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By Catedrales e Iglesias
© Álbum 2252
By Catedrales e Iglesias
Arquidiócesis de México
Sitio Oficial de la Arquidiócesis de México
www.arquidiocesismexico.org.mx/
San Andrés Apóstol
Parroquia y convento de San Andrés Apóstol que fue construido en el siglo XVI. Su fachada principal cuenta con muros de 90 cm. de ancho construidos con piedra de Tezontle.
Templo de San Andrés
El templo y convento de San Andrés, edificado en 1537 bajo la supervisión de los frailes agustinos, se levantó sobre lo que fuera un teocalli mixquica, pero la iglesia se derrumbó quedando sólo la torre del campanario. Hacia 1600 fue reconstruida tal y como se encuentra ahora, aunque separada de la torre del primer templo. La fiesta patronal de San Andrés se celebra el 30 de noviembre.
En 1530 se instituyó el verdadero gobierno de la Colonia en trato directo con los pueblos indígenas: el corregimiento, que apareció como una alternativa a la encomienda y fue un sistema de gobierno y recaudación de tributos de los indígenas para la corona. Pronto Cuitláhuac y Mixquic se convirtieron en encomiendas privadas; sobreviviendo así hasta bien entrado el siglo XVII, ligados al corregimiento o alcaldía mayor de Chalco.
En Mixquic, cuyo nombre significa "en el mezquite", hemos logrado conservar nuestra ancestral tradición de culto a la muerte mediante diversas formas. Una de ellas son los vestigios labrados, encontrados en distintas excavaciones realizadas en el Pueblo, en los que predominan las figuras de calaveras que, hasta hace algunos años, adornaban las fachadas de algunas de nuestras casas.
La Muerte
Cada año las familias nos encontramos con nuestros seres queridos a través de una celebración cuyos preparativos inician dos o tres meses antes en todos los hogares.
La Muerte
Cada año las familias nos encontramos con nuestros seres queridos a través de una celebración cuyos preparativos inician dos o tres meses antes en todos los hogares.
Arqueología
Éste es el patio de la Parroquia de San Andrés, un sitio arqueológico donde destacan Mixquixtli, diosa de la vida y de la muerte, y la escultura de un chac-mool franqueada por dos aros del Juego de pelota. También se encuentran calaveras labradas en piedra volcánica.
Muchos de los objetos encontrados en este lugar, puedes verlos en el Museo de sitio de nuestra localidad.
El Vapor Esperanza
Durante todo el siglo XIX, Tláhuac, Mixquic y los demás pueblos enclavados a la orilla del lago fueron testigos mudos de diversos proyectos. Unos consideraban indispensable desecar los lagos, otros sugerían aprovecharse de ellos con fines de transporte, canalización e irrigación y, para unos más, una y otra acción debían combinarse en el desarrollo planificado de la Ciudad de México.
Superficie Total y Colindancias
La Delegación Tláhuac tiene una superficie de 8,534.62 hectáreas, está ubicada en la zona sur-oriente del Distrito Federal y ocupa un 5.75% de la Ciudad. Colinda al norte y noreste con la Delegación Iztapalapa; al oriente, con el municipio Valle de Chalco Solidaridad, Estado de México; al sur, con Milpa Alta, hasta el vértice del volcán Teuhtli, y al suroeste y oeste, con Xochimilco.
Templo de San Andrés
El templo y convento de San Andrés, edificado en 1537 bajo la supervisión de los frailes agustinos, se levantó sobre lo que fuera un teocalli mixquica, pero la iglesia se derrumbó quedando sólo la torre del campanario. Hacia 1600 fue reconstruida tal y como se encuentra ahora, aunque separada de la torre del primer templo. La fiesta patronal de San Andrés se celebra el 30 de noviembre.
Mixquixtli
En San Andrés Mixquic hay un sitio arqueológico en el patio de la Casa Cultural de la Parroquia de San Andrés, localizada en el centro del poblado. Destacan ahí piezas tales como la figura de Mixquixtli, diosa de la vida y de la muerte, y la escultura de un chac-mool, el mensajero de los dioses, misma que está franqueada por dos aros del Juego de pelota.
Cómo Llegar
Dirección: Carretera a San Andrés Mixquic.
Aire Libre
Además de poder realizar algún paseo por los canales en el área de chinampería, también se pueden efectuar reuniones familiares al aire libre, pues existe una isleta a la que se ha dotado de las instalaciones necesarias para eso.
Arqueología
Entre los hallazgos arqueológicos de San Andrés, se encuentra la escultura en piedra de Mixquixtli, diosa de la vida y de la muerte, ubicada en el antiguo panteón prehispánico, y la escultura de un chac-mool, mensajero de los dioses, flanqueado por dos arcos del Juego de
pelota y unas columnas con figuras de Quetzalcóatl.
Es un pueblo originario de Tláhuac que te ofrece una variedad de atractivos históricos y culturales. Aquí puedes disfrutar de nuestros tradicionales antojitos, principalmente derivados del maíz, como los tlapiques, las gorditas de nata, los tlaxcales, los tamales de elote y de frijol, el chileatole y los esquites con chorizo.
Bain News Service,, publisher.
Fitziu
[between ca. 1915 and ca. 1920]
1 negative : glass ; 5 x 7 in. or smaller.
Notes:
Title from unverified data provided by the Bain News Service on the negatives or caption cards.
Forms part of: George Grantham Bain Collection (Library of Congress).
Format: Glass negatives.
Rights Info: No known restrictions on publication.
Repository: Library of Congress, Prints and Photographs Division, Washington, D.C. 20540 USA, hdl.loc.gov/loc.pnp/pp.print
General information about the Bain Collection is available at hdl.loc.gov/loc.pnp/pp.ggbain
Higher resolution image is available (Persistent URL): hdl.loc.gov/loc.pnp/ggbain.26419
Call Number: LC-B2- 4527-12
PsP.gallery
500px
YouPic
PsP (Wordpress)
Kavyar
Rothenburg ob der Tauber, Germany is a well-preserved medieval town, which has become a destination for many tourists from around the world. This tourist trade has woken up this sleeping beauty of a town and brought it back to life.
Käthe Wohlfahrt's year-round Christmas store is located next to one of Rothenburg’s newest attractions the German Christmas Museum. Both are easy to find, they are opposite the mighty medieval City Hall and this colorful truck loaded with gifts is parked in front.
Merry Christmas!
Phyllanthaceae » Phyllanthus urinaria
fil-LAN-thus -- meaning, flower leaf; it appears to flower from a leaf like stem
¿ you-REE-nay-ree-uh ? -- plant considered to treat disorders of the urinary tract
commonly known as: chamber bitter, common leaf-flower, shatterstone • Bengali: hazarmani • Hindi: हजारमणी hajarmani, लाल भुईंआंवला lal bhuinanwalah • Kannada: ಕೆಮ್ಪು ಕಿರುನೆಲ್ಲಿ kempu kirunelli, ಕೆಮ್ಪು ನೆಲನೆಲ್ಲಿ kempu nelanelli • Malayalam: ചിറുകീയുകനെല്ലി chirukizhukanelli, ചുക്കാന്കീഴ്നെല്ലി chukannakizhanelli • Manipuri: চকপা হৈক্রূ chakpa-heikru • Marathi: लाल भुईआवळी laal bhooyiavali • Nepalese: खनतड kanthad • Sanskrit: भूम्यामलकी bhumyamalaki, उज्झटा ujjhata • Tamil: சிவப்பு கீழாநெல்லி civappu kilanelli, சிறு கீழாநெல்லி cirukilanelli • Telugu: ఎర్ర ఉసిరిక erra usirika
Native to: tropical east Asia
References: Flowers of India • oswaldasia • NPGS / GRIN • ENVIS - FRLHT • DDSA
The "Lock Up The Year" Royal Canal Trail Marathon was held on the banks of the Royal Canal from Moyvalley, Co. Kildare to Leixlip, Co. Kildare on Tuesday 31st December 2012 at 09:00. The race started at Furey's Pub at Moyvalley (goo.gl/maps/3pqhF) and proceeded westwards to Blackshade bridge (goo.gl/maps/4yVNI) where the race turned around and then the route was direct back to Leixlip. The running route followed the Royal Canal Way from start to finish. There was also the option of a 1/2 marathon (from Cloncurry Bridge near Enfield) and a 10KM distance from The Maws at Kilcock. This event is made possible through the cooperation of East Of Ireland Marathons and Jarlath B. Hynes and Brendan Murphy from Leixlip, Co. Kildare (see a Facebook group page here www.facebook.com/groups/524790427539290/?fref=ts). The key aspect of this run is that they are three races are informal and self supported runs along on the Royal Canal Way trail. There is no chip timing, water stops, marshals, massages, t-shirts or prizes. But it ise an enjoyable run along the Royal Canal and a chance to meet up with fellow runners during the race and then after it at the Le Cheile clubhouse in Leixlip. There are some nice numbers for the race today. 26.2 miles, 2 counties, 5 traversals in and out of Meath and Kildare, crossing 6 roads, and passing under 5 bridges before the finish outside the Leixlip amenities center.
Due to recent heavy rains the canal towpath (particularly between Cloncurry and Kilcock) was very wet and muddy and proved difficult and testing terrain for all of the runners. However despite a strong breeze at a few sections the weather was bright and dry and made for good running conditions.
This photograph is part of a larger set of photographs taken of the event(s) today. They are all available for viewing in this Flickr set. www.flickr.com/photos/peterm7/sets/72157639233559965
The Royal Canal is a very special piece of Irish Heritage. It's waterway channel and it's banks have seen much history with both the rise and subsequent decline in railway and canal travel and transportation. Our run on the Royal Canal is made possible by the incredible hard and dilligent work by the Inland Waterways of Ireland and countless volunteer individuals who turned their vision of a restored Royal Canal into reality.
