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CNN: What's going on in Hong Kong
edition.cnn.com/2014/09/27/world/asia/hong-kong-five-thin...
1. It's not just another Chinese city
A city of towering skyscrapers on China's southeastern tip, Hong Kong is home to 7 million people.
When the city was returned to China in 1997 a deal was struck promising "a high degree of autonomy" to Hong Kong under a formula dubbed "One Country, Two Systems."
The city's Basic Law or "mini-constitution" has allowed the city to carry on with its own legal and financial system and Hong Kong enjoys civil liberties unseen in mainland China such as an independent judiciary, freedom of the press and the right to protest.
It also states that "universal suffrage" is the ultimate aim for Hong Kong but it does not give a timetable or detail how political reform should take shape.
Currently, Hong Kong's leader, known as the chief executive, is elected by a 1,200-strong committee stacked with Beijing loyalists.
2. People are fed up
Surveys show that the government's approval rating is sinking, while distrust of China's central government in Beijing is at its highest level since the handover.
Discontent, especially among the young, is driven by a widening wealth gap and many resent the influx of free-spending mainland Chinese visitors to the city who buy up everything from apartments to baby milk formula.
A survey released on September 21 said that one in five people were considering emigrating.
The latest wave of protests came after Beijing in August rejected demands for people to freely choose the city's next leader in 2017.
Pro-democracy groups responded by unleashing threats to disrupt the city's Central financial district -- where many big banks and other businesses are located -- in a campaign known as "Occupy Central."
Democracy supporters come from a broad cross section of society including students, religious leaders, university professors and financial professionals.
After months of forewarning, Occupy Central began formally on Sunday, with thousands of protesters, many wearing eye and clothing protection, beginning a sit in around government buildings. Supporters want to force discussions, and even concessions, over Beijing's influence on Hong Kong.
17-year-old Hong Kong student prepares for democracy
3. Not everyone supports the protests
Pro-Beijing groups like "The Silent Majority for Hong Kong" say the activists will "endanger Hong Kong" and create chaos.
They have held their own rallies against Occupy Central and ran advertising campaigns in local media to highlight their fears.
The biggest rally, on August 17, was attended by thousands, although questions were raised about its legitimacy amid reports that marchers were paid to show up.
Businesses fear that any campaign targeting the city's financial district will harm Hong Kong's reputation as a safe and stable place to do business.
An opinion poll conducted this month by Chinese University said that 46% did not support the Occupy Central campaign, while 31% backed the civil disobedience movement.
4. China thinks Hong Kong is "confused"
Beijing, in a policy document released in June, said that Hong Kong does not enjoy "full autonomy" and residents are "confused or lopsided in their understanding" of "One Country, Two Systems."
The rhetoric indicates that Beijing is unlikely to budge on its prescription for electoral reform in the city.
Li Fei, a senior Chinese official, suggested that screening candidates was necessary to ensure the chief executive "loves China, loves Hong Kong and will safeguard the country's sovereignty, security and development interests."
China has also sought to blame the pro-democracy opposition in Hong Kong on interference by Britain and the United States.
All eyes are on Beijing and how it will respond to the growing waves of protests. The central government is in a tricky situation of not being able to be seen as backing down on its stance but at the same time needing to be wary over the use of force and the implications of doing so.
5. The government says Hong Kong should accept deal on offer
The Hong Kong government says its people should accept the deal on electoral reform offered by Beijing.
The new framework will allow Hong Kong's 5 million registered voters to select their leader, although candidates must be approved by a committee similar to the one that selected the city's top official in 2012.
Critics say that this means only candidates favored by Beijing will appear on the ballot, but Hong Kong's current chief executive, C.Y. Leung, writing in an op ed for CNN, says that this is not the case.
"We have not even started to discuss the detailed but crucial aspects of the nominating process for potential chief executive candidates," he writes.
"Raw emotion -- for or against the proposed political reform -- will get us nowhere."
One more, no fire is set by protester, no car is turned upside down, no shop window is broken, even not a fist is shown by protester, all of us are just raising our hands, but the police still using pepper spray, tear gas and their batons
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ALBANIA
Albanian Trilogy: A Series of Devious Stratagems
Armando Lulaj
Commissioner: Ministry of Culture. Curator: Marco Scotini. Deputy Curator: Andris Brinkmanis. Venue: Pavilion at Arsenale
ANDORRA
Inner Landscapes
Roqué, Joan Xandri
Commissioner: Henry Périer. Deputy Commissioner: Joana Baygual, Sebastià Petit, Francesc Rodríguez
Curator: Paolo de Grandis, Josep M. Ubach. Venue: Spiazzi, Castello 3865
ANGOLA
On Ways of Travelling
António Ole, Binelde Hyrcan, Délio Jasse, Francisco Vidal, Nelo Teixeira
Commissioner: Ministry of Culture, Rita Guedes Tavares. Curator: António Ole. Deputy Curator: Antonia Gaeta. Venue: Conservatorio Benedetto Marcello - Palazzo Pisani, San Marco 2810
ARGENTINA
The Uprising of Form
Juan Carlos Diste´fano
Commissioner: Magdalena Faillace. Curator: Mari´a Teresa Constantin. Venue: Pavilion at Arsenale – Sale d’Armi
ARMENIA, Republic of
Armenity / Haiyutioun
Haig Aivazian, Lebanon; Nigol Bezjian, Syria/USA; Anna Boghiguian Egypt/Canada; Hera Büyüktasçiyan, Turkey; Silvina Der-Meguerditchian, Argentina/Germany; Rene Gabri & Ayreen Anastas, Iran/Palestine/USA; Mekhitar Garabedian, Belgium; Aikaterini Gegisian, Greece; Yervant Gianikian & Angela Ricci Lucchi, Italy; Aram Jibilian, USA; Nina Katchadourian, USA/Finland; Melik Ohanian, France; Mikayel Ohanjanyan, Armenia/Italy; Rosana Palazyan, Brazil; Sarkis, Turkey/France; Hrair Sarkissian, Syria/UK
Commissioner: Ministry of Culture of the Republic of Armenia. Deputy Commissioner: Art for the World, Mekhitarist Congregation of San Lazzaro Island, Embassy of the Republic of Armenia in Italy, Vartan Karapetian. Curator: Adelina Cüberyan von Fürstenberg. Venue: Monastery and Island of San Lazzaro degli Armeni
AUSTRALIA
Fiona Hall: Wrong Way Time
Fiona Hall
Commissioner: Simon Mordant AM. Deputy Commissioner: Charles Green. Curator: Linda Michael. Scientific Committee: Simon Mordant AM, Carolyn Christov-Bakargiev, Max Delany, Rachel Kent, Danie Mellor, Suhanya Raffel, Leigh Robb. Venue: Pavilion at Giardini
AUSTRIA
Heimo Zobernig
Commissioner: Yilmaz Dziewior. Curator: Yilmaz Dziewior. Scientific Committee: Friends of the Venice Biennale. Venue: Pavilion at Giardini
AZERBAIJAN, Republic of
Beyond the Line
Ashraf Murad, Javad Mirjavadov, Tofik Javadov, Rasim Babayev, Fazil Najafov, Huseyn Hagverdi, Shamil Najafzada
Commissioner: Heydar Aliyev Foundation. Curators: de Pury de Pury, Emin Mammadov. Venue: Palazzo Lezze, Campo S.Stefano, San Marco 2949
Vita Vitale
Edward Burtynsky, Mircea Cantor, Loris Cecchini, Gordon Cheung, Khalil Chishtee, Tony Cragg, Laura Ford, Noemie Goudal, Siobhán Hapaska, Paul Huxley, IDEA laboratory and Leyla Aliyeva, Chris Jordan with Rebecca Clark and Helena S.Eitel, Tania Kovats, Aida Mahmudova, Sayyora Muin, Jacco Olivier, Julian Opie, Julian Perry, Mike Perry, Bas Princen, Stephanie Quayle, Ugo Rondinone, Graham Stevens, Diana Thater, Andy Warhol, Bill Woodrow, Erwin Wurm, Rose Wylie
Commissioner: Heydar Aliyev Foundation. Curators: Artwise: Susie Allen, Laura Culpan, Dea Vanagan. Venue: Ca’ Garzoni, San Marco 3416
BELARUS, Republic of
War Witness Archive
Konstantin Selikhanov
Commissioner: Natallia Sharanhovich. Deputy Commissioners: Alena Vasileuskaya, Kamilia Yanushkevich. Curators: Aleksei Shinkarenko, Olga Rybchinskaya. Scientific Committee: Dmitry Korol, Daria Amelkovich, Julia Kondratyuk, Sergei Jeihala, Sheena Macfarlane, Yuliya Heisik, Hanna Samarskaya, Taras Kaliahin, Aliaksandr Stasevich. Venue: Riva San Biagio, Castello 2145
BELGIUM
Personnes et les autres
Vincent Meessen and Guests, Mathieu K. Abonnenc, Sammy Baloji, James Beckett, Elisabetta Benassi, Patrick Bernier & Olive Martin, Tamar Guimara~es & Kasper Akhøj, Maryam Jafri, Adam Pendleton
Commissioner: Wallonia-Brussels Federation and Wallonia-Brussels International. Curator: Katerina Gregos. Venue: Pavilion at Giardini
COSTA RICA
"Costa Rica, Paese di pace, invita a un linguaggio universale d'intesa tra i popoli".
