View allAll Photos Tagged intuos
Visit my new website : nicobert.com
Strobist info :
One cross light on the right side, a GODOX QT600ii through an octabox 90 cm (1/2 Power) - One rim light on the left side, a little behind the model, a GODOX QT600ii in a strip box. All was triggered with a GODOX X1-T.
Another New York street scene digital speed paint, about an hour for this one, done on Mac Book with Wacom,
Possibly a canvas of this in the future, although not feeling this as much as the previous New York scene
Photoshop doodle/ quick study from reference photo. Drawn in photoshop cs5 with the wacom
Reference photo was one of the many jealousy inducing panoramics on Brandon Riza's website
More photoshop sketches will be added to my blog periodically...
Rovereto, Trentino, Italy
Obice / howitzer of WWI - Museo della Guerra / War Museum
Exif: Huawei Mate 8, Qing app, Photoshop, Wacom Intuos & right hand
CROSSVIEW
To view 3D pics cross your eyes focusing between at the pictures until both images overlap one another in the middle.
Per vedere le foto in 3D incrociare (strabuzzare leggermente) gli occhi fino a che le due immagini si sovrappongono formandone una sola centrale
Visit my new website : nicobert.com
Strobist info :
One cross light on the right side, a GODOX QT600ii through an octabox 90 cm (1/2 Power) - One rim light on the left side, a little behind the model, a GODOX QT600ii in a strip box. All was triggered with a GODOX X1-T.
Post processing :
I changed the background / Hair removal, skin soft retouch / Eyes work / Dodge and Burn / Finally, I search the right color to get a good feeling for this shot.
Visit my new website : nicobert.com
Strobist info :
Main light :
On the right side (quite middle axis), a GODOX QT600ii through an octabox 90 cm (1/1 Power).
Rim light 1 :
On the left and rear side of the model, a GODOX QT600ii through an stripbox at 1/1 power.
Rim light 2 :
On the right and rear side of the model, a GODOX QT600ii through an stripbox at 1/1 power.
All was triggered with a GODOX X1-T.
Post processing :
skin soft retouch / eyes work / Dodge and Burn / Color search / Add a small vignet.
أخذت هذه الصوره عند الغروب في احد ايام الشتاء ولم أجد موضوع غير هذه الحفاره، وفي ذلك الوقت كنت اتعلم طريقه التصوير الديناميكي ولم اتوقع الحصول على هذه النتيجه، اتمنى ان تعجبكم
I shot this photo in winter sunset and it was magical sunset. The best interesting subject around was this front loader, at that time I was experimenting HDR work and learning, I did not expect it to be this good. I hope you like it :)
Shooting:
3 exposures (-2; 0; +2) on tripod
Aperture: f/11
ISO: 100
Focal Length: 18mm
RAW
Processing:
- merged the 3 bracketed shots in Photomatix
- Strength 100, Color Saturation 50
- play around with the 5 sliders, Luminosity, Detail Contrast, Lighting Adjustments, White Point & Black Point until i got this effect
- then in Lightroom 4 adjust sharpness, contrast, vibrance, clarity, exposure
- some adjustment brush
and that's it
Gear:
I buy all my photo gear from Adorama, they are the best in the business, they have international shipping, superb costumer service and best prices, some times i order from Amazon too, they sell everything you can imagine, they have outstanding costumer service and best prices.
New work, struggles, a state of depersonalization or loss of identity. I will fight
Strobist info : octobox with my big Godox AD600 Witstro in front of me and above the camera at zoom 85 mm and powered in TTL at -0.5. Triggered with a Godox X1-T and using a remote control.
Post-processing : in PS in these steps :
1 / frequency separation.
2 / small HDR amount
3 / eyes work to highlight and increase focus
4 / filter to add a soft old shot
5 / a bit of vignetting
Totally AWESOME experience for steel wool photography. that night i didn't want to stop, its really so much fun every one should try it some day.
This shot is inspired by the tutorial of Photo Extremist Thousands thanks!!
better viewed on black Black "L"
Shooting:
Exposure: 30 sec.
Aperture: f/5.6
ISO: 200
Focal Length: 10 mm
RAW
Processing:
- adjusting tone, presence, detail, WB
Gear:
I buy all my photo gear from Adorama, they are the best in the business, they have international shipping, superb costumer service and best prices, some times i order from Amazon too, they sell everything you can imagine, they have outstanding costumer service and best prices.
Digital Portrait Commissions:
i'm accepting commissions for personal portraits made with corel painter x software.
A4 sized, 300 ppi, $300 USD. payment method: paypal.
if you're interested please leave a message via email: mgubia@gmail.com
Visit my new website : nicobert.com
Strobist info :
Main light :
On the right side (quite middle axis), a GODOX QT600ii through an octabox 90 cm (1/1 Power).
Rim light 1 :
On the left and rear side of the model, a GODOX QT600ii through an stripbox at 1/1 power.
Rim light 2 :
On the right and rear side of the model, a GODOX QT600ii through an stripbox at 1/1 power.
All was triggered with a GODOX X1-T.