Viewing this on a smartphone device?
If you are viewing this Flickr set on a smartphone and you want to see the larger version(s) of this photograph then: scroll down to the bottom of this description under the photograph and click the "View info about this photo..." link. You will be brought to a new page and you should click the link "View All Sizes".
Some Useful Links
The Lock Up The Year website: sites.google.com/site/lockuptheyear/
Lock up the Year Facebook Group: www.facebook.com/groups/524790427539290/?fref=ts
Leixlip Le Cheile Athletic Club: www.lecheileac.com
Royal Canal Trail Marathon - Our Flickr Photographs from December 2012: www.flickr.com/photos/peterm7/sets/72157632391728899/
A pictorial description of the Royal Canal Way Marathon Route: www.peterm7.com/marathons/royalcanal2013/
East of Ireland Marathons: www.eastofirelandmarathons.com/
Garmin GPS trace of the 2012 Lock Up The Year Marathon: connect.garmin.com/activity/256320990
How can I get a full resolution copy of these photographs?
All of the photographs here on this Flickr set are available for view and download under a Creative Commons License (www.flickr.com/creativecommons/). This means you can view them, post them to other websites, use them, etc provided you provide a link back to the original photograph or photoset here on Flickr. All of the photographs posted here on this Flickr set are available offline, free, at no cost, at full image resolution also. We take these photographs as a hobby and as a contribution to the running community in Ireland. Our only "cost" is our request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, etc or (2) other websites, web multimedia, commercial/promotional material that you provide a link back to our Flickr page to attribute us. This also extends the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember - all we ask is for you to link back to our Flickr set or Flickr pages. Taking the photographs and preparing them for online posting does take a significant effort. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc.
If you would like to contribute something for your photograph(s)?
Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably www.flickr.com/peterm7/sets
Both of these are from this book. Below is the original recipe, from which I made several changes I'll detail after the recipe.
1 1/3 lb ground chicken or turkey
1/2 lb andouille sausage, casing removed, diced
3 celery ribs and their greens, finely chopped
1 green bell pepper, finely chopped.
1 small onion, finely chopped
4 garlic glove, finely chopped
3 tbs fresh thyme, chopped
2 tbs hot sauce
4 tbs olive oil
10 oz frozen corn (thawed) or about 3 ears of fresh corn
4 scallions, chopped
1 can red beans, drained
1 cup chili sauce, divided
1/2 cup mayonnaise
1/4 cup grainy mustard
4 jumbo shrimp, peeled, deveined and butterflied
1 tbs Old Bay Seasoning
4 crusy rolls, split
4 green leaf lettuce leaves
1 large beefsteak tomato, sliced
Burgers
Preheat a grill pan or large nonstick skillet over medium-high heat.
Place the meat of your choice in a bowl. Add the sausage, halft the chopped celery, all the onions, half the garlic, the thyme, hot sauce, salt, pepper and about 2 tbs of the olive oil. Combine and from 4 patties. Grill 5 minutes on each side.
Cajun Corn and Red Beans
Heat a skillet over medium-hig heat. Add 2 tbs of the olive oil the remaining bell pepper and garlic along with the corn. Season with salt and pepper. Cook for 3 to 4 minutes, stirring frequently. Add the scallions and red beans and heat through, another 2 to 3 minutes. Add 1/2 cup of the chili sauce and cook for 1 minute more. Turn off the heat and let stand.
Combine the remaining chilic sauce (1/2 cup) with the remaining celery, the mayo and the mustard. Set aside.
Coat the shrimp witha little oil and the Old Bay Seasoning, salt and pepper. Press down with a small skillet (or something) to prevent shrimp from curling. Cook for 2 minutes on each side.
Put the burger on the bun, top with the shrimp, mayo mixture, lettuce and tomato. Serve the beans along side.
Changes I Made
I used spicy italian sausage instead of andouille, because I couldn't find uncooked andouille. I also used 3 tsp dried thyme in place of the fresh thyme.
I omitted the celery (not a big fan, its a texture thing). I also omitted the bun, tomato and mayo dressing.
These burgers are huge, almost a 1/2 lb each. First time I've tried this, so I followed the size recomendation. Next time I would either half the recipe or make 8 patties.
I used a George Foreman grill (for the first time) to cook these. The top/bottom is a little chared, but the inside is fine.
The burger was great. The corn and beans were good, but I think would be better with barbeque sauce in place of the chili sauce.
Mingle Media TV’s Red Carpet Report team were at the world premiere of Disney’s "Pete’s Dragon” at the El Capitan Theater in Hollywood.
PETE’S DRAGON opens nationwide August 12, 2016
Get the Story from the Red Carpet Report Team, follow us on Twitter and Facebook at:
www.facebook.com/RedCarpetReportTV
www.youtube.com/MingleMediaTVNetwork
ABOUT Disney's Pete’s Dragon
A reimagining of Disney’s cherished family film, “Pete’s Dragon” is the adventure of an orphaned boy named Pete and his best friend Elliot, who just so happens to be a dragon. “Pete’s Dragon” stars Bryce Dallas Howard (“Jurassic World”), Oakes Fegley (“This is Where I Leave You”), Wes Bentley (“The Hunger Games”), Karl Urban (“Star Trek”), Oona Laurence (“Southpaw”), Isiah Whitlock, Jr. (“Cedar Rapids”) and Oscar® winner Robert Redford (“Captain America: The Winter Soldier”). The film, which is directed by David Lowery (“Ain’t Them Bodies Saints”), is written by Lowery & Toby Halbrooks based on a screenplay by Malcolm Marmorstein and produced by Jim Whitaker (“The Finest Hours,” “Friday Night Lights”), with Barrie M. Osborne (“The Lord of the Rings: The Fellowship of the Ring,” “The Great Gatsby”) serving as executive producer.
Website: www.disney.com/petesdragon
Like on Facebook: facebook.com/disneypetesdragon
Follow on Twitter: twitter.com/disneypetes
Instagram: instagram.com/disneypetesdragon
For more of Mingle Media TV’s Red Carpet Report coverage, please visit our website and follow us on Twitter and Facebook here:
Florentina Bracelet is now available at www.etsy.com/shop/bybeejang. You will receive two files. One is CRAW technique and the other file is how to make this bracelet.
Yes, this is another variation for CRAW, using only the basic beads of 11/0 seed beads, bicone crystals and round pearls.
I hope to have more designs on CRAW. The technique is so fun to make once you get a hang of it. Then, I will move on to other basic stitches.
**I posted this in ABCs and 123s**
This is the "Punch" end of the buffet table . . . the floating apples are frozen. These are used instead of ice or a frozen punch ring (hard to make as far as *I* am concerned - I quit doing it years ago and use apples of "seasonal" colors - - - green and yellow in the spring, and red or green (depending on what color the punch is) for Christmas, yellow or red for fall, etc. I used green in the white-cranberry-grape-juice punch for my daughter's wedding. (Picture of THAT punch bowl is in the first comment below . . . it wouldn't "stick" here!
My mom taught me this trick and people love it. The apples can be "trash apples" - things you don't particularly enjoy eating . . . small ones, etc., as long as they are good and clean without bruises or "bad" places since they get quite mushy when they thaw out over several hours time.
They're festive and they make WONDERFUL "ice cubes" - - - keep it very cold without diluting the punch at *all*!!!!
In the immortal words of Mikey, the Life Cereal kid, "Try it! You'll LIKE it!" :)
Manual of the land and fresh-water shells of the British Islands
London :Longman, Brown, Green, Longmans, and Roberts,1857.
Bucci
Facebook:
Entrevista no Digiforum:
www.digiforum.com.br/viewtopic.php?t=78078
Portfólio:
issuu.com/bucci10/docs/2_mini_portfoleo_fotos_bucci_10x15
GoPro - Dia de foto, bike e Jardim Botânico:
Vídeos Making Off:
www.youtube.com/watch?v=45NGHZIk2YQ&feature=g-upl&....
www.youtube.com/watch?v=CPuPpsW78Ww&feature=g-upl&....
www.youtube.com/watch?v=lblneevaOdA&feature=g-upl&....
www.youtube.com/watch?v=-Qowp0oSfos&feature=g-upl&....
www.youtube.com/watch?v=Hf8VSAJv_os&feature=g-upl&....
www.youtube.com/watch?v=hSHa73QrIxQ&feature=g-upl&....
www.youtube.com/watch?v=HBs9XjA0dT8&feature=g-upl&....
BUCCI - 50mm Quantaray Macro Tech 10 MX AF + Sistema de Flash D.I.Y FLASH DIFFUSER
www.flickr.com/photos/bucci10/8191598385/in/photostream/
Bucci
Facebook:
Entrevista no Digiforum:
www.digiforum.com.br/viewtopic.php?t=78078
Portfólio:
issuu.com/bucci10/docs/2_mini_portfoleo_fotos_bucci_10x15
GoPro - Dia de foto, bike e Jardim Botânico:
Vídeos Making Off:
www.youtube.com/watch?v=45NGHZIk2YQ&feature=g-upl&....
www.youtube.com/watch?v=CPuPpsW78Ww&feature=g-upl&....
www.youtube.com/watch?v=lblneevaOdA&feature=g-upl&....
www.youtube.com/watch?v=-Qowp0oSfos&feature=g-upl&....
www.youtube.com/watch?v=Hf8VSAJv_os&feature=g-upl&....
www.youtube.com/watch?v=hSHa73QrIxQ&feature=g-upl&....
www.youtube.com/watch?v=HBs9XjA0dT8&feature=g-upl&....