Andrea Prandi, Beatrice Gallori, Beth Parin, Biagio Schembari, Carla Castaldo, Celestina Avanzini, Cesare Berlingeri, Erminio Tansini, Fabio Capitanio, Fausto Beretti, Giovan Battista Pedrazzini, Giovanni Lamberti, Giovanni Tenga, Iana Zanoskar, Jim Prescott, Leonardo Beccegato, Liliana Scocco, Lucia Bolzano, Marcela Vicuna, Marco Bellagamba, Marco Lodola, Maria Gioia dell’Aglio, Mario Bernardinello, Massimo Meucci, Nacha Piattini, Omar Ronda, Renzo Eusebi, Tita Patti, Romina Power, Rubens Fogacci, Silvio di Pietro, Stefano Sichel, Tino Stefanoni, Ufemia Ritz, Ugo Borlenghi, Umberto Mariani, Venere Chillemi, Jacqueline Gallicot Madar, Massimo Onnis, Fedora Spinelli
Commissioner: Ileana Ordonez Chacon. Curator: Gregorio Rossi. Venue: Palazzo Bollani
CROATIA
Studies on Shivering: The Third Degree
Damir Ocko
Commissioner: Ministry of Culture. Curator: Marc Bembekoff. Venue: Palazzo Pisani, S. Marina
CUBA
El artista entre la individualidad y el contexto
Lida Abdul, Celia-Yunior, Grethell Rasúa, Giuseppe Stampone, LinYilin, Luis Edgardo Gómez Armenteros, Olga Chernysheva, Susana Pilar Delahante Matienzo
Commissioner: Miria Vicini. Curators: Jorge Fernández Torres, Giacomo Zaza. Venue: San Servolo Island
CYPRUS, Republic of
Two Days After Forever
Christodoulos Panayiotou
Commissioner: Louli Michaelidou. Deputy Commissioner: Angela Skordi. Curator: Omar Kholeif. Deputy Curator: Daniella Rose King. Venue: Palazzo Malipiero, Sestiere San Marco 3079
CZECH Republic and SLOVAK Republic
Apotheosis
Jirí David
Commissioner: Adam Budak. Deputy Commissioner: Barbara Holomkova. Curator: Katarina Rusnakova. Venue: Pavilion at Giardini
ECUADOR
Gold Water: Apocalyptic Black Mirrors
Maria Veronica Leon Veintemilla in collaboration with Lucia Vallarino Peet
Commissioner: Andrea Gonzàlez Sanchez. Deputy Commissioner: PDG Arte Communications. Curator: Ileana Cornea. Deputy Curator: Maria Veronica Leon Veintemilla. Venue: Istituto Santa Maria della Pietà, Castello 3701
ESTONIA
NSFW. From the Abyss of History
Jaanus Samma
Commissioner: Maria Arusoo. Curator: Eugenio Viola. Venue: Palazzo Malipiero, campo San Samuele, San Marco 3199
EGYPT
CAN YOU SEE
Ahmed Abdel Fatah, Gamal Elkheshen, Maher Dawoud
Commissioner: Hany Al Ashkar. Curator: Ministry of Culture. Venue: Pavilion at Giardini
FINLAND (Pavilion Alvar Aalto)
Hours, Years, Aeons
IC-98
Commissioner: Frame Visual Art Finland, Raija Koli. Curator: Taru Elfving. Deputy Curator: Anna Virtanen. Venue: Pavilion at Giardini
FRANCE
revolutions
Céleste Boursier-Mougenot
Commissioner: Institut français, with Ministère de la Culture et de la Communication. Curator: Emma Lavigne. Venue: Pavilion at Giardini
GEORGIA
Crawling Border
Rusudan Gobejishvili Khizanishvili, Irakli Bluishvili, Dimitri Chikvaidze, Joseph Sabia
Commissioner: Ana Riaboshenko. Curator: Nia Mgaloblishvili. Venue: Pavilion at Arsenale – Sale d’Armi
GERMANY
Fabrik
Jasmina Metwaly / Philip Rizk, Olaf Nicolai, Hito Steyerl, Tobias Zielony
Commissioner: ifa (Institut für Auslandsbeziehungen) on behalf of the Federal Foreign Office. Deputy Commissioner: Elke aus dem Moore, Nina Hülsmeier. Curator: Florian Ebner. Deputy Curator: Tanja Milewsky, Ilina Koralova. Venue: Pavilion at Giardini
GREAT BRITAIN
Sarah Lucas
Commissioner: Emma Dexter. Curator: Richard Riley. Deputy Curator: Katrina Schwarz. Venue: Pavilion at Giardini
GRENADA *
Present Nearness
Oliver Benoit, Maria McClafferty, Asher Mains, Francesco Bosso and Carmine Ciccarini, Guiseppe Linardi
Commissioner: Ministry of Culture. Deputy Commissioner: Susan Mains. Curator: Susan Mains. Deputy Curator: Francesco Elisei. Venue: Opera don Orione Artigianelli, Sala Tiziano, Fondamenta delle Zattere ai Gesuati, Dorsoduro 919
GREECE
Why Look at Animals? AGRIMIKÁ.
Maria Papadimitriou
Commissioner: Hellenic Ministry of Culture, Education and Religious Affairs. Curator: Gabi Scardi. Deputy Curator: Alexios Papazacharias. Venue: Pavilion at Giardini
BRAZIL
So much that it doesn't fit here
Antonio Manuel, André Komatsu, Berna Reale
Commissioner: Luis Terepins. Curator: Luiz Camillo Osorio. Deputy Curator: Cauê Alves. Venue: Pavilion at Giardini
CANADA
Canadassimo
BGL
Commissioner: National Gallery of Canada, Marc Mayer. Deputy Commissioner: National Gallery of Canada, Yves Théoret. Curator: Marie Fraser. Venue: Pavilion at Giardini
CHILE
Poéticas de la disidencia | Poetics of dissent: Paz Errázuriz - Lotty Rosenfeld
Paz Errázuriz, Lotty Rosenfeld
Commissioner: Antonio Arèvalo. Deputy Commissioner: Juan Pablo Vergara Undurraga. Curator: Nelly Richard. Venue: Pavilion at Arsenale - Artiglierie
CHINA, People’s Republic of
Other Future
LIU Jiakun, LU Yang, TAN Dun, WEN Hui/Living Dance Studio, WU Wenguang/Caochangdi Work Station
Commissioner: China Arts and Entertainment Group, CAEG. Deputy Commissioners: Zhang Yu, Yan Dong. Curator: Beijing Contemporary Art Foundation. Scientific Committee: Fan Di’an, Zhang Zikang, Zhu Di, Gao Shiming, Zhu Qingsheng, Pu Tong, Shang Hui. Venue: Pavilion at Arsenale – Giardino delle Vergini
GUATEMALA
Sweet Death
Emma Anticoli Borza, Sabrina Bertolelli, Mariadolores Castellanos, Max Leiva, Pier Domenico Magri, Adriana Montalto, Elmar Rojas (Elmar René Rojas Azurdia), Paolo Schmidlin, Mónica Serra, Elsie Wunderlich, Collettivo La Grande Bouffe
Commissioner: Daniele Radini Tedeschi. Curators: Stefania Pieralice, Carlo Marraffa, Elsie Wunderlich. Deputy Curators: Luciano Carini, Simone Pieralice. Venue: Officina delle Zattere, Dorsoduro 947, Fondamenta Nani
HOLY SEE
Commissioner: Em.mo Card. Gianfranco Ravasi, Presidente del Pontificio Consiglio della Cultura. Venue: Pavilion at Arsenale – Sale d’Armi
HUNGARY
Sustainable Identities
Szilárd Cseke
Commissioner: Monika Balatoni. Deputy Commissioner: István Puskás, Sándor Fodor, Anna Karády. Curator: Kinga German. Venue: Pavilion at Giardini
ICELAND
Christoph Büchel
Commissioner: Björg Stefánsdóttir. Curator: Nína Magnúsdóttir. Venue: to be confirmed
INDONESIA, Republic of
Komodo Voyage
Heri Dono
Commissioner: Sapta Nirwandar. Deputy Commissioner: Soedarmadji JH Damais. Curator: Carla Bianpoen, Restu Imansari Kusumaningrum. Scientific Committee: Franco Laera, Asmudjo Jono Irianto, Watie Moerany, Elisabetta di Mambro. Venue: Venue: Arsenale
IRAN
Iranian Highlights
Samira Alikhanzaradeh, Mahmoud Bakhshi Moakhar, Jamshid Bayrami, Mohammed Ehsai
The Great Game
Lida Abdul, Bani Abidi, Adel Abidin, Amin Agheai, Ghodratollah Agheli, Shahriar Ahmadi, Parastou Ahovan, Farhad Ahrarnia, Rashad Alakbarov, Nazgol Ansarinia, Reza Aramesh, Alireza Astaneh, Sonia Balassanian, Mahmoud Bakhshi, Moakhar Wafaa Bilal, Mehdi Farhadian, Monir Farmanfarmaian, Shadi Ghadirian, Babak Golkar, Shilpa Gupta, Ghasem Hajizadeh, Shamsia Hassani, Sahand Hesamiyan, Sitara Ibrahimova, Pouran Jinchi, Amar Kanwar, Babak Kazemi, Ryas Komu, Ahmad Morshedloo, Farhad Moshiri, Mehrdad Mohebali, Huma Mulji, Azad Nanakeli, Jamal Penjweny, Imran Qureshi, Sara Rahbar, Rashid Rana, T.V. Santhosh, Walid Siti, Mohsen Taasha Wahidi, Mitra Tabrizian, Parviz Tanavoli, Newsha Tavakolian, Sadegh Tirafkan, Hema Upadhyay, Saira Wasim
Commissioner: Majid Mollanooruzi. Deputy Commissioners: Marco Meneguzzo, Mazdak Faiznia. Curators: Marco Meneguzzo, Mazdak Faiznia. Venue: Calle San Giovanni 1074/B, Cannaregio
IRAQ
Commissioner: Ruya Foundation for Contemporary Culture in Iraq (RUYA). Deputy Commissioner: Nuova Icona - Associazione Culturale per le Arti. Curator: Philippe Van Cauteren. Venue: Ca' Dandolo, San Polo 2879
IRELAND
Adventure: Capital
Sean Lynch
Commissioner: Mike Fitzpatrick. Curator: Woodrow Kernohan. Venue: Pavilion at Arsenale - Artiglierie
ISRAEL
Tsibi Geva | Archeology of the Present
Tsibi Geva
Commissioner: Arad Turgem, Michael Gov. Curator: Hadas Maor. Venue: Pavilion at Giardini
ITALY
Ministero dei Beni e delle attività culturali e del turismo - Direzione Generale Arte e Architettura Contemporanee e Periferie Urbane. Commissioner: Federica Galloni. Curator: Vincenzo Trione. Venue: Padiglione Italia, Tese delle Vergini at Arsenale
JAPAN
The Key in the Hand
Chiharu Shiota
Commissioner: The Japan Foundation. Deputy Commissioner: Yukihiro Ohira, Manako Kawata and Haruka Nakajima. Curator: Hitoshi Nakano. Venue : Pavilion at Giardini
KENYA
Creating Identities
Yvonne Apiyo Braendle-Amolo, Qin Feng, Shi Jinsong, Armando Tanzini, Li Zhanyang, Lan Zheng Hui, Li Gang, Double Fly Art Center
Commissioner: Paola Poponi. Curator: Sandro Orlandi Stagl. Deputy Curator: Ding Xuefeng. Venue: San Servolo Island
KOREA, Republic of
The Ways of Folding Space & Flying
MOON Kyungwon & JEON Joonho
Commissioner: Sook-Kyung Lee. Curator: Sook-Kyung Lee. Venue: Pavilion at Giardini
KOSOVO, Republic of
Speculating on the blue
Flaka Haliti
