The Eurasian eagle-owl (Bubo bubo) is a species of eagle-owl that resides in much of Eurasia. It is also called the Uhu and it is occasionally abbreviated to just the eagle-owl in Europe. It is one of the largest species of owl, and females can grow to a total length of 75 cm (30 in), with a wingspan of 188 cm (6 ft 2 in), with males being slightly smaller. This bird has distinctive ear tufts, with upper parts that are mottled with darker blackish colouring and tawny. The wings and tail are barred. The underparts are a variably hued buff, streaked with darker colouring. The facial disc is not very defined and the orange eyes are distinctive.

Eurasian eagle-owls are found in many habitats, but are mostly birds of mountainous regions or other rocky areas, often those near varied woodland edge and shrubby areas with openings or wetlands to hunt a majority of their prey. Additionally, they inhabit coniferous forests, steppes, and other areas at varied elevations that are typically relatively remote. Eurasian eagle-owls are occasionally found amongst farmland and in park-like settings within European cities, even rarely within busier urban areas. The eagle-owl is mostly a nocturnal predator, hunting for a range of different prey species. Predominantly, their diet is composed of small mammals such as rodents and rabbits, but they also prey on larger mammals and birds of varying sizes. Other secondary prey can include reptiles, amphibians, fish, large insects and other assorted invertebrates. The species typically breeds on cliff ledges, in gullies, among rocks, or in other concealed locations. The nest is a scrape containing a clutch of 2–4 eggs typically, which are laid at intervals and hatch at different times. The female incubates the eggs and broods the young, and the male provides food for her, and when they hatch, for the nestlings, as well. Continuing parental care for the young is provided by both adults for about five months. At least 12 subspecies of the Eurasian eagle-owl are described.

In addition to being one of the largest living species of owl, the Eurasian eagle-owl is also one of the most widely distributed.[9] With a total range in Europe and Asia of about 51.4 million km2 (19.8 million sq mi) and a total population estimated to be between 100,000 and 500,000 individuals, the IUCN lists the bird's conservation status as being of least concern, although the trend is listed as decreasing. The vast majority of eagle-owls live in Continental Europe, Scandinavia, Russia (which is almost certainly where the peak numbers and diversity of race occurs), and Central Asia. Additional minor populations exist in Anatolia, the northern Middle East, the montane upper part of South Asia, China, Korea and in Japan; in addition, an estimated 12 to 40 pairs are thought to reside in the United Kingdom as of 2016 (where they are arguably non-native), a number which may be on the rise, and have successfully bred in the UK since at least 1996. Tame eagle-owls have occasionally been used in pest control because of their size to deter large birds such as gulls from nesting.

Description

The Eurasian eagle-owl is among the larger birds of prey, smaller than the golden eagle (Aquila chrysaetos), but larger than the snowy owl (Bubo scandiacus), despite some overlap in size with both of those species. It is sometimes referred to as the world's largest owl, although Blakiston's fish owl (B. blakistoni) is slightly heavier on average and the much lighter weight great grey owl (Strix nebulosa) is slightly longer on average. Heimo Mikkola reported the largest specimens of eagle-owl as having the same upper body mass, 4.6 kg (10 lb), as the largest Blakiston’s fish owl and attained a length around 3 cm (1.2 in) longer. In terms of average weight and wing size, the Blakiston’s is the slightly larger species seemingly, even averaging a bit larger in these aspects than the biggest eagle-owl races from Russia. Also, although 9 cm (3.5 in) shorter than the largest of the latter species, the Eurasian eagle-owl can weigh well more than twice as much as the largest great grey owl. The Eurasian eagle-owl typically has a wingspan of 131–188 cm (4 ft 4 in – 6 ft 2 in), with the largest specimens possibly attaining 2 m (6 ft 7 in). The total length of the species can vary from 56 to 75 cm (22 to 30 in). Females can weigh from 1.75 to 4.6 kg (3.9 to 10.1 lb), and males can weigh from 1.2 to 3.2 kg (2.6 to 7.1 lb). In comparison, the barn owl (Tyto alba), the world's most widely distributed owl species, weighs about 0.5 kg (1.1 lb) and the great horned owl (B. virginianus), which fills the eagle-owl's ecological niche in North America, weighs around 1.4 kg (3.1 lb).

Eurasian eagle-owl in captivity

Besides the female being larger, little external sexual dimorphism is seen in the Eurasian eagle-owl, although the ear tufts of males reportedly tend to be more upright than those of females. When an eagle-owl is seen on its own in the field, distinguishing the individual’s sex is generally not possible. Gender determination by size is possible by in-hand measurements. In some populations, the female typically may be slightly darker than the male. The plumage coloration across at least 13 accepted subspecies can be highly variable. The upper parts may be brown-black to tawny-buff to pale creamy gray, typically showing dense freckling on the forehead and crown, stripes on the nape, sides, and back of the neck, and dark splotches on the pale ground colour of the back, mantle, and scapulars. A narrow buff band, freckled with brown or buff, often runs up from the base of the bill, above the inner part of the eye, and along the inner edge of the black-brown ear tufts. The rump and upper tail-coverts are delicately patterned with dark vermiculations and fine, wavy barring, the extent of which varies with subspecies. The underwing coverts and undertail coverts are similar, but tend to be more strongly barred in brownish-black.

The primaries and secondaries are brown with broad, dark brown bars and dark brown tips, and grey or buff irregular lines. A complete moult takes place each year between July and December. The facial disc is tawny-buff, speckled with black-brown, so densely on the outer edge of the disc as to form a "frame" around the face. The chin and throat are white with a brownish central streak. The feathers of the upper breast generally have brownish-black centres and reddish-brown edges except for the central ones, which have white edges. The chin and throat may appear white continuing down the center of the upper breast. The lower breast and belly feathers are creamy-brown to tawny buff to off-white with a variable amount of fine dark wavy barring, on a tawny-buff ground colour. The legs and feet (which are feathered almost to the talons) are likewise marked on a buff ground colour but more faintly. The tail is tawny-buff, mottled dark grey-brown with about six black-brown bars. The bill and feet are black. The iris is most often orange but is fairly variable. In some European birds, the iris is a bright reddish, blood-orange colour but then in subspecies found in arid, desert-like habitats, the iris can range into an orange-yellow colour (most closely related species generally have yellowish irises, excluding the Indian eagle-owl).

Standard measurements and physiology

Among standard measurements for the Eurasian eagle-owl, the wing chord measures 378 to 518 mm (14.9 to 20.4 in), the tail measures 229–310 mm (9.0–12.2 in) long, the tarsus measures 64.5–112 mm (2.54–4.41 in), and the total length of the bill is 38.9–59 mm (1.53–2.32 in). The wings are reportedly the smallest in proportion to the body weight of any European owl, when measured by the weight per area of wing size, was found to be 0.72 g/cm2. Thus, they have quite high wing loading. The great horned owl has even smaller wings (0.8 g/cm2) relative to its body size. The golden eagle has slightly lower wing loading proportionately (0.65 g/cm2), so the aerial abilities of the two species (beyond the eagle’s spectacular ability to stoop) may not be as disparate as expected. Some other owls, such as barn owls, short-eared owls (Asio flammeus), and even the related snowy owls have lower wing loading relative to their size, so are presumably able to fly faster, with more agility, and for more extended periods than the Eurasian eagle-owl. In the relatively small race B. b. hispanus, the middle claw, the largest talon, (as opposed to rear hallux-claw, which is the largest in accipitrids) was found to measure from 21.6 to 40.1 mm (0.85 to 1.58 in) in length. A 3.82 kg (8.4 lb) female examined in Britain (origins unspecified) had a middle claw measuring 57.9 mm (2.28 in), on par in length with a large female golden eagle hallux-claw. Generally, owls do not have talons as proportionately large as those of accipitrids, but have stronger, more robust feet relative to their size. Accipitrids use their talons to inflict organ damage and blood loss, whereas typical owls use their feet to constrict their prey to death, the talons serving only to hold the prey in place or provide incidental damage. The talons of the Eurasian eagle-owl are very large and not often exceeded in size by diurnal raptors. Unlike the great horned owls, the overall foot size and strength of the Eurasian eagle-owl is not known to have been tested, but the considerably smaller horned owl has one of the strongest grips ever measured in a bird.

The feathers of the ear tufts in Spanish birds (when not damaged) were found to measure from 63.3 to 86.6 mm (2.49 to 3.41 in).[26] The ear openings (covered in feathers as in all birds) are relatively uncomplicated for an owl, but are also large, being larger on the right than on the left as in most owls, and proportionately larger than those of the great horned owl. In the female, the ear opening averages 31.7 mm (1.25 in) on the right and 27.4 mm (1.08 in) on the left, and in males, averages 26.8 mm (1.06 in) on the right and 24.4 mm (0.96 in) on the left. The depth of the facial disc and the size and complexity of the ear opening are directly correlated to the importance of sound in an owl’s hunting behaviour. Examples of owls with more complicated ear structures and deeper facial disc are barn owls, long-eared owls (Asio otus), and boreal owls (Aegolius funereus). Given the uncomplicated structure of their ear openings and relatively shallow, undefined facial discs, hunting by ear is secondary to hunting by sight in eagle-owls; this seems to be true for Bubo in general. More sound-based hunters such as the aforementioned species likely focus their hunting activity in more complete darkness. Also, owls with white throat patches such as the Eurasian eagle-owl are more likely to be active in low-light conditions in the hours before and after sunrise and sunset rather than the darkest times in the middle of the night. The boreal and barn owls, to extend these examples, lack obvious visual cues such as white throat patches (puffed up in displaying eagle-owls), again indicative of primary activity being in darker periods.

Distinguishing from other species

The great size, bulky, barrel-shaped build, erect ear tufts, and orange eyes render this as a distinctive species. Other than general morphology, the above features differ markedly from those of two of the next largest subarctic owl species in Europe and western Asia, which are the great grey owl and the greyish to chocolate-brown Ural owl (Strix uralensis), both of which have no ear tufts and have a distinctly rounded head, rather than the blocky shape of the eagle-owl’s head. The snowy owl is obviously distinctive from most eagle-owls, but during winter the palest Eurasian eagle-owl race (B. b. sibiricus) can appear off-white. Nevertheless, the latter is still distinctively an ear-tufted Eurasian eagle-owl and lacks the pure white background colour and variable blackish spotting of the slightly smaller species (which has relatively tiny, vestigial ear tufts that have only been observed to have flared on rare occasions).

Unique camouflage pattern

The long-eared owl has a somewhat similar plumage to the eagle-owl, but is considerably smaller (an average female eagle-owl may be twice as long and 10 times heavier than an average long-eared owl). Long-eared owls in Eurasia have vertical striping like that of the Eurasian eagle-owl, while long-eared owls in North America show a more horizontal striping like that of great horned owls. Whether these are examples of mimicry either way is unclear but it is known that both Bubo owls are serious predators of long-eared owls. The same discrepancy in underside streaking has also been noted in the Eurasian and American representations of the grey owl. A few other related species overlap minimally in range in Asia, mainly in East Asia and the southern reaches of the Eurasian eagle-owl’s range. Three fish owls appear to overlap in range, the brown (Ketupa zeylonensis) in at least northern Pakistan, probably Kashmir, and discontinuously in southern Turkey, the tawny (K. flavipes) through much of eastern China, and Blakiston's fish owl in the Russian Far East, northeastern China, and Hokkaido. Fish owls are distinctively different looking, possessing more scraggy ear tufts that hang to the side rather than sit erect on top of the head, and generally have more uniform, brownish plumages without the contrasting darker streaking of an eagle-owl. The brown fish owl has no feathering on the tarsus or feet, and the tawny has feathering only on the upper portion of the tarsi, but the Blakiston’s is nearly as extensively feathered on the tarsi and feet as the eagle-owl. Tawny and brown fish owls are both slightly smaller than co-occurring Eurasian eagle-owls, and Blakiston’s fish owls are similar or slightly larger than co-occurring large northern eagle-owls. Fish owls, being tied to the edges of fresh water, where they hunt mainly fish and crabs, also have slightly differing, and more narrow, habitat preferences.

In the lower Himalayas of northern Pakistan and Jammu and Kashmir, along with the brown fish owl, the Eurasian eagle-owl at the limit of its distribution may co-exist with at least two to three other eagle-owls. One of these, the dusky eagle-owl (B. coromandus) is smaller, with more uniform tan-brownish plumage, untidy uniform light streaking rather than the Eurasian’s dark streaking below and an even less well-defined facial disc. The dusky is usually found in slightly more enclosed woodland areas than Eurasian eagle-owls. Another is possibly the spot-bellied eagle-owl (B. nipalensis), which is strikingly different looking, with stark brown plumage, rather than the warm hues typical of the Eurasian, bold spotting on a whitish background on the belly, and somewhat askew ear tufts that are bold white with light brown crossbars on the front. Both species may occur in some parts of the Himalayan foothills, but they are not currently verified to occur in the same area, in part because of the spot-bellied’s preference for dense, primary forest. Most similar, with basically the same habitat preferences and the only one verified to co-occur with the Eurasian eagle-owls of the race B. b. turcomanus in Kashmir is the Indian eagle-owl (B. bengalensis). The Indian species is smaller, with a bolder, blackish facial disc border, more rounded and relatively smaller wings, and partially unfeathered toes. Far to the west, the pharaoh eagle-owl (B. ascalaphus) also seemingly overlaps in range with the Eurasian, at least in Jordan. Although also relatively similar to the Eurasian eagle-owl, the pharaoh eagle-owl is distinguished by its smaller size, paler, more washed-out plumage, and the diminished size of its ear tufts.

Moulting

The Eurasian eagle-owls’ feathers are lightweight and robust, but nevertheless need to be replaced periodically as they become worn. In the Eurasian eagle-owl, this happens in stages, and the first moult starts the year after hatching with some body feathers and wing coverts being replaced. The next year, the three central secondaries on each wing and three middle tail feathers are shed and regrow, and the following year, two or three primaries and their coverts are lost. In the final year of this postjuvenile moult, the remaining primaries are moulted and all the juvenile feathers will have been replaced. Another moult takes place during years 6-12 of the bird's life. This happens between June and October after the conclusion of the breeding season, and again it is a staged process with six to nine main flight feathers being replaced each year. Such a moulting pattern lasting several years is repeated throughout the bird's life.

Taxonomy

The Eurasian eagle-owl was formally described by the Swedish naturalist Carl Linnaeus in 1758 in the tenth edition of his Systema Naturae under the binomial name Strix bulbo. Although Linnaeus specified the "habitat" as "Europa" the type locality is restricted to Sweden. The Eurasian eagle-owl is now placed in the genus Bubo that was introduced by André Duméril in 1805.

The genus Bubo with 20 extant species includes most of the larger owl species in the world today. Based on an extensive fossil record and a central distribution of extant species on that continent, Bubo appears to have evolved into existence in Africa, although early radiations seem to branch from southern Asia, as well. Two genera belonging to the scops owls complex, the giant scops owls (Otus gurneyi) found in Asia and the Ptilopsis or the white-faced scops owl found in Africa, although firmly ensconced in the scops owl group, appear to share some characteristics with the eagle-owls. The Strix genus is also related to Bubo, and is considered a "sister complex", with Pulsatrix possibly being intermediate between the two. The Eurasian eagle-owl appears to represent an expansion of the genus Bubo into the Eurasian continent. A few of the other species of Bubo seem to have been derived from the Eurasian eagle-owl, making it a "paraspecies", or they at least share a relatively recent common ancestor.

