhtunkhwa, Pakistan. It's known for its dramatic mountain scenery, ancient culture, and the unique traditions of the Kalash people.
The Kalash people are considered as one of the last surviving non-Muslim indigenous groups in northern Pakistan.
One of the many carvings adorning the wall arcading in the north aisle.
There is a danger of running out of superlatives when trying to describe Beverley Minster. It is not only the second finest non-cathedral church in the country but is architecturally a far finer building than most of our cathedrals themselves! It will come as a surprise to many visitors to find this grand edifice simply functions today as a parish church and has never been more than collegiate, a status it lost at the Reformaton. What had added to its mystique and wealth was its status as a place of pilgrimage housing the tomb of St John of Beverley, which drew visitors and revenue until the Reformation brought an end to such fortunes and the shrine was destroyed (though the saint's bones were later rediscovered and reinterred in the nave). That this great church itself survived this period almost intact is little short of a miracle in itself.
There has been a church here since the 8th century but little remains of the earlier buildings aside from the Saxon chair near the altar and the Norman font in the nave. The present Minster's construction spans the entirety of the development of Gothic architecture but forms a surprisingly harmonious whole nevertheless, starting with Early English in the 13h century choir and transepts (both pairs) with their lancet windows in a building phase that stopped at the first bays of the nave. Construction was then continued with the nave in the 14th century but only the traceried windows betray the emergent Decorated style, the design otherwise closely followed the work of the previous century which gives the Minster's interior such a pleasingly unified appearance (the only discernable break in construction within can be seen where the black purbeck-marble ceased to be used for certain elements beyond the eastern bay of the nave). Finally the building was completed more or less by 1420 with the soaring west front with its dramatic twin-towers in Perpendicular style (the east window must have been enlarged at this point too to match the new work at the west end).
The fabric happily survived the Reformation intact aside from the octagonal chapter-house formerly adjoining the north choir aisle which was dismantled to raise money by the sale of its materials while the church's fate was in the balance (a similar fate was contemplated for the rest of the church by its new owners until the town bought it for retention as a parish church for £100). The great swathes of medieval glass alas were mostly lost, though seemingly as much to neglect and storm-damage in the following century than the usual iconoclasm. All that survived of the Minster's original glazing was collected to form the patchwork display now filling the great east window, a colourful kaleidoscope of fragments of figures and scenes. Of the other furnishings the choir stalls are the major ensemble and some of the finest medieval canopied stalls extant with a full set of charming misericords (though most of these alas are not normally on show).
There are suprisingly few monuments of note for such an enormous cathedral-like church, but the one major exception makes up for this, the delightful canopied Percy tomb erected in 1340 to the north of the high altar. The tomb itself is surprisingly plain without any likeness remaining of the deceased, but the richly carved Decorated canopy above is alive with gorgeous detail and figurative embellishments. There are further carvings to enjoy adorning the arcading that runs around the outer perimeter of the interior, especially the north nave aisle which has the most rewarding carved figures of musicians, monsters and people suffering various ailments, many were largely restored in the 19th century but still preserve the medieval spirit of irreverent fun.
To summarise Beverley Minster would be difficult other than simply adding that if one enjoys marvelling at Gothic architecture at its best then it really shouldn't be missed and one should prioritise it over the majority of our cathedrals. It is a real gem and a delight to behold, and is happily normally open and welcoming to visitors (who must all be astonished to find this magnificent edifice is no more than a simple parish church in status!). I thoroughly enjoyed this, my second visit here (despite the best efforts of the poor weather!).
The Ultimate Santorini Travel Guide: 17 Unmissable Things To DO!
Finally time for my Santorini Travel Guide! Santorini is one of the most iconic summer destinations in the Mediterranean, and easily among the most popular Greek islands. Famous worldwide for its beautiful beaches, its exotic white eggplants, and its dramatic views. If to summarize the Santorini experience in one word it would be….breathtaking!
In a building dating to 1874, John Crump opened his Opera House in 1889. In 1914, the first movies were shown, and not long afterwards, the Opera House was renamed the Crump Theatre.
In 1934, seating was increased when the orchestra pit was removed, and the same year, the Crump Theatre was nearly renamed the 'Ritz'.
