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Work in progress with new paints from Ironlak, for upcoming show at RAID Projects, Los Angeles.
New work included this exhibition this month.
California : Adulterated Landscapes and Deflated Icons on Flickr.
Raid Projects is pleased to present California: Adulterated Landscapes and Deflated Icons,
featuring the work of Anthony Ausgang, Brian Borlaug, William Emmert, Aaron Giesel, Susan Logoreci, Jason Manley, Travis Millard, Roland Reiss, Mark Ruwedel, Andrew Sexton, Devon Tsuno.
Curated by David De Boer and Kio Griffith.
Opening Reception: Saturday, June 18, 7pm-10pm
Show runs from June 18 to July 9, 2011
California: Adulterated Landscapes and Deflated Icons aims to create a dialogue between artworks that represent a disintegrating California landscape and artworks that portray hollywood-bred iconic figures who have often failed to transcend their aging careers. Within this dialogue are questions of which of these has had the greater influence on the culture itself. Inspired by artists who use their local culture as source material for producing bodies of work, this exhibition is responding to the Getty Research Institutes Pacific Standard Time initiative; a multi-venue exhibition that focuses on postwar art in Los Angeles.
The first coat of paint is on the walls in the hall and the hall ceilings are painted. I need to repair and paint the trim next.
In progress shot of my quilting of rectangel's pillow! I finished the quilting and just a few more stitches before it becomes a pillow!
Hope you like it so far, rectangel <3
I hung the skirt on my dress dummy right on top of my in-progress chainmaille dress in order to neatly trim it.
When painting this one, I painted the figure in near the end. With this one, I wanted to start with the figure and create around it.
I drew this from a photo I have in my file of body shapes that appeal to me. I changed the hair entirely and gave her more bootie than the photo I was inspired by. It took very little time at all, which surprised me.
I have a general idea of what I'm going to create around her and what colours I'll be using.
I'm also contemplating a tattoo on her, but the jury is still out on that one. I might pencil it on before I decide. Pencil erases very easily from the paints--something I've only just twigged recently and I'm so happy I have!
Started the painting in my art teacher's studio for her local show. This stage was sketched out with acrylic inks.
This is my letters quilt. I loved all the writing fabric they had and had to make a quilt with envelopes out of them. Still needs to be quilted.
I'm a new member of the "Photo Restoration and Colorization" group here. The photo on the left is a scan of the original wrinkled, torn, sun-damaged wallet-size photo that my aunt wanted salvaged before anything else happens to it. The version on the right is my work-in-progress to restore the image. With Photoshop, I've managed to repair some of the damage. I'm now trying to address issues related to the smaller imperfections and fine scratches left on the image. Will post the final result later--but I can't say yet when I will consider this project officially finished. Meanwhile, anybody have any suggestions or tips?
base breastplate (now thermofoarmed into corect shape) + the start of the back "wings" + the outline panels for the front design
All from the stash, Merino Style DK weight Knitpicks yarn. Going to do eggplant for main color, stripes in gray and the other lighter purples, shawl collar and cuffs in aqua...
I slashed the skirt front muslin twice on each side and added 3" of width at each slice, for 12" total extra fullness across the front.
NP with a shaggy bob... she's a custom in progress. I think she's going to be a 60's
girl... aptly named Cilla.
I took a break from having work done on this for about a year. Last month, I started up again, with about two hours on the jewelry and skulls, and last night my artist did the scarf on the left.
I found the January session really trying and was actually a little shaky afterwards. Last night, however, was no problem at all. I expect, at the pace I'm going, this should be done by the end of the year.
Mmmm. Girders. This case study has been a good excuse to experiment a bit more with the fR rendering plugin. It produces nice global illumination with very fast rendering times but the light levels are hard to control. I'm quite happy with the light gradient on the underside of the roof decking here though.