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Visit my website : bertrandboulot.wixsite.com/nicobert-photo
Here we are. This is my first big job on a portrait, using all the different technics I had learnt : dodge and burn, frequency separation, Hue and Saturation, Noise, Highlights, Shadows, playing and making a dedicated background with a DIY vignetting.
Feel free to comment please, from bad to good comments, I would appreciate it !
Strobist info : I think that the first lighting setup is The Key of success before any post-processing action :
An Godox Witstro Ad600 in a octabox in front of model (2,40 m high) and slightly on the right side of the subject. Powered at -1 in TTL.
On each sides of the model, fairly behind (at 2 and 10 hours), at 1.80 m height, a speedlight in a softbox (80 cm x 80 cm). Powered at 1/1 in manual mode at zoom 24 mm.
Visit my new website : nicobert.com
Strobist info :
One cross light on the right side, a GODOX QT600ii through an octabox 90 cm (1/2 Power) - One rim light on the left side, a little behind the model, a GODOX QT600ii in a strip box. All was triggered with a GODOX X1-T.
Post processing :
Add a bigger frame / skin soft retouch / Eyes work / Dodge and Burn / frequency separation / Color search / Add a white back light behind the model, on the wall.
015/365
January 15th, 2012
Cleaned the hell out of my studio today. That's about it.. Strobist fun balancing flash with ambient to get the right exposure on the displays.
Info :: Nikon D3s
Info :: Zeiss Makro-Planar T* 2/50 ZF.2
Info :: ISO640 1/100 @ f/8
Info :: SB900 in Westcott Apollo Orb above subject
Info :: Triggered by PocketWizard Plus II's
Visit my new website : nicobert.com
Strobist info :
One light facing the model, a GODOX AD200 through a small octabox at 1/32 power.
One light behind the model in a small diffuser a GODOX AD200 through a small octabox at 1/32 power.
Triggered with a GODOX X1-T.
Visit my new website : nicobert.com
Strobist info :
Main light :
On the right side, a GODOX QT600ii through an octabox 90 cm (1/2 Power).
Fill light :
On the rear of the camera, a GODOX QT600ii through an lightbox (60 cm x 60 cm) at 1/2 power.
Hair/Hat light :
Above the model, a GODOX AD200 through a small octabox at 1/4 power.
All was triggered with a GODOX X1-T.
Post processing :
skin soft retouch / / Dodge and Burn / Color search / Add a small vignet on the wall / Smoke and false ashes on the cigar.
It's been quite some time ago since I last photographed a seascape - I'm much more into architectural photography lately. But the days with heavy fog recently gave me a reason to go back to the water again and shoot an often photographed and classic subject in the fog. Besides that, I needed some practice for the workshop I'm teaching in December:)
The introduction of the Archiscapes theme: where architecture meets the sea or where structures in the sea look like architecture. Thanks Sandra Canning !
Technical info:
ND106 - 6 stops.
f/8
ISO160
17 mm
333s (5m33sec) exposure
Software:
Lightroom 3.0
PS CS5 - Silver Efex Pro 2
Other Post processing equipment:
Wacom Intuos 4 tablet for some accurate editing.
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Strobist info :
2 rim lights on each side and back of the model in strip modifier with 2 Godox TT685 speedlights.
Main light with my lover, the Godox AD600 in fornt of the model and just above me. All was triggered with my Godox X1-T.
Post-Processing :
The shot was done outdoor but I prefered to add a gym place to underline the fit world idea of the shot.
Dodge and Burn and contrast to improve the final image + Grain. I add some weight also to look more sturdy !
I finally got myself one of these a few months ago and although I haven't used it a great deal, it's really fun to use. I find the brush in PS to be so much more accurate using it. Once I'm more used to using it I will probably struggle without it!
You can find me at the locations below:
I was tagged. Gee, thanks, Dan. You sure made my day. Sigh.
I'm gonna type some random crap now. You can read it if you want.
1) This is a screenshot of my digital workstation. I use FireAlpaca because I'm a freaking weeb. My tablet is a (now outdated) Wacom Intuos Pen & Touch (size small).
2) I took a few minutes to sketch up a shitty Joker and Riddler just for you guys! The Riddler is clearly on cocaine and I think the Joker lowkey looks like Jacksfilms. Jokesfilms (end me).
3) My real name is Evan.
4) My Instagram is @Volkswagginbeetle if you're interested. It's sort of an art portfolio. I could use some more followers as traction.
5) My Twitter is @911Bug911, but you might want to stay away from that one for your own sanity.
6) My family just tried to commission me to make a Donald Trump coloring book. Thoughts?
7) The "real" me doesn't have any online profiles. Deal with it, stalkers.