The Crump Theatre underwent a thorough renovation in 1941, to the plans of architect Alden Meranda. It was redesigned in Art Moderne style, including its dramatic facade, with its two-story tall vertical marquee, illuminated by chaser lights.
cinematreaures.org
In the 1967 movie "Wait Until Dark" (link contains SPOILERS!) there is a scene where the only light on screen is the open refrigerator...
The plot features a blind woman being harassed in her home. Using a stunt that in these safety-conscious and litigious days would never be allowed, as the film reached its dramatic climax, the lights in the theater were all turned off, letting movie-goers experience the heroine's exact terrifying conditions.
Our Daily Challenge: movie-inspired
This remarkably well preserved bronze head is one of the most powerful portraits of the Roman Emperor Augustus (ruled 27 BC - AD 14). Torn from the rest of the statue by Rome's enemies, it only survived because it was ritually buried in the sands of Sudan at Meroë.
Augustus, in his late thirties when the Meroë Head was made, appears calm and ageless. This type of portrait, created when Augustus had become sole ruler, was based on models from classical Greece and differed from more naturalistic earlier versions. It proved highly successful and remained unchanged until Augustus' death aged 76 in AD 14.
A potent symbol of his status and power, the Meroë Head became a prized trophy for Rome's enemies. Grains of sand, fused to the corroded surface of the bronze, still hint at its dramatic fate.
27-25 BC
Probably made in Egypt
Bronze (copper alloy) with details in copper, glass paste and limestone
1911,0901.1
This angle captures the dramatic "nature versus building" battle that ensues in warm tropical climates. Ta Prohm is best known for its dramatic and photogenic appearance, where massive trees—mostly spung (Tetrameles nudiflora) and silk-cotton trees—grow out of the temple's stonework. Their thick roots snake over and through the crumbling towers, walls, and courtyards, creating a unique blend of natural and man-made architecture. This overgrowth has been preserved intentionally in a “conservation-through-minimal-intervention” approach, unlike many other Angkor temples that have been fully restored.
Architecturally, Ta Prohm follows the Bayon style, characterised by intricate bas-reliefs, corbelled arches, and the use of sandstone. The layout is a flat temple structure with a series of enclosures, galleries, and courtyards. Decorative carvings depict scenes of Buddhist devotion, daily Khmer life, and mythological beings, reflecting the spiritual and cultural priorities of Jayavarman VII’s reign.
"Apple Crumble" for dessert, served in a cast-iron saucepan, its dramatic presentation used to enthrall us (and diners near our table!) when its being served. A cake-like pastry topped with crumbling flour mix is placed on the pre-heated saucepan until the base starts to brown. A scoop of vanilla ice-cream ala mode is added. When brought to the table, cuts of pre-cooked apple were first added to the sides, followed by glacing the top with butterscotch flavoured cream. It starts to sizzle and hiss as the cream trickles down to the pan. So much for dessert pyrotechnics!
Alas the presentation this time round was disappointing. The waitress seemed all to eager to get her task completed , without any sense of pride or job satisfaction. The ice-cream had already melted considerably when the pan was brought to the table, signifying that service was far from being prompt.
But it still tastes rather decent. So far this dessert hasn't really failed us... yet...
Famed for its dramatic rapids and canyons, the Colorado is one of the most desirable whitewater rivers in the United States A section of the river above Moab, known as the Colorado "Daily" or "Fisher Towers Section", is the most visited whitewater run in Utah, with more than 77,000 visitors in 2011 alone.
en.wikipedia.org/wiki/Colorado_River
en.wikipedia.org/wiki/Wikipedia:Text_of_Creative_Commons_...
© All rights reserved, don't use without permission
Fourth pillar rock, Stolby Nature Reserve
Stolby Nature Reserve is a Russian strict nature reserve located 10 km south of the city of Krasnoyarsk and known for its dramatic complexes of rocks.
Fonte : Wikipedia
Florence and the Machine (styled as Florence + the Machine) are an English indie rock band that formed in London in 2007, consisting of lead singer Florence Welch, Isabella Summers, and a collaboration of other artists. The band's music received praise across the media, especially from the BBC, which played a large part in their rise to prominence by promoting Florence and the Machine as part of BBC Introducing. At the 2009 Brit Awards they received the Brit Awards "Critics' Choice" award. The band's music is renowned for its dramatic and eccentric production and also Welch's powerful vocal performances.
