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Family headstome that includes a commemeration to Corporal Bernard Carroll of the Royal Newfoundland Regiment, killed in action at the Battle of Monchy-le-Preux on April 14, 1917, age 24.
Son of Dan and Elizabeth Carroll of Conche, NL. Headstone found in a cemetery in Conche, NL, a small fishing community on the French shore of Newfoundland. Corporal Carroll has no known grave and has never received a proper burial as his body was never recovered, like so many others.
A winner of the Military Medal for bravery, here is a link to some more information on Corporal Carroll.
The view of Sindagma Square, Athens, also known as Constitution Square, includes a shop with sign: CONSTANTIN ATHANASIOU / PHOTOGRAPHE.
Getty
primo.getty.edu/primo_library/libweb/action/display.do?ta...(96033584UI1)=all_items&dscnt=0&scp.scps=scope%3A%28GETTY_EAD2%29%2Cscope%3A%28GETTY_NEWBOOKS%29%2Cscope%3A%28GETTY_ROSETTA%29%2Cscope%3A%28GETTY_ALMA%29&vl(1UIStartWith0)=exact&vl(21781791UI0)=lsr34&vid=GRI&mode=Basic&tab=all_gri&vl(freeText0)=Gary%20Edwards%20collection%20of%20photographs%20of%20Greece&dstmp=1488913142526
Μία πιο καλή κόπια: www.flickr.com/photos/athens_greece/9103375313/in/datepos...
Includes a Wedge-tailed Eagle that flew low and straight above Memorial Ave obviously heading somewhere. It was seen off by the pair of Black Kites trying to breed in the canopy tree above my carport currently
Although the NECA Nightstorm Predator will not include his twin bola cannon, it will have a rendition of his staff - the new one is going to have more explicit Zenomorph parts accompanying the human skull, namely a tail stinger to make it into a proper spear.
So, is Nightstorm some sort of judge? I don't know, his look 9at least the new one's) rubs off on me that way.
Featured on Life In Plastic: nerditis.com/2013/03/08/life-in-plastic-other-kenner-pred...
SAA-uk's annual showcase and celebration of classical Indian dance. Includes Bharatanatyam performed by children aged 3 to adult; Kathak by adults and children, and our teacher, Rashmi Sudhir performing Mohiniattam. At the Riley Theatre, Northern School of Contemporary Dance, Leeds.
This event also showcased an Urban Natyam piece in development by Tonicka Virdee and Gursimran Virdee, mentored by Seetal Kaur Gahir and Seeta Patel. Funded by Leeds Inspired.
Photos by Maria Spadafora for SAA-uk www.flickr.com/photos/bloodynora
Twitter: @southasianartuk
Instagram @southasianartsuk
The Lidl Run Kildare Events 2013 were held at the Curragh Racecourse, Newbridge, Co. Kildare, Ireland on Sunday 12th May 2013. There were three events: a 10KM, a half marathon, and a full marathon. This is a selection of photographs which includes all events. The photographs are taken from the start and finish of the marathon, the finish of the 10KM, and the finish of the half marathon. Due to the large numbers participating we did not manage to photograph everyone - which was not helped by the weather. Congratulations to Jo Cawley and her RunKildare crew for another great event. The weather didn't dampen the spirits of the many happy participants.
Electronic timing was provided by Red Tag Timing [www.redtagtiming.com/]
Overall Race Summary
Participants: There were approximately 3,000 participants over the 3 race events - there were runners, joggers, and walkers participating.
Weather: A cold breezy morning with heavy rain at the start. The weather dried up for the 10KM and the Half Marathon races
Course: This is an undulating course with some good flat stretches on the Curragh.
Viewing this on a smartphone device?
If you are viewing this Flickr set on a smartphone and you want to see the larger version(s) of this photograph then: scroll down to the bottom of this description under the photograph and click the "View info about this photo..." link. You will be brought to a new page and you should click the link "View All Sizes".
Some Useful Links
GPS Garmin Trace of the Kildare Marathon Route: connect.garmin.com/activity/175709313
Homepage of the Lidl Run Kildare Event: www.kildaremarathon.ie/index.html
Facebook Group page of the Lidl Run Kildare Event: www.facebook.com/RunKildare
Boards.ie Athletics Discussion Board pages about the race series: www.boards.ie/vbulletin/showthread.php?t=2056815306
Our photographs from Run Kildare 2012: www.flickr.com/photos/peterm7/sets/72157629707887620/
Our photographs from Run Kildare 2011: www.flickr.com/photos/peterm7/sets/72157626725200956/
A small selection of photographs from Run Kildare 2010: www.flickr.com/photos/peterm7/sets/72157623899845567/ (first event)
Can I use the photograph with the watermark?
Yes! Absolutely - you can post this photograph to your social networks, blogs, micro-blogging, etc.
How can I get a full resolution, no watermark, copy of these photographs?
All of the photographs here on this Flickr set have a visible watermark embedded in them. All of the photographs posted here on this Flickr set are available, free, at no cost, at full resolution WITHOUT watermark. We take these photographs as a hobby and as a contribution to the running community in Ireland. We do not know of any other photographers who operate such a policy. Our only "cost" is our request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, etc or (2) other websites, web multimedia, commercial/promotional material that you provide a link back to our Flickr page to attribute us. This also extends the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember - all we ask is for you to link back to our Flickr set or Flickr pages. Taking the photographs and preparing them for online posting does take a significant effort. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around, send us an email, leave a comment beside the photographs, send us a Flickr email, etc.
If you would like to contribute something for your photograph(s)?
Some people offer payment for our photographs. We do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would pay for their purchase from other photographic providers we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably www.flickr.com/peterm7/sets
Features include..twin mounted gattling guns, rear mount magnetic grapple, steam power plant driving 3 rear props as well as 2 underbelly lifters.An advanced detection Mynocks nest and the latest sextant navigation and a fore mounted explosive ramming pin.
1/12 scale Bramble. Part of the 3A Associates gift set which also includes a membership card and a t-shirt.
This includes descriptions of 1989/1990 womenswear and menswear clothes created by students of Epsom.
This often takes inspiration from the historical period and literature
Examples include
October Moors
The Working Class clothing of Yorkshire at
the beginning of the century with a touch
of Wuthering Heights romance sets the
scenes in colours of the moors – rich
salmon, cornflower blue, clover
Womenswear Summer ‘90
Discreet Passion
Beaded knitwear based on
1930s lingerie cocks a snook
with cut-away details that
reveal bare flesh
Ways that you can use these records can be seen in our resource on Power Dressing in the 80s webdocs.ucreative.ac.uk/Power%20Dressing%20in%20the%2080s...
Email archives@ucreative.ac.uk for further information and to access
Icewerks New York City Girl, Includes Long, Tank, Skinny Leathers, Sunglasses and Tote Bag, Exclusive for the Designer Circle, Flaws and All Matilda Strapped Heels in Red, (for SLink High Feet) Exclusive for the Soho Market, SLink AvEnhance Feet Female High, Poseway Vuitton Pose Set, Pose #2,
Exclusive for the Designer Circle, Truth Hair Devinna from the Black & Whites Pack, Pink Acid Trinity Mocho Choco Color Pack, worn Burgundy Lipstick & Cleavage Enhancer, Exclusive for the Soho Market, BODY DOUBLES Elle Shape, Poetic Colors Classic Eyes #5 Pack, worn Dark Soil (M) Bright, *GA* Mesh Lashes Fantasia, Baubles! by Phe Midnight Garden, Includes Choker, Earrings and Head Jewel, Exclusive for the Designer Circle, [Modern Couture] Mika Bracelets in Silver, Exclusive for the Soho Market, .figure. Mono Common Set #3, worn on Finger and Toe Nails, GACHA Prize for the Soho Market, and SLink AvEnhance Hands Female – Casual
Original Blog Post:
auroratown.wordpress.com/2014/07/01/news-the-designer-cir...
A rare example of streamlined Art Deco in Detroit, Michigan. Deco features include the rounded corners and extensive use of glass block.
Dollywood theme park
Sign in the Wings of America area
March 27, 2009
The information below is from a 2008 Dollywood press release:
In July 1990, Dolly Parton announced the construction of a major eagle complex at Dollywood. The four‐part complex includes Eagle Mountain Sanctuary; a living showcase of American bald eagles; the “Wings of America” Theatre, featuring a birds of prey show; and an eagle breeding and rehabilitation facility, which includes an eagle medical clinic and nursery that is not open to the public.
The Eagle Complex is a cooperative effort between Dollywood and the American Eagle Foundation (AEF), a non‐profit organization with permits from the U.S. Fish & Wildlife Service and the Tennessee Wildlife Resources Agency to possess, care for, exhibit, rehabilitate and breed birds of prey.
Eagle Mountain Sanctuary showcases the country’s largest presentation of non‐releasable bald eagles—more than a dozen birds—in a 1.5 million‐cubic‐foot natural outdoor aviary that recreates the birds’ natural habitat. The bald eagles are classified as non‐releasable because of permanent disabling factors and other good and lawful reasons and therefore are unable to survive on their own in the wild.
This unique showcase gives Dollywood visitors the rare opportunity to see these magnificent birds up close and learn more about the preservation efforts being conducted to help this now endangered species that has served as our country’s national symbol for more than 200 years.
Dollywood visitors also enjoy learning even more about the bald eagle and some of its feathered friends at the “Wings of America” show. The show’s format is exciting, entertaining and educational, as the beauty and power of hawks, falcons, vultures, owls and eagles are demonstrated “up close and personal.” The audience learns some of the unique characteristics about the individual species of birds and has the opportunity to see several of the birds in “free flight,” adding to the show’s surprise and excitement.
Perhaps Dollywood and the AEF’s most important work is taking place several miles from the park at the Breeding and Rehabilitation Center. The AEF has released more than 80 eagles since the 1980s. Since the spring of 1991, bald eaglets and golden eaglets have been hatched to parents that are permanent Dollywood residents. A number of birds have been rehabilitated and returned to their natural habitats in the wild.
The Lidl Run Kildare Events 2013 were held at the Curragh Racecourse, Newbridge, Co. Kildare, Ireland on Sunday 12th May 2013. There were three events: a 10KM, a half marathon, and a full marathon. This is a selection of photographs which includes all events. The photographs are taken from the start and finish of the marathon, the finish of the 10KM, and the finish of the half marathon. Due to the large numbers participating we did not manage to photograph everyone - which was not helped by the weather. Congratulations to Jo Cawley and her RunKildare crew for another great event. The weather didn't dampen the spirits of the many happy participants.
Electronic timing was provided by Red Tag Timing [www.redtagtiming.com/]
Overall Race Summary
Participants: There were approximately 3,000 participants over the 3 race events - there were runners, joggers, and walkers participating.
Weather: A cold breezy morning with heavy rain at the start. The weather dried up for the 10KM and the Half Marathon races
Course: This is an undulating course with some good flat stretches on the Curragh.
Viewing this on a smartphone device?
If you are viewing this Flickr set on a smartphone and you want to see the larger version(s) of this photograph then: scroll down to the bottom of this description under the photograph and click the "View info about this photo..." link. You will be brought to a new page and you should click the link "View All Sizes".
Some Useful Links
GPS Garmin Trace of the Kildare Marathon Route: connect.garmin.com/activity/175709313
Homepage of the Lidl Run Kildare Event: www.kildaremarathon.ie/index.html
Facebook Group page of the Lidl Run Kildare Event: www.facebook.com/RunKildare
Boards.ie Athletics Discussion Board pages about the race series: www.boards.ie/vbulletin/showthread.php?t=2056815306
Our photographs from Run Kildare 2012: www.flickr.com/photos/peterm7/sets/72157629707887620/
Our photographs from Run Kildare 2011: www.flickr.com/photos/peterm7/sets/72157626725200956/
A small selection of photographs from Run Kildare 2010: www.flickr.com/photos/peterm7/sets/72157623899845567/ (first event)
Can I use the photograph with the watermark?
Yes! Absolutely - you can post this photograph to your social networks, blogs, micro-blogging, etc.
How can I get a full resolution, no watermark, copy of these photographs?