Post processing :
skin soft retouch / eyes work / Dodge and Burn / Color search / Add a small vignet.
VSCO portra 400-1 +++ (with less saturation)
Visit my new website : nicobert.com
Strobist info :
One light facing the model on his left side, a GODOX AD200 through a small octabox at 1/32 power.
One light behind the model on his right side behind and higher in a small diffuser + blue gel a GODOX AD200 through a small octabox at 1/128 power.
Triggered with a GODOX X1-T.
Visit my new website : nicobert.com
Strobist info :
One cross light on the right side, a GODOX QT600ii through an octabox 90 cm (1/2 Power) - One rim light on the left side, a little behind the model, a GODOX QT600ii in a strip box. All was triggered with a GODOX X1-T.
Post processing :
skin soft retouch / / Dodge and Burn / Color search / Add a small vignet on the wall.
Visit my new website : nicobert.com
Strobist info :
Main light :
On the right side (quite middle axis), a GODOX QT600ii through an octabox 90 cm (1/1 Power).
Rim light 1 :
On the left and rear side of the model, a GODOX QT600ii through an stripbox at 1/1 power.
Rim light 2 :
On the right and rear side of the model, a GODOX QT600ii through an stripbox at 1/1 power.
All was triggered with a GODOX X1-T.
Post processing :
skin soft retouch / eyes work / Dodge and Burn / Color search / Add a small vignet.
Accidently set shutterspeed to 300 on a few of the shots while we worked on poses like this, took me a while before I realized what I had done as I've never seen how the images look when going above flashsync. Good thing I kept an eye out for errors or last half an hour would have been wasted.
Cropped for Facebook
Model: Inga T.
The photos of Inga T. have been re-edited made available on my Bentbox: bentbox.co/gjesdal
DRP Tower, Before / After
The shoot:
This scene was love at first sight. What's not to love? Giant, huffing and puffing, menacing looking structure of Godzillish proportions, set against a dramatic, painterly sunrise? A single exposure wasn't going to cut it. There was simply too much contrast to see those amazing clouds and the mist surrounding the tower, even though the sun hadn't risen yet.
I quickly decided to go for 7 bracketed exposures from -3EV through +3EV, just to be safe. I used Canon TS-E 17mm tilt shift lens. There was no way to stand any further from the tower and even though the lens was shifted all the way up, I still couldn't catch the top of the tower without tilting the camera slightly upwards. I had no choice but to correct the slightly converging verticals in post.
Post-processing:
7 exposures were pre-processed in Lightroom with very minor tweaks. I removed chromatic aberrations, added a bit of sharpening and removed the image noise. There's no camera lens profile for the Canon TS-E 17mm due to its complex distortion which varies depending on the amount of tilting as well as shifting...but that isn't a problem as the lens is optically near perfect. Barrel distortion and vignette are too small to notice with the naked eye. I corrected vertical convergence with manual lens correction tool. That only took a few seconds.
I exported 16-bit TIFF files and imported them into Oloneo PhotoEngine Pro. This is where I created a tonemapped image with a natural look.
HDR image was exported yet again as a 16-bit TIFF file and imported into Photoshop.
Under closer examination, I realized I had a TON of dust spots all over the image because the steel factory isn't a very camera friendly environment; air is saturated with tiny dust particles. Each time I swapped the lens, I got some of that dust onto the sensor and there was no way of avoiding this menace. It took me about 20 minutes to remove all dust spots and then, the real work began.
I really wanted to make something special with the clouds in the background. I was going for Graphic Novel look with desaturated, high contrasting textures and tones. I was going for drama.
To start off, I needed a clean mask which would separate the background from the foreground. I couldn't simply select the sky by picking its range of colours because the grey/brown tones were too close to the tones of the steel. There was no shortcut. I had to do it the hard way, by using Lasso and Magic Wand tools. Picking and isolating the sky between the narrow gaps of steel tubes and steel grating was particularly tedious. It must've taken me at least an hour before the mask was clean and perfect for selective colour correction.
Once I was done and the colour version of the photograph was complete, I created a duplicate layer and converted it into Black & White image with Silver Efex Pro plug-in. I used the built-in blue filter which darkened all red tones in the image and gave it a hint of Selenium tint (shades of yellow/ cool blue). Final step involved the mixing of the Black & White layer with the underlying colour image. I decided for 30/70 blending ratio (30 Colour/70 B&W) for the final result which I had in mind.
I used Wacom Intuos 3 pressure sensitive tablet to paint luminance and selective color-correction masks in Photoshop CS 5. Primary grading was accomplished with Color Efex Pro 4.
Image was captured with Canon 5d Mk2 + Canon TS-E 17mm f4.0L lens. Promote Remote Control was used for exposure bracketing.
Total pre and post-processing time: 2 hours
Got home from work, just enjoying a nice fresh drink while I study.
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Check out my other pages
Blog --------- www.fliquit.com
YouTube -- www.youtube.com/user/thrtytwo
Facebook - www.facebook.com/JamieCNicholson
Instagram - instagram.com/jamie_c_n/
Visit my new website : nicobert.com
Strobist info :
Main light :
On the right side (quite middle axis), a GODOX QT600ii through an octabox 90 cm (1/1 Power).
