Iceland, a Nordic island nation, is defined by its dramatic volcanic landscape of geysers, hot springs, waterfalls, glaciers and black-sand beaches. The capital, Reykjavik, home to the majority of the population, runs on geothermal power and offers a renowned nightlife scene as well as Viking history museums. The glaciers in Vatnajökull and Snæfellsnes national parks are popular for ice climbing, hiking and snowmobiling.

Crane Flower

Strelitzia reginae, commonly known as the crane flower, bird of paradise, or isigude in Nguni,[3] is a species of flowering plant native to the Cape Provinces and KwaZulu-Natal in South Africa. An evergreen perennial, it is widely cultivated for its dramatic flowers. In temperate areas it is a popular houseplant.

Smailholm Tower is a peel tower that stands around five miles west of Kelso in the Scottish Borders. Its dramatic situation, atop a crag of Lady Hill, commands wide views over the surrounding countryside.

Smailholm Tower was originally built in the 15th century or early 16th century by the Pringle family. Followers of the Earl of Douglas, the Pringle (anciently spelt Hoppringle) family had held the lands of Smailholm from the early 15th century, and managed part of Ettrick Forest for their feudal superior.

Smailholm Tower was designed, in common with all Scottish peel towers, to provide its occupants with protection from sporadic English raids. The tower was attacked by English soldiers in 1543, 1544 and again in 1546, when the garrison of Wark Castle sacked the tower and carried off prisoners and cattle. The castle was successfully defended against the English in 1640, by Sir Andrew Ker of Greenhead.

Smailholm was obtained by the Scotts of Harden around this time. The Scotts, ancestors of Sir Walter, rebuilt parts of the tower and barmkin. In the 18th century the tower decayed, after the family moved into nearby Sandyknowe. The last owner, the Earl of Ellesmere, handed the property into state care in 1950. It was restored in the 1980s, and now operates as a museum. (Wikipedia)

REFORD GARDENS | LES JARDINS DE METIS

Gentiana Septemfida Var. Lagodechiana

Beautiful flowers at Reford Gardens.

-------------------------------------------------------------------------------

Visit : www.refordgardens.com/

From Wikipedia:

Elsie Stephen Meighen - born January 22, 1872, Perth, Ontario - and Robert Wilson Reford - born in 1867, Montreal - got married on June 12, 1894.

Elsie Reford was a pioneer of Canadian horticulture, creating one of the largest private gardens in Canada on her estate, Estevan Lodge in eastern Québec. Located in Grand-Métis on the south shore of the St. Lawrence River, her gardens have been open to the public since 1962 and operate under the name Les Jardins de Métis and Reford Gardens.

Born January 22, 1872 at Perth, Ontario, Elsie Reford was the eldest of three children born to Robert Meighen and Elsie Stephen. Coming from modest backgrounds themselves, Elsie’s parents ensured that their children received a good education. After being educated in Montreal, she was sent to finishing school in Dresden and Paris, returning to Montreal fluent in both German and French, and ready to take her place in society.

She married Robert Wilson Reford on June 12, 1894. She gave birth to two sons, Bruce in 1895 and Eric in 1900. Robert and Elsie Reford were, by many accounts, an ideal couple. In 1902, they built a house on Drummond Street in Montreal. They both loved the outdoors and they spend several weeks a year in a log cabin they built at Lac Caribou, south of Rimouski. In the autumn they hunted for caribou, deer, and ducks. They returned in winter to ski and snowshoe. Elsie Reford also liked to ride. She had learned as a girl and spent many hours riding on the slopes of Mount Royal. And of course, there was salmon-fishing – a sport at which she excelled.

In her day, she was known for her civic, social, and political activism. She was engaged in philanthropic activities, particularly for the Montreal Maternity Hospital and she was also the moving force behind the creation of the Women’s Canadian Club of Montreal, the first women club in Canada. She believed it important that the women become involved in debates over the great issues of the day, « something beyond the local gossip of the hour ». Her acquaintance with Lord Grey, the Governor-General of Canada from 1904 to 1911, led to her involvement in organizing, in 1908, Québec City’s tercentennial celebrations. The event was one of many to which she devoted herself in building bridges with French-Canadian community.

During the First World War, she joined her two sons in England and did volunteer work at the War Office, translating documents from German into English. After the war, she was active in the Victorian Order of Nurses, the Montreal Council of Social Agencies, and the National Association of Conservative Women.

In 1925 at the age of 53 years, Elsie Reford was operated for appendicitis and during her convalescence, her doctor counselled against fishing, fearing that she did not have the strength to return to the river.”Why not take up gardening?” he said, thinking this a more suitable pastime for a convalescent woman of a certain age. That is why she began laying out the gardens and supervising their construction. The gardens would take ten years to build, and would extend over more than twenty acres.

Elsie Reford had to overcome many difficulties in bringing her garden to life. First among them were the allergies that sometimes left her bedridden for days on end. The second obstacle was the property itself. Estevan was first and foremost a fishing lodge. The site was chosen because of its proximity to a salmon river and its dramatic views – not for the quality of the soil.

To counter-act nature’s deficiencies, she created soil for each of the plants she had selected, bringing peat and sand from nearby farms. This exchange was fortuitous to the local farmers, suffering through the Great Depression. Then, as now, the gardens provided much-needed work to an area with high unemployment. Elsie Reford’s genius as a gardener was born of the knowledge she developed of the needs of plants. Over the course of her long life, she became an expert plantsman. By the end of her life, Elsie Reford was able to counsel other gardeners, writing in the journals of the Royal Horticultural Society and the North American Lily Society. Elsie Reford was not a landscape architect and had no training of any kind as a garden designer. While she collected and appreciated art, she claimed no talents as an artist.

Elsie Stephen Reford died at her Drummond Street home on November 8, 1967 in her ninety-sixth year.

In 1995, the Reford Gardens ("Jardins de Métis") in Grand-Métis were designated a National Historic Site of Canada, as being an excellent Canadian example of the English-inspired garden.(Wikipedia)

Visit : en.wikipedia.org/wiki/Elsie_Reford

Visit : www.refordgardens.com

LES JARDINS DE MÉTIS

Créés par Elsie Reford de 1926 à 1958, ces jardins témoignent de façon remarquable de l’art paysager à l’anglaise. Disposés dans un cadre naturel, un ensemble de jardins exhibent fleurs vivaces, arbres et arbustes. Le jardin des pommetiers, les rocailles et l’Allée royale évoquent l’œuvre de cette dame passionnée d’horticulture. Agrémenté d’un ruisseau et de sentiers sinueux, ce site jouit d’un microclimat favorable à la croissance d’espèces uniques au Canada. Les pavots bleus et les lis, privilégiés par Mme Reford, y fleurissent toujours et contribuent , avec d’autres plantes exotiques et indigènes, à l’harmonie de ces lieux.

Created by Elsie Reford between 1926 and 1958, these gardens are an inspired example of the English art of the garden. Woven into a natural setting, a series of gardens display perennials, trees and shrubs. A crab-apple orchard, a rock garden, and the Long Walk are also the legacy of this dedicated horticulturist. A microclimate favours the growth of species found nowhere else in Canada, while the stream and winding paths add to the charm. Elsie Reford’s beloved blue poppies and lilies still bloom and contribute, with other exotic and indigenous plants, to the harmony of the site.

Commission des lieux et monuments historiques du Canada

Historic Sites and Monuments Board of Canada.

Gouvernement du Canada – Government of Canada

© Copyright

This photo and all those in my Photostream are protected by copyright. No one may reproduce, copy, transmit or manipulate them without my written permission.

Barsana Monastery - Maramures - Romania

The stations of The Cross, wall decoration in the Church

Barsana monastery, one of the main attractions in Maramures, Romania

When UNESCO designated parts of the Maramures Region in Northern Transylvania a WORLD HERITAGE site, it was aimed at protecting the stylized wooden architecture and its dramatic vernacular. Of particular appeal are the tall spires of orthodox churches that dot the area. One of these is the recently constructed Barsana Monastery complex - actually a convent with sixteen nuns. Created in post-Communist years on the site of a church abandoned in 1790, the complex has become a significant cultural and religious attraction. Its 56 meter-tall (180 feet) spired church is reputedly the tallest wooden structure in Europe.

www.flickr.com/photos/wwwdragos/7614653774/in/set-7215762...

St Abbs, Scotland - a coastal gem steeped in history and natural beauty. Once known as Coldingham Shore, this fishing village took its name in the 1890s from nearby St Abb’s Head, itself named after the 7th-century Saint Æbbe, who founded a monastery here in 635. The village grew from humble beginnings, with fishermen hauling gear down the rugged Creel Path, to a bustling harbour community thanks to 19th-century improvements by whisky magnate Andrew Usher.

