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This set includes: burp cloth, bib, mini lovey, rattle and pacifier/toy clip.
* The burp cloth is made from 6 ply premium tri-fold cloth diapers with custom 100% Organic Cotton designer print sewn on down the center of the cloth. Measures approximately 13 x 18 inches.
* The bib has custom 100% Organic Cotton designer print on the front and Minky material on the back. Closes with a snap. Measures approximately 8 x 12 inches.
* The mini tagged lovey has custom 100% Organic Cotton designer print on the front and Minky material on the back. Has 9 ribbons, the one ribbon loop in the corner is so you can attach a binky/pacifier, toy teething link, or attach it to a stroller or car seat. Measures approximately 5 x 5 inches square. Each ribbon has been triple stitched to insure long lasting durability.
* The baby rattle has custom 100% Organic Cotton designer print on the front and Minky material on the back. Filled with hyper allergenic Polyester stuffing and a rattle insert. Measures approximately 3 inches across.
*The clip has a lead free, nickel clip. A universal closure is used so clip will fit all brands- including soothie. Each clip measures approximately 6 inches long and is about 1 inch wide. If you prefer a snap closure or a shorter or longer length just let me know! Triple stitched for extra strength.
These pictures include various parts and configurations of our new Bulbdial Clock kit. These photos are meant to accompany a blog post about it here.
'Includes real working escalator and tons of fun accessories!'
Obviously the first set in the line this actually came to me in a dream lot during november with a majority of the shops for $60 shipped. My own escalator does work, I lack some key salon accessories and with no instructions I have no idea how to use the fountain but I adore it all. My favorite little detail might be the hidden payphone on the bench behind the escalator, as well as the ATM! I also got the furniture for the pizza place in this lot but pushed it into the overall middle of the display so it wasn't cluttered.
We have expanded the color range of PRECIOSA Rocailles for you to include new natural colors!
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Don't miss the opportunity to get your hands on the seed beads in these delicate tones. They are excellent in children's costume jewelry collections, hair decorations or various tassels. The time of brides is also fast approaching. Decorate and adorn your unforgettable day with seed beads in the new glass colors!
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TECHNICAL DATA:
PRECIOSA Rocailles
Article number: 311 19 001
Size: 1/0, 6/0, 8/0, 10/0, 11/0 (opaque pink 73420 and opaque lilac 23420)
Size: 1/0, 6/0, 8/0 (transparent lilac 20420)
Article number: 331 19 001
Size: 6/0 (the sfinx and rainbow finishes)
The Sfinx Finish
78420 (on opaque pink)
28420 (on opaque lilac)
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74420 (on opaque pink)
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Antelope Canyon is a slot canyon in the American Southwest, in the state of Arizona. It is on Navajo land east of Page. Antelope Canyon includes two separate ‘slot canyon’ sections, referred to individually as "Upper Antelope Canyon" or "The Crack"; and "Lower Antelope Canyon" or "The Corkscrew". Both are in the LeChee Chapter [ LeChee is a census-designated place (CDP) in Coconino County, Arizona ] of the Navajo Nation. The canyons are accessible by guided tour only.
Photography within the canyons is very difficult due to a wide exposure range (often 10 EV or more) made by light reflecting off the canyon walls, and the cracks vary from less than three feet to ten feet in width. Metering is very difficult due to widely varied illuminated rock surfaces within a very short range. In places light beams break into a wide range of colors from extremely curved and polished Navajo sandstone surfaces leading to spectacular forms of natural art.
[ Navajo Nation
The Navajo Nation (Naabeehó Bináhásdzo) is a Native American territory covering about 27,413 sq mi, occupying portions of northeastern Arizona, southeastern Utah, and northwestern New Mexico in the United States. This is the largest land area retained by a Native American tribe, with a population of roughly 350,000 as of 2016.
The Navajo Nation has an elected government that includes an executive office, a legislative house, and a judicial system, but the United States federal government continues to assert plenary power over all decisions. The executive system manages a large law enforcement and social services apparatus, health services, Diné College, and other local educational trusts.
The population continues to struggle with health problems, unemployment, and the effects of past uranium mining incidents.]
How the canyon was formed
Antelope Canyon was formed by erosion of Navajo Sandstone, primarily due to flash flooding and secondarily due to other sub-aerial processes. Rainwater, especially during monsoon season, runs into the extensive basin above the slot canyon sections, picking up speed and sand as it rushes into the narrow passageways. Over time the passageways eroded away, making the corridors deeper and smoothing hard edges in such a way as to form characteristic "flowing" shapes in the rock.
Flooding in the canyon still occurs. A flood occurred on October 30, 2006, that lasted 36 hours, and caused the Tribal Park Authorities to close Lower Antelope Canyon for five months.
Tourism and photography
Antelope Canyon is a popular location for photographers, and a source of tourism business for the Navajo Nation. It has been accessible by tour only since 1997, when the Navajo Tribe made it a Navajo Tribal Park. All visits are through one of several licensed tour operators. It is not possible to visit the Canyon independently.
Beams of light enter the upper canyon most often in the summer months, as they require the sun to be high in the sky. Winter colors are more muted. Summer months provide two types of lighting. Light beams start to peek into the canyon March 20 and disappear October 7 each year. Lower Antelope Canyon is located several miles from Upper Antelope Canyon.
Flash flood danger
Antelope Canyon is visited exclusively through guided tours, in part because rains during monsoon season can quickly flood the canyon. Rain does not have to fall on or near the Antelope Canyon slots for flash floods to whip through, as rain falling dozens of miles away upstream of the canyons can funnel into them with little prior notice.
On August 12, 1997, eleven tourists were killed in Lower Antelope Canyon by a flash flood. Very little rain fell at the site that day, but an earlier thunderstorm had dumped a large amount of water into the canyon basin, 7 miles upstream. At the fee booth, a NOAA Weather Radio from the National Weather Service and an alarm horn are stationed.
Includes a Wedge-tailed Eagle that flew low and straight above Memorial Ave obviously heading somewhere. It was seen off by the pair of Black Kites trying to breed in the canopy tree above my carport currently
ordinary. my ordinary will include a self portrait from time to time. Yes for some this may seem strange, others may find it conceited but I don’t care about possible thoughts other people may have. I do this for myself. I’m only this age today for one day. tomorrow my wrinkles may be a tad deeper, my red hair may fade just a little bit more. This is my ordinary, sitting in the light by myself taking a self portrait. I know for so many other woman my age this would not be the ordinary. But this IS my ordinary. I have out loud conversations, I know what it’s like to enjoy my own company, I like my own company and I often desire time alone. I was technically the first to be born. I’m the only one from the same set of parents. It didn’t work out and because of that I inherited another brother 6 years older than me but since he only lived with us off and on, I was the only child until my sister was born when I was 11. I also was given another brother and another sister who lived 3 1/2 hours away and I only got to see them about once a year. So even though I have two brothers and two sisters, it was like I was an only child for many years. Because I was often alone I learned to be my own best companion. I was well behaved and very quiet except when I was talking up a storm to myself. I spent countless hours drawing and writing in my journals. I think in many ways this was a blessing to learn to feel comfortable alone. My ordinary.
Hindu deities are the gods and goddesses in Hinduism. The terms and epithets found in Indian culture, that are translated as deity, varies with the text and diverse traditions within Hinduism, and include Deva, Devi, Ishvara, Bhagavan and Bhagavathi.[1][2][note 1]
The deities of Hinduism have evolved from Vedic era (2nd millennium BCE) through medieval era (1st millennium CE), regionally within India and in southeast Asia, and across Hinduism's diverse traditions.[3][4] The Hindu deity concept varies from a personal god as in Yoga school of Hindu philosophy,[5][6] to 33 Vedic deities,[7] to hundreds of Puranic deities, to millions of deities in Tantra traditions of Hinduism.[8] Illustrations of major deities include Vishnu, Sri (Lakshmi), Shiva, Parvati (Durga), Brahma and Saraswati. These deities have distinct and complex personalities, yet often viewed as aspects of the same Ultimate Reality called Brahman.[9][note 2] From ancient times, the idea of equivalence has been cherished in Hinduism, in its texts and in early 1st millennium sculpture with concepts such as Harihara (half Shiva, half Vishnu),[10] Ardhanarishvara (half Shiva, half Parvati) or Vaikuntha Kamalaja (half Vishnu, half Lakshmi),[11] with mythologies and temples that feature them together, declaring they are the same.[12][13][14] Major deities have inspired their own Hindu traditions, such as Vaishnavism, Shaivism and Shaktism, but with shared mythology, ritual grammar, theosophy, axiology and polycentrism.[15][16][17] Some Hindu traditions such as Smartism from mid 1st millennium CE, have included multiple major deities as henotheistic manifestations of Saguna Brahman, and as a means to realizing Nirguna Brahman.[18][19][20]
Hindu deities are represented with various icons and anicons, in paintings and sculptures, called Murtis and Pratimas.[21][22][23] Some Hindu traditions, such as ancient Charvakas rejected all deities and concept of god or goddess,[24][25][26] while 19th-century British colonial era movements such as the Arya Samaj and Brahmo Samaj rejected deities and adopted monotheistic concepts similar to Abrahamic religions.[27][28] Hindu deities have been adopted in other religions such as Jainism,[29] and in regions outside India such as predominantly Buddhist Thailand and Japan where they continue to be revered in regional temples or arts.[30][31][32]
In ancient and medieval era texts of Hinduism, the human body is described as a temple,[33][34] and deities are described to be parts residing within it,[35][36] while the Brahman (Absolute Reality, God)[18][37] is described to be the same, or of similar nature, as the Atman (self, soul), which Hindus believe is eternal and within every living being.[38][39][40] Deities in Hinduism are as diverse as its traditions, and a Hindu can choose to be polytheistic, pantheistic, monotheistic, monistic, agnostic, atheistic or humanist.[41][42][43]
Deities in Hinduism are referred to as Deva (masculine) and Devi (feminine).[44][45][46] The root of these terms mean "heavenly, divine, anything of excellence".[47] According to Douglas Harper, the etymological roots of Deva mean "a shining one," from *div- "to shine," and it is a cognate with Greek dios "divine" and Zeus, and Latin deus (Old Latin deivos).[48]
In the earliest Vedic literature, all supernatural beings are called Asuras.[49][50] By the late Vedic period (~500 BCE), benevolent supernatural beings are referred to as Deva-Asuras. In post-Vedic texts, such as the Puranas and the Itihasas of Hinduism, the Devas represent the good, and the Asuras the bad.[3][4] In some medieval Indian literature, Devas are also referred to as Suras and contrasted with their equally powerful, but malevolent half-brothers referred to as the Asuras.[51]
Hindu deities are part of Indian mythology, both Devas and Devis feature in one of many cosmological theories in Hinduism.[52][53]
Characteristics of Vedic era deities[edit]
In Vedic literature, Devas and Devis represent the forces of nature and some represent moral values (such as the Adityas, Varuna, and Mitra), each symbolizing the epitome of a specialized knowledge, creative energy, exalted and magical powers (Siddhis).[54][55]
The most referred to Devas in the Rig Veda are Indra, Agni (fire) and Soma, with "fire deity" called the friend of all humanity, it and Soma being the two celebrated in a yajna fire ritual that marks major Hindu ceremonies. Savitr, Vishnu, Rudra (later given the exclusive epithet of Shiva), and Prajapati (later Brahma) are gods and hence Devas.[30]
The Vedas describes a number of significant Devis such as Ushas (dawn), Prithvi (earth), Aditi (cosmic moral order), Saraswati (river, knowledge), Vāc (sound), Nirṛti (destruction), Ratri (night), Aranyani (forest), and bounty goddesses such as Dinsana, Raka, Puramdhi, Parendi, Bharati, Mahi among others are mentioned in the Rigveda.[58] Sri, also called Lakshmi, appears in late Vedic texts dated to be pre-Buddhist, but verses dedicated to her do not suggest that her characteristics were fully developed in the Vedic era.[59] All gods and goddesses are distinguished in the Vedic times, but in the post-Vedic texts (~500 BCE to 200 CE), and particularly in the early medieval era literature, they are ultimately seen as aspects or manifestations of one Brahman, the Supreme power.[59][60]
Ananda Coomaraswamy states that Devas and Asuras in the Vedic lore are similar to Angels-Theoi-Gods and Titans of Greek mythology, both are powerful but have different orientations and inclinations, the Devas representing the powers of Light and the Asuras representing the powers of Darkness in Hindu mythology.[61][62] According to Coomaraswamy's interpretation of Devas and Asuras, both these natures exist in each human being, the tyrant and the angel is within each being, the best and the worst within each person struggles before choices and one's own nature, and the Hindu formulation of Devas and Asuras is an eternal dance between these within each person.[63][64]
The Devas and Asuras, Angels and Titans, powers of Light and powers of Darkness in Rigveda, although distinct and opposite in operation, are in essence consubstantial, their distinction being a matter not of essence but of orientation, revolution or transformation. In this case, the Titan is potentially an Angel, the Angel still by nature a Titan; the Darkness in actu is Light, the Light in potentia Darkness; whence the designations Asura and Deva may be applied to one and the same Person according to the mode of operation, as in Rigveda 1.163.3, "Trita art thou (Agni) by interior operation".
