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Members George Rodriguez/ Vibes- leader, Angel Justiniano/ congas- vocal, coro- co-leader, Harry Justiniano/ Bass, Coro, Hector Ortiz/ Bongo, Percussion, Jimmy Figueroa/ Timbales- coro, Conal Fowkes/ Piano, Gilberto Velasquez,don sonero- Lead vocal............
About
New swing sextet, New York oldest Vibe driven sextet, and still performing "salsa that keeps the dancers moving and the Dj's pumping"
Biography
ABOUT THE NEW SWING SEXTET
A product of New York City and the excitement and turbulence of the sixties, the New Swing Sextet made its professional debut performing in the Singer Bowl at the last New York Worlds Fair in 1965... The band has been a popular and innovative exponent of Latin jazz, salsa and pop music for nearly four decades.
Composed of vocals, piano, vibes, bass and Latin percussion, the original New Swing broke up in the late seventies after successfully recording, touring and doing all the hot club dates that the New York metropolitan area had to offer. In recent years most of the groups core members have reunited and have been performing with Mambo Negro the highly popular Latin jazz ensemble, which performs regularly in and around the tri-state area. However, you can't buy or replace 40 years of history, and on special occasions the band performs as the New Swing. The New Swing offers an established and respected name with a sound from another era, which has been perfectly preserved and bottled for another generation to enjoy.
The band was part of a young crop (and new breed of aspiring Latin musicians) who grew up in the greater New York Metropolitan tri-state area with its rich ethnic mix and diverse inner-city culture, while at the same time growing up surrounded by the Latin music explosion happening in the region. The Palladium and other clubs were dancing to the music of Machito and his Afro-Cubans, and the Jose Curbelo Orchestra while Tito Puente, Tito Rodriguez, Eddie Palmieri, Joe Cuba, and Cal Tjader, among many others, had already established their unmistakable sounds. In the early sixties, every other city block in New York had a Latin band and a doo-wop group. Blend these many elements together and you get the influences that shaped the New Swing Sextet and their contemporaries, including Johnny Colon; the Lebron Brothers; Willie Colon, Joe Bataan and Pete Rodriguez groups that helped pioneer a new street sound (which would eventually become Latin Boogaloo and Salsa). The New Swing Sextet would join the Alpha Artists of America (under the Management of Jose Curbelo) and ultimately record 4 long albums (and have a separate Best of the New Swing Sextet) all under the Cotique label. The band regularly performed on popular TV shows such as El Club de la Juventud con Polito Vega; The Tito Puente Show with host Sofi; and El Show de Myrta Silva among others. It was a magical time to be a performing Latin artist in New York City. A fraternity of great musicians and legends in the making, routinely performing together at the great dance clubs of the day, including: The Corso; LaMaganette; The Chez Jose; La Mancha; The Colgate Gardens; The Psycho Room; The Tropicoro; The Cheetah and at all the great battle of the band venues such as The Hunts Point Palace; The Manhattan Center; The Riverside Plaza Hotel and The St. Georges Hotel. Over a ten-year period the New Swing performed all summer-long at popular resorts and at the summer home of Latin music: las Villas. The band has also toured extensively and performed at world famous venues such as the legendary Apollo Theatre; the South Street Seaport and Webster Hall in New York City. Recent performances to large audiences in Montreal, San Francisco, & Los Angeles, proved that the band still has plenty of sabrosura to keep the dancers on the floor.
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Repertorium specierum novarum regni vegetabilis
Dahlem bei Berlin :Verlag des Repertoriums,1911-1941.
|--------------------------------------------------------------
|--18 mars 2017 Épreuves synthèse - Finissants 2017
|--26 nov, 30 nov , 3 déc 2016 ECQ Présentations des élèves|Students' show
|--28-nov-2015 ECQ Présentations des élèves|Students' show
|--29-nov-2014 ECQ Présentations des élèves|Students' show
|--27-nov-2013 ECQ Présentations des élèves|Students' show
|--------------------------------------------------------------
2016 - "Les déferlantes" - "Cabaret de Noël"
2015 - "Les pierres vivantes" - "Cabaret de Noël"
2014 - "Le bal des mariés" et "HOP"
|--------------------------------------------------------------
| Plus d'images de Cirque... | More images on Circus...
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"HTC Vive Is Latest Virtual Reality Product in a Growing Market" by PUI-WING TAM via NYT t.co/3pRhE3nMCC (via Twitter twitter.com/felipemassone/status/717358433922641922)
www.thegoldensieve.com/the-golden-sieve/elk-and-fog-and-surf
We emerged from tapestries of ferns and stepped from carpets of riverstone onto the strand, onto the lip of the park, where the ocean battered furiously upon the sand. There were grasses tenaciously clinging to what purchase they could find, in turns buffeted by the wind and the erosive storms that—eating hungrily into California—left tooth marks upon the bluffs crowned with redwoods.
In the sea were stacks, the ruins of former headlands impossibly still standing in the maelstrom. We walked to the timpani of the surf beating out a ceaseless summer rhythm. There was fog rolling inland, Klamath in my mind is forever wreathed in the fog spattered forth by the churning brine. The twisted remains of former giants lay amongst the grasses, bleached by salt and sun, a testament to the marginal nature of life where land meets sea. The bluffs were and are still, crawling with their kin. We chased the surf back and forth like children where the rogues had carved a grade into the coarse, brown sand. And there were elk, grazing, proud, and fearless upon the primeval strand.
La cattedrale di Santa Maria del Fiore è il Duomo di Firenze e si affaccia su piazza del Duomo.
È la quinta chiesa d'Europa per grandezza, dopo San Pietro, Saint Paul a Londra, la Cattedrale di Siviglia e il Duomo di Milano. È lunga, infatti, 153 metri mentre il basamento della cupola è largo 92 braccia fiorentine, pari a circa 54 metri. Ha una pianta peculiare, composta com'è di un corpo basilicale a tre navate saldato ad una enorme rotonda triconca che sorregge l'immensa Cupola del Brunelleschi, la più grande cupola in muratura mai costruita. Al suo interno è visibile uno dei più grandi cicli affrescati; 3600 metri quadri di affreschi, eseguiti tra il 1572-1579 da Giorgio Vasari e Federico Zuccari.