Commissioner: Ministry of Culture, Youth and Sports. Curator: Nicolaus Schafhausen. Deputy Curator: Katharina Schendl. Venue: Pavilion at Arsenale - Artiglierie
LATVIA
Armpit
Katrina Neiburga, Andris Eglitis
Commissioner: Solvita Krese (Latvian Centre for Contemporary Art). Deputy Commissioner: Kitija Vasiljeva. Curator: Kaspars Vanags. Venue: Pavilion at Arsenale
LITHUANIA
Museum
Dainius Liškevicius
Commissioner: Vytautas Michelkevicius. Deputy Commissioner: Rasa Antanaviciute. Curator: Vytautas Michelkevicius. Venue: Palazzo Zenobio, Fondamenta del Soccorso 2569, Dorsoduro
LUXEMBOURG, Grand Duchy of
Paradiso Lussemburgo
Filip Markiewicz
Commissioner: Ministry of Culture. Deputy Commissioner: MUDAM Luxembourg. Curator: Paul Ardenne. Venue: Cà Del Duca, Corte del Duca Sforza, San Marco 3052
MACEDONIA, Former Yugoslavian Republic of
We are all in this alone
Hristina Ivanoska and Yane Calovski
Commissioner: Maja Nedelkoska Brzanova, National Gallery of Macedonia. Deputy Commissioner: Olivija Stoilkova. Curator: Basak Senova. Deputy Curator: Maja Cankulovska Mihajlovska. Venue: Pavilion at Arsenale - Sale d’Armi
MAURITIUS *
From One Citizen You Gather an Idea
Sultana Haukim, Nirmal Hurry, Alix Le Juge, Olga Jürgenson, Helge Leiberg, Krishna Luchoomun, Neermala Luckeenarain, Kavinash Thomoo, Bik Van Der Pol, Laure Prouvost, Vitaly Pushnitsky, Römer + Römer
Commissioner: pARTage. Curators: Alfredo Cramerotti, Olga Jürgenson. Venue: Palazzo Flangini - Canareggio 252
MEXICO
Possesing Nature
Tania Candiani, Luis Felipe Ortega
Commissioner: Tomaso Radaelli. Deputy Commissioner: Magdalena Zavala Bonachea. Curator: Karla Jasso. Venue: Pavilion at Arsenale – Sale d’Armi
MONGOLIA *
Other Home
Enkhbold Togmidshiirev, Unen Enkh
Commissioner: Gantuya Badamgarav, MCASA. Curator: Uranchimeg Tsultemin. Scientific Committee: David A Ross, Boldbaatar Chultemin. Venue: European Cultural Centre - Palazzo Mora
MONTENEGRO
,,Ti ricordi Sjecaš li se You Remember "
Aleksandar Duravcevic
Commissioner/Curator: Anastazija Miranovic. Deputy Commissioner: Danica Bogojevic. Venue: Palazzo Malipiero (piano terra), San Marco 3078-3079/A, Ramo Malipiero
MOZAMBIQUE, Republic of *
Theme: Coexistence of Tradition and Modernity in Contemporary Mozambique
Mozambique Artists
Commissioner: Joel Matias Libombo. Deputy Commissioner: Gilberto Paulino Cossa. Curator: Comissariado-Geral para a Expo Milano 2015. Venue: Pavilion at Arsenale
NETHERLANDS, The
herman de vries - to be all ways to be
herman de vries
Commissioner: Mondriaan Fund. Curators: Colin Huizing, Cees de Boer. Venue: Pavilion ar Giardini
NEW ZEALAND
Secret Power
Simon Denny
Commissioner: Heather Galbraith. Curator: Robert Leonard. Venue: Biblioteca Nazionale Marciana, Marco Polo Airport
NORDIC PAVILION (NORWAY)
Camille Norment
Commissioner: OCA, Office for Contemporary Art Norway. Curator: Katya García-Antón. Deputy Curator: Antonio Cataldo. Venue: Pavilion at Giardini
PERU
Misplaced Ruins
Gilda Mantilla and Raimond Chaves
Commissioner: Armando Andrade de Lucio. Curator: Max Hernández-Calvo. Venue: Pavilion at Arsenale – Sale d’Armi
PHILIPPINES
Tie a String Around the World
Manuel Conde, Carlos Francisco, Manny Montelibano, Jose Tence Ruiz
Commissioner: National Commission for Culture and the Arts (NCCA), Felipe M. de Leon Jr. Curator: Patrick D. Flores. Venue: European Cultural Centre - Palazzo Mora
POLAND
Halka/Haiti. 18°48’05”N 72°23’01”W
C.T. Jasper, Joanna Malinowska
Commissioner: Hanna Wróblewska. Deputy Commissioner: Joanna Wasko. Curator: Magdalena Moskalewicz. Venue: Pavilion at Giardini
PORTUGAL
I Will Be Your Mirror / poems and problems
João Louro
Commissioner/Curator: María de Corral. Venue: Palazzo Loredan, campo S. Stefano
ROMANIA
Adrian Ghenie: Darwin’s Room
Adrian Ghenie
Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Mihai Pop. Venue: Pavilion at Giardini
Inventing the Truth. On Fiction and Reality
Michele Bressan, Carmen Dobre-Hametner, Alex Mirutziu, Lea Rasovszky, Stefan Sava, Larisa Sitar
Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Diana Marincu. Deputy Curators: Ephemair Association (Suzana Dan and Silvia Rogozea). Venue: New Gallery of the Romanian Institute for Culture and Humanistic Research in Venice
RUSSIA
The Green Pavilion
Irina Nakhova
Commissioner: Stella Kesaeva. Curator: Margarita Tupitsyn. Venue: Pavilion at Giardini
SERBIA
United Dead Nations
Ivan Grubanov
Commissioner: Lidija Merenik. Deputy Commissioner: Ana Bogdanovic. Curator: Lidija Merenik. Deputy Curator: Ana Bogdanovic. Scientific Committee: Jovan Despotovic. Venue: Pavilion at Giardini
SAN MARINO
Repubblica di San Marino “ Friendship Project “ China
Xu De Qi, Liu Dawei, Liu Ruo Wang, Ma Yuan, Li Lei, Zhang Hong Mei, Eleonora Mazza, Giuliano Giulianelli, Giancarlo Frisoni, Tony Margiotta, Elisa Monaldi, Valentina Pazzini
Commissioner: Istituti Culturali della Repubblica di San Marino. Curator: Vincenzo Sanfo. Venue: TBC
SEYCHELLES, Republic of *
A Clockwork Sunset
George Camille, Léon Wilma Loïs Radegonde
Commissioner: Seychelles Art Projects Foundation. Curators: Sarah J. McDonald, Victor Schaub Wong. Venue: European Cultural Centre - Palazzo Mora
SINGAPORE
Sea State
Charles Lim Yi Yong
Commissioner: Paul Tan, National Arts Council, Singapore. Curator: Shabbir Hussain Mustafa. Scientific Committee: Eugene Tan, Kathy Lai, Ahmad Bin Mashadi, June Yap, Emi Eu, Susie Lingham, Charles Merewether, Randy Chan. Venue: Pavilion at Arsenale – Sale d’Armi
SLOVENIA, Republic of
UTTER / The violent necessity for the embodied presence of hope
JAŠA
Commissioner: Simona Vidmar. Deputy Commissioner: Jure Kirbiš. Curators: Michele Drascek and Aurora Fonda. Venue: Pavilion at Arsenale - Artiglierie
SPAIN
Los Sujetos (The Subjects)
Pepo Salazar, Cabello/Carceller, Francesc Ruiz, + Salvador Dalí
Commissioner: Ministerio Asuntos Exteriores. Gobierno de España. Curator: Marti Manen. Venue: Pavilion at Giardini
SYRIAN ARAB REPUBLIC
Origini della civiltà
Narine Ali, Ehsan Alar, Felipe Cardeña, Fouad Dahdouh, Aldo Damioli, Svitlana Grebenyuk, Mauro Reggio, Liu Shuishi, Nass ouh Zaghlouleh, Andrea Zucchi, Helidon Xhixha
Commissioner: Christian Maretti. Curator: Duccio Trombadori. Venue: Redentore – Giudecca, San Servolo Island
SWEDEN
Excavation of the Image: Imprint, Shadow, Spectre, Thought
Lina Selander
Commissioner: Ann-Sofi Noring. Curator: Lena Essling. Venue: Pavilion at Arsenale
SWITZERLAND
Our Product
Pamela Rosenkranz
Commissioner: Swiss Arts Council Pro Helvetia, Sandi Paucic and Marianne Burki. Deputy-Commissioner: Swiss Arts Council Pro Helvetia, Rachele Giudici Legittimo. Curator: Susanne Pfeffer. Venue: Pavilion at Giardini
THAILAND
Earth, Air, Fire & Water
Kamol Tassananchalee
Commissioner: Chai Nakhonchai, Office of Contemporary Art and Culture (OCAC), Ministry of Culture. Curator: Richard David Garst. Deputy Curator: Pongdej Chaiyakut. Venue: Paradiso Gallerie, Giardini della Biennale, Castello 1260
TURKEY
Respiro
Sarkis
Commissioner: Istanbul Foundation for Culture and Arts. Curator: Defne Ayas. Deputy Curator: Ozge Ersoy. Venue: Pavilion at Arsenale – Sale d’Armi
TUVALU
Crossing the Tide
Vincent J.F. Huang
Commissioner: Taukelina Finikaso. Deputy Commissioner: Temate Melitiana. Curator: Thomas J. Berghuis. Scientific Committee: Andrea Bonifacio. Venue: Pavilion at Arsenale
UKRAINE
Hope!
Yevgenia Belorusets, Nikita Kadan, Zhanna Kadyrova, Mykola Ridnyi & SerhiyZhadan, Anna Zvyagintseva, Open Group, Artem Volokitin
Commissioner: Ministry of Culture. Curator: Björn Geldhof. Venue: Riva dei Sette Martiri
UNITED ARAB EMIRATES
1980 – Today: Exhibitions in the United Arab Emirates
Abdullah Al Saadi, Abdul Qader Al Rais, Abdulraheem Salim, Abdulrahman Zainal, Ahmed Al Ansari, Ahmed Sharif, Hassan Sharif, Mohamed Yousif, Mohammed Abdullah Bulhiah, Mohammed Al Qassab, Mohammed Kazem, Moosa Al Halyan, Najat Meky, Obaid Suroor, Salem Jawhar
Commissioner: Salama bint Hamdan Al Nahyan Foundation. Curator: Hoor Al Qasimi. Venue: Pavilion at Arsenale – Sale d'Armi
UNITED STATES OF AMERICA
Joan Jonas: They Come to Us Without a Word
Joan Jonas
Commissioner: Paul C. Ha. Deputy Commissioner: MIT List Visual Arts Center. Curators: Ute Meta Bauer, Paul C. Ha. Venue: Pavilion at Giardini
URUGUAY
Global Myopia II (Pencil & Paper)
Marco Maggi
Commissioner: Ricardo Pascale. Curator: Patricia Bentancour. Venue: Pavilion at Giardini
VENEZUELA, Bolivarian Republic of
Te doy mi palabra (I give you my word)
Argelia Bravo, Félix Molina (Flix)
Commissioner: Oscar Sotillo Meneses. Deputy Commissioner: Reinaldo Landaeta Díaz. Curator: Oscar Sotillo Meneses. Deputy Curator: Morella Jurado. Scientific Committee: Carlos Pou Ruan. Venue: Pavilion at Giardini
ZIMBABWE, Republic of
Pixels of Ubuntu/Unhu: - Exploring the social and cultural identities of the 21st century.