All of the photographs here on this Flickr set have a visible watermark embedded in them. All of the photographs posted here on this Flickr set are available, free, at no cost, at full resolution WITHOUT watermark. We take these photographs as a hobby and as a contribution to the running community in Ireland. We do not know of any other photographers who operate such a policy. Our only "cost" is our request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, etc or (2) other websites, web multimedia, commercial/promotional material that you provide a link back to our Flickr page to attribute us. This also extends the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember - all we ask is for you to link back to our Flickr set or Flickr pages. Taking the photographs and preparing them for online posting does take a significant effort. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around, send us an email, leave a comment beside the photographs, send us a Flickr email, etc.
If you would like to contribute something for your photograph(s)?
Some people offer payment for our photographs. We do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would pay for their purchase from other photographic providers we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably www.flickr.com/peterm7/sets
ROCKTROPOLIS is a progressive rock band that is like a volcano ready to explode upon your ears. Members include guitarist ROCKTROPOLIS, Bassist and Keyboardist Sam Metropoulos and Drummer Marc Stemmler. Influences are Dream Theater, Rush, Yngwie, Yes, Deep Purple and Iron Maiden to name a few. Guitarist ROCKTROPOLIS has worked with The Process, Gabe Gonzalez (George Clinton) and former drummer John Macaluso (Yngwie Malmsteen, ARK and VOX). Multi instrumentalist Sam Metropoulos has collaborated on several albums with The Process, played with John Macaluso and has opened for Yngwie Malmsteen. Akin to the pillars of the great Parthenon, drummer Marc Stemmler provides the foundation for which ROCKTROPOLIS bridges the hemispheres between classical and progressive rock music. ROCKTROPOLIS is a Nominee of the 2013 Detroit Music Awards.
ROCKTROPOLIS is represented by Howard Hertz/Joseph Bellanca (Hertz Schram, p.c.) Mr. Hertz's impressive roster includes George Clinton, Sippie Wallace, The Romantics, The Bass Brothers, Eminem, Marilyn Manson, Russell Simmons, O-Town, Pantera, Marcus Belgrave, The GO, Mike Posner, Elmore Leonard, Warner Tamerlane and Atlantic Records.
ROCKTROPOLIS is currently recording/producing their debut album, with Chris Lewis as their recording engineer (Fire Hyena Studio). Projected release date is summer 2013. Be prepared to own a collection of brilliant compositions that are melodic, epic and infectious to the soul.
www.RocktropolisMusic.com (c) 2013
Sunshine, sprint bikes, crazy golf and a "bring your ride" competition at the Ricardo BBQ. I was asked to take a few "clicky clicks" and was part of the judging committee
This Video include 20 tracks of Various Artists. Every day a new compilation of Christmas songs! Subscribe for free to stay connected to our channel and easily access our video updates! goo.gl/CLdGjC Tip: click on the time and listen your favorite song Track list: Twelve Days of Christmas music [Seven Swans A-swimming] --------------------------------- 1 | 00:00 | Mindy Carson - Parade of the Wooden Soldiers 2 | 02:40 | Buchanan & Goodman - Santa & the Satellite, Pt. 2 3 | 04:02 | Bob Crosby & His Orchestra - Skater's Waltz (In Swing Time) 4 | 06:58 | Keely Smith - The Christmas Song 5 | 10:27 | The Chipmunks & David Seville - The Chipmunk Song 6 | 12:48 | Ethel Smith - O Come, All Ye Faithful (Adeste Fideles) 7 | 15:01 | Huey Piano Smith & The Clowns - Rock 'n' Roll Santa Claus 8 | 17:52 | Patti Page - Santa Claus Is Coming To Town 9 | 20:30 | Vincent Lopez and his Orchestra - Silver Bells 10 | 22:35 | David Willcocks - Sussex Carol 11 | 24:33 | Dj Noel - Oh Happy Day 12 | 29:26 | The Mills Brothers - O Little Town Of Bethlehem 13 | 31:40 | Mantovani & his Orchestra - O Holy Night 14 | 34:32 | The Platters - Please Come Home For Christmas 15 | 36:59 | New Mayfair Orchestra - Savoy Christmas Medley 16 | 40:27 | Mantovani & his Orchestra - Silent Night, Holy Night 17 | 43:02 | The Four Aces - Rudolph, the Red - Nosed Reindeer 18 | 45:39 | Dickie Valentine - Snowbound for Christmas 19 | 48:29 | The Lennon Sisters - Silent Night 20 | 50:41 | Anita Kerr Singers - On This Holy Night --------------------------------- Playlist Santa's Countdown to Christmas: goo.gl/cxNuUf --------------------------------- Subscribe Channel We cant wait for Christmas, and so we have made this the biggest and best Christmas Music Advent calendar used to count the days of Advent in anticipation of Christmas Channel for the sharing of best Christmas songs in the world. Ride your playlist and get touched with these beautiful songs about the best and blessed time of year. Happy Christmas! Subscribe for free to stay connected to our channel and easily access our video updates! Facebook: goo.gl/4cTAQs Twitter: twitter.com/Santa_ClausXmas Instagram: goo.gl/MqnnxT Tumblr: goo.gl/BgVQhr Pinterest: goo.gl/9KzAgQ Flickr: goo.gl/V4QCMr Wordpress Blog: goo.gl/6Zvoxk Blogger: goo.gl/8Uh53Z --------------------------------- ® 2017 Santa Claus Xmas Songs youtu.be/Gqf-QdpEWr0
Deerland Malaysia
Located in a natural rainforest just a stone throw away from Kuala gandah Eplephant Sanctuary and Krau Wildlife Reserve at Bukit Rengit Lanchang, Pahang, it is about 2 hours away from Kuala Lumpur.
The serene and prestine natural environment is filled with abundance of flora and fauna.
Learn about the jungle, get in touch with your spiritual innerself. Feed the animals, appreciate what nature have to to offer.
(Animals includes monkeys, deer, snakes, sun bear and many more!)
The Rusa Deer or Sunda Sambar, Cervus timorensis, are native to the islands of Java eastwards towards Bali, and Timor in Indonesia. This species of deer is similar in ecology to the Chital of India, occupying open dry and mixed deciduous forests, parklands, and savannas. Rusa deer are also found as an introduced species on the Australian mainland and are a close relative to the larger Sambar deer.
Rusa Deer are moderately hunted in eastern Australasia and they have also established populations in remote islands probably brought by Indonesian fishermen. There are two subspecies of the Rusa; the more common and larger Javan Rusa, a large stag (male deer) weighing in at around 136 kg with does(females) being much smaller tipping the scales at around 96 kg. The second species of Rusa deer is the less common and slightly smaller Mollucan Rusa which on average are 20 kg lighter than their Javan cousins.
Rusa Deer are predominantly active around the early morning and late afternoon rarely being seen in the open and being very difficult to approach due to their keen senses and naturally cautious instincts. These deer have shown a very good sense of adaptation; living as comfortably in the dry Australian bush as they do in their tropical homelands. This trait is shown well in the more frequent encounters on the fringes of Wollongong and Sydney, and in particular, the Royal National Park, indicating steadily growing numbers and strong herds.
Rusa Deer are recognised by their large ears, the light tufts of hair above the eyebrows, the typical antlers seeming overly large for their body size. If you get get close to a free ranging Rusa stag and spook him, he will let out an extremely loud honk. This is a form of alarm and will alert any other deer in the vicinity of the unrecognised danger.
Rusa Deer are very sociable and you will rarely find one on its own; it may seem to be alone but these animals are masters of camouflage. Rusa Deer are so adept at hiding themselves that they may sometimes let you walk right past.
These animals breed around July and August in a period known as the rut. At this time stags battle for dominance and breeding rights of the females and contest these bouts through calling in a loud shrill bark or physical contact with the antlers.
The female's calf at the start of spring and animals are mature in aroung 3 to 5 years depending on conditions and habitat.
Sources : deerland.org
Lumbinī (Nepali and Sanskrit: लुम्बिनी, "the lovely") is a Buddhist pilgrimage site in the Rupandehi District of Nepal. It is the place where, according to Buddhist tradition, Queen Mayadevi gave birth to Siddhartha Gautama in 623 BCE. Gautama, who achieved Enlightenment some time around 588 BCE, became the Gautama Buddha and founded Buddhism. Lumbini is one of many magnets for pilgrimage that sprang up in places pivotal to the life of Gautama Buddha; other notable pilgrimage sites include Kushinagar, Bodh Gaya and Sarnath.
Lumbini has a number of temples, including the Mayadevi Temple and several others which are still under construction. Many monuments, monasteries and a museum — the Lumbini International Research Institute — are also located within the holy site. Also located there is the Puskarini or Holy Pond where the Buddha's mother took the ritual dip prior to his birth and where he, too, had his first bath. At other sites near Lumbini, earlier Buddhas were, according to tradition, born, achieved ultimate Enlightenment and finally relinquished their earthly forms.
Lumbini was granted World Heritage status by UNESCO in 1997.
IN BUDDHA´S TIME
In the Buddha's time, Lumbini was situated between Kapilavastu and Devadaha (both in Nepal). It was there, that the Buddha was born. A pillar now marks the spot of Ashoka's visit to Lumbiní. According to an inscription on the pillar, it was placed there by the people then in charge of the park to commemorate Ashoka's visit and gifts. The park was previously known as Rummindei, 3.2 km north of Bhagavanpura.
In the Sutta Nipáta (vs. 683) it is stated that the Buddha was born in a village of the Sákyans in the Lumbineyya Janapada. The Buddha stayed in Lumbinívana during his visit to Devadaha and there preached the Devadaha Sutta.
REDISCOVERY
In 1896, Nepalese archaeologists (led by Khadga Samsher Rana and assisted by Alois Anton Führer) discovered a great stone pillar at Lumbini. Führer postulated that the pillar was placed at the site by Ashoka (emperor of the Maurya Empire) circa 245 BCE. Records made by the Chinese pilgrim Faxian in the early fifth century CE were also used in the process of identifying this religiously acclaimed site.
Recent excavations beneath existing brick structures at the Mayadevi Temple at Lumbini have uncovered evidence for an older timber structure beneath the walls of the newer brick Buddhist shrine, which was constructed during the Ashokan era. The layout of the Ashokan shrine closely follows that of the earlier timber structure, which suggests a continuity of worship at the site. The pre-Mauryan timber structure appears to be an ancient bodhigara (tree shrine), consisting of postholes and a wooden railing surrounding a clay floor containing mineralized tree roots that appears to have been worn smooth by visitors. Radiocarbon dating of charcoal from the wooden postholes and optically stimulated luminescence dating of elements in the soil suggests human activity (possibly pre-Buddhist tree worship) began at the site around 1000 BCE, followed by the development of a Buddhist monastery-like community by approximately 550 BCE.
PRESENT-DAY
The present-day Lumbini historic site is 4.8 km in length and 1.6 km in width. The holy site of Lumbini is bordered by a large monastic zone in which only monasteries can be built, no shops, hotels or restaurants. It is separated into an eastern and western monastic zone, the eastern having the Theravadin monasteries, the western having Mahayana and Vajrayana monasteries.
The holy site of Lumbini has ruins of ancient monasteries, a sacred Bodhi tree, an ancient bathing pond, the Ashokan pillar and the Mayadevi Temple, where the supposed place of birth of Buddha is located. From early morning to early evening, pilgrims from various countries perform chanting and meditation at the site.
A non-governmental organization named Samriddhi Foundation started in 2013 working extensively in the field of education and health specially in government schools of the area where underprivileged children study. A non-governmental organisation called "Asia Pacific Exchange and Cooperation Foundation" (APECF) backed by chairman of the Unified Communist Party of Nepal (Maoist) and then Prime Minister Prachanda, the Chinese government and a UN group called "United Nations Industrial Development Organization" (UNIDO) signed a deal to develop Lumbini into a "special development zone" with funds worth $3 billion. The venture was a China-UN joint project. A broader 'Lumbini Development National Director Committee' under the leadership of Pushpa Kamal Dahal was formed on 17 October 2011. The six-member committee included Communist Party of Nepal (Unified Marxist-Leninist) leader Mangal Siddhi Manandhar, Nepali Congress leader Minendra Rijal, Forest Minister Mohammad Wakil Musalman, among other leaders. The committee was given the authority to "draft a master plan to develop Lumbini as a peaceful and tourism area and table the proposal" and the responsibility to gather international support for the same.
Nipponzan Myohoji decided to build a Peace Pagoda in the park in 2001, which is visited by many different cultures and religions every day.
Hindus regard the Buddha as an incarnation of Vishnu and thousands of Hindu pilgrims go there on the full moon of the Nepali month of Baisakh (April–May) to worship Queen Mayadevi as Rupa Devi, the mother goddess of Lumbini.