The pharaoh eagle-owl, distributed in the Arabian Peninsula and sections of the Sahara Desert through North Africa where rocky outcrops are found, was until recently considered a subspecies of the Eurasian eagle-owl. The pharaoh eagle-owl apparently differs about 3.8% in mitochondrial DNA from the Eurasian eagle-owl, well past the minimum genetic difference to differentiate species of 1.5%. Smaller and paler than Eurasian eagle-owls, the pharaoh eagle-owl can also be considered a distinct species largely due to its higher-pitched and more descending call, and the observation that Eurasian eagle-owls formerly found in Morocco (B. b. hispanus) apparently did not breed with the co-existing pharaoh eagle-owls. On the contrary, the race still found together with the pharaoh eagle-owl in the wild (B. b. interpositus) in the central Middle East has been found to interbreed in the wild with the pharaoh eagle-owl, although genetical materials have indicated B. b. interpositus may itself be a distinct species from the Eurasian eagle-owl, as it differs from the nominate subspecies of the Eurasian eagle-owl by 2.8% in mitochondrial DNA. For three Asian Eurasian eagle-owl subspecies (B. b. ussuriensis, B. b. kiautschensis and B. b. hemachlana, respectively), it was found that they met the criterion for subspecies well, with a high haplotype diversity and in spite of a relatively recent common ancestor and low genetic diversity. The Indian eagle-owl (B. bengalensis) was also considered a subspecies of the Eurasian eagle-owl until recently, but its smaller size, distinct voice (more clipped and high-pitched than the Eurasian), and the fact that it is largely allopatric in distribution (filling out the Indian subcontinent) with other Eurasian eagle-owl races has led to it being considered a distinct species. The mitochondrial DNA of the Indian species also appears considerably distinct from the Eurasian species. The Cape eagle-owl (B. capensis) appears to represent a return of this genetic line back into the African continent, where it leads a lifestyle similar to Eurasian eagle-owls, albeit far to the south. Another offshoot of the northern Bubo group is the snowy owl. It appears to have separated from other Bubo species at least 4 million years ago.

The fourth and most famous derivation of the evolutionary line that includes the Eurasian eagle-owl is the great horned owl, which appears to have been the result of primitive eagle-owls spreading into North America. According to some authorities, the great horned owls and Eurasian eagle-owls are barely distinct as species, with a similar level of divergence in their plumages as the Eurasian and North American representations of the great grey owl or the long-eared owl. More outward physical differences exist between the great horned owl and the Eurasian eagle-owl than in those two examples, including a great size difference favoring the Eurasian species, the great horned owl’s horizontal rather than vertical underside barring, yellow rather than orange eyes, and a much stronger black bracket to the facial disc, not to mention a number of differences in their reproductive behaviour and distinctive voices. Furthermore, genetic research has revealed that the snowy owl is more closely related to the great horned owl than are Eurasian eagle-owls. The most closely related species beyond the pharaoh, Indian, and Cape eagle-owls to the Eurasian eagle-owl is the smaller, less powerful and African spotted eagle-owl (B. africanus), which was likely to have divided from the line before they radiated away from Africa. Somehow, genetic materials indicate the spotted eagle-owl appears to share a more recent ancestor with the Indian eagle-owl than with the Eurasian eagle-owl or even the sympatric Cape eagle-owl. Eurasian eagle-owls in captivity have produced apparently healthy hybrids with both the Indian eagle-owl and the great horned owl. The pharaoh, Indian, and Cape eagle-owls and the great horned owl are all broadly similar in size to each other, but all are considerably smaller than the Eurasian eagle-owl, which averages at least 15–30% larger in linear dimensions and 30–50% larger in body mass than these other related species, possibly as the eagle-owls adapted to warmer climates and smaller prey. Fossils from southern France have indicated that during the Middle Pleistocene, Eurasian eagle-owls (this paleosubspecies is given the name B. b. davidi) were larger than they are today, even larger were those found in Azerbaijan and in the Caucasus (either B. b. bignadensis or B. bignadensis), which were deemed to date to the Late Pleistocene. About 12 subspecies are recognized today.

Habitat

Eagle-owls are distributed somewhat sparsely, but can potentially inhabit a wide range of habitats, with a partiality for irregular topography. They have been found in habitats as diverse as northern coniferous forests to the edge of vast deserts. Essentially, Eurasian eagle-owls have been found living in almost every climatic and environmental condition on the Eurasian continent, excluding the greatest extremities, i.e. they are absent from humid rainforest in Southeast Asia, and the high Arctic tundra, both of which they are more or less replaced by other species of Bubo owls. They are often found in the largest numbers in areas where cliffs and ravines are surrounded by a scattering of trees and bushes. Grassland areas such as alpine meadows or desert-like steppe can also host them so long as they have the cover and protection of rocky areas. The preference of eagle-owls for places with irregular topography has been reported in most known studies. The obvious benefit of such nesting locations is that both nests and daytime roosts located in rocky areas and/or steep slopes would be less accessible to predators, including man. Also, they may be attracted to the vicinity of riparian or wetlands areas, because the soft soil of wet areas is conducive to burrowing by the small, terrestrial mammals normally preferred in the diet, such as voles and rabbits.

Due to their preference for rocky areas, the species is often found in mountainous areas, and can be found up to elevations of 2,100 m (6,900 ft) in the Alps, 4,500 m (14,800 ft) in the Himalayas, and 4,700 m (15,400 ft) in the adjacent Tibetan Plateau. They can also be found living at sea level and may nest amongst rocky sea cliffs. Despite their success in areas such as subarctic zones and mountains that are frigid for much of the year, warmer conditions seem to result in more successful breeding attempts per studies in the Eifel region of Germany. In a study from Spain, areas primarily consisting of woodlands (52% of study area being forested) were preferred with pine trees predominating the oaks in habitats used, as opposed to truly mixed pine-oak woodland. Pine and other coniferous stands are often preferred in great horned owls, as well, due to the constant density, which make overlooking the large birds more likely. In mountainous forest, they are not generally found in enclosed wooded areas, as is the tawny owl (Strix alucco), instead usually near forest edge. Only 2.7% of the habitat included in the territorial ranges for eagle-owls per the habitat study in Spain consisted of cultivated or agricultural land. Compared to golden eagles, though, they can visit cultivated land more regularly in hunting forays due to their nocturnal habits, which allow them to largely evade human activity. Other accounts make clear that farmland is only frequented where its less intensively farmed, holds more extensive treed and bushy areas, and often has limited to no irrigation; farmland areas with fallow or abandoned fields are more likely to hold more prey, so are prone to less frequent human disturbance. In the Italian Alps, almost no pristine habitat remained, and eagle-owls nested locally in the vicinity of towns, villages, and ski resorts.

Although found in the largest numbers in areas sparsely populated by humans, farmland is sometimes inhabited, and they even have been observed living in park-like or other quiet settings within European cities. Since 2005, at least five pairs have nested in Helsinki. This is due in part to feral European rabbits (Oryctolagus cuniculus) having recently populated the Helsinki area, originally from pet rabbits released to the wild. The number is expected to increase due to the growth of the European rabbit population in Helsinki. European hares (Lepus europaeus), the often preferred prey species by biomass of the eagle-owls in their natural habitat, live only in rural areas of Finland, not in the city centre. In June 2007, an eagle-owl nicknamed 'Bubi' landed in the crowded Helsinki Olympic Stadium during the European Football Championship qualification match between Finland and Belgium. The match was interrupted for six minutes. After tiring of the match, following Jonathan Johansson's opening goal for Finland, the bird left the scene. Finland's national football team have had the nickname Huuhkajat (Finnish for "Eurasian eagle-owls") ever since. The owl was named "Helsinki Citizen of the Year" in December 2007. In 2020, a brood of three eagle-owl chicks was raised by their mother on a large, well-foliaged planter on an apartment window in the city centre of Geel, Belgium.

Distribution

The Eurasian eagle-owl is one of the most widely distributed of all owl species, although it is far less wide-ranging than the barn owl, the short-eared owl (Asio flammeus) and long-eared owl and lacks the circumpolar range of boreal species such as great grey owl, boreal owl and northern hawk owl (Surnia ulula). This eagle-owl reaches its westernmost range in the Iberian Peninsula, both almost throughout Spain and more spottily in Portugal. From there, the Eurasian eagle-owl ranges widely in the south of France from Toulouse to Monaco and as far north into the central part of the country as in Allier. Farther north, they are found sporadically and discontinuously in Luxembourg, southern and western Belgium and scarcely into the Netherlands. It is infrequently found in southern and central United Kingdom. In Germany, the eagle-owl can be found in large but highly discontinuous areas, mostly in the south and central areas but is almost entirely absent in areas such as Brandenburg. Across from its south German range, this species range is nearly continuous into the Czech Republic, Slovakia, northern and eastern Hungary and very spottily into Poland. In the fairly montane countries of Switzerland and Austria, the eagle-owl can be found fairly broadly. In Italy, the Eurasian eagle-owl is found where the habitat is favorable in much of the northern, western and central portions down to as far south Melito di Porto Salvo. From Italy, this species sweeps quite broadly along the Mediterranean coast in Southeastern Europe from Slovenia mostly continuously to most of Greece and Bulgaria. In eastern Europe, the Eurasian eagle-owl is found essentially throughout from central Romania to Estonia. The species also occupies a majority of Finland and Scandinavia, where most broadly found in Norway, somewhat more spottily in Sweden and in Denmark it is found widely in Jutland (absent from the islands).

The Eurasian eagle-owl's range in Russia is truly massive, with the species apparently nearly unbound by habitat, with their distribution only excluding them from the true Arctic zone, i.e. their range stops around the tree line. If not the most densely populated species, they almost certainly stand as Russia's most widely distributed owl species. From Russia, they are found throughout Central Asia, residing continuously in each nation from Kazakhstan down to Afghanistan. In Asia Minor, they are found broadly in Georgia, Azerbaijan and somewhat so in western and southern Turkey but is quite sporadic in distribution overall in Turkey. A spotty range also exists in the Middle East in Syria, Iraq, Lebanon, Israel, Jordan and western Iran, the species being found broadly only in north and western Iran. In South Asia, the Eurasian eagle-owl is found mostly often in northern Pakistan, northern Nepal and Bhutan and more marginally into far northern India. This species resides throughout Mongolia, almost the entirety of China (mainly absent only from southern Yunnan and southern Guangxi). From China and eastern Russia, the Eurasian eagle-owl is found throughout Korea, Sakhalin, the Kuril Islands and rarely into Japan in northern Hokkaido. Besides the Kurils, the farthest eastern part of the range for this species is in Magadan in the Russian Far East.

Behaviour

The Eurasian eagle-owl is largely nocturnal in activity, as are most owl species, with its activity focused in the first few hours after sunset and the last few hours before sunrise. In the northern stretches of its range, partial diurnal behaviour has been recorded, including active hunting in broad daylight during the late afternoon. In such areas, full nightfall is essentially non-existent at the peak of summer, so eagle-owls must presumably hunt and actively brood at the nest during daylight. The Eurasian eagle-owl has a number of vocalizations that are used at different times. It will usually select obvious topographic features such as rocky pinnacles, stark ridges and mountain peaks to use as regular song posts. These are dotted along the outer edges of the eagle-owl's territory and they are visited often but only for a few minutes at a time.

Vocal activity is almost entirely confined to the colder months from late fall through winter, with vocal activity in October through December mainly having territorial purposes and from January to February being primarily oriented towards courtship and mating purposes. Vocalizations in a Spanish study begin no sooner than 29 minutes after sunset and end no later than 55 minutes before sunrise. The territorial song, which can be heard at great distance, is a deep resonant ooh-hu with emphasis on the first syllable for the male, and a more high-pitched and slightly more drawn-out uh-hu for the female. It is not uncommon for a pair to perform an antiphonal duet. The widely used name in Germany as well as some other sections of Europe for this species is uhu due to its song. At 250–350 Hz, the Eurasian eagle-owls territorial song or call is deeper, farther-carrying and is often considering "more impressive" than the territorial songs of the great horned owl or even that of the slightly larger Blakiston's fish owl, although the horned owl’s call averages slightly longer in duration and the Blakiston's call is typically deeper.[7] Other calls include a rather faint, laughter-like OO-OO-oo and a harsh kveck-kveck. Intruding eagle-owls and other potential dangers may be met with a "terrifying", extremely loud hooo. Raucous barks not unlike those of ural owls or long-eared owls have been recorded but are deeper and more powerful than those species’ barks. Annoyance at close quarters is expressed by bill-clicking and cat-like spitting, and a defensive posture involves lowering the head, ruffling the back feathers, fanning the tail and spreading the wings.

The Eurasian eagle-owl rarely assumes the so-called "tall-thin position", which is when an owl adopts an upright stance with plumage closely compressed and may stand tightly beside a tree trunk. Among others, the long-eared owl is among the most often reported to sit with this pose. The great horned owl has been more regularly recorded using the tall-thin, if not as consistently as some Strix and Asio owls, and it is commonly thought to aid camouflage if encountering a threatening or novel animal or sound. The Eurasian eagle-owl is a broad-winged species and engages in a strong, direct flight, usually consisting of shallow wing beats and long, surprisingly fast glides. It has, unusually for an owl, also been known to soar on updrafts on rare occasions. The latter method of flight has led them to be mistaken for Buteos, which are smaller and quite differently proportioned. Usually when seen flying during the day, it is due to being disturbed or displaced from its roost by humans or mobbing animals, such as crows. Eurasian eagle-owls are highly sedentary, normally maintaining a single territory throughout their adult lives.

Eurasian eagle-owl are considered a completely non-migratory bird, as are all members of the Bubo genus excluding the snowy owl. Even those near the northern limits of their range, where winters are harsh and likely to bear little in food, the eagle-owl does not leave its native range. In 2020, a study presented evidence of a short distance distribution by adult eagle-owls in the fall subsequent to breeding, with 5 adults found to move over 20 km (12 mi) away from their nests. There are additionally claimed cases from Russia of Eurasian eagle-owls moving south for the winter, as the icebound, infamously harsh climate there may be too severe even for these hardy birds and their prey. Similarly, Eurasian eagle-owls living in the Tibetan highlands and Himalayas may in some anecdotal cases vacate their normal territories when winter hits and move south. In both of those examples, these are old, unverified reports and there is no evidence whatsoever of consistent, annual migration by Eurasian eagle-owls and the birds may eke out a living on their normal territories even in the sparsest times.

Dietary biology

Eurasian eagle-owls are strictly territorial and will defend their territories from interloping eagle-owls year around, but territorial calling appears to peak around October to early January. Territory size is similar or occasionally slightly greater than great horned owl: averaging 15 to 80 km2 (5.8 to 30.9 sq mi). Territories are established by the male eagle-owl, who selected the highest points in the territory from which to sing. The high prominence of singing perches allows their song to be heard at greater distances and lessens the need for potentially dangerous physical confrontations in the areas where territories may meet. Nearly as important in territorial behaviour as vocalization is the white throat patch. When taxidermied specimens with flared white throats were placed around the perimeter of eagle-owl territories, male eagle-owls reacted quite strongly and often attacked the stuffed owl, reacting more mildly to a stuffed eagle-owl with a non-flared white throat. Females were less likely to be aggressive to mounted specimens and did not seem to vary in their response whether exposed to the specimens with or without the puffed up white patch. In January and February, the primary function for vocalization becomes for the purpose of courtship. More often than not, eagle-owls will pair for life but usually engage in courtship rituals annually, most likely to re-affirm pair bonds. When calling for the purposes of courtship, males tend to bow and hoot loudly but do so in a less contorted manner than the male great horned owl. Courtship in the Eurasian eagle-owl may involve bouts of "duetting", with the male sitting upright and the female bowing as she calls. There may be mutual bowing, billing and fondling before the female flies to a perch where coitus occurs, usually taking place several times over the course of a few minutes.

Nests

The male selects breeding sites and advertises their potential to the female by flying to them and kneading out a small depression (if soil is present) and making staccato notes and clucking noises. Several potential sites may be presented, with the female selecting one. In Baden-Wurttenberg, Germany, the amount of male nest site visits were found to increase in time spent over the pre-laying breeding season from a mean of 29 minutes to 3 hours with frequent incubation like sitting by the male. Like all owls, Eurasian eagle-owls do not build nests or add material but nest on the surface or material already present. Eurasian eagle-owls normally nest on rocks or boulders, most often utilizing cliff ledges and steep slopes, as well as crevices, gullies, holes or caves. Rocky areas that also prove concealing woodlots as well as, for hunting purposes, that border river valleys and grassy scrubland may be especially attractive. If only low rubble is present, they will nest on the ground between rocks. Often, in more densely forested areas, they've been recorded nesting on the ground, often among roots of trees, under large bushes and under fallen tree trunks. Steep slopes with dense vegetation are preferred if nesting on the ground, although some ground nests are surprisingly exposed or in flat spots such as in open spots of the taiga, steppe, ledges of river banks and between wide tree trunks. All Eurasian eagle-owl nests in the largely forested Altai Krai region of Russia were found to be on the ground, usually at the base of pines. This species does not often use other bird’s nests as does the great horned owl, which often prefers nests built by other animals over any other nesting site. The Eurasian eagle-owl has been recorded in singular cases using nests built by common buzzards (Buteo buteo), golden eagle, greater spotted (Clanga clanga) and white-tailed eagles (Haliaeetus albicilla), common ravens (Corvus corax) and black storks (Ciconia nigra). Among the eagle-owls of the fairly heavily wooded wildlands of Belarus, they more commonly utilize nests built by other birds than most eagle-owls, i.e. stork or accipitrid nests, but a majority of nests are still located on the ground. This is contrary to the indication that ground nests are selected only if rocky areas or other bird nests are unavailable, as many will utilize ground nests even where large bird nests seem to be accessible. Tree holes being used for nesting sites are even more rarely recorded than nests constructed by other birds. While it may be assumed that the eagle-owl is too large to utilize tree hollows, when other large species like the great grey owl have never been recorded nesting in one, the even more robust Blakiston's fish owl nests exclusively in cavernous hollows. The Eurasian eagle-owl often uses the same nest site year after year.

