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Posters on a wall next to the Liffey in Dublin - August 2006
The Foggy Dew, Sinead O'Connor & the Chieftains - Listen
Robert Capa was a Hungarian combat photographer and photojournalist. His depiction of the D Day landings on June 6, 1944 are some of the most recognizable images from World War II.
They have become even more famous as a result of a developing mistake in which the emulsion was melted from the majority of his 106 photos taken on D Day. As a result, only 8 of his 106 images were "usable".
Our lone Trooper wanted to do his best to reenact this famous image taken by Capa. He hopes he has done it justice.
I should note that I much prefer Boba's Alternative to this one, however, I am photographing 365 Days of Clones and not 365 Days of Boba. This image won by default. Please check out Boba's Alternative.
Enjoy!
This photo is part of my mini series Cloned Photos.
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Visit our troopers at www.365DaysofClones.com.
Kenyan Public Affairs Officers visit JMRC
HOHENFELS, Germany – Three Kenyan Armed Forces officers recently visited the Joint Multinational Readiness Center to observe U.S. Army public affairs training as the African country’s military leaders work to develop and expand their own public affairs operations.
Lt. Col. Pius Migwi, a Kenyan military staff officer in charge of education, said the primary interactions between the U.S. and Kenyan militaries in the past had focused on military operations. That changed last April when the Kenyan military helped the U.S. set up a public affairs operations center at last year’s Land Forces Symposium in Mombasa, Kenya, where military officials from 23 countries, including senior leaders from U.S. Army Africa, met for the first time in Africa.
Migwi said up to then, the Kenyan Armed Forces had focused on public relations rather than public affairs.
“Public Affairs is a new area we’re trying to get into. We want to promote public affairs and learn from the U.S. Army how they conduct they conduct their business,” Migwi said. “We see it as a new concept we want to get into so we won’t be left behind.”
During their visit at JMRC, Europe’s premier training facility, the Kenyan officers also were given a chance to take part in media training the 2nd Styker Cavalry Regiment Soldiers received during their Mission Rehearsal Exercise.
At the JMRC, not only are soldiers equipped with skills that will help them survive in Afghanistan, they are also given training from the JMRC public affairs staff that will assist them when talking to the media.
Maj. Junel Jeffrey, a planner with U.S. Army Africa who escorted the Kenyans, said the visit to JMRC gave the military officers a bird’s eye of view of how the U.S. military sets up and delivers public affairs training to Soldiers during a mission rehearsal exercise.
“They get a chance to see how the U.S. does it and take that and use it in their own country,” she said.
The Kenyans five-day visit included trips to AFN Bavaria to observe broadcast operations and to Stars and Stripes to observe newspaper news gathering operations, Jeffrey said.
Before arriving at JMRC, Kenyan military sent officers to the Defense Information School in Fort Meade, Maryland, where they completed the school’s Public Affairs Officer Qualification Course, which is a requirement for US military public affairs officers.
Photo by Matylda Czarnecka
The spring 2013 hackNY student hackathon brought in hundreds of students to Columbia University's Fu Foundation School of Engineering and Applied Science April 6-7 for 24 hours of creative collaborative hacking on New York City startups' APIs.
NYC Startups, selected by a student organizing committee, presented their technologies at the beginning of the event, after which students formed groups to work through the night implementing their own ideas for fresh hacks built on top of these APIs.
On Sunday afternoon students presented their projects to an audience including a judging panel featuring members of the NYC startup community, which selected the final winning teams.
Since April 2010, hackNY hosts student hackathons one each semester, as well as the hackNY Fellows program, a structured internship which pairs quantitative and computational students with startups which can demonstrate a strong mentoring environment: a problem for a student to work on, a person to mentor them, and a place for them to work. Startups selected to host a student compensate student Fellows. Students enjoy free housing together and a pedagogical lecture series to introduce them to the ins and outs of joining and founding a startup in NYC.
To find out what you missed at the spring 2013 hackNY student hackathon please do see our HackerLeague event page and blog post announcing the winners.
Special thanks to our spring 2013 hackNY student hackathon judges! And congratulations to the winners of the spring 2013 hackNY student hackathon!
For more information on hackNY's initiatives, please visit www.hackny.org and follow us on twitter @hackNY
Bain News Service,, publisher.
Caruso
[between ca. 1915 and ca. 1920]
1 negative : glass ; 5 x 7 in. or smaller.
Notes:
Title from unverified data provided by the Bain News Service on the negatives or caption cards.
Forms part of: George Grantham Bain Collection (Library of Congress).
Format: Glass negatives.
Rights Info: No known restrictions on publication.
Repository: Library of Congress, Prints and Photographs Division, Washington, D.C. 20540 USA, hdl.loc.gov/loc.pnp/pp.print
General information about the Bain Collection is available at hdl.loc.gov/loc.pnp/pp.ggbain
Higher resolution image is available (Persistent URL): hdl.loc.gov/loc.pnp/ggbain.30877
Call Number: LC-B2- 5250-3
youtu.be/ggjGmQ1Welw?t=24s The Lost World ,1925 Silent Full Feature
Directed by William Dowling. Starring Bessie Love, Wallace Beery, Lewis Stone and Lloyd Hughes.
