View allAll Photos Tagged hyperlapse
One of the hidden gems of Gokarna. Moss laden rocks and a lighthouse at the end of the mountain! What more does one need?
With a vast majority of the handful that visit this quaint paradise, it might be an unexpected surprise if you find this beach and find nobody around!
Couldnt get a longer duration of timelapse due to unpredictable tide. Maybe next time!
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What's worse for us: sugar or fat?
To answer the hottest question in nutrition, twin doctors Chris and Xand Van Tulleken go on month long high-fat and high-sugar diets. The effects on their bodies are shocking and surprising. But they also discover that in the debate about fat and sugar, the real enemy might have been hiding in plain sight.
Fractal Zooms, Hyper-lapse, morphs and screen graphics were created for this episode.
The fractal sequences were shot using 4K cameras giving us huge resolution which enabled us to create these zoom effects in After Effects. Shot on location in New York and London.
Director & Producer; Dave Stewart
DOP: Paul Jenkins
Sound: Andy Yarne & Ryan Chandler
Researcher: Jo Barwick
Special Effects: Matt Crowther & Pasquale Tropea
Editor: Louise Salkow
Grade: Mike Curd
Exec Producer: Aiden Laverty
Post: Rushes
Post Producer: Caroline Laing
After Effects: Matt Lawrence
~ # PhotoChalleng.org 2016.... ~
- "HYPERLAPSE" - 2016 ~ BLACK AND WHITE HALLOWEEN HYPERLAPSE VIDEO.... ~
Manual Settings....
ISO 100
1/40
f/10
No Flash -Outside -
Nikon D7200 - Nikkor 18 - 105mm Lens
Edited in Lightroom CC
~ I took 112 shots in JPEG, did very little editing on all the shots. I think it came out more funny than scary. I had my husband wear a black jacket with a black hood and black mask. We had another place planned to take the photos but it didn't work out so I shot this in my back yard. I directed, filmed, edited the short video and my husband Joe stared in it.... ~
I'm aggravated that the camera wasn't level, but I like the flowing fog more than I dislike the slanted horizon. Also, once the fog rolls in you can't see the horizon anyway. ha ha
RAW (DNG) -> Colour Correction (Lightroom) -> Image Sequence (QuickTime exported at 23.94fps) Warp Stabiliser (After Effects) -> Output: 4000x3000 at 29.97fps
Chose 23.94fps to slow it down slightly, then changed it to 29.97fps rate to match our working sequence in Premiere. Probably not the best method to interpret footage, but it looks smooth.
100_0153-hyperlapse-edit-stabilised