Parental behaviour

In Engadin, Switzerland, the male eagle-owl alone hunts until the young are 4 to 5 weeks old and the female spends all her time brooding at the nest. After this point, the female gradually resumes hunting from both herself and the young and thus provides a greater range of food for the young. While it may seem contrary to the species’ highly territorial nature, there is one verified cases of polygamy in Germany, with a male apparently mating with two females, and cooperative brooding in Spain, with a third adult of undetermined sex helping a breeding pair care for the chicks. The response of Eurasian eagle-owls to humans approaching at the nest is quite variable. The species is often rather less aggressive than some other owls, including related species like the spot-bellied eagle-, great horned and snowy owls, many of the northern Strix species, and even some rather smaller owl species, which often fearlessly attack any person found to be nearing their nests. Occasionally, if a person climbs to an active nest, the adult female eagle-owl will do a distraction display, in which they feign an injury. This is an uncommon behavior in most owls and is most often associated with small birds trying to falsely draw the attention of potential predators away from their offspring. More commonly, the adults withdraw to a safe distance, as their nests are usually well-camouflaged. Occasionally if cornered both adults and nestlings will do an elaborate threat display, also rare in owls in general, in which the eagle-owls raise their wings into a semi-circle and puff up their feathers, followed by a snapping of their bills. Apparently, eagle-owls of uncertain and probably exotic origin in Britain are likely to react aggressively to humans approaching the nest. Also, aggressive encounters involving eagle-owls around their nest, despite being historically uncommon, apparently have increased in recent decades in Scandinavia. The discrepancy of aggressiveness at the nest between the Eurasian eagle-owl and its Nearctic counterpart may be correlated to variation in the extent of nest predation that the species endured during the evolutionary process.

Eggs and offspring development

The eggs are normally laid at intervals of three days and are incubated only by the female. Laying generally begins in late winter but may be later in the year in colder habitats. During the incubation period, the female is brought food at the nest by her mate. A single clutch of white eggs is laid; each egg can measure from 56 to 73 mm (2.2 to 2.9 in) long by 44.2 to 53 mm (1.74 to 2.09 in) in width, and will usually weigh about 75 to 80 g (2.6 to 2.8 oz). In Central Europe, eggs average 59.8 mm × 49.5 mm (2.35 in × 1.95 in), and in Siberia, eggs average 59.4 mm × 50.1 mm (2.34 in × 1.97 in). Their eggs are only slightly larger than those of snowy owls and the nominate subspecies of great horned owl, while similar in size to those of spot-bellied eagle-owls and Blakiston's fish owls. The Eurasian eagle-owl’s eggs are noticeably larger than those of Indian eagle-owl and pharaoh eagle-owls. Usually clutch size is one or two, rarely three or four, and exceptionally to six. The average number of eggs laid varies with latitude in Europe. Clutch size ranges from 2.02 to 2.14 in Spain and the massifs of France, and 1.82 to 1.89 in central Europe and the eastern Alps; in Sweden and Finland, the mean clutch size is 1.56 and 1.87, respectively. While variation based on climate is not unusual for different wide-ranging palearctic species, the higher clutch size of western Mediterranean eagle-owls is also probably driven by the presence of lagomorphs in the diet, which provide high nutritional value than most other regular prey. The average clutch size, attributed as 2.7, was the lowest of any European owl per one study. One species was attributed with an even lower clutch size in North America, the great grey owl with a mean of 2.6, but the mean clutch size was much higher for the same species in Europe, at 4.05.

In Spain, incubation is from mid-January to mid-March, hatching and early nestling period is from late March to early April, fledging and postfledging dependence can range from mid-April to August, and territorial/courtship is anytime hereafter; i.e. the period between the beginning of juvenile dispersal to egg laying; from September to early January. The same general date parameters were followed in southern France. In the Italian Alps, the mean egg-laying date was similarly February 27, but the young were more likely to be dependent later, as all fledglings were still being cared for by the end of August, and some even lingered under parental care until October. In northern climes, the breeding season shifts somewhat later by as much as a month so that egg laying may be as late as late March or early April. Nonetheless, the Eurasian eagle-owl is one of the earliest nesting bird species in Europe or northern, temperate Asia.

The first egg hatches after 31 to 36 days of incubation. The eggs hatch successively; although the average interval between egg-laying is 3 days, the young tend to hatch no more than a day or two apart. Like all owls that nest in the open, the downy young are often a mottled grey with some white and buff, which provides camouflage. They open their eyes at 4 days of age. The chicks grow rapidly, being able to consume small prey whole after roughly 3 weeks. In Andalusia, the most noticeable development of the young before they leave the nest was the increase of body size, which was the highest growth rate of any studied owl and faster than either snowy or great horned owls. Body mass increased fourteen times over from 5 days old to 60 days old in this study. The male continues to bring prey, leaving it on or around the nest, and the female feeds the nestlings, tearing up the food into suitably sized pieces. The female resumes hunting after about 3 weeks, which increases the food supply to the chicks. Many nesting attempts produce two fledglings, indicating that siblicide is not as common as in other birds of prey, especially a few species of eagles. In Spain, males are thought to be the first egg laid to reduce the likelihood of sibling aggression due to the size difference, thus the younger female hatchling is less likely to be killed since it is similar in size to its older sibling.

Apparently, the point at which the chicks venture out of the nest is driven by the location of the nest. In elevated nest sites, chicks usually wander out of the nest at 5 to as late as 7 weeks of age, but have been recorded leaving the nest if the nest is on the ground as early as 22 to 25 days old. The chicks can walk well at 5 weeks of age and by 7 weeks are taking short flights. Hunting and flying skills are not tested prior to the young eagle-owls leaving the nest. Young Eurasian eagle-owls leave the nest by 5–6 weeks of age and typically can be flying weakly (a few metres) by about 7–8 weeks of age. Normally, they are cared for at least another month. By the end of the month, the young eagle-owls are quite assured fliers. A few cases have been confirmed of adult eagle-owls in Spain feeding and caring for postfledgling juvenile eagle-owls that were not their own.

Like many large owls, Eurasian eagle-owls leave the nest while still in a functionally flightless state and with large amounts of second down still present, but will fly shortly thereafter.

A study from southern France found the mean number of fledglings per nest was 1.67. In central Europe, the mean number of fledglings per nest was between 1.8 and 1.9. The mean fledgling rate in the Italian Alps was 1.89, thus being similar. In the Italian Alps, heavier rainfall during breeding decreased fledgling success because it inhibited the ability of the parents to hunt and potentially exposed nestlings to hypothermia. In the reintroduced population of eagle-owls in Eifel, Germany, occupied territories produced an average of 1.17 fledglings, but not all occupying pairs attempted to breed, with about 23% of those attempting to breed being unsuccessful. In slightly earlier studies, possibly due to higher persecution rates, the mean number of young leaving the nest was often lower, such as 1.77 in Bavaria, Germany, 1.1 in lower Austria, and 0.6 in southern Sweden. An experimental supplemental feeding program to young eagle-owls on two small Norwegian islands were found to increase mean numbers of fledglings from a mean of about 1.2 to 1.7 despite evidence that increased human activity near the nest decreased owlet survivability. While sibling owls are close in the stage between leaving the nest and fully fledged, about 20 days after leaving the nest, the family unit seems to dissolve and the young disperse quickly and directly. All told, the dependence of young eagle-owls on their parents lasts for 20 to 24 weeks. Independence in central Europe is from September to November. The young leave their parents' care normally on their own, but are also sometimes chased away by their parents. The young Eurasian eagle-owls reach sexual maturity by the following year, but do not normally breed until they can establish a territory at around 2–3 years old. Until they are able to establish their own territories, young eagle-owls spend their lives as nomadic "floaters", and while they also call, select inconspicuous perch sites unlike breeding birds. Male floaters are especially wary about intrusion into an established territory to avoid potential conspecific aggression.

Status

he Eurasian eagle-owl has a very wide range across much of Europe and Asia, estimated to be about 32,000,000 km2 (12,000,000 sq mi). In Europe, the population is estimated at 19,000 to 38,000 breeding pairs, and in the whole world around 250,000 to 2,500,000 individual birds. The population trend is thought to be decreasing because of human activities, but with such a large range and large total population, the International Union for Conservation of Nature has rated the bird as being of least concern. Although roughly equal in adaptability and wideness of distribution, the great horned owl, with a total estimated population up to 5.3 million individuals, apparently has a total population that is roughly twice that of the Eurasian eagle-owl. Numerous factors, including a shorter history of systematic persecution, lesser sensitivity to human disturbance while nesting, somewhat greater ability to adapt to marginal habitats and widespread urbanization, and slightly smaller territories may play into the horned owls greater numbers in modern times. Eurasian eagle-owls are listed in Appendix II of the Convention on International Trade in Endangered Species (CITES) meaning international trade (including in parts and derivatives) is regulated.

Longevity

The Eurasian eagle-owl surely is one of the longest-living owls on average. The eagle-owl can live for up to 20 years in the wild. At one time, the oldest ringed eagle-owl was considered a 19-year-old specimen. Some studies posited that in protected areas, lifespans ranging up to 15–20 years may not be uncommon. A record-breaking specimen banded in the wild was subsequently found to survive to be 27 years and 9 months old. Like many other bird species in captivity, they can live much longer without having to endure difficult natural conditions, and have possibly survived up to 68 years in zoo collections. Healthy adults normally have no natural predators, thus are considered apex predators. The leading causes of death for this species are man-made; electrocution, traffic accidents, and shooting frequently claim the lives of eagle-owls.

Anthropogenic mortality

Electrocution was the greatest cause of mortality in 68% of 25 published studies, and accounted, on average, for 38.2% of the reported eagle-owl deaths. This was particularly true in the Italian Alps, where the number of dangerous, uninsulated pylons near nests was extremely high, but is highly problematic almost throughout the species’ European distribution. In one telemetry study, 55% of 27 dispersing young were electrocuted within 1 year of their release from captivity, while electrocution rates of wild-born young are even higher. Mortality in the Swiss Rhine Valley was variable, in radio-tagged, released individuals, most died as a result of starvation (48%) rather than human-based causes, but 93% of the wild, untagged individuals found dead were due to human activities, 46% due to electrocution, and 43% due to collision with vehicles or trains. Insulation of pylons is thought to result in a stabilisation of the local population due to floaters taking up residence in unoccupied territories that formerly held deceased eagle-owls. Eurasian eagle-owls from Finland were found mainly to die due to electrocution (39%) and collisions with vehicles (22%). Wind turbine collisions can also be a serious cause of mortality locally.

Eagle-owls have been singled out historically as a threat to game species, thus to the economic well-being of landowners, game-keepers, and even governmental agencies, and as such, have been singled out for widespread persecution. Local extinctions of Eurasian eagle-owls have been primarily due to persecution. Examples of this include northern Germany in 1830, the Netherlands sometimes in the late 19th century, Luxembourg in 1903, Belgium in 1943, and central and western Germany in the 1960s. In trying to determine causes of death for 1476 eagle-owls from Spain, most were unknown and undetermined types of trauma. The largest group that could be determined, 411 birds, was due to collisions, more than half of which were from electrocution, while 313 were due to persecution, and merely 85 were directly attributable to natural causes. Clearly, while pylon safety is perhaps the most serious factor to be addressed in Spain, persecution continues to be a massive problem for Spanish eagle-owls. Of seven European nations where modern Eurasian eagle-owl mortality is well-studied, continual persecution is by far the largest problem in Spain, although also continues to be serious (often comprising at least half of studied mortality) in France. From France and Spain, nearly equal numbers of eagle-owls are poisoned (for which raptors might not be the main target), or shot intentionally.

Conservation and reintroductions

While the eagle-owl remains reasonably numerous in some parts of its habitat where nature is still relatively little disturbed by human activity, such as the sparsely populated regions of Russia and Scandinavia, concern has been expressed about the future of the Eurasian eagle-owl in Western and Central Europe. There, very few areas are not heavily modified by human civilisation, thus exposing the birds to the risk of collisions with deadly man-made objects (e.g. pylons) and a depletion of native prey numbers due to ongoing habitat degradation and urbanisation.

In Spain, long-term governmental protection of the Eurasian eagle-owl seems to have no positive effect on reducing the persecution of eagle-owls. Therefore, Spanish conservationists have recommended to boost education and stewardship programs to protect eagle-owls from direct killing by local residents. Unanimously, biologists studying eagle-owl mortality and conservation factors have recommended to proceed with the proper insulation of electric wires and pylons in areas where the species is present. As this measure is labour-intensive and therefore rather expensive, few efforts have actually been made to insulate pylons in areas with few fiscal resources devoted to conservation such as rural Spain. In Sweden, a mitigation project was launched to insulate transformers that are frequently damaged by eagle-owl electrocution.

Large reintroduction programs were instituted in Germany after the eagle-owl was deemed extinct in the country as a breeding species by the 1960s, as a result of a long period of heavy persecution. The largest reintroduction there occurred from the 1970s to the 1990s in the Eifel region, near the border with Belgium and Luxembourg. The success of this measure, consisting in more than a thousand eagle-owls being reintroduced at an average cost of US$1,500 per bird, is a subject of controversy. Those eagle-owls reintroduced in the Eifel region appear to be able to breed successfully, and enjoy nesting success comparable with wild eagle-owls from elsewhere in Europe. Mortality levels in the Eifel region, though, appear to remain quite high due to anthropogenic factors. Also, concerns exist about a lack of genetic diversity of the species in this part of Germany. Apparently, the German reintroductions have allowed eagle-owls to repopulate neighbouring parts of Europe, as the breeding populations now occurring in the Low Countries (the Netherlands, Belgium, and Luxembourg) are believed to be the result of influx from regions further to the east. Smaller reintroductions have been done elsewhere, and the current breeding population in Sweden is believed to be primarily the result of a series of reintroductions. Conversely to numerous threats and declines incurred by Eurasian eagle-owls, areas where human-dependent, non-native prey species such as brown rats (Rattus norvegicus) and rock pigeons (Columba livia) have flourished, have given the eagle-owls a primary food source and allowed them occupy regions where they were once marginalized or absent.

Occurrence in Great Britain

The Eurasian eagle-owl at one time occurred naturally in Great Britain. Some, including the RSPB, have claimed that it had disappeared about 10,000–9,000 years ago, after the last ice age, but fossil remains found in Meare Lake Village indicate the eagle-owl occurring as recently as roughly 2,000 years ago in the fossil record. The lack of presence of the Eurasian eagle-owl in British folklore or writings in recent millennium may indicate the lack of occurrence by this species there. The flooding of the land bridge between Britain and continental Europe may have been responsible for their extirpation as they only disperse over limited distances, although early human persecution presumably played a role as well. Some reportages of eagle-owls in Britain have been revealed to actually be great horned owls or Indian eagle-owls, the latter a particularly popular owl in falconry circuits.[110] Some breeding pairs do still occur in Britain, though the exact number of pairs and individuals is not definitely known. The World Owl Trust stated that they believe some eagle-owls occurring in North England and Scotland are naturally occurring, making the flight of roughly 350 to 400 km (220 to 250 mi) from the west coast of Norway to Shetland and the east coast of Scotland, as well as possibly from the coasts of the Netherlands and Belgium to the south. Although not migratory, eagle-owls can disperse some notable distances in young birds seeking a territory.

