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¿Cómo reconocer la voz de Dios para recibir al Señor? (IV) Mediante la promesa de Dios
El Señor Jesús dijo: “[…] porque voy a preparar un lugar para vosotros. Y si me voy y preparo un lugar para vosotros, vendré otra vez y os tomaré conmigo; para que donde yo estoy, allí estéis también vosotros” (Juan 14:2-3). El Apocalipsis profetiza: “Entonces oí una gran voz que decía desde el trono: He aquí, el tabernáculo de Dios está entre los hombres, y Él habitará entre ellos y ellos serán su pueblo, y Dios mismo estará entre ellos. Él enjugará toda lágrima de sus ojos, y ya no habrá muerte, ni habrá más duelo, ni clamor, ni dolor, porque las primeras cosas han pasado” (Apocalipsis 21:3-4).
Algunas personas en Internet testifican que el Señor ha regresado y ha expresado nuevas palabras, y un párrafo de las cuales dice: “A medida que Mis palabras quedan consumadas, el reino se forma poco a poco en la tierra y el hombre regresa gradualmente a la normalidad, y, así, se establece en la tierra el reino que yace en Mi corazón. En el reino, todo el pueblo de Dios recupera la vida del hombre normal. Se ha ido el invierno helado, reemplazado por un mundo de ciudades primaverales, donde la primavera perdura todo el año. Ya las personas no se enfrentan al mundo sombrío y miserable del hombre y ya no sufren el frío gélido del mundo del hombre. Las personas ya no pelean entre sí, los países ya no se enfrentan en guerras, ya no hay más matanzas ni la sangre que fluye de la matanza; todas las tierras están llenas de felicidad, y en todas partes rebosa el calor entre los hombres. Me muevo por todo el mundo, disfruto desde lo alto de Mi trono y vivo entre las estrellas. Los ángeles me ofrecen nuevas canciones y nuevos bailes. Ya su propia fragilidad no causa que lágrimas corran por su rostro. Ya no escucho en Mi presencia el sonido del llanto de los ángeles, y ya nadie se queja conmigo de las adversidades. Hoy, todos vosotros vivís en Mi presencia; mañana, todos vosotros existiréis en Mi reino. ¿No es esta la mayor bendición que le confiero al hombre?”.
“Cuando los humanos hayan sido restaurados a su semejanza original y cuando puedan cumplir sus deberes respectivos, permanecer en su sitio adecuado y someterse a todos los planes de Dios, Dios habrá ganado un grupo de personas sobre la tierra que lo adoran y también habrá establecido un reino sobre la tierra que lo adora. Tendrá una victoria eterna sobre la tierra y todos aquellos que se le oponen perecerán por toda la eternidad. Esto restaurará Su intención original al crear la humanidad; restaurará Su intención en crear todas las cosas y también restaurará Su autoridad sobre la tierra, entre todas las cosas y entre Sus enemigos. Estos serán los símbolos de Su victoria total. En adelante, la humanidad entrará en el reposo y empezará una vida que está en el camino correcto. Dios también entrará en el reposo eterno con la humanidad y comenzará una vida eterna que compartirán Dios y los humanos. La inmundicia y la desobediencia sobre la tierra habrán desaparecido, así como los lamentos sobre la tierra y todo lo que en este mundo se opone a Dios no existirá. Solo Dios y esas personas a las que Él ha llevado a la salvación permanecerán; solo Su creación permanecerá”.
De las promesas de Dios a la humanidad, se puede ver que la vida futura del hombre en la tierra será feliz y alegre sin lágrimas ni dolor, porque en ese momento el diablo y el malvado no estarán en el poder, y todos los hombres se someterán y adorarán a Dios sin la perturbación de Satanás, viviendo en Sus bendiciones y protección. Hasta aquí, pensemos en esto: ¿Quién puede revelar la hermosa vida de la humanidad en medio del reino? Solo Dios mismo. ¿No prueba esto que Aquel que pronuncia las palabras anteriores es el Señor regresado?
Las escrituras tomadas de LA BIBLIA DE LAS AMERICAS® (LBLA) Copyright © 1986, 1995, 1997 por The Lockman Foundation usado con permiso. www.LBLA.com.
Shot in-world, on location.
Simple editing.
Read about it here: narikookawa.blogspot.com/2014/01/inside-chanel-lion.html
*Unique - Seasonal | Celebrational lino cut prints.
Affordable limited editions, oil based on quality papers
Xestotrogus nitens - a very rare beetle of the Melolonthidae family.
