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The statues of John of Matha, Felix of Valois and Saint Ivan are outdoor sculptures by Ferdinand Brokoff, installed on the south side of the Charles Bridge in Prague, Czech Republic.

L'installazione 'Pluie de Montchal' disegna un immenso volume cilindrico, con un migliaio di nastri leggeri, sospesi al centro del cratere. Ad ogni soffio di vento, i nastri si alzano e incominciano a danzare nel cielo. I visitatori possono collocarsi nel cuore di questo grande dispositivo, immergendosi in questo spazio sonoro e visivo che respira e si solleva, portato dal soffio della natura. "Horizons, Arts-Nature en Sancy", 10 artisti, 10 opere, 10 luoghi; dal 10 giugno al 18 settembre 2022. Dpt. Puy-de-Dôme, Auvergne, France

Depuis mai 2015, la municipalité de Tielt-Winge -Belgium, dans le Brabant flamand, est un lieu qui témoigne de la singularité de l'architecture de paysage. Une structure fascinante qui atténue la distinction entre une tour et un escalier flotte au-dessus du célèbre Kabouterbos ( forêt de conte de fées) et attire la curiosité de nombreux résidents et passants de Tielt. Le volume fascinant de l’acier est revêtu d’acier inoxydable de haut en bas.

Les exigences du cahier des charges reflétaient cet objectif: la nouvelle tour devait être entièrement construite en métal, mesurer au moins dix mètres de haut, comporter un abri et résister à toute forme de vandalisme.

Au lieu d'une construction classique avec un escalier en colimaçon, le designer a conçu un volume suspendu sans trop de fioritures décoratives. Le «Vlooybergtoren», comme on l'appelle, mesure 11, 28 mètres de haut (la plate-forme supérieure déborde de 10, 08 mètres + mur de rambarde de 1, 20 mètre) et est construit sur une sous-structure galvanisée revêtue d'acier patiné, une allusion subtile au typique brun-rouge. couleur de la pierre de fer dans la région de Hageland. Au total, l’imposante tour d’escalier ne pèse pas moins de treize tonnes.

Selon les propres mots du concepteur, la modélisation de la tour Vlooyberg était «une guerre contre son propre poids». Pour s'assurer que la structure serait suffisamment solide et ne s'affaisserait pas, il calculait manuellement les forces agissant sur chaque élément. Ses conclusions ont donné à la tour d'escalier sa forme et ses dimensions ultimes. La structure évolue de grande, lourde et forte, à petite, légère et mince. Le mur de garde-corps fonctionne comme une poutre structurelle qui confère à la structure en acier une solidité et une stabilité suffisantes pour résister aux forces agissant sur elle. Deux amortisseurs de vibrations garantissent que la tour d'escalier ne commence pas à vibrer sous le pied.

La structure a été entièrement préfabriquée et assemblée sur le site section par section. En fin de compte, l'installation n'a duré qu'une demi-journée. En tant que monument à forte valeur iconique, la tour Vlooyberg met en valeur, au sens propre et figuré, le profil de la belle région autour de Tielt-Winge. Les habitants de Tielt, les passants fortunés et les amateurs d'architecture moderne apprécient énormément ce monument fascinant.

 

Since May 2015, the municipality of Tielt-Winge -Belgium, in Flemish Brabant, has been a place that bears witness to the uniqueness of landscape architecture. A fascinating structure that softens the distinction between a tower and a staircase floats above the famous Kabouterbos (fairytale forest) and attracts the curiosity of many residents and passers-by of Tielt. The fascinating volume of the steel is coated with stainless steel from top to bottom.

The specifications reflected this objective: the new tower had to be constructed entirely of metal, be at least ten meters high, include a shelter and be resistant to all forms of vandalism.

Instead of a classic construction with a spiral staircase, the designer designed a suspended volume without too many decorative frills. The "Vlooybergtoren", as it is called, is 11.28 meters high (the upper platform overhangs 10.08 meters + guardrail wall of 1.20 meters) and is built on a coated galvanized substructure. of patinated steel, a subtle allusion to the typical brown-red. color of the iron stone in the Hageland region. In total, the imposing staircase tower weighs no less than thirteen tons.

In the designer's own words, the modeling of the Vlooyberg Tower was "a war against its own weight". To ensure that the structure would be strong enough and not sag, he would manually calculate the forces acting on each element. His findings gave the staircase tower its ultimate shape and dimensions. The structure evolves from big, heavy and strong, to small, light and thin. The guardrail wall functions as a structural beam which gives the steel structure sufficient strength and stability to withstand the forces acting on it. Two vibration dampers ensure that the stair tower does not start to vibrate underfoot.