Prior studies of eagle-owl distribution have indicated a strong reluctance to cross large bodies of water in the species. Many authorities state that the Eurasian eagle-owls occurring in Britain are individuals that have escaped from captivity. While, until the 19th century, wealthy collectors may have released unwanted eagle-owls, despite press to the contrary, no evidence of any organization or individual intentionally releasing eagle-owls recently with the intent to establish a breeding population has been found. Many feel that the eagle-owl would be classified as an "alien" species. Due to its predatory abilities, many, especially those in the press, have expressed alarm of their effect on "native" species. From 1994 to 2007, 73 escaped eagle-owls were not registered as returned, while 50 escapees were recaptured. Several recorded breeding attempts have been studied, and most were unsuccessful, due in large part to incidental disturbance by humans and some due to direct persecution, with eggs having been smashed.

Effect on conservation-dependent species

As highly opportunistic predators, Eurasian eagle-owls hunt almost any appropriately sized prey they encounter. Most often, they take whatever prey is locally common and can take a large number of species considered harmful to human financial interests, such as rats, mice, and pigeons. Eurasian eagle-owls do take rare or endangered species, as well. Among the species considered at least vulnerable (up to critically endangered as in the mink and eel, both heavily overexploited by humans) to extinction known to be hunted by Eurasian eagle-owls are Russian desman (Desmana moschata) Pyrenean desman (Galemys pyrenaicus), barbastelle (Barbastella barbastellus), European ground squirrel (Spermophilus citellus), southwestern water vole (Arvicola sapidus), European mink (Mustela lutreola), marbled polecat (Vormela peregusna), lesser white-fronted goose (Anser erythrops), Egyptian vulture (Neophron percnopterus), greater spotted eagle (Clanga clanga), eastern imperial eagle (Aquila heliaca), saker falcon (Falco cherrug), houbara bustard (Chlamydotis undulata), great bustard (Otis tarda), spur-thighed tortoise (Testudo graeca), Atlantic cod (Gadus morhua), European eel (Anguilla anguilla) and lumpfish (Cyclopterus lumpus).

Action in the rain from Friday at the 2017 Goodwood Revival

Capstone, along with its partner Quadrangle Development, is currently developing a mixed use project on a site located at 9th Street NW and L Street NW. The $230 million project includes a 310-room Courtyard by Marriott hotel, a 190-room Residence Inn by Marriott hotel, and 230 residential units. The project is located in the Shaw Historic district and includes the redevelopment of a number of historic buildings located along 9th Street NW. Capstone recently completed the PUD process and is currently overseeing the design and financing of the project, which is projected to break ground in 2015.

Let’s say, in a few years, you’re searching for a hotel room adjacent to the Walter E. Washington Convention Center, and the swanky Marriott Marquis is full.

No problem. Maybe there’s a vacancy at the Courtyard Marriott next door. Or, perhaps, the Residence Inn by Marriott, next door.

Quadrangle Development Corp., as QC 369 LLC, has submitted a planned-unit development application to construct a 570,000-square-foot, 12-story building at Ninth and L streets NW, adjacent to the new Marriott Marquis. The $230 million project, called Columbia Place, will contain a hotel (really, two hotels, both Marriotts) and multifamily residential.

The site owner is (wait for it) Marriott International Inc. The project architects are Cooper Carry and TVS Design. The developer, Quadrangle, also worked with Marriott on the 1,175-room Marquis, which opened last month.

“Overall, the proposed development will significantly improve the existing area by virtue of the exceptional architectural design of the building, which carefully considers the nearby uses and aesthetics,” per the PUD application. “The proposed PUD will provide new housing and hotel opportunities to District residents, will put additional ‘eyes and ears’ on the street, and will create an improved pedestrian experience along 9th and L Streets, N.W.”

One part of the $230 million structure will contain a 124-room, extended stay Residence Inn by Marriott and a 377-room Courtyard Marriott, though the two will have separate entrances, both fronting L Street. The Residence Inn will include a restaurant and bar, 11 meeting rooms, a fitness center, internal courtyard with fire pit and “optional yoga deck,” and a retail space accessed from Ninth Street NW.

The 200-unit residential building, comprising studios, one- and two-bedroom units, will be located on the western side of the site, rising to a height of 110 feet. The Lurgan Building at 919 L will be retained and converted into 15 units. The new structure will have a rooftop recreation space and pool deck with a grill area, fire pit, lounge seating and “chess board turf.”

Quadrangle plans to demolish two historically contributing buildings, 911 and 913 L St. NW, while incorporating portions of nine other historic but dilapidated buildings into the development.

The project will be built in two phases, the hotel first followed by the residential.

The local advisory neighborhood commission unanimously backed the conceptual design and massing plan as it went through the Historic Preservation Review Board process earlier this year.

www.capstonedevco.com/columbia-place/

This is the Tower Building and the Hotel National. Both of which are built with the No. 96 set. This shows the size difference between the two buildings.

new precautions include putting up signs.

High speed skateboard slalom action at today's Paddle Round the Pier event in Brighton - a mix of water and land based events. I'm glad they stopped at the end before running me over.

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This is a photograph from the sixth annual Donadea 50KM Ultramarathon which was held in Donadea Forest, Donadea, Naas, Co. Kildare, Ireland on Saturday 14th February 2015 at 10:00. The race was also an International Association of Ultrarunners Silver Label Event and the Athletics Association of Ireland (AAI) National 50KM Championships. There were 178 finishers.

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We have a full set of photographs from the event today on our Flickr photostream in the following album: www.flickr.com/photos/peterm7/sets/72157650821612375/

Donadea Forest Park is situated in rural north Kildare and is approximately 640 acres in size. The amenities at the forest include good walking trails, a diversity of natural habitats, a walled stream, a large natural lake, and the ruins of Donadea castle. The Park is a designated National Heritage Area. The basic designation for wildlife is the Natural Heritage Area (NHA). This is an area considered important for the habitats present or which holds species of plants and animals whose habitat needs protection. It is a special occasion to allow the 50KM to be held in this environment.

Timing, results, and event management was provided by RedTagTiming - results available at www.redtagtiming.com/

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This also extends the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.

I want to download these pictures to my computer or device?

You can download the photographic image here direct to your computer or device. This version is the low resolution web-quality image. How to download will vary slight from device to device and from browser to browser. However - look for a symbol with three dots 'ooo' or the link to 'View/Download' all sizes. When you click on either of these you will be presented with the option to download the image. Remember just doing a right-click and "save target as" will not work on Flickr.

I want get full resolution, print-quality, copies of these photographs?

If you just need these photographs for online usage then they can be used directly once you respect their Creative Commons license and provide a link back to our Flickr set if you use them. For offline usage and printing all of the photographs posted here on this Flickr set are available free, at no cost, at full image resolution.

Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.

In summary please remember when requesting photographs from us - If you are using the photographs online all we ask is for you to provide a link back to our Flickr set or Flickr pages. You will find the link above clearly outlined in the description text which accompanies this photograph. Taking these photographs and preparing them for online posting does take a significant effort and time. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc. If you are using the photographs in newspapers or magazines we ask that you mention where the original photograph came from.

I would like to contribute something for your photograph(s)?

Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers or in other circumstances we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.

We use Creative Commons Licensing for these photographs

We use the Creative Commons Attribution-ShareAlike License for all our photographs here in this photograph set. What does this mean in reality?

The explaination is very simple.

Attribution- anyone using our photographs gives us an appropriate credit for it. This ensures that people aren't taking our photographs and passing them off as their own. This usually just mean putting a link to our photographs somewhere on your website, blog, or Facebook where other people can see it.

ShareAlike – anyone can use these photographs, and make changes if they like, or incorporate them into a bigger project, but they must make those changes available back to the community under the same terms.

Creative Commons aims to encourage creative sharing. See some examples of Creative Commons photographs on Flickr: www.flickr.com/creativecommons/

I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?

As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:

     ►You were hidden behind another participant as you passed our camera

     ►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set

     ►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone

     ►We simply missed you - sorry about that - we did our best!

You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.

Don't like your photograph here?

That's OK! We understand!

If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.

I want to tell people about these great photographs!

Great! Thank you! The best link to spread the word around is probably http://www.flickr.com/peterm7/sets

Back at the Goodwood Festival of Speed today, a free ticket as a reward for those involved in a work project that went very well. Bigger crowds for Sunday, which I used for these hit-and-miss panning shots

The interior of the Chateau de Villandry includes a Wooden, Spanish influenced, Mudejar style, moorish mosque ceiling. The chateau is situated in the Loire Valley, France

Epic Malibu Sunset! 45Epic Dr. Elliot McGucken Fine Landscape and Nature Photography.

instagram.com/elliotmcgucken

Join my new 45EPIC fine art landscapes page on facebook!

facebook.com/mcgucken

Working on a couple photography books! 45EPIC GODDESS PHOTOGRAPHY: A classic guide to exalting the archetypal woman. And 45EPIC Fine Art Landscape Photography!

More on my golden ratio musings: facebook.com/goldennumberratio

instagram.com/goldennumberratio

Greetings all! I have been busy finishing a few books on photography, while traveling all over--to Zion and the Sierras--shooting fall colors. Please see some here: facebook.com/mcgucken

instagram.com/elliotmcgucken

Let me know in the comments if you would like a free review copy of one of my photography books! :)

Titles include:

The Tao of Epic Landscape Photography: Exalt Fine Art with the Yin-Yang Wisdom of Lao Tzu's Tao Te Ching!

The Golden Number Ratio Principle: Why the Fibonacci Numbers Exalt Beauty and How to Create PHI Compositions in Art, Design, & Photography

facebook.com/goldennumberratio

And I am also working on a book on photographing the goddesses! :) More goddesses soon!

Best wishes on your epic hero's odyssey!:)

instagram.com/45surf

I love voyaging forth into nature to contemplate poetry, physics, the golden ratio, and the Tao te Ching! What's your favorite epic poetry reflecting epic landscapes? I recently finished a book titled Epic Poetry for Epic Landscape Photographers:

www.facebook.com/Epic-Poetry-for-Epic-Landscape-Photograp...

Did you know that John Muir, Thoreau, and Emerson all loved epic poetry and poets including Shakespeare, Milton, Homer, and Robert Burns?

I recently finished my fourth book on Light Time Dimension Theory, much of which was inspired by an autumn trip to Zion!

www.facebook.com/lightimedimensiontheory/

Via its simple principle of a fourth expanding dimension, LTD Theory provides a unifying, foundational *physical* model underlying relativity, quantum mechanics, time and all its arrows and asymmetries, and the second law of thermodynamics. The detailed diagrams demonstrate that the great mysteries of quantum mechanical nonlocality, entanglement, and probability naturally arise from the very same principle that fosters relativity alongside light's constant velocity, the equivalence of mass and energy, and time dilation.

Follow me on instagram!

instagram.com/elliotmcgucken

Join my new 45EPIC fine art landscapes page on facebook!

facebook.com/mcgucken

Includes:

Unisex

4 tattoos that can be used individually

5 options for the tattoo (Fade / Fresh / Fade red / Fresh red / Laser removal)

The Soysambu Conservancy includes much of Lake Elementaita and borders Lake Nakuru National Park to the west. It covers 190 square km (48,000 acres). It was created on the grounds of the Soysambu Ranch in 2007 to conserve the flora, fauna, and scenery of the Soysambu Ranch; it offers a home to over 450 bird species and 45 mammal species, including the critically endangered Rothschild (or Nubian) giraffe. The land of the ranch was appropriated by Hugh Cholmondeley, 3rd Baron Delamere, in 1906. The ranch still is owned and operated by the Delamere family.

Lake Elementaita is shallow a soda lake located on the floor of Kenya's Great Rift Valley 20 km southeast of the city of Nakuru at an altitude of 1,776 meters. Its surface are is 18 square kilometers (6.9 sq miles). Its deepest point is 1.9 meters; much of the lake is less than one meter deep. 450 bird species can be found here; it is an important stop for migratory birds. The lake is designated as Ramsar Site and as Important Bird Area (IBA). Lake Elementaita Wildlife Sanctuary encompasses the whole of Lake Elementaita and its riparian land; it became a UNESCO World Heritage Site as part of the Kenya Lake System in 2011.

July 30, 2014. Boston, MA.

Concerned community members rallied in Boston Common to stop the Kinder Morgan/TGP Northeast Energy Direct project (a high-pressure gas pipeline planned by Tennessee Gas Pipeline Co., a subsidiary of Kinder Morgan, to run from Richmond in Berkshire County through to Dracut, north of Boston.)

People from across the Commonwealth of Massachusetts marched from Richmond to Dracut following the route of the proposed Kinder Morgan Fracked Gas Pipeline and collected signatures to be handed at the end of the rally to the group of 18 legislators whose districts include the communities impacted by this huge industrial project.

According to the protesters the proposed pipeline path runs through hundreds of private properties and through some of the state’s most sensitive ecosystems and would be paid for through new tariffs on electric bills. Critics point out that the capacity of the pipeline is 4 times the estimate of the possible regional shortages and the remaining three quarters will probably be exported creating no benefit to the residents of western Massachusetts through which the pipeline runs.

© 2014 Marilyn Humphries

Images from the 2014 Brighton Half Marathon - held on gloriously sunny and calm day. Paul Sargent from Burgess Hill

More from the 72nd Members' Meeting, Goodwood.

ROCKTROPOLIS is a progressive rock band that is like a volcano ready to explode upon your ears. Members include guitarist ROCKTROPOLIS, Bassist and Keyboardist Sam Metropoulos and Drummer Marc Stemmler. Influences are Dream Theater, Rush, Yngwie, Yes, Deep Purple and Iron Maiden to name a few. Guitarist ROCKTROPOLIS has worked with The Process, Gabe Gonzalez (George Clinton) and former drummer John Macaluso (Yngwie Malmsteen, ARK and VOX). Multi instrumentalist Sam Metropoulos has collaborated on several albums with The Process, played with John Macaluso and has opened for Yngwie Malmsteen. Akin to the pillars of the great Parthenon, drummer Marc Stemmler provides the foundation for which ROCKTROPOLIS bridges the hemispheres between classical and progressive rock music. ROCKTROPOLIS is a Nominee of the 2013 Detroit Music Awards.

ROCKTROPOLIS is represented by Howard Hertz/Joseph Bellanca (Hertz Schram, p.c.) Mr. Hertz’s impressive roster includes George Clinton, Sippie Wallace, The Romantics, The Bass Brothers, Eminem, Marilyn Manson, Russell Simmons, O-Town, Pantera, Marcus Belgrave, The GO, Mike Posner, Elmore Leonard, Warner Tamerlane and Atlantic Records.

ROCKTROPOLIS is currently recording/producing their debut album, with Chris Lewis as their recording engineer (Fire Hyena Studio). Projected release date is summer 2013. Be prepared to own a collection of brilliant compositions that are melodic, epic and infectious to the soul.

www.RocktropolisMusic.com (c) 2012

Nike, Air Jordan Winterized 6 Rings, Men’s Size 9.5, Sneaker Boot, Black, 414845-001, UPC: 00193654634759, 2019, Michael Jordan, Black leather and mesh upper, superior construction, brown accents, metal lace loops, Padded inner sole, Padded tongue with logo, Lace-up closure, lugged outsole, elephant-pattern outsole, black Jordan 6 Rings Winterized boot, ‘Blackout’ Six Rings boot, chunky design, Phylon™ midsole includes Nike Zoom Air units in the heel and forefoot, Winterized boot,

Construction progress includes the tile restoration process, viscous damped brace frames, and new structure and floor decks in the expanded core.

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The SMUD Headquarters is truly a landmark of mid-century modern design. After 60 years of continuous use, SMUD has committed to a complete refurbishment of their headquarters building, which is on the National Register of Historic Places.

In collaboration with Wiss, Janney, Elstner Associates, we will pare the building back to its steel structure, upgrading all dated materials and systems. Glazing, solar shades, precast concrete and Wayne Thiebaud’s mosaic tile mural, Water City, will be carefully preserved; new efficient lighting, HVAC and data systems will be fully integrated to bring this iconic headquarters into the 21st century.

Also included in this renovation are site and landscape improvements designed to historically maintain significant site features.