More than 80 years after its release, the first adaptation of "The Lost World" remains as one of the most influential silent films ever, due to Willis O'Brien pioneer advances in the field of special effects, as it showcases the first time stop motion animation was used to create creatures on a feature length film. These innovation was of huge importance for this and future films, and earned Willis O'Brien and his dinosaurs a place in history as an iconic image in film history, only surpassed by another of O'Brien's creations: King Kong.
Based on Arthur Conan Doyle's novel of the same name, "The Lost World" is the tale of Prof. Challenger's (Wallace Beery) epic quest looking for the living dinosaurs who supposedly live in the deep Amazonic jungle, according to the journal of his fellow explorer Maple White, who disappeared in his last exploration. Maple's daughter, Paula (Bessie Love) joins the expedition looking for her missing father, as well as Sir John Roxton (Lewis Stone), an experienced hunter friend of Challenger. Prof. Summerlee (Arthur Hoyt) goes as well, hoping to prove that Challenger is a fraud, and finally, reporter Edward Malone (Lloyd Hughes) joins the expedition, hoping to prove his girlfriend Gladys (Alma Bennet) that he is brave enough to face death.
Cleverly adapted by Broadway playwright Marion Fairfax (who also adapted in 1922 another of Conan Doyle's works, "Sherlock Holmes"), the film is an excellent mix of action and adventure that even when it's not entirely faithful to the novel, keeps the spirit of wonder and fascination with the unknown. From the obsessive Challenger to the incredulous Summerlee, every character is very detailed and for the most part well constructed, giving each one of them a defined personality and a certain degree depth absent in many silent films.
However, the film's best remembered characteristic is the incredible special effects by Willis O'Brien, who after mastering his craft in short films got his first work in "The Lost World" and changed special effects forever. His imagery is very vivid, and very detailed considering the limited resources he had. Sadly, Harry O. Hoyt's direction takes zero advantage of Fairfax's story and O'Brien's effects, and delivers a simplistic and unoriginal work that adds nothing to the whole work and seems to let the cast and crew do their job. It's not a bad direction as a whole, but it feels uninterested on the many possibilities a film like this posses.
The cast is quite effective, and really does a great job with what they have, starting with legendary Wallace Beery, who as Prof. Challenger delivers one of the best performances in a silent film. Without the aid of sound, Beery shows a wide range of emotions in his complex character and is great in both drama and comedy. Lloyd Hughes is very good as the cowardly Malone, and showcases a talent for comedy as well as a romantic figure, as his character shows interest in Paula White, played by Bessie Love, who makes a fine counterpart to Hughes and delivers a natural, and fresh performance. Lewis Stone completes the cast and his dignified performance as Sir John Roxton is very effective.
It's safe to say that "The Lost World" owes more to O'Brien and Fairfax than to O'Hoyt, and that probably with a more experienced director the film would had been even better. However, the film's real problem has nothing to do with the way it was made, but with the way it was preserved during most of its history. Nowadays there is not a complete version of the movie, most home video versions are of the 64 minutes version, while one (Image) is of a 93 minutes reconstruction. And while probably that version is the closest we can be to the original runtime of the film, it sadly has modernized the dialogs, to the point that some lines are rewritten to fit our modern standards.
Hopefully, one day we'll be able to see "The Lost World" as it was intended to be, but meanwhile, we can still appreciate the enormous importance of its amazing special effects, and how it forecasts films like "Jurassic Park" in many ways. This epic tale of action, adventure and horror has probably not seen a better adaptation than this, the movie that set everything for the arrival of King Kong and changed special effects for ever.
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Karpovyia (Cyprinidae) Kavkaza i Zakavkaz'ia
Tiflis :Tipografiia kantseliarii Glavnonachal'stvuiushchago grazhdanskoiu chastiiu na Kavkaz,1899- 1901.
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Nikon D810 with the Nikon MB-D12 Multi Battery Power Pack / Grip for D800 and D810 Digital Cameras allows one to shoot at a high to catch the action FPS! Ballerina Dance Goddess Photos! Pretty, Tall Ballet Swimsuit Bikini Model Ballerina Goddess! Captured with the 50mm F1.4 Art Lens and the Nikon 70-200mm f/2.8G ED VR II AF-S Nikkor Zoom Lens! Ballerina dancer dancing ballet in pointe shoes! Jete! Arabesque!
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Ballerina dancing ballet! Pretty ballerina girl with dark brown hair and black eyes!
A pretty goddess straight out of Homer's Iliad & Odyssey!
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She was a beauty--a gold 45 goddess for sure! A Gold 45 Goddess exalts the archetypal form of Athena--the Greek Goddess of wisdom, warfare, strategy, heroic endeavour, handicrafts and reason. A Gold 45 Goddess guards the beauty of dx4/dt=ic and embodies 45SURF's motto "Virtus, Honoris, et Actio Pro Veritas, Amor, et Bellus, (Strength, Honor, and Action for Truth, Love, and Beauty," and she stands ready to inspire and guide you along your epic, heroic odyssey into art and mythology. It is Athena who descends to call Telemachus to Adventure in the first book of Homer's Odyssey--to man up, find news of his true father Odysseus, and rid his home of the false suitors, and too, it is Athena who descends in the first book of Homer's Iliad, to calm the Rage of Achilles who is about to draw his sword so as to slay his commander who just seized Achilles' prize, thusly robbing Achilles of his Honor--the higher prize Achilles fought for. And now Athena descends once again, assuming the form of a Gold 45 Goddess, to inspire you along your epic journey of heroic endeavour.