La costruzione, iniziata sulle antiche fondazioni della chiesa di Santa Reparata nel 1296 da Arnolfo di Cambio, fu continuata da Giotto a partire dal 1334 fino alla sua morte avvenuta nel 1337. Francesco Talenti e Giovanni di Lapo Ghini la continuarono nel 1357. Nel 1412 il nome fu cambiato in Santa Maria del Fiore. La chiesa fu consacrata il 25 marzo del 1436 al termine dei lavori della cupola del Brunelleschi da papa Eugenio IV.
Attualmente è cattedrale dell'arcidiocesi di Firenze.
it.wikipedia.org/wiki/Cattedrale_di_Santa_Maria_del_Fiore
@Wikipedia
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Click here to learn more about Camp Humphreys
U.S. Army photos by Peter Yu, Cpl. Han, Jae Ho, Mary Kim
Soldiers have blast at beach
By Cpl. Han, Jae Ho
BORYEONG — Approximately 500 Soldiers from Korea gathered at Daecheon Beach June 15-17 for the 2012 Beach Blast, sponsored by Better Opportunities for Single Soldiers.
The festivities included DJ on the Beach, barbecue, rock climbing, limbo, volleyball, sand sculptures, fear factor, twister and tug-o’-war.
“We hope that you radiate youthfulness and passion during the festival, make good friends and have unforgettable memories,” said Boryeong Vice Mayor Jeon, Yoon-soo. “U.S. Soldiers always make the summer at Daecheon Beach entertaining every year, and we hope to see you at the Boryeong Mud Festival as well. Thank you to all Soldiers, volunteers and staff members who make this even possible and contribute to strengthening the ties between U.S. and Korea.”
Participant Tom Stout said the Beach Blast lived up to its name.
“It is a great opportunity for Soldiers to see what kind of activities are out there. BOSS handled all of the reservations for hotels and made it very easy for Soldiers to enjoy the beautiful town and beaches.”
“I have participated in this event the last three years, and this one exceeded all,” added Brian Bentz, who worked command and control for the event. “We had a great time. Everyone had fun. I can’t wait to go back next year.”
The Sea Rabbit (Monafluffchus americanus) of Coney Island, Brooklyn, New York – This unique sea-dwelling rabbit, which is actually a close relative of the sea lion, was officially discovered and investigated by Henry Hudson when he first visited this land to colonize the area by order of the Dutch government. It was named New Amsterdam -- today’s New York City. This island was named after he saw the beach covered with strange swimming wild rabbits. The word “Coney Island” means “wild rabbit island” in Dutch (originally Conyne Eylandt, or Konijneneiland in modern Dutch spelling). Sea rabbits were also referred mermaid rabbit, merrabbit, rabbit fish or seal rabbit in the natural history documents in the 17th century. The current conservation status, or risk of extinction, of the sea rabbit is Extinct in the Wild.
This website features two species of sea rabbits, which have been taken care of by Dr. Takeshi Yamada (山田武司) at the Coney Island Sea Rabbit Repopulation Center, which is a part of the Marine biology department of the Coney Island University in Brooklyn, New York. They are – Coney Island Sea Rabbit (Monafluffchus americanus) called “Seara” and Coney Island Tiger-striped Sea Rabbit (Monafluffchus konjinicus) called “Stripes”.
The photographs and videos featured in this website chronicle adventures of the Coney Island sea rabbits and the world as seen by them. This article also documented efforts of Dr. Takeshi Yamada for bringing back the nearly extinct sea rabbits to Coney Island in the City of New York and beyond. Dr. Yamada produced a series of public lectures, workshops, original public live interactive fine art performances and fine art exhibitions about sea rabbits at a variety of occasions and institutions in the City of New York and beyond. Dr. Yamada is an internationally active educator, book author, wildlife conservationist and high profile artist, who lives and works in Brooklyn, New York.
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Sea Rabbit
Other Common Names: Coney Island Sea Rabbit, Beach Rabbit, Seal Rabbit, mer-rabbit, merrabbit, Atlantic Sea Rabbit.
Latin Name: Monafluffchus americanus
Origin: Atlantic coast of the United States
Description of the specimen: In the early 17th century’s European fur craze drove the fleet of Dutch ships to the eastern costal area of America. Then Holland was the center of the world just like the Italy was in the previous century. New York City was once called New Amsterdam when Dutch merchants landed and established colonies. Among them, Henry Hudson is probably the most recognized individual in the history of New York City today. “This small island is inhabited by two major creatures which we do not have in our homeland. The one creature is a large arthropod made of three body segments: the frontal segment resembles a horseshoe, the middle segment resembles a spiny crab and its tail resembles a sharp sword. Although they gather beaches here in great numbers, they are not edible due to their extremely offensive odor. Another creature which is abundant here, has the head of wild rabbit. This animal of great swimming ability has frontal legs resemble the webbed feet of a duck. The bottom half of the body resembles that of a seal. This docile rabbit of the sea is easy to catch as it does not fear people. The larger male sea rabbits control harems of 20 to 25 females. The meat of the sea rabbit is very tender and tasty.” This is what Hadson wrote in his personal journal in 1609 about the horseshoe crab and the sea rabbit in today’s Coney Island area of Brooklyn, New York. Sadly, just like the Dodo bird and the Thylacine, the sea rabbit was driven to extinction by the European settlers’ greed. When Dutch merchants and traders arrived here, sea rabbits were one of the first animals they hunted down to bring their furs to homeland to satisfy the fur craze of the time. To increase the shipment volume of furs of sea rabbit and beavers from New Amsterdam, Dutch merchants also started using wampum (beads made of special clam shells) as the first official currency of this country.
At the North Eastern shores of the United States, two species of sea rabbits were commonly found. They are Coney Island Sea Rabbit (Monafluffchus americanus) and Coney Island Tiger-striped Sea Rabbit (Monafluffchus konjinicus). Sadly, due to their over harvesting in the previous centuries, their conservation status became “Extinct in the Wild” (ET) in the Red List Endangered species by the International Union for Conservation of Nature (IUCN). Currently, these sea rabbits are only found at breeding centers at selected zoos and universities such as Coney Island Aquarium and Coney Island University in Brooklyn, New York. The one shown in this photograph was named "Seara" and has been cared by Dr. Takeshi Yamada at Coney Island University.