BUCCI - 50mm Quantaray Macro Tech 10 MX AF + Sistema de Flash D.I.Y FLASH DIFFUSER
This week the Sunday Club members Dave K and I visited the Bleanavon Heritage Railway.
Locomotive details-
Builder: R. Stephenson & Hawthorn Ltd., Newcastle-on-Tyne.
Built: 1945, works no.7169
Wheel Arrangement: 0-6-0ST
Wheel diameter: 4’ 3”
Boiler Pressure: 170psi.
Weight : 48 tons 5 cwt.
71515 was commissioned by the War Department in 1945 from Robert Stevenson and Hawthorns as WD71515, but, with WW2 all but over, was quickly put to work at the Swalwell Disposal Point in what was then the county of Durham, but is now Tyne & Wear. At the time the opencast disposal point was worked by Mechanical Navvies Limited, and it is in that company’s livery that the loco now appears.
It was taken into preservation by 1974 to the East Somerset Railway, where shortly after arrival she was was liveried in BR black with the spurious running number 68005.
By 1995 she was in service at the Bolton and Embsay Railway, still in BR black and where she was nicknamed ‘The Mog’. She was overhauled in 2004, but burst a boiler tube two years later and was laid aside.
Three years later, following interest shown by a PBR member, she was purchased in August 2009, and in the following month, taken to the Flour Mill works in the Forest of Dean for repair, and repainting into her original colour. She arrived at Furnace Sidings on 28 April 2010, and has worked the majority of services scheduled for steam haulage since. Her sure-footed bark as she tackles the steep grade between bridge 16 and Whistle Inn, and mournful Midland-style hooter is a familiar sound over Blaenavon.
Cuộc so tài Hà Lan - TBN đã diễn ra đầy hấp dẫn đến nghẹt thở tại Soccer City. Nhưng chiến thắng chỉ dành cho đội bóng xuất sắc hơn và Tây Ban Nha đã lên ngôi vô địch khi đánh bại Hà Lan 1-0 nhờ khoảnh khắc lóe sáng của Iniesta ở phút 117...
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Những dòng lệ đã tuôn rơi tại Soccer City, giọt nước mắt hạnh phúc của Iker Casillas cùng đồng đội lẫn tâm trạng cay đắng, uất hận và buồn bã trên khóe mắt Sneijder. Hà Lan và Tây Ban Nha đã cống hiến một trận đấu nghẹt thở trong suốt 120 phút và tạo ra hàng loạt cơ hội ghi bàn, đưa đẩy một trận chung kết World Cup kịch tính nhất trong lịch sử.
Tuy nhiên, nhà vô địch chỉ có một và trong một thời khắc lóe sáng ở phút 117, Iniesta đã ghi bàn thắng có ý nghĩa nhất trong cuộc đời mình với pha nã đại bác hạ gục Stekelenburg, ấn định tỷ số 1-0 và giúp La Furia Roja lần đầu bước lên đỉnh cao nhất của bóng đá thế giới. Trận đấu này đã diễn ra khá căng thắng khi có tới 14 thẻ vàng, 1 thẻ đỏ (Mathijsen) cùng vô số pha vào bóng thô bạo mà trọng tài Howard Webb bỏ qua.
Thầy trò HLV Del Bosque đã mở ra một trang sử vĩ đại cho bóng đá TBN. Bị hoài nghi về sức mạnh thực sự sau trận thua Thụy Sỹ nhưng TBN đã từ từ tiến bước, họ vươn đến đỉnh vinh quang bằng "điệp khúc" 1-0 trong suốt 4 trận đấu liên tục, bỏ lại sau lưng nhiều đối thủ mạnh như BĐN, Paraguay, Đức và Hà Lan.
Thế hệ cầu thủ tài năng Xavi, Iniesta, Puyol, David Villa hay Alonso đã đưa TBN lên ngôi vô địch châu Âu rồi vô địch thế giới chỉ trong 2 năm. Sự gắn kết, uyển chuyển trong cách thi triển lối chơi tiqui-taca, cộng thêm sự khoa học mang dấu ấn Del Bosque là chìa khóa thành công của các chàng trai xứ sở bò tót. Và chức vô địch World Cup 2010 là cái kết có hậu cho những gì thầy trò Del Bosque thể hiện xuyên suốt giải đấu trên đất Nam Phi.
Lần thứ 3 trong lịch sử, Hà Lan thất bại cay đắng trong một trận chung kết World Cup. Thế hệ của Robben, Sneijder không thể làm rạng danh bóng đá Hà Lan nhưng họ có quyền tự hào về ấn tượng đẹp đẽ tại giải lần này. Họ đã chiến đấu đầy nhiệt huyết đến những giây cuối cùng và nếu Robben hay Sneijder may mắn hơn trong các tình huống dứt điểm, có lẽ thế cuộc đã khác. Tuy vậy, chiến thắng thuộc về TBN là xứng đáng, họ đã thể hiện được cốt cách và bản lĩnh của nhà vô địch thực thụ.
Đúng như dự đoán, HLV Del Bosque vẫn sử dụng sơ đồ 4-1-4-1 với David Villa chơi cao nhất và nhận sự yểm trợ từ Alonso, Xavi, Iniesta, Pedro ở phía sau. Bên phía Hà Lan, Van Marwijk đặt niềm tin vào bộ tứ Sneijder-Kuyt-Robben-Van Persie trên mặt trận tấn công.
Sau tiếng còi khai cuộc, TBN đã đẩy cao đội hình lên tấn công nhờ khả năng cầm bóng tốt ở tuyến giữa. Các miếng phối hợp giữa Xavi, Iniesta cùng Pedro diễn ra với tốc độ rất cao. Ngoài ra, Sergio Ramos luôn tỏ ra nguy hiểm với các pha đi bóng tốc độ bên hành lang phải.
Cơ hội đầu tiên đã đến với TBN ở phút thứ 4 khi từ quả phạt bên cánh phải của Xavi, Ramos bay người đánh đầu tuyệt đẹp, tuy nhiên thủ thành Stekelenburg đã xuất sắc cứu thua. Thua kém về khả năng cầm bóng, Hà Lan chấp nhận phòng ngự co cụm để chờ cơ hội phản công.
Sergio Ramos chơi cực kỳ hưng phấn khi ở phút thứ 10, anh đi bóng dũng mãnh qua Van Bronckhorst rồi dứt điểm nhanh, rất may là Heitinga đã lao về cản phá trước cầu môn. Sau đó, lại là Villa tung cú vô lê đẹp mắt từ đường bấm bóng của Alonso nhưng bóng lại chạm mép lưới bên.
Hà Lan thi đấu khá căng thẳng và họ chơi tương đối rắn để hạn chế sức mạnh đối phương. Cơ hội đáng kể nhất mà “Cơn lốc màu da cam” tạo ra ở phút 17, tiếc là cú sút phạt từ cự ly 38m của Sneijder chưa đủ khó để khuất phục Iker Casillas.
TBN không còn tấn công dồn dập mà họ chủ trương đá chậm, tạo điều kiện để Hà Lan tạo dựng thế trận khá cân bằng. Trận đấu diễn ra khá căng thẳng khi De Jong tung chân đạp vào ngực Alonso, tuy nhiên trọng tài Howard Webb chỉ rút thẻ vàng cảnh cáo ở phút 28.
Đoàn quân HLV Van Marwijk chơi chậm rãi và có tính đột biến cao. Phút 36, Robben đá phạt nhanh cho Van Persie chuyền ngang vào trong, tiếc là trung vệ Mathijsen lại sút hụt bóng. TBN có câu trả lời bằng pha đi bóng rồi dứt điểm nhanh bằng chân trái, bóng đi sạt cột dọc khá nguy hiểm.
Cuối hiệp 1, Hà Lan còn tạo ra tình huống khá nguy hiểm khi Robben đảo bóng rồi sút nhanh bên góc phải nhưng Casillas đã đổ người cứu thua. Chơi thận trọng và có phần hơi nóng vội trong các tình huống tranh chấp, cả hai đội chấp nhận tỷ số hòa 0-0 trước giờ nghỉ giải lao.
Sang hiệp 2, tốc độ trận đấu được đẩy lên khá cao với hàng loạt pha tấn công nhanh và đẹp mắt. Phút 47, từ quả phạt góc của Xavi, bóng đi qua rừng hậu vệ Hà Lan đến đúng vị trí Capedevila nhưng “số 11” lại sút trượt bóng đầy đáng tiếc trong vòng cấm.
Các nhà ĐKVĐ châu Âu liên tục tấn công bên cánh phải và từ đường bật tường với Pedro, Ramos bị Van Bronckhorst phạm lỗi khá thô bạo ở phút 54. Ở tình huống đá phạt sau đó, Xavi dứt điểm khá táo bạo, bóng đi sạt xà ngang trong gang tấc. Hà Lan có câu trả lời sau đó 4 phút với cú đánh đầu cận thành của Heitinga từ đường chuyền của Robben.
Nhằm khoét sâu điểm yếu bên cánh trái của Hà Lan, Del Bosque quyết định tung Navas vào sân để tận dụng khả năng tạt bóng chuẩn xác của tiền vệ đang chơi cho Sevilla. Trong thoáng sơ hở hiếm hoi ở hàng thủ TBN ở phút 61, Sneijder chặt bóng cực đẹp cho Robben băng xuống khá trống trải, tuy nhiên “số 11” lại không thể đánh bại Casillas ở tình huống đối mặt.