Found by George Konstantinou in Geri, Nicosia, Cyprus in December 2015.
Subkingdom: Eumetazoa
Phylum: Arthropoda
Subphylum: Hexapoda
Class: Insecta
Order: Coleoptera
Suborder: Polyphaga
Infraorder: Scarabaeiformia
Superfamily: Scarabaeoidea
Family: Melolonthidae
Subfamily: Melolonthinae
Tribe: ?
Genus: Xestotrogus
Species: nitens
Nikon D750 & Venus 60mm f/2.8 2:1 Ultra-Macro
1/200, ISO 100, f/16, SB900 diffused flash
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ALBANIA
Albanian Trilogy: A Series of Devious Stratagems
Armando Lulaj
Commissioner: Ministry of Culture. Curator: Marco Scotini. Deputy Curator: Andris Brinkmanis. Venue: Pavilion at Arsenale
ANDORRA
Inner Landscapes
Roqué, Joan Xandri
Commissioner: Henry Périer. Deputy Commissioner: Joana Baygual, Sebastià Petit, Francesc Rodríguez
Curator: Paolo de Grandis, Josep M. Ubach. Venue: Spiazzi, Castello 3865
ANGOLA
On Ways of Travelling
António Ole, Binelde Hyrcan, Délio Jasse, Francisco Vidal, Nelo Teixeira
Commissioner: Ministry of Culture, Rita Guedes Tavares. Curator: António Ole. Deputy Curator: Antonia Gaeta. Venue: Conservatorio Benedetto Marcello - Palazzo Pisani, San Marco 2810
ARGENTINA
The Uprising of Form
Juan Carlos Diste´fano
Commissioner: Magdalena Faillace. Curator: Mari´a Teresa Constantin. Venue: Pavilion at Arsenale – Sale d’Armi
ARMENIA, Republic of
Armenity / Haiyutioun
Haig Aivazian, Lebanon; Nigol Bezjian, Syria/USA; Anna Boghiguian Egypt/Canada; Hera Büyüktasçiyan, Turkey; Silvina Der-Meguerditchian, Argentina/Germany; Rene Gabri & Ayreen Anastas, Iran/Palestine/USA; Mekhitar Garabedian, Belgium; Aikaterini Gegisian, Greece; Yervant Gianikian & Angela Ricci Lucchi, Italy; Aram Jibilian, USA; Nina Katchadourian, USA/Finland; Melik Ohanian, France; Mikayel Ohanjanyan, Armenia/Italy; Rosana Palazyan, Brazil; Sarkis, Turkey/France; Hrair Sarkissian, Syria/UK
Commissioner: Ministry of Culture of the Republic of Armenia. Deputy Commissioner: Art for the World, Mekhitarist Congregation of San Lazzaro Island, Embassy of the Republic of Armenia in Italy, Vartan Karapetian. Curator: Adelina Cüberyan von Fürstenberg. Venue: Monastery and Island of San Lazzaro degli Armeni
AUSTRALIA
Fiona Hall: Wrong Way Time
Fiona Hall
Commissioner: Simon Mordant AM. Deputy Commissioner: Charles Green. Curator: Linda Michael. Scientific Committee: Simon Mordant AM, Carolyn Christov-Bakargiev, Max Delany, Rachel Kent, Danie Mellor, Suhanya Raffel, Leigh Robb. Venue: Pavilion at Giardini
AUSTRIA
Heimo Zobernig
Commissioner: Yilmaz Dziewior. Curator: Yilmaz Dziewior. Scientific Committee: Friends of the Venice Biennale. Venue: Pavilion at Giardini
AZERBAIJAN, Republic of
Beyond the Line
Ashraf Murad, Javad Mirjavadov, Tofik Javadov, Rasim Babayev, Fazil Najafov, Huseyn Hagverdi, Shamil Najafzada
Commissioner: Heydar Aliyev Foundation. Curators: de Pury de Pury, Emin Mammadov. Venue: Palazzo Lezze, Campo S.Stefano, San Marco 2949
Vita Vitale
Edward Burtynsky, Mircea Cantor, Loris Cecchini, Gordon Cheung, Khalil Chishtee, Tony Cragg, Laura Ford, Noemie Goudal, Siobhán Hapaska, Paul Huxley, IDEA laboratory and Leyla Aliyeva, Chris Jordan with Rebecca Clark and Helena S.Eitel, Tania Kovats, Aida Mahmudova, Sayyora Muin, Jacco Olivier, Julian Opie, Julian Perry, Mike Perry, Bas Princen, Stephanie Quayle, Ugo Rondinone, Graham Stevens, Diana Thater, Andy Warhol, Bill Woodrow, Erwin Wurm, Rose Wylie