The sea rabbit is one of the families of the Pinniped order. Pinnipeds (from Latin penna = flat and pes/pedis = foot) are sea-mammals: they are homeothermic (i.e having high and regulated inner temperature), lung-breathing (i.e dependant on atmospheric oxygen) animals having come back to semi aquatic life. As soon as they arrive ashore, females are caught by the nearest adult male. Males can maintain harems of about 20 females on average. Several hours to several days after arriving ashore, pregnant females give birth to eight to ten pups with a dark brown fur. As soon as birth occurs, the mother’s special smell and calls help her pups bond specifically to her. The mother stays ashore with her pup for about one week during which the pup gains weight. During the first week spent with her newborn, the mother becomes receptive. She will be impregnated by the bull, which control the harem. Implantation of the embryo will occur 3 months later, in March-April. During the reproductive period, the best males copulate with several tens females. To do so, males have to stay ashore without feeding in order to keep their territory and their harem. In mid-January, when the last females have been fecundated, males leave at sea to feed. Some of them will come back later in March-April for the moult. The other ones will stay at sea and will come back on Coney Island only in next November. After fecundation, the mother goes at sea for her first meal. At sea, mothers feed on clams, crabs, shrimps, fish (herring, anchovy, Pollock, capelin etc.) and squids. When she is back, the mother recovers her pups at the beach she left them. Suckling occurs after auditive and olfactory recognition had occured. In March-April, the dark brown fur is totally replaced by an adult-like light brownish grey fur during the moult that lasts 1-2 months. This new fur is composed by 2 layers. Externally, the guard fur is composed by flat hairs that recover themselves when wet. By doing so, they make a water-proof barrier for the under fur. The underfur retains air when the seal is dry. Because of isolating properties of the air, the underfur is the insulating system of the fur. In March-April, the fur of adults is partially replaced. First reproduction occurs at 1-yr old in females. Males are physiologically matures at 1 year old but socially matures at +2 years old.
NOTE: The name of Coney Island is commonly thought to be derived from the Dutch Konijn Eylandt or Rabbit Island as apparently the 17th century European settlers noted many rabbits running amuck on the island.
www.takeshiyamada.weebly.com/performances.html
www.takeshiyamada.weebly.com/sea-rabbit-center.html
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www.flickr.com/photos/searabbits23/
www.flickr.com/photos/searabbit22
www.flickr.com/photos/searabbit021/
www.flickr.com/photos/searabbit20
www.flickr.com/photos/searabbit19
www.flickr.com/photos/searabbit18
www.flickr.com/photos/searabbit17
www.flickr.com/photos/searabbit16
www.flickr.com/photos/searabbit15
www.flickr.com/photos/searabbit14
www.flickr.com/photos/searabbit13
www.flickr.com/photos/searabbit12
www.flickr.com/photos/searabbit11
www.flickr.com/photos/searabbit10
www.flickr.com/photos/searabbit9
www.flickr.com/photos/searabbit8
www.flickr.com/photos/searabbit7
www.flickr.com/photos/searabbit6
www.flickr.com/photos/searabbit5
www.flickr.com/photos/searabbit4
www.flickr.com/photos/searabbit3
www.flickr.com/photos/searabbit2
www.flickr.com/photos/searabbit1
www.flickr.com/photos/diningwithsearabbits03
www.flickr.com/photos/diningwithsearabbits02
www.flickr.com/photos/diningwithsearabbits01
www.flickr.com/photos/yamadaimmortalized2/
www.flickr.com/photos/takeshiyamadaimmortalized/
www.flickr.com/photos/yamadabellhouse2014/
www.flickr.com/photos/museumofworldwonders3/
www.flickr.com/photos/museumofworldwonders2
www.flickr.com/photos/museumofworldwonders/
www.flickr.com/photos/takeshiyamadapaintings/
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For any questions, please email contact Takeshi Yamada, Art & Rogue Taxidermy, Museum of World Wonders, official website. www.takeshiyamada.weebly.com/
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For any questions, please contact Dr. Takeshi Yamada. His email address is posted in the chapter page (the last page or the first page).
(Updated April 7, 2015)
Kuvien käyttöehdot - Villkor för att använda bilderna - Use and rights
© Fanni Uusitalo, valtioneuvoston kanslia
Kuvassa: Ben Zyskowicz
Momofuku Noodle bar is often busy, but this was extraordinary by any measure:
the interest for Ivan Orkin's Ramen was absolutely overwhelming.
Please find the links to Ivan Ramen/Ivan RamenPlus website and Ivan Orkin's blog.
View On Black - Guardala su sfondo nero
Potete PUBBLICARE E LINKARE questa foto senza il mio permesso e
gratutitamente, chiedo solo di esser avvisato (fa piacere sapere che una
propria foto è apprezzata) e che appaia il mio nome in didascalia o nei
crediti finali. Grazie!
You can publish and link this photo without my permission and for free; but,
please, alert me!
Caricaceae (carica family) » Carica papaya
KAIR-ih-kuh -- from the Greek karike, a kind of fig - referring to papaya's fig-like leaves
puh-PIE-yuh or pap-EYE-yuh -- possibly derived from the Caribbean word for this plant
commonly known as: melon tree, pawpaw, papaya, tree melon • Assamese: অমৱতা amawata, অমিতা amita • Bengali: পেঁপে pempe • Gujarati: પપૈયો papayo, પપૈયું papayun • Hindi: अरणड खरबुजा arand-kharbuza, पपैया papaiya, पपीता papita • Kannada: ಪಪಾಯ papaya, ಪರಮ್ಗಿ paramgi • Konkani: पॉप्पाइ poppayi • Malayalam: കപ്പങ്ങ kappanga, കൊപ്പക്കായ koppakkaaya • Manipuri: awathabi • Marathi: पपयी pappayi, पोपय popay, पोपया popaya, poppayi, फोपयी phopayi • Mizo: thingfanghma • Nepalese: पपिता papita • Oriya: amritobonda • Sanskrit: एरण्ड कर्कटी erand karkati • Tamil: கனியாமணக்கு kaniyamanakku, பப்பாளி pappali • Telugu: బొప్పాయి boppayi • Urdu: ارنڐ کهربجا arand kharbuza, پپيا papaiya
Native to: southern Mexico, Central America and northern South America
References: Flowers of India • Wikipedia • DDSA
A short-lived butchers' shop from the people behind Salt Yard (over the other side of Goodge St) and Dehesa. Next door (to the right of the photo) is the lovely cafe Lantana.
However, this has since closed and was called Viet Baguette as of late-2009, and as of 2010, is the takeaway branch of Lantana next door.