Lumbini was granted World Heritage status by UNESCO in 1997.
ON THE NEPALI RUPEE
Nepal's central bank has introduced a 100-rupee Nepali note featuring Lumbini, the birthplace of Buddha. The Nepal Rastra Bank said the new note would be accessible only during the Dashain, Nepal's major festival in October 2013. It displays the portrait of Mayadevi, Gautam Buddha's mother in silver metallic on the front. The note also has a black dot which would help the blind recognise the note. The name of the central bank in Latin script would be printed on the note along with the date of printing in both the Christian Era and the Bikram Era. The new note is being issued following a cabinet decision 27 August.
TRANSPORT
Lumbini is a 9-hour drive from Kathmandu and a 30-minute drive from Bhairahawa. The closest airport is Gautam Buddha Airport at Bhairahawa, with flights to and from Kathmandu.
WIKIPEDIA
The Norooz holiday season includes several symbolic and meaningful celebrations and rituals begining with the last Wednesday of the year, called the Chahar Shanbe Soori (translation yields "Wednesday Fire").On Tuesday evening (the night before the last Wednesday) every family celebrates the Chahar Shanbe Soori.
At the center of this traditional celebration is giving thanks for the fortune of having made it through another healthy year and to exchange any remaining paleness and evil with the life and warmth of the fire. Chahar Shanbe Soori is deeply rooted in Iranians' Zoroastrian past (Persian people's dominant religion prior to Islam). The part of this night especially popular with the youngsters is the bonfire. Every family gathers several piles of wood or brush to be lit shortly after the sunset.
All family members line up and take turns jumping safely along (and over) the burning piles, singing to the fire:
"Sorkheeyeh toe az man; zardeeyeh man az toe."
This translates to:
"Your redness (health) is mine; my paleness (pain) is yours."
Although a recent addition and generally against the law in the urban areas, the sights and sounds of fireworks are very common to this night.
Another routine of the Chahar Shanbe Soori festival is the Iranian version of Trick or Treating associated with the Western Halloween night. Flocks of often young trick or treaters, hidden under a traditional Chador (veil) go from door to door banging a spoon against a metal bowl asking for treats or money.
Another old and almost obsolete Chahar Shanbe Soori ritual is Falgoosh (fortune hearing!) This ritual was carried out usually by young women wanting to know their chances of finding the "Mr. Right" in the coming year. Falgoosh is the act of standing in a dark corner spot or behind a fence and listening to the conversations of the passers by and trying to interpret their statements or the subject of their dialogue as an answer to one's question(s)! This is analogous to calling a psychic reader to find out your fortune!!!
In the past several decades falgoosh has gradually become an almost unacceptable and "politically incorrect" ritual and is seldom practiced in the major urban areas.
French postcard by Editions Humour à la carte, Paris, no. AC-1204. Affiche: Benjamin Baltimore, 1986. Maruschka Detmers in Diavolo in corpo/Devil in the Flesh (Marco Bellocchio, 1986).
Dutch actress Maruschka Detmers (1962) moved to France as a teenager, where she captured the attention of director Jean-Luc Godard, and made her dramatic debut in his Prénom Carmen (1983). Other noteworthy films include Hanna's War (1988) and The Mambo Kings (1992), but she is best known for her role in Diavolo in corpo/Devil in the Flesh (1986).
Maruschka Detmers was born in 1962 in Schoonebeek, The Netherlands. Her father was a veterinarian. As a 17-year-old, she moved to Paris to work there as an au pair and take acting lessons. In Paris, she was discovered by the French film director Jean-Luc Godard, after which she played the female lead in his film Prénom Carmen/ First Name - Carmen (Jean-Luc Godard, 1983), very loosely based on Bizet's opera Carmen. Prénom Carmen tells the parallel stories of a quartet rehearsing Beethoven and a group of young people robbing a bank, supposedly to get the funds to make a film. Louis Schwartz at AllMovie: “The film is a meditation on the difficulties of youth in the 1980s, the relations between cinema and capital, and how to film the human body. Godard fills the film with carefully composed shots of bodies playing music, making love, and acting violently. His attention to bodies in First Name: Carmen makes the film's images very close to sculptures, particularly those of Rodin.” At the Venice International Film Festival, Godard was awarded the Golden Lion for his film. In 1985, Detmers was nominated for the Cesar for Best Supporting Actress (Meilleure actrice dans un second rôle) for La pirate/The Pirate (Jacques Doillon, 1984) starring Jane Birkin. The following year, Detmers starred in the Italian erotic drama Diavolo in corpo/Devil in the Flesh (1986) directed by Marco Bellocchio. An adaptation of Raymond Radiguet’s novel Le Diable au corps, the film stars Federico Pitzalis as a high school student who falls in love with an older woman (Detmers). The film caused a fuss because of a darkly lit but explicit fellatio scene of which the authenticity later was disputed. The film was released in the United States in both R and X-rated versions. Also controversial was Marco Ferreri’s satirical comedy Y'a Bon Les Blancs/Um, Good, De White Folks (1988), in which members of a European humanitarian organisation in Africa end up being eaten by cannibals. More commercial was her leading role as Hannah Senesh, a real-life Hungarian Jew who became a martyr to the cause of freedom during WW II, in Hanna's War (Menahem Golan, 1988), produced by the Cannon Group. Hal Erickson at AllMovie: “The script, based on Hannah's diaries (as edited by Yoel Palgi), surprisingly downplays heroics in favour of sensationalism; the prison scenes could just as well have been lifted from a Linda Blair "babes behind bars" picture. Even so, Detmers is excellent in the title role, while Ellen Burstyn is likewise superb as Hannah's mother.”
Maruschka Detmers continued her career in French, Italian and American productions. In the romantic comedy Deux/Two (Claude Zidi, 1988), she played opposite Gerard Depardieu. James Travers at Films de France: “Most of the weaknesses in the script are well-concealed by Zidi’s focused and expressive direction, and by the well-judged performances by Depardieu and Detmers. The two actors bring genuine feeling and sensitivity to their portrayals.” Other French films include Comedie d'été/Summer Interlude (Daniel Vigne, 1989), and Le brasier (Eric Barbier, 1991) with Jean-Marc Barr and Thierry Fortineau. The latter, a drama about the social struggles of a mining area in the 1930s, was a commercial disaster, selling less than 40,000 tickets in the Paris region. However, Detmers fell in love with co-star Thierry Fortineau and from their relationship daughter Jade Fortineau was born in 1991. Detmers’s best-known American film is the musical drama Mambo Kings (Arne Glimcher, 1992), starring Antonio Banderas and Armand Assante. It is an adaptation of Oscar Hijuelos's 1989 Pulitzer Prize-winning novel The Mambo Kings Play Songs of Love. The film received mostly positive reviews from critics but underperformed at the box office. Later Detmers mostly worked in the French cinema. Her later films include Te quiero (Manuel Poirier, 2001) with Sergi López, the drama Le Père Goriot/Father Goriot (Jean-Daniel Verhaeghe, 2004), based on the novel by Honoré de Balzac featuring Charles Aznavour, and the teen comedy Nos 18 ans/School's Out (Frédéric Berthe, 2008). In Germany, she appeared opposite Tom Schilling in the comedy Robert Zimmermann wundert sich über die Liebe/ Robert Zimmermann Is Tangled Up in Love (Leander Haussmann, 2008) about a Spring-Autumn romance. Finally, she made her Dutch film debut in the comedy-drama Ventoux (Nicole van Kilsdonk, 2015). However, she now mostly works for French television, including a part in the hit series Marseille (Thomas Gilou, Florent-Emilio Siri, 2016), starring Gérard Depardieu. Maruschka Detmers lives in Paris. Her daughter Jade Fortineau is now also an actress.
Sources: Hal Erickson (AllMovie), Louis Schwartz (AllMovie), James Travers (Films de France), AllMovie, Wikipedia (English and Dutch) and IMDb.
And, please check out our blog European Film Star Postcards.
Lumbinī (Nepali and Sanskrit: लुम्बिनी, "the lovely") is a Buddhist pilgrimage site in the Rupandehi District of Nepal. It is the place where, according to Buddhist tradition, Queen Mayadevi gave birth to Siddhartha Gautama in 623 BCE. Gautama, who achieved Enlightenment some time around 588 BCE, became the Gautama Buddha and founded Buddhism. Lumbini is one of many magnets for pilgrimage that sprang up in places pivotal to the life of Gautama Buddha; other notable pilgrimage sites include Kushinagar, Bodh Gaya and Sarnath.
Lumbini has a number of temples, including the Mayadevi Temple and several others which are still under construction. Many monuments, monasteries and a museum — the Lumbini International Research Institute — are also located within the holy site. Also located there is the Puskarini or Holy Pond where the Buddha's mother took the ritual dip prior to his birth and where he, too, had his first bath. At other sites near Lumbini, earlier Buddhas were, according to tradition, born, achieved ultimate Enlightenment and finally relinquished their earthly forms.
Lumbini was granted World Heritage status by UNESCO in 1997.
IN BUDDHA´S TIME
In the Buddha's time, Lumbini was situated between Kapilavastu and Devadaha (both in Nepal). It was there, that the Buddha was born. A pillar now marks the spot of Ashoka's visit to Lumbiní. According to an inscription on the pillar, it was placed there by the people then in charge of the park to commemorate Ashoka's visit and gifts. The park was previously known as Rummindei, 3.2 km north of Bhagavanpura.
In the Sutta Nipáta (vs. 683) it is stated that the Buddha was born in a village of the Sákyans in the Lumbineyya Janapada. The Buddha stayed in Lumbinívana during his visit to Devadaha and there preached the Devadaha Sutta.
REDISCOVERY
In 1896, Nepalese archaeologists (led by Khadga Samsher Rana and assisted by Alois Anton Führer) discovered a great stone pillar at Lumbini. Führer postulated that the pillar was placed at the site by Ashoka (emperor of the Maurya Empire) circa 245 BCE. Records made by the Chinese pilgrim Faxian in the early fifth century CE were also used in the process of identifying this religiously acclaimed site.
Recent excavations beneath existing brick structures at the Mayadevi Temple at Lumbini have uncovered evidence for an older timber structure beneath the walls of the newer brick Buddhist shrine, which was constructed during the Ashokan era. The layout of the Ashokan shrine closely follows that of the earlier timber structure, which suggests a continuity of worship at the site. The pre-Mauryan timber structure appears to be an ancient bodhigara (tree shrine), consisting of postholes and a wooden railing surrounding a clay floor containing mineralized tree roots that appears to have been worn smooth by visitors. Radiocarbon dating of charcoal from the wooden postholes and optically stimulated luminescence dating of elements in the soil suggests human activity (possibly pre-Buddhist tree worship) began at the site around 1000 BCE, followed by the development of a Buddhist monastery-like community by approximately 550 BCE.
PRESENT-DAY
The present-day Lumbini historic site is 4.8 km in length and 1.6 km in width. The holy site of Lumbini is bordered by a large monastic zone in which only monasteries can be built, no shops, hotels or restaurants. It is separated into an eastern and western monastic zone, the eastern having the Theravadin monasteries, the western having Mahayana and Vajrayana monasteries.
The holy site of Lumbini has ruins of ancient monasteries, a sacred Bodhi tree, an ancient bathing pond, the Ashokan pillar and the Mayadevi Temple, where the supposed place of birth of Buddha is located. From early morning to early evening, pilgrims from various countries perform chanting and meditation at the site.
A non-governmental organization named Samriddhi Foundation started in 2013 working extensively in the field of education and health specially in government schools of the area where underprivileged children study. A non-governmental organisation called "Asia Pacific Exchange and Cooperation Foundation" (APECF) backed by chairman of the Unified Communist Party of Nepal (Maoist) and then Prime Minister Prachanda, the Chinese government and a UN group called "United Nations Industrial Development Organization" (UNIDO) signed a deal to develop Lumbini into a "special development zone" with funds worth $3 billion. The venture was a China-UN joint project. A broader 'Lumbini Development National Director Committee' under the leadership of Pushpa Kamal Dahal was formed on 17 October 2011. The six-member committee included Communist Party of Nepal (Unified Marxist-Leninist) leader Mangal Siddhi Manandhar, Nepali Congress leader Minendra Rijal, Forest Minister Mohammad Wakil Musalman, among other leaders. The committee was given the authority to "draft a master plan to develop Lumbini as a peaceful and tourism area and table the proposal" and the responsibility to gather international support for the same.