The structure was completely prefabricated and assembled on site section by section. In the end, the installation only took half a day. As a monument of high iconic value, the Vlooyberg Tower highlights, literally and figuratively, the profile of the beautiful region around Tielt-Winge. Tielt residents, wealthy passers-by and lovers of modern architecture greatly appreciate this fascinating monument.

Wilhelm x Fulton (Baltimore, MD)

La Maison de Nostradamus est un Musée installé, depuis 1992, dans le logis où habita Michel de Notredame, dit Nostradamus (1503-1566), de 1547 à sa mort, et dans lequel il écrivit ses célèbres "Prophéties" (Lyon 1555).

Situé au coeur du centre ancien de la ville de Salon-de-Provence, au pied du Château de l'Empéri, le Musée est construit autour de cet énigmatique personnage qui scruta le passé, le présent… et l'avenir jusqu'en 3797 (!)

L'accent est mis sur l'homme pluriel s'adonnant à la Médecine, la Pharmacie, l'Astrologie, l'Humanisme, côtoyant, dans la foulée, Rabelais, Catherine de Médicis, Charles IX, Marguerite de Navarre et bien d'autres encore… discutant des nouvelles idées de la Réforme, citant la Bible, évoquant la Kabbale hébraïque ou pesant l'intérêt des premières notions d'hygiène mises en pratique lors des grandes épidémies de peste.

 

A la Renaissance, l'instrument des "Mathématiques" va trouver sa principale application dans le domaine de l'Architecture : " Ainsi, toute mesure doit dériver du corps humain, résumé et microcosme de l'univers créé par Dieu."

L'ascension initiatique de Nostradamus va le conduire vers un savoir universel, tel l'escalier transparent de la cité céleste.

  

The Parish Church of Saint Martin

View of the Chancel

 

Burton Agnes is a village and civil parish in the East Riding of Yorkshire. It is situated on the A614 road midway between Driffield and Bridlington.

The parish church of St Martin sits next to Burton Agnes hall, it has a Norman north arcade and an early Gothic south arcade, the nave is dominated by a large ornate pew installed by the Boynton Family of Burton Agnes hall in 1730. The chancel is Victorian and was rebuilt in the 1840's.

The new Color Kinetics we installed.

Installed in 2014, the Denver Botanic Garden's 14 foot tall Chihuly sculpture "Colorado" has 1,017 hand-blown glass pieces. The sculpture was named for, and inspired by, our beautiful Colorado sunsets.

 

© Web-Betty: digital heart, analog soul

Manchester

 

Installation de la fibre

 

Installation der Glasfaser

Attention all photographers! Moolto has installed a photoLIFE 3.0 photographic studio for you to use at no charge. This studio uses the best system available in Second Life and can be found at:

 

slurl.com/secondlife/Moolto Community Store/199/120/192

 

Psst, by the way, Moolto will be running photographic contests for both professional and amateur photographers alike in the near future. Keep logging onto Moolto for further details of this contest. Entering the contest will certainly increase your visibility, so you have nothing to lose and everything to gain by entering.

How do you use this studio equipment? It’s easy either grab a note card next to the studio in world or follow these instructions:

 

1) MAIN - FLOOR - LAYER - FILTER - FX1 - FX2 Texture Displays- Controls and sets the texture over the photoLIFE 3.0 Studio. The arrows scroll through the textures while touching the display screen sets the texture on the studio when the appropriate display is selected.

2)TPN - "Texture Panel" allow the photographer to scroll through 36 textures at a time. The TPN works for all 6 Texture selectors ( Backdrop, Floor, Layer, Filter, FX1, and FX2). You can also search each display for the textures you want to find. This revolutionizes the photography process and and saves a lot of time finding that perfect texture for your clients shot.

3)CPN - "Color Panel" allows the photographer to change the color on any of the lighting or Texture application areas. It has 120 colors to choose from and any combination of color applications with component selector buttons. Very useful.

4)Texture Bright Controller- The round white/purple button at the bottom of the Control Center, turns the prim face of the backdrop to full bright illiminating shadows.

 

5) Texture Tiler Controllers- The three buttons, near the floor of the display stand, tile the textures on the backdrop,floor, and layer face from 1-10.

6)Component Hide / Show Selector- The hide / show buttons on the Control Center - ?? - hides and shows all components of the photoLIFE studio system that could be a potential obstruction to the photographer.