ALL THE BEST on your Epic Hero's Odyssey from Johnny Ranger McCoy!
Been busy traveling and shooting landscapes and working on my books The Golden Hero's Odyssey about the golden rectangle and divine proportion I use in a lot of my compositions! Also working on my physics book on Dynamic Dimensions Theory! The equation d4/dt=ic is on a lot of the 45surf swimsuit and shirts and all! :)
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2024
More artwork at: www.permiandesigns.com/
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NOTE: All works featured here are completely original creations. None are made with the assistance of any form of AI technology in any fashion whatsoever.
Today my sister came over and we had a lovely day.
She helped me pick my best photo's in a few categories.
It was hard work since I got a few thousants photo's worth saving, hundreds of good shots and i wanted to end up with about 50 best of the best.
( I still have about 150 shots)
We made a first selection on Flickr (which you can find in this set)and on my hard disk.
You could help me out with pointing your winner to me in the comments.
But after all, Beauty is in the eye of the beholder.
El Fotoblog en Aminus3 --- En Blogger
Música: When You Go Away, por Jason Brock
Honor Flights to Washington, D.C.’s war memorials increased significantly after Labor Day, as D.C.'s fabled heat (theoretically) transitions to a more favorable fall climate. Groups from Arizona, Florida, Idaho and Chicago were some of the first to arrive in the nation’s capitol Sept. 7 after the federal holiday.
Honor Flight Chicago celebrated its 74th flight since its inception, with 108 participants including 18 World War II and 90 Korean War Vets, in addition to the required support staff of more than 125 dedicated volunteers.
Their day began much earlier than the 6:45 a.m. flight from Midway Airport-Chicago, to Dulles, Va. They boarded buses and drove to the Iwo Jima Memorial where they were met by police motorcycle escort which guided them first to the Air Force Memorial for a performance by the Air Force Drill Team, before crossing the Potomac to the National World War II Memorial.
The group toured the memorial until a color guard honored the Veterans with pomp and circumstance. Center of the group, Arthur Kapinus, 89, a WWII Navy Veteran, held the flag-case filled with veterans portraits dear to members of the Honor Flight Chicago family.
Art was accompanied to D.C. by his brother Bernie, an 81-year-old Army Vet who served in Korea during the mid-50’s. All told, eight Kapinus brothers have served in the military, mostly in the Army and Navy, since World War II. Their brother Joe, whose picture joined five others in the case, served with General Patton and was killed in Luxembourg in January 1945, at age 29.
John Ptak, president of Honor Flight Chicago is not a Veteran, but he has accompanied these flights since 2011, this his 20th trip.
“This is my grandfather, he was in the army in WWII. He passed about 20 years ago, so he didn’t get his Honor Flight,” you can hear emotion in his voice, as he gingerly touches the photo strung round his neck. “I didn’t get a chance to take my grandfather, so I take other people’s grandfathers”.
Some braved the humidity and heat in the 90’s and ventured off to the Korean War, the Vietnam Veterans Memorial and the Lincoln Memorial before heading back to Dulles Airport. There was time scheduled to visit the relatively new Udvar Hazy Air and Space Museum before boarding their flight back home with an ETA after 8pm.
More than 100 additional Honor Flights from around the nation are planned through December with the last for the year currently scheduled for Pearl Harbor Day.
Find out more about the Honor Flight Network, how you can become involved, donate, and meet Veterans as they tour D.C. here: www.honorflight.org/
(VA photos by Robert Turtil)
“Frederick Douglass” Mural
A large, central portrait of Frederick Douglass dominates the mural. His face is encircled by a red and green background, symbolizing his legacy as an abolitionist, orator, and leader.
Next to his portrait is a quote: "It is easier to build strong children than to repair broken adults."
Left Section:
Barack Obama:
A smiling portrait of Barack Obama, wearing a suit, represents modern progress in civil rights and leadership.
Below him, depictions of workers and the struggles of the working class highlight themes of systemic injustice. A text reads: "The worker is the slave of capitalist society, the woman is the slave of that slave."
Rosa Parks:
Rosa Parks is depicted as an elderly figure wearing glasses, holding a book, and surrounded by scenes of her civil rights activism. Below her, a caption reads: "Thank you, Sister Rosa," honoring her role in the Montgomery Bus Boycott.
Right Section:
Martin Luther King Jr.:
A prominent portrait of Dr. King appears on the right, with the text: I HAVE A DREAM above his image. This references his famous speech advocating for racial equality and justice.
Anti-Apartheid Movement:
The text "APARTHEID NO MORE" is displayed, accompanied by figures like Nelson Mandela and others involved in the fight against racial segregation in South Africa.
Protesters and Activists:
A group of activists is shown holding signs with powerful messages, including calls for equality, justice, and freedom. This highlights the collective action needed to overcome oppression.
Background and Themes:
Historical Context:
The mural juxtaposes historical struggles against slavery, segregation, and systemic injustice with modern civil rights movements and achievements. A depiction of enslaved people working on plantations and abolitionist movements serves as a reminder of the roots of these struggles.
Quotes and Texts:
Various quotes are integrated into the mural, emphasizing themes of freedom, democracy, and equality.
For example, one quote states: "As I would not be a slave, so I would not be a master. This expresses my idea of democracy."