The National Museum of Anthropology's collections include the Stone of the Sun, giant stone heads of the Olmec civilization that were found in the jungles of Tabasco and Veracruz, treasures recovered from the Mayan civilization, at the Sacred Cenote at Chichen Itza, a replica of the sarcophagal lid from Pacal's tomb at Palenque and ethnological displays of contemporary rural Mexican life. It also has a model of the location and layout of the

former Aztec capital Tenochtitlan, the site of which is now occupied by the central area of modern-day Mexico City.

The permanent exhibitions on the ground floor cover all pre-Columbian civilizations located on the current territory of Mexico as well as in former Mexican territory in what is today the southwestern United States. They are classified as North, West, Mayan, Gulf of Mexico, Oaxaca, Mexico, Toltec, and Teotihuacan. The permanent expositions at the first floor show the culture of Native American population of Mexico since the Spanish colonization.

Pickering Castle is situated on the southern edge of the North York Moors on a limestone bluff which formerly overlooked the meeting point of two of the main highways through the north of England: the east-west route along the Vale of Pickering and the north-south route through Newton Dale to Malton. The monument consists of a single area which includes the site of the 11th century motte and bailey castle and the 13th century shell keep castle. The former was built by William the Conqueror either during or shortly after the 'harrying of the north' in 1069-70. It consisted of an earth motte crowned by a timber palisade, flanked on the north-west side by a crescent-shaped inner bailey and, on the south-east side, by a contemporary or slightly later outer bailey. The inner bailey measured c.120m by c.35m and was bounded to the north by a steep natural slope surmounted by a palisade and to the south by deep 15m wide ditches linked to the ditch encircling the motte. The outer bailey, which measured c.185m by c.25m, was protected on the north side by these same ditches and, on the south side, by a 5-8m high palisaded bank with an outer ditch. To the immediate east of the outer bailey ditch a further earthwork bank may have provided additional defence on this side; alternatively it may be part of a medieval defence system associated with the adjacent settlement. The motte is c.20m high and has a base diameter of c.60m. It is not yet clear whether this is the original 11th century motte or a later medieval reconstruction. In the latter case, the earlier motte will have been preserved inside the later while, in addition, the buried remains of a wide range of domestic and service buildings will survive within the open areas of the baileys.

The reconstruction of the castle in stone largely took place between 1180 and 1236. There were three main phases to the work at this time, the earliest involving the late 12th century replacement of the palisade round the inner bailey with a curtain wall and also the probable construction of the first shell keep on the motte. In its present form the shell keep dates to the early 13th century but the foundations of the earlier wall will survive underneath. The remains of the early curtain wall still stand round the inner bailey, surviving best where the curtain was incorporated into later buildings. The earliest buildings so far identified are the early or mid- 12th century Old Hall, a free-standing residence whose surviving foundations show it to have been half-timbered, and the Coleman Tower, constructed at the same time as the inner curtain and an integral part of it. The Coleman Tower guarded the entry across the inner bailey ditch and was also a prison; hence its earlier name, the King's Prison. It was square in plan and had its entrance on the first floor, the level underneath being where the prisoners were kept. On the east side are the remains of a small building and also a stairway leading onto an adjacent wall. This wall, built across the motte ditch in the late 12th century, replaced an earlier palisade and provided access to the summit of the motte. A similar and contemporary length survives on the opposite side of the motte, crossing the ditch and joining the curtain alongside the later Rosamund's Tower. The keep consisted of a rubble wall enclosing a roughly circular area 20m wide. A wall walk would have lined the inside of the wall above a series of garrison buildings. The foundations of some of these buildings survive but it is not certain whether they date to the 13th or the 14th century. In some cases they will have replaced earlier timber structures whose buried remains will also survive. Also of uncertain date are the foundations of a number of buildings in the inner bailey, including a service range to the south-west and a group of buildings referred to as the Constable's Place in the accounts of the years 1441-43. The latter were half-timbered and some sections predate the inner curtain though others were clearly added later. A survey of 1537 lists a number of distinct structures, including the Constable's hall, a kitchen, buttery and pantry, and quarters for staff and servants. At the southern end of the group were a number of storage buildings, one of which is believed to have been the wool house. Two additional service buildings lay adjacent to the Old Hall and are thought, originally, to have been contemporary with it. To the south of these is the chantry-chapel which dates from c.1227 and is still complete though in a much altered state.

To the west of this is the early 14th century New Hall, initially built as a residence for Countess Alice, wife of Earl Thomas of Lancaster. This was later used as a courthouse which gave rise to it being named King's Hall or Motte (moot) Hall in later surveys. It was a penticed or lean-to building of two storeys which utilised the inner curtain for its outer wall. The inner walls were timber-framed and, as much of the surviving stonework is late 12th or early 13th century, it clearly replaced an earlier building. The upper chamber or solar of the 14th century hall was an elaborate plastered room with a decorated fireplace. The last major programme of building dates to 1324-26 when Edward II ordered extensive works to be carried out which included replacing the whole of the timber palisade round the outer bailey with a stone wall. This outer curtain included three projecting towers, a gatehouse with a drawbridge over the outer ditch and a postern gate which led from the north-east arm of the inner bailey ditch, underneath Rosamund's Tower and out onto the rampart. A second gate and drawbridge, built at this time alongside the Coleman Tower, had fallen out of use by the 16th century and can now no longer be seen. The three projecting towers, named from north-east to south-west, Rosamund's Tower, Diate Hill Tower and Mill Tower, are all square in plan and all would have led out onto the wall-walk along the inside of the curtain though, in the case of the Mill Tower, the curtain to either side has not survived sufficiently well to demonstrate this. The ground-floor entrance to the Mill Tower consisted of two doors linked by a short passage, in which the first door opened inwards and the second outwards indicating that the tower was built as a prison, a role it took over from the Coleman Tower. North of the Mill Tower, the outer curtain crossed the inner bailey ditch which can also be seen outside the castle walls on the west and north sides. This section of the ditch was part of the original 11th century defences and was quarried out of the rock on which the castle was built.

A levelled area alongside the inner edge indicates that quarrying of the rock-face continued after the ditch was cut. The quarried stone would have gone towards the construction of at least some of the castle buildings. Aside from its strategic and administrative roles, Pickering Castle had two other functions: to guard and manage the large forest which lay adjacent and to provide a court and place of detention for those found guilty of offences against it, such as poaching, unauthorised clearance and the theft of timber. The forest was an extremely important economic resource during the Middle Ages and its particular importance at Pickering can be seen in the great use made of wood in the castle buildings and also, most significantly, its continuous use in the defences down to the 14th century. Also important to the castle economy during the 14th century was the sale of wool, and it also had responsibility for managing the royal stud created by Edward II in c.1322. Possibly the stables known to have been located against the outer curtain at this time, between the gatehouse and Diate Hill tower, were connected with this. According to the Domesday Book, in 1086 the manor of Pickering was held by the king, that is, William the Conqueror. The castle established at this time as part of the subjugation of the rebellious North remained in royal hands until 1267 when it was conferred with the title Earl of Lancaster on Edmund Crouchback, younger son of Henry III. Edmund's son Thomas succeeded to both title and estates in 1296 but was executed for treason by Edward II in 1322, whereupon his estates reverted to the king. Following the unsuccessful Scottish campaign of the same year, and the ensuing retaliatory attacks on the north of England by Robert the Bruce, Edward ordered the building works noted above, clearly intending to keep Pickering a royal castle. However, in 1326 his son Edward III confirmed Henry, the younger brother of Thomas, Earl of Lancaster, in his brother's titles and estates, and, in 1351, the castle became part of the Duchy of Lancaster when that title was created. Upon the elevation of the House of Lancaster to the throne in 1399, and in 1413, the succession of Henry V, the Duchy reverted to the Crown and Pickering became a royal castle once again. It has been in State care since 1926. A number of features within the protected area are excluded from the scheduling. These include the ticket office/sales point and its paved base and steps, all English Heritage fixtures and fittings such as bins, bridges, safety grilles, signs, railings and interpretation boards, the surfaces of all modern steps and paths inside and outside the castle walls, lighting and the modern walls and fences round the outside edge of the protected area but the ground beneath all these features is included.

The Sacré-Cœur Basilica (French: Basilique du Sacré-Cœur, "Basilica of the Sacred Heart", pronounced [sakʁe kœʁ]) is a Roman Catholic basilica and popular landmark in Paris, France, dedicated to the Sacred Heart of Jesus. The basilica is located at the summit of the butte Montmartre, the highest point in the city.

Sacré-Cœur is built of travertine stone quarried in Château-Landon (Seine-et-Marne), France. This stone constantly exudes calcite, which ensures that the basilica remains white even with weathering and pollution.

A mosaic in the apse, entitled Christ in Majesty, is among the largest in the world.

The basilica complex includes a garden for meditation, with a fountain. The top of the dome is open to tourists and affords a spectacular panoramic view of the city of Paris, which is mostly to the south of the basilica.

The purpose of making a church dedicated to the Sacred Heart, with its origins in the aftermath of the French Revolution among ultra-Catholics and legitimist royalists, developed more widely in France after the Franco-Prussian War and the ensuing uprising of the Paris Commune of 1870-71. Though today it is asserted to be dedicated in honor of the 58,000 who lost their lives during the war, the decree of the Assemblée nationale, 24 July 1873, responding to a request by the archbishop of Paris by voting its construction, specifies that it is to "expiate the crimes of the communards". Montmartre had been the site of the Commune's first insurrection, and many hard-core communards were forever entombed in the subterranean galleries of former gypsum mines where they had retreated, by explosives detonated at the entrances by the Army of Versailles. Hostages had been executed on both sides, and the Communards had executed Georges Darboy, Archbishop of Paris, who became a martyr for the resurgent Catholic Church. His successor Guibert, climbing the Butte Montmartre in October 1872, was reported to have had a vision, as clouds dispersed over the panorama: "It is here, it is here where the martyrs are, it is here that the Sacred Heart must reign so that it can beckon all to come".

In the moment of inertia following the resignation of the government of Adolphe Thiers, 24 May 1873, François Pie, bishop of Poitiers, expressed the national yearning for spiritual renewal— "the hour of the Church has come"— that would be expressed through the "Government of Moral Order" of the Third Republic, which linked Catholic institutions with secular ones, in "a project of religious and national renewal, the main features of which were the restoration of monarchy and the defense of Rome within a cultural framework of official piety", of which Sacré-Cœur is the chief lasting triumphalist monument.

The decree voting its construction as a "matter of public utility", 24 July, followed close on Thiers' resignation. The project was expressed by the Church as a National Vow (Voeu national) and financial support came from parishes throughout France. The dedicatory inscription records the Basilica as the accomplishment of a vow by Alexandre Legentil and Hubert Rohault de Fleury, ratified by Joseph-Hippolyte Guibert, Archbishop of Paris. The project took many years to complete.

Source Wikipedia

The films distributed under the Rollei Brand by MACO Products, Germany, include former film formula's of Agfa company. The Rollei INFRARED 400 would differs from the Retro 400S (which iis ndeed the formula of former Agfa Aviphot 400) version by increased sensitivity in the near-infrared band. The film is side-marked 'INFRARED" but the processing times are the same as the 400S version.

On July, 29, 2024, Lyon, France, I decided to test a roll of this INFRARED version in a photo session at Par de la Tête d'Or by a quite warm (36°C) and sunny day. The results are quite close to my person IR-photography sessions made past year with the 400S version.

I took the same camera I used past year for infrared photography with one of my two Minolta's X-700 (the one called « China » period 1993-1999)

The Agfa Aviphot 400 film was originally designed for aerial photography for its capacity to differentiate green tones and to give a good clarity reducing in part the atmospheric haze. The Agfa Aviphot sensivity curve starts to decrease at 670 nm to fall at zero around 820 nm. The band starting at 780 (up to 2500nm) is the beginning of the "near infra-red" band of the electromagnetic spectrum.

The Minolta X-700 SLR camera was fitted with a normal lens Minolta MD 1:1.2 f=50mm. The lens was equipped with a 55mm screw-on IR filter with a cutoff at 720nm. Since the filter is so dark for a comfortable through-the-lens viewing, a FOCA "Universel" external view-finder (Made in France in the 50’s) was used for an easy framing. The X-700 has also a Multi-Function Back allowing diverse pricing modes. The date was manually printed before view 1 and the time of the end of film after the last frame.

The film was exposed for 40 ISO using my Minolta Autometer III external light meter equipped with a selective 10° finder. The X-700 light metering system was not used and the camera was operated in the manual mode using the exposure times of 1/60s or 1/125s for f/4 to f/11

Parc de la Tête d'Or, July 29, 2024

69006 Lyon

France

After completion, the film was processed using Adox Adonal developer (equivalent to Agfa Rodinal) at dilution 1+25, 20°C for 10min30. The photograms were then digitalized using a Sony A7 body fitted to a Minolta Slide Duplicator installed on a Minolta Auto Bellows III with a lens Minolta Bellow Macro Rokkor 50mm f/3.5. The RAW files obtained were then processed without intermediate files in LR and edited to the final jpeg pictures.

All frames of the film are presented in two different processing versions (normal or with the "clarity" parameter of LR reduced by -100% to mimic the traditional glow of former KODAK Infrared films)

About the camera and the lens :

Minolta X-700 SLR was manufactured in Japan and first released in 1981, and delocalized in China from 1993 to 1999. I bought them in early 2022 from eBay accompanied with their motor drive MD I and other accessories. The MD 1:1.2 f=50mm is part of my Minolta lens collection and was purchased as a vintage lens on line in the mid 2010's.

This is a photograph from the Forest Marathon festival 2013 which was held in the beautiful Coillte forest of Portumna in Co. Galway, Ireland on Saturday 15th June 2013. The event includes a 10k, a full marathon, a half marathon and two ultra-running events - a 50k and 100k race. The races started at 08:00 with the 100KM, the 50KM at 10:00, and subsequent races at two hour intervals onwards. All events started and finished within the forest with the exception of the half marathon and marathon which started outside of the forest. All events see participants complete 5KM loops of the forest which start and end at the car-park/amenity end of the forest. There is an official Refreshment/Handling Zones at this point on the loop.

The event was organised by international coach Sebastien Locteau from SportsIreland.ie and his fantastic team of volunteers from Galway and beyond. Congratulations to Seb on organising a very professionally run event and an event which is growing bigger and more prestigious with each passing year. There was an incredible atmosphere amongst the runners, the spectators, and the organisers. Hats off to everyone involved.

The marathon, 50KM, and 100KM events are sanctioned by Athletics Ireland and AIMS (the Association of International Marathons and Distance Races). The event has also achieved IAU (International Association of Ultrarunners) Bronze Label status for 2013.

Electronic timing was provided by RedTagTiming: www.redtagtiming.com/

Energy Bars, Gels, Drinks etc were provided by Fuel4Sport: www.fuel4sport.ie/

This is a set of photographs taken at various points on the 5KM loop in the Forest and contains photographs of competitors from all of the events except the 10KM race.

Viewing this on a smartphone device?

If you are viewing this Flickr set on a smartphone and you want to see the larger version(s) of this photograph then: scroll down to the bottom of this description under the photograph and click the "View info about this photo..." link. You will be brought to a new page and you should click the link "View All Sizes".

Overall Race Summary

Participants: Approximately 600 people took part across all of the events which were staged: 10km, half marathon, marathon, 50km, and 100KM.

Weather: The weather was unfortunately not what a summer's day in June should be like - there was rain, some breeze, but mild temperatures.

Course: This is a fast flat course depending on your event. The course is left handed around the Forest and roughly looks like a figure of 8 in terms of routing.

Location Map: Start/finish area on Google StreetView [goo.gl/maps/WWTgD] are inside the parklands and trails

Refreshments: There are no specific refreshments but the race organizers provide very adequate supplies for all participants.

Some Useful Links

Official Race Event Website: www.forestmarathon.com/

The Boards.ie Athletics Forum Thread for the 2013 Event: www.boards.ie/vbulletin/showthread.php?t=2056874371

A GPS Garmin Trace of the Course Profile (from the 50KM event) connect.garmin.com/activity/189495781

Our Flickr Photographs from the 2012 Events: www.flickr.com/photos/peterm7/sets/72157630146344494/

Our Flickr Photographs from the 2011 Events: www.flickr.com/photos/peterm7/sets/72157626865466587/

Title Sponsors Sports Ireland Website: sites.google.com/a/sportsireland.ie/welcome-sports-irelan...