— Ananda Coomaraswamy, Journal of the American Oriental Society[65]
Characteristics of medieval era deities[edit]
In the Puranas and the Itihasas with the embedded Bhagavad Gita, the Devas represent the good, and the Asuras the bad.[3][4] According to the Bhagavad Gita (16.6-16.7), all beings in the universe have both the divine qualities (daivi sampad) and the demonic qualities (asuri sampad) within each.[4][66] The sixteenth chapter of the Bhagavad Gita states that pure god-like saints are rare and pure demon-like evil are rare among human beings, and the bulk of humanity is multi-charactered with a few or many faults.[4] According to Jeaneane Fowler, the Gita states that desires, aversions, greed, needs, emotions in various forms "are facets of ordinary lives", and it is only when they turn to lust, hate, cravings, arrogance, conceit, anger, harshness, hypocrisy, violence, cruelty and such negativity- and destruction-inclined that natural human inclinations metamorphose into something demonic (Asura).[4][66]
The Epics and medieval era texts, particularly the Puranas, developed extensive and richly varying mythologies associated with Hindu deities, including their genealogies.[67][68][69] Several of the Purana texts are named after major Hindu deities such as Vishnu, Shiva and Devi.[67] Other texts and commentators such as Adi Shankara explain that Hindu deities live or rule over the cosmic body as well in the temple of human body.[33][70] They remark that the Sun deity is the giver of vision, the Vayu deity the nose, the Prajapati the sexual organs, the Lokapalas (directions) are the ears, moon deity the mind, Mitra deity is the inward breath, Varuna deity is the outward breath, Indra deity the arms, Brhaspati the speech, Vishnu whose stride is great is the feet, and Maya is the smile.[70]
Symbolism[edit]
Edelmann states that gods and anti-gods of Hinduism are symbolism for spiritual concepts. For example, god Indra (a Deva) and the antigod Virocana (an Asura) question a sage for insights into the knowledge of the self.[71] Virocana leaves with the first given answer, believing now he can use the knowledge as a weapon. In contrast, Indra keeps pressing the sage, churning the ideas, and learning about means to inner happiness and power. Edelmann suggests that the Deva-Asura dichotomies in Hindu mythology may be seen as "narrative depictions of tendencies within our selves".[71] Hindu deities in Vedic era, states Mahoney, are those artists with "powerfully inward transformative, effective and creative mental powers".[72]
In Hindu mythology, everyone starts as an Asura, born of the same father. "Asuras who remain Asura" share the character of powerful beings craving for more power, more wealth, ego, anger, unprincipled nature, force and violence.[73][74] The "Asuras who become Devas" in contrast are driven by an inner voice, seek understanding and meaning, prefer moderation, principled behavior, aligned with Ṛta and Dharma, knowledge and harmony.[73][74][75]
The god (Deva) and antigod (Asura), states Edelmann, are also symbolically the contradictory forces that motivate each individual and people, and thus Deva-Asura dichotomy is a spiritual concept rather than mere genealogical category or species of being.[76] In the Bhāgavata Purana, saints and gods are born in families of Asuras, such as Mahabali and Prahlada, conveying the symbolism that motivations, beliefs and actions rather than one's birth and family circumstances define whether one is Deva-like or Asura-like.[76]
Another Hindu term that is sometimes translated as deity is Ishvara, or alternatively various deities are described, state Sorajjakool et al., as "the personifications of various aspects of one and the same Ishvara".[77] The term Ishvara has a wide range of meanings that depend on the era and the school of Hinduism.[78][79][80] In ancient texts of Indian philosophy, Ishvara means supreme soul, Brahman (Highest Reality), ruler, king or husband depending on the context.[78] In medieval era texts, Ishvara means God, Supreme Being, personal god, or special Self depending on the school of Hinduism.[2][80][81]
Among the six systems of Hindu philosophy, Samkhya and Mimamsa do not consider the concept of Ishvara, i.e., a supreme being, relevant. Yoga, Vaisheshika, Vedanta and Nyaya schools of Hinduism discuss Ishvara, but assign different meanings.
Early Nyaya school scholars considered the hypothesis of a deity as a creator God with the power to grant blessings, boons and fruits; but these early Nyaya scholars then rejected this hypothesis, and were non-theistic or atheists.[25][82] Later scholars of Nyaya school reconsidered this question and offered counter arguments for what is Ishvara and various arguments to prove the existence of omniscient, omnipresent, omnipotent deity (God).[83]
Vaisheshika school of Hinduism, as founded by Kanada in 1st millennium BC, neither required nor relied on creator deity.[84][85] Later Vaisheshika school adopted the concept of Ishvara, states Klaus Klostermaier, but as an eternal God who co-exists in the universe with eternal substances and atoms, but He "winds up the clock, and lets it run its course".[84]
Ancient Mimamsa scholars of Hinduism questioned what is Ishvara (deity, God)?[86] They considered deity concept unnecessary for a consistent philosophy and moksha (soteriology).[86][87]
In Samkhya school of Hindu philosophy, Isvara is neither a creator-God, nor a savior-God.[88] This is called one of the several major atheistic schools of Hinduism by some scholars.[89][90][91] Others, such as Jacobsen, state that Samkhya is more accurately described as non-theistic.[92] Deity is considered an irrelevant concept, neither defined nor denied, in Samkhya school of Hindu philosophy.[93]
In Yoga school of Hinduism, it is any "personal deity" (Ishta Deva or Ishta Devata)[94] or "spiritual inspiration", but not a creator God.[81][89] Whicher explains that while Patanjali's terse verses in the Yogasutras can be interpreted both as theistic or non-theistic, Patanjali's concept of Isvara in Yoga philosophy functions as a "transformative catalyst or guide for aiding the yogin on the path to spiritual emancipation".[95]
The Advaita Vedanta school of Hinduism asserted that there is no dualistic existence of deity (or deities).[96][97] There is no otherness nor distinction between Jiva and Ishvara.[98][99] God (Ishvara, Brahman) is identical with the Atman (soul) within each human being in Advaita Vedanta school,[100] and there is a monistic Universal Absolute Oneness that connects everyone and everything, states this school of Hinduism.[39][99][101] This school, states Anantanand Rambachan, has "perhaps exerted the most widespread influence".[102]
The Dvaita sub-school of Vedanta Hinduism, founded in medieval era, Ishvara is defined as a creator God that is distinct from Jiva (individual souls in living beings).[40] In this school, God creates individual souls, but the individual soul never was and never will become one with God; the best it can do is to experience bliss by getting infinitely close to God.[20]
Number of deities[edit]
Yāska, the earliest known language scholar of India (~ 500 BCE), notes Wilkins, mentions that there are three deities (Devas) according to the Vedas, "Agni (fire), whose place is on the earth; Vayu (wind), whose place is the air; and Surya (sun), whose place is in the sky".[107] This principle of three worlds (or zones), and its multiples is found thereafter in many ancient texts. The Samhitas, which are the oldest layer of text in Vedas enumerate 33 devas,[note 3] either 11 each for the three worlds, or as 12 Adityas, 11 Rudras, 8 Vasus and 2 Ashvins in the Brahmanas layer of Vedic texts.[7][47]
The Rigveda states in hymn 1.139.11,
ये देवासो दिव्येकादश स्थ पृथिव्यामध्येकादश स्थ ।
अप्सुक्षितो महिनैकादश स्थ ते देवासो यज्ञमिमं जुषध्वम् ॥११॥[111]
O ye eleven gods whose home is heaven, O ye eleven who make earth your dwelling,
Ye who with might, eleven, live in waters, accept this sacrifice, O gods, with pleasure.
– Translated by Ralph T. H. Griffith[112]
Gods who are eleven in heaven; who are eleven on earth;
and who are eleven dwelling with glory in mid-air; may ye be pleased with this our sacrifice.
– Translated by HH Wilson[113]
— Rigveda 1.139.11
Millions, one or one-ness?[edit]
Thirty-three divinities are mentioned in other ancient texts, such as the Yajurveda,[114] however, there is no fixed "number of deities" in Hinduism any more than a standard representation of "deity".[115] There is, however, a popular perception stating that there are 330 million (or "33 crore") deities in Hinduism.[116] Most, by far, are goddesses, state Foulston and Abbott, suggesting "how important and popular goddesses are" in Hindu culture.[115] No one has a list of the 330 million goddesses and gods, but all deities, state scholars, are typically viewed in Hinduism as "emanations or manifestation of genderless principle called Brahman, representing the many facets of Ultimate Reality".[115][116][117]
This concept of Brahman is not the same as the monotheistic separate God found in Abrahamic religions, where God is considered, states Brodd, as "creator of the world, above and independent of human existence", while in Hinduism "God, the universe, human beings and all else is essentially one thing" and everything is connected oneness, the same god is in every human being as Atman, the eternal Self.[117][118]
Hinduism has an ancient and extensive iconography tradition, particularly in the form of Murti (Sanskrit: मूर्ति, IAST: Mūrti), or Vigraha or Pratima.[22] A Murti is itself not the god in Hinduism, but it is an image of god and represents emotional and religious value.[124] A literal translation of Murti as idol is incorrect, states Jeaneane Fowler, when idol is understood as superstitious end in itself.[124] Just like the photograph of a person is not the real person, a Murti is an image in Hinduism but not the real thing, but in both cases the image reminds of something of emotional and real value to the viewer.[124] When a person worships a Murti, it is assumed to be a manifestation of the essence or spirit of the deity, the worshipper's spiritual ideas and needs are meditated through it, yet the idea of ultimate reality or Brahman is not confined in it.[124]
A Murti of a Hindu deity is typically made by carving stone, wood working, metal casting or through pottery. Medieval era texts describing their proper proportions, positions and gestures include the Puranas, Agamas and Samhitas particularly the Shilpa Shastras.[21] The expressions in a Murti vary in diverse Hindu traditions, ranging from Ugra symbolism to express destruction, fear and violence (Durga, Kali), as well as Saumya symbolism to express joy, knowledge and harmony (Saraswati, Lakshmi). Saumya images are most common in Hindu temples.[125] Other Murti forms found in Hinduism include the Linga.[126]
A Murti is an embodiment of the divine, the Ultimate Reality or Brahman to some Hindus.[21] In religious context, they are found in Hindu temples or homes, where they may be treated as a beloved guest and serve as a participant of Puja rituals in Hinduism.[127] A murti is installed by priests, in Hindu temples, through the Prana Pratishtha ceremony,[128] whereby state Harold Coward and David Goa, the "divine vital energy of the cosmos is infused into the sculpture" and then the divine is welcomed as one would welcome a friend.[129] In other occasions, it serves as the center of attention in annual festive processions and these are called Utsava Murti.[130]
In Hinduism, deities and their icons may be hosted in a Hindu temple, within a home or as an amulet. The worship performed by Hindus is known by a number of regional names, such as Puja.[134] This practice in front of a murti may be elaborate in large temples, or be a simple song or mantra muttered in home, or offering made to sunrise or river or symbolic anicon of a deity.[135][136][137] Archaeological evidence of deity worship in Hindu temples trace Puja rituals to Gupta Empire era (~4th century CE).[138][139] In Hindu temples, various pujas may be performed daily at various times of the day; in other temples, it may be occasional.[140][141]
The Puja practice is structured as an act of welcoming, hosting, honoring the deity of one's choice as one's honored guest,[142] and remembering the spiritual and emotional significance the deity represents the devotee.[124][134] Jan Gonda, as well as Diana L. Eck, states that a typical Puja involves one or more of 16 steps (Shodasha Upachara) traceable to ancient times: the deity is invited as a guest, the devotee hosts and takes care of the deity as an honored guest, praise (hymns) with Dhupa or Aarti along with food (Naivedhya) is offered to the deity, after an expression of love and respect the host takes leave, and with affection expresses good bye to the deity.[143][144] The worship practice may also involve reflecting on spiritual questions, with image serving as support for such meditation.[145]
Deity worship (Bhakti), visiting temples and Puja rituals are not mandatory and is optional in Hinduism; it is the choice of a Hindu, it may be a routine daily affair for some Hindus, periodic ritual or infrequent for some.[146][147] Worship practices in Hinduism are as diverse as its traditions, and a Hindu can choose to be polytheistic, pantheistic, monotheistic, monistic, agnostic, atheistic or humanist.[41]
Examples[edit]
Main articles: List of Hindu deities and Rigvedic deities
Major deities have inspired a vast genre of literature such as the Puranas and Agama texts as well their own Hindu traditions, but with shared mythology, ritual grammar, theosophy, axiology and polycentrism.[16][17] Vishnu and his avatars are at the foundation of Vaishnavism, Shiva for Shaivism, Devi for Shaktism, and some Hindu traditions such as Smarta traditions who revere multiple major deities (five) as henotheistic manifestations of Brahman (absolute metaphysical Reality).[116][148][149]
While there are diverse deities in Hinduism, states Lawrence, "Exclusivism – which maintains that only one's own deity is real" is rare in Hinduism.[116] Julius Lipner, and other scholars, state that pluralism and "polycentrism" – where other deities are recognized and revered by members of different "denominations", has been the Hindu ethos and way of life.[16][150]
Trimurti and Tridevi[edit]
The concept of Triad (or Trimurti, Trinity) makes a relatively late appearance in Hindu literature, or in the second half of 1st millennium BCE.[151] The idea of triad, playing three roles in the cosmic affairs, is typically associated with Brahma, Vishnu and Shiva (also called Mahesh); however, this is not the only triad in Hindu literature.[152] Other triads include Tridevi, of three goddesses – Lakshmi, Saraswati and Durga in the text Devi Mahatmya, in the Shakta tradition, who further assert that Devi is the Brahman (Ultimate Reality) and it is her energy that empowers Brahma, Vishnu and Shiva.[151] The other triads, formulated as deities in ancient Indian literature, include Sun (creator), Air (sustainer) and Fire (destroyer); Prana (creator), Food (sustainer) and Time (destroyer).[151] These triads, states Jan Gonda, are in some mythologies grouped together without forming a Trinity, and in other times represented as equal, a unity and manifestations of one Brahman.[151] In the Puranas, for example, this idea of threefold "hypostatization" is expressed as follows,
They [Brahma, Vishnu, Shiva] exist through each other, and uphold each other; they are parts of one another; they subsist through one another; they are not for a moment separated; they never abandon one another.