Nipponzan Myohoji decided to build a Peace Pagoda in the park in 2001, which is visited by many different cultures and religions every day.
Hindus regard the Buddha as an incarnation of Vishnu and thousands of Hindu pilgrims go there on the full moon of the Nepali month of Baisakh (April–May) to worship Queen Mayadevi as Rupa Devi, the mother goddess of Lumbini.
Lumbini was granted World Heritage status by UNESCO in 1997.
ON THE NEPALI RUPEE
Nepal's central bank has introduced a 100-rupee Nepali note featuring Lumbini, the birthplace of Buddha. The Nepal Rastra Bank said the new note would be accessible only during the Dashain, Nepal's major festival in October 2013. It displays the portrait of Mayadevi, Gautam Buddha's mother in silver metallic on the front. The note also has a black dot which would help the blind recognise the note. The name of the central bank in Latin script would be printed on the note along with the date of printing in both the Christian Era and the Bikram Era. The new note is being issued following a cabinet decision 27 August.
TRANSPORT
Lumbini is a 9-hour drive from Kathmandu and a 30-minute drive from Bhairahawa. The closest airport is Gautam Buddha Airport at Bhairahawa, with flights to and from Kathmandu.
WIKIPEDIA
Lately I’ve been keeping busy with preparations for my forthcoming book, ‘Bangor Then and Now’, which will include over 100 images of Bangor, showing how it has changed throughout the last century. The book will feature historic views from my postcard collection, with corresponding images taken in 2012, showing the same scenes today.
Yesterday I was engaged in writing the text to accompany the views of Upper Main Street and the old BCDR Railway Station; tonight’s task is to write the accompanying text for the views of and around Clandeboye House, Bangor Castle and what was once known as ‘Church Quarter’ (the area surrounding Bangor Abbey).
I’ve loved re-reading my collection of books about aspects of Bangor’s history, along with original sources such as tourist guides and official publications. The Official Guides issued by Bangor Borough Council from the 1930s are wonderful to flick through, as much for the information about the amenities, as for the pictures and advertisements. Even more recent publications have proved helpful, such as the commemorative brochure issued when the new bus and rail station opened in 2001. It’s a bit alarming how soon the ‘modern’ becomes a part of the historical narrative!
I’ve also loved rediscovering the messages penned on the back of the postcards in my collection, some of which will be reproduced in my book, providing a fascinating glimpse into the social history of a visit to Bangor in times gone by.
Bangor Then and Now is due to be published about early November 2012. More details will follow. Thanks for all your views and comments over the years. I hope you’ll consider buying a copy of the book, when it comes out :-)
Original Caption: This report includes a photograph of Superintendent Boles with Amelia Earhart Putnam who visited Carlsbad Caverns.
From:: Series: Correspondence and Other Records Relating to National Parks, Monuments, and Recreational Areas, compiled 1927 - 1953
Created By:: Department of the Interior. National Park Service. Region III. Carlsbad Caverns National Park. (08/07/1937 - 06/1962)
Production Date: 06/1932 - 06/1932
Persistent URL: arcweb.archives.gov/arc/action/ExternalIdSearch?id=293450
Repository: NARA's Rocky Mountain Region (Denver)
For information about ordering reproductions of photographs held by the Still Picture Unit, visit: www.archives.gov/research/order/still-pictures.html
Reproductions may be ordered via an independent vendor. NARA maintains a list of vendors at www.archives.gov/research/order/vendors-photos-maps-dc.html
Access Restrictions: Unrestricted
Use Restrictions: Unrestricted
There are no known copyright restrictions on this image. All future uses of this photo should include the courtesy line, "Photo courtesy Orange County Archives."
Comments are welcome after reading our Comment Policy.
(PIO397)
The Perdana Lake Gardens, a 92-hectare manicured garden near the Malaysian Parliament building, was once home to a British colonial official. The park includes a Butterfly Park, Deer Park, Orchid Garden, Hibiscus Garden and Kuala Lumpur Bird Park, Southeast Asia's largest bird park.
Kuala Lumpur is the capital and largest city of Malaysia. The city proper, making up an area of 244 km2, has an estimated population of 1.6 million in 2006. Greater Kuala Lumpur, also known as the Klang Valley, is an urban agglomeration of 7.2 million. It is the fastest growing metropolitan region in the country, in terms of population as well as economy.
Kuala Lumpur is the seat of the Parliament of Malaysia. The city was once home to the executive and judicial branches of the federal government, but they have since moved to Putrajaya starting in 1999. Some sections of the judiciary remain in the capital. The official residence of the Malaysian King, the Istana Negara, is also situated in Kuala Lumpur. The city is also the cultural and economic centre of Malaysia due to its position as the capital as well as being a primate city.
See: Kuala Lumpur
New - and much needed - cycle racks being installed in Shoreham. Sensibly they have been positioned where cars don't - or shouldn't park and they don't take up pavement space. So no losers here.
Necropolis in Orlyonok Park.
Includes a mass grave (1919-1942) and three separate burials (1941-1942). The mass grave was created on the cadet parade ground in September 1919, where 50 Red Army soldiers who died in battles with the White Guard formations of the Volunteer Army from September 8 to 13, 1919, were buried.
The Great Patriotic War (Russian: Вели́кая Оте́чественная война́, romanized: Velikaja Otečestvennaja vojna) is a term used in Russia and some other former republics of the Soviet Union to describe the conflict fought during the period from 22 June 1941 to 9 May 1945 along the many fronts of the Eastern Front of World War II, primarily between the Soviet Union and Nazi Germany. For some legal purposes, this period may be extended to 11 May 1945 to include the end of the Prague offensive.
History
The term Patriotic War refers to the Russian resistance to the French invasion of Russia under Napoleon I, which became known as the Patriotic War of 1812. In Russian, the term отечественная война originally referred to a war on one's own territory (otechestvo means "the fatherland"), as opposed to a campaign abroad (заграничная война), and later was reinterpreted as a war for the fatherland, i.e. a defensive war for one's homeland. Sometimes the Patriotic War of 1812 was also referred to as the Great Patriotic War (Великая отечественная война); the phrase first appeared in 1844 and became popular on the eve of the centenary of the Patriotic War of 1812.
After 1914, the phrase was applied to World War I. It was the name of a special war-time appendix to the magazine Theater and Life (Театр и жизнь) in Saint Petersburg, and referred to the Eastern Front of World War I, where Russia fought against the German Empire and the Austro-Hungarian Empire. The phrases Second Patriotic War (Вторая отечественная война) and Great World Patriotic War (Великая всемирная отечественная война) were also used during World War I in Russia.
The term Great Patriotic War re-appeared in the official newspaper of the CPSU, Pravda, on 23 June 1941, just a day after Germany invaded the Soviet Union. It was found in the title of "The Great Patriotic War of the Soviet People" (Velikaya Otechestvennaya Voyna Sovetskogo Naroda), a long article by Yemelyan Yaroslavsky, a member of Pravda editors' collegium. The phrase was intended to motivate the population to defend the Soviet fatherland and to expel the invader, and a reference to the Patriotic War of 1812 was seen as a great morale booster. During the Soviet period, historians engaged in huge distortions to make history fit with Communist ideology, with Marshal Mikhail Kutuzov and Prince Pyotr Bagration transformed into peasant generals, Alexander I alternatively ignored or vilified, and the war becoming a massive "People's War" fought by the ordinary people of Russia with almost no involvement on the part of the government. The invasion by Germany was called the Great Patriotic War by the Soviet government to evoke comparisons with the victory by Tsar Alexander I over Napoleon's invading army.
The term Отечественная война (Patriotic War or Fatherland War) was officially recognized by establishment of the Order of the Patriotic War on 20 May 1942, awarded for heroic deeds.
The term is not generally used outside the former Soviet Union, and the closest term is the Eastern Front of World War II (1941–1945). Neither term covers the initial phase of World War II in Eastern Europe, during which the USSR, then still in a non-aggression pact with Germany, invaded eastern Poland (1939), the Baltic states (1940), Bessarabia and Northern Bukovina (1940) and Finland (1939–1940). The term also does not cover the Soviet–Japanese War (1945) nor the Battles of Khalkhin Gol (1939).
In Russia and some other post-Soviet countries, the term is given great significance; it is accepted as a representation of the most important part of World War II. Until 2014, Uzbekistan was the only nation in the Commonwealth of Independent States that had not recognized the term, referring to it as World War II on the state holiday - the Day of Remembrance and Honour.
Ismael Miranda - Vengo Con Todo CD 2001
Vengo Con Todo CD music Product Description
VEAN VIDEO AQUI youtu.be/Uxq82FFi9Vg
Vengo Con Todo album for sale by Ismael Miranda was released Sep 11, 2001 on the Universal Music Latino label. Personnel includes: Ismael Miranda; Tony Rijos (guitar); Jose Prieto (piano); Ramon Sanchez (keyboards); Vicente Castillo, Angel Machado, Carlos Martinez (trumpet); Jesus Raffi Torres (trombone); Pedro Perez (bass); Charlie Sierra (timbales); Andy Montanez, Cheo Feliciano, Wichi Camacho, Jerry Medina, Danny Rivera (background vocals). Vengo Con Todo CD music contains a single disc with 10 songs.
Ismael Miranda adds another superior effort to his extensive discography. Vengo Con Todo songs The material is familiar, but recording- and arrangement-wise is an update and will be appreciated by incoming generations. Vengo Con Todo album for sale Like most salsa acts of the '60s and '70s, it is material that merits reconsideration. Vengo Con Todo CD music Newer audiences seem to be rooting for the older generation performances that make the newer, romantic salsa performances seem pale and indifferent by comparison. Longtime collaborator Louis Garcia's usually skilled musical direction keeps the standard Miranda repertoire alive and brimming with zest. Experience is truly the ticket, as the everlasting Miranda heads on to be treasured by the traditional salsa fans. ~ José A. Estévez, Jr.
Personnel: Tony Rijos (guitar); Louis García (tres); Pedro Pérez (bajo sexto); Vicente Cusi Castillo, Carlos Martínez, Angel Angie Machado (trumpet); Ramon B. Sanchez (keyboards); Sammy García (congas); Richard Carrasco (bongos); Charlie Sierra (timbales).
Producers: Gilberto Santa, Louis Garcia.
Engineers include: Jesus Sanchez, Carlos Rodriguez, Andres Reyes.
Director: Louis García.
Arrangers: Ramon B. Sanchez; Louis García.
Recorded at Telesound, San Juan, Puerto Rico.
Photographer: Rafi Claudio.
Ismael Miranda - Vengo Con Todo Album Track Listing
1. Me Voy Ahora
2. Maria Luisa
3.Tan Solo Cuento con Eso
4.Mi Son
5.Trayectoria
6.Para
7.Vengo Con Todo
8.Medley Peru
9.Fuero Lento
10.De Norte A Sur
"""Dilli Haat is a combination food plaza and craft bazaar located in the heart of Delhi, near the All India Institute of Medical Sciences and opposite INA Market. Dilli Haat has stalls representing each state of India, giving a complete variety of tastes available all over India. There are also stalls of crafts from all over India, and from a variety of cultural traditions of India.Unlike the traditional weekly market, the village Haat, Dilli Haat is permanent. Some shops are permanent but other sellers are rotated, usually for fifteen days.[4] Products offered may include rosewood and sandalwood carvings, embellished camel hide footwear, sophisticated fabric and drapery, gems, beads, brassware, metal crafts, and silk and wool fabrics. Shows promoting handicrafts and handlooms are held at the exhibition hall in the complex. To sell wares, there is an application process and spaces are allocated according to which state the seller is from." from : en.wikipedia.org/wiki/Dilli_Haat
Highlighted New Listing – April 23, 2010
Hamilton County, OH
Established in 1911, the Mount Airy Forest covers an impressive 1,471 acres and includes natural areas, planned landscapes, buildings, structures, and landscape features. The numerous hiking trails, bridle paths, walls, gardens, pedestrian bridges, and various other improvements within Mount Airy Forest reflect the ambitious park planning and development that took place in Cincinnati in the early to mid-20th century. Conceived as the nation’s first urban reforestation project, the park has developed over the years—especially during the Depression and post-World War II period- into a park with a variety of areas, spaces and structures designed to accommodate recreational, social, and educational activities. Today it continues to offer a large expanse of protected land within the city limits where the public can enjoy the richness and diversity of nature. Weekly Highlights: www.nps.gov/history/nr/feature/weekly_features/10_04_23_M...
