View allAll Photos Tagged hyperlapse
Hyperlapse of our California road trip. Humboldt, Death Valley, Yosemite, the Redwoods, Ghost Towns (Bodie and Rhyolite) and everything in between. For a soundtrack, I could think of nothing more perfect than the music of Ronald Jenkees. He's an awesome independent artist. Find his work here! www.ronaldjenkees.com/
Conservatory of Flowers, Golden Gate Park, San Francisco
music and light show, January 2022
'hyperlapse' video on Samsung Galaxy cameraphone
20220112_180827
Sunday morning's sunrise over Southside Bethlehem.
700 frames captured over 23 minutes
24fps timeline slowed to 80%
Warp stabiliser and colour graded
Camera: DJI Mavic Air 2 in hyperlapse waypoints mode (2 second interval)
Music: "Sunspots" by Jeremy Blake
File: SteelStacks Sunrise Drone 100_0060 24fps slow
Nach dem Sonntagsspaziergang, in Belp an der Aemmenmattstrasse aufgenommen, mit einem Google Earth Anflug.
November 14
Jonathan and Gary didn't QUITE fit in the back of the loaner car, which has kid seats in the back. We had to test it out after lunch at Rudy's.
This afternoon we shot a hyperlapse of the Zero Energy Lab over at Disco Park. I think it'll be pretty nice!
After work I got my car back from Tesla. There were a bunch of dudes there from other centers. A new SuperCharger is opening next week so they've got extra people in town. A few guys were in from the Denver store, and guess what--they totally remembered me! Last time I was in Denver with Andy I drug him to the store after shooting, and we spent over an hour there carrying my camera around the store.
Spreckels Temple of Music
Music Concourse
Golden Gate Park
San Francisco
'hyperlapse' video on Samsung Galaxy cameraphone
20220112_173855
Hyperbot Pro is an autonomous buggy designed to capture hyperlapse footage over a well-defined path, stabilised using a gimbal. It has a simple user interface integrated into a smartphone application.
Hyperbot Pro is an autonomous buggy designed to capture hyperlapse footage over a well-defined path, stabilised using a gimbal. It has a simple user interface integrated into a smartphone application.
広島県民文化センター 鯉城会館
広島市中区大手町1丁目5-3
ロビー陶壁 潮音 加藤唐九郎 flic.kr/p/rYM6iM
広島神楽定期公演 2015年4月1日～12月23日（毎週水曜日）
Hiroshima Kagura regular performance, Hiroshima's traditional perfoming arts
1階 フロント横 車いす対応トイレ flic.kr/p/rYM6yX flic.kr/p/si78L4
youtu.be/bEImLyIU1aE まりちゃんが車いすで行く wheelchair street view Hyperlapse
February 21
This evening I met up with Ahna to shoot a hyperlapse of the Campus Theater again. Thin Line ended today, and I’d hoped to get a nice shot of the crowd coming out. Not only was the weather crappy, but the “N” in “THIN” on the marquee had fallen down, too. It looks like it says “THIW LINE,” which is totally dumb. So I just shot a few stills instead.
I ended up at Abbey Inn with Ahna, her Gary, and Erica. Emily had already thrown some tacos on at home, so I just scarfed down a beer and some cheese fries to hold me over while we visited. I told them how Emily and I found a house on Zillow that we’re checking out tomorrow. Might be a serious look!
Art installation Entwined ☆ Golden Gate Park ☆ San Francisco
artist: Charles Gadeken
'hyperlapse' video on Samsung Galaxy cameraphone
20220112_182259
What's worse for us: sugar or fat?
To answer the hottest question in nutrition, twin doctors Chris and Xand Van Tulleken go on month long high-fat and high-sugar diets. The effects on their bodies are shocking and surprising. But they also discover that in the debate about fat and sugar, the real enemy might have been hiding in plain sight.
Fractal Zooms, Hyper-lapse, morphs and screen graphics were created for this episode.
The fractal sequences were shot using 4K cameras giving us huge resolution which enabled us to create these zoom effects in After Effects. Shot on location in New York and London.
Director & Producer; Dave Stewart
DOP: Paul Jenkins
Sound: Andy Yarne & Ryan Chandler
Researcher: Jo Barwick
Special Effects: Matt Crowther & Pasquale Tropea
Editor: Louise Salkow
Grade: Mike Curd
Exec Producer: Aiden Laverty
Post: Rushes
Post Producer: Caroline Laing
After Effects: Matt Lawrence