— Vayu Purana, 5.17, Translated by Jan Gonda[151]
The triad appears in Maitrayaniya Upanishad, for the first time in recognized roles known ever since, where they are deployed to present the concept of three Guṇa – the innate nature, tendencies and inner forces found within every being and everything, whose balance transform and keeps changing the individual and the world.[152][153] It is in the medieval Puranic texts, Trimurti concepts appears in various context, from rituals to spiritual concepts.[151] The Bhagavad Gita, in verses 9.18, 10.21-23 and 11.15, asserts that the triad or trinity is manifestation of one Brahman, which Krishna affirms himself to be.[154] However, suggests Bailey, the mythology of triad is "not the influence nor the most important one" in Hindu traditions, rather the ideologies and spiritual concepts develop on their own foundations.[152]
Avatars of Hindu deities[edit]
Hindu mythology has nurtured the concept of Avatar, which represents the descent of a deity on earth.[155][156] This concept is commonly translated as "incarnation",[155] and is an "appearance" or "manifestation".[157][158]
The concept of Avatar is most developed in Vaishnavism tradition, and associated with Vishnu, particularly with Rama and Krishna.[159][160] Vishnu takes numerous avatars in Hindu mythology. He becomes female, during the Samudra manthan, in the form of Mohini, to resolve a conflict between the Devas and Asuras. His male avatars include Matsya, Kurma, Varaha, Narasimha, Vamana, Parashurama, Rama, Krishna, Buddha, and Kalki.[160] Various texts, particularly the Bhagavad Gita, discuss the idea of Avatar of Vishnu appearing to restore the cosmic balance whenever the power of evil becomes excessive and causes persistent oppression in the world.[156]
In Shaktism traditions, the concept appears in its legends as the various manifestations of Devi, the Divine Mother principal in Hinduism.[161] The avatars of Devi or Parvati include Durga and Kali, who are particularly revered in eastern states of India, as well as Tantra traditions.[162][163][164] Twenty one avatars of Shiva are also described in Shaivism texts, but unlike Vaishnava traditions, Shaiva traditions have focussed directly on Shiva rather than the Avatar concept.[155]
Pictures include the local yard job, Amtrak Heritage "The Big Game Train", and a PW cabless unit. Please follow!
The llaqta (city) of Machupicchu is an Inka political, religious and administrative center, which includes temples, platforms, houses and water channels.Where it is located?The llaqta of Machupicchu is located in the district of Machupicchu, province of Urubamba, of the Cusco region, at the height of km. 112.5 of the railway line and it was a graben between the mountains of Machupicchu and Waynapicchu.History and architectureBuilt during the first half of the fifteenth century, Machupicchu is divided into two large areas: the agricultural one that comprises a vast network of artificial terraces or terraces, and the urban one formed by various constructions and squares among which the temples of the Sun, of the Three Windows, of the condor and the main temple.Important data:- The Historic Sanctuary - Machupicchu National Archaeological Park was included in the UNESCO World Heritage List as a mixed cultural and natural heritage, due to its exceptional universal value, considered as an important political, religious and administrative center of the Inca era.- Its temperature ranges between 6.2 ° C 29.5 ° C, since it is located in a subtropical zone. Its rainiest months are from November to March.- Its majestic architecture comprises about 140 structures throughout the Inka llaqta.- The average altitude of the llaqta is 2 450 m.a.s.l.- His scientific discovery is attributed to the researcher Hiram Bingham, who was in search of the last capital of the Incas of Vilcabamba.- Machupicchu was declared "Historic Sanctuary of Peru" in 1981.General dataMachupicchu means old mountain, named for the location of the llaqta inka.The architectural complex was built in the mid-fifteenth century and according to historians it would have been built at the request of the Pachakuteq inka.The exact location is in the Machupicchu Pueblo district, province of Urubamba, 112.5 km northeast of the city of Cusco.Machupicchu was interconnected with the entire Inka empire through the Qhapaq Ñan, known as the Inka Road Network.Its annual temperature is 6.2º C minimum and maximum of 29.5º C.The llaqta of Machupicchu has two defined zones: agricultural zone formed by the platforms and terraces, and the urban zone that fulfilled administrative functions.The average altitude of the llaqta is 2,450 meters above sea level.The mountains of Waynapicchu and Machupicchu are ideal for panoramic photographs of the entire archaeological complex.Entrance TicketsDue to the growing flow of tourists who wish to visit the Machu Picchu Inka Llaqta and to ensure that their experience is memorable, it is recommended to organize the visit well in advance, for which the following should be taken into account:• Buy tickets to enter Machupicchu in advance, for limited daily capacity, check availability at www.machupicchu.gob.pe (only official page).• In case you cannot make your purchase through the website you can make it in person at the ticket offices of the Deconcentrated Directorate of Culture Cusco - DDC, located at Calle Maruri N ° 340 (Palacio Kusicancha) and Calle Garcilaso s / n (side of the Regional Historical Museum) from Monday to Saturday between 07:00 - 19:30 hours (does not attend holidays). The sale of admission tickets is subject to availability.• The Decentralized Directorate of Culture in Machupicchu Pueblo is the last point of sale, so a last minute purchase will mean subject to the availability of remaining spaces in the system, also the payment is only in soles and cash. Credit cards, debit cards or payment in dollars are not accepted.• The purchase of a student ticket is in person or through a travel agency prior to the presentation or remission of a valid student card. ISIC card is not accepted.• Entry to SHM - PANM is from the time indicated on the ticket, so early admission is not allowed.• Bring printed the entrance ticket to Machupicchu.• Before entering the llaka inka make use of the hygienic services, since the visit will last an average of 2 to 4 hours (There are no hygienic services within the llaqta).• Re-entry is only allowed for visitors who have a visit to the mountains of Machupicchu and Waynapicchu, and entrance tickets for the mountains can be purchased in advance through the website www.machupicchu.gob.pe, they are also subject to availability, taking into account that the maximum allowed entry capacity is 400 visitors per day for each mountain, divided into two groups of 200 visitors per shift.
This Video include 20 tracks of Various Artists. Every day a new compilation of Christmas songs! Subscribe for free to stay connected to our channel and easily access our video updates! goo.gl/CLdGjC Tip: click on the time and listen your favorite song Track list: Santas Countdown to Christmas 18 Days of music --------------------------------- 1 | 00:00 | Paul Eakins - O Sanctissima 2 | 01:35 | Dick Leibert - Oh Little Town of Bethlehem 3 | 04:05 | Chuck Berry - Run Rudolph Run 4 | 06:50 | The Moods - Rockin' Santa Claus 5 | 08:54 | Tennessee Ernie Ford - Stand By Me 6 | 12:04 | Pat Boone - Oh Holy Night 7 | 14:14 | The Mormon Tabernacle Choir - Tell Us, Shepherd Maids 8 | 16:23 | Nat King Cole - The Christmas Song 9 | 19:40 | Cliff Bruner's Texas Wanderers - Snow Flakes 10 | 22:15 | Burl Ives - Rudolph the Red Nosed Reindeer 11 | 24:26 | Red Foley & Judy Martin - Our Christmas Waltz 12 | 27:11 | Larry Clinton - Parade of the Wooden Soldiers 13 | 29:52 | Edie Adams - Santa Claus Is Comin' to Town 14 | 32:04 | Kitty Wells - Santa's On His Way 15 | 33:55 | Arthur Lynds Bigelow - O Little Town of Bethlehem 16 | 37:33 | Gene Bianco - Silver Bells 17 | 39:56 | Bing Crosby - Sleigh Ride 18 | 43:01 | Guy Lombardo, His Royal Canadians & The Lombardo Trio & Evelyn Knight - Snowflakes 19 | 45:16 | Pifari del Doge - Puer natus in Bethlehem 20 | 47:07 | Eddie Fisher - Silent Night --------------------------------- Playlist Santa's Countdown to Christmas: goo.gl/cxNuUf --------------------------------- Subscribe Channel We cant wait for Christmas, and so we have made this the biggest and best Christmas Music Advent calendar used to count the days of Advent in anticipation of Christmas Channel for the sharing of best Christmas songs in the world. Ride your playlist and get touched with these beautiful songs about the best and blessed time of year. Happy Christmas! Subscribe for free to stay connected to our channel and easily access our video updates! Facebook: goo.gl/4cTAQs Twitter: twitter.com/Santa_ClausXmas Instagram: goo.gl/MqnnxT Tumblr: goo.gl/BgVQhr Pinterest: goo.gl/9KzAgQ Flickr: goo.gl/V4QCMr Wordpress Blog: goo.gl/6Zvoxk Blogger: goo.gl/8Uh53Z --------------------------------- ® 2017 Santa Claus Xmas Songs youtu.be/n47C6kBNhCI
Path Head Mill is an 18th-century watermill at Summerhill on Blaydon Burn, between Blaydon and Stella, near Gateshead in north-east England. The Vale Mill Trust has been restoring the site to include a water-powered joiners' workshop and a visitor centre since 1994/1995.
Blaydon is a town in the Metropolitan Borough of Gateshead, Tyne and Wear, England, and historically in County Durham. Blaydon, and neighbouring Winlaton, which Blaydon is now contiguous with, form the town of Blaydon-on-Tyne. The Blaydon/Winlaton ward had a population in 2011 of 13,896.
Between 1894 and 1974, Blaydon was an urban district which extended inland from the Tyne along the River Derwent for ten miles (16 km), and included the mining communities of Chopwell and High Spen, the villages of Rowlands Gill, Blackhall Mill, Barlow, Winlaton Mill and Stella, as well as Blaydon and Winlaton. During its existence, the Urban District's fourteen and a half square miles constituted the second largest administrative district by area, on Tyneside, after Newcastle upon Tyne.
History
The town of Blaydon is essentially an industrial area and is not more than two centuries old. Indeed, in the 1760s there was little here but a few farms and cottages. In the latter part of the same century a smelting works was set up from which sprang the industrial growth of the area.