7)Memory Module - MM24 - The MM24 Memory Module allows you to save up to 24 scenes to memory. It records 12 components into memory saving lighting colors, lighting power, UL heights, Textures, Colors , Pro Filter Information. You can save up to 24 scenes with 1 MM24 module. Buy other modules if you need more scenes. Unlimited capabilities.

8)Ambient Lighting Selector- The Ambient Light menu on the right display stand controls a 5 light ambient lighting system designed to give uniform lighting over the backdrop area. This menu gives full control over power with 4 intensities, and 9 colors to choose from.

9)Prop Rezzing System- Included in version 3.0 is a Prop Rezzer. Near the floor of the Control Center, you'll notice a button that says "Prop". Touching it gives you the prop menu. The arrows on each side of the prop button scrolls through the props installed. Included in version 3.0 is the photoLIFE Prop Setup Script. This allows you to install your own props into the studio.

10) Owner's Menu - The Little Red Button- Syncs and groups all desired photoLIFE components with the main studio for a veriety of applications and arrangements. (Only the studio owner can sync and group photoLIFE components).

11) Notecard Access- Notecard configuration limits who is eligible to use the studio. Settings allow ANYONE, GROUP, or LIST giving unlimited control over the studio access.

12) Backdrop Size Controller- The photoLIFE logo near the floor selects small, medium, or large for the backdrop size.

13) Security Menu - Once the ACCESS card is set , you can go into the security menu and change your security on all of your components with 1 click . Set to Owner Only , List , Group , or Anyone. You can even lock and unlock the studio.

14) Locator Menu - Calls the components into their default location according to the studio position. Great for finding that gazer again!

   

The main Moolto.com site:

 

moolto.ning.com/

Installed factory cassette slave with bypass through 6-disc factory CD changer.

firenze

© copyrighted image; all rights reserved

Because There’s a There, Here’s Just Fine

 

Acrylic, cedar, cigarette butts, eurocast, fertilizer, foam, found plastic, garbage from Denver parks, insulation, lichen, moss, organic material from Denver, sponge, steel 55 gallon drum, wood lumber.

  

Installation created for The Nature Of Things at the Biennial of the Americas 2010 in Denver, CO.

 

www.gregoryeuclide.com

Buy this photo on Getty Images : Getty Images

 

Not much is known about the organ. It isn't functioning any more.

It was probably a second-hand pipe organ from Colombo, that was installed here in 1760.

Originally it had 4 stops, one manual and a very small pedal.

 

Submitted: 24/04/2017

Accepted: 02/05/2017

 

 

en.wikipedia.org/wiki/Duke%27s_Dock

  

Duke's Dock[3][4] is a dock on the River Mersey, England, and part of the Port of Liverpool. It is in the southern dock system, connected to Salthouse Dock and Wapping Dock to the east. The Albert Dock is located immediately north, although not directly accessible by water.

  

History

  

The land for the dock was obtained in 1768.[5] Opening in 1773, Duke's Dock was built privately for the Duke of Bridgewater as a Liverpool-based facility for traffic using the Bridgewater Canal from Manchester.[6][7] The dock was probably designed by James Brindley, who also built the Bridgewater Canal.[2] The first dockside warehouse on the Mersey was built at the dock in 1783, and the dock was extended in the 1790s due to growth in the cotton industry.[2] In 1811, a large six-storey warehouse was built on the southern side of the dock.[5] Barges were able to enter the warehouse from the dock, and the building lasted until the 1960s.[5] In 1845, a small half-tide dock was constructed between Duke's Dock and the river and, at the opposite end of the dock, Wapping Basin was added in 1855.[5] The dock was purchased by the MD&HB in 1900, and the warehouses remained until 1960.[2] The dock had a southern branch which was filled in 1967, and warehouses were removed from the north and south quaysides.[5] The dock closed in 1972.[2]

  

After closure

  

After the closure of Duke's Dock, the dock silted up during the following decade and the quayside was in a state of considerable dereliction by 1980.[5] In 1980, disused buildings including one of the Liverpool Lighterage Company, a training school and a customs house still remained on the north quayside.[5]

  

Water balling at Duke's Dock. The Albert Dock warehouses are to the left, with Liverpool Metropolitan Cathedral beyond the footbridge in the background.