Chikonzero Chazunguza, Masimba Hwati, Gareth Nyandoro
Commissioner: Doreen Sibanda. Curator: Raphael Chikukwa. Deputy Curator: Tafadzwa Gwetai. Scientific Committee: Saki Mafundikwa, Biggie Samwanda, Fabian Kangai, Reverend Paul Damasane, Nontsikelelo Mutiti, Stephen Garan'anga, Dominic Benhura. Venue: Santa Maria della Pieta
ITALO-LATIN AMERICAN INSTITUTE
Voces Indígenas
Commissioner: Sylvia Irrazábal. Curator: Alfons Hug. Deputy Curator: Alberto Saraiva. Venue: Pavilion at Arsenale
ARGENTINA
Sofia Medici and Laura Kalauz
PLURINATIONAL STATE OF BOLIVIA
Sonia Falcone and José Laura Yapita
BRAZIL
Adriana Barreto
Paulo Nazareth
CHILE
Rainer Krause
COLOMBIA
León David Cobo,
María Cristina Rincón and Claudia Rodríguez
COSTA RICA
Priscilla Monge
ECUADOR
Fabiano Kueva
EL SALVADOR
Mauricio Kabistan
GUATEMALA
Sandra Monterroso
HAITI
Barbara Prézeau Stephenson
HONDURAS
Leonardo González
PANAMA
Humberto Vélez
NICARAGUA
Raúl Quintanilla
PARAGUAY
Erika Meza
Javier López
PERU
José Huamán Turpo
URUGUAY
Gustavo Tabares
Ellen Slegers
001 Inverso Mundus. AES+F
Magazzino del Sale n. 5, Dorsoduro, 265 (Fondamenta delle Zattere ai Saloni); Palazzo Nani Mocenigo, Dorsoduro, 960
May 9th – October 31st
Organization: VITRARIA Glass + A Museum
Catalonia in Venice: Singularity
Cantieri Navali, Castello, 40 (Calle Quintavalle)
May 9th - November 22nd
Organization: Institut Ramon Llull
venezia2015.llull.cat
Conversion. Recycle Group
Chiesa di Sant’Antonin, Castello (Campo Sant’Antonin)
May 6th - October 31st
Organization: Moscow Museum of Modern Art
Dansaekhwa
Palazzo Contarini-Polignac, Dorsoduro, 874 (Accademia)
May 7th – August 15th
Organization: The Boghossian Foundation
Dispossession
Palazzo Donà Brusa, Campo San Polo, 2177
May 9th - November 22nd
Organization: European Capital of Culture Wroclaw 2016
wroclaw2016.pl/biennale/
EM15 presents Doug Fishbone’s Leisure Land Golf
Arsenale Docks, Castello, 40A, 40B, 41C
May 6th - July 26th
Organization: EM15
Eredità e Sperimentazione
Grand Hotel Hungaria & Ausonia, Viale Santa Maria Elisabetta, 28, Lido di Venezia
May 9th - November 22nd
Organization: Istituto Nazionale di BioArchitettura - Sezione di Padova
Frontiers Reimagined
Palazzo Grimani, Castello, 4858 (Ramo Grimani)
May 9th - November 22nd
Organization: Tagore Foundation International; Polo museale del Veneto
Glasstress 2015 Gotika
Istituto Veneto di Scienze Lettere ed Arti, Palazzo Cavalli Franchetti, San Marco, 2847 (Campo Santo Stefano); Chiesa di Santa Maria della Visitazione, Centro Culturale Don Orione Artigianelli, Dorsoduro, 919 (Zattere); Fondazione Berengo, Campiello della Pescheria, 15, Murano;
May 9th — November 22nd
Organization: The State Hermitage Museum
Graham Fagen: Scotland + Venice 2015
Palazzo Fontana, Cannaregio, 3829 (Strada Nova)
May 9th - November 22nd
Organization: Scotland + Venice
Grisha Bruskin. An Archaeologist’s Collection
Former Chiesa di Santa Caterina, Cannaregio, 4941-4942
May 6th – November 22nd
Organization: Centro Studi sulle Arti della Russia (CSAR), Università Ca’ Foscari Venezia
Helen Sear, ... The Rest Is Smoke
Santa Maria Ausiliatrice, Castello, 450 (Fondamenta San Gioacchin)
May 9th - November 22nd
Organization: Cymru yn Fenis/Wales in Venice
Highway to Hell
Palazzo Michiel, Cannaregio, 4391/A (Strada Nova)
May 9th - November 22nd
Organization: Hubei Museum of Art
Humanistic Nature and Society (Shan-Shui) – An Insight into the Future
Palazzo Faccanon, San Marco, 5016 (Mercerie)
May 7th – August 4th
Organization: Shanghai Himalayas Museum
In the Eye of the Thunderstorm: Effervescent Practices from the Arab World & South Asia
Dorsoduro, 417 (Zattere)
May 6th - November 15th
Organization: ArsCulture
Italia Docet | Laboratorium- Artists, Participants, Testimonials and Activated Spectators
Palazzo Barbarigo Minotto, San Marco, 2504 (Fondamenta Duodo o Barbarigo)
May 9th – June 30th; September 11st – October 31st
Organization: Italian Art Motherboard Foundation (i-AM Foundation)
www.venicebiennale-italiadocet.org
Jaume Plensa: Together
Basilica di San Giorgio Maggiore, Isola di San Giorgio Maggiore
May 6th – November 22nd
Organization: Abbazia di San Giorgio Maggiore Benedicti Claustra Onlus
Jenny Holzer "War Paintings"
Museo Correr, San Marco, 52 (Piazza San Marco)
May 6th – November 22nd
Organization: The Written Art Foundation; Museo Correr, Fondazione Musei Civici di Venezia
correr.visitmuve.it
Jump into the Unknown
Palazzo Loredan dell’Ambasciatore, Dorsoduro, 1261-1262
May 9th – June 18th
Organization: Nine Dragon Heads
9dh-venice.com
Learn from Masters
Palazzo Bembo, San Marco, 4793 (Riva del Carbon)
May 9th – November 22nd
Organization: Pan Tianshou Foundation
pantianshou.caa.edu.cn/foundation_en
My East is Your West
Palazzo Benzon, San Marco, 3927
May 6th – October 31st
Organization: The Gujral Foundation
Ornamentalism. The Purvitis Prize
Arsenale Nord, Tesa 99
May 9th – November 22nd
Organization: The Secretariat of the Latvian Presidency of the Council of the European Union in 2015
www.purvisabalva.lv/en/ornamentalism
Path and Adventure
Arsenale, Castello, 2126/A (Campo della Tana)
May 9th – November 22nd
Organization: The Civic and Municipal Affairs Bureau; The Macao Museum of Art; The Cultural Affairs Bureau
Patricia Cronin: Shrine for Girls, Venice
Chiesa di San Gallo, San Marco, 1103 (Campo San Gallo)
May 9th – November 22nd
Organization: Brooklyn Rail Curatorial Projects
curatorialprojects.brooklynrail.org
Roberto Sebastian Matta. Sculture
Giardino di Palazzo Soranzo Cappello, Soprintendenza BAP per le Province di Venezia, Belluno, Padova e Treviso, Santa Croce, 770 (Fondamenta Rio Marin)
May 9th – November 22nd
Organization: Fondazione Echaurren Salaris
www.fondazioneechaurrensalaris.it
www.maggioregam.com/56Biennale_Matta
Salon Suisse: S.O.S. Dada - The World Is A Mess
Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)
May 9th; June 4th - 6th; September 10th - 12th; October 15th - 17th; November 19th – 21st
Organization: Swiss Arts Council Pro Helvetia
Sean Scully: Land Sea
Palazzo Falier, San Marco, 2906
May 9th – November 22nd
Organization: Fondazione Volume!
Sepphoris. Alessandro Valeri
Molino Stucky, interior atrium, Giudecca, 812
May 9th – November 22nd
Organization: Assessorato alla Cultura del Comune di Narni(TR); a Sidereal Space of Art; Satellite Berlin
Tesla Revisited
Palazzo Nani Mocenigo, Dorsoduro, 960
May 9th – October 18th
Organization: VITRARIA Glass + A Museum
The Bridges of Graffiti
Arterminal c/o Terminal San Basilio, Dorsoduro (Fondamenta Zattere al Ponte Lungo)
May 9th - November 22nd
Organization: Associazione Culturale Inossidabile
The Dialogue of Fire. Ceramic and Glass Masters from Barcelona to Venice
Palazzo Tiepolo Passi, San Polo, 2774
May 6th - November 22nd
Organization: Fundaciò Artigas; ArsCulture
The Question of Beings
Istituto Santa Maria della Pietà, Castello, 3701
May 9th - November 22nd
Organization: Museum of Contemporary Art, Taipei (MoCA, Taipei)
The Revenge of the Common Place
Università Ca' Foscari, Ca' Bernardo, Dorsoduro, 3199 (Calle Bernardo)
May 9th – September 30th
Organization: Vrije Universiteit Brussel (Free University Brussels-VUB)
The Silver Lining. Contemporary Art from Liechtenstein and other Microstates
Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)
October 24th – November 1st
Organization: Kunstmuseum Liechtenstein
The Sound of Creation. Paintings + Music by Beezy Bailey and Brian Eno
Conservatorio Benedetto Marcello, Palazzo Pisani, San Marco, 2810 (Campo Santo Stefano)
May 7th - November 22nd
Organization: ArsCulture
The Union of Fire and Water
Palazzo Barbaro, San Marco, 2840
May 9th - November 22nd
Organization: YARAT Contemporary Art Organisation
Thirty Light Years - Theatre of Chinese Art
Palazzo Rossini, San Marco, 4013 (Campo Manin)
May 9th - November 22nd
Organization: GAC Global Art Center Foundation; The Guangdong Museum of Art
Tsang Kin-Wah: The Infinite Nothing, Hong Kong in Venice
Arsenale, Castello, 2126 (Campo della Tana)
May 9th - November 22nd
Organization: M+, West Kowloon Cultural District; Hong Kong Arts Development Council
Under the Surface, Newfoundland and Labrador at Venice
Galleria Ca' Rezzonico, Dorsoduro, 2793
May 9th - November 22nd
Organization: Terra Nova Art Foundation
tnaf.ca
Ursula von Rydingsvard
Giardino della Marinaressa, Castello (Riva dei Sette Martiri)
May 6th - November 22nd
Organization:Yorkshire Sculpture Park
We Must Risk Delight: Twenty Artists from Los Angeles
Magazzino del Sale n. 3, Dorsoduro, 264 (Zattere)
May 7th - November 22nd
Organization: bardoLA
Wu Tien-Chang: Never Say Goodbye
Palazzo delle Prigioni, Castello, 4209 (San Marco)
May 9th - November 22nd
Organization: Taipei Fine Arts Museum of Taiwan
✰ Credit ✰
Head : CATWA - EVOX Micol
Aura De La Luna - Eyeshadow #21 - Black Fair Event
:DIAMANTE: - APOTROPAIOS Heart Collection - Black Fair Event
MymStore - LenaTop. - Black Fair Event
NEW ATTITUDE
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● Flickr
● Primfeed
With Peter Diamandis. Here is a bullet point summary of our fireside chat from Next Big Future:
Steve Jurvetson is deeply interested and excited by deep learning
It is the future of all engineering
Apply anywhere you have a lot of data and make sense of it
It is the biggest advance in engineering since the scientific method
Deep learning can be used update and optimize deep learning
Spacex and Falcon Heavy
Talk about the returning the rocket stages
The big thing is the heavy use of simulation to get a lot of things to work first time
Spacex has a lot of modularity.
For the 9 rockets on the Falcon 9, two can fail and the mission can still succeed
Methane is used for the the Raptor engine
Natural gas is the cheapest right now on earth
It will good for Earth and Mars
Next year land a one way Red Dragon trip
2024 launch and 2025 land on Mars
2.9 cents per kwh for solar for some sunny countries
Nuclear regulatory problems is why they will hold back on investing in nuclear but Steve thinks we (the world- civilization) needs new nuclear
Machine learning, autonomy and robotics
Biggest customer for Rethink robotics is China.
China has 100% employee turnover.
Spacex rockets will all be robots
Planes will be robots
Planes are flown by computer now except for taxiing on the runway
All vehicles will be electric
all power will be solar
all vehicles will be autonomous
Every new product that surprises you will have deep learning in it
Dwave's Geordie Rose has a new Quantum AI company Kindred
ANd <a href=Steve Jurvetson is deeply interested and excited by deep learning
It is the future of all engineering
Apply anywhere you have a lot of data and make sense of it
It is the biggest advance in engineering since the scientific method
Deep learning can be used update and optimize deep learning
Spacex and Falcon Heavy:
The big thing is the heavy use of simulation to get a lot of things to work first time
Spacex has a lot of modularity.
For the 9 engines on the Falcon 9, two can fail and the mission can still succeed
Methane is used for the the Raptor engine
Natural gas is the cheapest right now on earth
It will good for Earth and Mars
Next year land a one way Red Dragon trip
Humans? 2024 launch and 2025 land on Mars
2.9 cents per kwh for solar for some sunny countries
Nuclear regulatory problems is why they will hold back on investing in nuclear but Steve thinks we (the world- civilization) needs new nuclear
Machine learning, autonomy and robotics
Biggest customer for Rethink robotics is China.