Though the town itself has a relatively short history there has been activity in the area for many centuries.
Early history
The earliest recorded evidence of human activity at Blaydon is a Neolithic polished stone axe found in the early 20th century. Finds and structures from later prehistoric periods include a bronze spearhead and log-boat, both recovered from the River Tyne in the 19th century. A number of Bronze Age cists[citation needed] are recorded from Summerhill and several others from Bewes Hill.
Little is recorded of medieval Blaydon, which appears to have been based upon the modern farm sites of High and Low Shibdon. The Blaydon Burn Belts Corn Mill, part of a row of 5 or 6 water corn mills stretching from Brockwell Wood to the River Tyne is known to have been present by the early 17th century, suggesting a healthy population at that time. It is likely that, as well as farming, many industrial activities such as mining and quarrying had begun in the medieval and post-medieval periods, well before the industrial period of the 18th to 20th centuries when Blaydon became an important industrial centre.
Battle of Stella Ford
Also known as the Battle of Newburn or Newburn Ford, this relatively unknown battle has recently been elevated in importance by English Heritage. On 28 August 1640, 20,000 Scots defeated 5,500 English soldiers who were defending the ford over the Tyne four miles (6 km) west of Newcastle.[6] The Scots had been provoked by Charles I, who had imposed bishops and a foreign prayer book on their church. The Scots army, led by Alexander Leslie, fought its way to Newcastle and occupied the city for almost a year before Charles I paid it £200,000 to depart. The battle brought to an end the so-called 'Eleven Years of Tyranny' by forcing Charles to recall Parliament.
The 18th century and the Industrial Revolution
The stimulus for industry at Blaydon and Blaydon burn, as elsewhere in the region, was the growth in coal mining and the coal trade, particularly from the early 18th century, when the Hazard and Speculation pits were established at Low Shibdon linked to the Tyne by wagonways. The 18th century Blaydon Main Colliery was reopened in the mid-19th century and worked until 1921. Other pits and associated features included Blaydon Burn Colliery, Freehold pit and the Blaydonburn wagonway. Industries supported by the coal trade included chemical works, bottle works, sanitary pipe works, lampblack works, an ironworks, a smithy and brickworks - Cowen's Upper and Lower Brickworks were established in 1730 and were associated with a variety of features including a clay drift mine and coal/clay drops. The Lower works remains in operation. Blaydon Burn Coke Ovens, also of 19th-century origin, were replaced in the 1930s by Priestman Ottovale Coke and Tar Works which was the first in the world to produce petrol from coal[citation needed] known as Blaydon Benzole.
In addition to the workers' housing developments associated with industrialisation, a number of grand residences were constructed for industrialists in the area, such as Blaydon Burn House, home of Joseph Cowen, owner of the brickworks. Ironically, the remains of Old Dockendale Hall, an earlier grand residence (or perhaps a superior farmhouse) of 17th century or earlier construction, was destroyed when the coke and tar works was built at Blaydon Burn.
Blaydon School Press
In the 1930s, pupils at the now demolished Blaydon Intermediate School, under the leadership of English teacher Mr Elliott and art teacher Mr Boyce, gradually developed a technique for producing hardback books. Their productions were highly respected and favourably compared to other successful private printing presses of the time. In one volume produced by the school in 1935, entitled "Songs of Enchantment", the pupils were successful in convincing the famous poet Walter de la Mare to write a foreword in which he praised their enterprise and efforts.
Stella South Power Station
The post war era of the late 40s and 50s saw a rapid rise in demand for electricity and, in the North East, the extension of existing and construction of a number of new power stations was seen as a key part of the solution. For the Blaydon area, this meant the arrival of a new power station at Stella Haugh, known as the South Stella Power Station, which helped to meet the energy demands of the North East until its closure in 1991. It was demolished in 1992.
Governance
Blaydon ward elects three councillors to Gateshead Council. In the House of Commons, the Blaydon constituency has been held by Liz Twist for the Labour Party since 2017. The area has traditionally been a Labour stronghold and the seat has been held by them since 1935.
Geography
Modern Blaydon stands close to the Tyne with the A695, a key road from Gateshead to Hexham, passing through the town centre. Between this main road and the river is the railway and beyond it, on a bend of the Tyne, is the industrial district of Blaydon Haughs. The main part of the town lies south of the railway.
Despite being a largely urban and industrial area, there are various rural aspects to Blaydon and the surrounding area. The area has many acres of open countryside, mostly at 500 feet (150 m) or more above sea level, and numerous farms and similar holdings. Between High Spen and Chopwell are large Forestry Commission woods, and these and other forested areas extend westward down the hillside to the River Derwent, which forms most of the metropolitan district boundary.
Shibdon Pond, on the eastern edge of the town at the former site of Blaydon Main colliery, is a nature reserve with many species of waterfowl. English Nature has designated Shibdon Pond as one of Tyne and Wear's Sites of Special Scientific Interest (SSSIs). The subject of a regeneration campaign, Shibdon Dene (sometimes inaccurately called 'Blaydon Dene') is another recreational area consisting of a pathway between a great number of fine trees.
There is also a nature reserve north-west of Blaydon at Blaydon Burn, on the route of a wagon-way which carried coal to the riverside. The track, roughly a mile-and-a-half long, is used by walkers and cyclists and ends near the Path Head Watermill.
Demography
Blaydon had a population of 15,155 in the 2011 census, which increased from 14,648 a decade earlier.
Economy
Once the powerhouse of the Industrial Revolution in Gateshead, Blaydon's traditional industry was coal mining. However, since the decline of mining in the 1950s and 1960s, the economy has diversified. As well as a small number of commuting professionals, residents of Blaydon are often involved in engineering and manufacturing with many businesses operating from premises in Blaydon Haughs (or 'The Spike'), on the banks of the River Tyne.
Blaydon was for a time the head office of Associated Cooperative Creameries (later renamed ACC then ACC Milk). ACC Milk was sold to Dairy Farmers of Britain in 2004. On 3 June 2009, Dairy Farmers of Britain went into receivership and the dairy in Chainbridge Road closed shortly afterwards with the loss of 300 jobs. In 2010 the dairy was acquired by Medina Dairies and reopened, but closed again just a year later.
Blaydon has a shopping centre, known locally as the precinct. A brutalist 1970s creation, it contains the town's major shops including newsagents, Greggs, Costa, Iceland (supermarket), B & M, Blaydon Carpets and Furnishings, Ladbrokes, Superdrug, Boots (chemist), Boyes and, at the nearby car park, a McDonald's. There are also several food and grocery outlets. The precinct underwent redevelopment in 2012–2014, with the installation of a lift, and the demolition of the Geordie Ridley pub to make way for a new Morrison's supermarket, a new day-centre and doctors' surgery, and roof-top parking. There is also a Co-op Funeralcare just outside the precinct on Bridge street. Blaydon Car Boot Sale takes place every Wednesday between March and October at Blaydon RFC.
The area underwent a significant programme of housing regeneration between 2009 and 2014 with new developments in progress at High View on the Winlaton-Blaydon border, by the riverside on the site of the former Stella South power station and at Axwell Gardens, near to the existing Axwell Park estate.
Landmarks
On the west of the town and a mile inland from the Tyne is Axwell Park, once the home of the Clavering family. Axwell Hall (also Axwell House) is a Grade II* listed mansion, built for Sir Thomas Clavering by the noted architect James Paine and completed in 1761. The last (10th) baronet died in 1893 and Axwell Hall later found use as a prisoner-of-war camp during the second world war and later as an approved school. Much of the park has been developed for residential purposes and the hall itself was, after two decades of decay, restored. There are plans to convert it to residential apartments.
Stella Hall
Up-river from Blaydon and outside the town boundary, Stella Hall was a 17th-century mansion set in a park. The house was built by the Tempest family, and in the next century passed by marriage to Lord Widdrington and then into the Towneley family. From 1850 it was owned by Joseph Cowen, owner of the local brickworks and MP for Newcastle, who was followed by his son, also Joseph, again an MP and also the owner of the Newcastle Chronicle. The house was demolished in 1955 to make way for housing.
Education
Blaydon is part of the Gateshead Local Education Authority. It is home to a number of primary schools (both faith and secular schools) including Blaydon West primary and St Joseph's, a Roman Catholic primary school. It also has St Thomas More Catholic School, a high achieving Roman Catholic secondary school which serves the Roman Catholic population of the western part of Gateshead borough.
Religious sites
Blaydon has several churches. In the town centre, St Cuthbert's (Church of England, opened in 1845) and St Joseph's (Roman Catholic, opened in 1905 on the site of an earlier church) are opposite each other, on either side of Shibdon Road. Both are impressive structures, and the interiors still reflect the style of architecture used in their construction. Also on Shibdon Road, at the corner with Lucy Street and opposite the entrance to the roof-top car park above Morrisons, is Trinity Methodist Church.
There is also a Catholic church in Stella (St Mary and Thomas Aquinas, opened 1835) .
A brand new Kingdom Hall of Jehovah's Witnesses was opened in 2013, near Cowen Road. This was built by voluntary labour as Witnesses from all over the North-East donned hard hats and work gear, working under the supervision of professional builders.
In Winlaton, the parish church of Winlaton opened in 1828, the Congregational church in 1829, and the Wesleyan Chapel in 1868. The latter two united to form Winlaton United Reformed-Methodist Church, but this closed in August 2015, with some members moving to join Trinity Methodist Church in Blaydon. The Primitive Methodists had opened a building in 1850, which was extended in 1895, and was later to become the Blaydon Corps of the Salvation Army; this corps closed in September 2012. St Anne's Catholic Church in Winlaton was opened in 1962.
Sports
The Blaydon area is the origin of the well-known traditional song "Blaydon Races", written by local musician and showman George 'Geordie' Ridley in 1862. The town's athletic club – the Blaydon Harriers – organise a road running race (called the Blaydon Race) every year on 9 June. The route of the race follows the route outlined by Ridley in his song. The traditional starting point lies outside Balmbra's pub in Newcastle's Bigg Market, and the race follows a course along Scotswood Road before crossing the River Tyne and ultimately finishing in Blaydon town centre. Local councillors, societies and notaries have in recent years organised an annual Blaydon Festival with music, sport and arts events that coincides with the week of race day.
As well as the Blaydon races, The Blaydon Harriers organise regular race meetings on the Shibdon Pond fields (and other venues) throughout the year. These are usually well-attended both by participants and spectators. The Harriers' colours are orange and black.
The rugby union club, Blaydon RFC play in the English National League 2 North, the fourth tier of the English rugby union system and a high level considering the size of the town. The Crow Trees rugby ground is situated to the east of the town, in neighbouring Swalwell. Blaydon RFC play in red shirts and white shorts. The former England international Mick Skinner played for Blaydon. Their smaller but no less illustrious neighbours, Winlaton Vulcans RFC play in Durham and Northumberland Division 2 and number Ken Goodall, the former Ireland and British Lion International, as one of their former players. They play in black shirts, shorts and socks with the club badge of an arm gripping a hammer over an anvil depicting their heritage being formed from the steelworking heritage of the area.
Since 2013 Blaydon has also been host to Blaydon Cycle Club, meeting weekly and throughout the week catering from novice cyclists right through to having a race team competing in local and national events.
Notable people
Alun Armstrong, former professional footballer with Ipswich Town F.C. and Middlesbrough FC
Peter Armstrong, the poet and psychotherapist, was born in Blaydon
Sir Thomas Clavering, 7th Baronet, owner of Axwell Hall
Joseph Cowen, 19th century politician and journalist
Graham Onions, Durham and England cricketer
Bert Tulloch, former professional footballer with Blackpool
Gavin Webster, stand-up comedian
William Widdrington, 4th Baron Widdrington, owner of Stella Hall
Culture
Live jazz and rock music is regularly performed at the Black Bull pub near Blaydon Bridge. Although many pubs were demolished during the refurbishment of the town in the 1970s, a number of pubs still exist in and around the precinct, along with the Staffs (formerly the Railway Staff Club). The Blaydon and District Social Club – a former working men's club – and the Blaydon House Sports and Social Club (formerly the Conservative Club), which occupied the house of the nineteenth-century Doctor Morrison, and was reputedly the oldest building in Blaydon, were both demolished in 2020–2021 to make way for housing. The façade of Blaydon House was incorporated into a new building. The Masonic Hall on Blaydon Bank was closed in 2015, with Lodge meetings transferring to Ryton Masonic Hall.