8) I've nearly watched 600 episodes of anime (includes movies and OVAs). If you're wondering why I sold my soul to Japan, you can thank my good friend Kaylee and her strange obsession with lolis and hentai. She talked me into watching an anime and it all went downhill from there. What's even scarier is that this all happened toward the end of last year. 600. Damn it Japan, give me my life back.
9) It is Wednesday, my dudes. Ahhhhhhhhhhh!
10) My greatest accomplishment in life was probably drawing Batman and Superman having buttsex. "Do you bleed? You will."
11) Let's agree to forget about that last one.
12) Dan asked me to put my dick size as one of these. I don't own anything that measures in millimeters, though.
13) Let's agree to forget about that one, too.
14) I'm single. By choice. But if you're female, you can still hit me up. Jussayin.
15) If I ever manage to release my stuff for the MCSG on a schedule, I have plans for another series on top of Spider-Man. Yay for glorified fanfiction!
16) I have a nice camera and love to take photos. Yet I never post any to this photo sharing site. Strange.
17) Unless Chris is a stud, I'm definitely the sexiest guy in the DCSG/MCSG Skype group. Jussayin, ladies. Jussayin.
18) Civil War was a 5/5 for me. There were parts that could've been improved, but that's only natural. Can't wait for more of Tom as Spidey!
19) I think about the sweet release of death on a daily basis. Just kidding, it's only biweekly.
20) You can FM me any time if you ever want my Skype.
21) I was only going to do 20 of these, but I never mentioned our Lord and Savior Eddie Brock. Praise him.
Took a short trip to scout for a future shoot. Installed the Wacom Intuos Pro tablet and tried to use that. Was quite something, I will need a lot of practise I think :-)
Not entirely sure when I'll be able to use this location for a shoot, but now would be a great time as there were hardly any water in the river, lots of really nice places to shoot in very small area. Hope I can use it this Saturday when I have a shoot planned with a new model that lives quite near me.
Shot with my converted infrared camera
a little self-promotion: if you have a moment I would suggest that you check my interview on photoshelter's blog.
Vous habitez QuĆ©bec et vous ĆŖtes disponibles le 9 avril 2011 au domaine des Maizerets et voulez assister Ć un atelier Photoshop pour amĆ©liorer votre workflow Photoshop, je vous suggĆØre d'aller visiter mon blog pour rĆ©server votre place dĆØs aujourd'hui et courir la chance de gagner une tablette graphique wacom intuos 4. Il reste moins de 6 places disponibles!!
See my most interesting pictures here or take some time to view the slideshow .
[ email | website | Follow me on Twitter | Join my Fanpage ]
Pintura realizado en software digital (Corel Painter 11 + Intuos 4 L). Formato de impresiĆ³n de 84x58 cm.
Digital picture made it with digital software (Corel Painter 11 + Intuos 4 L). Printed format 84x58 cm.
Newest Setup:
flickr.com/photos/nikonboomer/16660864407/
Taken with D7100 w/ 1 bare SB-910, camera right, aimed up and bounced off ceiling @ 1/8th power. Triggered with Nikon CLS.
Nikon D700 w/ Nikon 85mm f1.4G
Nikon D610 w/ Sigma 35mm f1.4
HTC One M8
Samsung Galaxy Tab S 8.4
Wacom Intuos Pro Tablet Small
Logitech Touchpad and Keyboard
ASUS PB278Q IPS Monitor
Illustration of Dita Von Teese with Wacom Intuos and Painter 6. Printed onto 1x1 meter canvas. Create by artist Wolfgang Kath.
Elicium Centre (2004-2009). Architect: Benthem Crouwel Architects.
Amsterdam RAI Exhibition and Convention Centre.
Europaplein.
Zuidas, Amsterdam, North Holland, The Netherlands.
Technical data: Nikon D800 | Nikkor AF-S 14-24 mm f/2.8G ED at 21mm | Hitech Pro Stop 10 IR + Lucroit filter holder | Induro AT213 tripod + BHL2 ballhead.
85s (1min 25s) | f/22 | ISO 50.
Processing: Lightroom 5 | Photoshop CS6 | Nik Silver Efex Pro 2.
Wacom Intuos 5 pen tablet.
The Elicium is the most recent addition to the Amsterdam RAI, the largest conference center in Europe. Designed by local architectural firm Benthem Crouwel Architects, this multifunctional edifice consists of an enormous ballroom -suitable for large-scale events, several conference rooms, and a number of meeting rooms, being different functions housed in separate parts of the building. The interesting internal zonal structure of the Elicium translates to the exterior faƧade in the form of steel-panel coated extruded curves that seem to break through the otherwise continuous curtain wall, creating an undulating surface that wraps differentiated spaces with every fold.