China contract manufacturers have 100% annual employee turnover.
Spacex spacecraft are all robots
Planes will be robots
Planes are flown by computer now except for taxiing on the runway
All vehicles will be electric
all power will be solar
all vehicles will be autonomous
Every new product that surprises you will have deep learning in it
Dwave's Geordie Rose has a new Quantum AI company Kindred
And Singularity Hub wrote on the observation that Engineering Will Soon Be ‘More Parenting Than Programming’
расчет сайдинга и комплектующих sotdel.ru/calculator-sajdinga.html Расчет сайдинга (#сайдинг #sotdel) подразумевает вычисление необходимого количества панелей сайдинга и ряд комплектующих, предназначенных к использованию в разных местах архитектурных элементах зданий. www.facebook.com/110372909302943/photos/a.198861097120790...
Продажа стройматериалов для внешней и внутренней отделки. Прайс-листы. Возможность онлайн-заказа продукции. Сведения о скидках и акциях.
Сухие смеси для ремонта www.sotdel.ru/suhie-stroitelnye-smesi/
Кухонный фартук www.sotdel.ru/fartuk-dlya-kuhni.html
Пиломатериалы для дома www.sotdel.ru/fartuk-dlya-kuhni.html
Кровельные материалы www.sotdel.ru/krovelnye_materialy.html
Москва ул. Верхние Поля, 48а
пн–пт 09:00–18:00; сб 09:00–15:00
+7 (495) 258-62-08
"Flight of Fancy" takes off at Gardens by the Marina Bay Singapore
A journey of discovery awaits 3 June to 21 July
Gardens by the Bay:
ВЛАДИМИР МАКОВСКИЙ - Две матери. Мать приемная и мать родная
☆📝
Location: The Samara Regional Museum of Fine Arts, Samara, Russia.
Sources: artmus.ru/collection/work-30.html
ar.culture.ru/en/subject/v-e-makovskiy-dve-materi
Vladimir Makovsky was born in Moscow in 1846. His father was one of the founders of Moscow School of Arts, Sculpture and Architecture. There was always a creative atmosphere in the family of the future artist: painters, musicians and actors were frequent guests there. Makovsky demonstrated his talents in arts in his early years. His first teacher of painting was the famous Russian portrait painter Vasily Tropinin. In 1861, Makovsky became a student of Moscow School of Arts, Sculpture and Architecture. Soon he became a member of the Itinerants partnership, which promoted realistic depiction of the life of ordinary people. Genre paintings by Makovsky are the most typical pieces of art of this partnership.
Vladimir Makovsky, who was proficient in genre painting, created it in 1905-1906. Before the 1917 Revolution, the author’s friends – Shikhobalov family, merchants and patrons of arts from Samara – were the owners. The artist often took topics for his work from real life, and this is true about Two Mothers as well. Vladimir Makovsky referred to similar story that happened in the family of an artist he knew.
Vladimir Makovsky said: “The painting is not a word, it gives you one minute, and everything should be clear within this minute. If this is not so, there is no painting”. In Makovsky’s painting, the future destiny of a little boy is being shaped. His natural mother after giving birth left her son in an orphanage, and a well-to-do family took the boy and raised him. The foster parents adopted the baby with great warmth and lavished attention and care on him.
The painting depicts the visit of an unknown woman, who happens to be the natural mother of the boy disturbing the family idyll. The unexpected guest bursts into the room interrupting the family breakfast. Her clothes tell us about her peasant origin. This woman is wearing a dark homespun skirt with a brindled apron showing from beneath. A bright red kerchief is covering her head. This peasant woman is holding a small canvas sack in her left hand.
In a masterly fashion, Vladimir Makovsky conveyed the appalment and fear of the little boy sheepishly clinging to his foster mother, who has already become his family. The woman appearing in the house is just a stranger for him. The only person who is keeping calm is the head of the family. Contrary to his wife and foster son, he is sure that the natural mother will not succeed in taking the boy away. His firmness is contrasting to the tension predominating in the painting.
Rus: Владимир Маковский родился в Москве в 1846 году. Его отец был одним из основателей Московского училища живописи, ваяния и зодчества. В семье будущего художника всегда была творческая обстановка. В гости приходили живописцы, музыканты, актёры. У Маковского рано обнаружился талант к рисованию. Его первым учителем живописи стал знаменитый портретист Василий Тропинин. В 1861 году Маковский поступил в Московское училище живописи, ваяния и зодчества. Вскоре он присоединился к товариществу художников-передвижников, которые выступали за реалистичное изображение жизни «маленького человека». Жанрово-бытовые картины Маковского — наиболее типичные произведения искусства этого товарищества.
До революции 1917 года это полотно принадлежало друзьям автора — самарским купцам и меценатам Шихобаловым. Часто для своих произведений художник брал сюжеты из жизни. Так произошло и с картиной «Две матери». Владимир Маковский рассказывал, что подобная ситуация произошла в семье знакомого ему художника.
Владимир Маковский говорил: «Картина — не слово, она дает одну минуту, и в этой минуте должно быть все, а нет — нет картины». На полотне Маковского решается судьба мальчика. При рождении мать отдала сына в приют, его забрала к себе состоятельная семья. Муж с женой тепло приняли малыша и окружили его заботой и вниманием.
Сценка показывает визит чужого человека — родной матери ребёнка, которая нарушает семейную идиллию. Нежданная гостья врывается в столовую, и её появление прерывает завтрак. Одежда матери ребёнка говорит о том, что она происходит из крестьянской среды. Женщина носит тёмную домотканую юбку, из-под которой выглядывает пёстрый полосатый передник. На голове крестьянки повязан ярко-красный платок. В левой руке она держит небольшой холщовый мешок с вещами.
Владимир Маковский мастерски изобразил смятение и страх мальчика, который робко прижался к своей приёмной, но ставшей для него уже родной матери. Появившаяся в доме женщина для ребенка — просто чужой человек. Спокоен остался только глава семейства. В отличие от испуганных жены и приёмного сына, он уверен в том, что пришедшей не удастся отобрать мальчика. Его непоколебимость контрастируют с напряжением, которое царит на картине.
✰ Credit ✰
[BE] Beauty Essence - Labyrint Tattoo EvoX - Wip Event
~TL~ - Sabriella Belladonna Set - Wip Event
~TL~ - Sabriella Belladonna Horns - Wip Event
~TL~ - Sabriella Belladonna Wings - Wip Event
~TL~ - Sabriella Belladonna Tail - Wip Event
[NoRush] - Puppet Brain
NEW ATTITUDE
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Kampung Bagan Lalang, 43950 Tanjong Sepat, Selangor
Transportation service:
交通服務:
Servicio de transporte:
Service de transport:
خدمة النقل:
ONE OF THE WAY TO TRAIN THE "THE AWARENESS MUSCLE
is the critical run
and other emergency art format
CRITICAL RUN / Debate Format
Critical Run is an Art Format created by Thierry Geoffroy/Colonel
debate while running .
Debate and Run together,Now,before it is too late.
www.emergencyroomscanvas todo .org/criticalrun.html
The Art Format Critical Run has been activated in 30 differents countries with 120 different burning debates
New York,Cairo,London,Istanbul,Athens,Hanoi,Paris,Munich,Amsterdam Siberia,Copenhagen,Johanesburg,Moskow,Napoli,Sydney,
Wroclaw,Bruxelles,Rotterdam,Barcelona,Venice,Virginia,Stockholm,Århus,Kassel,Lyon,Trondheim, Berlin ,Toronto,Hannover ...
CRITICAL RUN happened on invitation from institution like Moma/PS1, Moderna Muset Stockholm ,Witte de With Rotterdam,ZKM Karlsruhe,Liverpool Biennale;Sprengel Museum etc..or have just happened on the spot because
a debate was necessary here and now.
In 2020 the Energy Room was an installation of 40 Critical Run at Museum Villa Stuck /Munich
part of Colonel solo show : The Awareness Muscle Training Center
----
Interesting publication for researches on running and art
www.emergencyrooms.org/formats.html
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de Tocqueville, Alexis. The Old Regime and the Revolution. New York: Harper & Brothers, Publishers, 1856.
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Hahn, Archibald. How to Sprint: The Theory of Spring Racing. New York: American Sports Publishing Company, 1923.
Hegel, Georg Wilhelm Friedrich. Phenomenology of Spirit. Translated by A.V. Miller. Oxford: Oxford University Press, 1977.
Helmholtz, Hermann. “On the Facts Underlying Geometry.” In Epistemological Writings: Hermann von Helmholtz. Edited by R.S. Cohen and Y. Elkana. Boston: D. Reidel Publishing Company, 1977.
Helmholtz, Hermann. Théorie physiologique de la musique fondée sur l’étude des sensations auditives. Paris: Masson, 1868.
Helmholtz, Hermann. Treatise of Physiological Optics (Handbuch der physiologischen Optik) 1856. 3 Volumes. Translated by James P.C. Southall. Milwaukee, 1924.