Phút 69, Navas đi bóng khéo léo bên cánh phải rồi căng ngang vào trong, hậu vệ Heitinga phá hụt bóng nhưng David Villa lại không dứt điểm thành công trong tình huống đối mặt Stekelenburg. Sau đó, Capdevila sút bóng nhanh ngoài vòng cấm, tuy vậy Stekelenburg đã ôm gọn bóng.
David Villa thi đấu khá năng nổ và đến phút 73, “El Guaje” thực hiện quả đá phạt hiểm hóc, tiếc là bóng đi vọt xà. Sau đó 3 phút, lại là Villa bật tường thông minh cùng Xavi rồi dứt điểm quyết đoán nhưng Mathijsen đã lao mình cản phá.
TBN tấn công mãnh liệt và từ quả phạt góc của Xavi, Ramos bay người đánh đầu rất đẹp nhưng bóng lại đi vọt xà ngang quá đáng tiếc. Những phút cuối cùng diễn ra đầy sôi động, La Furia Roja vẫn tấn công liên tục nhưng tỷ số 0-0 vẫn được giữ nguyên sau khi kết thúc 90 phút.
Bước sang hiệp phụ, trận đấu còn diễn ra căng thẳng hơn khi ở phút 95, Iniesta chọc khe đầy nhạy cảm cho Fabregas băng xuống đầy trống trải nhưng Stekelenburg đã xuất sắc dùng chân cản phá cú dứt điểm của “số 10” trong tình huống đối mặt. Hà Lan có câu trả lời khi Mathijsen đánh đầu vọt xà trong vòng cấm khi Casillas đã lao ra lỡ trớn.
Phút 98, lại là Iniesta có cơ hội đối diện Stekelenburg nhưng tiền vệ nhỏ con này lại xử lý quá chần chừ để Heitinga lao về cản phá. Sau đó 2 phút, Navas đột phá rồi dứt điểm táo bạo, bóng đập chân hậu vệ Hà Lan ra ngoài dù Stekelenburg đã đổ người sang hướng khác.
Sang hiệp phụ thứ 2, Torres được tung vào sân để thay thế Villa để tăng cường sức mạnh hàng công. Và đến phút 110, Iniesta bật tường tinh tế với Xavi rồi băng xuống buộc Heitinga phải phạm lỗi, đồng thời nhận chiếc thẻ vàng thứ 2 rời sân. Ở pha sút phạt sau đó, Xavi lại đưa bóng vọt xà ngang.
Lợi thế hơn người giúp TBN áp đảo hoàn toàn về thế trận. Và khoảnh khắc định mệnh đã đến ở phút 117 khi từ đường bấm bóng của Torres, bóng lập bập đến chân Fabregas và “số 10” chuyền sang cho Iniesta khống chế điêu luyện rồi dứt điểm quyết đoán hạ Stekelenburg, ấn định chiến thắng 1-0 cho TBN.
Về cuối trận, TBN chơi chậm và bảo toàn tỷ số 1-0 cho đến kết thúc 120 phút. Và La Furia Roja đã chính thức đăng quang ngôi vô địch World Cup 2010 đầy thuyết phục trong một trận cầu hấp dẫn, kịch tính và tràn đầy cảm xúc.
Đội hình thi đấu:
Tây Ban Nha: Casillas; Capdevila, Puyol, Piqué, Ramos; Busquets, Xabi Alonso (Fabregas 86’), Xavi; Iniesta, Pedro (Navas 60’), Villa (Torres 106’).
Hà Lan: Stekelenburg; Van Bronckhorst (Braafheid 105’), Mathijsen, Heitinga, Van der Wiel; Van Bommel, De Jong (Van der Vaart 98’), Sneijder; Kuyt (Elia 70’), Robben, Van Persie.
(theo photo.tamtay)
(source: tin180.com/worldcup2010/2010/07/12/anh-tran-ha-lan-0-1-ta... )
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Tuesday 23 July 2013 - Day 04 - Acclimatisation day 2, Huaraz (3,052m)
Our second day's acclimatisation in Huaraz saw us head out of town, past the smart residential district built for the people working for the mines, onto unpaved roads and out through the older villages and farmland beyond. Our minibus coped brilliantly with the ever narrowing, winding route, until we approached our drop off just past the last village, when we stalled on an uphill section and rolled back, almost into a drainage ditch. Much excitement (of varying kinds) ensued. Eventually it was agreed that the ladies should start off on the morning's walk, heading east towards the Quebrada Llaca, a gap in the Cordillera Blanca that lies within the Parque Nacional Huascarán. Having walked back to the village to get planks and successfully getting the minibus out of its hole, Val and the chaps followed in our footsteps.
A lovely morning's walk, rising to over 4000m, with beautiful landscape all around us: luring us ahead were the imposing snow tops of Ranrapalca / Ranrapallqa (6,162 m) to our right and Ocshapalca / Uqshapallqa (5,881 m) to our left, on the lower slopes sheep were grazing and accompanying us on our route east rose an imposing ridge. All around us we could find colourful examples of High Andean flora (including lupins!), and as we rejoined the road for a short stretch we walked between Queñuales / Polylepis (paperbark) trees.
Yesterday evening en route to dinner we'd bought bread rolls from a local lady outside one of the town's supermarkets which had supplied a block of cheese and some oranges, and stopping for our picnic lunch today we were rewarded with fantastic views from our gorge/ous location - looking back the way we'd come we could see Huaraz down the valley and the high mines cutting into the hill tops above, and head of us loomed the snowy, fluted ridges of Ocshapalca / Uqshapallqa with Ranrapalca / Ranrapallqa and its thick duvets of bright, white snow peaking snuggling up from the south.
After our picnic, we didn't continue on to Laguna Churup but instead retraced our steps back to the minibus. Back at base, after a kit check by Val, we packed and then headed into town for a mooch and to (at last!) withdraw some funds from the bank. In the town square, we had our first encounter with the build up of festivities in anticipation of 28 July when Peru celebrates its Independence day (Día de la Independencia) in great style, with the additional excitement of Huaraz's own 156th birthday celebrations. The town was holding its first Battle of the (Brass) Bands, with three groups facing off, literally, two at a time at either end of the stretch of the main street by the main square. Amongst the town residents we saw an occasional visiting villager in more traditional dress - including high hats and full skirts.
We rendezvoused for dinner at Crêperie Patrick, where Val treated us to a Coca Pisco Sour - no wonder sleep proved elusive that night!
Read more about the Cordillera Huayhuash Circuit plus Inca Trail to Machu Picchu.
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Bevis Bawa's garden:
Brief Garden
Kalutara, Sri Lanka
(www.lonelyplanet.com/sri-lanka/west-coast/aluthgama-bento...)
Ten kilometres inland from Bentota is the Brief Garden. A barely controlled riot of a garden out of the Jungle Book , the grounds are a lovely place to get lost. The house, which used to be the home of Bevis Bawa, brother of renowned architect Geoffrey Bawa, has an eclectic range of artwork on display – from homoerotic sculpture to a wonderful mural of Sri Lankan life in the style of Marc Chagall.
To get here, follow the road south from Aluthgama to Matagama Rd and turn inland to the village of Dharga Town. From here you will periodically see yellow signs saying ‘Brief’, but as everyone knows this place, it’s easy enough to ask directions. There’s no public transport.
www.gardendesign.com/places/the-brothers-bawa
By Caroline Seebohm:
Bevis Bawa (1909-1992) started his garden (also a former rubber plantation) in 1929, almost 20 years before his brother (Geoffrey Bawa, 1919-2003). His design follows narrow winding pathways through dense tropical foliage, runs up and down slopes, then suddenly opens onto a staircase, a patio, a pond, or a strategically placed piece of sculpture. Walking through it one feels that Bevis somehow tamed the jungle for his purposes, but only momentarily—stray from the path and you are back in the forest.
Bevis’ garden, (...) was the wilder of the two but somehow more comforting and intimate. A drenching monsoon rain had just ended, leaving a steamy and muggy atmosphere with drops of water still trembling on the palm fronds and rivulets of rain racing across the paths like little snakes. No other tourists ventured out in such torridly humid weather, and no guide appeared to accompany me. Yet I did not feel lonely. The paths took me from vista to vista, each more breathtaking than the last. I felt I was being led by an invisible docent who told me where to stop and look or where to sit and rest. It was magical. At every turn I was aware of the giant palms and tropical plants looming overhead, ready to pounce and return to the jungle the land Bevis had so cunningly captured.
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First day back at school, I didnt have a class till 2, so I decided to take pictures with my friend Jesse. We Went inside this what appears to be small church from the outside, but is actually really big on the inside. It was really nice inside, took this quickly and then left cause they were getting ready to lock the doors. I shall return!
flickriver.com/photos/javier1949/popular-interesting/
“ENTRE CATEDRALES”
Calle Campo del Sur, entre la “catedral nueva” y la iglesia de la Santa Cruz “catedral vieja”. Cádiz.
Arquitecto: Alberto Campo Baeza.
Colaboradores: Emilio Delgado, Ignacio Aguirre y David Delgado, arquitectos; Miguel Ciria y Juan Yruela estudiantes, Manuel Cebada arquitecto técnico y Andrés Rubio y Jorge Conde, ingenieros
2000-2005 Proyecto 2007-2009 obras
Campo Baeza describe se obra:
El proyecto "Entre Catedrales" trata de crear una pieza de arquitectura capaz de acoger y proteger y poner en valor el lugar más significativo de la historia de Cádiz, la ciudad más antigua de occidente: el espacio vacío que existe entre la catedral nueva y la catedral vieja, frente al mar, y que está siendo motivo de una importante excavación arqueológica.