Today, St Abbs enchants visitors with its dramatic cliffs, thriving seabird colonies, and world-class diving spots. It’s a haven for nature lovers, history buffs, and even Marvel fans—it starred as New Asgard in Avengers: Endgame

#StAbbs #ScottishBorders #HistoryByTheSea #NewAsgard

‘Ogoh-ogoh’ are giant papier-mâché effigies creatively built to depict demons, locally referred to as ‘bhutakala’. These can measure up to six metres in height, built by different youth groups in competitive spirit. The best creations are paraded throughout village streets on Nyepi Eve, complete with loud gamelan accompaniments and often with bamboo light torches adding to its dramatic effect.

These are paraded the day before the Bali new year celebration of Nyepi Day. Nyepi Day is quiet day... 24 hours of silence, no power or light (including fire), no traffic and nobody out of their house or hotel on the entire island. Denpasar's international airport is the only airport in the world that shuts down for 24 hours

Goodrich stands majestically on a wooded hill commanding the passage of the River Wye into the picturesque valley of Symonds Yat. The castle was begun in the late 11th century, by the English thegn (Thane) Godric who gave it his name.

A generation later the splendidly preserved square keep which still forms its core was added, probably in the time of Richard 'Strongbow' de Clare, Earl of Pembroke and Lord of Goodrich 1148-76.

Under King Richard the Lionheart, Goodrich was granted along with the earldom of Pembroke to the famous William Marshal, a great castle builder who may have initiated work on the inner ward. Each of the Marshal's four sons inherited the fortress in turn, the last dying childless at Goodrich in 1245.

Thereafter the fortress and earldom passed to Henry VIII's half-brother, William de Valance, who rebuilt its defences and living quarters in the most up-to-date style.

Goodrich still boasts one of the most complete sets of medieval domestic buildings surviving in any English castle. William's widow Countess Joan frequently stayed here with an entourage of up to 200, entertaining her relations and friends in the most lavish style.

During the Civil War, Goodrich was held successively by both sides, Sir Henry Lingen's Royalists eventually surrendered in 1646 under threats of undermining and a deadly Parliamentarian mortar. The famous 'Roaring Meg', the only surviving Civil War mortar, has returned to the castle after 350 years. The visitor centre features an exhibition exploring life at the castle from its late 11th century origins until its dramatic fall in 1646, including Civil War artefacts.

Fonte : Wikipedia

Florence and the Machine (styled as Florence + the Machine) are an English indie rock band that formed in London in 2007, consisting of lead singer Florence Welch, Isabella Summers, and a collaboration of other artists. The band's music received praise across the media, especially from the BBC, which played a large part in their rise to prominence by promoting Florence and the Machine as part of BBC Introducing. At the 2009 Brit Awards they received the Brit Awards "Critics' Choice" award. The band's music is renowned for its dramatic and eccentric production and also Welch's powerful vocal performances.

The band's debut studio album, Lungs, was released on 6 July 2009, and held the number-two position for its first five weeks on the UK Albums Chart. On 17 January 2010, the album reached the top position, after being on the chart for twenty-eight consecutive weeks.As of October 2010, the album had been in the top forty in the United Kingdom for sixty-five consecutive weeks, making it one of the best-selling albums of 2009 and 2010. The group's second studio album, Ceremonials, released in October 2011, entered the charts at number one in the UK and number six in the US. The band's third album, How Big, How Blue, How Beautiful, was released on 2 June 2015. It topped the UK charts, and debuted at number one on the US Billboard 200, their first to do so. The album reached number one in a total of eight countries and the top ten of twenty. Also in 2015, the band was the headlining act at Glastonbury Festival, making Florence Welch the first British female headliner this century.

Florence and the Machine's sound has been described as a combination of various genres, including rock and soul. Lungs won the Brit Award for Best British Album in 2010. Florence and the Machine has been nominated for eight Grammy Awards including Best New Artist and Best Pop Vocal Album. Additionally, the band performed at the 2010 MTV Video Music Awards and the 2010 Nobel Peace Prize Concert

The Düsseldorf Media Harbor, or Medienhafen, is a striking example of urban regeneration that has transformed a derelict industrial port into one of the city's most fashionable and dynamic districts. Once a bustling commercial harbor filled with warehouses and disused buildings, the area began its dramatic makeover in the 1990s. City planners embarked on a strategic project to rejuvenate the waterfront, focusing on a plot-by-plot approach that blended new, avant-garde architecture with the preservation of historic industrial elements. The result is a vibrant hub that seamlessly combines the old and the new, attracting both locals and tourists with its unique atmosphere and creative energy.

The architectural landscape of the Medienhafen is its most prominent feature, showcasing the works of some of the world's most renowned architects. The most iconic structures are undoubtedly the "Gehry Buildings," officially known as the Neuer Zollhof. Designed by the visionary Frank O. Gehry, these three asymmetrical, sculptural high-rises—clad in stainless steel, red brick, and white plaster—have become a symbol of modern Düsseldorf. Other notable buildings include the Colorium, with its eye-catching kaleidoscopic glass facade by William Alsop, and the sleek Stadttor by Helmut Jahn. These architectural masterpieces stand alongside renovated historic warehouses, creating a visually captivating and diverse urban environment that has made the area a must-see for architecture enthusiasts.

Beyond its architectural appeal, the Media Harbor is a thriving economic center. As its name suggests, it is home to over 800 companies, primarily from the media, advertising, and creative sectors. The area's revitalization was driven by a vision to create a hub for these industries, and the project has been a resounding success. The modern office buildings and refurbished industrial spaces provide a unique and inspiring setting for creative work. This concentration of innovative firms has not only revitalized the district but has also solidified Düsseldorf's reputation as a major player in Germany's creative economy.

The cultural and leisure offerings in the Medienhafen are as diverse as its architecture. The waterfront is lined with a variety of trendy cafes, upscale restaurants, and vibrant bars, catering to the district's sophisticated crowd. Visitors can enjoy a wide range of culinary experiences, from Mediterranean cuisine and gourmet burgers to fine dining with stunning views of the Rhine River. The area is also a popular spot for leisure activities, whether it's a stroll along the promenade, a sightseeing cruise on the river, or simply enjoying the lively atmosphere. The fusion of business and pleasure makes the Medienhafen a destination where people can work, dine, and relax in style.

In essence, the Düsseldorf Media Harbor is a testament to the power of thoughtful urban redevelopment. It has successfully transformed an aging industrial zone into a modern, stylish, and economically significant district. By preserving its historical character while embracing cutting-edge architecture and new industries, the Medienhafen has created a unique identity. It stands as a symbol of Düsseldorf's reinvention and a vibrant, forward-looking neighborhood that attracts a mix of creatives, business professionals, and tourists alike, all drawn to its dynamic blend of art, commerce, and culture.

Breakfast at Podere al Salcio's delightful panoramic breakfast in the verandah, with biscuits, cappuccino, tea, fruit juices, fresh fruit, cereal and yoghurt.

Podere al Salcio is an 18th century stone and brick country house originally built in the local tradition as a farming building, with animals in the low building on the left, haystack, granary and deposit on the ground floor of the main house. The first floor used to hosts the farmers' families.

It enjoys the most stunning views 360° degrees round, changing in colour throughout the day and seasons. Val d'Orcia is a Unesco World Heritage region for its dramatic beauty and untouched landscapes.

The Sleeping Giant is a formation of mesas and sills on Sibley Peninsula which resembles a giant lying on its back when viewed from the west to north-northwest section of Thunder Bay, Ontario, Canada. As one moves southward along the shoreline toward Squaw Bay the Sleeping Giant starts to separate into its various sections. Most distinctly in the view from the cliffs at Squaw Bay the Giant appears to have an Adam's Apple. The formation is part of Sleeping Giant Provincial Park. Its dramatic steep cliffs are among the highest in Ontario (250 m). The southernmost point is known as Thunder Cape, depicted by many early Canadian artists such as William Armstrong.

One Ojibway legend identifies the giant as Nanabijou, who was turned to stone when the secret location of a rich silver mine now known as Silver Islet was disclosed to white men.[3]

North American F-86A Sabre & MiG-15bis

Soviet Mikoyan-Gurevich MiG-15bis "Fagot B"-( Background)

The Mikoyan-Gurevich Design Bureau emerged in the early Cold War era as a key designer of Soviet jet fighters, most notably the MiG-15. First flown in 1947, the MiG-15 answered Joseph Stalin’s call for an advanced, high-altitude day interceptor. With its dramatic deployment in the Korean War, the MiG-15 impressed westerners with its speed, maneuverability, and heavy armament. While a unique Soviet design, it used an adaptation of the Rolls Royce Nene jet engine, produced by the Soviets as the RD-45.

During the Korean War, the MiG-15 challenged U.S. F-80 and F-86 jet fighters for air dominance. It was the first operational Soviet swept-wing jet fighters equipped with a pressurized cockpit and ejection seat. The MiG-15 series is believed to be the most widely produced jet fighter, with around 17,000 variants. This MiG-15 operated as a Chinese F-2. The Smithsonian acquired the aircraft in 1985.