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----
------------about Venice Biennale history from wikipedia ---------
curators previous
* 1948 – Rodolfo Pallucchini
* 1966 – Gian Alberto Dell'Acqua
* 1968 – Maurizio Calvesi and Guido Ballo
* 1970 – Umbro Apollonio
* 1972 – Mario Penelope
* 1974 – Vittorio Gregotti
* 1978 – Luigi Scarpa
* 1980 – Luigi Carluccio
* 1982 – Sisto Dalla Palma
* 1984 – Maurizio Calvesi
* 1986 – Maurizio Calvesi
* 1988 – Giovanni Carandente
* 1990 – Giovanni Carandente
* 1993 – Achille Bonito Oliva
* 1995 – Jean Clair
* 1997 – Germano Celant
* 1999 – Harald Szeemann
* 2001 – Harald Szeemann
* 2003 – Francesco Bonami
* 2005 – María de Corral and Rosa Martinez
* 2007 – Robert Storr
* 2009 – Daniel Birnbaum
* 2011 – Bice Curiger
* 2013 – Massimiliano Gioni
* 2015 – Okwui Enwezor
* 2017 – Christine Macel[19]
* 2019 – Ralph Rugoff[20]
----------
#art #artist #artistic #artists #arte #artwork
Pavilion at the Venice Biennale #artcontemporain contemporary art Giardini arsenal
venice Veneziako VenecijaVenècia Venedig Venetië Veneetsia Venetsia Venise Venecia VenedigΒενετία( Venetía Hungarian Velence Feneyjar Venice Venezia Venēcija Venezja Venezia Wenecja Veneza VenețiaVenetsiya BenátkyBenetke Venecia Fenisוועניס Վենետիկ ভেনি স威尼斯 (wēinísī) 威尼斯 ვენეციისવે નિસवेनिसヴェネツィアವೆನಿಸ್베니스வெனிஸ்వెనిస్เวนิซوینس Venetsiya
art umjetnost umění kunst taide τέχνη művészetList ealaín arte māksla menasarti Kunst sztuka artă umenie umetnost konstcelfקונסטարվեստincəsənətশিল্প艺术(yìshù)藝術 (yìshù)ხელოვნებაकलाkos duabアートಕಲೆសិល្បៈ미술(misul)ສິນລະປະകലकलाအတတ်ပညာकलाකලාවகலைఆర్ట్ศิลปะ آرٹsan'atnghệ thuậtفن (fan)אומנותهنرsanat artist
other Biennale :(Biennials ) :
Venice Biennial , Documenta Havana Biennial,Istanbul Biennial ( Istanbuli),Biennale de Lyon ,Dak'Art Berlin Biennial,Mercosul Visual Arts Biennial ,Bienal do Mercosul Porto Alegre.,Berlin Biennial ,Echigo-Tsumari Triennial .Yokohama Triennial Aichi Triennale,manifesta ,Copenhagen Biennale,Aichi Triennale .Yokohama Triennial,Echigo-Tsumari Triennial.Sharjah Biennial ,Biennale of Sydney, Liverpool , São Paulo Biennial ; Athens Biennale , Bienal do Mercosul ,Göteborg International Biennial for Contemporary Art ,DOCUMENTA KASSEL ATHENS
* Dakar
kritik [edit] kritikaria kritičar crític kritiker criticus kriitik kriitikko critique crítico Kritiker κριτικός(kritikós) kritikus Gagnrýnandi léirmheastóir critico kritiķis kritikas kritiku krytyk crítico critic crítico krytyk beirniad קריטיקער
Basque Veneziako Venecija [edit] Catalan Venècia Venedig Venetië Veneetsia Venetsia Venise Venecia Venedig Βενετία(Venetía) Hungarian Velence Feneyjar Venice Venezia Latvian Venēcija Venezja Venezia Wenecja Portuguese Veneza Veneția Venetsiya Benátky Benetke Venecia Fenis וועניס Վենետիկ ভেনিস 威尼斯 (wēinísī) 威尼斯 Georgian ვენეციის વેનિસ वेनिस ヴェネツィア ವೆನಿಸ್ 베니스 வெனிஸ் వెనిస్ เวนิซ وینس Venetsiya
Thierry Geoffroy / Colonel
#thierrygeoffroy #geoffroycolonel #thierrygeoffroycololonel #lecolonel #biennalist
#artformat #formatart
#emergencyart #urgencyart #urgentart #artofthenow #nowart
emergency art emergency art urgency artist de garde vagt alarm emergency room necessityart artistrole exigencyart predicament prediction pressureart
#InstitutionalCritique
#venicebiennale #venicebiennale2017 #venicebiennale2015
#venicebiennale2019
#venice #biennale #venicebiennale #venezia #italy
#venezia #venice #veniceitaly #venicebiennale
#pastlife #memory #venicebiennale #venice #Venezia #italy #hotelveniceitalia #artexhibit #artshow #internationalart #contemporaryart #themundane #summerday
#biennalevenice
Institutional Critique
Identity Politics Post-War Consumerism, Engagement with Mass Media, Performance Art, The Body, Film/Video, Political, Collage, , Cultural Commentary, Self as Subject, Color Photography, Related to Fashion, Digital Culture, Photography, Human Figure, Technology
Racial and Ethnic Identity, Neo-Conceptualism, Diaristic
Contemporary Re-creations, Popular Culture, Appropriation, Contemporary Sculpture,
Culture, Collective History, Group of Portraits, Photographic Source
, Endurance Art, Film/Video,, Conceptual Art and Contemporary Conceptualism, Color Photography, Human Figure, Cultural Commentary
War and Military, Political Figures, Social Action, Racial and Ethnic Identity, Conflict
Personal Histories, Alter Egos and Avatars
Use of Common Materials, Found Objects, Related to Literature, Installation, Mixed-Media, Engagement with Mass Media, Collage,, Outdoor Art, Work on Paper, Text
Appropriation (art) Art intervention Classificatory disputes about art Conceptual art Environmental sculpture Found object Interactive art Modern art Neo-conceptual art Performance art Sound art Sound installation Street installations Video installation Conceptual art Art movements Postmodern art Contemporary art Art media Aesthetics Conceptualism
Post-conceptualism Anti-anti-art Body art Conceptual architecture Contemporary art Experiments in Art and Technology Found object Happening Fluxus Information art Installation art Intermedia Land art Modern art Neo-conceptual art Net art Postmodern art Generative Art Street installation Systems art Video art Visual arts ART/MEDIA conceptual artis
—-
CRITICAL RUN is an art format developed by Thierry Geoffroy / COLONEL, It follows the spirit of ULTRACONTEMPORARY and EMERGENCY ART as well as aims to train the AWARENESS MUSCLE.
Critical Run has been activated on invitation from institutions such as Moderna Muset Stockholm, Moma PS1 ,Witte de With Rotterdam, ZKM Karlsruhe, Liverpool Biennale, Manifesta Biennial ,Sprengel Museum,Venice Biennale but have also just happened on the spot because a debate was necessary here and now.
It has been activated in Beijing, Cairo, London, Istanbul, Athens, Kassel, Sao Paolo, Hanoi, Istanbul, Paris, Copenhagen, Moskow, Napoli, Sydney, Wroclaw, Bruxelles, Rotterdam, Siberia, Karlsruhe, Barcelona, Aalborg, Venice, Virginia, Stockholm, Aarhus, Rio de Janeiro, Budapest, Washington, Lyon, Caracas, Trondheim, Berlin, Toronto, Hannover, Haage, Newtown, Cartagena, Tallinn, Herning, Roskilde;Mannheim ;Munich etc...
The run debates are about emergency topics like Climate Change , Xenophobia , Wars , Hyppocrisie , Apathy ,etc ...
Participants have been very various from Sweddish art critics , German police , American climate activist , Chinese Gallerists , Brasilian students , etc ...
Critical Run is an art format , like Emergency Room or Biennalist and is part of Emergency Art ULTRACONTEMPORARY and AWARENESS MUSCLE .
www.emergencyrooms.org/criticalrun.html
www.emergencyrooms.org/formats.html
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In 2020 a large exhibition will show 40 of the Critical Run at the Museum Villa Stuck in Munich / part of the Awareness Muscle Training Center
------
for activating the format or for inviting the installation
please contact 1@colonel.dk
-----
critical,run,art,format,debate ,artformat,formatart,moment,clarity,emergency,kunst,
Sport,effort,curator,artist,urgency,urgence,criticalrun,emergencies,ultracontemporary
,rundebate,sport,art,activism, critic,laufen,Thierry Geoffroy , Colonel,kunstformat
,now art,copenhagen,denmark
✰ Credit ✰
-[ Vagrant ]- - Linda & Julia - Play Dirty
Pose : Lush Poses - [LushPoses23] - Drag - Couple Bento Pose
NEW ATTITUDE
● Tumblr
● Flickr
✰ Credit ✰
AnaSTyle - Akemy Red - Jumpsuit - TOKYO ZERO Event
Specter Skies EEP Ethereal - Nights Specter wildfire - TOKYO ZERO Event
NEW ATTITUDE
● Tumblr
● Flickr
Fonte dell'immagine: La Chiesa di Dio Onnipotente
Condizioni d'Uso: it.easternlightning.org/disclaimer.html
I
L'opera e la presenza dello Spirito Santo decidono se la ricerca tua è sincera, non i giudizi degli altri, e neppure le loro opinioni. Ma più di questo, a decidere la sincerità tua è se col tempo l'opera dello Spirito Santo ti cambia e ti fa conoscere Dio. Con l'opera dello Spirito Santo, la tua indole cambierà, la tua visione della fede si farà più pura. Cambiare vuol dir che lo Spirito Santo è all'opera, non importa quanto a lungo tu Lo abbia seguito.
II
Se non c'è cambiamento in te, vuol dire che lo Spirito Santo su di te non agisce Anche se ti metti al servizio, lo fai per ottener benedizione. Mettersi occasionalmente al servizio non significa cambiare nell'indole. Questi servitori saran distrutti poiché il Regno non ne ha bisogno. Il Regno non ha bisogno di chi non è cambiato per servire i fedeli e i perfezionati. Con l'opera dello Spirito Santo, la tua indole cambierà, la tua visione della fede si farà più pura. Cambiare vuol dir che lo Spirito Santo è all'opera, non importa quanto a lungo tu Lo abbia seguito, tu Lo abbia seguito.
da "La Parola appare nella carne"
Fonte: it.easternlightning.org/hymns/changes-in-disposition.html
i've been looking for new and fun uses for our organic buttermilk, so naturally, after making buttermilk pancakes and waffles, i thought it was time to experiment with doughnuts! holy. waaaaa! it's been a long time since i've had a dougnut fresh out the fryer and i think it might be A Bad Thing to become reacquainted with the chewy, deliciousness. the recipe is basically the same one found on recipezaar with the exception that almost all ingredients are organic and if you're going to make doughnuts properly you must dispense with vegetable oil and shortening and go all the way with organic lard :-)
hoooey, i am going to be everyone's best friend at work tomorrow.
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1 tablespoon dry active yeast
1/2 cup warm water
1/2 cup buttermilk
3 tablespoons lard, melted
3 tablespoons sugar
2-3 cups flour
3 teaspoons baking powder
1 teaspoon salt
lard
2.5 cups sifted powdered sugar
1/4 cup milk
1. Dissolve yeast in warm water in a large bowl; let stand 5 minutes.
2. Add buttermilk, lard, sugar and 1 1/2 cup flour, baking powder and salt; mix well.
3. Add enough remaining flour to make a soft dough.
4. Turn dough onto a floured surface and knead several times.
5. Roll dough to 1/2 inch thick and cut with a 2 1/2 inch doughnut cutter.
6. Place doughnuts on lightly floured surface, cover and let rise 45 minutes or until double in bulk.
7. Heat 2-3 inches of oil to 375°F.
8. Drop in 4 or 5 doughnuts at a time.
9. Cook about 2 minutes or until lightly golden in color, turning once.
10. Drain well on paper towels.
11. Combine 2 1/2 cups powdered sugar with 1/4 cup milk, stir until smooth.
12. Dip each doughnut in glaze while still warm; allow excess glaze to drip off.
13. Cool on wire rack or serve warm.
✰ Credit ✰
Kaithleen's - Ashely Romper - Tres Chic Event
Leven Ink - Spiritual Tattoo - Kinky Event
NEW ATTITUDE
● Tumblr
● Flickr
● Primfeed
More Egypt and Jordan pictures on my site Click here
or for the set of Egypt
Looking back it was the right time to visit Egypt!
Although it was neccessary to have an armed guide through the desert.
Dutch:
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Soms ben je op het verkeerde moment op de verkeerde plaats.
Maar hier hadden we het omgekeerde gevoel.
Erg goed om hier redelijk veilig te kunnen komen.
Maar voor bepaalde gedeelten door de woestijn kregen we een gewapende "gids" extra mee.
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The Great Pyramid of Giza (also known as the Pyramid of Khufu or the Pyramid of Cheops) is the oldest and largest of the three pyramids in the Giza Necropolis bordering what is now El Giza, Egypt. It is the oldest of the Seven Wonders of the Ancient World, and the only one to remain largely intact. Egyptologists believe that the pyramid was built as a tomb for fourth dynasty Egyptian Pharaoh Khufu (Cheops in Greek) over a 10 to 20-year period concluding around 2560 BC. Initially at 146.5 metres (481 feet), the Great Pyramid was the tallest man-made structure in the world for over 3,800 years. Originally, the Great Pyramid was covered by casing stones that formed a smooth outer surface; what is seen today is the underlying core structure. Some of the casing stones that once covered the structure can still be seen around the base. There have been varying scientific and alternative theories about the Great Pyramid's construction techniques. Most accepted construction hypotheses are based on the idea that it was built by moving huge stones from a quarry and dragging and lifting them into place.