Los objetivos son los de cubrir y proteger la excavación. Además, querríamos que ese plano con el que se cubre sirviera de base para un espacio de estancia público frente al mar, con una altura tal que la visión sea limpia, sin ver los coches que pasan por la vía de circunvalación.
Se concibe como una blanca plataforma ligera, posada sobre la excavación, como de puntillas, a la que se accede por una rampa lateral. En ese plano se abrirán lucernarios para iluminar y permitir ver la excavación desde arriba. Arriba se construye un umbráculo que nos proteja del sol y de la lluvia, y al fondo, cubriendo la actual medianera, un paramento de piedra capaz de dar continuidad a las fachadas de piedra de las dos catedrales.
Todo ello construido con elementos ligeros, quizás metálicos como si de una construcción naval se tratara, todo pintado de blanco para acentuar su liviandad. La zona transitable se alfombra con mármol blanco.
En la construcción de la base, la memoria de los barcos. En la del umbráculo, como si de un palio con varales se tratara, la memoria de un paso.
Querríamos hacer una pieza de arquitectura bellísima, capaz de poner en valor ese lugar maravilloso, capaz de permanecer en la memoria de Cádiz.
La Estructura esta formada por un entramado de pilares metálicos de 3 x 3 metros, apoyados sobre la excavación para soportar a 2,50 metros de altura un plano horizontal metálico de platabanda gruesa sobre la que se apoyará a modo de alfombra el pavimento de mármol que evidenciará las zonas pisables. El acero está acabado en blanco y tratado como si del casco de un barco se tratara, tanto a efectos del fuego como de la corrosión. La zona situada bajo dicho plano se cierra mediante un cerramiento acristalado para preservar el yacimiento arqueológico que puede ser visitable.
El pavimento del plano horizontal se forma mediante adoquines cúbicos de 10 x 10 x 10 cm de mármol blanco de Macael, con sus bordes biselados de manera que se crean unas acanaladuras antideslizantes. Para recubrir el plano vertical del fondo en él se abren los huecos necesarios, la fachada lateral de la Casa del Obispo, se utiliza la característica piedra ostionera que cubre las dos catedrales, sirviendo para conectarlas visualmente.
En la zona estancial superior, un espacio público de 920 metros cuadrados desde el que se contempla el mar sin la interrupción de los vehículos que pasan por la vía de circunvalación del casco histórico, se incluyen bancos de acero lacado en blanco al igual que las barandillas metálicas. A ella se accede mediante una rampa que nace en la avenida. En el palio metálico, dar una mayor cantidad de sombra cuando fuere conveniente, se colgarán unas cortinas blancas a modo de velas de barco.
El mirador Entre Catedrales ha sido finalista en la LII edición de los Premios FAD de Arquitectura e Interiorismo. El jurado ha destacado la sofisticada naturalidad que consigue el mirador al enclavarse en esta nueva plaza, situada en la parte trasera de la Catedral nueva, mirando al mar. Es un espacio público con un carácter marcadamente sagrado. Además, subrayan, la colocación de la plaza elevada sobre valiosas ruinas permite hacer desaparecer el tránsito rodado entre nuestra mirada y el mar.
flickriver.com/photos/javier1949/popular-interesting/
Proyecto paisaje urbano en Tetuán
Plaza del poeta Leopoldo Luis, calles Matadero con Ángel Puech, Hierbabuena, Lope de Haro, Marqués de Viana, Almortas… Barrio de Tetuán, Madrid
Proyecto Tetuán para la mejora de paisaje urbano de Tetuán tiene como objeto desarrollar una experiencia para explorar las posibilidades de mejora del paisaje urbano mediante intervenciones de carácter artístico durante 2013. Esta acción se encuentra entre las recogidas en el Plan Estratégico de Cultura del Ayuntamiento de Madrid 2012-2015 (PECAM) y se inscribe dentro de las líneas encaminadas al fomento de la creatividad, la participación pública y la difusión en la mejora del paisaje urbano. El proyecto contempla, por tanto, dos ámbitos de trabajo: por un lado el orientado a los artistas y sus intervenciones y, por otro, las tareas de difusión y participación ciudadana.
Tras varias sesiones de trabajo abiertas llevadas a cabo durante este año, se generado un grupo de trabajo para la gestión compartida del proyecto del que forman parte: integrantes de Red de agentes culturales de Tetuán (entre los que se encuentran Moenia, Pkmn, Taller de Casquería, Mood Studio o Bea Burgos, de Aquí Tetuán) colectivos dedicados a la creación, la arquitectura o el paisajismo vinculados o interesados en trabajar en el distrito de Tetuán, como Estudio Montes, Pez Arquitectos, Ahora Arquitectura y La Galería Magdalena, representantes o agentes vecinales del barrio, agentes de la Dirección General de Paisaje Urbano, de la Junta Municipal de Distrito e Intermediae.
Tras desarrollar conjuntamente el proyecto y definir las actuaciones a llevar a cabo, el grupo de trabajo ha invitado a otros colectivos a implicarse en acciones concretas acompañadas por agentes vinculados al distrito de Tetuán que han participado en la definición del proyecto. Entre ellos Germinando, Perricac, La Fresquera, Basurama y Zuloark.
También forman parte del proyecto los artistas implicados en los muros artísticos gestionados por el equipo de la Dirección General de Paisaje Urbano testeando el funcionamiento de la Oficina de Gestión de Muros. Entre ellos se encuentran Suso 33, San, E1000, Spy y Borondo.
La propuesta global del proyecto se concreta en cuatro emplazamientos principales, definidos colectivamente y gracias a la colaboración de la junta municipal de distrito que elaboró el catalogo de solares de propiedad municipal, así como del Área de Urbanismo que facilitó la información sobre la calificación de los terrenos para elegir el lugar del Huerto: la Plaza Leopoldo Luis, el solar situado en la calle Nuestra Señora del Carmen, el solar de la calle López de Haro con Berruguete y el solar de calle Matadero con Ángel Puech. Cada emplazamiento agrupa las distintas intervenciones y colaboradores.
- La Plaza Leopoldo Luis: Intervienen Estudio Montes y Pez Arquitectos, Germinando y Perricac.
- El solar de calle Matadero con Ángel Puech: Intervienen Moenia, La Fresquera, La Galería Magadena y Mood Studio.
- El solar situado en la Calle Hierbabuena: Intervienen Pkmn y Taller de Casquería.
- El solar de la calle Lope de Haro: Intervienen Basurama y Zuloark.
- Además Aquí Tetuán, Bea Burgos, llevará a cabo la intervención “Ventanas a Tetuán” basado participación vecinal y la recuperación de la memoria del distrito. A través de las ventanas, metáforas de la memoria de los ciudadanos, el proyecto trata de recuperar el paisaje urbano que no está presente físicamente, o que tan solo se intuye a partir de ciertos elementos - una fuente, un ladrillo, una acera, un adoquín -pero sigue existiendo en la mente de los vecinos. Mood Studio y La Galería Magdalena llevarán a cabo la documentación del proyecto a través de fotografías, retratos de los vecinos e interacciones a pie de calle que generarán un material fotográfico que será expuesto a posteriori. Miguel Díaz de Ahora Arquitectura propone un programa de paseos donde encontramos de lugares desconocidos y un itinerario guiado desde un punto de vista urbano para mostrar las intervenciones realizadas, su desarrollo y su entorno.
Proyecto paisaje urbano en Tetuán
intermediae.es/project/blog_del_proyecto_paisaje_tetuan/p...
intermediae.es/project/blog_del_proyecto_paisaje_tetuan
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www.mataderomadrid.org/ficha/3019/proyecto-paisaje-tetuan...
madridstreetartproject.com/%E2%86%92-paisaje-tetuan/
www.tetuanmadrid.com/nuevos-proyectos-en-la-mejora-del-pa...
www.tetuanmadrid.com/tag/paisaje-tetuan/
www.principiafilms.es/Paisaje-Tetuan
Suso Suso33
www.flickr.com/photos/dug_da_bug/sets/72157623453962256/
www.flickr.com/photos/35042698@N02
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San
www.velvetliga.com/2009/12/entrevista-san.html
E 1000 e1000 ink
www.flickr.com/photos/e1000ink/
www.flickr.com/photos/dug_da_bug/sets/72157623453898370/
Borondo
www.flickr.com/search/?q=borondo
madridstreetartproject.com/%E2%86%92-borondo-figuras-en-e...
SPY
www.urbanario.es/articulos/articulo/art/spy-no-es-un-arti...
www.cookingideas.es/que-vigilan-150-camaras-de-seguridad-...
www.facebook.com/catedraleseiglesias
© Álbum 0761
By Catedrales e Iglesias
By Cathedrals and Churches
Arquidiócesis Primada de México
5a. Vicaría Episcopal, San Pedro Apóstol
Rectoría San Francisco Javier
Rector Pbro: Lope Ruiz Pérez-Aradros, O.A.R.
Pbro : José A.Quintana Bauitista
Plaza Romita 30
Col. Roma
C.P. 6700
Del. Cuauhtémoc
Tel. 5207-7700
Horario de oficina:
Lunes a sábado de 10.00 a 13.00 hrs. y 16.00 a 19.00
Reseña
El crecimiento implacable de la ciudad de México a lo largo del siglo XX hizo desaparecer, casi, los numerosos escenarios de tipo campirano o rural que la rodeaban en sus inicios, arrasados después por la enorme mancha de asfalto, concreto y vidrio en que se ha convertido esta urbe. Por fortuna, aún podemos sentir o evocar ese ambiente provinciano en algunos rinconcitos que han sobrevivido al paso de los siglos, conservando a toda costa sus características singulares. Tal es el caso de la Plaza de Romita.