A VIDEO of the Course: www.youtube.com/watch?feature=player_embedded&v=2FLxE...

Google StreetView of the Entrance to Portuma Forest: goo.gl/maps/MX62O

Wikipedia: Read about Portumna and Portumna Forest Park: en.wikipedia.org/wiki/Portumna#Portumna_Forest_Park

Coilte Ourdoors Website: www.coillteoutdoors.ie/?id=53&rec_site=115

Portumna Forest on EveryTrails: www.everytrail.com/guide/portumna-forest-park-woodland-tr...

More about the IAU Bronze Label: www.iau-ultramarathon.org/index.asp?menucode=h07&tmp=...

How can I get a full resolution copy of these photographs?

All of the photographs here on this Flickr set have a visible watermark embedded in them. All of the photographs posted here on this Flickr set are available offline, free, at no cost, at full image resolution WITHOUT watermark. We take these photographs as a hobby and as a contribution to the running community in Ireland. Our only "cost" is our request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, etc or (2) other websites, web multimedia, commercial/promotional material that you provide a link back to our Flickr page to attribute us. This also extends the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.

Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.

In summary please remember - all we ask is for you to link back to our Flickr set or Flickr pages. Taking the photographs and preparing them for online posting does take a significant effort. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc.

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Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.

I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?

As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:

     ►You were hidden behind another participant as you passed our camera

     ►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set

     ►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone

     ►We simply missed you - sorry about that - we did our best!

You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.

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If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.

I want to tell people about these great photographs!

Great! Thank you! The best link to spread the word around is probably www.flickr.com/peterm7/sets

The band, Ragweed, on stage at Sticky Mike's Frog Bar in Brighton

www.reverbnation.com/ragweedrock

3 Capris lead the pack around Madgwick during the Gerry Marshall Trophy race at the Goodwood 73rd Member's Meeting

This fisherman was happy to show me his catch at the World Dab Championships. Unfortunately, these are Rockling, so they don't count

The Motherland Calls (Russian: Родина-мать зовёт!, romanized: Rodina-mat' zovyot!) is a colossal neoclassicist and socialist realist war memorial sculpture on Mamayev Kurgan in Volgograd, Russia. Designed primarily by sculptor Yevgeny Vuchetich with assistance from architect Yakov Belopolsky, the concrete sculpture commemorates the casualties of the Battle of Stalingrad, and is the predominant component of a larger monument complex, which includes several plazas and other sculptural works. Standing 85 metres (279 ft) tall from the base of its pedestal to its peak, the statue was the tallest in the world upon its completion in 1967, and is the tallest statue in Europe if excluding the pedestal. The statue, along with the rest of the complex, was dedicated on 15 October 1967, and has been listed as a tentative candidate for UNESCO's list of World Heritage Sites since 2014.

The sculpture depicts a female personification of Russia, commonly referred to as Mother Russia. She wears a windswept shawl resembling wings, and holds a sword aloft in her right hand. Her left hand is extended outward, as she calls upon the Soviet people to battle. The statue was originally planned to be made of granite and to stand only 30 metres (98 ft) tall, with a design consisting of a Red Army soldier genuflecting and placing a sword before Mother Russia holding a folded banner, but was changed in 1961 to be a large concrete structure at nearly double the height, a decision that was subject to criticism from Soviet military officials and writers. It was inspired by the Winged Victory of Samothrace, an ancient Greek sculpture of the goddess of victory, Nike.

The construction of The Motherland Calls began in 1963, and was led by structural engineer Nikolai Nikitin. The project faced numerous challenges, including the assembly of the statue's framework and its intricate features, which were compounded by the statue's size. Delays were caused by cold weather and unforeseen geological issues, necessitating extensive foundation reinforcement and relocation of water systems. Additional complications arose with the statue's sword, which was required to be redesigned due to problems with wind resistance. Despite these obstacles, the memorial was completed in 1967 for the 50th anniversary of the October Revolution.

After its dedication, the sculpture underwent numerous alterations and restoration attempts. In 1972, the statue's sword was replaced with a higher-grade steel alloy version to reduce wind resistance, and by 1986, it had tilted significantly from its original axis. Concerns about the statue's structural integrity arose by the early 21st century, with the statue in disrepair and at risk of collapsing. Comprehensive restoration efforts began later in the century, and by 2020, the monument had undergone extensive restoration, although post-renovation critiques and new structural issues have since arisen.

The Battle of Stalingrad was a major conflict between the Soviet Union and Nazi Germany on the Eastern Front of World War II, fought over six months from July 1942 to February 1943. The battle resulted in a decisive Soviet victory but came at a tremendous cost, with over a million estimated Soviet deaths. The battle was quickly mythologised in Soviet culture, and was widely referred to as the turning point in the war in Soviet history textbooks.

The idea of commemorating the Soviet victory in the Battle of Stalingrad originated in the final years of the war. Soviet politicians and artists had considered designs for monuments to the battle prior to the war's end, and the first museum honoring the Great Patriotic War was established as early as March 1943. In 1944, the publication Arkhitektura SSSR issued a number of articles detailing possible designs for memorials. Following the end of the war in 1945, several small-scale obelisks and commemorative plaques were erected across the Soviet Union; however, larger plans for monuments were curtailed by leader Joseph Stalin, who sought to refocus attention on emerging Cold War conflicts, virtually prohibiting all public observation of the war by 1948.

In 1948, sculptor Yevgeny Vuchetich, a member of the Academy of Arts of the Soviet Union, began discussing plans for a monument for the Battle of Stalingrad with architect Yakov Belopolsky, whom he had previously collaborated with on the development of the Soviet War Memorial in Berlin's Treptower Park.[6] The project was intended to be built atop Mamayev Kurgan, a burial mound that was the site of intense conflict during the battle. Vuchetich started petitioning high-ranking Soviet officials for permission to design the monument in the early 1950s, including Politburo member Georgy Malenkov.[8] In a letter to Malenkov dated December 1951, Vuchetich claimed that he had received multiple inquiries from veterans and family members of those who died in the war about the absence of a memorial on Mamayev Kurgan.

After Stalin's death in March 1953, plans for a memorial on Mamayev Kurgan were revitalised. In March 1954, the Council of Ministers announced a competition for the design of a "State Museum of the Defense of Tsaritsyn-Stalingrad", which would include a large panoramic painting depicting the battle; by this time, Vuchetich and Belopolsky had already finalised drafts for the project's structural designs. On 23 January 1958, the Council of Ministers declared that the construction of "a memorial-monument in the city of Stalingrad commemorating victory over the German fascist force" would be overseen by a committee led by Vuchetich and comprising Belopolsky and Anatoly Garpenko, an artist and Red Army veteran.

Vuchetich and Belopolsky's initial designs for the project were ambitious and took much of their inspiration from the memorial at Treptower Park. The entrance to the monument was planned to feature a triumphal arch that led into a granite staircase, followed by a brick staircase in an avenue of Lombardy poplar trees. A second granite staircase would lead to a circular plaza, with a large granite statue of a Russian man titled Stand To the Death!. Behind the statue, a final granite staircase would lead to a plaza with an entrance to an underground complex called the "Panorama". A cupola-shaped hall would include an eternal flame to memorialise the heroes of Stalingrad, a sculpture of a man shaping a sword into a ploughshare, and walls engraved with the names of those who died in the battle. An exit at the end of the hall led to a second observation platform with a panoramic painting depicting a prosperous post-war Stalingrad.

The principal component of the project was to be a colossal statue at the top of Mamayev Kurgan; at the statue's base, a foyer would be built in order to allow visitors to honor the dead with commemorative gifts. The statue was designed according to the principles of neoclassicism and socialist realism, both artistic styles that Vuchetich specialised in. The original plan for the sculpture was to have it constructed entirely of granite, with a design featuring a Red Army soldier genuflecting and placing a sword before a female personification of Russia, commonly referred to as Mother Russia, holding a folded banner; this was later changed to be a concrete statue of a lone Mother Russia wearing a windblown shawl resembling wings and holding a sword aloft in her right hand, with her left hand extended outward as she calls upon the Soviet people to fight against the enemy. The design was inspired by the Winged Victory of Samothrace, an ancient Greek sculpture of the goddess of victory, Nike. Committee members initially suggested that the sculpture should be dressed in traditional Russian clothing. Vuchetich objected to the proposition, arguing that a traditional costume would diminish the idea of the battle as an "international event" and defy the neoclassical style he had envisioned for the statue. The sculpture was initially planned to be 30 metres (98 ft) tall from its pedestal to its peak; however, Soviet leader Nikita Khrushchev ordered it to be taller than the 46 metres (151 ft) tall Statue of Liberty in a display of dominance over the United States, their geopolitical rival during the Cold War. The height of the statue alone was increased to 52 metres (171 ft), nearly double the originally planned height, a decision that further increased the project's cost, which had already substantially overrun its budget. Valentina Izotova, a 26-year-old waitress at a local restaurant, was chosen by Vuchetich to be the model for the sculpture, while the face of the statue is believed to have been based on that of Vuchetich's wife.

The choice to make The Motherland Calls the primary feature of the monument complex was met with derision from Soviet military officials, including generals Andrey Yeryomenko and Mikhail Shumilov, who believed the statue's design would detract from the importance of the Panorama, which they thought to be the only structure that could faithfully represent the extent of the soldiers' experiences. Vuchetich rationalised the decision by asserting that the monument should reflect the widespread recognition of the Battle of Stalingrad as the turning point of the war, and marketed the project as one part of a sculptural triptych that would encompass the memorial at Treptower Park and a planned monument in Moscow. The planned sculpture also attracted criticism from Soviet writers, including author Viktor Nekrasov, who claimed that the monument would defile the historic site.

While construction on the rest of the monument complex began in 1961, work on The Motherland Calls did not start until late 1962. Vuchetich's final design for the sculpture was approved by the artist committee in December of 1962, and on 23 January 1963 the Council of Ministers ordered the development of blueprints for the statue. The process of building of the monument would prove to be more complicated than anticipated by its developers, primarily due to its size and the complexity of its details. After the Sculptural Group of the Artistic Fund requested to be relieved of their construction duties and the construction firm Volgogradgidrostroi expressed reservations about taking over the project, structural engineer Nikolai Nikitin was appointed to lead the construction efforts.

In 1963, Nikitin's design team began planning the construction process for the monument, finalizing their designs by August. Nikitin began his role as head of the team by emphasizing unresolved issues, specifically the lack of geological and hydrological studies that had been recommended earlier in the year. In a report to the Ministry of Culture made in September, he insisted that these studies were crucial due to the extensive construction already completed and the need to ensure the foundation's durability and stability, particularly given the presence of mellite clays on Mamayev Kurgan; the hill could only support the structure if the moisture of its soil remained low. Nikitin noted that the foundation, initially designed for a statue half the height, required thorough investigation to confirm its suitability. Almost immediately following his report, the Ministry sent a team to Volgograd to thoroughly investigate the issues.

Construction on The Motherland Calls commenced in November 1963. The statue, made entirely of reinforced concrete, used a special hydrostatic cement mixture that had been developed for the construction of the Ostankino Tower in Moscow. The statue's structure featured an internal framework of vertical and horizontal diaphragms forming cells that were 3 metres (9.8 ft) wide, 3 metres deep, and 4 metres (13 ft) tall, extending from its 2-metre (6.6 ft) pedestal to its neck. The external surface was a reinforced concrete membrane varying in thickness from 25 to 60 centimetres (9.8 to 23.6 in). Construction involved pouring concrete in 50-centimetre (20 in) increments into the forms shaping the vertical diaphragms, allowing each layer to harden before proceeding. Workers used small vibrators to settle the concrete, eliminate air pockets, and ensure even pours, working manually due to the tight spaces. Each 4-metre-high section was capped with a horizontal diaphragm, serving as the foundation for the next section. The statue's head, arms, and scarf were cast separately and attached using cantilevered junctions and large steel bolts, with the metal sword anchored in the right hand. Its stability was ensured by a complex system of steel tension cables to counteract wind forces, monitored by seismographic and meteorological instruments inside the structure. A radio transmitter was installed in the statue's head in order to transmit data on ground vibrations, surface temperatures, and humidity. Passageways within the statue were built to allow for interior inspections, while the exterior would be visually examined.

Initially, crews focused on assembling the metal framework designed to support the internal diaphragms, followed by welding the rebar for the external membrane and creating the plaster molds for the statue's surface. The concrete pedestal was poured, and by the end of 1963, the shawl pieces and the empty hand had been made and attached to the framework. However, the arrival of subfreezing temperatures halted further concrete pouring, which could not resume until the spring; plans were set to complete this phase of the construction by 1 July 1965. The statue's head and sword hand were then mounted, with the metal sword set to be installed later. During this period, the construction of other components of the memorial, such as the "Wall Ruins" and parts of the "Square of Heroes", progressed significantly.

Despite initial forecasts for a November 1965 opening, the construction timeline was extended into the late summer of 1966. This delay was partly due to emerging issues with the sculpture's foundation and the stability of the surrounding soil, prompting geological investigations that uncovered several critical deficiencies in the initial surveys. For instance, examinations of Mamayev Kurgan's substrata were only carried out to a depth of 9 metres (30 ft), rather than the necessary depth of at least 46 metres (151 ft). Additionally, there had been no measurement of the soil's compression under the statue's weight, nor was there any consideration of how the expansion of waterlogged clay could impact the foundation. No comprehensive assessment was made of potential groundwater sources, and no tests to evaluate the stability of the mound's slope were conducted. Addressing these issues required significant effort and expense; in early 1966, officials concluded that the only solution involved relocating all water supply pipes and reservoirs buried within the mound to a distance of at least 273 metres (896 ft) from the statue's base in order to improve drainage around the structure. The statue's foundation was reinforced, and several thousand cubic metres of extra earth were backfilled to create a levee around the pedestal. However, these adjustments necessitated the removal of several graves previously located at the hill's summit and a reduction in the size of the plaza where the Grief of the Motherland statue and the Pantheon, which had replaced the Panorama due to issues with the latter's foundation, were situated. These remedial efforts continued into 1967.

In May 1966, crews hoisted and secured the 14-ton, 28-metre-long (92 ft) sword into the statue's right hand. The sword was constructed from stainless steel and bolstered by plates made from titanium. However, by late August, strong winds revealed that the sword and its anchoring structure were subjected to lateral forces that had not been accurately accounted for. The sword's tip was observed wavering by nearly 1 foot (0.30 m) in either direction, posing a risk to the integrity of the joint connecting the arm to the metal framework. This movement resulted in visible cracks in the concrete surface around the area. A committee was formed to investigate further, who concluded that the existing sword needed replacement; temporary measures were applied, included cutting holes in the current sword and reinforcing the joint until a permanent fix could be implemented.

In February 1967, the Council of Ministers mandated that all remaining work on the memorial complex be completed by 15 October for the 50th anniversary of the October Revolution. Laborers worked throughout the spring and summer to meet this deadline, completing the earthen levee surrounding the main monument's pedestal, relocating the remaining leaking irrigation pipes and reservoirs, reinforcing the sword, installing sound and lighting systems across the complex, and setting in place the final sculptural and landscaping elements. The last major obstacle arose from complications with the Pantheon; as crews applied the mosaics to the Pantheon's interior walls in early 1967, they discovered inconsistencies in the glass tiles. With only four months until the scheduled opening, Vuchetich urgently sought intervention from officials to expedite a solution. Supplementary glass was quickly produced and delivered, and several hundred soldiers from a local garrison were enlisted to aid in construction. The crews worked diligently, completing the Pantheon's mosaic walls in under a month for the complex's opening. Once finished, the full sculpture stood 85 metres (279 ft) tall from the base of the pedestal to the top of the sword, and was the tallest statue in the world upon its completion; it remains the tallest statue in Europe.

The dedication of the memorial occurred on 15 October 1967. The event drew tens of thousands of people to Mamayev Kurgan, along with reporters from official press outlets, including Izvestia and Pravda, who wrote extensively on the memorial's scale and significance, describing the statue as a tribute to the heroism of Stalingrad's defenders. Vuchetich, along with the engineers and construction workers, were lauded for their contributions to the project, with reporters drawing parallels between their efforts and those of the soldiers who defended the city.