Snapshot of my 36 most-viewed photos, 2 Dec 2007.
1. Pictogram, 2. YVR Pictograms, 3. No smoking, 4. Wait for meeeee!, 5. Pink naturist, 6. Chinese Zodiac Mosaic, 7. Neon and friends, 8. Green squircles, 9. Magic screen, 10. Orange squircles, 11. Red squircles, 12. Bench, 13. Compass rose, 14. Disco ball, 15. Blue squircles, 16. Neon letters, 17. Rainbow undies, 18. Purple squircles (squirples?), 19. Yellow squircles, 20. Red Black White, 21. Stone letters, 22. Yikes!, 23. WIT_mag001: Coffee stirrers, 24. 4, 25. Chanel, 26. 9, 27. Smiley massager, 28. Ack!!, 29. Rusty and crusty letters, 30. 23, 31. Flickr girl, 32. Flickr Fan Art Squircles, 33. Graffiti/handwriting letters, 34. Radiance, 35. Let there be lights, 36. Pictogram
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Dozens of businesses in Cincinnati were damaged on the evening of May 29, 2020 and the following morning. Earlier in the day, a peaceful protest took place in response to the killing of George Floyd in Minneapolis. After 11pm, the situation escalated and a riot began. There is growing evidence that the rioters were not affiliated with the peaceful protestors, and may have been bad actors who infiltrated the protests to cause chaos and incite violence.
On May 30, businesses in the Central Business District and Over-the-Rhine neighborhoods began boarding up their storefronts to prevent further damage. Many of these businesses had just began reopening as Ohio relaxed restrictions that were put into place due to the Covid-19 pandemic, only to shut down again.
For many Cincinnatians, these events brought back memories of the 2001 riots that took place after a Cincinnati police officer shot and killed Timothy Thomas, an unarmed African American man.
I had the unbelievably good fortune of spending three weeks in the Alps this past fall for work, and although there was very little spare time for things like photography, I found my way out once or twice in the early morning or late evening to make a few photographs. As I was traveling, I used the Sony RX1 almost exclusively and was pleased (as always) with the truly excellent image quality it produced in all situations (hoping to put out my "One year with the Sony RX1" review before the new year). Without waxing poetic, here are a few images I collected during the trip, enjoy!
blogs.houstonpress.com/hairballs/2012/10/glenwood_cemeter...
Glenwood Cemetery's Avenging Angel: A Shooting Victim's Family's Vengeance Plot Fails
By John Nova Lomax Mon., Oct. 22 2012 at 2:30 PM
Glenwood Cemetery, the final resting place for Howard Hughes and many other exemplars of Houston's high and mighty, is full of marble angels. All wear melancholy countenances, or tender half-smiles, all except for the one standing guard over the grave of William Dunovant.
A South Carolina-bred rice and sugar planter and would-be railroad magnate, Dunovant and business partner William T. Eldridge founded the Cane Belt Railroad in 1898. At first, the Cane Belt was used to transport sugarcane from Dunovant's plantation near the town of Bonus ten miles north to Lakeside, which was near Eagle Lake, but eventually the line was extended from Sealy all the way to the Gulf.
Perhaps that was an overambitious plan, because by 1902, the Cane Belt was floundering, and Dunovant's shares had been bought out and he had been removed from his position as president. Eldridge, also a sugar planter, stayed on the board as vice-president. Dunovant was none too pleased with that arrangement.
Yes, the Cane Belt's cargoes may have been sweet, but by August of '02, things were definitely sour between Dunovant and Eldridge. According to the Southwestern Historical Quarterly, Dunovant was reportedly going around Eagle Lake calling Eldridge a liar, a cheat, and "a dog-faced sonofabitch," and he also publicly threatened to kill Eldridge.
Dunovant never got the chance to make good on that promise. On August 11, as Dunovant boarded a passenger car of a train Eldridge was already aboard, Eldridge got the drop on him. After emptying his revolver into Dunovant, Eldridge pounced upon his bleeding body and pistol-whipped Dunovant's head hard enough to lacerate the scalp.
Dunovant's corpse was taken to Glenwood for burial. The Avenging Angel, brandishing its fierce sword and with the crazy eyes that look like those you see in the mugshots of the women on Lifetime's all-female true-crime show Snapped, was commissioned by Dunovant's sister. It truly lives up to its billing as "a specter bent on revenge."
It turns out that the Dunovant family would not content themselves with leaving their lust for payback in supernatural hands.
Eldridge was charged with Dunovant's murder, bonded out, and returned to his home in Eagle Lake, a town full of Dunovant's friends, family members and supporters. Barely two months after Dunovant's demise, a Dunovant partisan named W.T. Cobb blasted his shotgun at Eldridge as he was walking up his front steps. Cobb missed and was charged with attempted murder and acquitted on September 26, 1903. Strike one for the Avenging Angel.
The months dragged on. Eldridge's attorneys reset his case over and over again, and Eldridge defiantly remained in Eagle Lake.
Team Avenging Angel struck again on June 6, 1904. W.E. Calhoun, Dunovant's brother-in-law, sniped Eldridge out of a second-story window in downtown Eagle Lake. Calhoun's aim was true -- the 30-30 Winchester shell ripped through Eldridge's right lung and chest just above the heart, continued through his left hand and finally lodged in the side of a windowsill at the Eagle Lake depot.
Calhoun was arrested as he attempted to leave the building from which the shot was fired, but none of the witnesses on the scene would testify against him. He was no-billed by a Colorado County grand jury.
Which was probably of lesser import to Calhoun than the fact that Eldridge miraculously survived the attack. Strike two.
Eldridge finally did get the message that perhaps living in Eagle Lake was not exactly conducive to his continued existence on the planet, so on July 4, he announced his planned move to Houston, along with his resignation from the Cane Belt Railroad.
In November, Eldridge finally had his day in court and was acquitted on grounds of self-defense. You'd think that would be the end of it, but by this time Eldridge was out for blood. Weeks after Calhoun was no-billed, he had the misfortune to board a train Eldridge was already riding, and Eldridge wasted no time in reprising the original murder by filling Dunovant's kinsman with lead before he could draw his pistol. Calhoun's body was taken to Glenwood and interred next to Dunovant's ferocious-yet-hapless Avenging Angel, who had now officially struck out.
