View allAll Photos Tagged hyperlapse
Sky Star ferris wheel, installed to commemorate the 150th anniversary of the park, celebration derailed by Covid, now available for a few years as an attraction.
Music Concourse
Golden Gate Park
San Francisco
'hyperlapse' video on Samsung Galaxy cameraphone
20220112_174535 Ferris wheel
On Sunday, much of the Lehigh Valley woke up to a low layer of medium-thick fog (unlike the dense fog during the night). It was gorgeous. I have a timelapse of that... (tease)
However, more people are likely to have seen the gorgeous pink sunset that happened around 1640 hours over northern Nazareth (Bushkill).
• DJI Mavic Air 2
• Auto exposure
• 2 second interval
• Lightly edited the RAWs in Lightroom
• Imported the image sequence to Premiere Pro and added a Warp Stabiliser
Music: "Stairway" by Patrick Patrikios
This years Russ parade in Moss.
If you wonder what Russ is: en.wikipedia.org/wiki/Russefeiring
Timelapse made with the Microsoft Hyperlapse app and music added in iMovie.
Decided to record the trip to Iki on the jetfoil. This is a high speed ferry that scoots along on skis at 80 km/hr! I just held my GoPro Hero 8 pointed out the window. No gimble (as you can see by the horizon!). This video is out the starboard side. Next time I will shoot from the portside when I get a chance.
Edit, effects: InShot on my iPad Pro
Music:
- Do It by @iksonmusic
- Mai thai by Jef
Since Flickr doesn't do full screen well, click here to view in high resolution and zoom in as desired.
One of the holy grails of skyscape photography that I have occasionally tried is to capture both the Full Moon and the Sun in the same shot. Obviously, both the Moon and the Sun need to be above the horizon at the same time. When the Moon is full, it is also very far away from the Sun and so a very wide image is needed. And to make it a skyscape, the two objects should be at similar altitudes, not very high in the sky, so that a foreground can be included.
One of the methods I have used to achieve this shot is to shoot the Full Moon rising or setting above buildings that reflect the Sun. While not quite the holy grail, at least the photons from the Moon and Sun arrive at the camera's sensor for the same image. This example from 2014 03 17 is a single exposure with a relatively narrow field. This example from 2013 10 17 is a stitched panorama of a wider field. In both cases, the Sun is reflected.
But what about getting both objects in the sky at once? Well, as I was scoping photo opps for the Full Moon of June 2, 2015 I noticed that on May 31 at 20:45, the 97% illuminated Moon and the Sun would both be at about the same altitude (7.5 deg). Since the Moon would be not quite full, it would "only" be about 170 deg away from the Sun - a pretty wide shot indeed. The relatively low altitude of both objects meant that a skyscape might be possible. A friend of mine has rooftop access on a downtown apartment building and so when the skies looked to cooperate, a plan was hatched.
I set up my tripod on the rooftop and leveled it using the on board, circular bubble level. I figured this would let me shoot a series of overlapping images with a horizontal horizon. This proved much more difficult than it looked. No matter how accurately I tried to level the tripod, when I panned the camera through 170 deg, the horizon did not remain horizontal.
At the appointed time, I shot a series of 18 images from the Moon to the Sun. It took about 7 seconds to frame each successive image, so the whole series took about 2 minutes. Unlike Moon rises and sets, when I normally shoot in Manual mode, I put my Canon T3i camera on Automatic and let it decide on the best exposure for each frame. I set the ISO to 100, knowing that the final frame would have the Sun it, so this would permit a shutter speed in the camera's range. Since this was a daytime sequence, I used a Sunny white balance. I shot the images at 75mm focal length to keep the Moon a reasonable size.
When it came time to make the panorama, the stitching software that I normally use had a difficult time. It appeared that I did not overlap the images enough, which is important for image matching by stitching software. I started with the free Hugin Panorama Stitcher which normally produces seamless pans with very good brightness and contrast matching and with HDR capabilities. However, Hugin could not create a smooth panorama and kept cutting off the Sun on the extreme right side.
Consulting the forums, I came across AutoStitch - another free software that had good reviews. However,this program also had problems and could not produce a seamless panorama.