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This Mount Airy Forest National Register nomination was prepared in conjunction with the The Historic Resources o/the Cincinnati Park and Parkway System, 1817-1959 which documents the history and development of one of the most comprehensive urban park systems in the nation. The study (or MPD) includes historic contexts, definition of property types and registration requirements, methodology, and bibliography. Mount Airy Forest is the largest park, by far, in Cincinnati's park system. The period of significance extends from its creation in 1911 until 1959, when the Police Headquarters was constructed. The end date also coincides with R. Carl Freund's death, the architect for twelve Mount Airy Forest buildings. His death also established the end date for the MPD described above. The vast majority of the park was developed during the Depression era utilizing both federal funding and federal labor programs.
Mount Airy Forest is eligible for the National Register under Criterion A as one of the earliest (if not the first) urban reforestation projects in the nation; for its Depression era development utilizing federal WP A and CW A funding; and for the African-American Civilian Conservation Corps (CCC) labor that provided manpower for tree-planting, road and trail building, and construction of shelters and comfort stations; and under Criterion C for landscape architectural significance as a joint design developed by noted landscape architect George E. Kessler and State Forester Edmund Secrest; for its architectural significance representing "Rustic" park architectural design; for the quality of the construction and craftsmanship of the buildings and structures in the park; and for the association with R. Carl Freund, the Cincinnati Park Board's most prolific architect, who designed 12 buildings in Mount Airy Forest and 37 for the Cincinnati Park Board between 1930 and 1959.
Mount Airy Forest was established in 1911 with an initial purchase of 168 acres. Although reforestation efforts began immediately, the construction of roads, trails, buildings, and walls began during the Depression. The CCC camp established in Mount Airy Forest was one of 2,600 camps established nationally to employ young men aged 17- 25. Of the several thousand CCC camps established during the Depression, approximately 150 employed all African-American youth. Between 1933 when the CCC was founded and 1941, 250,000 African-Americans served in the CCC. (Edgar Brown, The CCC and Colored Youth, U. S. Government Printing Office, 1941) The CCC camp in Mount Airy Forest operated from July 10, 1935 to July 14, 1937, and provided 51,414 man days of work in the park and accomplished a tremendous amount of work.
Regensburg is one of Germany’s best preserved medieval Cities. Architectural highlights include the Old Town Hall, the beautiful white and gold Old Chapel, and the Porta Pretoria, gates to an acient Roman fort built in 179 A.D The city is the capital of Upper palatinate , a bustling university town and one of Bavaria’s cultural centers.
The Stone Bridge over the River Donau (Danube). In the old downtown there are two side-by-side cathedrals built at different times. It is easy to see which is older, the one with the round windows. Larger arched windows are relatively new construction
Built in the 1300s to replace earlier cathedrals, Regensburg Cathedral (Dom St. Peter) is the finest Gothic building in Bavaria. Its harmonious exterior, alive with interesting medieval sculptures, has recently been fully cleaned. Inside are even more sculptures along with an extensive collection of medieval stained glass.
From Sunday's action at the 73rd Member's Meeting at Goodwood - a revival of the meetings held until the mid '60s
sheridan, wyoming
1972
all american indian days
"miss indian america" pageant
set includes pictures taken during a trip through the blacks hills of the western united states; to include shots of the all-american indian days celebration in sheridan, wyoming, devil's tower national monument, and the "days of '76" festival in deadwood, south dakota.
part of an archival project, featuring the photographs of nick dewolf
© the Nick DeWolf Foundation
Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com
Beer Olympics @ The Anza Club - Vancouver, BC
May 8th, 2014
Events include:
Blind Tasting
Tricycle Races
Lost & Found Relay
Lemon Race
Sponsored by:
Red Truck Beer
Driftwood Brewery
Hoyne Brewing Company
Parallel 49 Brewing Company
Tutankhamun's exquisite gilded throne, adorned with a wonderful inlaid scene of the young king with his queen Ankhesamun in attendance. The scene includes the Aten disc between the figures, reflecting the Amarna cult of his father Akhenaten and thus must date from early in his reign whilst the royal couple still used their original names, Tutankhaten and Ankhesapaten.
The most celebrated part of the Cairo Museum's collection has for the best part of a century been the incomparable treasures of Tutankhamun's tomb housed in two long galleries on the upper floor. The greatest archaeological discovery of all time, the virtually intact tomb of the young pharaoh was discovered in 1922 in the Valley of the Kings, undisturbed since antiquity owing to the King's relative obscurity.
Tutankhamun was born Tutankhaten, son and successor of the 'heretic' pharaoh Akhenaten who dispensed with Egypt's centuries old religion in favour of his new god, the sun disk he called Aten. At Akhenaten's death Tutankhaten was only nine years old and early in his reign was persuaded to restore Egypt's religion and traditions, abandoning the cult of Aten and restoring the prominence of Amun, god of Thebes, thus changing his name to Tutankhamun. His early death barely a decade later and association with his reviled father led to the young pharaoh sharing his fate in being struck from the records and lists of Kings (an act of damnatio memoriae), thus his tomb itself was quickly forgotten and hidden beneath later structures whilst those of more famous rulers were stripped bare, probably within decades.
Howard Carter's discovery of the still sealed tomb in 1922 caused a sensation, nothing so complete had ever been found before. The tomb itself was small by pharaonic standards, prepared in a hurry as the king died in his late teens with two main chambers and a further two side chambers crammed with artworks, treasures and furnishings, along with the king's body sealed within four gilded-wooden shrines, three superbly rich coffins and the incomparable golden mask upon his head. Better still, the pharaoh's reign in the 18th Dynasty coincided with a particularly high period for artistic achievement, meaning that so much was of the highest quality. One can only imagine the riches that must have disappeared from the much larger tombs of the more famous rulers, compared to this tiny treasure-trove!
Tutankhamun's collection has resided in Cairo's Egyptian Museum ever since its discovery, but by the end of 2018 will have moved again to the new Grand Egyptian Museum in Giza (currently being prepared for partial opening later this year). The treasures will be displayed in their entirety for the first time, and many pieces have already been transferred. This visit offered us a last opportunity to view most of the major pieces in their central Cairo home for one last time.
For more on the 'obscure' pharaoh who millennia later became Egypt's most celebrated, see the link below:-
In July 2002 Lothian Buses Ltd purchased Guide Friday’s Edinburgh Tours business. The acquisition** included nine Leyland Olympians, which were allocated fleet numbers as follows –
40 C147 KBT, 41 A514 VKG, 42 A515 VKG, 43 A517 VKG, 44 A156 FPG, 45 A158 FPG, 46 A158 FPG, 47 A145 DPE & 49 LBO 501X.
** Six Leyland Atlanteans and one Daimler Fleetline were also acquired.
Includes information supplied by friend David McGow.
416 GF A156 FPG 20000331 to 0411 ae2 cpy
We sell different kinds of inflatable featured products include bounce house,inflatable,bouncer,inflatable castles,inflatable slides,inflatable sports,inflatable tent,inflatable water games,inflatable pools,inflatable boat,inflatable air dancer,inflatable balloons and so on.We also can produce the inflatable bouncers as your design,size and colors.
If you have any further questions please let me know.
Email:info@yginflatable.com
website:http://www.pangoinflatable.com/
Jon Magnuson, Executive Director of the nonprofit Cedar Tree Institute in Marquette Michigan th
906-2285494
magnusonx2@charter.net
EarthKeepers II (EK II) Project Coordinator Kyra Fillmore Ziomkowski explains creating 30 interfaith community gardens (2013-2014) across the Upper Peninsula of Michigan that include vegetables and native species plants that encourage and help pollinators like bees and butterflies.
The video was shot on April 5, 2013 at the Big Bay Point Lighthouse Bed and Breakfast in Big Bay, MI during a meeting of EK II representatives.
An Interfaith Energy Conservation and Community Garden Initiative Across the Upper Peninsula of Michigan to Restore Native Plants and Protect the Great Lakes from Toxins like Airborne Mercury in cooperation with the EPA Great Lakes Restoration Initiative, U.S. Forest Service, 10 faith traditions and Native American tribes such as Keweenaw Bay Indian Community
10 faiths: Roman Catholic" "Episcopal" "Jewish" "Lutheran" "Presbyterian" "United Methodist" "Bahá'í" "Unitarian Universalist" "American Friends" "Quaker" "Zen Buddhist" "
EK II website
Nonprofit Cedar Tree Institute
Marquette, MI
Great Lakes Restoration Initiative
Deborah Lamberty
Program Analyst
U.S. Environmental Protection Agency
Great Lakes National Program Office
Chicago, IL
Lamberty.Deborah@epa.gov
312-886-6681
Pastor Albert Valentine II
Manistique, MI
Manistique Presbyterian Church of the Redeemer
Gould City Community Presbyterian Church
Presbytery of Mackinac
Rev. Christine Bergquist
Bark River United Methodist Church
First UMC of Hermansville
United Methodist Church Marquette District
Rev. Elisabeth Zant
Eden Evangelical Lutheran Church
Munising, MI
Evangelical Lutheran Church in America (ELCA) Northern Great Lakes Synod
Heidi Gould
Marquette, MI
Marquette Unitarian Universalist Congregation
Rev. Pete Andersen
Marquette, MI
ELCA
Helen Grossman
Temple Beth Sholom
Jewish Synagogue
Rev. Stephen Gauger
Calvary Lutheran Church
Rapid River, MI
ELCA
Jan Schultz, Botanist
U.S. Forest Service (USFS)
Eastern Region 9
EK II Technical Advisor for Community Gardens
Milwaukee, WI
USFS
www.fs.fed.us/wildflowers/nativegardening
Pollinator photos by Nancy Parker Hill
Rev. David Van Kley, Senior Pastor
Rev. Amanda Kossow, Associate Pastor
Messiah Lutheran Church
Evangelical Lutheran Church in America
Marquette, Michigan
Rev. David Van Kley, Senior Pastor
Rev. Amanda Kossow, Associate Pastor
NMU EK II Student Team
Katelin Bingner
Tom Merkel
Adam Magnuson
EK II social sites
www.youtube.com/EarthKeepersII
www.facebook.com/EarthKeepersII
www.twitter.com/EarthKeeperTeam
pinterest.com/EarthKeepersII/Great-Lakes-Restoration-Init...
pinterest.com/EarthKeepersII/EarthKeepers-II-and-the-EPA-...
Lake Superior Zendo
Zen Buddhist Temple
Marquette, Michigan
Rev. Tesshin Paul Lehmberg
906 226-6407
plehmber@nmu.edu
Dr. Michael Grossman, representing Jewish Temple Beth Sholom in Ishpeming, MI
Helen Grossman, representing Jewish Temple Beth Sholom in Ishpeming, MI
906-475-4009 (hm)
906-475-4127 (wk)
www.templebethsholom-ishpeming.org
www.templebethsholom-ishpeming.org/tikkun
www.templebethsholom-ishpeming.org/aboutus
Wild Rice: 8 videos
www.learningfromtheearth.org/video-interviews/wild-rice-m...
Birch – 2 videos
www.learningfromtheearth.org/video-interviews/paper-birch...
Photos (click on each name or topic to see the respective photo galleries):
www.learningfromtheearth.org/photo-gallery
www.picasaweb.google.com/Yoopernewsman/JonReport?authuser...
www.picasaweb.google.com/100329402090002004302/JonReport?...
“Albert Einstein speculated once that if bees disappeared off the surface of the earth, then humans would have only four years of life left.”
the late Todd Warner, KBIC Natural Resource Director
Links:
Zaagkii Wings and Seeds Project website:
Cedar Tree Institute: Zaagkii Project
www.cedartreeinstitute.org/2010/07/wings-seeds-zaagkii-pr...
www.cedartreeinstitute.org/2009/01/wings-seeds-the-zaagki...
Zaagkii Project Videos on youtube (also uploaded to dozens of internet sites):
KBIC Pollinator Preservation
www.indiancountrytodaymedianetwork.com/ictarchives/2008/0...
Zaagkii Project Indigenous Plants Help Give New Face to Sand Point on Keweenaw Bay www.indiancountrytodaymedianetwork.com/ictarchives/2008/0...
