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The Springfield Art Association will host an opening reception for a nationally juried ceramic exhibition entitled Shapes of Influence on Friday evening, August 3rd, from 5:30-7:30 PM. Awards and a gallery talk by juror Simon Levin will occur at 6:45 PM.
The show will be on display in the SAA's M.G. Nelson Family Gallery from August 3-September 1 and features work from over two dozen states and Canada.
Juried artists include Morgan Barton, Kenneth Baskin, Casey Beck, Irina Bondarenko, Robert Bruch, Danielle Callahan, Michelle Coakes, John Cohorst, Louis Colomarini, John Costanza, Paula Diaz-Sylvester, Auguste Elder, Karen Ellis-Phillips, Curtis and Karen Frederick, Verne Funk, John Gargano, Kaitlyn Getz, Sarah Gross, Lois Harbaugh, Ian Hazard-Bill, Jason Hess, Jennifer Holt, Drew Ippoliti, Iskra Ivanova, Anna Kats, Patty Kochaver, Robert Kokenyesi, Lucien Koonce, Joe Kraft, Annie Lee, Andrew Mcintyre, Jessie Martin, Paul McCoy, Avra Messe, Molly Morning-glory, Matthew Patton, Sara Prigodich, Jenny Reed, Masa Sasaki, Jessica Sallay-Carrington, Kourtney Stone, Suzanne Storer, Sam Thompson, Austin Wieland, Nicole Winning, Matthew Wright, Kensuke Yamada, Lisa York, and David Zahn.
Invited artists include Dan Anderson, Kahil Irving, Peter Pincus, and Kelsie Rudolph.
The M.G. Nelson Gallery is open to the public M-F from 9 AM-5 PM and Saturdays from 10 AM-3 PM.
Why is Disney’s influence so important? Sociologist Dr. Gail Dines puts it in perspective: “We develop our notions of reality from the cultural mechanisms around us; one of the most important cultural institutions we have today is the media; it gives us a whole array of images, stereotypes, belief systems about race, about class, about gender.” Disney acts as a dominant story-teller for children globally. So the pressing question is: are the stories ones that we want our children to hear?
I only realized today how big an influence Cowboy Bebop was on my art, and even my mindset.
it sounds stupid. but there's something about it's style, the warmth, the grit, the "whatever happens, happens" kind of attitude.
It's fucking great.
An exhibit of ceramic sculpture by Holly Hendrick-Jones and paintings by Scott Wesley Jones currently on display at the Yuma Art Center.
Opening reception February 26, 2010
Folklore has it that the moon influences people's sleep. This theory probably stemmed from the knowledge that the moon influences water and the human body is made up of approximately 50-75% water. Still, there has been no study to confirm the folklore - until now.
According to The Independent, the international research community has been divided on this question for a long time, but now a highly controlled study has found evidence to support the ancient theory that indeed moon activity affects sleeping patterns among humans.
The study determining whether the Super Moon 2014 summer will affect us humans was led by Michael Smith at the University of Gothenburg in Sweden. According to the study, participants wake up more and sleep approximately 25 minutes less during full moon than at times with other moon phases.
Smith said, 'The rooms in our sleep laboratories do not have any windows. So the effect we found cannot be attributable to increased nocturnal light during a full moon.'
Astrologically speaking, a Supermoon is an intensified New Moon or Full Moon. With a New Moon you often focus on personal beginnings, however when a Supermoon is involved those new beginnings will take on an even greater momentous tone. The same applies to a Full Moon. Crescendos and culminations of events will seem even more dramatic and climactic.
The Moon is also associated with emotions and our feminine sides. When a Supermoon is involved expect to be even more emotional than usual. Tears and laughter will come more easily, moods will suffer extreme swings and there will be no shortage of drama—both good and bad.
The Moon’s effects will also cast its light on women in particular. Mothers, daughter, sisters and friends may be noticeably affected by the intensified energies. Husbands, fathers and boyfriends may be dismayed or exasperated by the behavior of females during these transits.Emotional storms will come and go.
These are opportunities for people to learn how to deal with feelings while developing patience and understanding. It is also a chance to grow closer. Not all emotions will be negative and floods of love and happiness can wash over us too.
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The Springfield Art Association will host an opening reception for a nationally juried ceramic exhibition entitled Shapes of Influence on Friday evening, August 3rd, from 5:30-7:30 PM. Awards and a gallery talk by juror Simon Levin will occur at 6:45 PM.
The show will be on display in the SAA's M.G. Nelson Family Gallery from August 3-September 1 and features work from over two dozen states and Canada.