¿Dónde?
A una cuadra del Eje Cuauhtémoc (por la calle Real de Romita, pasando la de Puebla) y a tres cuadras de la avenida Chapultepec (calle de Guaymas), se localiza esta pequeña plaza adoquinada, acompañada de árboles frondosos y una sencilla fuente circular al centro. Al entrar en ella quedará fascinado por el ambiente de paz y tranquilidad que se respira ahí, como si llegara al centro de un pueblito, y se preguntará ¿cómo puede existir un lugar así a pocos metros de ese par de avenidas ruidosas y congestionadas por el tráfico?
Breviario
Sentado en una de sus bancas, echará a volar la imaginación al saber que este lugar era un islote muy cercano a Tenochtitlan, y corazón del pueblo prehispánico de Aztacalco vocablo náhuatl que significa “en la casa de las garzas”. Cuenta la tradición que en tiempos de la colonia, los ladrones de Tepito eran ahorcados aquí en uno de los cuatro enormes ahuehuetes que tenía entonces, evento que después se convertiría en una celebración popular a fines del siglo XIX y principios del XX, donde sus pobladores representaban con gran estruendo y algarabía —a manera de farsa— tal acontecimiento que resultaba muy atractivo para la ciudad.
El nombre de Romita se debe a que uno de los caminos más cercanos al pueblo, el de Chapultepec, se parecía por su gran arbolado a otro similar en la ciudad de Roma, Italia, y por asociación le pusieron así, mote que aparece en documentos del Ayuntamiento desde 1752. De forma parecida, al expandirse nuestra ciudad y trazarse en los potreros de Romita un fraccionamiento habitacional (1903), éste tomó por nombre colonia Roma. Más adelante, Romita sirvió de escenario para algunas tomas de la destacada película Los Olvidados, de Luis Buñuel. Cabe mencionar también que su principal comercio de tradición es la famosa pulquería La Hija de los Apaches, situada en avenida Cuauhtémoc 39.
¿Qué ver?
Alrededor de la plaza verá algunas construcciones antiguas de un sólo nivel y tabique aparente, que le aportan un toque nostálgico; y uno que otro edificio de varios pisos construidos a mitad del siglo pasado. El más importante es su pequeño templo con una torre, edificado en los albores del siglo XVII; en un principio se le llamó Santa María de la Natividad Aztacalco, después, de San Cristóbal, del Verbo Encarnado y por último de San Francisco Xavier. Bien vale la pena entrar y convivir con los pobladores del rumbo, y admirar el crucifijo del altar mayor, del cual se dice fue elaborado en el siglo XVI y corresponde a uno de los cinco que envió el rey de España a estas tierras. El santo más venerado es San Judas Tadeo y casi frente a él se puede ver al Señor del Buen Ahorcado, al cual se encomendaban los indígenas antes de morir en la horca.
Los pobladores de Romita se mostraron muy reacios a que sus terrenos fueran modificados por el trazo de las calles de la Roma; le invitamos a caminar detrás del templo y recorrer los únicos callejones que se salvaron, en cuyos muros los artistas actuales del antiguo pueblo exhiben su talento en vistosas pinturas.
Leyendas
En Romita no pueden faltar éstas, como aquella surgida en los años cuarenta del siglo pasado en la que sus habitantes afirman que un bulto blanco de forma humana se desprendía de los viejos árboles y tomaba asiento junto a cualquier parroquiano que comía algunas fritangas en la plaza, provocándole un frío de miedo. El protagonista de la novela Las batallas en el desierto, escrita por José Emilio Pacheco, nos habla del gran robachicos de Romita, y del miedo que sentía al pasar por ese lugar.
Source: livinghistories.newcastle.edu.au/nodes/view/1643
This photograph is from the archives of the Coalfields Heritage Group, based at the Sir Edgeworth David Memorial Museum at Kurri Kurri. It was scanned by Cultural Collections at the University of Newcastle, Australia.
Please contact Cultural Collections if you are the subject of the image, or know the subject of the image, and have cultural or other reservations about the image being displayed on this website and would like to discuss this with us.
If you have any information about this photograph, please contact us.
OCHS Winter Formal 2020
Photos by Emma Davenport.
Saturday, January 25, 2020.
OCHS Winter Formal 2020 on OCHS website.
Be sure and checkout the school website at OCHSPioneers.org and our Facebook page for news and updates.
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Fran Tućan, hrv. mineralog i petrograf (Divuš kraj Dvora na Uni, 14. IX. 1878. – Zagreb, 22. VII. 1954.).
TUĆAN FRAN dr. Rodio se u Divušu 14. IX. 1878., gdje je svršio osnov. škole, gimnaziju i filozofiju u Zagrebu, doktor filozofije.
Učenik je i asistent prof. Kišpatića.
G. 1904. kustos miner.-petrog. muzeja u Zagrebu, 1918. prof, na filozof, fakultetu sveuč. u Zagrebu nasljedivši na miner. petrograf. stolici prof. Kišpatića.
Publicirao je veliko mnoštvo radnja iz svoje struke, štampanih u izdanj. Jugoslavenske akademije, Glasnik Hrvatskoga Prirodoslovnoga Društva te u brojnim njemačkim, francuskim, talijanskim i ruskim stručnim časopisima.
Važna su njegova istraživanja o vapnencima i dolomitima našeg Krša, kao i istraživanja s našim boksitima: Die Kalk-steino und Dolomite des Kroat. Karstgebietes (Beograd 1911.).
Pisao i po ostalim našim stručnim i beletrističkim časopisima, a zaslužan je popularizacijom prirodnih nauka.
Matica Hrvatska izdala je dvije njegove popularne knjige.
Bio je i njezinim predsjednikom.
Napisao je više članaka u Nastavnom Vjesiku, a i izdao Mineralogija i geologija (Zagreb 1923.) za srednje škole.
U Hrvatskom prirodoslovnom društvu bio je predsjednikom, a 8 godina pravim duševnim vođom.
Njegovim marom pokrenut je mjesečnik Priroda, jedini popularni časopis na slavenskom jugu za prirodne nauke, koji se raširio po čitavom slavenskom jugu.
Bio mu i urednikom 1915. do 1919. godine.
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1917 Priroda godina VII. Ožujek broj 3 5846 T popularni časopis Hrvatskog prirodoslovnog društva u Zagrebu Urednik Dr. Fran Tućan
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A visit to War Memorial Park in Coventry.
It is a short walk from Coventry Station via the Warwick Road.
I only walked around half of the park that day.
The War Memorial Park is a large park of about 48.5 hectares in southern Coventry, England. The park was opened in July 1921 as a tribute to the 2,587 Coventrians who died between 1914 and 1918 fighting in the First World War. The landscaped gardens and sports areas were created in the late-1920s and 1930s, and the most prominent structure in the park is the city's war memorial monument, built in 1927.
The War Memorial in the centre of the park.
Grade II* Listed Building
War Memorial in Coventry War Memorial Park
Summary
A War Memorial built in 1925-7 to a design by Thomas Francis Tickner (1864-1924).
Description
A War Memorial tower in Art Deco style, with stripped Classical detailing, built in 1925-7 to a design by Thomas Francis Tickner (1864-1924).
PLAN: the memorial tower has a square footprint and is set on a circular platform, which was rebuilt in 2011, and replaces the original octagonal shaped platform.
MATERIALS: the memorial tower is built of reinforced concrete and clad in Portland stone, with a stepped platform in granite.
EXTERIOR: the stepped tower is over 27m high. It has heavy buttresses to its corners, rising to ten tiers. Large, decorative bronze doors (restored in 2004) to both the east and west elevation, are set in plain chamfered Portland stone surrounds, and give access to the Chamber of Silence inside the tower. Each door contains, in relief, a full height cross with above it '1914-1918' and '1939-1945'. The north and south elevations each have a plain cross set on a stepped corbel with guttae. Below the cross on the north elevation is a circular wreath carved in stone, with the dates of both World Wars and the Coat of Arms of the City of Coventry below it. At the top of the tower burns an Eternal Light. The replaced steps of 2011, surrounding the monument, incorporate hand rails and an access ramp, and contain a bronze circle engraved with parts of Laurence Binyon's poem 'For the Fallen' and six bronze discs commemorating the Coventry service men who have been awarded the Victoria Cross.
INTERIOR: the Chamber of Silence inside the memorial tower, containing the Rolls of Honour, could not be inspected.
SUBSIDIARY FEATURES: there are four Portland stone pedestals, built in 1928 to support floodlights, standing in line with the corners of the memorial tower. Behind the pedestal north of the Memorial is a cast iron power supply junction box with decorative patterns and hinges to its door, which would supply the electricity for the floodlighting, and loudspeakers used on Armistice Sunday and/or other gatherings.
This List entry has been amended to add sources for War Memorials Online and the War Memorials Register. These sources were not used in the compilation of this List entry but are added here as a guide for further reading, 18 January 2017.