Zaagkii Project 2010: U.S. Forest Service & Keweenaw Bay Indian Community Native Plants Greenhouse
www.youtube.com/watch?v=Hoq5xXHDF4E
United States Forest Service sponsored Zaagkii Project featured on Pollinator Live
www.youtube.com/watch?v=8P3DPfxx7Jw
2009 Zaagkii Project Vid #9: Teens Painting Mason Bee Houses in Northern Michigan
www.youtube.com/watch?v=QIIV6jrlT20
2009 Zaagkii Project Vid #8: Marquette, Michigan Teens Build Mason Bee Houses
www.youtube.com/watch?v=c3MBfV7ION8
Zaagkii Project Butterfly Houses: Keweenaw Bay Indian Community, U.S. Forest Service
www.youtube.com/watch?v=hGQScEI9x7Q
2009 Zaagkii Project Vid #6: "The Butterfly Lady" Susan Payant teaches teens about Monarchs
www.youtube.com/watch?v=JlIgsuTFSuM
2009 Zaagkii Project Vid #5: Terracotta half-life, Marquette, MI band supports environment projects
www.youtube.com/watch?v=JqlFCHwW30o
2009 Zaagkii Video #4: Michigan teens meet 150,000 swarming honeybees with beekeeper Jim Hayward
www.youtube.com/watch?v=U2B4MEzM7w4
2009 Zaagkii Video #3: Michigan teens give away mason bee houses, honor supporters
www.youtube.com/watch?v=dqfWeEgDxTY
2009 Zaagkii Project #2: Historic KBIC native plants greenhouse, USFS protects pollinators
www.youtube.com/watch?v=vg8H5nhvzzc
2009 Zaagkii Project #1: Students make bee houses, plant native species plants
www.youtube.com/watch?v=E8jqJAQyXwE
Zaagkii Project Butterfly Houses: Keweenaw Bay Indian Community, U.S. Forest Service:
www.youtube.com/watch?v=hGQScEI9x7Q
Zaagkii Wings & Seeds Project: Northern Michigan teens, KBIC tribal youth protect pollinators
www.youtube.com/watch?v=VoPJOXHt7pI
Zaagkii Project – Northern Michigan University:
www.webb.nmu.edu/Centers/NativeAmericanStudies/SiteSectio...
Native Village stories: Beautiful Layout by Owner Gina Boltz:
Zaagkii Wings and Seeds Project: A Project by Ojibwe Students from the Keweenah Bay Indian Community
www.nativevillage.org/Messages%20from%20the%20People/KBIC...
NMU Students Join Pollinator Protection Initiative
www.nativevillage.org/Messages%20from%20the%20People/KBIC...
KBIC Tribal youth protect pollinators
www.nativevillage.org/Messages%20from%20the%20People/KBIC...
Teens Help with Sweet Nature Project
www.nativevillage.org/Messages%20from%20the%20People/KBIC...
USFS Success Stories:
Restoring Native Plants on the Enchanted Island
www.fs.fed.us/r9/ssrs/story?id=6274
Keweenaw Bay Indian Community Native Plant Greenhouse & Workshop
www.fs.fed.us/r9/ssrs/story?id=5499
Intertribal Nursery Council Annual Meeting a Success
www.fs.fed.us/r9/ssrs/story?id=6276
New Greenhouse for KBIC Restoration
www.fs.fed.us/r9/ssrs/story?id=5336
Zaagkii Wings & Seeds - An Update
www.fs.fed.us/r9/ssrs/story?id=5076
Zaagkii Wings & Seeds Project
www.fs.fed.us/r9/ssrs/story?id=4025
News Stories:
U.P. teens build butterfly houses, grow 26,000 indigenous plants
www.miningjournal.net/page/content.detail/id/519835.html?...
Effort to protect pollinators launched
www.miningjournal.net/page/content.detail/id/512810.html
Marquette Monthly (Sept. 2009):
www.mmnow.com/mm_archive_folder/09/0909/feature.html
As bees die, Keweena Bay Indian Community adults, teens actively protect pollinators
www.nativetimes.com/index.php?option=com_content&view...
Michigan Teens Build Butterfly Houses and Plant 26,000 Native Plants through the Zaagkii Wings and Seeds Project
www.treehugger.com/culture/michigan-teens-build-butterfly...
Examples of numerous Gather.com articles with lots of photos/videos:
Zaagkii Wings and Seeds Project: Northern Michigan teens and KBIC tribal youth are protecting pollinators by building butterfly houses and planting native plants
www.gather.com/viewArticle.action?articleId=281474977550233
Zaagkii Wings & Seeds Project: Protecting Pollinators
www.gather.com/viewArticle.action?articleId=281474977428640
2009 Zaagkii Project #2: Keweenaw Bay Indian Community in 2010 to build first Native American native species plants greenhouse on tribal property in U.S.
www.gather.com/viewArticle.action?articleId=281474978040745
2009 Zaagkii Project #1: Northern Michigan Teens Protect Pollinators with U.S. Forest Service, Keweenaw Bay Indian Community, NMU Center for Native American Studies: Build mason bee houses, butterfly houses, distribute thousands of native species plants
www.gather.com/viewArticle.action?articleId=281474978040729
Zaagkii Project Internet sites – blogs, photos, videos etc.:
ZaagkiiProject on flickr
www.flickr.com/photos/zaagkiiproject
www.flickr.com/people/zaagkiiproject
Zaagkii on youtube:
Zaagkii on bliptv:
Zaagkii on word press:
www.zaagkiiproject.wordpress.com
Zaagkii on Blogger:
www.zaagkiiproject.blogspot.com
Zaagkii on Photobucket:
www.photobucket.com/ZaagkiiProjectWingsSeeds
www.photobucket.com/ZaagkiiProjectWingsSeeds/?start=all
Zaagkii Wings and Seeds Project website:
Cedar Tree Institute: Zaagkii Project
cedartreeinstitute.org/2010/07/wings-seeds-zaagkii-project
cedartreeinstitute.org/2009/01/wings-seeds-the-zaagkii-pr...
Zaagkii Project Videos on youtube (also uploaded to dozens of internet sites):
KBIC Pollinator Preservation
indiancountrytodaymedianetwork.com/ictarchives/2008/08/15...
Zaagkii Project Indigenous Plants Help Give New Face to Sand Point on Keweenaw Bay indiancountrytodaymedianetwork.com/ictarchives/2008/09/03...
Zaagkii Project 2010: U.S. Forest Service & Keweenaw Bay Indian Community Native Plants Greenhouse
www.youtube.com/watch?v=Hoq5xXHDF4E
United States Forest Service sponsored Zaagkii Project featured on Pollinator Live
www.youtube.com/watch?v=8P3DPfxx7Jw
2009 Zaagkii Project Vid #9: Teens Painting Mason Bee Houses in Northern Michigan
www.youtube.com/watch?v=QIIV6jrlT20
2009 Zaagkii Project Vid #8: Marquette, Michigan Teens Build Mason Bee Houses
www.youtube.com/watch?v=c3MBfV7ION8
Zaagkii Project Butterfly Houses: Keweenaw Bay Indian Community, U.S. Forest Service
www.youtube.com/watch?v=hGQScEI9x7Q
2009 Zaagkii Project Vid #6: "The Butterfly Lady" Susan Payant teaches teens about Monarchs
www.youtube.com/watch?v=JlIgsuTFSuM
2009 Zaagkii Project Vid #5: Terracotta half-life, Marquette, MI band supports environment projects
www.youtube.com/watch?v=JqlFCHwW30o
2009 Zaagkii Video #4: Michigan teens meet 150,000 swarming honeybees with beekeeper Jim Hayward
www.youtube.com/watch?v=U2B4MEzM7w4
2009 Zaagkii Video #3: Michigan teens give away mason bee houses, honor supporters
www.youtube.com/watch?v=dqfWeEgDxTY
2009 Zaagkii Project #2: Historic KBIC native plants greenhouse, USFS protects pollinators
www.youtube.com/watch?v=vg8H5nhvzzc
2009 Zaagkii Project #1: Students make bee houses, plant native species plants
www.youtube.com/watch?v=E8jqJAQyXwE
Zaagkii Project Butterfly Houses: Keweenaw Bay Indian Community, U.S. Forest Service:
www.youtube.com/watch?v=hGQScEI9x7Q
Zaagkii Wings & Seeds Project: Northern Michigan teens, KBIC tribal youth protect pollinators
www.youtube.com/watch?v=VoPJOXHt7pI
Zaagkii Project – Northern Michigan University:
webb.nmu.edu/Centers/NativeAmericanStudies/SiteSections/A...
Native Village stories: Beautiful Layout by Owner Gina Boltz:
Zaagkii Wings and Seeds Project: A Project by Ojibwe Students from the Keweenah Bay Indian Community
www.nativevillage.org/Messages%20from%20the%20People/KBIC...
NMU Students Join Pollinator Protection Initiative
www.nativevillage.org/Messages%20from%20the%20People/KBIC...
KBIC Tribal youth protect pollinators
www.nativevillage.org/Messages%20from%20the%20People/KBIC...
Teens Help with Sweet Nature Project
www.nativevillage.org/Messages%20from%20the%20People/KBIC...
USFS Success Stories:
Restoring Native Plants on the Enchanted Island
www.fs.fed.us/r9/ssrs/story?id=6274
Keweenaw Bay Indian Community Native Plant Greenhouse & Workshop
www.fs.fed.us/r9/ssrs/story?id=5499
Intertribal Nursery Council Annual Meeting a Success
www.fs.fed.us/r9/ssrs/story?id=6276
New Greenhouse for KBIC Restoration
www.fs.fed.us/r9/ssrs/story?id=5336
Zaagkii Wings & Seeds - An Update
www.fs.fed.us/r9/ssrs/story?id=5076
Zaagkii Wings & Seeds Project
www.fs.fed.us/r9/ssrs/story?id=4025
News Stories:
U.P. teens build butterfly houses, grow 26,000 indigenous plants
www.miningjournal.net/page/content.detail/id/519835.html?...
Effort to protect pollinators launched
www.miningjournal.net/page/content.detail/id/512810.html
Marquette Monthly (Sept. 2009):
mmnow.com/mm_archive_folder/09/0909/feature.html
As bees die, Keweena Bay Indian Community adults, teens actively protect pollinators
nativetimes.com/index.php?option=com_content&view=art...
Michigan Teens Build Butterfly Houses and Plant 26,000 Native Plants through the Zaagkii Wings and Seeds Project
www.treehugger.com/culture/michigan-teens-build-butterfly...
Examples of numerous Gather.com articles with lots of photos/videos:
Zaagkii Wings and Seeds Project: Northern Michigan teens and KBIC tribal youth are protecting pollinators by building butterfly houses and planting native plants
www.gather.com/viewArticle.action?articleId=281474977550233
Zaagkii Wings & Seeds Project: Protecting Pollinators
www.gather.com/viewArticle.action?articleId=281474977428640
2009 Zaagkii Project #2: Keweenaw Bay Indian Community in 2010 to build first Native American native species plants greenhouse on tribal property in U.S.
www.gather.com/viewArticle.action?articleId=281474978040745
2009 Zaagkii Project #1: Northern Michigan Teens Protect Pollinators with U.S. Forest Service, Keweenaw Bay Indian Community, NMU Center for Native American Studies: Build mason bee houses, butterfly houses, distribute thousands of native species plants
www.gather.com/viewArticle.action?articleId=281474978040729
Zaagkii Project Internet sites – blogs, photos, videos etc.:
ZaagkiiProject on flickr
www.flickr.com/photos/zaagkiiproject
www.flickr.com/people/zaagkiiproject
Zaagkii on youtube:
Zaagkii on bliptv:
Zaagkii on word press:
Zaagkii on Blogger:
Zaagkii on Photobucket:
The new collection includes a jacket, made from a ochre or light brown cotton denim with the cutest delicate stripes ; ).
The jacket has a matching pants, but is sold seperately. Although jackets are one of the most time consuming pieces, I love to include them and of course, a collection for the colder season wouldn't be complete without a jacket!
Which combination do you like best? I'm curious to know : )!
-------------------------------
Dear friends,
Coming today to my Etsy store is my new collection “Falling leaves” that features many lovely designs for the colder days in autumn colors and with beautiful floral prints.
There are, as usual, many photos uploaded to my flickr stream, I’d be honored if you took the time to browse through them. Enjoy the colourful season!
Dearest greetings,
Nina*
Part 3 includes detailed descriptions of weapons used, vehicles, minifigs, and terrain.