Juried artists include Morgan Barton, Kenneth Baskin, Casey Beck, Irina Bondarenko, Robert Bruch, Danielle Callahan, Michelle Coakes, John Cohorst, Louis Colomarini, John Costanza, Paula Diaz-Sylvester, Auguste Elder, Karen Ellis-Phillips, Curtis and Karen Frederick, Verne Funk, John Gargano, Kaitlyn Getz, Sarah Gross, Lois Harbaugh, Ian Hazard-Bill, Jason Hess, Jennifer Holt, Drew Ippoliti, Iskra Ivanova, Anna Kats, Patty Kochaver, Robert Kokenyesi, Lucien Koonce, Joe Kraft, Annie Lee, Andrew Mcintyre, Jessie Martin, Paul McCoy, Avra Messe, Molly Morning-glory, Matthew Patton, Sara Prigodich, Jenny Reed, Masa Sasaki, Jessica Sallay-Carrington, Kourtney Stone, Suzanne Storer, Sam Thompson, Austin Wieland, Nicole Winning, Matthew Wright, Kensuke Yamada, Lisa York, and David Zahn.
Invited artists include Dan Anderson, Kahil Irving, Peter Pincus, and Kelsie Rudolph.
The M.G. Nelson Gallery is open to the public M-F from 9 AM-5 PM and Saturdays from 10 AM-3 PM.
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1990 “90s French Set” (rigged for K, L, M, R) mainstore
NINETYFIVE // “Lover’s Lane Phone Collection” (bento + non-bento) & “Kiari Bathroom Selfie Pose Pack” (C, M, No T w/ mirrored versions) mainstore
VIPERA // “Vivian Earrings” (rigged for EvoX F & hud-operated) Dubai Event maps.secondlife.com/secondlife/Horizon%20Beach/124/120/23
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Is there an invisible web of dark matter surrounding us? Its influence can be observed across the cosmos, but the web remains unseen… for the most part. This Picture of the Week shows the clearest image yet of a filament from this cosmic web. The filament was imaged with ESO’s Very Large Telescope, and is shown here in purple overlaid on a background image from the NASA/ESA Hubble Space Telescope. Made of gas clumped together by the influence of dark matter, the filament stretches out for 3 million light-years, connecting two distant galaxies in the early Universe.
Around 85% of all matter in the Universe is actually dark matter. Dark matter is invisible, but the gas around it is not. This gas glows extremely faintly though, making these structures very difficult to observe. But after about 150 hours of observations, a team of astronomers led by Davide Tornotti, a PhD student at the University of Milano-Bicocca in Italy, managed to take this sharp image of a cosmic filament. This was possible thanks to the exceptional sensitivity of the MUSE instrument at the VLT, which has become a workhorse instrument at imaging the cosmic web.
The light from this filament took 11 billion years to reach us, and it shows exactly what theory predicted. In the early Universe, filaments of dark matter could have created a large web that entangled gas through their gravitational pull. Once gas accumulated at the intersection between filaments, it would have provided the fuel necessary to form galaxies. As we observe more of these mysterious filaments, what else will we find trapped within this dark web?
Credit: ESO/D. Tornotti et al./Hubble: M. Revalski, P. Francis et al.
Roxy Music are an English art rock group formed in 1971 by Bryan Ferry, who became the group's lead vocalist and chief songwriter. The other members are Phil Manzanera (guitar), Andy Mackay (saxophone and oboe) and Paul Thompson (drums and percussion). Former members include Brian Eno (synthesizer and "treatments"), and Eddie Jobson (synthesizer and violin). Although the band took a break from group activities in 1983, they reunited for a concert tour in 2001, and have toured together intermittently since that time.
Roxy Music attained popular and critical success in the UK, Europe and Australia during the 1970s and early 1980s, beginning with their debut album, Roxy Music (1972).[1] The band was highly influential, as leading proponents of the more experimental, musically sophisticated element of glam, as well as a significant influence on early English punk music. They also provided a model for many New Wave acts and the experimental electronic groups of the early 1980s. The group is distinguished by their visual and musical sophistication and their preoccupation with style and glamour.[2] Ferry and co-founding member Eno have also had influential solo careers, the latter becoming one of the most significant record producers and collaborators of the late 20th century.
Rolling Stone magazine ranked Roxy Music #98 on its "The Immortals – 100 The Greatest Artists of All Time" list.[3]
A new studio album, which would have been their ninth, began recording in 2005. It would have been Roxy's first record with Brian Eno since 1973, who wrote two songs for it as well as played keyboards.[4] However, Bryan Ferry eventually confirmed that material from these sessions would be released as a Ferry solo album, with Eno playing on "a couple of tracks,"[5] and that he doesn't think they'll record as Roxy Music again.[6] Subsequently, this was confirmed by the announcement of a solo Bryan Ferry album, entitled Olympia.