In creating this image, I wanted to emphasize this cross-sectional approach to designing the faƧade of the building. To this end I had three elements to deal with: the sky, the building itself, and that curved, protruding element, which I ranked in a sort of hierarchy that would determine the basic tonal relationships among them. Accordingly, the sky would cover tonal zones 1 to 5, the curtain glass would not go beyond zone 8, and zones 9 and 10 would be exclusively used to highlight the silver molding on the faƧade of the Elicium.
Now you might be wondering whether my final image has anything to do with what I captured on my camera a few months ago in Amsterdam. Well, probably not much. However, this is very close to what I envisioned while I was walking around the newly developed Zuidas district for the first time. This is why I stopped to photograph this building. And more importantly, this is why I like it.
On a side note, this is the first image in which I have successfully incorporated some of the post-processing techniques developed by Dutch black and white fine art photographer Joel Tjintjelaar. In case you are interested, he recently released a highly recommendable series of video tutorials as part of a more comprehensive black and white long exposure masterclass where he provides step by step explanations on the different parts of his photographic workflow.
This is an old shot taken with my Nikon D850 and a Tamron 10-24mm f/3.5-4.5 DI II VC HLD ASP-C lens.
So I finally started editing with my MacBook Pro 13ā, and a Wacom Intuos Pro Medium that Iāve had sitting around for a couple of years both collecting dust.
I found a set of 7 images taken using a tripod. All were long exposures that had their own appealing sections of different waves in the scene. When I took these images I knew theyād come in handy one day.
I knew Iād need these as well as other sequences of panorama shots, focus stacked shots, and bracketed exposures in order to learn how to stack and blend them together using layer masks and other tools available in Photoshop.
Almost all my edits up until last night have been performed on my iPad Pro 11ā So after watching lots of hours of tutorials I felt it was time to change the game. I know thereās gonna be a lot of trial and error, and a big learning curve using the Wacom Intuos Pro but becoming a better Photographer is going to require learning how to use the newest tools available.
This shot represents my first edited shot round tripping in Lightroom Classic & Photoshop. I used Layer masks in Photoshop, and a little more touching up in Camera Raw, then back into Lightroom Classic for cataloging purposes.
_______________________________________________
Update: December 4h. (2023)
This coming spring of 2024 will mark my 5th year using Adobe Lightroom Classic, Photoshop, and my Wacom tablet.
Since Iāve been using Adobe Lightroom, Photoshop, and my Wacom tablet it really has changed editing and made a huge difference in the way I now edit my photos. It enables you to edit your images in ways that make so much more sense.
It does take time to learn, but the results will make you very satisfied and proud of your finished photos.
Bottom line is, I highly recommend making an effort to take the time to learn as much as you can post processing your images.
5x7" FIlm. First attempt at editng the image with a Wacom Intuos tablet. Akward at this point, but interesting. Still trying to figure out the best way to set it up for Lightroom!
Visit my new website : nicobert.com
Strobist info :
Main light :
On the right side (quite middle axis), a GODOX QT600ii through an octabox 90 cm (1/1 Power).
Rim light 1 :
On the left and rear side of the model, a GODOX QT600ii through an stripbox at 1/1 power.
Rim light 2 :
On the right and rear side of the model, a GODOX QT600ii through an stripbox at 1/1 power.
All was triggered with a GODOX X1-T.
'West Wing'
There aren't many places in this world where an interior of a building could be so overbearingly imposing in terms of scale and luxury to make its visitors feel small and insignificant. Emirates Palace Hotel in Abu Dhabi is one of those buildings.
Featured in this capture is the West residential wing at this uber-posh hotel.
This is a 3-frame vertorama, captured with Canon's epic TS-E 17mm lens. Camera was positioned horizontally. To capture this panorama, I decided to shift the movement of lens from one extreme to the other extreme in vertical direction, capturing 5 bracketed exposures (from -2ev to +2ev) for each of the 3 shifted positions.
I ended up with a total of 15 captures, tonemapped with Oloneo PhotoEngine.
I've done quite a bit of light re-shaping in the post processing stage as HDR processed image tend to appear flat, especially in interior scenes with artificial lighting. Flat images...suck. With some luminance masking and colour grading, I managed to create depth, softness and mood in the scene which spoke more intimately to my aesthetics.
Gear: Canon 5d mk3 + Canon TS-E 17mm + Gitzo GT5541LS tripod + RRS BH-55 ballhead + Promote Remote control by Promote Systems.
Processed with Lightroom 4.1, Oloneo PhotoEngine, Photoshop CC, Photoshop 5.1
Image was cooked on Windows 7 x64 powered quad-core i7 HP portable workstation and Wacom Intuos 3 graphic tablet.
Storage unit; G-RAID 8TB RAID-0 drive.
This is my wife Kashmera and I on a typical evening at home. I think most folks like ourselves find great comfort in lounging about in their underpants and a good comfy t-shirt. If I am mistaken about this, then I make no apologies.