Action from Friday at the Goodwood Festival of Speed. Contrary to the forecast, dry and virtually sunny all day. Planes, bikes and cars aplenty doing their stuff on the hillclimb, the forest rally stage, GAS arena and in the skies above.
One of the cyclists shows his skills over the big jumps in the GAS arena
UNCP's virtual world campus includes a Hospital for Nursing where students can work closely with faculty members in the Bachelor of Science in Nursing program. The facility, which is designed to allow students to immerse themselves in real-world clinical scenarios while in the safety of the virtual world, includes simulated patient rooms, nurses station, X-ray lab, examination room, nurses and physicians lounges, conference spaces, sleeping quarters, dictation room, OB/GYN facility with ultrasound and incubator, helipad on the roof, ambulance and more.
Fintry Provincial Park includes 360 hectares of the former Fintry Estate, a heritage site with a colourful history. From the delta area to a forested area made up of ridges and deep slopes, this park offers two dramatically different topographical areas. There is over 2 km of waterfront with surrounding mountains and deep canyons. Shorts Creek passes through a deep canyon creating a series of waterfalls and deep pools. With almost two kilometres of waterfront property, the park has opportunities for camping, swimming, fishing, canoeing, kayaking, hiking and wildlife viewing. Recreational users can enjoy the natural sand beach while wildlife viewers can hike the Canyon trail and view a variety of birds, small mammals, deer and bighorn sheep in the higher regions. Historical features throughout the park include the Manor House, the octagonal barn and several other farm buildings. A small wetland area located south of the Packing House, a portion of lakeshore and the Shorts Creek corridor and canyon below Westside Road are designated Special Feature-Natural Conservation Areas. Notable features within the zone include a large eagle’s nest, old growth cottonwoods and several wildlife trees, Shorts Creek waterfall and kokanee spawning grounds. The Fintry Manor House, garden, the barns, remnant power generation and irrigation systems are special heritage features.
Fintry Protected Area was established on April 18, 2001, to enhance the ecological viability of the existing Park. This protected area protects important California bighorn sheep habitat and provides increased representation of the North Okanagan Basin ecosection by capturing an increased elevational gradient as well as providing a spectacular canyon and hiking and viewing opportunities.
www.env.gov.bc.ca/bcparks/explore/parkpgs/fintry/
en.wikipedia.org/wiki/Fintry_Provincial_Park_and_Protecte...
Nik Color Efex Pro - Tonal Contrast effect
This 112-sheet manuscript includes depictions of contestants equipped for various tournaments; a parade preceding a late form of tournament called a carrousel; participants in tournaments known as Gesellenstrechen, or bachelors' jousts, held in Nuremberg between 1446 and 1561; and depictions of pageant sleighs, some of which were used in a parade held in the winter of 1640–41. The illustrations are probably the work of a Briefmaler, or letter painter, who also would have written and embellished official documents and painted coats-of-arms.
In many instances, the names of the tournament participants are written above them. They are armed for the Gestech, the joust fought with blunt lances. A helmet and a four-pronged lance head similar to those in the album are also on display in gallery 373 (acc. nos. 29.156.67a, 42.50.40). Albums such as this provide an invaluable record of the jousters' colorful costumes, fanciful crests, and humorous, often satirical emblems that decorated the jouster's shields and horse trappings.
Questo manoscritto di 112 fogli include raffigurazioni di concorrenti attrezzati per vari tornei; una sfilata che precede una forma tardiva di torneo chiamata giostra ; partecipanti ai tornei conosciuti come Gesellenstrechen , o giostre degli scapoli, tenuti a Norimberga tra il 1446 e il 1561; e raffigurazioni di slitte da spettacolo, alcune delle quali furono utilizzate in una parata tenutasi nell'inverno del 1640-1641. Le illustrazioni sono probabilmente opera di un Briefmaler , o pittore di lettere, che avrebbe anche scritto e abbellito documenti ufficiali e dipinto stemmi.
In molti casi, i nomi dei partecipanti al torneo sono scritti sopra di essi. Sono armati per il Gestech, la giostra combattuta con lance contundenti. Nella galleria 373 sono esposti anche un elmo e una testa di lancia a quattro punte simili a quelli dell'album (acc. nn. 29.156.67a, 42.50.40). Album come questo forniscono una documentazione inestimabile dei costumi colorati dei giostratori, degli stemmi fantasiosi e degli emblemi umoristici, spesso satirici, che decoravano gli scudi dei giostratori e le bardature dei cavalli.
Includes articles on Deke Dickerson, Jive Aces, Rollin' Rocks, Jesse Al Tuscan, Mickey Lee Lane, Black Cats, The Straights & The Cavebones.
I found Nemo - he wasn't in the most comfortable position. From the Freddie March Spirit of Aviation display at the 2014 Goodwood Revival
The Lidl Run Kildare Events 2013 were held at the Curragh Racecourse, Newbridge, Co. Kildare, Ireland on Sunday 12th May 2013. There were three events: a 10KM, a half marathon, and a full marathon. This is a selection of photographs which includes all events. The photographs are taken from the start and finish of the marathon, the finish of the 10KM, and the finish of the half marathon. Due to the large numbers participating we did not manage to photograph everyone - which was not helped by the weather. Congratulations to Jo Cawley and her RunKildare crew for another great event. The weather didn't dampen the spirits of the many happy participants.
Electronic timing was provided by Red Tag Timing [www.redtagtiming.com/]
Overall Race Summary
Participants: There were approximately 3,000 participants over the 3 race events - there were runners, joggers, and walkers participating.
Weather: A cold breezy morning with heavy rain at the start. The weather dried up for the 10KM and the Half Marathon races
Course: This is an undulating course with some good flat stretches on the Curragh.
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If you are viewing this Flickr set on a smartphone and you want to see the larger version(s) of this photograph then: scroll down to the bottom of this description under the photograph and click the "View info about this photo..." link. You will be brought to a new page and you should click the link "View All Sizes".
Some Useful Links
GPS Garmin Trace of the Kildare Marathon Route: connect.garmin.com/activity/175709313
Homepage of the Lidl Run Kildare Event: www.kildaremarathon.ie/index.html
Facebook Group page of the Lidl Run Kildare Event: www.facebook.com/RunKildare
Boards.ie Athletics Discussion Board pages about the race series: www.boards.ie/vbulletin/showthread.php?t=2056815306
Our photographs from Run Kildare 2012: www.flickr.com/photos/peterm7/sets/72157629707887620/
Our photographs from Run Kildare 2011: www.flickr.com/photos/peterm7/sets/72157626725200956/
A small selection of photographs from Run Kildare 2010: www.flickr.com/photos/peterm7/sets/72157623899845567/ (first event)
Can I use the photograph with the watermark?
Yes! Absolutely - you can post this photograph to your social networks, blogs, micro-blogging, etc.
How can I get a full resolution, no watermark, copy of these photographs?
All of the photographs here on this Flickr set have a visible watermark embedded in them. All of the photographs posted here on this Flickr set are available, free, at no cost, at full resolution WITHOUT watermark. We take these photographs as a hobby and as a contribution to the running community in Ireland. We do not know of any other photographers who operate such a policy. Our only "cost" is our request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, etc or (2) other websites, web multimedia, commercial/promotional material that you provide a link back to our Flickr page to attribute us. This also extends the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember - all we ask is for you to link back to our Flickr set or Flickr pages. Taking the photographs and preparing them for online posting does take a significant effort. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around, send us an email, leave a comment beside the photographs, send us a Flickr email, etc.
If you would like to contribute something for your photograph(s)?
Some people offer payment for our photographs. We do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would pay for their purchase from other photographic providers we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably www.flickr.com/peterm7/sets
This is a photograph from the Forest Marathon festival 2013 which was held in the beautiful Coillte forest of Portumna in Co. Galway, Ireland on Saturday 15th June 2013. The event includes a 10k, a full marathon, a half marathon and two ultra-running events - a 50k and 100k race. The races started at 08:00 with the 100KM, the 50KM at 10:00, and subsequent races at two hour intervals onwards. All events started and finished within the forest with the exception of the half marathon and marathon which started outside of the forest. All events see participants complete 5KM loops of the forest which start and end at the car-park/amenity end of the forest. There is an official Refreshment/Handling Zones at this point on the loop.
The event was organised by international coach Sebastien Locteau from SportsIreland.ie and his fantastic team of volunteers from Galway and beyond. Congratulations to Seb on organising a very professionally run event and an event which is growing bigger and more prestigious with each passing year. There was an incredible atmosphere amongst the runners, the spectators, and the organisers. Hats off to everyone involved.
The marathon, 50KM, and 100KM events are sanctioned by Athletics Ireland and AIMS (the Association of International Marathons and Distance Races). The event has also achieved IAU (International Association of Ultrarunners) Bronze Label status for 2013.
Electronic timing was provided by RedTagTiming: www.redtagtiming.com/
Energy Bars, Gels, Drinks etc were provided by Fuel4Sport: www.fuel4sport.ie/
This is a set of photographs taken at various points on the 5KM loop in the Forest and contains photographs of competitors from all of the events except the 10KM race.
Viewing this on a smartphone device?
If you are viewing this Flickr set on a smartphone and you want to see the larger version(s) of this photograph then: scroll down to the bottom of this description under the photograph and click the "View info about this photo..." link. You will be brought to a new page and you should click the link "View All Sizes".
Overall Race Summary
Participants: Approximately 600 people took part across all of the events which were staged: 10km, half marathon, marathon, 50km, and 100KM.
Weather: The weather was unfortunately not what a summer's day in June should be like - there was rain, some breeze, but mild temperatures.
Course: This is a fast flat course depending on your event. The course is left handed around the Forest and roughly looks like a figure of 8 in terms of routing.
Location Map: Start/finish area on Google StreetView [goo.gl/maps/WWTgD] are inside the parklands and trails
Refreshments: There are no specific refreshments but the race organizers provide very adequate supplies for all participants.
Some Useful Links
Official Race Event Website: www.forestmarathon.com/
The Boards.ie Athletics Forum Thread for the 2013 Event: www.boards.ie/vbulletin/showthread.php?t=2056874371
A GPS Garmin Trace of the Course Profile (from the 50KM event) connect.garmin.com/activity/189495781
Our Flickr Photographs from the 2012 Events: www.flickr.com/photos/peterm7/sets/72157630146344494/
Our Flickr Photographs from the 2011 Events: www.flickr.com/photos/peterm7/sets/72157626865466587/
Title Sponsors Sports Ireland Website: sites.google.com/a/sportsireland.ie/welcome-sports-irelan...
A VIDEO of the Course: www.youtube.com/watch?feature=player_embedded&v=2FLxE...
Google StreetView of the Entrance to Portuma Forest: goo.gl/maps/MX62O
Wikipedia: Read about Portumna and Portumna Forest Park: en.wikipedia.org/wiki/Portumna#Portumna_Forest_Park
Coilte Ourdoors Website: www.coillteoutdoors.ie/?id=53&rec_site=115
Portumna Forest on EveryTrails: www.everytrail.com/guide/portumna-forest-park-woodland-tr...
More about the IAU Bronze Label: www.iau-ultramarathon.org/index.asp?menucode=h07&tmp=...
How can I get a full resolution copy of these photographs?
All of the photographs here on this Flickr set have a visible watermark embedded in them. All of the photographs posted here on this Flickr set are available offline, free, at no cost, at full image resolution WITHOUT watermark. We take these photographs as a hobby and as a contribution to the running community in Ireland. Our only "cost" is our request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, etc or (2) other websites, web multimedia, commercial/promotional material that you provide a link back to our Flickr page to attribute us. This also extends the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember - all we ask is for you to link back to our Flickr set or Flickr pages. Taking the photographs and preparing them for online posting does take a significant effort. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc.
If you would like to contribute something for your photograph(s)?
Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably www.flickr.com/peterm7/sets
“All Dolled Up” includes the works of artists Paola Colombo, Jessi Halliday Mesalic, Mimi Kirchner, Jess Quinn, Jennifer Strunge, and Nichol Brinkman who curated the exhibit.
Brinkman selected the artists based on their sense of whimsy, imagination, design sensibilities, and refined craftsmanship. Her intention for this show is to capture a child-like sense of wonder and awe in everyone who views it.
Please visit these lovely artists sites to tell them they did fabulous work!
Grand Teton National Park is a United States National Park in northwestern Wyoming. Approximately 310,000 acres (130,000 ha) in size, the park includes the major peaks of the 40-mile (64 km) long Teton Range as well as most of the northern sections of the valley known as Jackson Hole. Only 10 miles (16 km) south of Yellowstone National Park, the two parks are connected by the National Park Service managed John D. Rockefeller, Jr. Memorial Parkway. These three protected areas in conjunction with surrounding National Forests constitute the Greater Yellowstone Ecosystem, which at almost 18,000,000 acres (7,300,000 ha), is one of the largest intact mid-latitude temperate ecosystems in the world.