Overall Atmosphere:
The mural is vibrant, thought-provoking, and educational, paying tribute to leaders, movements, and ordinary individuals who fought for justice and equality. It serves as a powerful reminder of the ongoing journey toward social progress and the interconnectedness of global struggles for human rights.
These are the photos that are planted on several places by Jeanique.
To see the exact places of where and when see: www.whereisjeanique.com
To know the story behind the photo you found click the url with the number that's written on your photoframe below.
001. "A spectrum" 365 days photo 161,
002. "Aches" 365 days photo 188,
003. "Affection" 365 days photo 160,
004. "And I say it's all right" 365 days photo 167,
005. "Another suitcase in another hall" 365 days photo 186,
006. "Ariel" 365 days photo 199,
007. "Atlantis" 365 days photo 64 -explored!-,
008. "Clinging" 365 days photo 221,
009. "Complementary" 365 days photo 103,
010. "Dissociate" 365 days photo 234,
011. "Draped" 365 days photo 240,
012. "Elisa Day" 365 days photo 116,
013. "Eye of Providence" 365 days photo 175,
014. "Genoa Blue" 365 days photo 128,
015. "Go and suck yourself" 365 days photo 96,
016. "I am trying to" 365 days photo 54,
017. "I RAWK!" 365 days photo 49,
018. "I'm not crazy, I'm taking these pills to feel better" 365 days photo 8,
019. "In the lake" 365 days photo 154,
020. "Kismet" 365 days photo 90,
021. "Kitchen Stories" 365 days photo 246,
022. "Kryptonite" 365 days photo 33,
023. "la rêve" 365 days photo 91,
024. "Missing him" 365 days photo 69,
025. "Muurbloempje" 365 days photo 71,
026. "To burst or not to burst" 365 days photo 162,
027. "Nursing my Baby" 365 days photo 243,
028. "Original Sin" 365 days photo 196,
029. "Parker & Barrow" 365 days photo 170,
030. "Pragmatism" 365 days photo 207,
031. "Somewhere over the.....peephole" 365 days photo 247,
032. "Sweet suprise, Bitter discovery" 365 days photo 217,
033. "Take care of your Wingman" 365 days photo 75,
034. "The smell of thunder" 365 days photo 237,
035. "The way you make me feel" 365 days photo 205,
036. "Three of the seven virtues" 365 days photo 216
037. "Titian" 365 days photo 200,
038. "Venus" 365 days photo 226,
039. "X" 365 days photo 244,
Fotografía infrarroja (con filtro IR de 720 nm) en falso color del Río Tiétar, entre Hontanares y Ramacastañas - (Ramacastañas, Arenas de San Pedro, Ávila)
La foto está tomada desde el mismo sitio (el trípode ni se movió) que El Ocaso pero en la dirección opuesta.
Cream -> Blue Condition
18-55mm f/3.5-5.6GII AF-S DX Zoom-Nikkor + GreenL IR 720
23 mm - 25,0 seg. · f / 11 · ISO 200
compra mis fotos en www.redbubble.com/people/alopezm/
Copyright © 2014 Ruggero Poggianella Photostream
All rights reserved. Please, do not use my photos/videos without my written permission.
Please note that the fact that "this photo is public" doesn't mean it's public domain or a free stock image. Unauthorized use is strictly prohibited. If you wish to use any of my images for any reason/purpose please contact me for written permission. Tous droits reservés. Défense d'utilisation de cette image sans ma permission. Todos derechos reservados. No usar sin mi consentimiento.
© Copyright: Você não pode usar !
© Copyright: Sie dürfen es nicht kopieren !
© حقوق النشر محفوظة. لا يمكنك استخدام الصورة
Le Giulia Granturismo - da cui GT - (da principio denominate Giulia Sprint GT) erano la versione coupé della berlina Alfa Romeo Giulia. La produzione iniziò nel 1963, fu il primo modello coupé (la berlina, Giulia TI, era già in produzione presso tale stabilimento) costruito nell'appena terminato stabilimento Alfa ad Arese, la produzione terminerà solo nel 1976. La carrozzeria, opera di Giorgetto Giugiaro per conto della Bertone, andava a coprire il pianale, con passo accorciato da 251 a 235cm, della Giulia Berlina. Sostituendo la Giulietta Sprint,da cui derivano i due volumi e mezzo, mantenne invariata anche la classica collocazione motore e cambio anteriore, con trazione posteriore. Il design era di una filante ed elegante coupé sportiva 2+2. Il curioso scalino anteriore che caratterizzava tutte le versioni prodotte fino al 1968 e parte di quelle prodotte fino al 1971 era dovuto ad un ripensamento tra l'approvazione del disegno e la messa in produzione dell'auto. Originariamente, infatti, doveva essere una presa d'aria poi abolita per contenere i costi. Ne ha definito una importante e riconoscibile caratteristica stilistica. Divenne una delle vetture più ambite del periodo. Furono prodotte in tutto diverse versioni nelle varie serie, che si possono classificare in: Sprint GT, GT Junior, GT Veloce e GTC "(Gran Turismo Cabriolet)".