Wingspan:

10.1 m (33 ft 2 in)

Length:

10.1 m (33 ft 2 in)

Height:

3.4 m (10 ft 10 in)

Weight, empty:

3,523 kg (7,767 lb)

Weight, gross:

5,405 kg (11,916 lb)

Top speed:

1,050 km/h (652 mph)

Engine:

RD-45F centrifugal flow turbojet, 2,270 kg (4,994 lb) thrust

Armament:

One NS 37 mm and two NS 23 mm cannons

Manufacturer:

Mikoyan-Gurevich

For more info: en.wikipedia.org/wiki/Mikoyan-Gurevich_MiG-15

North American F-86A Sabre-(Foreground)

America’s first swept-wing jet fighter, the F-86 Sabre joined the ranks of great fighter aircraft during combat operations high above the Yalu River in Korea. Even though they could not pursue the enemy across the Chinese border, Sabre pilots established an impressive shoot-down advantage against enemy MiGs. Sabre designers capitalized on captured German aerodynamic data, which showed that swept wings delayed air compressibility effects encountered at high subsonic airspeeds. Swept-wing aircraft could therefore be controlled at much higher speeds than similar straight-wing aircraft.

This F-86A saw combat against MiG-15s during the Korean War. It Flew most of its missions from Kimpo Air Bas Near Seoul and bears the markings of the 4th Fighter Wing, the first F-86 unit in Korea.

Wingspan:

11.3 m (37 ft 1 in)

Length:

11.4 m (37 ft 6 in)

Height:

4.5 m 14 ft 8 in)

Weight, empty:

4,478 kg (10,093)

Weight, gross:

7.830 kg (16,270 lb)

Top speed:

1,093 km/h (679 mph)

Engine:

General Electric J47-GE-13 turbojet, 2,359 kg (5,200 lb) thrust

Armaments:

Six .50 cal. Machine guns

Ordnance:

Two 1,000 lb bombs or sixteen 5-in HVAR rockets

Manufacturer:

North American Aviation, Inglewood, Calif., 1949

For more information: en.wikipedia.org/wiki/F-86_Sabre

White Sands National Monument is in the northern Chihuahuan Desert in the U.S. state of New Mexico. It's known for its dramatic landscape of rare white gypsum sand dunes. Trails through the dunes include the raised Interdune Boardwalk and the Dune Life Nature Trail, dotted with interpretive exhibits on wildlife and other features. Dunes Drive is a looped road from the White Sands Visitor Center to the dune field. Read the blog post - www.dvrawfiles.com/white-sands-new-mexico Watch the vlog - www.youtube.com/watch?v=GhwKZVqNfiU

One of the many carvings adorning the wall arcading in the north aisle.

There is a danger of running out of superlatives when trying to describe Beverley Minster. It is not only the second finest non-cathedral church in the country but is architecturally a far finer building than most of our cathedrals themselves! It will come as a surprise to many visitors to find this grand edifice simply functions today as a parish church and has never been more than collegiate, a status it lost at the Reformaton. What had added to its mystique and wealth was its status as a place of pilgrimage housing the tomb of St John of Beverley, which drew visitors and revenue until the Reformation brought an end to such fortunes and the shrine was destroyed (though the saint's bones were later rediscovered and reinterred in the nave). That this great church itself survived this period almost intact is little short of a miracle in itself.

There has been a church here since the 8th century but little remains of the earlier buildings aside from the Saxon chair near the altar and the Norman font in the nave. The present Minster's construction spans the entirety of the development of Gothic architecture but forms a surprisingly harmonious whole nevertheless, starting with Early English in the 13h century choir and transepts (both pairs) with their lancet windows in a building phase that stopped at the first bays of the nave. Construction was then continued with the nave in the 14th century but only the traceried windows betray the emergent Decorated style, the design otherwise closely followed the work of the previous century which gives the Minster's interior such a pleasingly unified appearance (the only discernable break in construction within can be seen where the black purbeck-marble ceased to be used for certain elements beyond the eastern bay of the nave). Finally the building was completed more or less by 1420 with the soaring west front with its dramatic twin-towers in Perpendicular style (the east window must have been enlarged at this point too to match the new work at the west end).

The fabric happily survived the Reformation intact aside from the octagonal chapter-house formerly adjoining the north choir aisle which was dismantled to raise money by the sale of its materials while the church's fate was in the balance (a similar fate was contemplated for the rest of the church by its new owners until the town bought it for retention as a parish church for £100). The great swathes of medieval glass alas were mostly lost, though seemingly as much to neglect and storm-damage in the following century than the usual iconoclasm. All that survived of the Minster's original glazing was collected to form the patchwork display now filling the great east window, a colourful kaleidoscope of fragments of figures and scenes. Of the other furnishings the choir stalls are the major ensemble and some of the finest medieval canopied stalls extant with a full set of charming misericords (though most of these alas are not normally on show).

There are suprisingly few monuments of note for such an enormous cathedral-like church, but the one major exception makes up for this, the delightful canopied Percy tomb erected in 1340 to the north of the high altar. The tomb itself is surprisingly plain without any likeness remaining of the deceased, but the richly carved Decorated canopy above is alive with gorgeous detail and figurative embellishments. There are further carvings to enjoy adorning the arcading that runs around the outer perimeter of the interior, especially the north nave aisle which has the most rewarding carved figures of musicians, monsters and people suffering various ailments, many were largely restored in the 19th century but still preserve the medieval spirit of irreverent fun.

To summarise Beverley Minster would be difficult other than simply adding that if one enjoys marvelling at Gothic architecture at its best then it really shouldn't be missed and one should prioritise it over the majority of our cathedrals. It is a real gem and a delight to behold, and is happily normally open and welcoming to visitors (who must all be astonished to find this magnificent edifice is no more than a simple parish church in status!). I thoroughly enjoyed this, my second visit here (despite the best efforts of the poor weather!).

beverleyminster.org.uk/visit-us-2/a-brief-history/

In a building dating to 1874, John Crump opened his Opera House in 1889. In 1914, the first movies were shown, and not long afterwards, the Opera House was renamed the Crump Theatre.

In 1934, seating was increased when the orchestra pit was removed, and the same year, the Crump Theatre was nearly renamed the 'Ritz'.

The Crump Theatre underwent a thorough renovation in 1941, to the plans of architect Alden Meranda. It was redesigned in Art Moderne style, including its dramatic facade, with its two-story tall vertical marquee, illuminated by chaser lights.

cinematreaures.org

In the 1967 movie "Wait Until Dark" (link contains SPOILERS!) there is a scene where the only light on screen is the open refrigerator...

The plot features a blind woman being harassed in her home. Using a stunt that in these safety-conscious and litigious days would never be allowed, as the film reached its dramatic climax, the lights in the theater were all turned off, letting movie-goers experience the heroine's exact terrifying conditions.

Our Daily Challenge: movie-inspired

One of the many carvings adorning the wall arcading in the north aisle.

There is a danger of running out of superlatives when trying to describe Beverley Minster. It is not only the second finest non-cathedral church in the country but is architecturally a far finer building than most of our cathedrals themselves! It will come as a surprise to many visitors to find this grand edifice simply functions today as a parish church and has never been more than collegiate, a status it lost at the Reformaton. What had added to its mystique and wealth was its status as a place of pilgrimage housing the tomb of St John of Beverley, which drew visitors and revenue until the Reformation brought an end to such fortunes and the shrine was destroyed (though the saint's bones were later rediscovered and reinterred in the nave). That this great church itself survived this period almost intact is little short of a miracle in itself.

There has been a church here since the 8th century but little remains of the earlier buildings aside from the Saxon chair near the altar and the Norman font in the nave. The present Minster's construction spans the entirety of the development of Gothic architecture but forms a surprisingly harmonious whole nevertheless, starting with Early English in the 13h century choir and transepts (both pairs) with their lancet windows in a building phase that stopped at the first bays of the nave. Construction was then continued with the nave in the 14th century but only the traceried windows betray the emergent Decorated style, the design otherwise closely followed the work of the previous century which gives the Minster's interior such a pleasingly unified appearance (the only discernable break in construction within can be seen where the black purbeck-marble ceased to be used for certain elements beyond the eastern bay of the nave). Finally the building was completed more or less by 1420 with the soaring west front with its dramatic twin-towers in Perpendicular style (the east window must have been enlarged at this point too to match the new work at the west end).

The fabric happily survived the Reformation intact aside from the octagonal chapter-house formerly adjoining the north choir aisle which was dismantled to raise money by the sale of its materials while the church's fate was in the balance (a similar fate was contemplated for the rest of the church by its new owners until the town bought it for retention as a parish church for £100). The great swathes of medieval glass alas were mostly lost, though seemingly as much to neglect and storm-damage in the following century than the usual iconoclasm. All that survived of the Minster's original glazing was collected to form the patchwork display now filling the great east window, a colourful kaleidoscope of fragments of figures and scenes. Of the other furnishings the choir stalls are the major ensemble and some of the finest medieval canopied stalls extant with a full set of charming misericords (though most of these alas are not normally on show).

