View allAll Photos Tagged interaction
Un grand singe, figé par l’objectif du photographe, semble pris dans une contemplation interdite. Son regard, chargé de désir et de fascination, se pose sur la compagne du chef de la troupe.
Pourtant, il reste immobile, comme paralysé par les règles tacites de la hiérarchie sociale des primates.
Ce moment suspendu témoigne non seulement de la complexité des interactions sociales chez les grands singes, mais aussi d’une humanité troublante dans leur comportement, rappelant parfois nos propres dilemmes silencieux face à l’interdit …
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A great ape, transfixed by the photographer's lens, seems trapped in a forbidden contemplation.
His gaze, charged with desire and fascination, rests on the leader's companion.
Yet he remains motionless, as if paralysed by the unspoken rules of primate social hierarchy.
This suspended moment not only testifies to the complexity of social interaction among the great apes, but also to the disturbing humanity of their behaviour, sometimes reminiscent of our own silent dilemmas in the face of the forbidden...
credit : G.Potgieter - PdF
____________________________________________PdF___
© Copyright John C. House, Everyday Miracles Photography.
www.everydaymiraclesphotography.com
All Rights Reserved. Please do not use in any way without my express consent.
I do not look at statistics all that often, but I did recently. I saw that just a couple weeks ago or so I had passed 3 million views. Which gave me pause for reflection. I first joined Flickr in 2007. I did not do anything with it for the first year, but as I started figuring out what it was about, I became more active. Since that time, I have shared 1000 photos.
I have enjoyed my interaction with other photographers from all over the world, loved seeing the world through their eyes. I have learned from their work and from their feedback. Awards groups, something not everyone loves, have functioned like small photo contests and have taught me a great deal. I have made friends with people I have never met in person. While not without its frustrations, Flickr has mostly been a positive experience for me, largely because of the photographers I have encountered and the work they have shared.
So thanks, all of you. Thanks for your interest in my work, your encouragement, and for sharing yourselves as you have courageously posted your own work for me to enjoy and learn from.
Here is another shot taken in the Great Smoky Mountains. The Native Americans know these mountains as a spiritually important place and I have to agree with them. I do not get out as much as I would like, but it restores me when I do. I appreciate having a place to share what I find there. Again, thanks to you all.
Two female Wood Ducks jaw at each other, with a somewhat bemused looking male between them. This interaction unfolded at the Inglewood Bird Sanctuary in Calgary, Alberta, Canada — an excellent place to observe this species.
#MMM 😊😊😍
"MosaicMontageMonday" "Peach Fuzz"
The purpose of life is not to be happy. It is to be useful, to be honorable, to be compassionate, to have it make some difference that you have lived and lived well.
Ralph Waldo Emerson
With heartfelt and genuine thanks for your kind visit. Have a wonderful and beautiful day, be well, keep your eyes open, appreciate the beauty surrounding you, enjoy creating and stay safe! ❤️❤️❤️
I never tire of watching peregrine interactions, a lot of it I get and some of it is downright baffling. The male (Tuzee) on the right, job is to kill prey, defeather it and present it to the female (Maxine). Maxine's job is to take food to the chicks and feed them. There is a lot of overlapping of the 2 jobs where, sometimes Tuzee will feed the chicks and Maxine will hunt for birds. In this image Tuzee brought the cleaned bird to the cliffside and called her, and she is in the processing of relieving him of breakfast for the chicks. Usually before he brings bird in, if he is hungry he will partake, that is if he is smart. Kind of hard to ID this bird, because it has no head or feet, but a good guess would be a pigeon McNugget.
Audience interaction is one way of making live performances more interesting, like the Amanda Lee Swingtet performing the works of jazz singer Nat King Cole here. After all, nothing is better than two way communication to keep audiences involved.
I spotted this little foal with its mum in one of the sheep fields that I pass by most mornings since we've been in lockdown. Today they came right to the gate which made it harder to photograph them because of the bars.
120 pictues in 2020 (59) interaction
A cute, chunky little planthopper (family Membracidae; iNat suggests Bolbonota sp.) with a Crematogaster ant atop it, likely hoping the hopper will excrete a drop of sugary honeydew. The white mass is a cluster of planthopper eggs. These bugs were sesame-seed sized, barely 3 mm.
Despite the fact that Svalbard islands aren't considered to be one of the best places for viewing the northern lights because they hang as a big doughnut shaped curtain around the magnetic north pole, approximately along the 69th parallel. (This curtain normally runs south of Svalbard and north of Iceland. Northern Scandinavia is straight in it's path )However one night we got super lucky viewing some activity in an area with absolutely no light pollution
With a billiard table, cues and balls in four colors, a nod to Calder’s bold palette, Untitled 2021 (le jeu de l’araignée rouge) is a typical example of Rirkrit Tiravanija’s work. Here, the player’s successive advances with the billiard’s cue alter the mutual relationships of the balls. During the game, viewers experience the work for themselves and, at the same time, change it for spectators. Tiravanija believes that art should not just be looked at but also experienced by socially inhabiting and activating it. The artist wants to minimize the boundaries between art and life whenever possible. He turns the spectators, whether or not they realize it, into a main feature of the artwork.
Rirkrit Tiravanija and Calder
There are myriad connections between the work of Tiravanija and Calder. For instance, a number of Calder’s sculptures (…) require activation in order for the viewer to achieve the full experience. Tiravanija’s work contains the same unfinished quality that characterizes Calder’s radical oeuvre.
Sounds and noises are also common denominators in the works of both Calder and Tiravanija. Some of Calder’s mobiles are sonorous: they make noises that could never be programmable; chance determines the experience and sounds of the work. Everything depends on conditions of the space, air currents and people’s movements. The same applies to Tiravanija’s works: the sounds they make are subject to the different configurations and the collisions of the billiard balls.
For both artists, the spectator is key and elements of chance are crucial. ”To most people who look at a mobile, it’s no more than a series of flat objects that move. To a few, though, it may be poetry” (Alexander Calder, 1957)
Source: Interaction and Chance – text describing Rirkrit Tiravani’s work in the superb exposition Calder Now – which ran at Kunsthal Rotterdam in spring 2022.
Minutes complètement Cirque
dans la rue Saint-Denis du Quartier latin
Montréal, Québec
Festival Complètement Cirque
Mother's Day, Every Day - IMRAN™
(My 136th Flickr Explore!)
Happy Mother’s Day. Christmas day was also my late, beloved Mother's birth anniversary. She was only 50 when we lost her, more than 3 decades ago, 2/2/92 in Pakistan.
I appreciate those who remembered and messaged me, and those who keep her memories alive by telling others about their interactions with this truly incredible woman.
Thank you for your prayers, for her and my late beloved Dad too. Honor your parents, always and forever, whether it is Christmas, Mother's Day, their birthday, anniversary of passing, and every other day.
© 2017-2022 IMRAN™
#Pakistan #Lahore #mother #ChristmasBirthday #memories #tragedy #family #parents #Nargis #IMRAN
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Well Court (on the left) was built in 1886 for the owner of the "Scotsman" newspaper to "provide good quality housing for local people" . The architect included a mix of apartment sizes and a hall "to encourage social interaction and community spirit amongst the tenants."
Although Edinburgh has been identified as one of 14 tourist sites worldwide that have become overwhelmed with visitors, they were all over on the Royal Mile. This beautiful village on the edge of the downtown area, but within the city, was virtually deserted!