History
In 1919 Coventry City Council invited members of the local community to form a War Memorial Committee to consider ways to create a fitting memorial for the city to commemorate the local soldiers who had lost their lives in the First World War. It was decided that this should be a park, which would also be a welcome and valued new asset, as the provision for open space in Coventry was limited at the time. The favoured location was Stivichall, and in 1919 the land was purchased from the Hon AF Gregory following a public appeal for donations. The plans for the park were partly dictated by earlier features and in particular the course of a medieval track, which would divide a formal section from playing fields. The latter were assigned for games and physical recreation for which Coventry had scant provision in 1919. The formal area would include rock gardens, which utilised existing cattle ponds, and in the centre, a War Memorial with radiating avenues planted with memorial trees. A children’s playground, pavilions, shelters and refreshment rooms would also be provided. Due to a lack of funds and priorities elsewhere, such as local housing provision, the creation of the park would take over ten years. When the park was formally opened on 9 July 1921, which included a dedication and memorial service followed by folk dancing and races, only the preparation of the ground had been completed. In 1922 the path layout was agreed with the Council, and in 1923 it was decided that the main entrance should be at the Grove; that the War Memorial should be sited on the high ground in the centre of the park; and that memorial trees should be an important element within the design. Plans were also made for a pavilion with lavatory accommodation for which works started in 1924. By the end of that year a temporary bandstand that had been erected in the summer of 1923, and the Earlsdon Cricket Club pavilion were removed. Planting of the park started in the spring of 1925, and the avenues were opened that summer. On 8 October 1927, the War Memorial, built to a design by the local architect Thomas Francis Tickner, was opened by Earl Haig. In 1926 the City Engineer drew up plans for the main gates, which were completed a year later. On 25 February 1927 the Coventry Herald reported that the memorial had been partly finished, that the paths in the park were lined with copper beeches and that it included a beautiful rock garden, flower beds and shrubs. Golf was introduced in 1930 when a small golf course was laid out on land by the railway. In 1933 the City Engineer prepared plans for a shelter, tea room and conveniences, for which a classical style was chosen. Building work continued during 1934 and the pavilions were first used for the carnival in June 1935.
During the Second World War large sections of land in the park were ploughed and used for food cropping and demonstration allotments. As shown on aerial photographs taken in c1946-7, most of the mature trees in the playing fields had disappeared, possibly because of intensive sport use, but more likely because of the introduction of anti-aircraft guns in 1941, a row of concrete cubes (probably to defend an underground ammunition store situated in the park), trench shelters, and a roadway to allow military access to the pavilion. After the War in 1948-52, a memorial tree planting campaign took place to commemorate the local people who lost their lives in the Second World War, resulting in the planting of another avenue across the north of the golf course to the pavilion, and one near the Beechwood Avenue entrance, where by 1977 a car park had been created. In the early 1950s children’s facilities were developed in the park including play equipment and a paddling pool. In 1963, a German Peace Garden was opened to the north of the rock garden. In 1990 an aviary was introduced in one of the former tennis courts, and replacing a collection of war time huts that stood on this site.
Memorial tree planting continues (2012) and recently Coventry City Council has refurbished the park through joint funding from the BIG and Heritage Lottery Funds Parks for People Programme.
It was intended from the outset, apart from the planting of memorial trees, there should be a monument in Coventry's War Memorial Park. In 1923, the Memorial Committee had invited architects to submit plans. The selected design was by the local architect Thomas Francis Tickner (1864-1924), who died shortly afterwards, so the work was overseen by his partner TRJ Meakin. Funding for the memorial was achieved through a public appeal in 1924. Building works, carried out by John Gray, a local builder, started in the autumn of 1925. On 8 October 1927, the memorial was inaugurated by Field Marshall Douglas Haig. The Roll of Honour was to be housed in a cabinet in a room inside the memorial, to be called the Chamber of Silence. During the opening ceremony the monument was floodlit, and the power supply box was left in place so that it could be floodlit every year on Armistice Day. At the end of 1928, money became available to install decorative bronze clad doors to the Chamber of Silence, and permanent floodlighting pedestals were placed around the memorial. After the Second World War another Roll of Honour was added. The monument commemorates 2587 military victims of the First World War, and 817 casualties in the forces, 115 in civilian defence organisations and 1085 civilians of the Second World War. Soldiers who lost their lives in more recent conflicts, such as the Gulf War, have also been added to the Roll. In 2011 the tower was restored, and stepped platform to the monument replaced to incorporate railings and an access ramp.
Reasons for Listing
The War Memorial in Coventry War Memorial Park is designated at Grade II* for the following principal reasons:
Architectural interest: it is a particularly important example of a bespoke war memorial tower that is of an unusually bold and arresting Art Deco style design that displays high quality architectural detailing and use of materials and give this memorial more than special visual interest;
Historic Interest: especially in the context of Coventry, a city which suffered such great human loss in both World Wars, the war memorial possesses considerable historic and cultural interest for its link with these world conflicts and the poignant cost of such involvement, both at a local and national level;
Setting: its surrounding park (registered Grade II), specifically designed to complement the War Memorial, with formal avenues radiating from the war memorial, adds significantly to its high level of special interest;
Group Value: it forms an important group with the contemporary main entrance gates and piers to Coventry War Memorial Park (listed Grade II).
Golden Horn ( Haliç), primary inlet of the Bosphorus in Istanbul, Turkey.
Galata Bridge ( Galata Köprüsü) on the left
Golden Horn Metro Bridge ( Haliç Metro Köprüsü) on right
Atatürk Bridge on far right
Istanbul Turkey
Click here to learn more about Camp Humphreys
U.S. Army photos by Tanya Im, Jaeyeon Sim
BOSS Dumpling Making at the Senior Home
By Tanya Im
USAG Humphreys Public Affairs
CAMP HUMPHREYS – As part of its outreach program and in celebration of Lunar New Year, the Camp Humphreys Better Opportunity for Single Soldiers and other volunteers worked together to make and share mandoo dumplings with the elderly Feb. 2.
The word mandoo originated from China and is considered a special food, especially for the beginning of the New Year. Eating dumpling soup on Lunar New Year’s Day means “Happy New Year.”
More than 40 members of the Camp Humphreys community took part in and experienced making dumplings and shared it with the residents of the House of Wusula, in Yangseong-myeon, Anseoung-si.
The purpose of this event was to celebrate Lunar New Year with the residents and being a good neighbor in the local community and to give back to the local community by getting involved with Korean culture. Moreover, not only can the Soldiers make lifelong friends, but they also will have a more positive outlook while serving here.
“What better way to give back to the community than for our military personnel to get involved with Korean culture and specifically learning some of these celebrations like Lunar New Year,” said Spc. Kareen K. Medeiros, the Humphreys BOSS President /Area III Coordinator. “And, it is a nice way for the Soldiers to get to know what is around them. They work extremely hard. For them to have downtime to have some fun and something positive, this is a wonderful thing for us to get involved in the program like this.”
During the volunteering, the participants experienced a variety of Korean traditions for the first time. They played a Korean New Year’s game called Yutnori, which is a kind of Korean board game. They also sang together the Korean folk song, “Arirang” and a Korean New Year’s song, “Seolnal.”
Some also had the opportunity to wear traditional Korean clothing, called Hanbok, which can prove to be difficult to wear without help from someone with experience. While wearing the clothing, participants learned New Year’s greetings and performed a New Year’s bow to the elderly.
Overall, the highlight of the volunteer trip was dumpling making. Everyone gathered around the tables and started making dumplings in accordance with an interpreters’ explanation.
“I really enjoyed myself,” said Pfc. Ryan R. Resendez, assigned to Bravo Company, 602nd Aviation Support Battalion . “I was glad to make the elderly smile and meet new people. It was great day. If I have another chance, I’d definitely like to come again.”
Tableau encyclopédique et méthodique des trois règnes de la nature..
A Paris :Chez Mme. veuve Agasse ...,1823..
I’d been reading about ‘z movie’ in every possible website or publication I could lay my hands on in the last couple of weeks. Waiting with bated breath, I was finding it difficult to contain my excitement (ahh yes, my friends will surely vouch for that) about watching Sex and the City dvd boxset on the 70 mm screen!
Accompanied by friends, who incidentally had no idea about the original HBO series, I was the lone Sex and the City dvd boxset addict who was given the herculean task of filling them in about the sex lives (or the lack of it) of the lead protagonists!
Surrounded by 150-180 odd women who seemed as if they’d stepped out of Manhattan courtesy their tank tops and Greater Kailash substitutes of Manolo Blahniks, I couldn’t wait to watch Sex and the City dvd boxset ! I may sound biased but the movie simply rocks! The team has managed to retain the essence of the original HBO series. Although the director fumbles in between, with the mike visible in some shots and semi-visible faces of Big and Carrie (sic), overall the movie leaves you feeling good about being a woman! Woo hoo :D
Fotos de Luis Bernardo Vélez Saldarriaga www.flickr.com/photos/ludovicoh/
www.facebook.com/catedraleseiglesias
© Álbum 2804
By Catedrales e Iglesias
Arquidiócesis de Bogotá
Parroquia Ntra Sra. de Las Aguas
Cra 3 # 18A-66
Bogotá D.C., Colombia
3412985
Fue fundada en 1644 como ermita, en el valle que forman los montes de Guadalupe y Monserrate, por el bachiller Juan Cotrina Valero, quien encargó al artista bogotano Antonio Acero de la Cruz que pintara una Virgen del Rosario según la imagen que apreció en un sueño.
El nombre de “Las Aguas” es debido a los riachuelos que corrían en ese sector desde los cerros orientales hacia la Sabana de Bogotá. En 1665 fue encomendada a los Dominicos, quienes la regentaron hasta 1802, cuyo convento contiguo pasó a ser hospital. Rehabilitada como iglesia, estuvo al cargo de diversos párrocos diocesanos hasta el 6 de abril de 2008 en que fue confiada a los Misioneros y Misioneras Identes.