Nel 1963 venne presentata la Giulia Sprint GT (serie 105.02), mossa dal quattro cilindri in alluminio con distribuzione bi-albero di 1570cm³ (serie AR00502) derivato dalla berlina, ma potenziato (grazie all'adozione di due carburatori) a 106cv. La meccanica era la stessa della berlina, ma i freni erano a disco su tutte le ruote (le prime 22000 berline 1600 Ti avevano freni a tamburo di cui gli anteriori a tre ganasce, poi nel 1963 a disco Dunlop come la coupé). Gli interni, invece, erano specifici (plancia, sedili, pannelli porta) e la leva del cambio (a 5 rapporti) era a cloche, solo optional sulla berlina. Nel 1965 la carrozzeria Touring di Milano propose all'Alfa Romeo una (esteticamente riuscita) versione cabriolet a 4 posti, denominata Giulia Sprint GTC. I problemi di tenuta all'acqua, le difficoltà della Touring ed il lancio della spider Duetto limitarono la diffusione della GTC a un migliaio di esemplari. Nel 1966, accanto alle versioni Sprint GT con motore di 1,6 litri, entrò in listino una versione di cilindrata ridotta a 1290 cm³, motore serie 00530, dotato di 89cv, denominata Giulia GT 1300 Junior (serie 105.30). La Junior aveva un allestimento ridotto: pavimento in gomma, assenza di servofreno, plancia in plastica priva di consolle centrale, borchie copri ruota semplificate, sedili meno profilati. Riconosciuta come Prima Serie. Nel 1969 le Junior (che persero il nome Giulia per chiamarsi semplicemente GT 1300 Junior) pur mantenendo lo "scalino" vennero dotate di servofreno e di una nuova plancia (simile a quella della GT 1750 Veloce). Questa versione è conosciuta come Seconda Serie.
Nel 1971 le GT Junior adottarono il frontale re stilizzato e privo di scalino, e i parafanghi posteriori con profilo più alto, uniformandosi nella scocca alla 1750 GT Veloce e alla GT 2000 Veloce. L'uniformazione, tuttavia, non fu totale perché le Junior avevano fari singoli (anziché doppi) e una diversa mascherina.
Col restyling, comunque, la gamma "Junior" guadagnò un motore: accanto al 1300 da 89cv era infatti disponibile il 1600 da 109cv (quello 00536 che fu della 1600 Veloce), ora divenuto solo Junior. Infatti la sigla "Veloce" ha sempre caratterizzato i modelli più potenti dal 1968 fu riservato alla 1750 e successivamente anche alla 2000. Questa versione è riconosciuta come la Terza Serie. Nel 1973 tutte le GT subirono l'unificazione estetica con la versione GT 2000 Veloce introdotta nel 1971. anche le GT 1300 Junior e le GT 1600 Junior adottarono la stessa mascherina cromata a quattro fari, una plancia e interni e sedili pressoché uguali a quelli della GT 2000 Veloce, differenziandosi quasi esclusivamente per i fanali posteriori più piccoli. Questa versione è conosciuta come Quarta serie oppure Unificato.
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Stone 27
by: Benjamin Langholz
from: California & Berlin, Germany
year: 2019
Confront nature and yourself as you journey along 27 stones floating above the Playa. Step into an alternate reality where destructive energy has been harmonized with nature to create moments of physical and mental elevation. Stone 27 finds great inspiration in simplicity, minimalism, and math to create clearness and consciousness in a material world, inviting you to a moment of complete presence.
URL: stonetwentyseven.com
Contact: stonetwentyseven@gmail.com
burningman.org/event/brc/2019-art-installations/?yyyy=&am...
Creature from the Black Lagoon, 1954
Most monster movie fans have believed for decades that the design of the Creature was the work of Bud Westmoore, but that is not the case. The Creature's "gill-man" design actually came off of the pen of artist Milicent (Millicent) Patrick. Although the fetching young illustrator never got her name in the films credits she was paraded from film screening to film screening in hopes that her model-like good looks would drum up more publicity for the film. Her contribution to the history of monster films has never been fully given the credit that it so deserves. Unfortunately there a far too many such "unknown heroes" in the genre of horror and sci-fi films.
The Creature's appearance was based on old
seventeenth-century woodcuts of two bizarre
creatures called the Sea Monk and the Sea
Bishop. The Creature's final head was based on
that of the Sea Monk, but the original discarded
head was based on that of the Sea Bishop.
Here we have several shots of Milicent Patrick. Patrick was the person responsible for the look and design of the "Creature From the Black Lagoon".
Universal was already famous for iconic "monster" movies. Frankenstein and Dracula became part of the culture. Creature from the Black Lagoon (CBL) is mostly in the same vein of monster-horror flick, but with a little science in its fiction. Unlike magical or demonic monsters, this one is supposedly a "natural" anomaly of evolution. CBL is often classified as sci-fi, so it's worthy of inclusion here.
Budget-wise, CBL is a B movie, but it's a cut above the usual B crowd. The acting was reasonable. The cinematography was impressive. The only "special" effect was the creature's costume. While the Creature is, in many people's mind, THE icon for man-in-rubber-suit monster costumes, something about the creature found resonance in movie-goers. He was strong enough to merit two sequels.
The producers tapped Jack Arnold for director. Arnold, who directed It Came From Outer Space had an excellent eye. His use of many camera locations, angles, framing and cuts, he lets the camera become invisible. Viewers are in the scene, not simply watching it.
