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Interaction #4
by Denis
colour and formal abstractions with figurative form
www.contemporary-artists.co.uk/paintings/interaction-4/
Contemporary Artists
ESA Director of Earth Observation Simonetta Cheli speaks during media interactions at the European Space Conference in Brussels, flanked by Director of Technology, Engineering and Quality Dietmar Pilz and Director of Operations Rolf Densing.
The conference brings together European institutions, national space agencies, industry, and experts to discuss the future of Europe in space.
Credits: ESA - D. Dos Santos
Outstanding vistas, dramatic angles, and expansive spaces comprise the gardens at Polesden Lacey, a British National Trust house and gardens in southeast England. The hedges left and right are almost a km long and define the secret (though enormous) lawn space in the center. Look at the interplay of light and line in this photo, which changes at different times of the day.
Bhanvani Sarai tombs, Balochistan.
Bhanvani Sarai Graveyard
16.11.2005
By: Dr. Kaleem Ullah Lashari
The Hoat Baluch when compelled due to siltation of Kalmet bay moved towards south, along the coastal areas. They increased their interaction with the distant relative. Hoats already dependant on grazing fields in the areas of Las, Bela, Kohistan and Vallies of Malir & Mol rivers (present day district of Lasbela, Dadu and Karachi).
One of their first halting grounds were at Bala, near the Valley of Winder River. The deteriorating climatic conditions, and failing rains compelled them to criss cross greener pastures falling in the areas under influence of Bulfats in Kohistan areas could not be avoided.
Their farther drift southwards (to values of Hub River) proved fateful. Kalmatis, as they were called now, loved it and they came to identify themselves with the area. They adopted the old graveyard at Bhawani Sarai. Situated on RCD Highway near Hub town. it is an important archaeological site, visited by thousands of enthusiasts every year.
This graveyard is an important evidence about the tribal movement. through these vallies, apart from being a tool in examining the ever developing art of erecting and carving such beautiful graves. Bhavani Sarai Graveyard has all the specimen of developing styles of ’Rumi’or ’Ghari’(the carved grave).
These exquisitely carved graves are presently in a very bad maintenance. The fallen structures present a view of unwanted heritage. That is encouraging people to take away the meticulously carved slabs. as unwanted item on the part of state run heritage maintenance services.
With each slab gone. we are losing touch with past, the graves here carry names of the persons interned, each slab is having marks: these are various and are dubbed as mason’s marks orjoining marks or assembly advice marks, apart from its intrinsic lovely carving.
Only the serious intent to maintain the graveyard will achieve the end of ’free for all’ attitude, and will inculcate the desired discipline. hence the preservation of heritage protocol can be enacted.
The preservation bid will include the restoration of the fallen structures, replacement of missing members; that will be within the permissible limits of conservation conventions, not at all a bid to create but to facilitate the restoration activity.
The eminently endangered structures can be re-strengthened and fallen graves restored, the causes once identified, can be rectified. the decay and loss can be arrested and its presence can be assured for future generations.
The Bhavani Sarai provides the indicators to know about the arrival of tribes from. Iran and Baluchistan to the coastal towns of Sindh. including Karachi. in the late medieval period.
The Kalmati Baluch and localized Jokhio tribes, besides the hill tract inhabitants including Buyat tribe were the major players of the history of southern Sindh and lower Baluchistan. The local folklore and poetry is full of the exploits of these people. but it fails to provide with any time relevant information. The Bhavani graveyard is one of the two such sites which provide us with lots of inscriptions, names of the tribal chiefs. their descent. their titles. and above all their placement on the grave structures can help assign the time frame in which they lived.
The conservation work on this site will be welcome by the locals. as well as all the heritage lovers in Pakistan, as the fact will get immediate attention of concerned public and private sector organizations, in the relevant quarters/field.
These students sitting together with their textbooks open may be interacting as part of a blended learning course even though they are interacting face-to-face. This interaction might be at their own initiative, or it might be a part of a group project or other collaborative assignment designed by their instructor.
We can't know for sure without asking the students, but this might be a form of blended interaction.
Founded in 1683, The Ashmolean re-opened on Saturday 7th November 2009. Their new display approach is "crossing culture crossing time." It was my first glimpse today, the much loved older museum is still here, but now enormously extended and plenty more to enjoy.
Supported by the Heritage Lottery Fund, the Ashmolean is currently undergoing a £61 million redevelopment. Award-winning architect Rick Mather has designed a new building to replace all but the Grade I listed Cockerell building. His design will double the existing gallery space, allow environmental control, and create a dedicated Education Centre and conservation facilities.
I've tried to show something of the atmosphere and texture of the museum in many of the photos, I also wanted to convey the sense of movement and people's interaction with the art objects, therefore razor sharp clarity (were I to achieve that) was not my number one objective. This set will grow as I explore the new galleries, I hope you'll forgive me if I do not tag or describe everything right away as there is so much to take in!
Martin Beek Oxford, November 2009
We had a long walk in the forest today, although most of the time the only interaction between Tasku and Taivas involved Tasku racing past Taivas at top speed as Taivas plodded along, I did capture these three shots of them together.
Ideum has designed a zero-touch device that allows visitors to interactive touchlessly with large displays, videowall, and projection environments. This example shows a touchless version of Deep Dive into the Brain, an exhibit that Ideum developed with Intervoke for the South Florida Science Center and Aquarium. Intervoke developed the amazing 3D imagery of the human brain.
The Touchless Pedestal includes a Leap Motion device, a small, round LCD display, and LED lights to provide user feedback. The device is made out of powder-coated aluminum, Staron solid-surface material, and walnut. Ideum design and manufactures the device in the USA with parts sourced in the US and worldwide. The Touchless Pedestal is available for purchase starting in mid-September 2020. This device supports the Touchless Design SDK - touchless.design
Learn more at ideum.com and intervoke.com/