There are suprisingly few monuments of note for such an enormous cathedral-like church, but the one major exception makes up for this, the delightful canopied Percy tomb erected in 1340 to the north of the high altar. The tomb itself is surprisingly plain without any likeness remaining of the deceased, but the richly carved Decorated canopy above is alive with gorgeous detail and figurative embellishments. There are further carvings to enjoy adorning the arcading that runs around the outer perimeter of the interior, especially the north nave aisle which has the most rewarding carved figures of musicians, monsters and people suffering various ailments, many were largely restored in the 19th century but still preserve the medieval spirit of irreverent fun.

To summarise Beverley Minster would be difficult other than simply adding that if one enjoys marvelling at Gothic architecture at its best then it really shouldn't be missed and one should prioritise it over the majority of our cathedrals. It is a real gem and a delight to behold, and is happily normally open and welcoming to visitors (who must all be astonished to find this magnificent edifice is no more than a simple parish church in status!). I thoroughly enjoyed this, my second visit here (despite the best efforts of the poor weather!).

beverleyminster.org.uk/visit-us-2/a-brief-history/

SCALPED #12

Written by Jason Aaron

Art by John Paul Leon

Cover by Dave Johnson

As the first year of SCALPED comes to its dramatic conclusion, we spend a night with Dash Bad Horse - the reservation's resident bad-ass - as he lays out his hopes and dreams, his fears and darkest secrets, and his plan for staying alive throughout the turmoil.

On sale December 5 o 32 pg, FC, $2.99 US o MATURE READERS

Coast photo competition 2010 - Runner-up

Category: Adventure

Subject: boats in the Fastnet Race, The Needles, Isle of Wight

‘The BT boat (in the centre of the frame) was the first past the Needles,' Andy says. ‘Its dramatic orange roundel was a strong contrast with the washed-out look of the rest of the photo. The horizontal stripe in the sea shows the edge of the current.'

The judges thought this was a brave entry, owing to its unusual composition and minimal colour palette. The result, they felt, was strong and graphic.

This angle captures the dramatic "nature versus building" battle that ensues in warm tropical climates. Ta Prohm is best known for its dramatic and photogenic appearance, where massive trees—mostly spung (Tetrameles nudiflora) and silk-cotton trees—grow out of the temple's stonework. Their thick roots snake over and through the crumbling towers, walls, and courtyards, creating a unique blend of natural and man-made architecture. This overgrowth has been preserved intentionally in a “conservation-through-minimal-intervention” approach, unlike many other Angkor temples that have been fully restored.

Architecturally, Ta Prohm follows the Bayon style, characterised by intricate bas-reliefs, corbelled arches, and the use of sandstone. The layout is a flat temple structure with a series of enclosures, galleries, and courtyards. Decorative carvings depict scenes of Buddhist devotion, daily Khmer life, and mythological beings, reflecting the spiritual and cultural priorities of Jayavarman VII’s reign.

Far from the crowds lies this nine-suite full-service hotel, where the word of the day, every day, is privacy. Amid the hilltop hush of its dramatic cliff's-edge setting, a capable and gracious staff is on call to see to your every need, from private terrace dining to tours of local sites. The modern take on Cycladic architecture lends a sophisticated edge to this boutique hotel.

No wonder it's a favourite of honeymooners the world over.

Magic is in the details at Astarte Suites, beginning with the twinkling Swarovski stones that adorn the ceiling above each suite’s Jacuzzi pool, and ending with the personalized service each guest enjoys. Surrounded by soothing shades of white and stone, guests are sure to find bliss here.During their precious down time, guests can relax and unwind next to Astarte Suites’s stunning turquoise infinity swimming pool, which overlooks the Aegean Sea’s tranquil blue waters and nearby rocky cliffs.

Cathedral Gorge State Park is a public recreation area and geologic preserve featuring a dramatic landscape of eroded soft bentonite clay covering more than 1,600 acres (650 ha) in Lincoln County, Nevada. The state park is located along U.S. Route 93 at the west end of State Route 319, one mile (1.6 km) north of the town of Panaca.

The site has been popular with local picnickers since the nineteenth century, when it was known as Cathedral Gulch.[4] During the 1920s, its dramatic landscape provided a background for open-air plays and annual Easter ceremonies.[5] Governor James Scrugham began acquiring and setting aside the area for preservation in 1924. It subsequently became one of the four original Nevada state parks created in 1935. Members of the Civilian Conservation Corps built picnicking facilities that are still in use as well as a stone water tower and stone restroom which are no longer in operation.

from Wikipedia

this photo was taken whilst we was on a boat trip down the colorado river in the wonderful west rim of the grand canyon.

The Colorado River is the principal river of the Southwestern United States and northwest Mexico. The 1,450-mile (2,330 km) river drains an expansive, arid watershed that encompasses parts of seven U.S. and two Mexican states. Rising in the central Rocky Mountains in the U.S., the river flows generally southwest across the Colorado Plateau before reaching Lake Mead on the Arizona–Nevada line, where it turns south towards the international border. After entering Mexico, the Colorado forms a large delta, emptying into the Gulf of California between Baja California and Sonora.

Known for its dramatic canyons and whitewater rapids, the Colorado is a vital source of water for agricultural and urban areas in the southwestern desert lands of North America.[6] The river and its tributaries are controlled by an extensive system of dams, reservoirs, and aqueducts, which furnish irrigation and municipal water supply for almost 40 million people both inside and outside the watershed.[7] The Colorado's large flow and steep gradient are used for generating hydroelectric power, and its major dams regulate peaking power demands in much of the Intermountain West. Since the mid-20th century, intensive water consumption has dried the lower 100 miles (160 km) of the river such that it no longer reaches the sea except in years of heavy runoff.[8]

Beginning with small bands of nomadic hunter-gatherers, Native Americans have inhabited the Colorado River basin for at least 8,000 years. Between 2,000 and 1,000 years ago, the river and its tributaries fostered large, sedentary agricultural civilizations, which may have been some of the most sophisticated indigenous cultures in North America. These societies are believed to have collapsed due to a combination of severe drought and poor land use practices. Most native peoples that inhabit the river basin today are descended from other groups that settled in the region beginning about 1,000 years ago. Europeans first entered the Colorado River watershed in the 16th century, when explorers from Spain began mapping and claiming the area, which later became part of Mexico upon its independence from Spain in 1821. Early contact between foreigners and natives was generally limited to the fur trade in the headwaters and sporadic trade interactions along the lower river.

After the Colorado River basin became part of the U.S. in 1846, the river's course was still largely unknown, and the whereabouts of its headwaters and mouth were still the subject of myths and speculation. Several expeditions charted the Colorado in the mid-19th century, of which one was the first to run the rapids of the Grand Canyon, led by John Wesley Powell in 1869. American explorers collected valuable information that would later be used to investigate the feasibility of developing the river for navigation and water supply. Large-scale settlement of the lower basin began in the mid-to-late 19th century, with steamboats providing transportation and trade along the Colorado and Gila rivers. Lesser numbers settled in the upper basin, which was also the setting of major gold strikes in the 1860s and 1870s.

Major engineering of the river basin began around the start of the 20th century, with many guidelines for development established in a series of domestic and international treaties known as the "Law of the River". The U.S. federal government was the main driving force behind the construction of hydraulic engineering projects in the river system, although many state and local water agencies were also involved. Most of the major dams in the river basin were built between 1910 and 1970, with the system keystone, Hoover Dam, completed in 1935. Because of these developments, the Colorado River is now considered among the most controlled and litigated in the world, with every drop of its water fully allocated.

The construction of dams and associated water export schemes on the Colorado River system have been a flashpoint for the environmental movement in the American Southwest, due to their impacts on the ecology and natural beauty of the river and its tributaries. During the construction of Glen Canyon Dam, environmental organizations vowed to block any further development of the river, and a number of later dam and aqueduct proposals were defeated by citizen opposition. As demands for Colorado River water continue to rise, the level of human development and control of the river continues to generate controversy.

Nyloïd is an impressive sound sculpture, a huge tripod consisting of three six-meter-long nylon limbs animated by sophisticated mechanical and sound devices. Sensual, animal and threatening, this mobile draws its dramatic power from the reactivity of its plastic and sound material to diverse mechanical constraints. Similar to a living object, its tension, effort and suffering, which result from its contortions and its vocal manifestation, can be sensed.

credit: Florian Voggeneder

The beautiful and now tranquil setting of Augustinian Lanercost Priory belies an often troubled history. Standing close to Hadrian's Wall, it suffered frequent attacks during the long Anglo-Scottish wars, once by Robert Bruce in person. The mortally sick King Edward I rested here for five months in 1306-7, shortly before his death on his final campaign.

The east end of the 13th-century church survives to its full height, housing within its dramatic triple tier of arches some fine monuments.