Rim light 1 :
On the left and rear side of the model, a GODOX QT600ii through an stripbox at 1/1 power.
Rim light 2 :
On the right and rear side of the model, a GODOX QT600ii through an stripbox at 1/1 power.
All was triggered with a GODOX X1-T.
Post processing :
skin soft retouch / eyes work / Dodge and Burn / Color search / Add a small vignet.
More info about this photo and my photography can be found at my blog
This is an updated picture of my home office. This is where all of my photo editing is done. I am a full time student and amateur photographer, but I am trying to make the jump into professional wedding photography. As my time behind the computer has started to increase I decided it was time to redo the office and get me excited to be spending so much time here. The desk was purchased from Costco and was originally a U-Desk but has been altered to work better with the space. I added the 30" Apple Cinema Display and use a medium Intuos 4 Wacom tablet with it. The computer is a lightly modded Dell (2.5ghz dc proc, and 4gb ram). I recently added a RAID array for photo storage needs and have organized it all in bridge (a good feeling to have that done!).
The before picture can be found here: www.flickr.com/photos/anthonygrimes/3358328574/
Strobist: I wanted to keep the warm feel from the desk lights but wanted a proper over all color for the room. I also didnt want to light under the desk to prevent attention being drawn to this area (some cables are visible and distracting). I used two Vivitar 285HV's, one high camera right shot at 1/4 power through a white umbrella, one bare camera left fired off the back wall at 1/16 power. I am please with the overall look but would like it if you couldnt see reflections in the pictures :(
Upgrade from PC to Mac in 2012
What's New:
- Mac Mini i7 with Radeon HD 6630
- Internal 128GB SSD Samsung 830
- Internal 750GB Seagate Momentus
- External 2TB Seagate Barracuda
- Genius Facecam 1020 (crap)
- Samsung Portable Blu-Ray Writer
- Apple Full Keyboard (Plus 2 USB)
What I've Keeped:
- Wacom Bamboo Fun (no money for Intuos 5).
- Dell U2311H IPS
- Alhva Hood (cheap, bud works)
- A bunch of chargers
Visit my new website : nicobert.com
Strobist info :
Main light :
On the right side (quite middle axis), a GODOX QT600ii through an octabox 90 cm (1/1 Power).
Rim light 1 :
On the left and rear side of the model, a GODOX QT600ii through an stripbox at 1/1 power.
Rim light 2 :
On the right and rear side of the model, a GODOX QT600ii through an stripbox at 1/1 power.
All was triggered with a GODOX X1-T.
Post processing :
skin soft retouch / eyes work / Dodge and Burn / Color search / Add a small vignet.
I digitally painted a photo that I originally shot back during Hurricane Sandy on Atlantic Beach today. I've piddled around with painting before, but today I put the mouse away, busted out the Wacom and actually finished one.
Facebook | www.uprootedphotographer.com | Google+ | 500px
©2012 Zach Frailey
VIEW LARGE :D
I visited the area around Northumbria University around xmas to do some Long Exposures. Not long after shooting this i was apprehended by 2 jobsworth security guards and asked to leave lol.
Shot info : Sigma 17-70 f2.8- f4, Hoya NDX400
Processing : After doing some perspective correction on the original RAW file I created an Overlay Layer with 50% Grey then used a technique which is a non destructive way of dodging and burning. I made a selection of the right hand building to seperate it then painted the rest of the scene with a black brush set to approx 35% Opacity to darken the sky and left hand building.
To tidy up the selection on the right hand building which had a very fine halo along the top and side i used the Clone Tool at 800% to remove it. To do all of this i used my Wacom Intuos 5 Pen Tablet which i bought in November. At first i hated using it but am starting to get the hang of it now and its yielding some great results especially with the cloning/selections ive used.
Big thanks to Julia Anna Gospodarou, Stefanie Loges & Paul Appleby for the tips :)
Sunday morning, got my coffee, Pearl Jam blazing on speakers and editing... I'm feeling pretty good :-)
Model: Katrine
This is what I spend most of the time on this image editing. Sometimes it is the little things :-)
I'm starting to get the hang of Wacom Intuos Pro.
And if you can't see the other image that is due to it being set to Moderate.
Lawyer(and cousin in law) headshot
Main: Roverlight
Hair: SB700
Kick: Photogenic 320w w/grid
Pop up background.
My first retouch using Wacom Intuos art. Took a bit longer, but much more fun.
Visit my new website : nicobert.com
Sony A7R2 + 55mm f1.8 1/200 at f10 iso50
Strobist info :
One cross light on the right side, a GODOX QT600ii through an octabox 90 cm (1/2 Power) - One rim light on the left side, a little behind the model, a GODOX QT600ii in a strip box (1/1 full power). All was triggered with a GODOX X1-T.
Post processing :
skin soft retouch / / Dodge and Burn / Color search / Add a small vignet on the wall.
Photoshop doodle/ quick study from reference photo. Drawn in photoshop cs5 with the wacom
More photoshop sketches will be added to my blog periodically...