A lot of time had been spent on this without success, so I put the project on the back burner. It was when I was looking at a great, new app called Microsoft Hyperlapse, that I came across another app from Microsoft Research called Image Composite Editor (ICE). Seeing it was free, I decided to give it a whirl. With the default settings, ICE produced a smooth panorama but still had some trouble with the last couple of frames that included the Sun and its glow. Since the horizon was not horizontal, ICE created a crop that did not include the Sun. I tried various settings with little improvement, when I hit on an idea. I created one pano using the left 9 images and a second pano using the right 9 images - so far so good. I then created the final pano by stitching together the first two panos.
I think it more or less worked. The panorama definitely represents how the scene looked on May 31, 2015 at about 20:45.
Since Flickr doesn't do full screen well, click here to view in high resolution and zoom in as desired.
Hugin Panorama Stitcher
AutoStitch
www.cs.bath.ac.uk/brown/autostitch/autostitch.html
Image Composite Editor
What's worse for us: sugar or fat?
To answer the hottest question in nutrition, twin doctors Chris and Xand Van Tulleken go on month long high-fat and high-sugar diets. The effects on their bodies are shocking and surprising. But they also discover that in the debate about fat and sugar, the real enemy might have been hiding in plain sight.
Fractal Zooms, Hyper-lapse, morphs and screen graphics were created for this episode.
The fractal sequences were shot using 4K cameras giving us huge resolution which enabled us to create these zoom effects in After Effects. Shot on location in New York and London.
Director & Producer; Dave Stewart
DOP: Paul Jenkins
Sound: Andy Yarne & Ryan Chandler
Researcher: Jo Barwick
Special Effects: Matt Crowther & Pasquale Tropea
Editor: Louise Salkow
Grade: Mike Curd
Exec Producer: Aiden Laverty
Post: Rushes
Post Producer: Caroline Laing
After Effects: Matt Lawrence
_DSC0312
Time Lapse Shoot Data:
Title: Driving Hyperlapse
Subject: Driving in Washington, D.C. Metro area
Location: Route 1 South out of Pentagon City
Date: 09.19.2014
Start time: 10.19.05 a.m. EST
End time: 10.41.32 a.m. EST
Shoot duration: 22 minutes
Exposure: 1/4 second, f-4 (WIDE open aperture)
Interval: 3 seconds
Number of files: 393
Video clip duration: 15 seconds
Camera: Nikon D610
Lens: Nikon 12-24mm DX
Focal length: 16mm, with DX crop rendered focal length is 24mm (1.6 form factor)
Focus: Infinity
Filters used:
Nikon Polarizer
.6 Little Stopper, Neutral Density
Notes:
Looking to blur motion and show road traffic/activity.
Used tripod to lock camera down. Wedged one leg back between front seat back and bottom cushion and then the other two legs on the floor on either side of the drive train hump.
New Zealand - South Island Timelapse.
I was lucky enough to shoot Church of the Good Shepherd with Milky way as background and acquaintance with berniehara on top of Mt John and met him again at Akaroa.
Hey buddy, finally the Milky way is up for viewing. Cheerz!
Or you can go to youtu.be/hFV0tutJ2Lg watch if flickr is too slow.
A hyperlapse made from more than 5800 photos taken in the Gardens by the Bay, Singapore.Taken with the Sony NEX-5N.
Kindly note that all video are copyright to me and may not be reproduced in any way whatsoever without my prior consent.
© Pat Law. All rights reserved.
Two weeks ago I arrived by plane at Tenzing-Hillary Airport in Lukla, landing on quite possibly the world's shortest runway. This 10 second Hyperlapse clip captures the experience.
2x hyperlapse. Half-way up this 18% grade hill, I realized I took a wrong turn (should have turned left at around 10 second mark in this video). Not included: all the cursing.
Ascent: 3:00
Descent: 0:30
Timelapse, Hyperlapse footage around Taiwan, Japan and California.
Music: Life's Things (mindthings)
One of the hidden gems of Gokarna. Moss laden rocks and a lighthouse at the end of the mountain! What more does one need?
With a vast majority of the handful that visit this quaint paradise, it might be an unexpected surprise if you find this beach and find nobody around!
Couldnt get a longer duration of timelapse due to unpredictable tide. Maybe next time!
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