A small series using paint and color to represent feminine power to influence change.
© 2012 A L Christensen
Ludvig Holberg, Baron of Holberg was a writer, essayist, philosopher, historian and playwright born in Bergen, Norway, during the time of the Dano-Norwegian double monarchy, who spent most of his adult life in Denmark. He was influenced by Humanism, the Enlightenment and the Baroque. Holberg is considered the founder of modern Danish and Norwegian literature, and is best known for the comedies he wrote in 1722–1723 for the theatre in Lille Grønnegade in Copenhagen. Holberg's works about natural and common law were widely read by many Danish law students over two hundred years, from 1736 to 1936
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Hội An is a city of Vietnam, on the coast of the South China Sea in the South Central Coast region of Vietnam. It is located in Quảng Nam Province and is home to approximately 120,000 inhabitants. It is recognized as a World Heritage Site by UNESCO. Hội An Ancient Town is an exceptionally well-preserved example of a South-East Asian trading port dating from the 15th to the 19th century. Its buildings and its street plan reflect the influences, both indigenous and foreign, that have combined to produce this unique heritage site.The city possessed the largest harbour in Southeast Asia in the 1st century and was known as Lâm Ấp Phố (Champa City). Between the seventh and 10th centuries, the Cham (people of Champa) controlled the strategic spice trade and with this came tremendous wealth. The former harbour town of the Cham at the estuary of the Thu Bồn River was an important Vietnamese trading centre in the 16th and 17th centuries, where Chinese from various provinces as well as Japanese, Dutch and Indians settled. During this period of the China trade, the town was called Hai Pho (Seaside Town) in Vietnamese. Originally, Hai Pho was a divided town with the Japanese settlement across the "Japanese Bridge" (16th-17th century). The bridge (Chùa cầu) is a unique covered structure built by the Japanese, the only known covered bridge with a Buddhist temple attached to one side.
ETYMOLOGY
Hội An translates as "peaceful meeting place". In English and other European languages, the town was known historically as Faifo. This word is derived from Vietnamese Hội An phố (the town of Hội An), which was shortened to "Hoi-pho", and then to "Faifo".
HISTORY
The early history of Hội An is that of the Cham. These Austronesian-speaking Malayo-Polynesian peoples created the Champa Empire which occupied much of what is now central and lower Vietnam, from Huế to beyond Nha Trang. Various linguistic connections between Cham and the related Jarai language and the Austronesian languages of Indonesia (particularly Acehnese), Malaya, Cambodia and Hainan has been documented. In the early years, Mỹ Sơn was the spiritual capital, Trà Kiệu was the political capital and Hội An was the commercial capital of the Champa Empire - later, by the 14th century, the Cham moved further down towards Nha Trang. The river system was the transportation for goods between the highlands, inland countries of Laos and Thailand and the low lands.In 1535 Portuguese explorer and sea captain António de Faria, coming from Đà Nẵng, tried to establish a major trading center at the port village of Faifo. Hội An was founded as a trading port by the Nguyễn Lord Nguyễn Hoàng sometime around 1595. The Nguyễn lords were far more interested in commercial activity than the Trịnh lords who ruled the north. As a result, Hội An flourished as a trading port and became the most important trade port on the South China Sea. Captain William Adams, the English sailor and confidant of Tokugawa Ieyasu, is known to have made at least one trading mission to Hội An (around 1619). The early Portuguese Jesuits also had one of their two residences at Hội An.
In the 18th century, Hội An was considered by Chinese and Japanese merchants to be the best destination for trading in all of Southeast Asia, even Asia. Japanese believed the heart of all of Asia (the dragon) lay beneath the earth of Hội An. The city also rose to prominence as a powerful and exclusive trade conduit between Europe, China, India, and Japan, especially for the ceramic industry. Shipwreck discoveries have shown that Vietnamese and Asian ceramics were transported from Hội An to as far as Sinai, Egypt.Hội An's importance waned sharply at the end of the 18th century because of the collapse of Nguyễn rule (thanks to the Tây Sơn Rebellion - which was opposed to foreign trade).
Then, with the triumph of Emperor Gia Long, he repaid the French for their aid by giving them exclusive trade rights to the nearby port town of Đà Nẵng. Đà Nẵng became the new center of trade (and later French influence) in central Vietnam while Hội An was a forgotten backwater. Local historians also say that Hội An lost its status as a desirable trade port due to silting up of the river mouth. The result was that Hội An remained almost untouched by the changes to Vietnam over the next 200 years.
