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Snowy Interaction. These are two Snowy Egrets. They are each quite capable at catching their own fish but seem to spend a great deal of time attempting to steal from other snowies or ibis. I think if they spent more time catching their own fish they'd end up with a fuller belly.
A touch of Red in the Landscape!
Some music for this landscape:
www.youtube.com/watch?v=Din_eWjJWe0
This is a Low Resolution Watermarked upload, for a full size watermark free file please contact Terry Eve Photography via Flickr mail.
Und jetzt? - Ein interaktiver Museumsbesuch ... die Frau hatte Spaß beim Spiel mit einem "Großen Geist" von Thomas Schütte.
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The woman's interactive museum visit - what might happen now?
"Interaction", my final and altered version of "Dance", folded with thinner paper. Almost all the different forms are 'moving', no escape possible ;-)
I found a nice quote by Jodi Aman for this tessellation: “Everyone we interact with becomes a part of us.”
For some reason this tessellation doesn't want to be flat, (it has a slight convex), I have to find a new place to store it ;-)
The other side "Rotor" looks like this.
Folded with 'Anett paper', named after a dear origami-friend from Germany, who provided me this paper. It is indeed lovely paper for this kind of tessellations, so I am grateful to her ;-)).
Because this paper is whitish, I decided to go for a black and white version.
Grid 1:64", hexagon about 33cm, finished model about 17cm.
If you are interested to see more, have a look at my tessellation album Origami - Tessellation Progression".
This is how my origami tessellation 'Hexagon Love' looks like after the altering process.
It is one of my favorite creations so far and its name is "Interaction".
Here you can see a more detailed view.
Folded from a hexagon 33cm, grid 1:72", Anett-paper
If you are interested to see more, have a look at my tessellation album Origami - Tessellation Progression".
In „Interaction of Color“ schreibt Josef Albers: „In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art.“
Stelle mir einen Vortrag von Josef Albers am Pult des Raumes meines vorherigen Bildes vor und nicht nur die Stühle sind besetzt, der Raum ist voller begeisterter interessierter Menschen ...
denn alles Gleiche, was man in verschiedenen Kontexte stellt, bekommt durch die Umgebung einen neue, andere Bedeutung ... warum soll es bei Farbe anders sein ... und Rot hatte für Albers immer eine besondere Bedeutung ... deshalb ist seinen roten Werken aus "Homage to the Square" ein ganzer Raum gewidmet und die Komplimentärfarbe ist zufällig draußen ...
Meisterwerk(e) der Farbanalyse
»Wenn jemand ›Rot‹ sagt (als Bezeichnung einer Farbe) und wenn 50 Personen zuhören, darf man erwarten, dass 50 verschiedene Rot in ihrem Bewusstsein auftauchen. Man darf sicher sein, dass all diese Rot verschieden sind.«
Bereits an diesen beiden ersten Sätzen, mit dem das Meisterwerk der Kunsterziehung "Interaction of Color" beginnt, wird klar, wie komplex die Wirkung von Farbe sein kann sowie deren visuelle Wahrnehmung.
Erstmals 1963 bei Yale University Press als limitierte Siebdruckausgabe mit 150 Farbtafeln erschienen, ging dieser Text ab 1971 als Taschenbuch mit wenigen Farbtafeln in Druck.
Seither wurden mehr als eine Viertelmillion Exemplare in verschiedenen Ausgaben verkauft. Dieses einflussreiche Handbuch und Lehrmittel für Künstler, Dozenten und Studenten erscheint nun, in einer aktualisierten Übersetzung und deutlich erweiterten Ausgabe.
Neu eingeleitet von Heinz Liesbrock sind zudem rund 60 illustrierende Farbstudien abgebildet, mit denen Albers wichtige Prinzipien und Gesetzmäßigkeiten der Farbe und ihrer Wirkung demonstriert.
Dieses Handbuch bietet nach wie vor ein unentbehrliches Wissen für alle, die sich mit visueller Kommunikation beschäftigen möchten.
JOSEF ALBERS (1888, Bottrop–1976, New Heaven, Connecticut) war als Künstler, Pädagoge und Farbtheoretiker ein Pionier der künstlerischen Moderne des 20. Jahrhunderts. Er ist bekannt für seine umfassende Werkserie Homage to the Square (1950–1976). Albers lehrte am Bauhaus, am Black Mountain College und an der Yale University.