The band's debut studio album, Lungs, was released on 6 July 2009, and held the number-two position for its first five weeks on the UK Albums Chart. On 17 January 2010, the album reached the top position, after being on the chart for twenty-eight consecutive weeks.As of October 2010, the album had been in the top forty in the United Kingdom for sixty-five consecutive weeks, making it one of the best-selling albums of 2009 and 2010. The group's second studio album, Ceremonials, released in October 2011, entered the charts at number one in the UK and number six in the US. The band's third album, How Big, How Blue, How Beautiful, was released on 2 June 2015. It topped the UK charts, and debuted at number one on the US Billboard 200, their first to do so. The album reached number one in a total of eight countries and the top ten of twenty. Also in 2015, the band was the headlining act at Glastonbury Festival, making Florence Welch the first British female headliner this century.
Florence and the Machine's sound has been described as a combination of various genres, including rock and soul. Lungs won the Brit Award for Best British Album in 2010. Florence and the Machine has been nominated for eight Grammy Awards including Best New Artist and Best Pop Vocal Album. Additionally, the band performed at the 2010 MTV Video Music Awards and the 2010 Nobel Peace Prize Concert
Redmond, Oregon
Listed 10/30/2013
Reference Number: 13000859
Petersen Rock Garden, which has state-wide significance, is eligible for listing in the National Register of Historic Places under Criterion C in the areas of Art and Landscape Architecture, as a folk art environment, for its significance as an exceptional work of art that combines architecture, landscape, art, and sculpture in a unified whole. Located approximately eight miles southwest of Redmond, Oregon, the work recalls European and American grotto traditions, juxtaposed with American iconography and vernacular folk art traditions, through the creativity and artistry of Danish immigrant Rasmus Christian Petersen. Petersen, who began constructing the garden after finishing his education in Danish and American culture at Nysted Folk High School in Nebraska and three successful decades of farming, was also influenced by his homestead's setting in central Oregon, with its dramatic views of the Cascade range . Creation of the garden represents the last chapter in Petersen's life. The gardens are all the more remarkable for their unexpectedness in the desert landscape and their lack of precedent in their creator's life. The Period of Significance for the site is 1927, the date of construction of the Petersen's residence, to 1952, the date of Petersen's death. The gardens and property as a whole retain excellent integrity and easily convey the reasons for their significance.
National Register of Historic Places Homepage
There is a danger of running out of superlatives when trying to describe Beverley Minster. It is not only the second finest non-cathedral church in the country but is architecturally a far finer building than most of our cathedrals themselves! It will come as a surprise to many visitors to find this grand edifice simply functions today as a parish church and has never been more than collegiate, a status it lost at the Reformaton. What had added to its mystique and wealth was its status as a place of pilgrimage housing the tomb of St John of Beverley, which drew visitors and revenue until the Reformation brought an end to such fortunes and the shrine was destroyed (though the saint's bones were later rediscovered and reinterred in the nave). That this great church itself survived this period almost intact is little short of a miracle in itself.
There has been a church here since the 8th century but little remains of the earlier buildings aside from the Saxon chair near the altar and the Norman font in the nave. The present Minster's construction spans the entirety of the development of Gothic architecture but forms a surprisingly harmonious whole nevertheless, starting with Early English in the 13h century choir and transepts (both pairs) with their lancet windows in a building phase that stopped at the first bays of the nave. Construction was then continued with the nave in the 14th century but only the traceried windows betray the emergent Decorated style, the design otherwise closely followed the work of the previous century which gives the Minster's interior such a pleasingly unified appearance (the only discernable break in construction within can be seen where the black purbeck-marble ceased to be used for certain elements beyond the eastern bay of the nave). Finally the building was completed more or less by 1420 with the soaring west front with its dramatic twin-towers in Perpendicular style (the east window must have been enlarged at this point too to match the new work at the west end).
The fabric happily survived the Reformation intact aside from the octagonal chapter-house formerly adjoining the north choir aisle which was dismantled to raise money by the sale of its materials while the church's fate was in the balance (a similar fate was contemplated for the rest of the church by its new owners until the town bought it for retention as a parish church for £100). The great swathes of medieval glass alas were mostly lost, though seemingly as much to neglect and storm-damage in the following century than the usual iconoclasm. All that survived of the Minster's original glazing was collected to form the patchwork display now filling the great east window, a colourful kaleidoscope of fragments of figures and scenes. Of the other furnishings the choir stalls are the major ensemble and some of the finest medieval canopied stalls extant with a full set of charming misericords (though most of these alas are not normally on show).
