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Interaction between the seawater, sunlight and the sand/mud on the beach during low tide. Just a SOOC.
Another interaction with a sheep who approached me very loudly, presumably in her protective mother role.
Her two young lambs were quick to distract her with their needs.
On the way home I talked with a farmer who told me a little about his life, so very different to my own.
Snowy Interaction. These are two Snowy Egrets. They are each quite capable at catching their own fish but seem to spend a great deal of time attempting to steal from other snowies or ibis. I think if they spent more time catching their own fish they'd end up with a fuller belly.
A touch of Red in the Landscape!
Some music for this landscape:
www.youtube.com/watch?v=Din_eWjJWe0
This is a Low Resolution Watermarked upload, for a full size watermark free file please contact Terry Eve Photography via Flickr mail.
11-january-2020: this perspective, where Pelmo (about 200-220 linear kilometers far from Trieste) seems to rise directly from the Mediterranean, was made possible by the high transparency and dryness of the mild air masses of Saharan origin in overthrow at high altitudes and equally dry, but cooler, currents from continental Europe in the lower layers, all governed by the umpteenth ascent and interactions of the powerful African HP at these latitudes.
The visibility of the air at that time had a range that surely exceeded the 300km straight!
Chamber Music Hall at the Philharmonie, Berlin.
Built 1960-63.
Architect: Hans Scharoun .
Its unusual tent-like shape makes it one of the city’s landmarks.
"Interaction", my final and altered version of "Dance", folded with thinner paper. Almost all the different forms are 'moving', no escape possible ;-)
I found a nice quote by Jodi Aman for this tessellation: “Everyone we interact with becomes a part of us.”
For some reason this tessellation doesn't want to be flat, (it has a slight convex), I have to find a new place to store it ;-)
The other side "Rotor" looks like this.
Folded with 'Anett paper', named after a dear origami-friend from Germany, who provided me this paper. It is indeed lovely paper for this kind of tessellations, so I am grateful to her ;-)).
Because this paper is whitish, I decided to go for a black and white version.
Grid 1:64", hexagon about 33cm, finished model about 17cm.
If you are interested to see more, have a look at my tessellation album Origami - Tessellation Progression".
This is how my origami tessellation 'Hexagon Love' looks like after the altering process.
It is one of my favorite creations so far and its name is "Interaction".
Here you can see a more detailed view.
Folded from a hexagon 33cm, grid 1:72", Anett-paper
If you are interested to see more, have a look at my tessellation album Origami - Tessellation Progression".
In „Interaction of Color“ schreibt Josef Albers: „In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art.“
Stelle mir einen Vortrag von Josef Albers am Pult des Raumes meines vorherigen Bildes vor und nicht nur die Stühle sind besetzt, der Raum ist voller begeisterter interessierter Menschen ...
denn alles Gleiche, was man in verschiedenen Kontexte stellt, bekommt durch die Umgebung einen neue, andere Bedeutung ... warum soll es bei Farbe anders sein ... und Rot hatte für Albers immer eine besondere Bedeutung ... deshalb ist seinen roten Werken aus "Homage to the Square" ein ganzer Raum gewidmet und die Komplimentärfarbe ist zufällig draußen ...
Meisterwerk(e) der Farbanalyse
»Wenn jemand ›Rot‹ sagt (als Bezeichnung einer Farbe) und wenn 50 Personen zuhören, darf man erwarten, dass 50 verschiedene Rot in ihrem Bewusstsein auftauchen. Man darf sicher sein, dass all diese Rot verschieden sind.«
Bereits an diesen beiden ersten Sätzen, mit dem das Meisterwerk der Kunsterziehung "Interaction of Color" beginnt, wird klar, wie komplex die Wirkung von Farbe sein kann sowie deren visuelle Wahrnehmung.
Erstmals 1963 bei Yale University Press als limitierte Siebdruckausgabe mit 150 Farbtafeln erschienen, ging dieser Text ab 1971 als Taschenbuch mit wenigen Farbtafeln in Druck.
Seither wurden mehr als eine Viertelmillion Exemplare in verschiedenen Ausgaben verkauft. Dieses einflussreiche Handbuch und Lehrmittel für Künstler, Dozenten und Studenten erscheint nun, in einer aktualisierten Übersetzung und deutlich erweiterten Ausgabe.
Neu eingeleitet von Heinz Liesbrock sind zudem rund 60 illustrierende Farbstudien abgebildet, mit denen Albers wichtige Prinzipien und Gesetzmäßigkeiten der Farbe und ihrer Wirkung demonstriert.
Dieses Handbuch bietet nach wie vor ein unentbehrliches Wissen für alle, die sich mit visueller Kommunikation beschäftigen möchten.
JOSEF ALBERS (1888, Bottrop–1976, New Heaven, Connecticut) war als Künstler, Pädagoge und Farbtheoretiker ein Pionier der künstlerischen Moderne des 20. Jahrhunderts. Er ist bekannt für seine umfassende Werkserie Homage to the Square (1950–1976). Albers lehrte am Bauhaus, am Black Mountain College und an der Yale University.
J. A. was a German-born artist and educator. The first living artist to be given a solo shows at MoMA and at the Metropolitan Museum of Art in New York, he taught at the Bauhaus and Black Mountain College, headed Yale University's department of design, and is considered one of the most influential teachers of the visual arts in the twentieth century.