J. A. was a German-born artist and educator. The first living artist to be given a solo shows at MoMA and at the Metropolitan Museum of Art in New York, he taught at the Bauhaus and Black Mountain College, headed Yale University's department of design, and is considered one of the most influential teachers of the visual arts in the twentieth century.
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Certainly interesting and exciting to view the interaction of these owls as one would do close flyovers upsetting the other. It didn't last long and other than a few pulled feathers no damage was done.
Thank you for viewing.
elephant calf gently touching a subadult at sunrise.
Several elephant herds came to drink near a bridge across the river in Madikwe Game Reserve, South Africa.
We had a great time observing their interaction especially as there were calfs of different ages.
African Elephant
loxodonta africana
Afrikaanse olifant
Eléphant d'Afrique
Afrikanischer Elefant
Many thanks for your views, favorites and supportive comments.
All rights reserved. ButsFons©2019
Please do not use these photos on websites, blogs or in any other media without receiving my explicit permission.
The island fox (Urocyon littoralis) is a small fox species that is endemic to six of the eight Channel Islands of California. There are six subspecies, each unique to the island it lives on, reflecting its evolutionary history. They are generally docile, show little fear of humans, and are easily tamed. Island foxes played an important role in the spiritual lives of native Channel Islanders. They have been likely semi-domesticated as pets, used as pelts, or for other functions, like pest control.
The island fox is significantly smaller than the related gray fox, and is the smallest fox in North America, averaging slightly smaller than the swift (Vulpes velox) and kit foxes (Vulpes macrotis). Typically, the head-and-body length is 48–50 cm (19–19.5 in), shoulder height 12–15 cm (4.5–6 in), and the tail is 11–29 cm (4.5–11.5 in) long, which is notably shorter than the 27–44 cm (10.5–17.5 in) tail of the gray fox. This is due to the fact that the island fox generally has two fewer tail vertebrae than the gray fox. The island fox weighs between 1 and 2.8 kg (2.2 and 6.2 lb). The species exhibits sexual dimorphism: the male is always larger than the female. The largest of the subspecies occurs on Santa Catalina Island and the smallest on Santa Cruz Island.
The island fox has gray fur on its head, a ruddy red coloring on its sides, white fur on its belly, throat and the lower half of its face, and a black stripe on the dorsal surface of its tail. In general the coat is darker and duller hued than that of the gray fox. The island fox molts once a year between August and November. Before the first molt pups are woolly and have a generally darker coat than adult foxes. A brown phase, with the grey and black fur of the body replaced by a sandy brown and a deeper brown, may occur in the San Clemente Island and San Nicolas Island populations. It is unclear if this is a true color phase, a change that occurs with age, or possibly a change that occurs because of interactions with Opuntia cactus spines that become embedded in the pelt.
Santa Barbara Zoo. California.
jones and chai
with 6 dogs we love to watch interactions.
chai the smooth saluki loves little old jones the basenji best and constantly wants to play with him. neck bites and play bows.
jones is overwhelmed. he runs and either hides beside/behind leon or me, or sits on the back of a chair where chai won't get him.
[the other interaction chai has is with marina the podenco...he bosses her around.]
chai and jones both sleep with me when chai wants to.
the other night I lifted the covers and the two were sleeping snuggled next to each other.
digital
please view large.
Looking in to the hot, Summer evening sun. And towards an industrious spider casting a delicate, but wide web, to catch her dinner.
Great horned owl siblings.
As I arrived, these youngsters were ”socially distanced” (several feet apart), then one flew over and proceeded to nuzzle and groom the other one. A sweet moment.
The plant kingdom, the bacterial kingdom and the fungal kingdom get together for a photo opportunity
The image conveys an authentic, intimate, and vibrant atmosphere. The black-and-white photography strongly emphasizes expression, gesture, and interpersonal interaction, rather than external details. The moment of communication between the singer and the musician in the foreground is particularly striking—it appears spontaneous, focused, and emotional.
The composition is well-balanced: the foreground suggests closeness and dialogue, while the band members in the background create depth and clarify the musical context. The slight blur in the background enhances the impression of dynamism and movement, reminiscent of real rehearsals or jam sessions.
Overall, the photograph feels honest, unposed, and atmospherically powerful. It speaks less of perfection and more of the creative process, collaboration, and musical passion.