Made with my Wacom Intuos graphic tablet and Photoshop CS3.
Visit my new website : nicobert.com
Strobist info :
One cross light on the right side, a GODOX QT600ii through an octabox 90 cm (1/2 Power) - One rim light on the left side, a little behind the model, a GODOX QT600ii in a strip box. All was triggered with a GODOX X1-T.
Post processing :
Add another background which catch the feeling of the pose / skin soft retouch / / Dodge and Burn / Color search / Add a small vignet on the wall.
'Emirates Palace - The Crown Jewel of Abu Dhabi II'
I took this photograph on 1st May 2013. I believe it was the last day with dramatic clouds of this year. It'll take at least 5 months before we see a sky like this again.
My aim was to produce an impressionistic rendition of the stunningly beautiful sunset. I wanted to capture a full range of colours and tones while drawing the eyes to the center of the image. That turned out to be a challenge I did not anticipate.
After the initial HDR tone mapping test, I felt that the sky looked too aggressive and too static. It was drawing attention onto itself and away from the hotel. Imposing palm trees in the foreground weren't helping either.
I decided to work on a trick that works every time; by adding a touch of motion to the clouds, I managed to separate the background from the foreground while re-directing the eye back to the middle of the screen.
To achieve this effect, I used a combination of 2 techniques: 5-stop HDR photography which produced a base image, combined with Dynamic Blending in which select areas of the image received colour correction as well as dodging & burning corrections. Most of the time however was spent hand painting the mask which needed to separate the cloudy sky from the rest of the image with high precision. Once completed, this mask was used to control the motion blur on the sky only, without affecting the building or the leaves of the palm trees.
I also spent a fair amount of time cloning out several people on the steps of the hotel because they got smudged during the HDR tone mapping process. Less in the frame is more.
All of the usual suspect were used in the post-processing stages: LR 4.4, Photoshop CS 5.1 and Viveza 2 + Color Efex Pro 4. I used Wacom Intuos 3 with pressure sensitive pen to work on this image. You couldn't a mouse on this kind of a job.
Camera was Canon 5D Mk2 and Canon TS-E 17mm f4.0L. I used Promote Remote Control for HDR bracketing.
Small barge docked and tied to a buoy in Nova Scotia waters of the Atlantic Ocean on summer day.
Digital created using my home built Windows 10, Wacom Intuos tablet & pen, Photoshop CC 2022 and Rebelle 4.
A 1980s style Can-Am road racer car breaks down entering a tight turn and the driver with the assistance pushes the car hopefully out of the way.
Digital painting created using my home built computer, Wacom Intuos tablet, Corel Painter 2017 & Photoshop CC 2015.
Visit my new website : nicobert.com
Strobist info :
Main light :
On the right side, a GODOX QT600ii through an octabox 90 cm (1/2 Power).
Fill light :
On the rear of the camera, a GODOX QT600ii through an lightbox (60 cm x 60 cm) at 1/2 power.
Hair/Hat light :
Above the model, a GODOX AD200 through a small octabox at 1/4 power.
All was triggered with a GODOX X1-T.
Post processing :
skin soft retouch / / Dodge and Burn / Color search / Add a small vignet on the wall / Smoke and false ashes on the cigar.
Anooother member change leads to another shoot with Settle the Sky. This time the weather was pretty garbage so we did a little set-up that ended up working pretty well in Toph's Living Room.
First real edit using my new Wacom Intuos 4. Love it! It's making me feel like I can manipulate the medium so much better with it. Spent lots of time in dodge/burn messing around.
Strobist:
5d Mark ii
24-70mm f2.8
AB1600 w/Beauty Dish w/Sock boomed above
Cybersyncs
Strobist info :
One QT600II in an octabox facing the model slightly on the left side (main light).
2 bares QT600II lighting the background on each sides of the model (+making slight rim light on the face and fingers).
Processing :
Skin work, frequency separation to balance the tones, eyes work to sharpen and enhance, dodge and burn, VSCO portra base + tweaks.
And I'm un-gagged!!! Wacom finally announced their new Wacom Intuos 5 tablet...
Awesomely I was approached to trial one for the past three weeks and then live retouch at their launch party today...
Read the blog post to find out all about it ;-)
alexiasinclair.com/wacom-intuos-5
Strobists: Profoto beauty dish about 2ft above the camera, trigged with pocket wizards ;-)
A painting of Doutzen Kroes.
All done in Photoshop.
Ingredients:
- Photoshop
- Wacom Intuos 3
- my spare time
Please visit me at: italiener.deviantart.com
Visit my new website : nicobert.com
Strobist info :
One light facing the model, a GODOX AD200 through a small octabox at 1/32 power.
One light behind the model in a small diffuser a GODOX AD200 through a small octabox at 1/32 power.
Triggered with a GODOX X1-T.