In 1981, the Merseyside Development Corporation was established to rejuvenate the South Docks, and the dock was dredged between 1981-5.[8] The river entrance was filled in during the 1980s, and replaced with a permanent roadway leading to a large temporary car park on the site of King's Dock.[citation needed] Footbridges across the dock, leading from the King's Dock car park to the rejuvenated Albert Dock, were also installed at this time. The remaining buildings on the north quayside were also removed, to create permanent car parking space for the Albert Dock.[citation needed]

  

Present use

  

Direct river access to the west is no longer provided, with the only remains of the river entrance being markings on the dock wall. The dock is still accessible from Wapping Basin.

 

The water depth varies from around 6 ft (1.8 m) up to 20 ft (6.1 m). The dock is sometimes used by sport scuba divers. Its water is clear and it has much underwater sealife.[citation needed] The waterspace, of this and the other docks in the southern system, was owned by British Waterways from 2003 to 2012 and now transferred to the Canal & River Trust.[1] Water balling is now allowed on the dock.

This was a mansion built by a Kansas City Man that was built down in the Ozarks. The mansion burned down. Here is more info.

 

Wiki --- Construction of the Ha Ha Tonka castle was started by Robert McClure Snyder, Sr. in 1905, a Kansas City businessman who purchased the large property. Alluding to the natural springs on the property, "ha ha tonka" was said to mean "smiling waters."

 

Following Snyder's death in an auto accident in 1906, the castle was completed by his sons Robert, Jr.; LeRoy, and Kenneth Snyder in the late 1920s before the Stock Market Crash. The building was used as a summer and weekend home by the Snyder family, who lived in Kansas City. In the late 1930s it was used as a hotel, but was destroyed by fire in 1942.

 

The state purchased the castle and grounds in 1978, adapting them for use as a state park and opening them to the public. The water tower was repaired in 2004, with a new roof installed. The castle walls have been stabilized.[10] The ruins can be seen from an observation point across from the post office.

  

Mike D.

ça y est, l'hiver s'installe ! :)

Après un hiver austral plutôt doux, les températures ont bien chutées ces derniers jours.

Et l'on imagine bien à la vue de ce cliché que le froid doit franchement "piquer" sur les hauteurs de l'île comme ici à la Plaine des Sables où le givre a pris place avec une brise verglaçante qui remonte le long de la caldeira.

Couvrez-vous bien ! ça caille sous les tropiques !!! ️❄️

Le 4 août 2017 à 6h30.

 

Réf. B2017-55 - Photo non libre de droits -

Pour tout achat (fichier numérique, tirage papier ou tableaux) merci de me contacter en privé.

La présente œuvre d'art est protégée par le droit d'auteur, en vertu du Livre 1er de la Partie 1 du Code de la propriété.

Sue and I have visited the Rockingham church twice previously, but we decided to take Brian and Heather on a photographic field trip while we were at the cottage in the autumn. I find this pioneer church, situated way up on a hill, to be fascinating. What an interesting climb to services that would have been on a wintry and slippery Sunday morning.

 

There are tombstones around the structure, some with fences, so I think it is an apt post for HFF.

 

© Anvilcloud Photography

 

The following tidbits are excerpted from the Pembroke Library

 

The Rockingham Church, formerly known as St. Leonard’s Anglican Church, was built in 1875, when the hamlet of Rockingham was a thriving community. Essentially abandoned 60 years ago, the church’s simple grace and imposing location high on a slope overlooking the village attract many visitors each year. A post and beam structure, the building is a unique survivor of its kind in Renfrew County and one of the oldest remaining buildings in the area. In 1999, the Townships of Brudenell, Lyndoch & Raglan designated the church a heritage site under the Ontario Heritage Act.

 

Evidence for the date of construction of the Rockingham Church is conflicting, but The Renfrew Mercury, May 28, 1875, reported:

 

New Church at Rockingham

 

The Protestant settlers at Rockingham have, with the assistance of a few kind friends, lately erected a commodious place of worship for the settlement ...

 

In 1882, the Anglican Mission Board granted $400 to the Bishop of Ontario toward the support of a missionary to be stationed at Rockingham, where there was “a genial society of church members, Mr. Watson and family being among them.” The Rev. A.W. MacKay arrived in early 1882 to take up the position. The Church Warden’s Accounts for the same year record expenses of $391.14 to improve the church with the addition of a porch, communion rail, and organ, most likely to complete it for use as an Anglican mission; at that time it was named St. Leonard’s Church. A stove was added in 1885, and a belfry and bell in 1891.