The opening ceremony featured speeches from party leaders and military representatives, who highlighted various themes such as the valor of those who fought in the battle, the importance of remembering past sacrifices, and the role of the Red Army in defeating fascism. Premier Leonid Brezhnev's keynote address framed the monument as a testament to Soviet unity and postwar recovery, while also emphasizing the USSR's commitment to peace and culture in contrast to American actions during the Vietnam War. The speeches collectively stressed the significance of the memorial in preserving the memory of the war and its heroes, and praised the Soviet people's enduring loyalty to the Communist Party and its Central Committee.

The years after the statue's dedication were primarily marked by alterations and several attempts at restoration. A year after the monument's opening, cracks had already started to form on the statue's surface. In order to preserve the monument, the head and hands of the sculpture were treated with a waterproofing agent once a year. In 1972, the statue's sword was replaced with a higher-grade steel alloy version featuring jalousie-like slits to reduce wind resistance. The sculpture's surface received a maintenance inspection in 1986; by this time, it had tilted 60 millimetres (2.4 in) from its original vertical axis since its initial assessment in 1966.

Between 2008 and 2009, a comprehensive safety and reliability program for the statue was developed and approved by the Russian Ministry of Culture. However, by 2009, concerns had been raised about the structural integrity of the structure; the statue's foundation was not anchored but held in place by its own weight, and was subsiding as a result of rising water levels. By this time, pieces of concrete had already begun to fall off the statue, nearly injuring passersby, and it had tilted approximately 20 centimetres (7.9 in), with further tilting risking collapse. Estimated costs to repair the structural issues were over 7 million USD (equivalent to $9,664,521 in 2023); however, efforts to secure funding for restoration were complicated by the Great Recession, and previous attempts to allocate government funds for restoration had been undermined by misappropriation. Large-scale restoration work on the sculpture funded by the federal budget began in 2010. Initial steps included replacing the piezometric network (a system for measuring pressure) to allow for hydrogeological monitoring, studying the reinforced concrete's condition, and analyzing cracks and other defects.

In 2014, the sculpture, along with the surrounding complex, was listed as a tentative candidate for UNESCO's list of World Heritage Sites. Following the 70th anniversary of the Soviet victory in the Great Patriotic War in 2015, the statue was set to undergo further renovation, with 99 of its 117 steel cables requiring replacement. By 2017, the cables had not yet been replaced, though plans were made to address the replacement along with other maintenance needs, with additional restoration efforts set to be conducted after the end of the 2018 FIFA World Cup, which was held in Russia. In late 2018, the construction company Glavzarubezhstroy completed preparations for the external restoration of the sculpture, which included creating access for special equipment, fencing off the area for material storage and worker camps, installing a two-metre fence around the sculpture, removing the lawn, setting up external lighting for the duration of the work, and digging trenches around the statue's base. In early 2019, the observation deck at the foot of the statue was closed off to visitors until March of the following year in order to allow for additional restoration work to its pedestal, surface, and framework. In May, the sculpture had begun to be covered in scaffolding, and the granite slabs at the pedestal were removed. Restoration on the external features of the monument continued from July to November, including cracks being filled in and the surface being painted with white lead. In November, the scaffolding and the pedestal's slabs were removed, with internal renovations to be finished before Victory Day on 9 May 2020, the 75th anniversary of the end of the battle. The restoration of the monument was completed in March 2020; however, due to the COVID-19 pandemic, the reopening ceremony that had originally been planned for Victory Day was postponed. A virtual tour of the structure and the surrounding complex was made available online in lieu of public visitations.

The monument complex was reopened on 24 June 2020, with a ceremony hosted by Volgograd governor Andrey Bocharov and Russian Minister of Culture Olga Lyubimova. In total, the cost of renovating the sculpture alone cost approximately 750 million rubles (equivalent to $11,296,607 USD in 2023). In August, Russian designer Artemy Lebedev criticised the statue's post-renovation appearance, arguing that the statue was in a worse condition than it had been before its restoration; his comments received criticism from residents of Volgograd, who insisted that he be punished for insulting the memory of those who died in the Battle of Stalingrad. By early 2021, dark spots and more cracks were noticed on the surface of the statue, prompting the filing of an application with a Moscow arbitration court requesting for Glavzarubezhstroy, which had not fulfilled its warranty obligations, to declare bankruptcy. Glavzarubezhstroy later filed for bankruptcy, was sued by the Battle of Stalingrad Museum-Reserve, and listed on a national registry of "unscrupulous suppliers". In a poll conducted by Bloknot Volgograd in March, a majority of Volgograd residents surveyed responded negatively to the question of whether the sculpture looked better after its restoration, with some calling on those who worked on the project to "restore it themselves, with their own money". An assessment of the reliability and safety of the structure was planned to be conducted in 2023. As of 2024, the dark spots on the statue were still noticeable.

The Motherland Calls is featured on the coat of arms and flag of Volgograd Oblast. Postage stamps and postcards depicting the sculpture were issued in the Soviet Union for the 20th anniversary of the founding of the International Federation of Resistance Fighters in 1971 and the 30th anniversary of the Battle of Stalingrad in 1973; a postcard with the statue was issued in Russia to commemorate the 60th anniversary of the battle in 2002. The sculpture also appears on a commemorative 100-ruble coin issued by the Central Bank of Russia in 2013, and a 3-ruble coin issued in 2015. There is a replica of the statue in the city of Manzhouli in Inner Mongolia, China, near the border between Russia and China.

Mamayev Kurgan (Russian: Мама́ев курга́н) is a dominant height overlooking the city of Volgograd (formerly Stalingrad) in Southern Russia. The name in Russian means "tumulus of Mamai". The formation is dominated by a memorial complex commemorating the Battle of Stalingrad (August 1942 to February 1943). The battle, a hard-fought Soviet victory over Axis forces on the Eastern Front of World War II, turned into one of the bloodiest battles in human history. At the time of its installation in 1967 the statue, named The Motherland Calls, formed the largest free-standing sculpture in the world.

Battle

When forces of the German Sixth Army launched their attack against the city centre of Stalingrad on 13 September 1942, Mamayev Kurgan (appearing in military maps as "Height 102.0") saw particularly fierce fighting between the German attackers and the defending soldiers of the Soviet 62nd Army. Control of the hill became vitally important, as it offered control over the city. To defend it, the Soviets had built strong defensive lines on the slopes of the hill, composed of trenches, barbed-wire and minefields. The Germans pushed forward against the hill, taking heavy casualties. When they finally captured the hill, they started firing on the city centre, as well as on the city's main railway station under the hill. They captured the Volgograd railway station on 14 September 1942.

On the same day, the Soviet 13th Guards Rifle Division commanded by Alexander Rodimtsev arrived in the city from the east side of the river Volga under heavy German artillery fire. The division's 10,000 men immediately rushed into the battle. On 16 September they recaptured Mamayev Kurgan and kept fighting for the railway station, taking heavy losses. By the following day, almost all of them had died. The Soviets kept reinforcing their units in the city as fast as they could. The Germans assaulted up to twelve times a day, and the Soviets would respond with fierce counter-attacks.

The hill changed hands several times. By September 27, the Germans again captured half of Mamayev Kurgan. The Soviets held their own positions on the slopes of the hill, as the 284th Rifle Division defended the key stronghold. The defenders held out until January 26 1943, when the counterattacking Soviet forces relieved them. The battle of the city ended one week later with an utter German defeat.

When the battle ended, the soil on the hill had been so thoroughly churned by shellfire and mixed with metal fragments that it contained between 500 and 1,250 splinters of metal per square meter. The earth on the hill had remained black in the winter, as the snow kept melting in the many fires and explosions. In the following spring the hill would still remain black, as no grass grew on its scorched soil. The hill's formerly steep slopes had become flattened in months of intense shelling and bombardment. Even today, it is possible to find fragments of bone and metal still buried deep throughout the hill.

Memorial Complex

After the war, the Soviet authorities commissioned the enormous Mamayev Kurgan memorial complex. Vasily Chuikov, who led Soviet forces at Stalingrad, lies buried at Mamayev Kurgan; this makes him the only Marshal of the Soviet Union to be buried outside Moscow. 34,505 soldiers who were defenders of Stalingrad are buried there; sniper Vasily Zaytsev was also reburied there, in 2006.

Avenue of Poplars; Stand To the Death!

Mamayev Kurgan is accessible by a flight of stairs leading to the Avenue of Poplars, flanked on either side by poplar trees. From there, a second flight of steps leads to the statue of a muscular and shirtless Russian soldier. This statue, named Stand To the Death!, is carved from rock and surrounded by a large pool of water; it bears the inscription ...And not a step back!

Symbolic Ruined Walls; Square of Heroes

From Stand To the Death!, a third flight of stairs leads between the Symbolic Ruined Walls; these represent the ruins of Stalingrad, while immortalizing the Soviet heroes who defended the city. Carved into the walls are faces of numerous soldiers, their eyes closed to indicate death in battle. Also inscribed on the walls are numerous quotes from actual defenders of Stalingrad; these words were originally carved, by the soldiers themselves, upon the sides of various ruined buildings throughout the city.

Atop the steps, past the walls, is the Square of Heroes; this is dominated by another large pool of water. On one side of the pool is a wall bearing this inscription: With an iron wind blowing straight into their faces, they were still marching forward; and fear seized the enemy. Were these people who were attacking? Were they even mortal at all? On the other side of the pool are six sculptures, the first of which bears the inscription: "We've stood out and defeated death." The second and third sculptures commemorate military nurses and, respectively, sea soldiers. The fourth sculpture is dedicated to the officers who led the battle to protect Stalingrad. The fifth sculpture tells the story of "Saving the Banner". The sixth sculpture commemorates the eventual triumph of the Russian army over the Germans.

Hall of Military Glory

Past the Square of Heroes is the Hall of Military Glory, whose outer façade is decorated with Russian artwork of Soviet soldiers celebrating the war's end...and with the inscription "Our people will keep alive their memory of the greatest battle in the history of warfare, within the walls of Stalingrad."

An indoor flight of stairs leads to the Hall's circular main chamber; at the chamber's center is the Eternal Flame, a large sculpture of a hand holding a torch. The Eternal Flame is constantly under armed guard, which is changed every hour. The main chamber is considered sacred ground, with mournful music being played on a loop; out of respect, visitors are strongly discouraged from speaking aloud. The chamber's walls are covered in glass-foil mosaics; these bear the names of 7,200 Russian soldiers who died in the battle for Stalingrad. Around the ceiling of the chamber is the following inscription: "...Yes, we were mere mortals, and few of us survived (the German siege). But we all fulfilled our patriotic duty to our sacred Motherland."

Mother's Sorrow

The hall's upper exit leads to the base of a pathway, which in turn zigzags uphill to the Mother Russia Is Calling! statue itself. Also at the hill's base is a third shallow pool, this one surrounding a stone monument named Mother's Sorrow.

The hill itself is an unmarked grave for over 34,500 Russian troops killed at Stalingrad; even this is a tiny percentage of the overall Soviet casualties from the battle. The grass on the hill is considered sacred, and visitors are forbidden to step on it. The top of the hill gives a panoramic view of the city of Volgograd.

Mamayev Kurgan is open to the public 24 hours a day, and there is no charge for admission.

Background

The monumental memorial was constructed between 1959 and 1967, and is crowned by a huge allegorical statue of the Motherland on the top of the hill. The monument, designed by Yevgeny Vuchetich, has the full name The Motherland Calls! (Russian: Родина-мать зовёт! Rodina Mat Zovyot!). It consists of a concrete sculpture, 52 meters tall, and 85 meters from the feet to the tip of the 27-meters sword, dominating the skyline of the city of Stalingrad (later renamed Volgograd).

The construction uses concrete, except for the stainless-steel blade of the sword, and is held on its plinth solely by its own weight. The statue is evocative of classical Greek representations of Nike, in particular the flowing drapery, similar to that of the Nike of Samothrace.

Jamison Square

810 NW 11th Ave

General Info

Acreage: 0.94

Acquired in 2000

Amenities

Includes fountain, and statue or public art.

Special Information

Park hours: 5:00am-midnight

Historical Information

From the beginning of the planning efforts for the Pearl District in the early 1990s, the creation of a network of open spaces was an important goal of both the neighborhood and the City. In 1998, a conceptual plan for the new parks and open spaces was proposed by the Tanner Creek & Water Feature Steering Committee and approved by City Council. Those recommendations served as a point of departure for planning the district's parks.

In June 1999, Peter Walker & Partners, a landscape architecture firm, was retained to provide concepts for three new parks between Tenth and Eleventh Avenues in the River District. They developed and refined plans for the parks with input from a Project Steering Committee and two public workshops. The final plan is characterized by a series of recurring elements which strengthen the connection between each of the three parks.

Located between NW Johnson and Kearney, Jamison Square was the first to be developed. It is named in honor of William Jamison, whose presence was pivotal in the development of the River District. He was an exceptional person in his ability to influence and connect with a wide variety of people. His personal magnetism, in addition to the size and scope of his art gallery, drew many people into the Pearl District.

The focal point of the park is a fountain which simulates a shallow tidal pool. Water cascades from stone joints into low pools as the fountain continuously recirculates treated water with energy efficient pumps and motors.

In 2006 artist Mauricio Saldaña, commissioned by the Portland Pearl Rotary Club, created a red granite sculpture modeled after a brown bear. The bear's name is Rico Pasado, meaning "rich past," in reference to the history of the bears that once roamed this area as well as the Rotary International Centennial. This is why the sculpture is also referred to as the "centennial bear."

Another art installation in the park is Contact II, the 1972 metal sculpture by Alexander Liberman that was donated to the City of Portland in 2002 by Ed Cauduro in memory of his parents.

More from the Historic Masters Festival, Brands Hatch

ROCKTROPOLIS is a progressive rock band that is like a volcano ready to explode upon your ears. Members include guitarist ROCKTROPOLIS, Bassist and Keyboardist Sam Metropoulos and Drummer Marc Stemmler. Influences are Dream Theater, Rush, Yngwie, Yes, Deep Purple and Iron Maiden to name a few. Guitarist ROCKTROPOLIS has worked with The Process, Gabe Gonzalez (George Clinton) and former drummer John Macaluso (Yngwie Malmsteen, ARK and VOX). Multi instrumentalist Sam Metropoulos has collaborated on several albums with The Process, played with John Macaluso and has opened for Yngwie Malmsteen. Akin to the pillars of the great Parthenon, drummer Marc Stemmler provides the foundation for which ROCKTROPOLIS bridges the hemispheres between classical and progressive rock music. ROCKTROPOLIS is a Nominee of the 2013 Detroit Music Awards.

ROCKTROPOLIS is represented by Howard Hertz/Joseph Bellanca (Hertz Schram, p.c.) Mr. Hertz’s impressive roster includes George Clinton, Sippie Wallace, The Romantics, The Bass Brothers, Eminem, Marilyn Manson, Russell Simmons, O-Town, Pantera, Marcus Belgrave, The GO, Mike Posner, Elmore Leonard, Warner Tamerlane and Atlantic Records.

ROCKTROPOLIS is currently recording/producing their debut album, with Chris Lewis as their recording engineer (Fire Hyena Studio). Projected release date is summer 2013. Be prepared to own a collection of brilliant compositions that are melodic, epic and infectious to the soul.

www.RocktropolisMusic.com (c) 2012

$112 BASE PRICE [INCLUDES WRIST STRAP]

$15 ADD MESSENGER STRAP

APPROXIMATE SIZE:

7.5" WIDE BY 4.5" TALL BY 1.25" DEEP

INCLUDES:

1 double swivel wrist strap

4 slip pocket

14 card slots

1 clear ID slot

1 zippered coin pocket

1 pen loop

1 lip gloss loop

TWO EXTERIOR ZIPPER POUCHES - GREAT FOR PHONE AND/OR OTHER FLAT/SMALL ITEMS

WHAT JJB ITEM CAN BE USED TO MAKE THIS ITEM?

ONE CHANGE PAD IS GREAT FOR THIS ITEM

MORE PHOTOS:

www.flickr.com/photos/thehappihippo/32819397762/in/album-...

The High Flats study collection includes several photographs showing the new high rise schemes discussed in the social survey, including photographs of interiors of flats; homes and buildings; the people in their new environment, especially children.