As for Eldridge, after again pleading self-defense and again winning an acquittal, he eventually wound up in Sugar Land, where he allied himself with Galveston's wealthy Kempner family. With their backing, he helped buy a 20,000-acre sugar plantation and refinery, which was later reorganized and modernized under the new owners as mighty Imperial Sugar, with Eldridge serving as manager. He also bought and sold seven railroads in his remaining years, which sound as if they must have been quite comfortable, despite the two holes in his body from Calhoun's 30-30 shell.
With a population of 200, Sugar Land had been on the point of withering away when Eldridge arrived; by the time he died, in 1932, it had 2,500 residents. That's one reason Eldridge Road and Eldridge Parkway both bear his name today.
Fotos tomadas de www.trivago.es/
Y la Información de Wikipedia
El Duomo di Milano es una catedral (Duomo) gótica emplazada en la ciudad italiana de Milán. El Duomo de Milán es un templo de grandes dimensiones, es la segunda catedral católica romana más grande del mundo por detrás de la catedral de Sevilla (la basílica de San Pedro en Roma, no es catedral). Tiene 157 metros de largo y puede albergar 40.000 personas en su interior. Las ventanas mayores del coro tienen la reputación de ser las mayores del mundo.
La catedral está situada en las coordenadas 45°27′N 9°11′E / 45.45, 9.183.
El plano de la ciudad de Milán con sus calles que salen en forma de radio del Duomo o circundándolo, revela que éste ya constituía el centro de la ciudad en la Antigua Roma, denominada Mediolanum. La Basílica de San Ambrosio fue construida en este sitio a comienzos del siglo V, siéndole agregada en 836 una basílica próxima. Cuando el fuego dañó ambos edificios en 1075 fueron reemplazadas por el Duomo.
El comienzo de la construcción [editar]En 1386 el arzobispo, Antonio da Saluzzo, comenzó el nuevo proyecto con un estilo rayonnant gótico tardío, hay en el edificio muchos aspectos insólitos en Italia, que pertenecen a la tradición arquitectónica gótica de Bourges en Francia con dobles naves laterales y una arquería muy alta rematada por ventanales diminutos. Sus arcos tienen capiteles de difícil clasificación. El inicio de la construcción que coincidió con el acceso al poder en Milán de Gian Galeazzo Visconti, primo del obispo, fue entendido como una forma de recompensa a la nobleza y a las clases trabajadoras que habían sido duramente reprimidas por su tiránico predecesor Bernabé Visconti. Antes de que se iniciasen los trabajos de construcción, se demolieron los palacios del Arzobispo, del Ordinari y el Baptisterio de San Esteban en la Primavera, mientras que la antigua iglesia de Santa Maria Maggiore fue usada como cantera de piedra. El entusiasmo por el nuevo e inmenso edificio pronto se extendió entre la población, y el astuto Gian Galeazzo, junto con su primo, el arzobispo, supieron recabar grandes donaciones para el progreso del trabajo. El programa de construcción fue regulado estrictamente por la "Fabbrica de Duomo" conformado por 300 empleados liderados por el arquitecto jefe Simone da Orsenigo. Galeazzo otorgó a la Fabbrica el uso exclusivo del mármol de la cantera de Candoglia y la eximió de impuestos.
En 1389, se designó como arquitecto jefe al francés, Nicolás de Bonaventure, que le dio a la catedral su fuerte impronta gótica. Diez años más tarde, otro francés, Jean Mignot fue llamado desde París para evaluar y mejorar el trabajo realizado ya que los constructores necesitaban ayuda técnica para levantar las piedras hasta una altura sin precedentes. Mignot declaró todo el trabajo realizado hasta entonces como en pericolo di ruina (peligro de ruina), hecho sine scienzia (sin ciencia). En los siguientes años se comprobó que los pronósticos de Mignot fueron erróneos, pero de cualquier manera estimularon a los arquitectos de Galeazzo a mejorar sus instrumentos y técnicas. Los trabajos continuaron rápidamente y a la muerte de Gian Galeazzo en 1402, se había completada casi la mitad de la catedral. Sin embargo, la construcción prácticamente quedó estancada hasta 1480 debido a la falta de dinero e ideas: los trabajos más notables de ese período fueron las tumbas de Marco Carelli y el Papa Martín V (1424) y las ventanas del ábside (hacia 1470). De las que aún permanecen las que representan a San Juan Evangelista, obra de Cristoforo de’ Mottis y las de San Eligio y San Juan de Damasco, ambas de Niccolò da Varallo. En 1452, bajo el gobierno de Francesco Sforza, se completó la nave y los pasillos hasta el sexto tramo.
Entre 1500 y 1510, bajo Ludovico Sforza, fue completada la cúpula octagonal y se decoró su interior con cuatro series de quince estatuas cada una que representan a santos, profetas, sibilas y otros personajes del Viejo Testamento. El exterior permaneció en su mayoría sin decoración, excepto por el Guglietto del’lAmadeo (Espirita de Amadeo) construida de 1507 a 1510. Esta es una obra maestra renacentista que sin embargo armoniza bien con el aspecto gótico general del templo.
Bajo el dominio español el edificio resultó utilizable aun cuando el interior permanecía sin terminar y faltaban algunos tramos de la nave y el transepto. En 1552, se encargó la construcción de un gran órgano a Giacomo Antegnati que se colocó en el coro norte, y Giuseppe Meda proporcionó cuatro de las dieciséis columnas que decoraron el área del altar (el trabajo fue completado por Federico Borromeo). En 1562 se agregaron el San Bartolomé de Marco d’Agrate y el famoso candelabro Trivulzio (s. XII).
El obispo San Carlos Borromeo [editar]El ascenso de Borromeo al cargo de obispo significó la eliminación de todos los monumentos laicos del templo. Estos incluyeron las tumbas de Giovanni, Barnabò y Filippo Maria Viconti, Francesco Sforza y su esposa Bianca, Galeazzo Maria Sforza y Ludovico. Sin embargo, la principal intervención de Borromeo fue la designación, en 1571, de Pellegrino Tibaldi como arquitecto jefe –una maniobra discutida que requirió de la revisión de los estatutos de la Fabbrica.
Borromeo y Pellegrini se esforzaron por alcanzar un nuevo aspecto, renacentista, para la Catedral, que acentuaría su naturaleza romana italiana en menoscabo del estilo gótico considerado extranjero. Puesto que la fachada permanecía en su mayor parte incompleta, Pellegrini diseñó una de estilo romano con columnas, obeliscos y un gran tímpano. Este diseño nunca fue llevado a cabo, pero la decoración del interior continuó: en 1575-1585 el presbiterio fue reconstruido mientras que se añadían nuevos altares y el baptisterio a la nave. Un coro de madera fue construido para el altar principal por Francesco Brambilla, un trabajo terminado en 1614.