Weapons:
Precision Sniper Rifle x3
HCSR x1
M110 SASS winter camo x1
Combat Shotgun x1
M4 x2
M16 x2
APOC SMG x2
Spy Tactical Pistol x1
M16 AGL x1
HSR x2
MGL x1
AC8 desert camo x1
Combat LMG c1
M23 SOCOM no barrel x1
XM7 x2
XM7s x2
Something like XM7s x3
XRG x2
Space Magnum x4
XLMD x2
XMS x2
XBR3 x2
XBR4 x2
XDMR x2
Energy Pistol x7
Plasma Blade x3
Needle Gun x1
U-clip x11
Monopod x1
Bipod x4
Combat Knives x2
MAAWS x1
MAAWS rounds x3
Ammo clip x1
Minimum ammo x3
Grenade Launcher x1
M67 x4
M84 x3
Minigun x3
XSR x2
Space Assault Rifle x7
Vehicles:
UNSC Pelican
UNSC Falcon
UNSC Warthog
UNSC wolverine
UNSC mongoose
Covenant Ghost
Covenant Specter
Minifigs:
Grunts x10
Huragok x1
Jackal x4
Elite x4
Spartan x10
Marine x7
Pilot x2
Mechanic x3
Commander x4
Terrain shown without everyone on it.
Hindu deities are the gods and goddesses in Hinduism. The terms and epithets found in Indian culture, that are translated as deity, varies with the text and diverse traditions within Hinduism, and include Deva, Devi, Ishvara, Bhagavan and Bhagavathi.[1][2][note 1]
The deities of Hinduism have evolved from Vedic era (2nd millennium BCE) through medieval era (1st millennium CE), regionally within India and in southeast Asia, and across Hinduism's diverse traditions.[3][4] The Hindu deity concept varies from a personal god as in Yoga school of Hindu philosophy,[5][6] to 33 Vedic deities,[7] to hundreds of Puranic deities, to millions of deities in Tantra traditions of Hinduism.[8] Illustrations of major deities include Vishnu, Sri (Lakshmi), Shiva, Parvati (Durga), Brahma and Saraswati. These deities have distinct and complex personalities, yet often viewed as aspects of the same Ultimate Reality called Brahman.[9][note 2] From ancient times, the idea of equivalence has been cherished in Hinduism, in its texts and in early 1st millennium sculpture with concepts such as Harihara (half Shiva, half Vishnu),[10] Ardhanarishvara (half Shiva, half Parvati) or Vaikuntha Kamalaja (half Vishnu, half Lakshmi),[11] with mythologies and temples that feature them together, declaring they are the same.[12][13][14] Major deities have inspired their own Hindu traditions, such as Vaishnavism, Shaivism and Shaktism, but with shared mythology, ritual grammar, theosophy, axiology and polycentrism.[15][16][17] Some Hindu traditions such as Smartism from mid 1st millennium CE, have included multiple major deities as henotheistic manifestations of Saguna Brahman, and as a means to realizing Nirguna Brahman.[18][19][20]
Hindu deities are represented with various icons and anicons, in paintings and sculptures, called Murtis and Pratimas.[21][22][23] Some Hindu traditions, such as ancient Charvakas rejected all deities and concept of god or goddess,[24][25][26] while 19th-century British colonial era movements such as the Arya Samaj and Brahmo Samaj rejected deities and adopted monotheistic concepts similar to Abrahamic religions.[27][28] Hindu deities have been adopted in other religions such as Jainism,[29] and in regions outside India such as predominantly Buddhist Thailand and Japan where they continue to be revered in regional temples or arts.[30][31][32]
In ancient and medieval era texts of Hinduism, the human body is described as a temple,[33][34] and deities are described to be parts residing within it,[35][36] while the Brahman (Absolute Reality, God)[18][37] is described to be the same, or of similar nature, as the Atman (self, soul), which Hindus believe is eternal and within every living being.[38][39][40] Deities in Hinduism are as diverse as its traditions, and a Hindu can choose to be polytheistic, pantheistic, monotheistic, monistic, agnostic, atheistic or humanist.[41][42][43]
Deities in Hinduism are referred to as Deva (masculine) and Devi (feminine).[44][45][46] The root of these terms mean "heavenly, divine, anything of excellence".[47] According to Douglas Harper, the etymological roots of Deva mean "a shining one," from *div- "to shine," and it is a cognate with Greek dios "divine" and Zeus, and Latin deus (Old Latin deivos).[48]
In the earliest Vedic literature, all supernatural beings are called Asuras.[49][50] By the late Vedic period (~500 BCE), benevolent supernatural beings are referred to as Deva-Asuras. In post-Vedic texts, such as the Puranas and the Itihasas of Hinduism, the Devas represent the good, and the Asuras the bad.[3][4] In some medieval Indian literature, Devas are also referred to as Suras and contrasted with their equally powerful, but malevolent half-brothers referred to as the Asuras.[51]
Hindu deities are part of Indian mythology, both Devas and Devis feature in one of many cosmological theories in Hinduism.[52][53]
Characteristics of Vedic era deities[edit]
In Vedic literature, Devas and Devis represent the forces of nature and some represent moral values (such as the Adityas, Varuna, and Mitra), each symbolizing the epitome of a specialized knowledge, creative energy, exalted and magical powers (Siddhis).[54][55]
The most referred to Devas in the Rig Veda are Indra, Agni (fire) and Soma, with "fire deity" called the friend of all humanity, it and Soma being the two celebrated in a yajna fire ritual that marks major Hindu ceremonies. Savitr, Vishnu, Rudra (later given the exclusive epithet of Shiva), and Prajapati (later Brahma) are gods and hence Devas.[30]
The Vedas describes a number of significant Devis such as Ushas (dawn), Prithvi (earth), Aditi (cosmic moral order), Saraswati (river, knowledge), Vāc (sound), Nirṛti (destruction), Ratri (night), Aranyani (forest), and bounty goddesses such as Dinsana, Raka, Puramdhi, Parendi, Bharati, Mahi among others are mentioned in the Rigveda.[58] Sri, also called Lakshmi, appears in late Vedic texts dated to be pre-Buddhist, but verses dedicated to her do not suggest that her characteristics were fully developed in the Vedic era.[59] All gods and goddesses are distinguished in the Vedic times, but in the post-Vedic texts (~500 BCE to 200 CE), and particularly in the early medieval era literature, they are ultimately seen as aspects or manifestations of one Brahman, the Supreme power.[59][60]
Ananda Coomaraswamy states that Devas and Asuras in the Vedic lore are similar to Angels-Theoi-Gods and Titans of Greek mythology, both are powerful but have different orientations and inclinations, the Devas representing the powers of Light and the Asuras representing the powers of Darkness in Hindu mythology.[61][62] According to Coomaraswamy's interpretation of Devas and Asuras, both these natures exist in each human being, the tyrant and the angel is within each being, the best and the worst within each person struggles before choices and one's own nature, and the Hindu formulation of Devas and Asuras is an eternal dance between these within each person.[63][64]
The Devas and Asuras, Angels and Titans, powers of Light and powers of Darkness in Rigveda, although distinct and opposite in operation, are in essence consubstantial, their distinction being a matter not of essence but of orientation, revolution or transformation. In this case, the Titan is potentially an Angel, the Angel still by nature a Titan; the Darkness in actu is Light, the Light in potentia Darkness; whence the designations Asura and Deva may be applied to one and the same Person according to the mode of operation, as in Rigveda 1.163.3, "Trita art thou (Agni) by interior operation".
— Ananda Coomaraswamy, Journal of the American Oriental Society[65]
Characteristics of medieval era deities[edit]
In the Puranas and the Itihasas with the embedded Bhagavad Gita, the Devas represent the good, and the Asuras the bad.[3][4] According to the Bhagavad Gita (16.6-16.7), all beings in the universe have both the divine qualities (daivi sampad) and the demonic qualities (asuri sampad) within each.[4][66] The sixteenth chapter of the Bhagavad Gita states that pure god-like saints are rare and pure demon-like evil are rare among human beings, and the bulk of humanity is multi-charactered with a few or many faults.[4] According to Jeaneane Fowler, the Gita states that desires, aversions, greed, needs, emotions in various forms "are facets of ordinary lives", and it is only when they turn to lust, hate, cravings, arrogance, conceit, anger, harshness, hypocrisy, violence, cruelty and such negativity- and destruction-inclined that natural human inclinations metamorphose into something demonic (Asura).[4][66]
The Epics and medieval era texts, particularly the Puranas, developed extensive and richly varying mythologies associated with Hindu deities, including their genealogies.[67][68][69] Several of the Purana texts are named after major Hindu deities such as Vishnu, Shiva and Devi.[67] Other texts and commentators such as Adi Shankara explain that Hindu deities live or rule over the cosmic body as well in the temple of human body.[33][70] They remark that the Sun deity is the giver of vision, the Vayu deity the nose, the Prajapati the sexual organs, the Lokapalas (directions) are the ears, moon deity the mind, Mitra deity is the inward breath, Varuna deity is the outward breath, Indra deity the arms, Brhaspati the speech, Vishnu whose stride is great is the feet, and Maya is the smile.[70]
Symbolism[edit]
Edelmann states that gods and anti-gods of Hinduism are symbolism for spiritual concepts. For example, god Indra (a Deva) and the antigod Virocana (an Asura) question a sage for insights into the knowledge of the self.[71] Virocana leaves with the first given answer, believing now he can use the knowledge as a weapon. In contrast, Indra keeps pressing the sage, churning the ideas, and learning about means to inner happiness and power. Edelmann suggests that the Deva-Asura dichotomies in Hindu mythology may be seen as "narrative depictions of tendencies within our selves".[71] Hindu deities in Vedic era, states Mahoney, are those artists with "powerfully inward transformative, effective and creative mental powers".[72]
In Hindu mythology, everyone starts as an Asura, born of the same father. "Asuras who remain Asura" share the character of powerful beings craving for more power, more wealth, ego, anger, unprincipled nature, force and violence.[73][74] The "Asuras who become Devas" in contrast are driven by an inner voice, seek understanding and meaning, prefer moderation, principled behavior, aligned with Ṛta and Dharma, knowledge and harmony.[73][74][75]
The god (Deva) and antigod (Asura), states Edelmann, are also symbolically the contradictory forces that motivate each individual and people, and thus Deva-Asura dichotomy is a spiritual concept rather than mere genealogical category or species of being.[76] In the Bhāgavata Purana, saints and gods are born in families of Asuras, such as Mahabali and Prahlada, conveying the symbolism that motivations, beliefs and actions rather than one's birth and family circumstances define whether one is Deva-like or Asura-like.[76]
Another Hindu term that is sometimes translated as deity is Ishvara, or alternatively various deities are described, state Sorajjakool et al., as "the personifications of various aspects of one and the same Ishvara".[77] The term Ishvara has a wide range of meanings that depend on the era and the school of Hinduism.[78][79][80] In ancient texts of Indian philosophy, Ishvara means supreme soul, Brahman (Highest Reality), ruler, king or husband depending on the context.[78] In medieval era texts, Ishvara means God, Supreme Being, personal god, or special Self depending on the school of Hinduism.[2][80][81]
Among the six systems of Hindu philosophy, Samkhya and Mimamsa do not consider the concept of Ishvara, i.e., a supreme being, relevant. Yoga, Vaisheshika, Vedanta and Nyaya schools of Hinduism discuss Ishvara, but assign different meanings.