The actors didn't get in the way of the story. Richard Carlson was already a big name in the sci-fi movie world. It Came From Outer Space, Magnetic Monster, and Riders to the Stars. Richard
Denning was a hunky star of many westerns and detective movies. He would go on to star in a few more sci-fi films. The female lead, Julie Adams was perfect as the beautiful damsel. The supporting cast were a little quirky at times, but not as stiff and wooden as second-teir actors tend to be.
Synopsis
A old archeologist, working in the remote Amazon, finds the fossilized hand -- somewhat humanoid, but obviously aquatic. He shows it to some other scientists who agree to mount an expedition to find the rest of the skeleton. While Dr. Maia was doing all this, a creature with the same kind of hand tears up his camp and kills his two native helpers. The scientists spend many days digging and sifting, but come up empty. They decide to go further upstream to the Black Lagoon to search. There, they encounter the Gill-Man. The two scientists are at odds over what's best -- capture the creature alive, kill it and bring it back, study it and leave, etc. All this debate becomes moot when the creature begins killing off crew members. The creature barricades the entrance to the lagoon so the ship cannot leave. The expedition becomes a battle for survival. They manage to drug and capture the creature, but it escapes its cage-tank. It kills Dr. Williams. It then captures the beautiful woman, taking her to his cave lair. The men follow, find her and the creature. After taking several bullet hits, the creature staggers away and dives into the lagoon. The final image is of the creature floating downwards, limp and lifeless.
Why is this movie fun?
This is one of those cultural icon movies that even non-fans of sci-fi know. In that regard, watching it like seeing a celebrity in person. Arnold does a good job with pacing and keeping tension up. It's interesting that the creature gets his own theme music, of sorts. Arnold that the same ascending three note phrase, "do da DEEEEE!" accompany each appearance. The creature's mixture of vulnerability and apparent invincibility, kept you off guard. Spear gun hits or bullets seemed to almost take him down, but not quite.
Dueling Scientists -- Dr. Reed (Carlson) represents the "good" side of science. He wants to study the creature, but not interfere or harm anything. He wants to expand the field of knowledge for altruistic reasons. Dr. Williams (Denning) represents the dark side of science. He's focused on the fundraising potential, the economic cost of expeditions. When confronted with the creature, he's all for killing it (not so much for the safety of the others) in order to bring it back for exhibition. This dualism of scientists is somewhat two-dimensional, but works as a sub-theme.
Many B-grade sci-fi films show their low-budget monster as little as possible. CBL breaks that rule in a big way. Viewers get several partial views right away (the hand) and not too far into the film, a full view of him. Since the producers didn't cheap out on the gill-man's costume, viewers aren't let down. He looks, moves and acts much one would think a gill-man would.
The gill-man is not simply a killing machine type of monster. His curiosity with (attraction to) Kay makes him more complex. In the swimming sequence (a strong foreshadow of the swimming girl scene in Jaws), he swims along with her, unseen, in a sort of parallel dance. He, the ancient, strong and primal male matching moves with the lithe, beautiful, innocent female. Some suggest that the gill-man's popularity was how well he echoed the adolescent male condition: awkward, unattractive, misunderstood, full of rage, attracted to beautiful women, but insecure approaching them. The big scene, in which the gill-man grabs Kay off the boat and swims her down to his cave lair is easily a young male fantasy.
CBL has the classic they're-after-our-women scene. It lives up to the poster art. The gill-man grabs the woman and runs (swims) off with her. He carries her in his arms toward his lair. Unlike other versions of this classic image, the gill-man appears to actually want the woman.
the introduction of invest in Taiwan Website was held on 2009/10/26. The "Invest in Taiwan" website has been developed and established by the Ministry of Economic Affairs under the authorization of the Executive Yuan to encourage and facilitate investment in Taiwan.
my work; Taipei 2006 新年台北 has appeared on the front page of Invest in Taiwan.
經濟部為鼓勵並促進對台投資，特別規劃及建置「投資台灣入口網 」，以整合投資資訊，建立網路化單一服務窗口，提供投資相關資訊、投資機會及投資申辦流程指引，並建置客服專線，透過及時、顧客導向之投資諮詢，提供投資人在台投資便捷化服務。
Department of Investment Services (DOIS), MOEA
Taiwan
2009/10/26
@instagram_JKT48 : [STORY] From jkt48.kyla: t.co/FSRSkQqmbC (via Twitter twitter.com/instagram_JKT48/status/1081275341551759361)
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Koro Loko
by: Emily Nicolosi
from: Salt Lake City, UT
year: 2019
A billowing heart made of wire netting filled with hundreds of tiny dichroic plexi squares refracts the spectra of light in all directions. Benches under lightposts encircling the heart provide a place to hunker, commune and daydream. Like the exuberance of colors reflected by this heart, always-present and ever-shifting, this heart conjures the thousands of expressions and materializations of love prospected in the human experience.
URL: sites.google.com/view/love-is-project/
Contact: emily.nicolosi@gmail.com
burningman.org/event/brc/2019-art-installations/?yyyy=&am...