There are three known chambers inside the Great Pyramid. The lowest chamber is cut into the bedrock upon which the pyramid was built and was unfinished. The so-called[1] Queen's Chamber and King's Chamber are higher up within the pyramid structure. The Great Pyramid of Giza is the only pyramid in Egypt known to contain both ascending and descending passages. The main part of the Giza complex is a setting of buildings that included two mortuary temples in honor of Khufu (one close to the pyramid and one near the Nile), three smaller pyramids for Khufu's wives, an even smaller "satellite" pyramid, a raised causeway connecting the two temples, and small mastaba tombs surrounding the pyramid for nobles.
Modern Entrance
Today tourists enter the Great Pyramid via the Robbers' Tunnel dug by workmen employed by Caliph al-Ma'mun around AD 820. The tunnel is cut straight through the masonry of the pyramid for approximately 27 metres (89 ft), then turns sharply left to encounter the blocking stones in the Ascending Passage. Unable to remove these stones, the workmen tunnelled up beside them through the softer limestone of the Pyramid until they reached the Ascending Passage. It is possible to enter the Descending Passage from this point, but access is usually forbidden. (Wikipedia)
tag
08C_1214R
08C_1221R
el.godfootsteps.org/videos/follow-the-Holy-Spirits-new-wo...
Εισαγωγή
Εκκλησιαστικοί ύμνοι
Ύμνος των λόγων του Θεού | Ακολούθησε το νέο έργο του Αγίου Πνεύματος και κέρδισε τον έπαινο του Θεού
I
Ν' ακολουθείς
του Αγίου Πνεύματος το έργο
σημαίνει να καταλαβαίνεις
το θέλημα του Θεού του σήμερα,
να ενεργείς όπως ζητάει ο Θεός,
ν' ακολουθείς τον Θεό του σήμερα,
να υπακούς
στις τωρινές Του απαιτήσεις
και να εισέρχεσαι
με τα νεότερα Του λόγια.
Τέτοιοι άνθρωποι ακολουθούν
το έργο του Αγίου Πνεύματος.
Είναι στου Πνεύματος το ρεύμα,
μπορούν να δουν και να λάβουν
του Θεού τον έπαινο.
Θα γνωρίσουν
τις διαθέσεις του Θεού,
απ' την αντίληψη και ανυπακοή
κι απ' τη φύση
και υπόσταση του ανθρώπου.
Η φύση τους θ' αλλάξει
υπηρετώντας τον Θεό.
Μόνο τέτοιοι άνθρωποι
θα μπορέσουν
να κερδίσουν τον Θεό.
Μόνο τέτοιοι άνθρωποι,
που αληθινά έχουν βρει
τον έναν πραγματικό δρόμο.
II
Δεν είναι εύκολο
τη γνώση να κατέχεις
του τελευταίου έργου του Θεού.
Αλλά αν οι άνθρωποι
σκόπιμα υπακούσουν
κι αναζητήσουν το έργο του Θεού,
θα καταφέρουν να δουν τον Θεό
και να κερδίσουν τη νέα
καθοδήγηση του Αγίου Πνεύματος.
Η φύση τους θ' αλλάξει
υπηρετώντας τον Θεό.
Μόνο τέτοιοι άνθρωποι
θα μπορέσουν
να κερδίσουν τον Θεό.
Μόνο τέτοιοι άνθρωποι,
που αληθινά έχουν βρει
τον έναν πραγματικό δρόμο.
III
Αυτοί που στο έργο του Θεού
σκοπίμως εναντιώνονται
δε θα λάβουν
τη διαφώτιση του Πνεύματος
ή την καθοδήγηση του Θεού.
Το αν θα λάβουν
οι άνθρωποι του Θεού
το τελευταίο έργο
εξαρτάται απ' τη χάρη του Θεού
και την επιδίωξή τους,
εξαρτάται απ' τις προθέσεις τους.
Η φύση τους θ' αλλάξει
υπηρετώντας τον Θεό.
Μόνο τέτοιοι άνθρωποι
θα μπορέσουν
να κερδίσουν τον Θεό.
Μόνο τέτοιοι άνθρωποι,
που αληθινά έχουν βρει
τον έναν πραγματικό δρόμο.
από το βιβλίο «Ο Λόγος Ενσαρκώνεται»
χριστιανικοί ύμνοι
Πηγή εικόνας: Εκκλησία του Παντοδύναμου Θεού
Όροι Χρήσης: el.godfootsteps.org/disclaimer.html
el.godfootsteps.org/God-himself-the-unique-ix.html
Αιώνια Ζωή
Ο Θεός λέει:« ...Αφού τα δημιούργησε ο Θεός, βάσει των νόμων που Αυτός καθόρισε, όλα τα πράγματα λειτουργούν και συνεχίζουν να εξελίσσονται κανονικά. Κάτω από το βλέμμα Του, κάτω από τους νόμους Του, τα πάντα εξελίσσονται κανονικά, παράλληλα με την επιβίωση των ανθρώπων. Ούτε ένα πράγμα δεν είναι σε θέση να αλλάξει αυτούς τους νόμους, κι ούτε ένα πράγμα δεν μπορεί να καταστρέψει αυτούς τους νόμους. Χάρη στη διακυβέρνηση του
Θεού μπορούν όλα τα πλάσματα να πολλαπλασιάζονται, και χάρη στη διακυβέρνησή Του και τη διαχείρισή Του όλα τα όντα μπορούν να επιβιώνουν. Αυτό σημαίνει ότι κάτω από τη διακυβέρνηση του Θεού, τα πάντα γεννιούνται, ακμάζουν, εξαφανίζονται και ξαναγεννιούνται με τάξη. Όταν έρχεται η άνοιξη, το ψιλόβροχο φέρνει αυτή την αίσθηση της άνοιξης και υγραίνει τη γη. Το έδαφος αρχίζει να μαλακώνει, το γρασίδι φυτρώνει και βγαίνει προς τα πάνω από το χώμα και τα δένδρα πρασινίζουν σιγά-σιγά. Όλα αυτά τα ζωντανά πλάσματα φέρνουν μια φρέσκια ζωτικότητα στη γη. Αυτή είναι η εικόνα όλων όσα γεννιούνται και ακμάζουν. Επίσης, κάθε είδους ζώα βγαίνουν από τα λαγούμια τους για να νιώσουν τη ζεστασιά της άνοιξης και ξεκινούν μια νέα χρονιά. ... »
από το βιβλίο «Ο Λόγος Ενσαρκώνεται»
Πηγή εικόνας: Εκκλησία του Παντοδύναμου Θεού
el.kingdomsalvation.org/gospel.html
Ευαγγέλιο
Ο Θεός λέει: «Πού θα πας κάθε μέρα, τι θα κάνεις, ποιον ή τι θα συναντήσεις, τι θα πεις, τι θα σου συμβεί — μπορεί να προβλεφθεί τίποτε απ’ αυτά; Οι άνθρωποι δεν μπορούν να προβλέψουν όλα αυτά τα περιστατικά, πόσο μάλλον να ελέγξουν πώς θα εξελιχθούν. Στη ζωή, τα απρόβλεπτα αυτά γεγονότα συμβαίνουν όλη την ώρα και αποτελούν καθημερινό φαινόμενο. Τα καθημερινά αυτά σκαμπανεβάσματα και οι τρόποι που ξεδιπλώνονται ή τα μοτίβα σύμφωνα με τα οποία διαδραματίζονται, αποτελούν, για την ανθρωπότητα, συνεχείς υπενθυμίσεις πως τίποτα δεν συμβαίνει τυχαία και πως η εξελικτική πορεία που παίρνουν αυτά τα πράγματα και το αναπόφευκτο των πραγμάτων αυτών δεν μπορούν να μεταβληθούν από την ανθρώπινη θέληση. Κάθε συμβάν μεταφέρει μια νουθεσία από τον Δημιουργό στην ανθρωπότητα, ενώ στέλνει επίσης το μήνυμα πως τα ανθρώπινα όντα δεν μπορούν να ελέγξουν την ίδια τους τη μοίρα· την ίδια ώρα, κάθε γεγονός αποτελεί ανταπάντηση στην τρελή και άκαρπη φιλοδοξία και επιθυμία της ανθρωπότητας να πάρει τη μοίρα της στα ίδια της τα χέρια. Είναι σαν ισχυρά, επαναλαμβανόμενα ραπίσματα στην ανθρωπότητα, που αναγκάζουν τους ανθρώπους να επανεξετάσουν το ποιος είναι, εν τέλει, αυτός που κυβερνά και ελέγχει τη μοίρα τους. Επιπλέον, καθώς οι φιλοδοξίες και οι επιθυμίες τους καταπνίγονται και γκρεμίζονται ξανά και ξανά, οι άνθρωποι φτάνουν ανεπιτήδευτα σε μια ασυναίσθητη αποδοχή αυτού που τους επιφυλάσσει η μοίρα, μια αποδοχή της πραγματικότητας, του θελήματος του Ουρανού και της κυριαρχίας του Δημιουργού. Από τα καθημερινά αυτά σκαμπανεβάσματα έως τη μοίρα ολόκληρων ανθρωπίνων ζωών, δεν υπάρχει τίποτα που να μην αποκαλύπτει τα σχέδια και την κυριαρχία του Δημιουργού· δεν υπάρχει τίποτα που να μη στέλνει το μήνυμα πως “η εξουσία του Δημιουργού είναι κάτι που δεν υπερβαίνεται”, που δεν μεταφέρει την αιώνια αλήθεια πως “η εξουσία του Δημιουργού είναι υπέρτατη”. ...»
από το βιβλίο «Ο Λόγος Ενσαρκώνεται»
Ευαγγέλιο βιβλία
Πηγή εικόνας: Εκκλησία του Παντοδύναμου Θεού
Όροι Χρήσης: el.kingdomsalvation.org/disclaimer.html
el.kingdomsalvation.org/God-himself-the-unique-vii.html
Το όνομα τού Θεού
Ο Θεός λέει: «Ο Θεός δημιούργησε το σύμπαν και είναι ο Κύριός του· είναι υπεύθυνος γι’ αυτό και μεριμνά γι’ αυτό, καθώς παρακολουθεί την κάθε λέξη και πράξη. Επίσης, επιβλέπει την κάθε γωνιά της ανθρώπινης ζωής. Επομένως, ο Θεός δημιούργησε το σύμπαν και γνωρίζει επακριβώς τη σημασία και την αξία κάθε πράγματος, καθώς και τη λειτουργία του, τη φύση του και τους κανόνες για την επιβίωσή του, σαν την παλάμη του χεριού Του. ...
... Ο Θεός διατηρεί το περιβάλλον στο οποίο ζουν οι άνθρωποι και παρέχει όλα τα πράγματα που χρειάζεται αυτή η ανθρωπότητα. Επιπλέον, διαχειρίζεται και έχει υπό το κράτος Του τα πάντα. Όλα αυτά επιτρέπουν στην ανθρωπότητα να ζει φυσιολογικά και να ευημερεί φυσιολογικά· μ’ αυτόν τον τρόπο ο Θεός μεριμνά για τα πάντα και για την ανθρωπότητα. ... »
από το βιβλίο «Ο Λόγος Ενσαρκώνεται»
πίστη στο θεό
Πηγή εικόνας: Εκκλησία του Παντοδύναμου Θεού
Όροι Χρήσης: el.kingdomsalvation.org/disclaimer.html
•The truth about Yosemite: www.nbcbayarea.com/news/local/Sexual-Harassment-Common-in...