More photos of Lanercost Priory here: www.flickr.com/photos/davidambridge/albums/72157624989399623

Barsana Monastery - Maramures - Romania

The stations of The Cross, wall decoration in the Church

Barsana monastery, one of the main attractions in Maramures, Romania

When UNESCO designated parts of the Maramures Region in Northern Transylvania a WORLD HERITAGE site, it was aimed at protecting the stylized wooden architecture and its dramatic vernacular. Of particular appeal are the tall spires of orthodox churches that dot the area. One of these is the recently constructed Barsana Monastery complex - actually a convent with sixteen nuns. Created in post-Communist years on the site of a church abandoned in 1790, the complex has become a significant cultural and religious attraction. Its 56 meter-tall (180 feet) spired church is reputedly the tallest wooden structure in Europe.

www.flickr.com/photos/wwwdragos/7614653774/in/set-7215762...

Ice Boarding in Front of The Sleeping Giant "Nanibijou"

The Sleeping Giant is a formation of mesas and sills on Sibley Peninsula which resembles a giant lying on its back when viewed from the west to north-northwest section of Thunder Bay, Ontario, Canada. As one moves southward along the shoreline toward Squaw Bay the Sleeping Giant starts to separate into its various sections. Most distinctly in the view from the cliffs at Squaw Bay the Giant appears to have an Adam's Apple. The formation is part of Sleeping Giant Provincial Park. Its dramatic steep cliffs are among the highest in Ontario (250 m). The southernmost point is known as Thunder Cape, depicted by many early Canadian artists such as William Armstrong.

One Ojibway legend identifies the giant as Nanabijou, who was turned to stone when the secret location of a rich silver mine now known as Silver Islet was disclosed to white men.[3]

And there it is! The Point Reyes Lighthouse, in all its dramatic glory, sitting on its precarious little rock perch 290 feet above the Pacific, or 175 feet below the little platform where I was standing when I took this. (That's the platform you could just make out in the fog in this picture I posted yesterday. The platform you see in this picture is a second platform, another 70 feet down the slope.)

This is quite possibly the most dramatic location for a lighthouse I've ever seen, perched at one end of a narrow ridge with the Pacific on either side. According to the internet, National Weather Service records indicate this is the foggiest, windiest spot on the California coast, and based on my short experience, I'd believe it. It's hard to imagine what it must have been like back in the days of the steamships of the late 19th century, trying to tiptoe your way along this rocky coast through the fog to San Francisco. It's hard to imagine what it must have been like for the lighthouse keepers, marching up and down this hill through the storms.

There is a danger of running out of superlatives when trying to describe Beverley Minster. It is not only the second finest non-cathedral church in the country but is architecturally a far finer building than most of our cathedrals themselves! It will come as a surprise to many visitors to find this grand edifice simply functions today as a parish church and has never been more than collegiate, a status it lost at the Reformaton. What had added to its mystique and wealth was its status as a place of pilgrimage housing the tomb of St John of Beverley, which drew visitors and revenue until the Reformation brought an end to such fortunes and the shrine was destroyed (though the saint's bones were later rediscovered and reinterred in the nave). That this great church itself survived this period almost intact is little short of a miracle in itself.

There has been a church here since the 8th century but little remains of the earlier buildings aside from the Saxon chair near the altar and the Norman font in the nave. The present Minster's construction spans the entirety of the development of Gothic architecture but forms a surprisingly harmonious whole nevertheless, starting with Early English in the 13h century choir and transepts (both pairs) with their lancet windows in a building phase that stopped at the first bays of the nave. Construction was then continued with the nave in the 14th century but only the traceried windows betray the emergent Decorated style, the design otherwise closely followed the work of the previous century which gives the Minster's interior such a pleasingly unified appearance (the only discernable break in construction within can be seen where the black purbeck-marble ceased to be used for certain elements beyond the eastern bay of the nave). Finally the building was completed more or less by 1420 with the soaring west front with its dramatic twin-towers in Perpendicular style (the east window must have been enlarged at this point too to match the new work at the west end).

The fabric happily survived the Reformation intact aside from the octagonal chapter-house formerly adjoining the north choir aisle which was dismantled to raise money by the sale of its materials while the church's fate was in the balance (a similar fate was contemplated for the rest of the church by its new owners until the town bought it for retention as a parish church for £100). The great swathes of medieval glass alas were mostly lost, though seemingly as much to neglect and storm-damage in the following century than the usual iconoclasm. All that survived of the Minster's original glazing was collected to form the patchwork display now filling the great east window, a colourful kaleidoscope of fragments of figures and scenes. Of the other furnishings the choir stalls are the major ensemble and some of the finest medieval canopied stalls extant with a full set of charming misericords (though most of these alas are not normally on show).

There are suprisingly few monuments of note for such an enormous cathedral-like church, but the one major exception makes up for this, the delightful canopied Percy tomb erected in 1340 to the north of the high altar. The tomb itself is surprisingly plain without any likeness remaining of the deceased, but the richly carved Decorated canopy above is alive with gorgeous detail and figurative embellishments. There are further carvings to enjoy adorning the arcading that runs around the outer perimeter of the interior, especially the north nave aisle which has the most rewarding carved figures of musicians, monsters and people suffering various ailments, many were largely restored in the 19th century but still preserve the medieval spirit of irreverent fun.

To summarise Beverley Minster would be difficult other than simply adding that if one enjoys marvelling at Gothic architecture at its best then it really shouldn't be missed and one should prioritise it over the majority of our cathedrals. It is a real gem and a delight to behold, and is happily normally open and welcoming to visitors (who must all be astonished to find this magnificent edifice is no more than a simple parish church in status!). I thoroughly enjoyed this, my second visit here (despite the best efforts of the poor weather!).

beverleyminster.org.uk/visit-us-2/a-brief-history/

Pudatso is China's first national park, opened in 2007, Nestled deep in the mountains of northwest Yunnan at an elevation ranging from 3,500 to 4,000 meters (11,500 to 13,100 feet), Pudatso is an integral part of the Three Parallel Rivers Scenic Area, as it is the source of China's three most famous rivers: the Yellow, Yangtze, and Mekong. The area is recognized for its dramatic topological contours and rich biodiversity. Foremost among the lakes in the park are the Bita and Shudu lakes, though the extended wetlands area extends far beyond to encompass forested mountains, grasslands in river valleys and a great abundance of rare plants and animals.

Famed for its dramatic rapids and canyons, the Colorado is one of the most desirable whitewater rivers in the United States. A section of the river above Moab, known as the Colorado "Daily" or "Fisher Towers Section", is the most visited whitewater run in Utah, with more than 77,000 visitors in 2011 alone.

en.wikipedia.org/wiki/Colorado_River

en.wikipedia.org/wiki/Wikipedia:Text_of_Creative_Commons_...

Cuckmere Haven lies on the coast at the point where the South Downs meet the sea. Its dramatic chalk landscape with a characteristic cliffy coastline is constantly changing. The cliffs are being eroded at a rate of 30-40 cms every year.

Cuckmere's quiet beach, which is located within the Seven Sisters Country Park, is an area of great tranquility.

A path from the Seven Sisters Country Park Centre leads from the pebble beach through the Cuckmere valley.

Fonte : Wikipedia

Florence and the Machine (styled as Florence + the Machine) are an English indie rock band that formed in London in 2007, consisting of lead singer Florence Welch, Isabella Summers, and a collaboration of other artists. The band's music received praise across the media, especially from the BBC, which played a large part in their rise to prominence by promoting Florence and the Machine as part of BBC Introducing. At the 2009 Brit Awards they received the Brit Awards "Critics' Choice" award. The band's music is renowned for its dramatic and eccentric production and also Welch's powerful vocal performances.

The band's debut studio album, Lungs, was released on 6 July 2009, and held the number-two position for its first five weeks on the UK Albums Chart. On 17 January 2010, the album reached the top position, after being on the chart for twenty-eight consecutive weeks.As of October 2010, the album had been in the top forty in the United Kingdom for sixty-five consecutive weeks, making it one of the best-selling albums of 2009 and 2010. The group's second studio album, Ceremonials, released in October 2011, entered the charts at number one in the UK and number six in the US. The band's third album, How Big, How Blue, How Beautiful, was released on 2 June 2015. It topped the UK charts, and debuted at number one on the US Billboard 200, their first to do so. The album reached number one in a total of eight countries and the top ten of twenty. Also in 2015, the band was the headlining act at Glastonbury Festival, making Florence Welch the first British female headliner this century.

Florence and the Machine's sound has been described as a combination of various genres, including rock and soul. Lungs won the Brit Award for Best British Album in 2010. Florence and the Machine has been nominated for eight Grammy Awards including Best New Artist and Best Pop Vocal Album. Additionally, the band performed at the 2010 MTV Video Music Awards and the 2010 Nobel Peace Prize Concert

Kirkjufell, or 'Church Mountain', is a distinctly shaped peak found on the north shore of Iceland’s Snæfellsnes Peninsula, only a short distance away from the town of Grundarfjörður. It is often called ‘the most photographed mountain in Iceland’ due to its dramatic formation and perfect coastal location.