En 1577, Borromeo consagró finalmente el edificio completo como un templo nuevo, distinto a los de Santa Maria Maggiore y Santa Tecla (que habían sido unificados en 1549 después de agrias disputas).
Siglo XVII [editar]A comienzos del siglo XVII, el obispo Federico Borromeo, primo de Carlos, contaba con las bases de la nueva fachada realizadas por Francesco Maria Richini y Fabio Mangone. Los trabajos continuaron hasta 1638 con la construcción de cinco portales y dos ventanas centrales. Sin embargo, en 1649, el nuevo arquitecto jefe introdujo una innovación notable: la fachada regresó al estilo gótico original, incluyendo los detalles ya acabados de las grandes pilastras góticas y los dos enormes campanarios. Se realizaron otros diseños, entre otros, por Filippo Juvarra (1733) y Luigi Vanvitelli (1745) pero ninguno se llegó a aplicar. En 1682 se demolió la fachada de Santa Maria Maggiore y se termino de cubrir la azotea de la catedral.
En 1762 uno de los rasgos principales de la catedral, la aguja Madonnina, fue levantada hasta la altura de 108,5 metros. Fue diseñada por Francesco Croce y luce en la cima una famosa estatua policroma de la Madonna que se ajusta a la original imagen de la catedral.
Finalización de la obra [editar]El 20 de mayo de 1805, Napoleón Bonaparte, a punto de ser coronado rey de Italia, ordenó que la fachada fuera terminada. En su entusiasmo aseguró que todos los gastos recayeran sobre el tesoro francés que reembolsaría a la Fabbrica por todos los inmuebles que ésta tuviera que vender. Aunque nunca se pagó este reembolso, esto ayudó a que finalmente, en solo siete años, la catedral tuviera su fachada terminada. El nuevo arquitecto, Francesco Soave, se basó en gran medida en el diseño de Buzzi, agregando algunos detalles neogóticos a las ventanas superiores. En gratitud se colocó una estatua de Napoleón en la cima de una de las espiras.
En los siguientes años se construyeron la mayoría de los arcos y espiras. Se terminaron las estatuas de la pared sur, mientras que entre 1829 y 1858 unas nuevas vidrieras decorativas reemplazaron las existentes con resultados menos expresivos. Los detalles finales de la catedral fueron terminados ya en el siglo XX: la última puerta fue inaugurada el 6 de enero de 1965. Esta fecha es considerada como el término del proceso que ha durado muchas generaciones, a pesar ello todavía algunos bloques quedan sin esculpir esperando ser convertidos en estatuas. En 2007, la fachada principal del Duomo está en renovación, por tal motivo permanece un gran andamio cubriendo buena parte de la misma.
1. gruau_cinzano_1954, 2. Rene Gruau, 3. Rene Gruau, 4. Rene Gruau, 5. Rene Gruau, 6. Editorial illustrations for Times 2 magazine | David Downton, 7. She's Perfect*+*, 8. Nadia Comaneci*+*, 9. Mantide, 10. IMG_7301, 11. IMG_7298, 12. flickr.com/photos/42451512@N00/657600458/, 13. beckoning cats, 14. My new Orla Kiely handbag, 15. Vanessa Hallows, 16. flickr.com/photos/73726413@N00/474564835/, 17. flickr.com/photos/73726413@N00/540414759/, 18. flickr.com/photos/73726413@N00/369378083/, 19. Untitled, 20. zakka styke dessert place in tokyo, 21. plush you 2007, 22. New toaster, anyone?, 23. flickr.com/photos/43358220@N00/1794089047/, 24. flickr.com/photos/43358220@N00/1794091631/, 25. flickr.com/photos/43358220@N00/426547210/, 26. flickr.com/photos/43358220@N00/426547295/, 27. flickr.com/photos/43358220@N00/426547348/, 28. swirlchair org, 29. Cocoon chair, 30. Lily Munster, 31. The Cabinet of Dr. Caligari, 32. siouxsie_sioux_image2, 33. siouxsie_sioux_image3, 34. Siouxsie Sioux and Budgie ('The Creatures' and formally 'Siouxsie and the Banshees'), 35. Siouxsie, 36. Siouxsie
Mingle Media TV and our Red Carpet Report team were at the Incredibles 2 red carpet premiere at the El Capitan Theatre and got some great photos of the cast and guests attending this highly anticipated movie premiere.
Disney•Pixar’s “Incredibles 2” busts into theaters on June 15, 2018
For video interviews and other Red Carpet Report coverage, please visit www.redcarpetreporttv.com and follow us on Twitter and Facebook at:
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About Incredibles 2
In “Incredibles 2,” Helen (voice of Holly Hunter) is called on to lead a campaign to bring Supers back, while Bob (voice of Craig T. Nelson) navigates the day-to-day heroics of “normal” life at home with Violet (voice of Sarah Vowell), Dash (voice of Huck Milner) and baby Jack-Jack—whose superpowers are about to be discovered. Their mission is de- railed, however, when a new villain emerges with a brilliant and dangerous plot that threatens everything. But the Parrs don’t shy away from a challenge, especially with Fro- zone (voice of Samuel L. Jackson) by their side. That’s what makes this family so Incred- ible. Written and directed by Brad Bird (“Iron Giant,” “The Incredibles,” “Ratatouille”) and produced by John Walker (“The Incredibles,” “Tomorrowland”) and Nicole Grindle (“San- jay’s Super Team” short, “Toy Story 3” associate producer),
From Disney•Pixar’s “Incredibles 2”: Craig T. Nelson, Holly Hunter, Sarah Vowell, Huckleberry Milner, Catherine Keener, Bob Odenkirk, Samuel L. Jackson, Sophia Bush, John Ratzenberger, Jere Burns, Usher Raymond IV. Filmmakers: Brad Bird (writer/di- rector), John Walker (producer), Nicole Paradis Grindle (producer), Michael Giacchino (composer).
www.youtube.com/watch?v=i5qOzqD9Rms
From Disney•Pixar’s new short “Bao”: Domee Shi (director), Becky Neiman-Cobb pro- ducer), Toby Chu (composer).
www.youtube.com/watch?v=A1XWEmtsy8g
Special Guests: Allison Holker & Stephen Boss, Kerrie Walsh Jennings, Patton Oswalt & Meredith Salenger, Tiffani Thiessen. From ABC: Jason George, Marcus Scribner.