There are suprisingly few monuments of note for such an enormous cathedral-like church, but the one major exception makes up for this, the delightful canopied Percy tomb erected in 1340 to the north of the high altar. The tomb itself is surprisingly plain without any likeness remaining of the deceased, but the richly carved Decorated canopy above is alive with gorgeous detail and figurative embellishments. There are further carvings to enjoy adorning the arcading that runs around the outer perimeter of the interior, especially the north nave aisle which has the most rewarding carved figures of musicians, monsters and people suffering various ailments, many were largely restored in the 19th century but still preserve the medieval spirit of irreverent fun.
To summarise Beverley Minster would be difficult other than simply adding that if one enjoys marvelling at Gothic architecture at its best then it really shouldn't be missed and one should prioritise it over the majority of our cathedrals. It is a real gem and a delight to behold, and is happily normally open and welcoming to visitors (who must all be astonished to find this magnificent edifice is no more than a simple parish church in status!). I thoroughly enjoyed this, my second visit here (despite the best efforts of the poor weather!).
Pudatso is China's first national park, opened in 2007, Nestled deep in the mountains of northwest Yunnan at an elevation ranging from 3,500 to 4,000 meters (11,500 to 13,100 feet), Pudatso is an integral part of the Three Parallel Rivers Scenic Area, as it is the source of China's three most famous rivers: the Yellow, Yangtze, and Mekong. The area is recognized for its dramatic topological contours and rich biodiversity. Foremost among the lakes in the park are the Bita and Shudu lakes, though the extended wetlands area extends far beyond to encompass forested mountains, grasslands in river valleys and a great abundance of rare plants and animals.
The Golden Horn (Turkish: Haliç (which is derived from the Arabic word Khaleej, meaning Gulf) or Altın Boynuz (literally "Golden Horn" in Turkish); Greek: Κεράτιος Κόλπος, Keratios Kolpos: Horn-shape gulf) is an inlet of the Bosphorus dividing the city of Istanbul and forming the natural harbor that has sheltered Greek, Roman, Byzantine, Ottoman and other ships for thousands of years. It is a scimitar-shaped estuary that joins the Bosphorus just at the point where that strait enters the Sea of Marmara, thus forming a peninsula the tip of which is "Old Istanbul" (ancient Byzantion and Constantinople). Its Greek and English names mean the same, but the significance of the designation "golden" is obscure, while its Turkish name Haliç simply means "estuary". It has witnessed many tumultuous historical incidents, and its dramatic vistas have been the subject of countless works of art.
Famed for its dramatic rapids and canyons, the Colorado is one of the most desirable whitewater rivers in the United States. A section of the river above Moab, known as the Colorado "Daily" or "Fisher Towers Section", is the most visited whitewater run in Utah, with more than 77,000 visitors in 2011 alone.
en.wikipedia.org/wiki/Colorado_River
en.wikipedia.org/wiki/Wikipedia:Text_of_Creative_Commons_...
Mizen Head, located in County Cork, Ireland, is renowned for its dramatic cliff scenery and is traditionally regarded as the most southwesterly point of mainland Ireland². It's a major tourist attraction, offering breathtaking views where the rugged Irish landscape meets the vast expanse of the Atlantic Ocean³. The area is also known for its iconic signal station, now a museum, which narrates its rich maritime history and the pioneering efforts of Guglielmo Marconi in transatlantic communication². The Mizen Head Bridge provides access to this nearly-isolated tip of the peninsula, making it a place of both natural beauty and historical significance².
Source: Conversation with Copilot, 8/11/2024
(1) Mizen Head - Wikipedia. en.wikipedia.org/wiki/Mizen_Head.
(2) Mizen Head: Where Ireland’s Land Meets the Infinite Sea. lovetovisitireland.com/mizen-head-where-irelands-land-mee....
(3) Visiting Mizen Head: Our 2024 Guide - The Irish Road Trip. www.theirishroadtrip.com/mizen-head/.
(4) Mizen Head, Ireland – The Extreme Edge of Ireland. theplanetd.com/mizen-head-ireland/.
Cuckmere Haven lies on the coast at the point where the South Downs meet the sea. Its dramatic chalk landscape with a characteristic cliffy coastline is constantly changing. The cliffs are being eroded at a rate of 30-40 cms every year.