Human history of the Grand Teton region dates back at least 11,000 years, when the first nomadic hunter-gatherer Paleo-Indians would migrate into the region during warmer months in pursuit of food and supplies. In the early 19th-century, the first Caucasian explorers encountered the eastern Shoshone natives. Between 1810 and 1840, the region attracted fur trading companies that vied for control of the lucrative beaver fur trade. U.S. Government expeditions to the region commenced in the mid 19th-century as an offshoot of exploration in Yellowstone, and the first permanent white settlers in Jackson Hole arrived in the 1880s. Efforts to preserve the region as a national park commenced in the late 19th-century and in 1929, Grand Teton National Park was established, protecting the major peaks of the Teton Range. The valley of Jackson Hole remained in private ownership until the 1930s, when conservationists led by John D. Rockefeller, Jr. began purchasing land in Jackson Hole to be added to the existing national park. Against public opinion and with repeated congressional efforts to repeal the measures, much of Jackson Hole was set aside for protection as Jackson Hole National Monument in 1943. The monument was abolished in 1950 and most of the monument land was added to Grand Teton National Park.
Grand Teton National Park is named for Grand Teton, the tallest mountain in the Teton Range. The naming of the mountains is attributed to early 19th-century French speaking trappers—"les trois tetons" (the three teats) was later anglicized and shortened to Tetons. At 13,775 feet (4,199 m), Grand Teton abruptly rises more than 7,000 feet (2,100 m) above Jackson Hole, almost 850 feet (260 m) higher than Mount Owen, the second highest summit in the range. The park has numerous lakes, including 15-mile (24 km) long Jackson Lake as well as streams of varying length and the upper mainstem of the Snake River. Though in a state of recession, a dozen small glaciers persist at the higher elevations near the highest peaks in the range. Some of the rocks in the park are the oldest found in any U.S. National Park and have been dated at nearly 2.7 billion years.
Grand Teton National Park is an almost pristine ecosystem and the same species of flora and fauna that have existed since prehistoric times can still be found there. More than 1000 species of vascular plants, dozens of species of mammals, 300 species of birds, more than a dozen fish species and a few species of reptiles and amphibians exist. Due to various changes in the ecosystem, some that are human-induced, efforts have been made to provide enhanced protection to some species of native fish and the increasingly threatened Whitebark Pine. Grand Teton National Park is a popular destination for mountaineering, hiking, fishing and other forms of recreation. There are more than 1000 drive-in campsites and over 200 miles (320 km) of hiking trails that provide access to backcountry camping areas. Noted for world-renowned trout fishing, the park is one of the few places to catch Snake River fine-spotted cutthroat trout. Grand Teton has several visitor centers that are managed by the National Park Service and concessionaire managed facilities which operate motels, lodges, gas stations and marinas.
The Callanish Stones (or "Callanish I": Scottish Gaelic: Clachan Chalanais or Tursachan Chalanais) are an arrangement of standing stones placed in a cruciform pattern with a central stone circle. They were erected in the late Neolithic era, and were a focus for ritual activity during the Bronze Age. They are near the village of Callanish (Gaelic: Calanais) on the west coast of Lewis in the Outer Hebrides, Scotland.
Location
The Callanish Stones (grid reference NB213330) are situated on a low ridge above the waters of Loch Roag with the hills of Great Bernera as a backdrop.[1]
Numerous other ritual sites lie within a few kilometres.[1] These include at least three other circles, several arcs, alignments and single stones; many visible from the main site.[2] The most impressive – Callanish II and Callanish III – lie just over a kilometre southeast of the main Callanish Stones, and originally consisted of circles of stones at least eight in number.[1] The existence of other monuments in the area implies that Callanish was an active focus for prehistoric religious activity for at least 1500 years.[3] (see Callanish III, Callanish IV, Callanish VIII and Callanish X). Historic Environment Scotland states that the stones were erected roughly 5,000 years ago, pre-dating Stonehenge.[4]
Management
The Callanish Stones are managed by Historic Environment Scotland. There is The Calanais Stones Visitor Centre operated by Urras Nan Tursachan (The Standing Stones Trust).
The Callanish Stones consist of a stone circle of thirteen stones with a monolith near the middle. Five rows of standing stones connect to this circle. Two long rows of stones running almost parallel to each other from the stone circle to the north-northeast form a kind of avenue. In addition, there are shorter rows of stones to the west-southwest, south and east-northeast. The stones are all of the same rock type, namely the local Lewisian gneiss. Within the stone circle is a chambered tomb to the east of the central stone.
Centre stone
The central monolith stands 0.8 metres west of the true centre of the stone circle. The stone is 4.8 metres high, 1.5 metres wide and 0.3 metres thick.[5] The largest sides of the stone are almost perfectly oriented to the north and south.[5] The monolith has the shape of a ship's rudder and probably weighs about seven tonnes.[5]
Stone circle
The stone circle consists of thirteen stones and has a diameter of 11.4 metres. The stone circle is not a perfect circle, but is a ring with a flattened east side (13.4 metres north-south by 12 metres east-west). The stones have an average height of three metres. The ring covers an area of 124 square metres. This is quite small compared to similar circles, including the nearby Callanish II which is 2.5 times as large.[5]
Northern avenue
The avenue connects to the stone circle from the north-northeast. The avenue is 83.2 metres long.[5] The avenue has 19 stones remaining: nine stones are on the eastern side, ten on the western side.[6] The largest stone is 3.5 metres high and stands on the western end of the row. The two rows are not exactly parallel to each other but fan out: at the north end the rows are 6.7 metres apart, while the distance between the rows is 6 metres at the south end.[6] From the circle the height of the stones decreases towards the middle of the avenue; from there the height increases again. The stones of the eastern side of the avenue have only three-quarters of the height of the stones on the western side.[6]
Stone rows
As well as the two stone rows of the avenue, there are three stone rows connecting to the circle. One comes from the east-northeast, one from the south, and one from the west-southwest. The east-northeast row today consists of five stones and is 23.2 metres long.[6] The southern row consists of five stones and is 27.2 metres long.[6] The west-southwest row consists of four stones and is 13 metres long.[6]
None of the stone rows is aimed at the centre of the stone circle. The east-northeast row is aligned to a point 2 metres south of the centre; the south row points to 1 metre west of the centre and the west-southwest row points to 1 metre south of the centre.[6]
Chambered tomb
Chambered tomb
Between the central and the eastern monolith of the stone circle is a chambered tomb 6.4 metres long.[7] This was built later than the stone circle and is squashed in between the eastern stones and the central monolith.[7]
There is another stone cairn just on the northeast side of the stone circle.[8] It has been reduced to ground-level and the outline can barely be traced.[8] It is not necessarily an original part of the site.[8]
Archaeology and dating
A distant view of the circle, stone rows and part of the northern avenue
There were limited excavations in 1980–81 which provided some information on the development of the site. The first traces of human activity are indicated by a broad ditch (no longer visible above ground) which appears to have belonged to some structure or enclosure.[2] This may have been ritual, but could instead have been domestic.[2] In the centuries around 3000 BC, however, the site was turned over to agriculture, which obliterated most of the earlier traces.[2] After this, the site was allowed to grass over for a time.[2]
The stone circle was set up between 2900 and 2600 BC.[3] It is not clear whether the stone alignments were constructed at the same time as the circle, or later.[3] Some time after the erection of the stones, a small chambered tomb was inserted into the eastern part of the stone circle.[9] The many pottery fragments found indicate that the tomb was used for several centuries.[9] These pottery fragments included not only the local Hebridean pots, but numerous sherds of beaker vessels (dating to around 2000–1700 BC) and sherds of grooved ware.[9]
Around 1500–1000 BC the complex fell out of use and was despoiled by the later Bronze Age farmers.[9] Fragments of pots appear to have been cast out of the chamber.[9] This may have been just ordinary agriculture, but it may conceivably have been ritual cleansing.[1] There appears to have been a later rebuilding of the tomb, but this may have been for domestic use as there is no evidence for any later ritual use of the monument.[9] Excavations in 1999–2000, to the south of the stones, found fragments of a prehistoric field system buried beneath blanket peat, as well as stone structures, including buildings, walls, clearance cairns and cobbled surfaces. The analyses found that these features were the result of prehistoric farming activity from the Late Bronze Age/Early Iron Age indicating the whole area was used for farming at that time.[10] Between 1000 BC and 500 BC the stones were covered by a thick layer of turf. It is estimated that the place was abandoned around 800 BC.[11] Only in 1857 was the overlying 1.5 metres of peat removed.[12]
Later history
Callanish Stones
Callanish Stones
The first written reference to the stones was by Lewis native John Morisone, who around 1680 wrote that the stones were men "converted into stone by ane Inchanter" and set up in a ring "for devotione".[13] Sometime around 1695 Martin Martin visited the site and was told by the local people that "it was a place appointed for worship in the time of heathenism, and that the chief druid or priest stood near the big stone in the centre, from whence he addressed himself to the people that surrounded him."[2] In his 1726 work on the druids, John Toland specifically identified Diodorus Siculus' Hyperborea with Lewis, and the "spherical temple" mentioned by Diodorus with the Callanish Stones.[14] In 1743, William Stukeley described the stone circle as a druid circle and the avenue like a serpent.[15] In 1819, geologist John MacCulloch published the first accurate description.[15] In 1846, the Danish historian J. J. A. Worsaae made a sketch and plan of the Callanish Stones.[16]
In 1857 peat to a depth of five feet (1.5 metres) was cleared away, under the orders of the proprietor of Lewis, James Matheson, revealing the chambered tomb and the true height of the stones.[17] In 1885 the Callanish Stones were taken into state care.[1]
Interpretation
Alexander Thom and Gerald Hawkins suggested that the stones were a prehistoric lunar observatory. Others have proposed a relationship between the stones, the moon and the Clisham range on Harris. Critics of these theories argue that several alignments are likely to exist purely by chance in any such structure, and many factors such as the weathering and displacement of the stones over the millennia mean there can be no certainty of any alignments, original or otherwise.[18]
In folklore
This is a photograph from the Forest Marathon festival 2013 which was held in the beautiful Coillte forest of Portumna in Co. Galway, Ireland on Saturday 15th June 2013. The event includes a 10k, a full marathon, a half marathon and two ultra-running events - a 50k and 100k race. The races started at 08:00 with the 100KM, the 50KM at 10:00, and subsequent races at two hour intervals onwards. All events started and finished within the forest with the exception of the half marathon and marathon which started outside of the forest. All events see participants complete 5KM loops of the forest which start and end at the car-park/amenity end of the forest. There is an official Refreshment/Handling Zones at this point on the loop.
The event was organised by international coach Sebastien Locteau from SportsIreland.ie and his fantastic team of volunteers from Galway and beyond. Congratulations to Seb on organising a very professionally run event and an event which is growing bigger and more prestigious with each passing year. There was an incredible atmosphere amongst the runners, the spectators, and the organisers. Hats off to everyone involved.
The marathon, 50KM, and 100KM events are sanctioned by Athletics Ireland and AIMS (the Association of International Marathons and Distance Races). The event has also achieved IAU (International Association of Ultrarunners) Bronze Label status for 2013.
Electronic timing was provided by RedTagTiming: www.redtagtiming.com/
Energy Bars, Gels, Drinks etc were provided by Fuel4Sport: www.fuel4sport.ie/
This is a set of photographs taken at various points on the 5KM loop in the Forest and contains photographs of competitors from all of the events except the 10KM race.
Viewing this on a smartphone device?
If you are viewing this Flickr set on a smartphone and you want to see the larger version(s) of this photograph then: scroll down to the bottom of this description under the photograph and click the "View info about this photo..." link. You will be brought to a new page and you should click the link "View All Sizes".
Overall Race Summary
Participants: Approximately 600 people took part across all of the events which were staged: 10km, half marathon, marathon, 50km, and 100KM.
Weather: The weather was unfortunately not what a summer's day in June should be like - there was rain, some breeze, but mild temperatures.
Course: This is a fast flat course depending on your event. The course is left handed around the Forest and roughly looks like a figure of 8 in terms of routing.
Location Map: Start/finish area on Google StreetView [goo.gl/maps/WWTgD] are inside the parklands and trails
Refreshments: There are no specific refreshments but the race organizers provide very adequate supplies for all participants.