Kirkjufell takes its name from its resemblance to a church steeple, sharpened at the top with long curved sides. From other angles, the mountain has been compared to a witch’s hat or even a freshly scooped ice cream.

There is a danger of running out of superlatives when trying to describe Beverley Minster. It is not only the second finest non-cathedral church in the country but is architecturally a far finer building than most of our cathedrals themselves! It will come as a surprise to many visitors to find this grand edifice simply functions today as a parish church and has never been more than collegiate, a status it lost at the Reformaton. What had added to its mystique and wealth was its status as a place of pilgrimage housing the tomb of St John of Beverley, which drew visitors and revenue until the Reformation brought an end to such fortunes and the shrine was destroyed (though the saint's bones were later rediscovered and reinterred in the nave). That this great church itself survived this period almost intact is little short of a miracle in itself.

There has been a church here since the 8th century but little remains of the earlier buildings aside from the Saxon chair near the altar and the Norman font in the nave. The present Minster's construction spans the entirety of the development of Gothic architecture but forms a surprisingly harmonious whole nevertheless, starting with Early English in the 13h century choir and transepts (both pairs) with their lancet windows in a building phase that stopped at the first bays of the nave. Construction was then continued with the nave in the 14th century but only the traceried windows betray the emergent Decorated style, the design otherwise closely followed the work of the previous century which gives the Minster's interior such a pleasingly unified appearance (the only discernable break in construction within can be seen where the black purbeck-marble ceased to be used for certain elements beyond the eastern bay of the nave). Finally the building was completed more or less by 1420 with the soaring west front with its dramatic twin-towers in Perpendicular style (the east window must have been enlarged at this point too to match the new work at the west end).

The fabric happily survived the Reformation intact aside from the octagonal chapter-house formerly adjoining the north choir aisle which was dismantled to raise money by the sale of its materials while the church's fate was in the balance (a similar fate was contemplated for the rest of the church by its new owners until the town bought it for retention as a parish church for £100). The great swathes of medieval glass alas were mostly lost, though seemingly as much to neglect and storm-damage in the following century than the usual iconoclasm. All that survived of the Minster's original glazing was collected to form the patchwork display now filling the great east window, a colourful kaleidoscope of fragments of figures and scenes. Of the other furnishings the choir stalls are the major ensemble and some of the finest medieval canopied stalls extant with a full set of charming misericords (though most of these alas are not normally on show).

There are suprisingly few monuments of note for such an enormous cathedral-like church, but the one major exception makes up for this, the delightful canopied Percy tomb erected in 1340 to the north of the high altar. The tomb itself is surprisingly plain without any likeness remaining of the deceased, but the richly carved Decorated canopy above is alive with gorgeous detail and figurative embellishments. There are further carvings to enjoy adorning the arcading that runs around the outer perimeter of the interior, especially the north nave aisle which has the most rewarding carved figures of musicians, monsters and people suffering various ailments, many were largely restored in the 19th century but still preserve the medieval spirit of irreverent fun.

To summarise Beverley Minster would be difficult other than simply adding that if one enjoys marvelling at Gothic architecture at its best then it really shouldn't be missed and one should prioritise it over the majority of our cathedrals. It is a real gem and a delight to behold, and is happily normally open and welcoming to visitors (who must all be astonished to find this magnificent edifice is no more than a simple parish church in status!). I thoroughly enjoyed this, my second visit here (despite the best efforts of the poor weather!).

beverleyminster.org.uk/visit-us-2/a-brief-history/

© All rights reserved, don't use without permission

Skala Ded, Stolby Nature Reserve

Stolby Nature Reserve is a Russian strict nature reserve located 10 km south of the city of Krasnoyarsk and known for its dramatic complexes of rocks.

Barsana monastery, one of the main attractions in Maramures, Romania

When UNESCO designated parts of the Maramures Region in Northern Transylvania a WORLD HERITAGE site, it was aimed at protecting the stylized wooden architecture and its dramatic vernacular. Of particular appeal are the tall spires of orthodox churches that dot the area. One of these is the recently constructed Barsana Monastery complex - actually a convent with sixteen nuns. Created in post-Communist years on the site of a church abandoned in 1790, the complex has become a significant cultural and religious attraction. Its 56 meter-tall (180 feet) spired church is reputedly the tallest wooden structure in Europe.

REFORD GARDENS | LES JARDINS DE METIS

Beautiful flowers at Reford Gardens.

Butterfly: Eastern tiger swallowtail (papilio glaucus)

Visit : www.refordgardens.com/

From Wikipedia:

Elsie Stephen Meighen - born January 22, 1872, Perth, Ontario - and Robert Wilson Reford - born in 1867, Montreal - got married on June 12, 1894.

Elsie Reford was a pioneer of Canadian horticulture, creating one of the largest private gardens in Canada on her estate, Estevan Lodge in eastern Québec. Located in Grand-Métis on the south shore of the St. Lawrence River, her gardens have been open to the public since 1962 and operate under the name Les Jardins de Métis and Reford Gardens.

Born January 22, 1872 at Perth, Ontario, Elsie Reford was the eldest of three children born to Robert Meighen and Elsie Stephen. Coming from modest backgrounds themselves, Elsie’s parents ensured that their children received a good education. After being educated in Montreal, she was sent to finishing school in Dresden and Paris, returning to Montreal fluent in both German and French, and ready to take her place in society.

She married Robert Wilson Reford on June 12, 1894. She gave birth to two sons, Bruce in 1895 and Eric in 1900. Robert and Elsie Reford were, by many accounts, an ideal couple. In 1902, they built a house on Drummond Street in Montreal. They both loved the outdoors and they spend several weeks a year in a log cabin they built at Lac Caribou, south of Rimouski. In the autumn they hunted for caribou, deer, and ducks. They returned in winter to ski and snowshoe. Elsie Reford also liked to ride. She had learned as a girl and spent many hours riding on the slopes of Mount Royal. And of course, there was salmon-fishing – a sport at which she excelled.

In her day, she was known for her civic, social, and political activism. She was engaged in philanthropic activities, particularly for the Montreal Maternity Hospital and she was also the moving force behind the creation of the Women’s Canadian Club of Montreal, the first women club in Canada. She believed it important that the women become involved in debates over the great issues of the day, « something beyond the local gossip of the hour ». Her acquaintance with Lord Grey, the Governor-General of Canada from 1904 to 1911, led to her involvement in organizing, in 1908, Québec City’s tercentennial celebrations. The event was one of many to which she devoted herself in building bridges with French-Canadian community.

During the First World War, she joined her two sons in England and did volunteer work at the War Office, translating documents from German into English. After the war, she was active in the Victorian Order of Nurses, the Montreal Council of Social Agencies, and the National Association of Conservative Women.

In 1925 at the age of 53 years, Elsie Reford was operated for appendicitis and during her convalescence, her doctor counselled against fishing, fearing that she did not have the strength to return to the river.”Why not take up gardening?” he said, thinking this a more suitable pastime for a convalescent woman of a certain age. That is why she began laying out the gardens and supervising their construction. The gardens would take ten years to build, and would extend over more than twenty acres.

Elsie Reford had to overcome many difficulties in bringing her garden to life. First among them were the allergies that sometimes left her bedridden for days on end. The second obstacle was the property itself. Estevan was first and foremost a fishing lodge. The site was chosen because of its proximity to a salmon river and its dramatic views – not for the quality of the soil.

To counter-act nature’s deficiencies, she created soil for each of the plants she had selected, bringing peat and sand from nearby farms. This exchange was fortuitous to the local farmers, suffering through the Great Depression. Then, as now, the gardens provided much-needed work to an area with high unemployment. Elsie Reford’s genius as a gardener was born of the knowledge she developed of the needs of plants. Over the course of her long life, she became an expert plantsman. By the end of her life, Elsie Reford was able to counsel other gardeners, writing in the journals of the Royal Horticultural Society and the North American Lily Society. Elsie Reford was not a landscape architect and had no training of any kind as a garden designer. While she collected and appreciated art, she claimed no talents as an artist.

Elsie Stephen Reford died at her Drummond Street home on November 8, 1967 in her ninety-sixth year.

In 1995, the Reford Gardens ("Jardins de Métis") in Grand-Métis were designated a National Historic Site of Canada, as being an excellent Canadian example of the English-inspired garden.(Wikipedia)

Visit : en.wikipedia.org/wiki/Elsie_Reford

LES JARDINS DE MÉTIS

Créés par Elsie Reford de 1926 à 1958, ces jardins témoignent de façon remarquable de l’art paysager à l’anglaise. Disposés dans un cadre naturel, un ensemble de jardins exhibent fleurs vivaces, arbres et arbustes. Le jardin des pommetiers, les rocailles et l’Allée royale évoquent l’œuvre de cette dame passionnée d’horticulture. Agrémenté d’un ruisseau et de sentiers sinueux, ce site jouit d’un microclimat favorable à la croissance d’espèces uniques au Canada. Les pavots bleus et les lis, privilégiés par Mme Reford, y fleurissent toujours et contribuent , avec d’autres plantes exotiques et indigènes, à l’harmonie de ces lieux.