Cuckmere's quiet beach, which is located within the Seven Sisters Country Park, is an area of great tranquility.
A path from the Seven Sisters Country Park Centre leads from the pebble beach through the Cuckmere valley.
The King Henry VIII is an English pub, from its dramatic Tudor chimney stacks to its oak beams, open fires and panelled bars, all restored using traditional Tudor craftsmanship.
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Skala Ded, Stolby Nature Reserve
Stolby Nature Reserve is a Russian strict nature reserve located 10 km south of the city of Krasnoyarsk and known for its dramatic complexes of rocks.
Kirkjufell, or 'Church Mountain', is a distinctly shaped peak found on the north shore of Iceland’s Snæfellsnes Peninsula, only a short distance away from the town of Grundarfjörður. It is often called ‘the most photographed mountain in Iceland’ due to its dramatic formation and perfect coastal location.
Kirkjufell takes its name from its resemblance to a church steeple, sharpened at the top with long curved sides. From other angles, the mountain has been compared to a witch’s hat or even a freshly scooped ice cream.
There is a danger of running out of superlatives when trying to describe Beverley Minster. It is not only the second finest non-cathedral church in the country but is architecturally a far finer building than most of our cathedrals themselves! It will come as a surprise to many visitors to find this grand edifice simply functions today as a parish church and has never been more than collegiate, a status it lost at the Reformaton. What had added to its mystique and wealth was its status as a place of pilgrimage housing the tomb of St John of Beverley, which drew visitors and revenue until the Reformation brought an end to such fortunes and the shrine was destroyed (though the saint's bones were later rediscovered and reinterred in the nave). That this great church itself survived this period almost intact is little short of a miracle in itself.
There has been a church here since the 8th century but little remains of the earlier buildings aside from the Saxon chair near the altar and the Norman font in the nave. The present Minster's construction spans the entirety of the development of Gothic architecture but forms a surprisingly harmonious whole nevertheless, starting with Early English in the 13h century choir and transepts (both pairs) with their lancet windows in a building phase that stopped at the first bays of the nave. Construction was then continued with the nave in the 14th century but only the traceried windows betray the emergent Decorated style, the design otherwise closely followed the work of the previous century which gives the Minster's interior such a pleasingly unified appearance (the only discernable break in construction within can be seen where the black purbeck-marble ceased to be used for certain elements beyond the eastern bay of the nave). Finally the building was completed more or less by 1420 with the soaring west front with its dramatic twin-towers in Perpendicular style (the east window must have been enlarged at this point too to match the new work at the west end).
The fabric happily survived the Reformation intact aside from the octagonal chapter-house formerly adjoining the north choir aisle which was dismantled to raise money by the sale of its materials while the church's fate was in the balance (a similar fate was contemplated for the rest of the church by its new owners until the town bought it for retention as a parish church for £100). The great swathes of medieval glass alas were mostly lost, though seemingly as much to neglect and storm-damage in the following century than the usual iconoclasm. All that survived of the Minster's original glazing was collected to form the patchwork display now filling the great east window, a colourful kaleidoscope of fragments of figures and scenes. Of the other furnishings the choir stalls are the major ensemble and some of the finest medieval canopied stalls extant with a full set of charming misericords (though most of these alas are not normally on show).
There are suprisingly few monuments of note for such an enormous cathedral-like church, but the one major exception makes up for this, the delightful canopied Percy tomb erected in 1340 to the north of the high altar. The tomb itself is surprisingly plain without any likeness remaining of the deceased, but the richly carved Decorated canopy above is alive with gorgeous detail and figurative embellishments. There are further carvings to enjoy adorning the arcading that runs around the outer perimeter of the interior, especially the north nave aisle which has the most rewarding carved figures of musicians, monsters and people suffering various ailments, many were largely restored in the 19th century but still preserve the medieval spirit of irreverent fun.
To summarise Beverley Minster would be difficult other than simply adding that if one enjoys marvelling at Gothic architecture at its best then it really shouldn't be missed and one should prioritise it over the majority of our cathedrals. It is a real gem and a delight to behold, and is happily normally open and welcoming to visitors (who must all be astonished to find this magnificent edifice is no more than a simple parish church in status!). I thoroughly enjoyed this, my second visit here (despite the best efforts of the poor weather!).