Some Useful Links
Official Race Event Website: www.forestmarathon.com/
The Boards.ie Athletics Forum Thread for the 2013 Event: www.boards.ie/vbulletin/showthread.php?t=2056874371
A GPS Garmin Trace of the Course Profile (from the 50KM event) connect.garmin.com/activity/189495781
Our Flickr Photographs from the 2012 Events: www.flickr.com/photos/peterm7/sets/72157630146344494/
Our Flickr Photographs from the 2011 Events: www.flickr.com/photos/peterm7/sets/72157626865466587/
Title Sponsors Sports Ireland Website: sites.google.com/a/sportsireland.ie/welcome-sports-irelan...
A VIDEO of the Course: www.youtube.com/watch?feature=player_embedded&v=2FLxE...
Google StreetView of the Entrance to Portuma Forest: goo.gl/maps/MX62O
Wikipedia: Read about Portumna and Portumna Forest Park: en.wikipedia.org/wiki/Portumna#Portumna_Forest_Park
Coilte Ourdoors Website: www.coillteoutdoors.ie/?id=53&rec_site=115
Portumna Forest on EveryTrails: www.everytrail.com/guide/portumna-forest-park-woodland-tr...
More about the IAU Bronze Label: www.iau-ultramarathon.org/index.asp?menucode=h07&tmp=...
How can I get a full resolution copy of these photographs?
All of the photographs here on this Flickr set have a visible watermark embedded in them. All of the photographs posted here on this Flickr set are available offline, free, at no cost, at full image resolution WITHOUT watermark. We take these photographs as a hobby and as a contribution to the running community in Ireland. Our only "cost" is our request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, etc or (2) other websites, web multimedia, commercial/promotional material that you provide a link back to our Flickr page to attribute us. This also extends the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember - all we ask is for you to link back to our Flickr set or Flickr pages. Taking the photographs and preparing them for online posting does take a significant effort. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc.
If you would like to contribute something for your photograph(s)?
Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably www.flickr.com/peterm7/sets
View includes Trump Tower, General Motors Building, Sony Building, Bloomberg Tower, Triborough Bridge, Hell Gate Bridge, East River, and Queens.
Taken from the Top of the Rock observation deck at the top of the GE Building. The views are awesome and much better than those from the Empire State Building.
PC180211
ROCKTROPOLIS is a progressive rock band that is like a volcano ready to explode upon your ears. Members include guitarist ROCKTROPOLIS, Bassist and Keyboardist Sam Metropoulos and Drummer Marc Stemmler. Influences are Dream Theater, Rush, Yngwie, Yes, Deep Purple and Iron Maiden to name a few. Guitarist ROCKTROPOLIS has worked with The Process, Gabe Gonzalez (George Clinton) and former drummer John Macaluso (Yngwie Malmsteen, ARK and VOX). Multi instrumentalist Sam Metropoulos has collaborated on several albums with The Process, played with John Macaluso and has opened for Yngwie Malmsteen. Akin to the pillars of the great Parthenon, drummer Marc Stemmler provides the foundation for which ROCKTROPOLIS bridges the hemispheres between classical and progressive rock music. ROCKTROPOLIS is a Nominee of the 2013 Detroit Music Awards.
ROCKTROPOLIS is represented by Howard Hertz/Joseph Bellanca (Hertz Schram, p.c.) Mr. Hertz's impressive roster includes George Clinton, Sippie Wallace, The Romantics, The Bass Brothers, Eminem, Marilyn Manson, Russell Simmons, O-Town, Pantera, Marcus Belgrave, The GO, Mike Posner, Elmore Leonard, Warner Tamerlane and Atlantic Records.
ROCKTROPOLIS is currently recording/producing their debut album, with Chris Lewis as their recording engineer (Fire Hyena Studio). Projected release date is summer 2013. Be prepared to own a collection of brilliant compositions that are melodic, epic and infectious to the soul.
www.RocktropolisMusic.com (c) 2013
The package include a vector speaker box file, ready to be used in your creative projects, like illustrations, business cards, backgrounds, or other endless possibilities.
The file file comes with 4 different colors and is fully layered and clearly organized, it also comes with a flat JPG and Transparent PNG images ready to be used.
Get it here: bit.ly/U6c7pm
Our Cotton Candy Gift Box includes 3-32oz servings of cotton candy, 2 classic cotton Cotton Candy and 1 Poppn' Candy (Poppn' Candy? That's Classic Cotton Candy infused with Pop Rocks!) We spin all of or own Cotton Candy in house & with over 13 flavors to choose from, also there is a verity of candies sprinkled in.This is an extra fun gift box for anyone with a sweet tooth.
Please Call or E-Mail for pricing, delivery or pick up options.
314-968-8377 Or info@stlsnowcone.com
Check Out or web sit at www.stlsnowcone.com
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ROCKTROPOLIS is a progressive rock band that is like a volcano ready to explode upon your ears. Members include guitarist ROCKTROPOLIS, Bassist and Keyboardist Sam Metropoulos and Drummer Marc Stemmler. Influences are Dream Theater, Rush, Yngwie, Yes, Deep Purple and Iron Maiden to name a few. Guitarist ROCKTROPOLIS has worked with The Process, Gabe Gonzalez (George Clinton) and former drummer John Macaluso (Yngwie Malmsteen, ARK and VOX). Multi instrumentalist Sam Metropoulos has collaborated on several albums with The Process, played with John Macaluso and has opened for Yngwie Malmsteen. Akin to the pillars of the great Parthenon, drummer Marc Stemmler provides the foundation for which ROCKTROPOLIS bridges the hemispheres between classical and progressive rock music. ROCKTROPOLIS is a Nominee of the 2013 Detroit Music Awards.
ROCKTROPOLIS is represented by Howard Hertz/Joseph Bellanca (Hertz Schram, p.c.) Mr. Hertz's impressive roster includes George Clinton, Sippie Wallace, The Romantics, The Bass Brothers, Eminem, Marilyn Manson, Russell Simmons, O-Town, Pantera, Marcus Belgrave, The GO, Mike Posner, Elmore Leonard, Warner Tamerlane and Atlantic Records.
ROCKTROPOLIS is currently recording/producing their debut album, with Chris Lewis as their recording engineer (Fire Hyena Studio). Projected release date is summer 2013. Be prepared to own a collection of brilliant compositions that are melodic, epic and infectious to the soul.
www.RocktropolisMusic.com (c) 2013
Choucroute Alsace includes roast pork belly, bratwurst, weisswurst, housemade sauerkraut, Brussel spouts, fennel, potato salad and house pickles for $45. It feeds three.
Otto's Bierhalle
Final Project:
You will be required to work on a project that includes photographing (a minimum of) five different individuals in the style of your choice. Once you have selected the style, keep it consistent throughout the series.
You will also need:
1. an establishing shot (an image that tells us something about your idea. For example if you were to do a series of chefs the establishing shot could be a close-up of a measuring spoons.)
2. a self-portrait, with a brief artist statement
Side Note: A lot of thing didn't come through like I had wanted. Had flakey models, then scored on a really expressive friend of a friend, and I got these new to me models that showed up and kicked ass, then I got severely sick and ended up in urgent care Monday, etc. But hopefully I was able to get domestic abuse portrayed like I wanted to. I decided not to try for sexual abuse because no matter how I tried it, it could be construed as porn, and that isn't something I wish to ever touch upon.
Artist's Statement:
Emmy's work is influenced by elements in the world that most people consider to be imperfect, broken, or weak. She builds upon imperfection because it is the only true indicator of character and beauty. She captures imperfection as the summit of her art. She is inspired by things that surround her every day, and uses them as a creative base. As the proud divorced, single mother of five closely spaced children she has no shortage of material from which to draw.
With her work, it is difficult to ignore the obvious experience and background Emmy has in graphic design. In addition to photography and graphic design, she is an entrepreneur, business ideas person, CEO of a small assessment corporation, movie scriptwriter, mother, and friend to all, even those pesky telemarketers if they happen to catch her on the telephone at home.
The most important thing to Emmy is the opportunity to create art. To be an artist, even an unknown one, is more important to her than going forth and finding notoriety. She feels the only way for her to create is to continue growing as an artist whether by introducing new techniques, new mediums, or a combination of both. Her primary focus is on creating art that reaches across boundaries. She creates art that speaks figuratively and demands its own place within its world. She tries to create art that will link people to her, and with her.
Fast Facts on Domestic Violence
Battering on women is the most under reported crime in America.
Domestic violence is the leading cause of injury to women between the ages of 15 and 44 in the United States; more than car accidents, muggings, and rapes combined. "Violence Against Women, A Majority Staff Report," Committee on the Judiciary, United States Senate, 102nd Congress, October 1992, p.3.
Three to four million women in the United States are beaten in their homes each year by their husbands, ex-husbands, or male lovers. "Women and Violence," Hearings before the U.S. Senate Judiciary Committee, August 29 and December 11, 1990, Senate Hearing 101-939, pt. 1, p. 12.
One woman is beaten by her husband or partner every 15 seconds in the United States. Uniform Crime Reports, Federal Bureau of Investigation, 1991.
About 1 out of 4 women are likely to be abused by a partner in her lifetime. Sara Glazer, "Violence, Against Women" CO Researcher, Congressional Quarterly, Inc., Volume 3, Number 8, February, 1993, p. 171.
Approximately 95% of the victims of domestic violence are women. Statistics, National Clearinghouse for the Defense of Battered Women, Ruth Peachey, M.D. 1988.
Police report that between 40% and 60% of the calls they receive, especially on the night shift, are domestic violence disputes. Carrillo, Roxann "Violence Against Women: An Obstacle to Development," Human Development Report, 1990.
Battering occurs among people of all races, ages, socio-economic classes, religious affiliations, occupations, and educational backgrounds.
Fifty percent of all homeless women and children in this country are fleeing domestic violence. Senator Joseph Biden, U.S. Senate Committee on the Judiciary, Violence Against Women: Victims of the System, 1991.
A battering incident is rarely an isolated event.
Battering tends to increase and become more violent over time.
Many batterers learned violent behavior growing up in an abusive family.
25% - 45% of all women who are battered are battered during pregnancy.
Domestic violence does not end immediately with separation. Over 70% of the women injured in domestic violence cases are injured after separation.
Domestic violence is not only physical and sexual violence but also psychological. Psychological violence means intense and repetitive degradation, creating isolation, and controlling the actions or behaviors of the spouse through intimidation or manipulation to the detriment of the individual. "Five Year State Master Plan for the Prevention of and Service for Domestic Violence." Utah State Department of Human Services, January 1994.
A blog post that includes these photos lives here: likeafishinwater.com/2016/04/29/pilgrimage-to-uji-for-hib...
My company: www.thirdplacemedia.com - Research, content development and communications strategy focused on transit, walkability, placemaking and environment issues
My blog: likeafishinwater.com
Today Flickr Group Roulette invades the Covered Faces group and that suits me just fine as tonight, that is all I want to do.
I try not to include melodramatics into my 365 project but sometimes things just get on top of me and I have no one to turn to. My job is not quite what I thought it was going to be. I feel my marriage is falling apart and I only have myself to blame. I have been so focused on making photography my career that I spent all last year working towards getting these assisting jobs, and now all I am focused on is doing my NVQ 3 in photography. I have no real friends as I keep moving all the time and therefore I alienate myself from people. Sure I know, I could move back home and make a go of things as a freelance photographer, but I need to get more experience first and build up a bit of cash to cover dry times. By doing living down here and my family living up North at least I am rying to make for a better future. I just fear now that by chasing my dreams I have ruined my marriage.
Anyway, I need to stop feeling sorry for myself, I guess I only spout on this because I have no one else to bleat to, so you guys have to take the brunt of it, and for that I am sorry.
I have actually felt like this on and off for the past few months, sometimes I just put on a brave face for my 365, so I guess a cover up is a fitting shot to expose the feelings within.
Anyway, thats my moan over with, I promise I will do a smiley shot tomorrow.
I will leave you with this, as it is what I am listening to just now.