Maş Çorbası
2 su bardağı maş
½ su bardağı pirinç
2 orta boy kuru soğan
2-3 tane kurutulmuş kırmızı biber
1 yemek kaşığı domates salçası
1 tatlı kaşığı biber salçası
1 su bardağı zeytinyağı
2 yemek kaşığı tarhın
1 yemek kaşığı kırmızı toz biber
Tuz
Maş, 7-8 bardak su ile kaynamaya bırakılır. Bir süre sonra maşın kabukları gövdeden ayrılır, suyun üstüne çıkar. Yüzeye çıkan kabuklar, bitinceye kadar alınır. Yarım halka şeklinde ince veya boyuna ince doğranmış soğanlar ve yıkanmış pirinç eklenir. Salçalar, doğranmış kuru biberler, tuz ve tarhın da konulup, pirinçler açılıncaya kadar pişirilir. Yağ kızdırılır, içine kırmızı biber atılır, çorbanın üstünde gezdirilir.
Maş Piyazı
1 su bardağı maş
1 demet maydanoz
3 adet taze soğan
½ bardak ceviz
Tuz, kırmızı pul biber
Maş haşlanır, süzülür. İnce kıyılmış soğan, maydanoz, ceviz , tuz ve biberle karıştırılır.
Mung Bean Salad
1 cups mung beans
Chopped parsley
3 chopped green onions
½ cup walnuts
Salt, red pepper flakes
Add beans to colander. Rinse in cold water. Drain and add beans to dutch oven. Stir in 6 cups water. Bring to a boil over medium high heat. Take the outer hulls of beans seen in the surface. Drain beans and add onions, parsley, walnuts, salt and pepper. Mix them well.
Mung Bean Soup
2 cups mung bean
½ cups rice
2 half ring shaped chopped onions
2-3 chopped sun dried red pepper
1 table spoon tomato paste
1 table spoon red pepper paste
1 cups olive oil
2 table spoon dried tarragon
1 table spoon red pepper flakes
Salt
Add beans to colander. Rinse in cold water. Drain and add beans to dutch oven. Stir in 6 cups water. Bring to a boil over medium high heat. Take the outer hulls of beans seen in the surface. Reduce heat to low. Add rinced and drained rice, chopped onions, pastes, red peppers, salt, tarragon. Bring to a gentle boil over medium high heat. Reduce heat to low. Simmer until beans, rice and onions are tender. Heat olive oil. Add red pepper flakes into oil. Sprinkle it over the soup.
Posted by Danai Gurira (Michonne) - RT @girleffect: Girls need to be taught the law, for the law to work.
#Endchildmarriage
t.co/K2whZUqarR t.co/e3UjC0ZZIP #TWD #TheWalkingDead #Michonne #DanaiGurira
Source: walkingdead.affiliatebrowser.com/rt-girleffect-girls-need...
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Varsity Boys - 2008 Kern County Cross Country
Championships
School Athlete Time Overall Scoring Team
1. Foothill Chris Schwartz 14:59.76 1 1 1
2. McFarland Alfonso Cisneros 15:33.49 2 2 1
3. McFarland Francisco Nava 15:48.44 3 3 2
4. McFarland Marco Perez 15:48.85 4 4 3
5. Stockdale Curtis Kelly 15:50.33 5 5 1
6. Ridgeview Brian Solis 15:50.81 6 6 1
7. Wasco A. Mendoza 15:51.72 7 7 1
8. Ridgeview Alex Garcia 15:52.70 8 8 2
9. Shafter Chris Handel 15:53.96 9 9 1
10. McFarland Gerardo Alcala 15:54.28 10 10 4
11. Shafter Jesus Villalpondo 16:05.48 11 11 2
12. Highland Colin Lewis 16:06.79 12 12 1
13. Centennial Nathan Vincent 16:08.77 13 13 1
14. Ridgeview Robby Baker 16:13.01 14 14 3
15. McFarland Eduardo Bautista 16:18.69 15 15 5
16. BHS Andrew Ariey 16:21.59 16 16 1
17. Garces Connor O'Malley 16:23.32 17 17 1
18. Stockdale Blair Slaton 16:25.15 18 18 2
19. Ridgeview Jerrio Lewis 16:25.61 19 19 4
20. East Jose Ramirez 16:25.97 20 20 1
21. East Mose Valdez 16:26.30 21 21 2
22. Highland Thomas Turner 16:26.59 22 22 2
23. Golden Valley Daymon Sandles 16:26.91 23 23 1
24. Foothill Jose Lopez 16:27.22 24 24 2
25. Ridgeview Miguel Munoz 16:30.13 25 25 5
26. Wasco G. Linares 16:34.10 26 26 2
27. Shafter Josh Wittenberg 16:34.61 27 27 3
28. Highland Jake Van Zandt 16:36.62 28 28 3
29. East Charlie Zaragoza 16:39.22 29 29 3
30. BHS Andrew Edquist 16:41.12 30 30 2
31. Cesar Chavez Martin Rios 16:45.91 31 31 1
32. Highland Ivan Esquivias 16:47.91 32 32 4
33. BHS Zachary Holt 16:48.98 33 33 3
34. Stockdale Anthony Dao 16:49.30 34 34 3