El 6 de abril de 2008 tomó posesión como Párroco de esta Iglesia, el P. Domingo García García, Misionero Idente, ante su Eminencia el Cardenal Pedro Rubiano Saenz, Arzobispo de Bogotá. A continuación se celebró la Eucaristía, presidida por Monseñor Fernando Sabogal, Vicario Episcopal de la Arquidocesis de Bogotá y concelebraron el Canciller, P. Francisco Niño Súa; el Vicario de la Zona Episcopal de la Inmaculada Concepción, Monseñor Alberto Ojalvo, el Superior Provincial de los Misioneros Identes de Ecuador, P. Julio Marrero y otros sacerdotes amigos. Fue una ceremonia muy solemne y emotiva donde los amigos de los misioneros identes se dieron la cita para unirse a este acontecimiento. Durante la celebración, el Canciller leyó el Decreto en el hacía referencia a que la Parroquia se le había encomendado, al Instituto Id de Cristo Redentor Misioneras y Misioneros Identes.
Sitio Oficial de la Parroquia
Unlike the old trucks in the preceding two photos, this Ford (from the 1948-50 period) looked like new and was still in use when spotted in Bedford, Virginia in May 2008. The front license attests to the antique status of the truck. Despite its essentially perfect appearance (quite likely the result of a recent restoration), the truck seems not to be a show vehicle but in use in the landscaping business: note the lettering on the door, the straw on the bed behind the cab, some mud on the tires, and some marks on the green bed side. A first thought was that the truck had been restored to look as it did when new, but the landscaper's information on the door includes a modern area code; also, the siren on the front fender, red light on the roof, and twin spotlights suggest this truck, in its earlier life, may have been in a fire department's fleet. I was going to say that the dice hanging from the right spotlight inside the cab are not period-correct -- but I guess they are.
fr.wikipedia.org/wiki/Rue_Campagne-Premi%C3%A8re
La rue Campagne-Première est une rue de Paris située en plein cœur du quartier du Montparnasse dans le XIVe arrondissement, dont le nom revient souvent lorsque l'on parle de l'histoire de l'art moderne ou contemporain à Paris.
La rue Campagne-Première est située entre le boulevard Montparnasse et le boulevard Raspail. Percée en 1797, elle a été nommée ainsi par le général Taponier qui voulait évoquer sa première campagne, celle de Wissembourg en 1793. Au début du XXe siècle de très nombreux artistes y ont habité : Edmond-Marie Poullain au numéro 5 (en 1905), tout comme Elsa Triolet, Georges Gimel au numéro 17 (en 1919) et Aragon de 1929 à 1935 dans un atelier qui avait vue sur le jardin du Couvent des Visitandines, Foujita au numéro 23, Eugène Atget au numéro 17 bis, Man Ray, Pierre Restany, Jean-Pierre Raynaud au numéro 31 bis, Marcel Duchamp… Kisling, Picabia, Kiki de Montparnasse, Rilke, Tristan Tzara, Éric Satie ont habité l'Hôtel Istria, situé au numéro 29, ainsi que Vladimir Maïakovski, ... Au milieu du XXe siècle, Yves Klein a vécu au numéro 14.
Le bâtiment du 31 bis, œuvre de l'architecte André Arfvidson en 1910, est une merveille Art déco et une des plus belles façades de Paris.
Avant 1914, la seconde moitié du côté pair était occupée par un grand dépôt de la compagnie des Petites-Voitures. Ses cochers inspirèrent à Max Jacob l'un de ses premiers poèmes.
Cette rue a été immortalisée par le film de Jean-Luc Godard, À bout de souffle (1960). C'est au bout de cette rue, après une longue course depuis le numéro 11, que le héros blessé, Michel Poiccard, incarné par Jean-Paul Belmondo, s'écroule avant de mourir.
from the Sumaco Volcano expedition with herpetologists Alejandro Arteaga, Konrad Mebert, Darwin Nuñez and Abel Batista, with support from Juan Manuel Guayasamin, Universidad Tecnológica Indoamérica, and the guides from Pacto Sumaco: Jhoseph Andi, Germanico Ruiz, Oscar Trujillo
Buckingham Palace is the London residence and principal workplace of the reigning monarch of the United Kingdom. Located in the City of Westminster, the palace is often at the centre of state occasions and royal hospitality. It has been a focus for the British people at times of national rejoicing.
Originally known as Buckingham House, the building which forms the core of today's palace was a large townhouse built for the Duke of Buckingham in 1703 on a site which had been in private ownership for at least 150 years. It was subsequently acquired by King George III in 1761 as a private residence for Queen Charlotte and was known as "The Queen's House". During the 19th century it was enlarged, principally by architects John Nash and Edward Blore, who formed three wings around a central courtyard. Buckingham Palace finally became the official royal palace of the British monarch on the accession of Queen Victoria in 1837.
The last major structural additions were made in the late 19th and early 20th centuries, including the East front, which contains the well-known balcony on which the royal family traditionally congregates to greet crowds outside. However, the palace chapel was destroyed by a German bomb during World War II; the Queen's Gallery was built on the site and opened to the public in 1962 to exhibit works of art from the Royal Collection.
The original early 19th-century interior designs, many of which still survive, included widespread use of brightly coloured scagliola and blue and pink lapis, on the advice of Sir Charles Long. King Edward VII oversaw a partial redecoration in a Belle Époque cream and gold colour scheme. Many smaller reception rooms are furnished in the Chinese regency style with furniture and fittings brought from the Royal Pavilion at Brighton and from Carlton House. The palace has 775 rooms, and the garden is the largest private garden in London.
In May 2009, in response to a request from the Queen to the government for money to carry out a backlog of repairs to the palace, a group of MPs on the Public Accounts Committee proposed that in return for the extra £4 million in annual funds requested, the palace be open to the public more than the 60 days it is now, as well as when members of the royal family are in residence. Source: en.wikipedia.org
2012-12-28 Sichtbar werden mit Folie Gradinger, AUDI FIS Ski World Cup Semmering, Riesentorlauf Damen, SMPR - Public Relation - Stefan Steinacher - Daniela Maier - Moderation, Athleten, Sport, Interviews, Redaktion PR Services, Eventmoderation, Photografer Gerhard Möhsner, Bilderdatenbank Fotoblitz hier klicken
Fenninger rast am Zauberberg zum überlegenem Sieg. Die ÖSV Rennläuferin Anna Fenninger gewann überlegen den Riesentorlauf am Semmering. Die Salzburgerin setzte sich mit klarem Vorsprung auf RTL- Weltcup- Leaderin Tina Maze aus Slowenien (+1,10 Sekunden) und auf die Französin Tessa Worley (+ 1,18) durch und fixierte so den zweiten Weltcupsieg ihrer Karriere. Den ersten hatte sie vor exakt einem Jahr, am 28. Dezember 2011 in Lienz, gefeiert.
Endergebnis RTL Semmering:
01 FENNINGER Anna AUT 1:06.42 1:06.67 2:13.09
02 MAZE Tina SLO 1:07.32 1:06.87 2:14.19
03 WORLEY Tessa FRA 1:06.98 1:07.29 2:14.27
04 HÖFL- RIESCH Maria GER 1:07.56 1:07.20 2:14.76
05 REBENSBURG Viktoria GER 1:07.67 1:07.33 2:15.00
06 LINDELL- VIKARBY Jessica SWE 1:07.64 1:07.84 2:15.48
07 ZETTEL Kathrin AUT 1:08.28 1:07.21 2:15.49
08 SHIFFRIN Mikaela USA 1:08.56 1:07.21 2:15.77
09 GÖRGL Elisabeth AUT 1:08.38 1:07.71 2:16.09
10 PIETILÄ- HOLMNER Maria SWE 1:08.81 1:07.36 2:16.17
11 HANSDOTTER Frida SWE 1:08.18 1:08.00 2:16.18
12 FANCHINI Nadia ITA 1:09.18 1:07.14 2:16.32
13 GISIN Dominique SUI 1:09.07 1:07.32 2:16.39
14 GAGNON Marie- Michele CAN 1:08.75 1:07.73 2:16.48
15 KIRCHGASSER Michaela AUT 1:09.15 1:07.46 2:16.61
16 CURTONI Irene ITA 1:08.90 1:07.76 2:16.66
17 MARMOTTAN Anemone FRA 1:09.16 1:07.57 2:16.73
18 HRONEK Veronique GER 1:09.90 1:06.86 2:16.76
19 KARBON Denise ITA 1:09.60 1:07.19 2:16.79
20 POUTIAINEN Tanja FIN 1:08.74 1:08.16 2:16.90
21 KÖHLE Stefanie AUT 1:08.31 1:08.75 2:17.06
22 BARIOZ Taina FRA 1:09.09 1:08.03 2:17.12
23 BERTRAND Marion FRA 1:09.06 1:08.09 2:17.15
24 GUT Lara SUI 1:08.85 1:08.34 2:17.19
25 MANCUSO Julia USA 1:09.06 1:08.19 2:17.25
26 BREM Eva- Maria AUT 1:08.87 1:08.42 2:17.29
27 WEIRATHER Tina LIE 1:09.83 1:07.52 2:17.35
28 HECTOR Sara SWE 1:09.93 1:07.46 2:17.39
29 MÖLGG Manuela ITA 1:08.42 1:09.54 2:17.96
30 AGERER Lisa Magdalena ITA 1:09.93 1:08.07 2:18.00
Bericht: WSV Semmering, Fotorechte: Diese Fotos stammen von Gerhard Möhsner und sind urheberrechtlich geschützt. Kopien, Vervielfältigungen für Veröffentlichungen dürfen nur mit ausdrücklicher schriftlicher Zustimmung gemacht werden !! Bilderdatenbank Fotoblitz hier klicken