 

In 1975 and 1976, a group under the name Madawaska Association for Developmental Ecology (M.A.D.E.) repaired the back wall, reshingled the roof and arranged for the return of the pews. Apart from the visits of tourists, history buffs and artists, the church stood empty and decaying until 1995, when the Friends of the Rockingham Church formed to undertake the present rehabilitation of the building.

 

Architecture of the Rockingham Church

 

The church is constructed in conventional post and beam style, with board and batten siding of locally cut pine. The siding is for the most part the original wood, installed in 1875. The old shingles removed in 1974-75 were of cedar—it is hard to believe they could have been original after 100 years, but there is no record in the Church Warden’s accounts that shows earlier repairs or replacement.

 

The elegant curved pews are original to the Rockingham Church. They were removed to the Quadeville Pentecostal Church in the 1940s and returned in the mid-1970s. The original altar rail and pulpit remain, although the font was moved to the Union Church at Barry’s Bay.

 

The repairs undertaken in 1999 and 2000 uncovered extensive rot to the post and beam structure within the walls and at the ground, which had caused the increasing sag in the walls and roof. Siding boards were removed and numbered to allow repair and/or replacement of the 8” x 8” beams without disturbing the interior panelling. Rafter ends, too, were rotting where they sat on the wall top plates. These were reinforced with new lumber, unsound roof decking was replaced, and the roof was reshingled in new cedar. The steeple was removed for repairs and reshingling. After much debate, copper was chosen for the steeple shingles for its longevity and its appearance. Repairs were completed in July 2000.

 

The Friends of the Rockingham Church, Inc.

 

The Friends of the Rockingham Church formed in 1995, in response to the imminent threat of the church’s demolition. The Anglican Diocese of Ottawa, then the owner of the church, was concerned about the building’s deteriorating condition and applied to the municipality for a demolition permit. Local concerned citizens took action, prevailed upon the Diocese to delay and eventually waive the application. The group incorporated in 1997 and was designated a charitable organization by Revenue Canada. The purchase of the building was finalized in 1998.

 

The Friends continue to raise funds for the ongoing maintenance and insurance of the building and to support programs to publicize its historical value. Tax receipts are issued for all donations. Cheques may be made out to:

 

The Rockingham Church is located at the junction of John Watson Road and the Rockingham Road, in the village of Rockingham. From the east (Killaloe or Eganville), turn off Hwy. 512 at Brudenell onto Renfrew County Road #66 (the Opeongo Line). Turn left onto Renfrew County Road #68 (the Letterkenny Road) and follow the signs to Rockingham. From the west (Combermere), turn off Hwy. 62 onto Hwy. 515. Turn left immediately onto Renfrew County Road #68 (the Rockingham Road) and follow to Rockingham.

  

The facade sculpture “Venus crest” is by sculptor Hubert Minnebo.

It is 11 meters high. The fish represents the sea, the woman represents the earth and the bird represents the sky. The fourth primal element, fire, is missing here figuratively, but is reflected in the material of the artwork, copper, which is born of fire and also symbolizes the sun. It was installed in 2003.

Night aquarium shoot - Copyright © Chuck Goodenough All Rights Reserved. No copying or reproduction or other use without written permission.

Had to reinstall Skyrim cause it crashed for unknown reasons, so I was testing armors after the install, while taking screenshots!

The sad thing is, it was gone in less than 24 hours. It was our first install too.

Sizerin bien installé au bout du poteau - Redpoll well installed at the end of the pole

Installé dans l'ancien palais Como (XVe siècle), le musée abrite les collections que Gaetano Filangieri, prince de Satriano (1824-1892), après l'achat et la restructuration du palais, légua à la ville.

222:365

 

Sorry guys, boring shot today. I am worn out, exhausted and going to bed!

 

I will endeavor for a more interesting shot tomorrow.

 

On a bright note, I'm getting pretty good and bending my arm around and taking a photo without looking =]

Installing colourful garlands over a stretch of Montreal's rue Sainte-Catherine.

new ideal logic 30 plus latest version

Come to the opening next thurs 2/4! At Manuel Izquierdo Gallery in Sculpture Building at PNCA . Photo by Matt

NH State Park is painting one of their benches in their rotunda but, with the minimal lighting and viewing it during my night shift, it looks more like a recently installed art piece. Like, I can totally imagine a group of bougie people standing around and being like, "This piece really speaks to the solitude and hardships of winter in the White Mountains. You can almost see the breath of the exhausted hiker that's idling on this wintry perch and the silence of the winter air surrounding them as rime ice envelopes them with an it's cool, angry hug..."

python install_windows.py

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