Created by Elsie Reford between 1926 and 1958, these gardens are an inspired example of the English art of the garden. Woven into a natural setting, a series of gardens display perennials, trees and shrubs. A crab-apple orchard, a rock garden, and the Long Walk are also the legacy of this dedicated horticulturist. A microclimate favours the growth of species found nowhere else in Canada, while the stream and winding paths add to the charm. Elsie Reford’s beloved blue poppies and lilies still bloom and contribute, with other exotic and indigenous plants, to the harmony of the site.

Commission des lieux et monuments historiques du Canada

Historic Sites and Monuments Board of Canada.

Gouvernement du Canada – Government of Canada

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A striking low-angle shot captures a modern building facade bathed in intense, hazy sunlight, creating a dreamlike, overexposed effect. The geometric patterns of the building's surface are partially obscured by the glare, while a lone, silhouetted figure walks below, adding a sense of scale and human presence to the monumental architecture. The image is defined by its dramatic backlighting and ethereal, high-key aesthetic.

Lanzarote is situated at 29°00' north, 13°40' west. It is located 11 km north-east of Fuerteventura and just over 1 km from Graciosa. The dimensions of the island are 60 km from north to south and 25 km from west to east. Lanzarote has 213 km of coastline, of which 10 km are sand, 16.5 km are beach, and the remainder is rocky. Its dramatic landscape includes the mountain ranges of Famara (671 m) in the north and Ajaches (608 m) to the south. South of the Famara massif is the El Jable desert which separates Famara and Montañas del Fuego. The highest peak is Peñas del Chache rising to 670 m above sea level. The "Tunnel of Atlantis" is the largest submerged volcanic tunnel in the world.

Split Rock Lighthouse was built in response to the great loss of ships during the famous Mataafa Storm of 1905, in which 29 ships were lost on Lake Superior. One of these shipwrecks, the Madeira, is located just north of the lighthouse.

It is built on a 130-foot (40 m) sheer cliff eroded by wave action from a diabase sill containing inclusions of anorthosite. The octagonal building is a steel-framed brick structure with concrete trim on a concrete foundation set into the rock of the cliff. It is topped with a large, steel lantern which features a third order, bi-valve type Fresnel lens manufactured by Barbier, Bernard and Turenne Company in Paris, France. The tower was built for a second order lens, but when construction went over budget, there was only enough funding remaining for the smaller third order lens. The lens floats on a bearing surface of liquid mercury which allows near frictionless operation. The lens is rotated by an elaborate clockwork mechanism that is powered by weights running down the center of the tower which are then reset by cranking them back to the top.[5] When completed, the lighthouse was lit with an incandescent oil vapor lamp that burned kerosene.

At the time of its construction, there were no roads to the area and all building materials and supplies arrived by water and lifted to the top of the cliff by crane. The light was first lit on July 31, 1910. Thanks to its dramatic location, the lighthouse soon became a tourist attraction for sailors and excursion boats. So much so, that in 1924 a road (now Minnesota State Highway 61) was built to allow land access.

In 1940, the station was electrified and the lamp was replaced with a 1000 watt electric bulb, and the incandescent oil vapor lamp was moved to Au Sable Point Lighthouse in Northern Michigan. Split Rock was outfitted with a fog signal housed in a building next to the light tower. The original signal was a pair of sirens driven by two Franklin 30 hp (22 kW) gasoline-driven air compressors manufactured by Chicago Pneumatic Tool Company. In 1932 the gasoline engines were replaced with diesel engines. The steam sirens were replaced with a Type F-2-T diaphone (be-you) type signal in 1936. The station and the fog signal were electrified four years later, but was discontinued in 1961.

The light was retired in 1969 by the U. S. Coast Guard. The lighthouse is now part of the Split Rock Lighthouse State Park and is operated by the Minnesota Historical Society. The site includes the original tower and lens, the fog signal building, the oil house, and the three keepers' houses. It is restored to appear as it did in the late 1920s. The site was added to the National Register of Historic Places in 1969. Notwithstanding that the light has been retired, every November 10 the lighthouse emits a light in memory of the SS Edmund Fitzgerald which sank on that date in 1975. On June 30, 2011, the lighthouse was designated as a National Historic Landmark.

Ultar Peak at 7,388 metres is the southeasternmost major peak of the Batura Muztagh, a subrange of the Karakoram range. While not one of the highest peaks of the Karakoram, Ultar Sar is notable for its dramatic rise above local terrain.

The Ladyfinger Peak aka Bublimating Peak, while having little prominence at 6,000m, is particularly notable for being a sharp, relatively snowless rock spire among snow peaks. This, combined with its height above the valley, makes it quite eye-catching, hence the distinctive name.

More from my Pakistan Travel Blog.

Manufacturer: Rose Motors Ltd.

Nationality: United Kingdom

First assembled: Winter 2020

Birthplace: Whittlebury, England

Engine: 1.3 L Turbocharged I3

HP: 305 BHP

0-60: 5.7 seconds

Top Speed: 100 MPH

Anthony Brookwood established the now-legendary Rose Motors in the early 1950s after a long streak of motorsports victories in his own personally-designed cars. Today Rose has a legendary status for their consulting services, bringing out the very best of other company's platforms. Rose's own cars are lauded for their simplicity and unrivaled agility on the tarmac. While a vast majority of their cars weren't built to see anything other than pavement, the company's earliest models were made with something more uncharted in mind. Rose was around for the earliest days of rallying, and while they've offered their consulting services to help other companies build some stellar rally cars, nothing in Rose's own lineup really acknowledges that important part of their history. Fortunately Rose isn't one to forget its past, and planned to have it help guide their future.

Rose's most famous racecars are open-wheeled track machines, like Anthony Brookwood's most famous creation, the Mk7. While that was meant to be a laser-precise track machine, Brookwood's first car, the Mk1, was something else. Built on the chassis of an older Winston Motors economy coupe, the Mk1 wasn't going to be hitting the apex of tarmac tracks. Instead it was built to handle the muddy backroads of the United Kingdom, because Brookwood got his start in motorsports through Classic Trials. Also colloquially known as Mud Plugging, Classic Trials is one of the oldest forms of off-road motorsports with its origins dating back to the start of the 20th century. Popularized in the UK, Classic Trials started out as simply completing a long and arduous course through rough terrain against the clock, though there are rally-style events that go through more normal roads. As cars would get more reliable over time, the events would have to evolve, so the concept of observed non-stop sections was introduced. This is where the vehicle will stop at the foot of a hill, and has to make a non-stop ascent. Most Classic Trials since then would have 15 or so of these sections. It was these types of trials where Anthony Brookwood got his first taste of motorsports, and where Rose's legendary status in Automotive culture began. With his Rose Mk1, Brookwood would take the win at many notable English Trials like the Edinburgh and Land's End. With these successes and generous prize money awards, Brookwood would be encouraged to continue racing, and thus develop more race cars. It wouldn't take too long for Brookwood's work to end up dominating at prestigious track events, and for Rose Motors, the rest is history.

While alot of Anthony Brookwood's earliest creations were kept by the man himself and then in the hands of his company after his passing, the car that started it all, the Mk1, would be lost to history for the longest time. Anthony ended up selling the Mk1 in 1952 to help fund some later models and make room in his garage. For the longest time all that was known was that it was sold to an unknown buyer in the northeast of England. For decades, the Mk1 was basically erased from existence until by absolute chance, something amazing happened in 2018. In the Northumberland town of Hexam, a countryside farm was being passed down. As the farm was being looked through, in one of the barns was a very rusted-out car. The new landowner decided to do a bit of research and ended up learning that they found a piece of lost history. The Rose Mk1 was rediscovered, and once the news was made public Rose themselves quickly bought the aged and battered relic for themselves. They made their intent to restore this unimaginably important piece of history for themselves, and just as quickly as the Mk1 made its dramatic return to the public eye, it disappeared again. On the bright side it was now at least known where the Mk1 went and what was happening to it, but it would be 2 years before anyone outside of Rose's inner circles would ever see it again. Fast forward said 2 years to winter of 2020, and Rose showed that they were true to their word by presenting the restored Mk1 to the world. But this presentation was going to be far more dramatic than anyone initially thought. For you see, Rose had a surprise for everyone watching; the Mk1 wasn't alone.