Website: disney.com/incredibles2
YouTube: www.youtube.com/DisneyPixar
Facebook: www.facebook.com/PixarTheIncredibles/
Twitter: twitter.com/disneypixar
Instagram: instagram.com/pixar
For more of Mingle Media TV’s Red Carpet Report coverage, please visit our website and follow us on Twitter and Facebook here:
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the introduction of invest in Taiwan Website was held on 2009/10/26. The "Invest in Taiwan" website has been developed and established by the Ministry of Economic Affairs under the authorization of the Executive Yuan to encourage and facilitate investment in Taiwan.
my work; Taipei 2006 新年台北 has appeared on the front page of Invest in Taiwan.
經濟部為鼓勵並促進對台投資，特別規劃及建置「投資台灣入口網 」，以整合投資資訊，建立網路化單一服務窗口，提供投資相關資訊、投資機會及投資申辦流程指引，並建置客服專線，透過及時、顧客導向之投資諮詢，提供投資人在台投資便捷化服務。
Department of Investment Services (DOIS), MOEA
Taiwan
2009/10/26
GIGAmacro - viewer.gigamacro.com/view/FXq2pIEXufE4fGYt?x1=59245.50&am...
Gigapan - www.gigapan.com/gigapans/226457
Raw Images - mars.nasa.gov/mars2020/multimedia/raw-images/?order=sol+d...
© NASA/JPL-Caltech/MSSS/ASU/NeV-T
When I was in Nebraska this summer visiting Grandma, I did a little photo shoot for all her fellow residents. I think they had as much fun as I did. I have been so homesick (an busy) since I got back that I haven't been able to do the edits yet. I am finally getting around to them today. This is by far my favorite portrait of the day... and what a character she was. I haven't seen someone with this much personality in a long, long time. I only wish I could read all the stories those beautiful lines on her face could tell.
She did tell me that her Daddy arrived in Lewellen at the age of 15. He had been punchin' cattle but decided to settle in the same tiny town she is in now.
I love the earrings she was wear too! She had arrived to breakfast with them on the day before declaring that "Sometimes, ya just gotta feel special!"
(*re-edit* I had done my mono conversion of this on my laptop but was never happy with it. This is more like what I wanted!)
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© Álbum 0185
By Catedrales e Iglesias
By Cathedrals and Churches
By Catedrais e Igrejas
Par Cathédrales et Eglises
Arquidiócesis de Puebla
PARROQUIA DEL SAGRARIO METROPOLITANO
IGLESIA DE LA SOLEDAD
13 Oriente 204,
C.P. 72000
Centro,
Puebla de los Ángeles
Tel. 01 222/ 232 91 34
Información tomada de
Elisa Garzón Balbuena
La parroquia del Sagrario Metropolitano o iglesia de la Soledad se ubica en las calles 2 sur, esquina con la calle 13 Poniente en la ciudad de Puebla. En siglos anteriores el templo se encontraba a un costado de la catedral., pero en el siglo XX, se trasladó la sede a la iglesia de la Soledad por disposición del Arzobispo y su Cabildo. Sobre la devoción a la Virgen de la Soledad sabemos que en el siglo XVII la promovió el mulato Manuel de los Dolores. La respuesta a esta devoción fue positiva. La construcción del templo se remonta a los primeros años del siglo XVI; primero fue una pequeña ermita, que marcaba el límite de la traza urbana. Después en 1631 la construcción del templo se terminó y fue consagrado. El crecimiento de la población obligo al sacerdote aumentar las dimensiones del templo. A mediado del siglo XVIII fue terminado el nuevo templo y dedicado una vez más a Nuestra Señora de la Soledad.
Sobre la primera iglesia del Sagrario se sabe que estuvo en el portal de Iturbide (Borja) posteriormente fue trasladada al templo de La Veracruz (Concordia) donde estuvo desde 1540 a 1648. Los límites de la parroquia eran los de la ciudad colindando con los barrios de Santa Ana, San Miguel, San Sebastián y Santiago por el norte y poniente. Por el oriente y sur el río de San Francisco, que la separaba de Analco. En 1538 se erigió la ermita a San Blas y luego se le agregó San Antonio y en 1698 el Ilmo. Sr. Fernández de Santacruz la hizo ayuda del Sagrario, permaneciendo así hasta 1769 fecha en la que fue erigida parroquia con el título de San Marcos y se constituyó ayuda del Sagrario a la capilla de Dolores. Posteriormente se agregaron como ayudas la Compañía y San Cristóbal. Para 1924, tenía en su jurisdicción 22 templos: La compañía, la Concepción, la Concordia, la Santísima Trinidad, San Roque, Santa Inés, los Gozos, Ntra. Sra. del Carmen, la Mansión, la Soledad, Capuchinas, San Juan de Letrán u Hospitalito y San Jerónimo.
El archivo del Sagrario se encuentra en la parte superior de la oficina parroquial, fue inventariado por Adabi. Los forman 711 libros que están depositados en anaqueles de madera los libros van de 1545 a 1999. 613 constituyen la sección sacramental y 98 la disciplinar. El libro más antiguo es el de Bautismo de españoles de 1545. Al archivo se anexa un acervo bibliográfico formado por 475 libros los más del siglo XX, ubicados en 7 cajas archivadoras. Al inventariarse se añadieron 262 libros duplicados de las parroquias de la ciudad. Sus polos cronológicos van de 1908 – 1983 y se hallan en 22 cajas.
Los registros sacramentales son de los más antiguos de la ciudad de Puebla, están por castas. Existen registros, por separado de los expósitos. Entre los libros de la sección disciplinar destacan: 2 libros de Capellanías 1765 – 1855, los cuales nos permiten conocer las fundaciones piadosas existentes y sus beneficiarios. Los cuatro registros de Canon 1768 – 1899 en los que se asientas los diferentes sacerdotes que sirvieron a la parroquia y las licencias ministeriales y de culto otorgadas a la parroquia. Uno de los registros más abundantes y completo es el de Cuentas de 1804 – 1996 con 33 libros y 1 legajo, que permiten reconstruir la vida económica y social de la parroquia. También los libros Gobierno, registran los mandatos emitidos por la diócesis y autoridades civiles de la época. Registran lo acontecido referente al el gobierno de la parroquia, y son tres libros que van de 1770 a 1928.