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Certainly interesting and exciting to view the interaction of these owls as one would do close flyovers upsetting the other. It didn't last long and other than a few pulled feathers no damage was done.
Thank you for viewing.
One of the things that I like when I'm out in nature are the various interactions that happen, and because often I'm the only adult in the stream playing with rocks, that tends to make people curious, and today was no exception.
This stone sculpture came together in only about five minutes, with a bit of time deliberating whether or not there should be a third stone to top it off, only to then decide that simplicity is the key after all.
This is Anne who is also a painter and textiles artist who I enjoyed some time talking with today.
After we photographed the Burrowing Owl the other day, we turned to put our gear in the car. A Turkey Vulture was flying in towards us and then landed in the middle of the road...right in front of the owl. It looked at us and slowly walked towards the owl's burrow. What the heck?! It approached the owl slowly and walked behind the burrow.
We were just in awe of watching this interaction. The owl didn't appear to be stressed, it seemed to just watch the vulture approach. I wondered if the vulture was looking for remnants of the owl's previous meal. I somehow just got the feeling this wasn't the first time for this behavior. It was so incredible to watch. The vulture finally spread its wings and flew over the fence and landed just on the other side. WOW. Nature is just so grand!!
I have been spending some late afternoon, early evening time in a pretty secluded spot on the Lake - bugs of many kinds all over me - trying to locate the Pied-billed Grebe, and watching for any other activity. If one sits still enough, long enough, something is bound to happen…
These very young Wood Ducks ambled onshore and were completely oblivious to me, at least initially. The female with them stayed on the water in a supervisory capacity. Eventually a few of them noticed me, and I slowly brought up my camera while going from sitting to lying down, all in an effort not to spook them. The little photo bomber in the bottom right seemed full of beans, and they stayed for a couple of minutes, before re-entering the water.
There are often three or four sets of Wood Duck young on the water at this time of the year. I especially enjoyed the brief interaction with these ones as I had to misfortune to see a similarly-young duck caught by a Snapping Turtle a couple of weeks ago. Initially I didn’t understand the screaming and thrashing, but with binoculars I ended up figuring it out. It took a while to get that out of my head - I know predation is all around in natural settings, but that was a really unpleasant experience. These guys - who I know may suffer the same fate - cheered me up for the few minutes they were there.
COVID-19 gives opportunities to take countless picture over time of day, of overcast and of sunshine. God's creation is forever changing. Love the interaction between flower and insect.
The earth is filled with Your unfailing love, O Eternal One; teach me to observe what You require. ~ Psalm 119:64
“Every flower is a soul blossoming in nature.” – Gerard De Nerva
Don’t run from tests and hardships, brothers and sisters. As difficult as they are, you will ultimately find joy in them; if you embrace them, your faith will blossom under pressure and teach you true patience as you endure. And true patience brought on by endurance will equip you to complete the long journey and cross the finish line—mature, complete, and wanting nothing. ~ James 1: 2-4
jones and chai
with 6 dogs we love to watch interactions.
chai the smooth saluki loves little old jones the basenji best and constantly wants to play with him. neck bites and play bows.
jones is overwhelmed. he runs and either hides beside/behind leon or me, or sits on the back of a chair where chai won't get him.
[the other interaction chai has is with marina the podenco...he bosses her around.]
chai and jones both sleep with me when chai wants to.
the other night I lifted the covers and the two were sleeping snuggled next to each other.
digital
please view large.
Looking in to the hot, Summer evening sun. And towards an industrious spider casting a delicate, but wide web, to catch her dinner.
Great horned owl siblings.
As I arrived, these youngsters were ”socially distanced” (several feet apart), then one flew over and proceeded to nuzzle and groom the other one. A sweet moment.
© Leanne Boulton, All Rights Reserved
Street photography from Glasgow, Scotland.
Previously unpublished shot from May 2017. Sometimes a square crop is needed to remove elements that distract from the story you see before you in the frame. Perhaps it can help us to appreciate the moment even more.
Congratulations to Ukraine for a well deserved Eurovision Song Contest win last night. It can be difficult to pull off a blend of traditional folk music and rap yet make it sound cohesive and modern - outstanding stuff. Congratulations also to Sam Ryder for a well deserved 2nd place in the contest. An awesome vocalist with a banging song can overcome perceived political voting, even for a UK entry! A few too many ballads were in the final for my taste but it was an awesome final as always.
Appreciate the moment.
Enjoy!
The plant kingdom, the bacterial kingdom and the fungal kingdom get together for a photo opportunity
RKO_3306. Nice interaction of two young lion! Playful and still innocent !
More of my work and activities can be seen on:
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Bank for International Settlements, Basel, Switzerland
"The Bank for International Settlements (BIS) is an international financial institution owned by central banks which "fosters international monetary and financial cooperation and serves as a bank for central banks". The BIS carries out its work through its meetings, programmes and through the Basel Process – hosting international groups pursuing global financial stability and facilitating their interaction. It also provides banking services, but only to central banks and other international organizations."
Wikipedia
Architect: Marin Burckhard. Construction: 1972 to 1977