(GUAS Ref: DC127/22)

View the catalogue for DC 127 online archiveshub.ac.uk/data/gb248-dc127

City Palace, Jaipur, which includes the Chandra Mahal and Mubarak Mahal palaces and other buildings, is a palace complex in Jaipur, the capital of the Rajasthan state, India. It was the seat of the Maharaja of Jaipur, the head of the Kachwaha Rajput clan. The Chandra Mahal palace now houses a museum but the greatest part of it is still a royal residence. The palace complex, which is located northeast of the centre of the grid patterned Jaipur city, incorporates an impressive and vast array of courtyards, gardens and buildings. The palace was built between 1729 and 1732, initially by Sawai Jai Singh II, the ruler of Amber. He planned and built the outer walls, and later additions were made by successive rulers right up to the 20th century. The credit for the urban layout of the city and its structures is attributed to two architects namely, Vidyadar Bhattacharya, the chief architect in the royal court and Sir Samuel Swinton Jacob, apart from the Sawai himself who was a keen architectural enthusiast. The architects achieved a fusion of the Shilpa Shastra of Indian architecture with Rajput, Mughal and European styles of architecture.

The palace complex lies in the heart of Jaipur city, to the northeast of the very centre. The site for the palace was located on the site of a royal hunting lodge on a plain land encircled by a rocky hill range, five miles south of Amber (city). The history of the city palace is closely linked with the history of Jaipur city and its rulers, starting with Maharaja Sawai Jai Singh II who ruled from 1699-1744. He is credited with initiating construction of the city complex by building the outer wall of the complex spreading over many acres. Initially, he ruled from his capital at Amber, which lies at a distance of 11 kilometres from Jaipur. He shifted his capital from Amber to Jaipur in 1727 because of an increase in population and increasing water shortage. He planned Jaipur city in six blocks separated by broad avenues, on the classical basis of principals of Vastushastra and other similar classical treatise under the architectural guidance of Vidyadar Bhattacharya, a man who was initially an accounts-clerk in the Amber treasury and later promoted to the office of Chief Architect by the King.

Following Jaisingh's death in 1744, there were internecine wars among the Rajput kings of the region but cordial relations were maintained with the British Raj. Maharaja Ram Singh sided with the British in the Sepoy Mutiny or Uprising of 1857 and established himself with the Imperial rulers. It is to his credit that the city of Jaipur including all of its monuments (including the City Palace) are stucco painted 'Pink' and since then the city has been called the "Pink City". The change in colour scheme was as an honour of hospitality extended to the Prince of Wales (who later became King Edward VII) on his visit. This colour scheme has since then become a trademark of the Jaipur city.

Man Singh II, the adopted son of Maharaja Madho Singh II, was the last Maharaja of Jaipur to rule from the Chandra Mahal palace, in Jaipur. This palace, however, continued to be a residence of the royal family even after the Jaipur kingdom merged with the Indian Union in 1949 (after Indian independence in August 1947) along with other Rajput states of Jodhpur, Jaisalmer and Bikaner. Jaipur became the capital of the Indian state of Rajasthan and Man Singh II had the distinction of becoming the Rajapramukh (present day Governor of the state) for a time and later was the Ambassador of India to Spain.

This temple here includes a large vertical wall, with drain pipes built in (you can see one in this picture on the right). These pipes go about 1m into the wall before hitting dirt, which can be rounded out by the bird and will resemble a very nice, pre-dug bee eater burrow. These nests are completely predator free with the vertical face of the wall, rarely are wet (during the nesting season at least) and don't need as much maintenance as a dirt bank would. This means bee eaters can be found 5 minutes from downtown Penang.

Kek Lok Si temple,

Penang, Malaysia

The Lower Trout Lake Bathhouse Complex and Contact Station includes five Mid-Century Modern resources, located on

two separate land parcels, in the same section of the Bald Mountain Recreation Area in Orion Township. The Lower Trout Lake Bathhouse Complex and Contact Station was designed in the mid-1960s by internationally renowned Michigan

architect Gunnar Birkerts. The larger of the two parcels of land contains a bathhouse complex of four closely spaced circular buildings – Men’s and Women’s Bathhouses, a Concession Stand, and a Pump House – all grouped within a large

circular pad of concrete pavement set back from the beach at Lower Trout Lake. The nomination also includes a small round Contact Station or “control booth” located about 4,600 feet away on the entrance road into this southern section of

the Bald Mountain Recreation Area. The buildings are closely related by their circular forms, concrete construction, and,

before vandals stripped them, copper roofs.

The Lower Trout Lake Bathhouse Complex and Contact Station is significant under criteria A and C. It is a set of Park

Service Modern buildings inspired by the nationwide Mission 66 program. The buildings were designed by world renowned architect Gunnar Birkerts who is known for his high-style modern structures. The Lower Trout Lake Bathhouse Complex and Contact Station’s structures are examples of two complimentary forms of mid-century modern design; one, a style of park building known as Park Service Modern, made popular by the National Park Service and the Mission 66 program architects; the other, the distinctive architectural style produced by Gunnar Birkerts at the time, during the beginning of the busiest point in his career. The buildings are less than fifty years old, yet because of their unique design, association with a

nation-wide program, and were designed by a master architect; they are eligible for nomination to the National Register of Historic Places at the National level.

The Lower Trout Lake Bathhouse Complex and

Contact Station was listed in the National Register of HIstoric Places on September 3, 2013.

The portrait includes the saint's severely broken nose, which healed asymmetrically

The "most realistic" portrait of the saint who became Santa Claus has been produced at a Liverpool university.

Saint Nicholas was a 4th Century bishop who liked to give gifts secretly. His relics lie in Bari Cathedral in Italy.

The image of him has been created using a facial reconstruction system and 3D interactive technology by Liverpool John Moores University's Face Lab.

Professor Caroline Wilkinson said it was based on "all the skeletal and historical material" available.

The saint, who died in 343, was the Greek bishop of Myra. The town, now known as Demre, lies on the southern coast of Turkey.

He was said to have left secret gifts, such as putting coins in shoes that were left out for him, leading him to be the model for Father Christmas.

A spokeswoman for the university said the new depiction uses "the most up-to-date anatomical standards, Turkish tissue depth data and CGI techniques".

It also includes Saint Nicholas' severely broken nose, which she said had "healed asymmetrically, giving him a characteristic nose and rugged facial appearance".

Revealing the portrait on the saint's feast day, 6 December, Prof Wilkinson said it was "thrilling to be able to show the face of this famous bishop".

I wanted to include the hollyhocks, which have come out in the last week or so - they look so pretty, through the kitchen window.

We went over to Witney this morning, to help Bethan with a few things, the main one being putting up a floating shelf for Lucas's LEGO models. There was one tricky moment, but it all went well in the end, so now Bethan plans to get another shelf.

After lunch, I put in my new EE phone SIM, as part of our broadband and phone plan with BT. I hadn't taken the protective cover off since I put it on 14 months ago, and it was a bit dusty/dirty, so I swapped it with the red one I'd bought at the same time, and I washed the yellow one.

We took our magazines around this afternoon. I enjoyed saying hello to the inquisitive calves, and we did a good cycle ride while taking the magazines to Honeycombe Leaze, and then on to the GP surgery. Mike booked a blood test (PSA levels) and a follow-up doctor's appointment, just to check for signs of prostate cancer, as it's what his dad died of, and he's not been checked for about nine years. And I booked my first shingles vaccination, as I'm in the eligible age group.

More from the Goodwood Festival of Speed. Dick Dastardly and Muttley were happy to pose.

Workout 13.4

MEN - includes Masters Men up to 54 years old

Complete as many reps as possible in 7 minutes following the rep scheme below:

135 pound Clean and jerk, 3 reps

3 Toes-to-bar

135 pound Clean and jerk, 6 reps

6 Toes-to-bar

135 pound Clean and jerk, 9 reps

9 Toes-to-bar

135 pound Clean and jerk, 12 reps

12 Toes-to-bar

135 pound Clean and jerk, 15 reps

15 Toes-to-bar

135 pound Clean and jerk, 18 reps

18 Toes-to-bar...

This is a timed workout. If you complete the round of 18, go on to 21. If you complete 21, go on to 24, etc.

WOMEN - includes Masters Women up to 54 years old

Complete as many reps as possible in 7 minutes following the rep scheme below:

95 pound Clean and jerk, 3 reps

3 Toes-to-bar

95 pound Clean and jerk, 6 reps

6 Toes-to-bar

95 pound Clean and jerk, 9 reps

9 Toes-to-bar

95 pound Clean and jerk, 12 reps

12 Toes-to-bar

95 pound Clean and jerk, 15 reps

15 Toes-to-bar

95 pound Clean and jerk, 18 reps

18 Toes-to-bar...

This is a timed workout. If you complete the round of 18, go on to 21. If you complete 21, go on to 24, etc.

via Instagram ift.tt/2d1fa4h

The Frost Centre Institute campus includes 20 buildings on 40 acres nestled in the beautiful Haliburton Highlands, just South of Dorset, Ontario. With 2,500 feet of lake frontage on Lake St. Nora and direct access to groomed hiking (or skiing) trails located on 58,000 acres of crown land adjacent to the campus, the Centre offers a truly one-of-a-kind environment for experiential learning and outdoor education.

This High Dynamic Range 360° panorama was stitched from 93 bracketed photographs with PTGUI Pro, tone-mapped with Photomatix, and touched up in Aperture.

Original size: 18206 × 9103 (165.7 MP; 196 MB).

Location: Frost Centre Institute, Lake St. Nora, Ontario, Canada

Up close to a Ferrari GTO, in the Paddock at the Goodwood Revival.

www.photojunkie.ca/archive/2006/07/my-toronto-includes-ro...

Ron Nurwisah, Writer

Chilling out on the patio fo I Deal Coffee on Nassau

What is your most favourite place in the city? The patio at I Deal Coffee on Nassau.

What is it that you like about this location? It's one of the nicest, friendliest, meeting places I've ever seen. It's a nice mix of unemployed layabouts, artists, students and market regulars. It also has killer coffee.

Where is the best place to eat in the city? I haven't had much money to eat out but those Chilean Empanadas from Kensington Market are AMAZING.

What do you like about living in Toronto? Just how many great neighbourhoods there are in this city. Kensington Market, the Annex, Little Italy, Parkdale, Queen West, Leslieville, the Beaches, Little Portugal.

What do you hate about living in Toronto? The Gardiner and Lakeshore. Have you tried to cross that thing to get to the water?

Where would I find you on a lazy Sunday afternoon in the city? Probably at I Deal Coffee having my fourth Americano just chatting with the regulars.

Who is your favourite Local Celebrity? Jane Jacobs, god bless her soul. I wish I had gotten to meet her. But now that she's gone probably one of those amazing indie rockers like the boys and girls from Broken Social Scene.

Car, Bike or Transit? Bike unless it's really cold, or too far.

There are so many but riding in Critical Mass the Friday before the pride parade and being cheered on by the throngs of people all over Church Street was pretty awesome.

My Toronto includes more bike lanes, better air and lots more love.

Accessories, replacement parts, filters, and storage caddy for iRobot® Scooba® 300 series robot floor scrubber cleaners. This set includes new and used items but all are in good "Like New" condition.

Items in this lot:

SCOOBA® STORAGE CADDY – Qty. 1 - Conveniently store iRobot Scooba anywhere in your home. The caddy stores Scooba standing up while protecting the floor beneath the robot. Allows Scooba to be stored in closets and cabinets. Protects the floor beneath Scooba. Easy to clean - iRobot Item Number: 5926 - Used "Like New" condition.

SCOOBA® VIRTUAL WALL® - Qty. 2 - iRobot Scooba Virtual Wall creates a beam of infrared light that Scooba will not cross. Use a Virtual Wall to block doorways and off-limit areas that you want Scooba to avoid. Keeps Scooba cleaning only where you want. Creates up to an 8 foot wide "virtual wall" in open doorways. Requires 2 D batteries (not included) - iRobot item Number: 5927. – New

SCOOBA VACUUM PORT - Qty. 1 - Replacement for lost or damaged Scooba Vacuum Port - Used "Like New" condition.

SCOOBA® FILTER - Qty. 1 - Replacement filter for use with iRobot Scooba traps hair, dirt and other debris. Traps hair, dirt and other debris. Rinse filter under warm water to clean. Change Scooba's regularly for best cleaning performance. - iRobot Item Number: 5943 - New

IROBOT SCOOBA® CASTER ASSEMBLY - Qty. 3 - Replacement, rotating casters easily snaps into your iRobot Scooba Floor Washing Robot for simple maintenance and lasting performance. - Used "Like New" condition.

SCOOBA® MEASURING CUP - Qty. 1 - Plastic measuring cup is marked with a Fill Line to indicate the appropriate amount of Clorox® Scooba Cleaning Solution to use with the iRobot Scooba Floor Washing Robot. Replacement measuring cup (one measuring cup is included with each Scooba). - Used "Good" condition.

eBay Auction: 290769091298

Walking on the lava flow. Much of which is obsidian.

Newberry National Volcanic Monument was designated on November 5, 1990 to protect the area around the Newberry Volcano in the United States. It was created within the boundaries of the Deschutes National Forest and is managed by the U.S. Forest Service. It includes 50,000 acres (20,000 ha) of lakes, lava flows, and spectacular geologic features in central Oregon. These photos are taken from the summit Paulina Peak 7,985 ft, (2,434 m). Just below us are East Lake and Paulina Lake and The Big Obsidian Flow, created 1,300 years ago, covers 700 acres. It is hard to fathom as you drive through the summit area that you are within a 17 square mile caldera at the summit of a 500 square mile volcano, a volcano that remains very active to this day. Newberry is both seismically and geothermally active. Geologists believe the caldera sits over a shallow magma body only 2 to 5 kilometers deep. Visitors see numerous cinder cones (over 400 throughout the area), miles of basalt flows, as well as rhyolite flows of obsidian.

The Society's history record book includes notes on the progress of the orphans it placed in new homes. The left page here includes the notes on Mary Martens as transcribed below:

Mary Martens

Aged 11 years Sept. 1./58

Aug. 25./58 Brought to the "Home" by her mother & legally committed by her. The same day to the AFG Society. Mary's father Jacob Martens died about 4 years since leaving four children, one girl older than Mary & a boy & girl younger than she. The oldest girl left home some years ago & has never been heard from since. The other girl & boy are at home.

Mary's mother married again about 3 years since a man by the name of George Slinger, has two children by second husband - girl & boy. Mary's parents were natives of Germany. Mary's mother now lives in West 25 St. No. 89 between 6 & 7 Ave.

Sept. 14./58 Mary went west in care of Mrs. Penfield to live with Mr. Albert Lockhart of Millersburg, Holmes Co., Ohio.

Nov. 6./58 Heard from through Mrs. Beegle says Mary has an excellent home.

Dec. 22./ 58 Received a letter from Mrs. Lockhart saying Mary was well & seemed contented and happy, was attending school & learning well.

Feb. 2d/59 A good report received by letter. Mary is well & doing well. Visited by Miss Goodrich in April of /59. Is well situated & a good girl.

Oct. 26./59 A less favorable report of Mary by letter from Mrs. Lockhart, says she has proved untruthful & dishonest. Is slow to learn, both at home & in school.

March 31./60 Heard from again by letter - is doing no better.

Written to Mar/63

Mar. 24/63 A very unfavorable report, makes very little progress in her studies, untruthful &c.

Sept. 18/65 Of age, and her address given to her Mother.

Recent launches from Florida include a SpaceX Starlink mission on September 3, 2025, carrying 28 Starlink satellites from Cape Canaveral Space Force Station, and another on August 31, 2025, by SpaceX. Looking ahead, another SpaceX Falcon 9 launch of Starlink satellites is scheduled for September 5, 2025, from Launch Pad 39A at NASA's Kennedy Space Center

Buildings include the Alumni Memorial Residences I, Homewood House, & the Playshop. ca. 1923

The Ferdinand Hamburger Archives, The Sheridan Libraries, The Johns Hopkins University

Includes:

1 x Mouthpiece

1 x Glass Globe

1 x Elips Battery

1 x Atomizer

1 x USB Charger

potterest.com/pin/source-micro-globe-vape-pen-kit-wax-vap...