While Rose brought along the earliest of their past, they also brought along the latest in their future. As it turns out, the saying "history doesn't repeat but it does rhyme" couldn't be more true. Sitting next to the Mk1 at that presentation was the latest variant of the Three-2, Rose's longest-running and most popular model. This Three-2 was obviously unique from just a first glance, however. While every other Three-2 ever made was a small, low-slung sportscar meant for peak tarmac agility, this Three-2 sat noticeably taller on big off-road tires. There was even a spare mounted behind the driver, who was now protected with a big rollcage instead of just the rear rollbars. Up front there was aggressive rambars and a pair of high-mounted foglamps. It was quite clear this Three-2 wasn't built for running time trials on Silverstone. Like the Mk1 way, way before it, it was built run through the muddy bogs of the English backcountry. Dubbed the ATR for "All Terrain Rally", Rose promises that they have properly adapted the Three-2 platform to go offroading, and on paper it sure seems like they aren't lying. They began by taking a Three-2 Super, the highest model in the Three-2 lineup, and taking everything off that wouldn't help in handling rough terrain. This means the powertrain was untouched. Still the same 1.3 turbocharged I3 engine from a high-performance motorcycle, still the same impressive 305 HP. This is where outside of basic shape and platform the similarities between the ATR and Super end.

As stated before, the ATR sits higher than all other Three-2 models, specifically sitting at 9.5 inches of ground clearance on chunky off-road tires. This offers the ATR an impressive 40 degree approach angle. To make sure nothing under the ATR gets damaged making these steep approaches, the underside has a steel-reinforced polymer plate running the entire length of the car. The engine, driveshaft, rear differential and other vital components are totally protected thanks to this plate. On the exterior there is of course the previously-mentioned rambars up front to help protect the ATR in a front collision, and also a pair of foglights to brighten up a dark trail. In the back behind the driver cabin is a mounted spare tire, but that isn't the only extras included in the back. Rose utilized all of the Three-2's sparse cargo area, which they slightly expanded with the ATR, to include some vital off-roading extras. These include a 4-liter fuel container, a collapsible spade, tow ropes and sand mats. For those tow ropes, the ATR has a new mounting point in the rear to tie them to. The interior itself is relatively unchanged from the standard Three-2, though the seats are a soft plastic-based material to make them easy to clean after an exciting run through the mud. And of course, significantly altering the Three-2's silhouette for the ATR is a steel rollcage protecting its occupants in the event of a rollover.

The ATR was an unprecedented look back at where Rose Motors began, and certainly unorthodox considering what the ATR was based on. Convincingly taking the Three-2 from an agile road carver to a tough rally runner was no small task, but it sure looks like Rose motors pulled it off. The most surprising aspect about the ATR was the fact that it wasn't just a fun concept Rose put together to celebrate their history. Rose announced at its unveiling that the ATR would be a limited-run production model. Heavy emphasis on "limited". Only 48 would be made in reference to the year the Rose Mk1 was made, 1948. Every one of those ATRs would trade for a painfully high sticker price of $170,000, over twice the price of the highest-model Three-2. Obviously the price comes from the exclusivity, but looking at the ATR its not too hard to believe it offers over twice the fun of a regular Three-2.

Famed for its dramatic rapids and canyons, the Colorado is one of the most desirable whitewater rivers in the United States A section of the river above Moab, known as the Colorado "Daily" or "Fisher Towers Section", is the most visited whitewater run in Utah, with more than 77,000 visitors in 2011 alone.

en.wikipedia.org/wiki/Colorado_River

en.wikipedia.org/wiki/Wikipedia:Text_of_Creative_Commons_...

This elegant and refined specimen ornamental is prized for its dramatic and attractive foliage changes. It’s deeply divided leaves flush bright red in spring and then gradually turn purplish in fall. It is a magnificent heirloom tree renowned for it’s graceful and charming presence.

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Fourth pillar rock, Stolby Nature Reserve

Stolby Nature Reserve is a Russian strict nature reserve located 10 km south of the city of Krasnoyarsk and known for its dramatic complexes of rocks.

Fonte : Wikipedia

Florence and the Machine (styled as Florence + the Machine) are an English indie rock band that formed in London in 2007, consisting of lead singer Florence Welch, Isabella Summers, and a collaboration of other artists. The band's music received praise across the media, especially from the BBC, which played a large part in their rise to prominence by promoting Florence and the Machine as part of BBC Introducing. At the 2009 Brit Awards they received the Brit Awards "Critics' Choice" award. The band's music is renowned for its dramatic and eccentric production and also Welch's powerful vocal performances.

The band's debut studio album, Lungs, was released on 6 July 2009, and held the number-two position for its first five weeks on the UK Albums Chart. On 17 January 2010, the album reached the top position, after being on the chart for twenty-eight consecutive weeks.As of October 2010, the album had been in the top forty in the United Kingdom for sixty-five consecutive weeks, making it one of the best-selling albums of 2009 and 2010. The group's second studio album, Ceremonials, released in October 2011, entered the charts at number one in the UK and number six in the US. The band's third album, How Big, How Blue, How Beautiful, was released on 2 June 2015. It topped the UK charts, and debuted at number one on the US Billboard 200, their first to do so. The album reached number one in a total of eight countries and the top ten of twenty. Also in 2015, the band was the headlining act at Glastonbury Festival, making Florence Welch the first British female headliner this century.

Florence and the Machine's sound has been described as a combination of various genres, including rock and soul. Lungs won the Brit Award for Best British Album in 2010. Florence and the Machine has been nominated for eight Grammy Awards including Best New Artist and Best Pop Vocal Album. Additionally, the band performed at the 2010 MTV Video Music Awards and the 2010 Nobel Peace Prize Concert

There is a danger of running out of superlatives when trying to describe Beverley Minster. It is not only the second finest non-cathedral church in the country but is architecturally a far finer building than most of our cathedrals themselves! It will come as a surprise to many visitors to find this grand edifice simply functions today as a parish church and has never been more than collegiate, a status it lost at the Reformaton. What had added to its mystique and wealth was its status as a place of pilgrimage housing the tomb of St John of Beverley, which drew visitors and revenue until the Reformation brought an end to such fortunes and the shrine was destroyed (though the saint's bones were later rediscovered and reinterred in the nave). That this great church itself survived this period almost intact is little short of a miracle in itself.

There has been a church here since the 8th century but little remains of the earlier buildings aside from the Saxon chair near the altar and the Norman font in the nave. The present Minster's construction spans the entirety of the development of the Gothic architecture but forms a surprisingly harmonious whole nevertheless, starting with Early English in the 13h century choir and transepts (both pairs) with their lancet windows in a building phase that stopped at the first bays of the nave. Construction was then continued with the nave in the 14th century but only the traceried windows betray the emergent Decorated style, the design otherwise closely followed the work of the previous century which gives the Minster's interior such a pleasingly unified appearance (the only discernable break in construction within can be seen where the black purbeck-marble ceased to be used for certain elements beyond the eastern bay of the nave). Finally the building was completed more or less by 1420 with the soaring west front with its dramatic twin-towers in Perpendicular style (the east window must have been enlarged at this point too to match the new work at the west end).

The fabric happily survived the Reformation intact aside from the octagonal chapter-house formerly adjoining the north choir aisle which was dismantled to raise money by the sale of its materials while the church's fate was in the balance (a similar fate was contemplated for the rest of the church by its new owners until the town bought it for retention as a parish church for £100). The great swathes of medieval glass alas were mostly lost, though seemingly as much to neglect and storm-damage in the following century than the usual iconoclasm. All that survived of the Minster's original glazing was collected to form the patchwork display now filling the great east window, a colourful kaleidoscope of fragments of figures and scenes. Of the other furnishings the choir stalls are the major ensemble and some of the finest medieval canopied stalls extant with a full set of charming misericords (though most of these alas are not normally on show).

There are suprisingly few monuments of note for such an enormous cathedral-like church, but the one major exception makes up for this, the delightful canopied Percy tomb erected in 1340 to the north of the high altar. The tomb itself is surprisingly plain without any likeness remaining of the deceased, but the richly carved Decorated canopy above is alive with gorgeous detail and figurative embellishments. There are further carvings to enjoy adorning the arcading that runs around the outer perimeter of the interior, especially the north nave aisle which has the most rewarding carved figures of musicians, monsters and people suffering various ailments, many were largely restored in the 19th century but still preserve the medieval spirit of irreverent fun.

To summarise Beverley Minster would be difficult other than simply adding that if one enjoys marvelling at Gothic architecture at its best then it really shouldn't be missed and one should prioritise it over the majority of our cathedrals. It is a real gem and a delight to behold, and is happily normally open and welcoming to visitors (who must all be astonished to find this magnificent edifice is no more than a simple parish church in status!). I thoroughly enjoyed this, my second visit here (despite the best efforts of the poor weather!).

beverleyminster.org.uk/visit-us-2/a-brief-history/

The Grand View Overlook Rim Trail is a 1.8 mile hike that runs along the edge of the rim of the Island in the Sky, a peninsula 6,000" above Monument Valley. Canyonlands National Park in southeastern Utah is known for its dramatic desert landscape of canyons, mesas, and buttes carved by the Colorado River and its tributaries. Print size 8x10 inches.