35. Cesar Chavez Ruben Galaviz 16:49.67 35 35 2
36. Wasco O. Mirando 16:50.04 36 36 3
37. Shafter Alex Moreno 16:51.14 37 37 4
38. Wasco E. Sanchez 16:52.02 38 38 4
39. Wasco E. Ramirez 16:53.29 39 39 5
40. East Camilo Mosqueda 16:53.84 40 40 4
41. East Vincente Herrera 16:54.31 41 41 5
42. Foothill Erick Bautista 16:54.82 42 42 3
43. Arvin Ben Orozco 16:57.57 43 43 1
44. Shafter Hector Montoya 17:01.02 44 44 5
45. Garces Jesus Guzman 17:02.28 45 45 2
46. Garces Michael Bedard 17:02.88 46 46 3
47. Frontier Tanner Urmston 17:03.48 47 47 1
48. BHS John Purcell 17:04.08 48 48 4
49. Centennial Ty Heiter 17:04.73 49 49 2
50. Frontier Richard Peralta 17:05.73 50 50 2
51. Shafter Cristian Barrios 17:07.93 51 51 6
52. Centennial Gehrig Smith 17:08.86 52 52 3
53. BHS Christopher Anderson 17:09.32 53 53 5
54. Highland Justin Burnett 17:10.77 54 54 5
55. Wasco J. DeJulian 17:11.97 55 55 6
56. Stockdale Stephen Burke 17:16.30 56 56 4
57. Arvin Juan Calderon 17:16.89 57 57 2
58. Wasco Cesar Patino 17:19.39 58 58 7
59. Cesar Chavez Tim Yanez 17:21.10 59 59 3
60. Highland Ariel Hurtado 17:23.69 60 60 6
61. North Adam Ralls 17:24.02 61 x 1
62. Ridgeview Michael Anseno 17:24.53 62 61 6
63. Ridgeview Jaime Madrigal 17:31.18 63 62 7
64. Foothill Patrick Manrique 17:32.75 64 63 4
65. Frontier Will Beechinor 17:33.57 65 64 3
66. East Alex Estrada 17:38.64 66 65 6
67. Burroughs Jesse Wigfield 17:38.99 67 66 1
68. Centennial Eric Millan 17:39.50 68 67 4
69. Burroughs Daniel Lathrop 17:39.91 69 68 2
70. Shafter Jacob Vasquez 17:40.47 70 69 7
71. Garces David Freed 17:40.91 71 70 4
72. Centennial Jake Howry 17:42.54 72 71 5
73. Burroughs Andrew Szczpiorski 17:44.05 73 72 3
74. Frontier D. Sclafani 17:47.26 74 73 4
75. Stockdale Max Morales 17:48.38 75 74 5
76. Burroughs Eduardo Carrillo 17:51.64 76 75 4
77. Burroughs Keith Christman 17:57.59 77 76 5
78. Golden Valley Jose Salgado 17:59.82 78 77 2
79. Cesar Chavez Rudy Sandoval 18:00.34 79 78 4
80. Centennial Brad Hinsley 18:04.58 80 79 6
81. Arvin Yessuri Villsenor 18:05.30 81 80 3
82. Burroughs Nathan Cheadle 18:10.33 82 81 6
83. Foothill Javier Garcia 18:11.22 83 82 5
84. Foothill Ernest Marquez 18:11.57 84 83 6
85. BC Kevin Yarian 18:27.47 85 84 1
86. North Chris Emmett 18:29.51 86 x 2
87. Cesar Chavez Andres Rodriguez 18:30.45 87 85 5
88. Tehachapi Corey Torres 18:32.16 88 86 1
89. Frontier Michael Sclafani 18:33.62 89 87 5
90. Garces Patrick Gomez 18:37.52 90 88 5
91. Highland Humberto Ramirez 18:37.98 91 89 7
92. Golden Valley David Gamino 18:40.22 92 90 3
93. Frontier Ricky Gonzales 19:03.13 93 91 6
94. Garces Chris Real 19:06.29 94 92 6
95. Stockdale D. Sherrill 19:08.29 95 93 6
96. Garces Dillon Lyles 19:16.75 96 94 7
97. Tehachapi Christian Torres 19:19.03 97 95 2
98. BC Mark McCutcheon 19:20:78 98 96 2
99. Golden Valley Nick Cruz 19:22.49 99 97 4
100. Golden Valley Daniel Perez 19:25.13 100 98 5
101. Foothill Christian Paredes 19:32.03 101 99 7
102. Arvin Adrian Rodriguez 19:32.67 102 100 4
103. BC Thomas Beard 19:59.04 103 101 3
104. West Michael Branquino 19:59.63 104 x 1
105. BHS Nick Flores 20:04.27 105 102 6
106. Tehachapi Logan Collier 20:07.47 106 103 3
107. Kern Valley C. Woodward 20:22.63 107 x 1
108. Arvin Christian Guerrero 20:31.41 108 104 5
109. Burroughs Daniel Meade 20:41.26 109 105 7
110. Golden Valley Ryan Davis 20:41.26 110 106 6
111. BHS Robby Harris 20:42.01 111 107 7
112. East Hector Fuentes 20:42.57 112 108 7
113. Frontier Alex Blanton 20:56.97 113 109 7
114. Cesar Chavez Joel Hernandez 21:02.22 114 110 6
115. Tehachapi Trent Sherman 21:02.94 115 111 4
116. Tehachapi Shaddi Haddad 21:18.14 116 112 5
117. BC Austin Adee 21:25.45 117 113 4
118. BC Aaron Stephens 21:31.77 118 114 5
119. Kern Valley J. Pistocco 23:15.37 119 x 2
120. Tehachapi Corey Hebron 23:19.78 120 115 6
121. West Kevin Serrano 23:48.05 121 x 2