Today, the town is a tourist attraction because of its history, traditional architecture and crafts such as textiles and ceramics. Many bars, hotels, and resorts have been constructed both in Hội An and the surrounding area. The port mouth and boats are still used for both fishing and tourism.
WEATHER
Calm mild weather is now limited to the season of May/June - end of August when the seas are calm and wind changes direction and comes from the South. The remainder of the year the weather is intermittent between rain & cold and hot & mild. Popular activities such as visiting offshore Cù lao Chàm islands are only guaranteed to be likely during the short season of end of May to end of August, which is the high season for domestic tourism.
HERITAGE AND TOURISM
In 1999, the old town was declared a World Heritage Site by UNESCO as a well-preserved example of a Southeast Asian trading port of the 15th to 19th centuries, with buildings that display a unique blend of local and foreign influences. According to the UNESCO Impact Report 2008 on Hội An, tourism has bought changes to the area which are not sustainable without mitigation. Due to the increased number of tourists visiting Hoi An a variety of activities are emerging which allow guests to get out of the old quarter and explore by motorbike, bicycle, Kayak or motorboat. The Thu Bon River is still essential to the region more than 500 years after António de Faria first navigated it and it remains an essential form of food production and transport. As such kayak and motorboat rides are becoming an increasingly popular tourist activity.
MUSEUM
The city has four museums highlighting the history of the region. These museums are managed by the Hoi An Center for Cultural Heritage Management and Preservation. Entrance to the museum is permitted with a Hoi An Entrance Ticket.
The Museum of History and Culture, at 13 Nguyen Hue St, was originally a pagoda, built in the 17th century by Minh Huong villagers to worship the Quan An, and is adjacent to the Quan Cong temple. It contains original relics from the Sa Huynh, Champa, Dai Viet and Dai Nam periods, tracing the history of Hoi An's inhabitants from its earliest settlers through to French colonial times.
The Hoi An Folklore Museum, at 33 Nguyen Thai Hoc St, was opened in 2005, and is the largest two-storey wooden building in the old town, at 57m long and 9m wide, with fronts at Nguyen Thai Hoc St and Bach Dang St. On the second floor, there are 490 artifacts, organised into four areas: plastic folk arts, performing folk arts, traditional occupations and artefacts related to the daily life of Hoi An residents.
The Museum of Trade Ceramics is located at 80 Tran Phu St, and was established in 1995, in a restored wooden building, originally built around 1858. The items originating from Persia, China, Thailand, India and other countries are proof of the importance of Hội An as a major trading port in South East Asia.
The Museum of Sa Huỳnh Culture, is located at 149 Tran Phu St. Established in 1994, this museum displays a collection of over 200 artifacts from the Sa Huỳnh culture - considered to be the original settlers on the Hội An site - dating to over 2000 years ago. This museum is considered to be the most unique collection of Sa Huỳnh artefacts in Vietnam.
WIKIPEDIA
not even kidding, this hurt SO bad.
the logo is from a book called Jesus For President. this book strongly influenced my faith and helped me to think outside the box
Check out the summary:
What should Christians do when allegiances to the state clash with personal faith? Haw and Claiborne (The Irresistible Revolution) slice through politics as usual and well past the superficial layers of the culture wars with their lucid exploration of how Christians can and should relate to presidents and kings, empire and government. Their entertaining yet provocative tour of the Bible's social and economic order makes even the most abstruse Levitical laws come alive for our era. They also provide a valuable political context for Christ's life, reminding readers that Jesus did not preach the need to put God back into government—he urged his followers to live by a different set of rules altogether, to hold themselves apart as peculiar people. The compelling writing is enhanced by a lavish, eye-popping layout. The pages are a riot of textured callouts, colors, photos and fonts—the perfect packaging for a message that must compete in a world of sound bites. With this second book, Claiborne emerges as an affable, intelligent, humorous prophet of his generation, calling people out of business-as-usual in a corrupt world and back to the radically different social order of the biblical God.
under it are lyrics from the band i just joined called Audrey Alive. "Guide My Hand"
we are a Christian band and our lyrics are Spirit filled. check us out? www.myspace.com/audreyalive
oh, and my parents still dont know i got this ;) haha
War as a result of nationalism: Although nationalism influences many aspects of life in stable nation-states, its presence is often invisible, since the nation-state is taken for granted. Michael Billig speaks of banal nationalism, the everyday, less visible forms of nationalism, which shape the minds of a nation's inhabitants on a day-to-day basis. Attention concentrates on extreme aspects, and on nationalism in unstable regions. Nationalism may be used as a derogatory label for political parties, or they may use it themselves as a euphemism for xenophobia, even if their policies are no more specifically nationalist, than other political parties in the same country. Belgium is also touched by this desease.