Commissioner: Heydar Aliyev Foundation. Curators: Artwise: Susie Allen, Laura Culpan, Dea Vanagan. Venue: Ca’ Garzoni, San Marco 3416
BELARUS, Republic of
War Witness Archive
Konstantin Selikhanov
Commissioner: Natallia Sharanhovich. Deputy Commissioners: Alena Vasileuskaya, Kamilia Yanushkevich. Curators: Aleksei Shinkarenko, Olga Rybchinskaya. Scientific Committee: Dmitry Korol, Daria Amelkovich, Julia Kondratyuk, Sergei Jeihala, Sheena Macfarlane, Yuliya Heisik, Hanna Samarskaya, Taras Kaliahin, Aliaksandr Stasevich. Venue: Riva San Biagio, Castello 2145
BELGIUM
Personnes et les autres
Vincent Meessen and Guests, Mathieu K. Abonnenc, Sammy Baloji, James Beckett, Elisabetta Benassi, Patrick Bernier & Olive Martin, Tamar Guimara~es & Kasper Akhøj, Maryam Jafri, Adam Pendleton
Commissioner: Wallonia-Brussels Federation and Wallonia-Brussels International. Curator: Katerina Gregos. Venue: Pavilion at Giardini
COSTA RICA
"Costa Rica, Paese di pace, invita a un linguaggio universale d'intesa tra i popoli".
Andrea Prandi, Beatrice Gallori, Beth Parin, Biagio Schembari, Carla Castaldo, Celestina Avanzini, Cesare Berlingeri, Erminio Tansini, Fabio Capitanio, Fausto Beretti, Giovan Battista Pedrazzini, Giovanni Lamberti, Giovanni Tenga, Iana Zanoskar, Jim Prescott, Leonardo Beccegato, Liliana Scocco, Lucia Bolzano, Marcela Vicuna, Marco Bellagamba, Marco Lodola, Maria Gioia dell’Aglio, Mario Bernardinello, Massimo Meucci, Nacha Piattini, Omar Ronda, Renzo Eusebi, Tita Patti, Romina Power, Rubens Fogacci, Silvio di Pietro, Stefano Sichel, Tino Stefanoni, Ufemia Ritz, Ugo Borlenghi, Umberto Mariani, Venere Chillemi, Jacqueline Gallicot Madar, Massimo Onnis, Fedora Spinelli
Commissioner: Ileana Ordonez Chacon. Curator: Gregorio Rossi. Venue: Palazzo Bollani
CROATIA
Studies on Shivering: The Third Degree
Damir Ocko
Commissioner: Ministry of Culture. Curator: Marc Bembekoff. Venue: Palazzo Pisani, S. Marina
CUBA
El artista entre la individualidad y el contexto
Lida Abdul, Celia-Yunior, Grethell Rasúa, Giuseppe Stampone, LinYilin, Luis Edgardo Gómez Armenteros, Olga Chernysheva, Susana Pilar Delahante Matienzo
Commissioner: Miria Vicini. Curators: Jorge Fernández Torres, Giacomo Zaza. Venue: San Servolo Island
CYPRUS, Republic of
Two Days After Forever
Christodoulos Panayiotou
Commissioner: Louli Michaelidou. Deputy Commissioner: Angela Skordi. Curator: Omar Kholeif. Deputy Curator: Daniella Rose King. Venue: Palazzo Malipiero, Sestiere San Marco 3079
CZECH Republic and SLOVAK Republic
Apotheosis
Jirí David
Commissioner: Adam Budak. Deputy Commissioner: Barbara Holomkova. Curator: Katarina Rusnakova. Venue: Pavilion at Giardini
ECUADOR
Gold Water: Apocalyptic Black Mirrors
Maria Veronica Leon Veintemilla in collaboration with Lucia Vallarino Peet
Commissioner: Andrea Gonzàlez Sanchez. Deputy Commissioner: PDG Arte Communications. Curator: Ileana Cornea. Deputy Curator: Maria Veronica Leon Veintemilla. Venue: Istituto Santa Maria della Pietà, Castello 3701
ESTONIA
NSFW. From the Abyss of History
Jaanus Samma
Commissioner: Maria Arusoo. Curator: Eugenio Viola. Venue: Palazzo Malipiero, campo San Samuele, San Marco 3199