El primer libro de 1770 a 1866, ubicado en el armario (14/C/33), se encuentra en buen estado físico, forrado en piel, con aproximadamente 200 fojas sin foliar, contiene dos expedientes anexos referentes a Santa Inés Zacatelco de 1837. En él se asientan las circulares, providencias, edictos o mandatos emanados por el obispo de la diócesis y las autoridades civiles virreinales. Es notable uno de estos documentos en el que se registra una disposición del tenor siguiente: “Agregación de la Iglesia del Colegio del Espíritu Santo a el Sagrario, Carta del Exmo. Señor Virrey”. Fojas 105 f. a 109 V.
La copia de dicho documento se remite según, acuerdo celebrado por la Junta Superior de Aplicaciones celebrada del 2 al 9 de enero de 1790, en la que se dispone el destino del Templo y Colegio del Espíritu Santo de la Ciudad de Puebla, para que sea expuesto. Está Firmado en la ciudad de México el 7 de mayo por el Conde de Revillagigedo. En él se expone lo siguiente: Sobre los autos de aplicación de los Colegios del Espíritu Santo, San Gerónimo, San Ignacio y San Javier de Puebla, informado por el Ilmo. Sr. Obispo Don Santiago José de Echeverría el 16 de agosto de 1788. y expuesto por el Sr. Fiscal de la Real Hacienda, defensor de temporalidades al respeto el 23 de septiembre del 89. Señala además lo que se acordó para los Colegios: Que al colegio del Espíritu Santo, se reunan los de San Gerónimo y San Ygnacio, bajo el titulo o advocación del Colegio Carolino para que se cumpla allí (sin la distracción que necesariamente causaría en los alumnos de primero, la precisión de ocurrir diariamente a las aulas del Seminario Tridentino).con los específicos destinos de su fundación y erección que son los que se aplicaron por la Junta superior el 27 de mayo de 1771 y de 89. Por lo que a partir de este decreto quedaron unidos los colegios de San Jerónimo y San Ignacio al colegio del Espíritu Santo, con la obligación de que cada uno corra con sus gastos de traslado y que al rector del colegio Carolino, nombrado oportunamente por el Sr. Vicepatrono, le sean entregados, por el comisionado de temporalidades Don Joseph Pérez Platon, las rentas y pertenencias de los Colegios de San Ignacio y San Jerónimo.
Que en el mismo Colegio Carolino se admitan los indios hijos de caciques que acudan a el para su enseñanza o instrucción pero en calidad de pensionistas por no haber fondos con que dotar su manutención que respecto a que los [20 pesos] a que son principalmente obligados, los bienes del colegio de San Ildefonso que entregó el fundador el Ilmo. Señor Don Alonso de la Mota y Escobar impuestos al 5 por ciento sobre los propios de aquella ciudad están ya asignados para dotación de ocho cátedras establecidas en el de San Ygnacio, cuatro de ellas de Sagrada Teología, y las restantes de lógica, física, metafísica y Ruedas. Este informe debía ser notificado al propio comisionado de qué fincas les estaban impuestas dicho capital. Y de el dinero que debía aplicarse para dos dotaciones de cátedras que se establecerían para el Colegio Carolino una de Jurisprudencia Civil y otra de Cánones de la cual ha carecido San Ignacio con perjuicio a los alumnos. Por lo que se pide a la Junta superior que de inmediato quede formado el Real Patronato en el Colegio Carolino. En cuanto al templo del Colegio del Espíritu Santo, se ordena que sea abierta al culto público de los fieles, que la iglesia sea atendida por un cura del Sagrario con todas sus funciones propias del ministerio parroquial sin causar división del curato, variación o alteración alguna de su gobierno ni en la partición de emolumentos o derechos parroquiales por lo que deberá mantenerse sobre el mismo método que se lleva con la autoridad episcopal.
Que el cura más antiguo sirva en el Sagrario y el menor resida en el Colegio del Espíritu Santo asignándole habitación y la de sus ministros la parte conveniente, la que se destinaba para Amiga o Escuela de niños que cae en la calle de San Roque por donde el cura podrá tener entrada a su casa con separación del resto del Colegio con sus gastos a su cuenta. Dicha aplicación fue dirigida a los curas del Sagrario de la catedral los cuales acordaron cumplir con lo mandado el cura menor se quedo en la Iglesia del Colegio con sus anexos y el cura mayor en la capilla del Sagrario. Dicho acuerdo fue observado el día 22 de abril de 1790 y ejecutado el 7 de mayo de 1790.
Este documento, valioso por la información que ofrece nos conduce a precisar la forma en que el Colegio Carolino y la agregación y apertura al culto público de la Iglesia del colegio del Espíritu Santo. Datos importantes para la historia de la educación y de la Universidad de Puebla, así como para la historia de la Iglesia poblana.
www.adabi-ac.org/investigacion_arch_ecles/articulos/pagin...
Spiderman comic released earlier this week.
Marvel Comics released a special issue of Amazing Spider-Man #583 with Obama depicted on the cover. Inside are five pages of Obama and Spidey teaming up and even fist-bumping.
For the comic artwork pictured above:
-- artist: Todd Nauck
-- colorist: Frank D'Amata
-- letterer: Jared K. Fletcher
Clearly we are witnessing a significant cultural shift happening alongside the political and ideological shifts occurring alongside today's presidential inauguration. When the media from FOX news, NPR, NBC, New York Times to widespread public expression through commercial means (t-shirts, posters, shot glasses, and comics) are all in harmony praising the changing of power in Washington, there is something truly unique taking place. When was the last time a President Elect generated this kind of excitement? The only Bush-Cheney t-shirts I recall were parodies and critiques.
I have a greatly improved state of mind today regarding the future of our country and our world. I have been disappointed, sad, angry, shocked, and dismayed repeatedly over the course of the last eight years. I know there will be very tough, contentious times ahead that will divide people into factions. However, I believe Obama's fundamental approach working to unite people of various beliefs will go a long way toward improving the dysfunctional government we've sadly come to expect. A new day has dawned for America and the world. Let us all hold forgiveness and cooperation in our hearts. Hatred should have no place in the soul of true Americans committed to democracy, freedom, prosperity and peace.
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