I took the dive and bought a Nikon D600. While waiting for it to arrive; I received an email from a friend of mine, that sent this letter to the US Post Master General. This friend is also a Targeted Individual and a US Army Veteran. I continued to wait for my camera, I kept checking the tracking number for updates, but there were no updates for a whole week. Six days after being shipped and no updated tracking info. Once my camera arrived I took a few of my older lenses, an m42 adapter to the Post Office and this is one that symbolizes many things. When I do have a package or mail to be picked up from my PO Box; one of the local simpletons involved in Community Bases Stalking will be inside waiting, or enter and slam one of the trash containers. These trash containers are heavy metal, bear proof, have very heavy lids on hinges and make a loud slamming noise if someone lets them fall close (this happened again today). The Post Office has a very high ceiling that enhances this. Also, when I have a pickup slip in my box; I will have perps in line stalling. Incidents like these are everyday occurrences for Targeted Individuals. I asked my friend if I could attach his email to this picture and have included it:
My name is Todd Sterling. I live in Lima, Ohio and have been a prior service member. Over the past two years I have become aware of a criminal organization known as organized stalking. Organized stalking is a organized group of citizens empowered by government surveillance technology whose main purpose is to attack a target psychologically and physically. A target is a chosen member of society for any number of socio economic reasons. In some cases a target is placed on the list simply because someone paid to have them placed on the list. This tactic is not new it was discovered that our government was using this weapon against our own people in the 60's. It was dubbed the cointelpro movement and was outlawed by congress. Sadly however it was not dismantled but hidden and redesigned with the progression of technology and cointelpro has now become a domestic terror operation the likes of which have not been seen since Adolf Hitler which is exactly where the program was stolen from. You can learn more about organized stalking at trackastalker.com, trackastalker.net and trackastalker.org and OSI on You Tube. The tactics vary from psychological manipulative attacks to physical home intrusions and property damage that is designed to be carried out over the course of years until the target breaks. One such tactic that we are increasingly becoming aware of is the tampering and interference of a targets mail. We have countless complaints of mail never arriving or arriving days or weeks later. I myself have been a victim of this several times. Although hard to prove, recently we started selling products on line to assist targets families in defense of this hellish nightmare on earth. We sell video cameras, cameras specifically designed to operate inside a targets moving car to gather evidence of organized vehicular stalking while the target is in transit. We went to great pains to video tape the testing and packing and operation of a dual lens car camera to a customer in N Carolina. We paid for priority mail and tracked the package. Something that only should have taken two business days took 6 days to arrive. This is typical of a planned intrusion attempt by infiltrators of the postal system. The package or envelope is rerouted on a delayed route allowing persons unknown to access the package at a variety of locations throughout the US no matter where the target is located so that the item can physically be damaged. I have incidents where utility bills are opened and photocopied we suspect so that the attackers can gain access to the utility holders account information. This is just one example of mail arriving with evidence of it being opened. We suspect that these activities are known to many in the Postal service due to the Patriot Act and permits tampering under terrorism suspicions. Americans are getting tired of being accused of terrorism and having their lives invaded illegally by false allegations permitting people to interfere with our personal lives on a scale not seen since the rise of Adolf Hitler. For this reason, my foundation is conducting an investigation into this complaint and if the camera arrives back in our hands and we investigate it and it is inoperable we will be filing a sf-95 against the US Postal service and suing you in federal court. The number of victims that complain about this act is in the thousands and were tired of being ignored because people in positions of authority simply do not believe us. Something MUST be done to protect our rights and we are going to do everything in our power legally to see this begins to happen. I deeply apologize for the tone of this letter but this foundation was started to begin to defend the rights of these victims and to get our leaders to stand up for us. Simply because a scenario is hard to believe is no reason for it not to be believed. We are giving you a chance to investigate and apprehend those involved in this scenario. Please contact me with any questions.
Warm Regards
R. Todd Sterling CEO/FOUNDER TAPS Foundation
Please take the time to sign these petition links; to help us expose and put a stop to Gang Stalking, Community Based Stalking and Workplace Mobbing:
www.change.org/petitions/attorney-general-kamala-d-harris...
www.change.org/petitions/taps-petition-to-investigate-org...
www.change.org/petitions/u-s-congress-outlaw-organized-ga...
el.godfootsteps.org/videos/result-achieved-by-knowing-God...
Εισαγωγή
Εκκλησιαστικοί ύμνοι
Χριστιανικά τραγούδια «Το Αποτέλεσμα που Επιτυγχάνεται Γνωρίζοντας τον Θεό» Λατρεύουμε τον Θεό με Πνεύμα και Αλήθεια【Α Καπέλα】
Ύμνος των λόγων του Θεού
Κάποια μέρα,
θα νιώσεις ότι ο Δημιουργός
δεν αποτελεί πλέον γρίφο,
ότι ο Δημιουργός ποτέ δε σου έχει κρυφτεί,
ότι ο Δημιουργός
πότε δεν έχει αποκρύψει το πρόσωπό Του από εσένα,
ότι ο Δημιουργός δεν είναι καθόλου μακριά από εσένα,
ότι ο Δημιουργός δεν είναι πλέον Αυτός που συνεχώς ποθείς στις σκέψεις σου
αλλά δεν μπορείς να αγγίξεις με τα αισθήματά σου,
ότι υπαρκτά και αληθινά στέκει φρουρός εξ αριστερών και εκ δεξιών σου,
τροφοδοτεί τη ζωή σου και ελέγχει το πεπρωμένο σου, ελέγχει το πεπρωμένο σου.
Δε βρίσκεται στον μακρινό ορίζοντα, ούτε έχει κρυφτεί ψηλά στα σύννεφα.
Είναι εκεί στο πλευρό σου και κυριαρχεί στο είναι σου,
Είναι όλα όσα έχεις και Είναι το μόνο που έχεις.
Ένας τέτοιος Θεός
σου επιτρέπει να Τον αγαπάς από καρδίας,
να προσκολληθείς πάνω Του, να Τον κρατάς κοντά σου, να Τον θαυμάζεις,
Να φοβάσαι μη τυχόν Τον χάσεις,
Και να είσαι απρόθυμος πλέον να Τον απαρνηθείς, απρόθυμος να Τον παρακούς άλλο
μήτε άλλο να Τον αποφεύγεις ή να Τον κρατάς σε απόσταση.
Το μόνο που θέλεις είναι να νοιάζεσαι γι’ Αυτόν, να Τον υπακούς,
ν’ ανταποδίδεις όλα όσα σου δίνει και να παραδοθείς στην κυριαρχία Του.
Δεν αρνείσαι άλλο να καθοδηγηθείς,
να τροφοδοτηθείς, να προστατευθείς και να σε φυλάει Αυτός,
δεν αρνείσαι πλέον ότι σου επιτάσσει και ορίζει για εσένα,
ότι σου επιτάσσει και ορίζει για εσένα.
Το μόνο που θέλεις είναι να Τον ακολουθείς, να περπατάς πλάι Του εξ αριστερών ή εκ δεξιών Του,
να Τον ακολουθείς, να περπατάς πλάι Του εξ αριστερών ή εκ δεξιών Του,
το μόνο που θέλεις είναι να Τον αποδεχθείς σαν Τον ένα και μοναδικό Κύριο σου,
το μόνο που θέλεις είναι να Τον αποδεχθείς σαν Τον ένα και μοναδικό Κύριο σου,
Τον ένα και μοναδικό Θεό.
Εσύ πλέον δεν
Εσύ πλέον δεν
Εσύ πλέον δεν
Εσύ πλέον δεν
αρνείσαι να καθοδηγηθείς, τροφοδοτηθείς, να προστατευθείς και να σε φυλάει Αυτός.
πλέον δεν αρνείσαι
πλέον δεν αρνείσαι
πλέον δεν αρνείσαι
πλέον δεν αρνείσαι
ότι σου επιτάσσει και ορίζει για εσένα, ότι σου επιτάσσει και ορίζει για εσένα.
Το μόνο που θέλεις είναι να Τον ακολουθείς, να περπατάς πλάι Του εξ αριστερών ή εκ δεξιών Του,
να Τον ακολουθείς, να περπατάς πλάι Του εξ αριστερών ή εκ δεξιών Του,
το μόνο που θέλεις είναι να Τον αποδεχθείς σαν τον ένα και μοναδικό Κύριο σου,
το μόνο που θέλεις είναι να τον αποδεχθείς σαν τον ένα και μοναδικό Κύριο σου, τον ένα και μοναδικό Θεό σου.
Το μόνο που θέλεις είναι να Τον ακολουθείς, να περπατάς πλάι Του εξ αριστερών ή εκ δεξιών Του,
να Τον ακολουθείς, να περπατάς πλάι Του εξ αριστερών ή εκ δεξιών Του,
το μόνο που θέλεις είναι να Τον αποδεχθείς σαν τον ένα και μοναδικό Κύριο σου,
το μόνο που θέλεις είναι να Τον αποδεχθείς σαν τον ένα και μοναδικό Κύριο σου,
τον ένα και μοναδικό Θεό σου.
Τραγούδια Χριστιανικά
Πηγή εικόνας: Εκκλησία του Παντοδύναμου Θεού
Όροι Χρήσης: el.godfootsteps.org/disclaimer.html
Tracey Clark's Picture Fall Day 25: Fall Colors (Day 24 is missing -- will get to that eventually, I hope)
* * * * *
This summer I went through some kind of hell that I am still unable to be open about, and everyone here was so understanding. I want to thank you all. Things are not back to normal, but we are our of crisis mode. Taking photos and sharing them with my friends on Flickr is one of the things that's helped keep my head above water.
Four of you wrote me really lovely Flickr testimonials during this time, and I was so overwhelmed, I didn't even notice at first and once I did notice, although each testimonial brought me some much-appreciated sunshine, I never gave proper thank you's.
So I am sorry this took me so long, but on Saturday, when I saw this heart, I immediately thought of the love I wanted to show Anya, Gudrun, Aia, and Holly for their testimonials. I encourage everyone to visit their streams. They live in four different countries, but they all share an expressiveness in their photography that never fails to touch me. They all have many facets to their creativity. I will limit myself here to writing just a few of the things I love about each of them.
Anya's self-portraits are what drew me into her stream. There are so many things I love about them, but one is her use of space, using herself as part of a landscape. Anya is a woman of few words, but she doesn't need them -- her photos tell stories. There is calmness and love in Anya's photos that always soothes me.
Gudrun, is a designer, and it shows in her photography. Her composition, colors, crisp white backgrounds, and creative use of a wide angle lens and interesting perspectives are what jump out at me. She is a wonderful photographer, but I also get the sense that everything she touches takes on her beautiful sense of design. Her son, Torfi, is one of the most adorable children you will ever see -- he makes a great model.
I have known Aia for a long time now -- on another photography forum before I started taking flickr seriously (and that was nearly a year ago), and I feel like we've grown together. I've watched her progress in her gear and her skills, and I've always loved the way she shows quiet emotion in all her photos. Nowadays, she shoots almost entirely with film, and it's a joy to see what comes out of that camera.
Following Holly's stream is like reading the ongoing autobiography of a fascinating woman. Whether she's in the wilderness of South Africa or cruising her own neighborhood in Philadelphia, she takes photos with a journalistic flair. It is as fun to read what she writes about her photos as to see the photos themselves. She writes about the world around her and about her inner soul and always inspires me.
Thank you all for your testimonials and your ongoing friendship and support.
EDIT: I had Gudrun and Aia's links mixed up. They're fixed now.
www.youtube.com/watch?v=Vx8uim3xnf4
gabbyjaws.blogspot.com/2024/12/santa-can-you-hear-me.html
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