Early Nyaya school scholars considered the hypothesis of a deity as a creator God with the power to grant blessings, boons and fruits; but these early Nyaya scholars then rejected this hypothesis, and were non-theistic or atheists.[25][82] Later scholars of Nyaya school reconsidered this question and offered counter arguments for what is Ishvara and various arguments to prove the existence of omniscient, omnipresent, omnipotent deity (God).[83]
Vaisheshika school of Hinduism, as founded by Kanada in 1st millennium BC, neither required nor relied on creator deity.[84][85] Later Vaisheshika school adopted the concept of Ishvara, states Klaus Klostermaier, but as an eternal God who co-exists in the universe with eternal substances and atoms, but He "winds up the clock, and lets it run its course".[84]
Ancient Mimamsa scholars of Hinduism questioned what is Ishvara (deity, God)?[86] They considered deity concept unnecessary for a consistent philosophy and moksha (soteriology).[86][87]
In Samkhya school of Hindu philosophy, Isvara is neither a creator-God, nor a savior-God.[88] This is called one of the several major atheistic schools of Hinduism by some scholars.[89][90][91] Others, such as Jacobsen, state that Samkhya is more accurately described as non-theistic.[92] Deity is considered an irrelevant concept, neither defined nor denied, in Samkhya school of Hindu philosophy.[93]
In Yoga school of Hinduism, it is any "personal deity" (Ishta Deva or Ishta Devata)[94] or "spiritual inspiration", but not a creator God.[81][89] Whicher explains that while Patanjali's terse verses in the Yogasutras can be interpreted both as theistic or non-theistic, Patanjali's concept of Isvara in Yoga philosophy functions as a "transformative catalyst or guide for aiding the yogin on the path to spiritual emancipation".[95]
The Advaita Vedanta school of Hinduism asserted that there is no dualistic existence of deity (or deities).[96][97] There is no otherness nor distinction between Jiva and Ishvara.[98][99] God (Ishvara, Brahman) is identical with the Atman (soul) within each human being in Advaita Vedanta school,[100] and there is a monistic Universal Absolute Oneness that connects everyone and everything, states this school of Hinduism.[39][99][101] This school, states Anantanand Rambachan, has "perhaps exerted the most widespread influence".[102]
The Dvaita sub-school of Vedanta Hinduism, founded in medieval era, Ishvara is defined as a creator God that is distinct from Jiva (individual souls in living beings).[40] In this school, God creates individual souls, but the individual soul never was and never will become one with God; the best it can do is to experience bliss by getting infinitely close to God.[20]
Number of deities[edit]
Yāska, the earliest known language scholar of India (~ 500 BCE), notes Wilkins, mentions that there are three deities (Devas) according to the Vedas, "Agni (fire), whose place is on the earth; Vayu (wind), whose place is the air; and Surya (sun), whose place is in the sky".[107] This principle of three worlds (or zones), and its multiples is found thereafter in many ancient texts. The Samhitas, which are the oldest layer of text in Vedas enumerate 33 devas,[note 3] either 11 each for the three worlds, or as 12 Adityas, 11 Rudras, 8 Vasus and 2 Ashvins in the Brahmanas layer of Vedic texts.[7][47]
The Rigveda states in hymn 1.139.11,
ये देवासो दिव्येकादश स्थ पृथिव्यामध्येकादश स्थ ।
अप्सुक्षितो महिनैकादश स्थ ते देवासो यज्ञमिमं जुषध्वम् ॥११॥[111]
O ye eleven gods whose home is heaven, O ye eleven who make earth your dwelling,
Ye who with might, eleven, live in waters, accept this sacrifice, O gods, with pleasure.
– Translated by Ralph T. H. Griffith[112]
Gods who are eleven in heaven; who are eleven on earth;
and who are eleven dwelling with glory in mid-air; may ye be pleased with this our sacrifice.
– Translated by HH Wilson[113]
— Rigveda 1.139.11
Millions, one or one-ness?[edit]
Thirty-three divinities are mentioned in other ancient texts, such as the Yajurveda,[114] however, there is no fixed "number of deities" in Hinduism any more than a standard representation of "deity".[115] There is, however, a popular perception stating that there are 330 million (or "33 crore") deities in Hinduism.[116] Most, by far, are goddesses, state Foulston and Abbott, suggesting "how important and popular goddesses are" in Hindu culture.[115] No one has a list of the 330 million goddesses and gods, but all deities, state scholars, are typically viewed in Hinduism as "emanations or manifestation of genderless principle called Brahman, representing the many facets of Ultimate Reality".[115][116][117]
This concept of Brahman is not the same as the monotheistic separate God found in Abrahamic religions, where God is considered, states Brodd, as "creator of the world, above and independent of human existence", while in Hinduism "God, the universe, human beings and all else is essentially one thing" and everything is connected oneness, the same god is in every human being as Atman, the eternal Self.[117][118]
Hinduism has an ancient and extensive iconography tradition, particularly in the form of Murti (Sanskrit: मूर्ति, IAST: Mūrti), or Vigraha or Pratima.[22] A Murti is itself not the god in Hinduism, but it is an image of god and represents emotional and religious value.[124] A literal translation of Murti as idol is incorrect, states Jeaneane Fowler, when idol is understood as superstitious end in itself.[124] Just like the photograph of a person is not the real person, a Murti is an image in Hinduism but not the real thing, but in both cases the image reminds of something of emotional and real value to the viewer.[124] When a person worships a Murti, it is assumed to be a manifestation of the essence or spirit of the deity, the worshipper's spiritual ideas and needs are meditated through it, yet the idea of ultimate reality or Brahman is not confined in it.[124]
A Murti of a Hindu deity is typically made by carving stone, wood working, metal casting or through pottery. Medieval era texts describing their proper proportions, positions and gestures include the Puranas, Agamas and Samhitas particularly the Shilpa Shastras.[21] The expressions in a Murti vary in diverse Hindu traditions, ranging from Ugra symbolism to express destruction, fear and violence (Durga, Kali), as well as Saumya symbolism to express joy, knowledge and harmony (Saraswati, Lakshmi). Saumya images are most common in Hindu temples.[125] Other Murti forms found in Hinduism include the Linga.[126]
A Murti is an embodiment of the divine, the Ultimate Reality or Brahman to some Hindus.[21] In religious context, they are found in Hindu temples or homes, where they may be treated as a beloved guest and serve as a participant of Puja rituals in Hinduism.[127] A murti is installed by priests, in Hindu temples, through the Prana Pratishtha ceremony,[128] whereby state Harold Coward and David Goa, the "divine vital energy of the cosmos is infused into the sculpture" and then the divine is welcomed as one would welcome a friend.[129] In other occasions, it serves as the center of attention in annual festive processions and these are called Utsava Murti.[130]
In Hinduism, deities and their icons may be hosted in a Hindu temple, within a home or as an amulet. The worship performed by Hindus is known by a number of regional names, such as Puja.[134] This practice in front of a murti may be elaborate in large temples, or be a simple song or mantra muttered in home, or offering made to sunrise or river or symbolic anicon of a deity.[135][136][137] Archaeological evidence of deity worship in Hindu temples trace Puja rituals to Gupta Empire era (~4th century CE).[138][139] In Hindu temples, various pujas may be performed daily at various times of the day; in other temples, it may be occasional.[140][141]
The Puja practice is structured as an act of welcoming, hosting, honoring the deity of one's choice as one's honored guest,[142] and remembering the spiritual and emotional significance the deity represents the devotee.[124][134] Jan Gonda, as well as Diana L. Eck, states that a typical Puja involves one or more of 16 steps (Shodasha Upachara) traceable to ancient times: the deity is invited as a guest, the devotee hosts and takes care of the deity as an honored guest, praise (hymns) with Dhupa or Aarti along with food (Naivedhya) is offered to the deity, after an expression of love and respect the host takes leave, and with affection expresses good bye to the deity.[143][144] The worship practice may also involve reflecting on spiritual questions, with image serving as support for such meditation.[145]
Deity worship (Bhakti), visiting temples and Puja rituals are not mandatory and is optional in Hinduism; it is the choice of a Hindu, it may be a routine daily affair for some Hindus, periodic ritual or infrequent for some.[146][147] Worship practices in Hinduism are as diverse as its traditions, and a Hindu can choose to be polytheistic, pantheistic, monotheistic, monistic, agnostic, atheistic or humanist.[41]
Examples[edit]
Main articles: List of Hindu deities and Rigvedic deities
Major deities have inspired a vast genre of literature such as the Puranas and Agama texts as well their own Hindu traditions, but with shared mythology, ritual grammar, theosophy, axiology and polycentrism.[16][17] Vishnu and his avatars are at the foundation of Vaishnavism, Shiva for Shaivism, Devi for Shaktism, and some Hindu traditions such as Smarta traditions who revere multiple major deities (five) as henotheistic manifestations of Brahman (absolute metaphysical Reality).[116][148][149]
While there are diverse deities in Hinduism, states Lawrence, "Exclusivism – which maintains that only one's own deity is real" is rare in Hinduism.[116] Julius Lipner, and other scholars, state that pluralism and "polycentrism" – where other deities are recognized and revered by members of different "denominations", has been the Hindu ethos and way of life.[16][150]
Trimurti and Tridevi[edit]
The concept of Triad (or Trimurti, Trinity) makes a relatively late appearance in Hindu literature, or in the second half of 1st millennium BCE.[151] The idea of triad, playing three roles in the cosmic affairs, is typically associated with Brahma, Vishnu and Shiva (also called Mahesh); however, this is not the only triad in Hindu literature.[152] Other triads include Tridevi, of three goddesses – Lakshmi, Saraswati and Durga in the text Devi Mahatmya, in the Shakta tradition, who further assert that Devi is the Brahman (Ultimate Reality) and it is her energy that empowers Brahma, Vishnu and Shiva.[151] The other triads, formulated as deities in ancient Indian literature, include Sun (creator), Air (sustainer) and Fire (destroyer); Prana (creator), Food (sustainer) and Time (destroyer).[151] These triads, states Jan Gonda, are in some mythologies grouped together without forming a Trinity, and in other times represented as equal, a unity and manifestations of one Brahman.[151] In the Puranas, for example, this idea of threefold "hypostatization" is expressed as follows,
They [Brahma, Vishnu, Shiva] exist through each other, and uphold each other; they are parts of one another; they subsist through one another; they are not for a moment separated; they never abandon one another.
— Vayu Purana, 5.17, Translated by Jan Gonda[151]
The triad appears in Maitrayaniya Upanishad, for the first time in recognized roles known ever since, where they are deployed to present the concept of three Guṇa – the innate nature, tendencies and inner forces found within every being and everything, whose balance transform and keeps changing the individual and the world.[152][153] It is in the medieval Puranic texts, Trimurti concepts appears in various context, from rituals to spiritual concepts.[151] The Bhagavad Gita, in verses 9.18, 10.21-23 and 11.15, asserts that the triad or trinity is manifestation of one Brahman, which Krishna affirms himself to be.[154] However, suggests Bailey, the mythology of triad is "not the influence nor the most important one" in Hindu traditions, rather the ideologies and spiritual concepts develop on their own foundations.[152]
Avatars of Hindu deities[edit]
Hindu mythology has nurtured the concept of Avatar, which represents the descent of a deity on earth.[155][156] This concept is commonly translated as "incarnation",[155] and is an "appearance" or "manifestation".[157][158]
The concept of Avatar is most developed in Vaishnavism tradition, and associated with Vishnu, particularly with Rama and Krishna.[159][160] Vishnu takes numerous avatars in Hindu mythology. He becomes female, during the Samudra manthan, in the form of Mohini, to resolve a conflict between the Devas and Asuras. His male avatars include Matsya, Kurma, Varaha, Narasimha, Vamana, Parashurama, Rama, Krishna, Buddha, and Kalki.[160] Various texts, particularly the Bhagavad Gita, discuss the idea of Avatar of Vishnu appearing to restore the cosmic balance whenever the power of evil becomes excessive and causes persistent oppression in the world.[156]
In Shaktism traditions, the concept appears in its legends as the various manifestations of Devi, the Divine Mother principal in Hinduism.[161] The avatars of Devi or Parvati include Durga and Kali, who are particularly revered in eastern states of India, as well as Tantra traditions.[162][163][164] Twenty one avatars of Shiva are also described in Shaivism texts, but unlike Vaishnava traditions, Shaiva traditions have focussed directly on Shiva rather than the Avatar concept.[155]
The panel includes Matt Groening (creator and executive producer), Al Jean (executive producer/head writer), David Mirkin (former executive producer), Matt Selman (executive producer), Michael Price (co-executive producer), David Silverman (director of The Simpsons Movie), Don Payne (consulting producer), and Yeardley Smith (voice of Lisa Simpson). Moderated by Bill Morrison.
Check out my Blog on info of my Comic Con trip.
Gigi wanted to include this shirt so much. It is a variation of a white shirt she got last year.The embroidered cotton lace has such a cute design and I was lucky to find a beige cotton fabric that matches it perfectly - yay!
Happy Gigi = happy Nini*
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My dear flickr friends,
I’m presenting to you today my latest fashion collection for dolls, the “Sweetheart” line! It brings you a bunch of lovely spring fashions, as always easily to combine for many mix and match options! You’ll find romantic floral prints, soft colors and cute patterns in this new collection.
I wanted to create a collection that has a feminine and romantic attitude and hope you’ll like the outcome : )!
Have a lovely day,
Nina*