Right here, all by myself
I aint got no one else
The situation is bleeding me
Theres no relief for a person like me
Depressions got a hold of me
Depression-i gotta break free
Depressions got a hold of me
Depressions gonna kill me
I aint got no friends to call my own
I just sit here all alone
Theres no girls that want to touch me
I dont need your goddamn sympathy
Depressions got a hold of me
Depression-i gotta break free
Depressions got a hold of me
Depressions gonna kill me
Everybody just get away
Im gonna boil over inside today
They say things are gonna get better
All I know is they fuckin better
Depressions got a hold of me
Depression-i gotta break free
Depressions got a hold of me
Depressions gonna kill me
Depressions got a hold of me
Depression-i gotta break free
Depressions got a hold of me
Depressions gonna kill me
This is a photograph from the start of the 6th annual Kinnegad 5KM Road Race and Fun Run 2015 which was held in the town of Kinnegad, Co. Westmeath, Ireland on Wednesday 8th July 2015 at 20:00. This race has firmly estbalished itself on the local race calender and yet again the race got wonderful support from local clubs and runners. The race is flat and fast and takes runners on traffic free route which includes 3KM on the local road 'Boreen Bradach'. The finish is on the famous main street of Kinnegad in front of Harry's Hotel. Over 200 people took part and the results by Premier Timing Systems are available here [www.premiertimingsystems.ie/]. Our full set of photographs from tonight's race is available here www.flickr.com/photos/peterm7/sets/72157653300652864
The race is organised by Coralstown Kinnegad GAA Club with proceeds from the race going towards the development of the club.
USING OUR PHOTOGRAPHS - A QUICK GUIDE AND ANSWERS TO YOUR QUESTIONS
Can I use these photographs directly from Flickr on my social media account(s)?
Yes - of course you can! Flickr provides several ways to share this and other photographs in this Flickr set. You can share directly to: email, Facebook, Pinterest, Twitter, Tumblr, LiveJournal, and Wordpress and Blogger blog sites. Your mobile, tablet, or desktop device will also offer you several different options for sharing this photo page on your social media outlets.
BUT..... Wait there a minute....
We take these photographs as a hobby and as a contribution to the running community in Ireland. We do not charge for our photographs. Our only "cost" is that we request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, VK.com, Vine, Meetup, Tagged, Ask.fm,etc or (2) other websites, blogs, web multimedia, commercial/promotional material that you must provide a link back to our Flickr page to attribute us or acknowledge us as the original photographers.
This also extends to the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
I want to download these pictures to my computer or device?
You can download this photographic image here directly to your computer or device. This version is the low resolution web-quality image. How to download will vary slight from device to device and from browser to browser. Have a look for a down-arrow symbol or the link to 'View/Download' all sizes. When you click on either of these you will be presented with the option to download the image. Remember just doing a right-click and "save target as" will not work on Flickr.
I want get full resolution, print-quality, copies of these photographs?
If you just need these photographs for online usage then they can be used directly once you respect their Creative Commons license and provide a link back to our Flickr set if you use them. For offline usage and printing all of the photographs posted here on this Flickr set are available free, at no cost, at full image resolution.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember when requesting photographs from us - If you are using the photographs online all we ask is for you to provide a link back to our Flickr set or Flickr pages. You will find the link above clearly outlined in the description text which accompanies this photograph. Taking these photographs and preparing them for online posting takes a significant effort and time. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc. If you are using the photographs in newspapers or magazines we ask that you mention where the original photograph came from.
I would like to contribute something for your photograph(s)?
Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers or in other circumstances we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
Let's get a bit technical: We use Creative Commons Licensing for these photographs
We use the Creative Commons Attribution-ShareAlike License for all our photographs here in this photograph set. What does this mean in reality?
The explaination is very simple.
Attribution- anyone using our photographs gives us an appropriate credit for it. This ensures that people aren't taking our photographs and passing them off as their own. This usually just mean putting a link to our photographs somewhere on your website, blog, or Facebook where other people can see it.
ShareAlike – anyone can use these photographs, and make changes if they like, or incorporate them into a bigger project, but they must make those changes available back to the community under the same terms.
Above all what Creative Commons aims to do is to encourage creative sharing. See some examples of Creative Commons photographs on Flickr: www.flickr.com/creativecommons/
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably http://www.flickr.com/peterm7/sets
Hot and Sunny for the Lions Donkey Derby and Vintage Transport Rally at Buckingham Park Shoreham. This old gent is justly proud of his classic Opel Manta
Swans, genus Cygnus, are birds of the family Anatidae, which also includes geese and ducks. Swans are grouped with the closely related geese in the subfamily Anserinae where they form the tribe Cygnini. Sometimes, they are considered a distinct subfamily, Cygninae. There are six to seven species of swan in the genus Cygnus; in addition there is another species known as a swan, the Coscoroba Swan, although this species is no longer considered related to the true swans. Swans usually mate for life, though 'divorce' does sometimes occur, particularly following nesting failure. The number of eggs in each clutch ranges from three to eight.
The word "swan" is derived from Old English swan, akin to the German Schwan and Dutch zwaan, in turn derived from Indo-European root *swen (to sound, to sing), whence Latin derives sonus (sound).[1] Young swans are known as cygnets, from the Latin word for swan, cygnus. An adult male is a cob, from Middle English cobbe (leader of a group); an adult female is a pen.
The swans are the largest members of the duck family Anatidae, and are amongst the largest flying birds. The largest species, including the mute swan, trumpeter swan, and whooper swan, can reach length of over 60 inches and weigh up to 50 pounds. Their wingspans can be almost 10 ft (3 m). Compared to the closely related geese they are much larger in size and have proportionally larger feet and necks.[2] They also have a patch of unfeathered skin between the eyes and bill in adults. The sexes are alike in plumage, but males are generally bigger and heavier than females.
The Northern Hemisphere species of swan have pure white plumage but the Southern Hemisphere species are mixed black and white. The Australian Black Swan (Cygnus atratus) is completely black except for the white flight feathers on its wings; the chicks of black swans are light grey in colour, and the South American Black-necked Swan has a black neck.
The legs of swans are normally a dark blackish grey colour, except for the two South American species, which have pink legs. Bill colour varies: the four subarctic species have black bills with varying amounts of yellow, and all the others are patterned red and black. The Mute Swan and Black-necked Swan have a lump at the base of the bill on the upper mandible.
Whooper Swans migrate from Iceland, Scandinavia and northern Russia to Europe, Central Asia, China and JapanThe swans are generally found in temperate environments, rarely occurring in the tropics. Four (or five) species occur in the Northern Hemisphere, one species is found in Australia and New Zealand and a final species is distributed in southern South America. They are absent from tropical Asia, Central America, northern South America and the entirety of Africa. One species, the Mute Swan, has been introduced to North America, Australia and New Zealand.
Several species are migratory, either wholly or partly so. The Mute Swan is a partial migrant, being resident over areas of Western Europe but wholly migratory in Eastern Europe and Asia. The Whooper Swan and Tundra Swan are wholly migratory, and the Trumpeter Swans are almost entirely migratory.[2] There is some evidence that the Black-necked Swan is migratory over part of its range, but detailed studies have not established whether these movements are long or short range migration.
Swans feed in the water and on land. They are almost entirely herbivorous, although small numbers of aquatic animals may be eaten. In the water food is obtained by up-ending or dabbling, and their diet is composed of the roots, tubers, stems and leaves of aquatic and submerged plants.
Mute Swan's nest with two unhatched eggsSwans form monogamous pair bonds that last for many years. In many cases these pair bonds can last for life, but 'divorces' between pairs do occur.[4] Modern genetic techniques are starting to reveal that these divorces are more common than previously thought.[5] These bonds are maintained year round, even in gregarious and migratory species like the Tundra Swan, which congregate in large flocks in the wintering grounds.[6] The nest is on the ground near water and about a metre across. Unlike many other ducks and geese the male helps with the nest construction. Average egg size (for the mute swan) is 113 x 74 mm, weighing 340 g, in a clutch size of 4 to 7, and an incubation period of 34–45 days.[7] With the exception of the whistling-ducks they are the only anatids where the males aid in incubating the eggs.
Mute swans have been observed to display homosexual or transgender behavior.
All evidence suggests that the genus Cygnus evolved in Europe or western Eurasia during the Miocene, spreading all over the Northern Hemisphere until the Pliocene. When the southern species branched off is not known. The Mute Swan apparently is closest to the Southern Hemisphere Cygnus (del Hoyo et al., eds, Handbook of the Birds of the World); its habits of carrying the neck curved (not straight) and the wings fluffed (not flush) as well as its bill color and knob indicate that its closest living relative is actually the Black Swan. Given the biogeography and appearance of the subgenus Olor it seems likely that these are of a more recent origin, as evidence shows by their modern ranges (which were mostly uninhabitable during the last ice age) and great similarity between the taxa.
Cigno è il nome comune di alcuni grandi, bianchi uccelli acquatici dal lungo collo flessuoso, facenti parte del genere Cygnus della famiglia degli Anatidi.
Presente con varie specie e sottospecie in tutto il mondo. Le rive dello specchio d'acqua devono essere in lieve pendio per consentire ai cigni d'entrare ed uscire agevolmente dall'acqua. Inoltre il terreno dev'essere dotato d'un prato verde dove i cigni possano "pascolare" allegramente.
Grigi alla nascita, diventano bianchi solo da adulti. Il cigno reale (Cygnus olor) si può osservare in Italia, con la sua notevole apertura alare di 200-240 cm. Il cigno selvatico (Cygnus cygnus) è presente nel Nord-Europa e sverna anche sulle coste orientali dell'Adriatico. Le dimensioni sono praticamente uguali a quelle del cigno reale. La Finlandia lo ha scelto come effigie sulle nuove monete da un Euro. Il cigno minore (Cygnus colombianus, con la sottospecie bewickii) è presente solo in Nord-Europa. Come suggerisce il nome, è più piccolo delle due specie precedenti (ca. 20% più piccolo).
Non sporca, non arreca alcun fastidio, non emette suoni se non un lieve sibilo che s'ode appena (tanto che in passato si riteneva che fosse muto). Se nel laghetto vi sono pesci, non li molesta. Difficile è invece, la sua convivenza con i consimili (come le anatre) perché ha un carattere litigioso e dispotico.
I cigni formano coppie che restano unite tutta la vita: nidificano tra i canneti, dove la femmina cova per circa un mese da 4 a 8 uova azzurrognole, mentre il maschio fa la guardia al nido. Alla nascita e fino al raggiungimento dell'età adulta i giovani cigni mantengono un piumaggio assai poco attraente (in genere d'un colore grigiastro simile a quello d'un uccello bianco passato attraverso un camino sporco di fuliggine) ma assai più mimetico - ed utile quindi alla sopravvivenza - di quello, bello ma vistoso, degli adulti.
I cigni sono uccelli essenzialmente erbivori, infatti, si nutrono in prevalenza di piante acquatiche e palustri che strappano dal fondo con il becco. Mentre la maggior parte degli uccelli acquatici deve tuffarsi sott'acqua alla ricerca del cibo, il cigno può tranquillamente esplorare la vegetazione sottostante fino ad un metro di profondità, grazie al suo lunghissimo collo. A volte "pascolano" sulla terraferma e lungo le rive cibandosi di erbe, radici e semi. In realtà la loro dieta non è strettamente vegetariana: infatti, insieme alle erbe ingurgitano anche un buon numero di piccoli animaletti acquatici ad esse associati (crostacei, larve d'insetti e lumachine). Sono poi dei grandi opportunisti, ghiotti di pane (soprattutto se inzuppato nel latte, pastoni per le anatre o destinati ad altri animali, farina d'orzo, riso cotto, biscotti, mais, patate cotte, frutti, crusca, verdure (soprattutto crude), ortaggi vari e perfino carne in minuscoli bocconi mescolati al pastone. In cattività spesso il cibo viene servito in un capiente contenitore di legno e plastica che può essere posato in terra oppure messo a galleggiare sull'acqua.
Font : Wikipedia
Broadstairs is a coastal town on the Isle of Thanet in the Thanet district of east Kent, England, about 80 miles (130 km) south-east of London. It is part of the civil parish of Broadstairs and St Peter's, which includes St. Peter's and had a population in 2001 of about 24,000. Situated between Margate and Ramsgate, it is one of Thanet's seaside resorts, known as the "Jewel in Thanet's crown". The town's crest motto is Stella Maris ("Star of the Sea"). The name derives from a former flight of steps in the chalk cliff, which led from the sands up to the 11th-century shrine of St Mary on the cliff top.
The town spreads from Poorhole Lane in the west (named from the mass graves dating from the Black Death) to Kingsgate in the north (named after the landing of King Charles II in 1683) and to Dumpton in the south (named after the yeoman Dudeman who farmed there in the 13th century). The hamlet of Reading (formerly Reden or Redyng) Street was established by Flemish refugees in the 17th century.