EGYPT
CAN YOU SEE
Ahmed Abdel Fatah, Gamal Elkheshen, Maher Dawoud
Commissioner: Hany Al Ashkar. Curator: Ministry of Culture. Venue: Pavilion at Giardini
FINLAND (Pavilion Alvar Aalto)
Hours, Years, Aeons
IC-98
Commissioner: Frame Visual Art Finland, Raija Koli. Curator: Taru Elfving. Deputy Curator: Anna Virtanen. Venue: Pavilion at Giardini
FRANCE
revolutions
Céleste Boursier-Mougenot
Commissioner: Institut français, with Ministère de la Culture et de la Communication. Curator: Emma Lavigne. Venue: Pavilion at Giardini
GEORGIA
Crawling Border
Rusudan Gobejishvili Khizanishvili, Irakli Bluishvili, Dimitri Chikvaidze, Joseph Sabia
Commissioner: Ana Riaboshenko. Curator: Nia Mgaloblishvili. Venue: Pavilion at Arsenale – Sale d’Armi
GERMANY
Fabrik
Jasmina Metwaly / Philip Rizk, Olaf Nicolai, Hito Steyerl, Tobias Zielony
Commissioner: ifa (Institut für Auslandsbeziehungen) on behalf of the Federal Foreign Office. Deputy Commissioner: Elke aus dem Moore, Nina Hülsmeier. Curator: Florian Ebner. Deputy Curator: Tanja Milewsky, Ilina Koralova. Venue: Pavilion at Giardini
GREAT BRITAIN
Sarah Lucas
Commissioner: Emma Dexter. Curator: Richard Riley. Deputy Curator: Katrina Schwarz. Venue: Pavilion at Giardini
GRENADA *
Present Nearness
Oliver Benoit, Maria McClafferty, Asher Mains, Francesco Bosso and Carmine Ciccarini, Guiseppe Linardi
Commissioner: Ministry of Culture. Deputy Commissioner: Susan Mains. Curator: Susan Mains. Deputy Curator: Francesco Elisei. Venue: Opera don Orione Artigianelli, Sala Tiziano, Fondamenta delle Zattere ai Gesuati, Dorsoduro 919
GREECE
Why Look at Animals? AGRIMIKÁ.
Maria Papadimitriou
Commissioner: Hellenic Ministry of Culture, Education and Religious Affairs. Curator: Gabi Scardi. Deputy Curator: Alexios Papazacharias. Venue: Pavilion at Giardini
BRAZIL
So much that it doesn't fit here
Antonio Manuel, André Komatsu, Berna Reale
Commissioner: Luis Terepins. Curator: Luiz Camillo Osorio. Deputy Curator: Cauê Alves. Venue: Pavilion at Giardini
CANADA
Canadassimo
BGL
Commissioner: National Gallery of Canada, Marc Mayer. Deputy Commissioner: National Gallery of Canada, Yves Théoret. Curator: Marie Fraser. Venue: Pavilion at Giardini
CHILE
Poéticas de la disidencia | Poetics of dissent: Paz Errázuriz - Lotty Rosenfeld
Paz Errázuriz, Lotty Rosenfeld
Commissioner: Antonio Arèvalo. Deputy Commissioner: Juan Pablo Vergara Undurraga. Curator: Nelly Richard. Venue: Pavilion at Arsenale - Artiglierie
CHINA, People’s Republic of
Other Future
LIU Jiakun, LU Yang, TAN Dun, WEN Hui/Living Dance Studio, WU Wenguang/Caochangdi Work Station
Commissioner: China Arts and Entertainment Group, CAEG. Deputy Commissioners: Zhang Yu, Yan Dong. Curator: Beijing Contemporary Art Foundation. Scientific Committee: Fan Di’an, Zhang Zikang, Zhu Di, Gao Shiming, Zhu Qingsheng, Pu Tong, Shang Hui. Venue: Pavilion at Arsenale – Giardino delle Vergini
GUATEMALA
Sweet Death
Emma Anticoli Borza, Sabrina Bertolelli, Mariadolores Castellanos, Max Leiva, Pier Domenico Magri, Adriana Montalto, Elmar Rojas (Elmar René Rojas Azurdia), Paolo Schmidlin, Mónica Serra, Elsie Wunderlich, Collettivo La Grande Bouffe
Commissioner: Daniele Radini Tedeschi. Curators: Stefania Pieralice, Carlo Marraffa, Elsie Wunderlich. Deputy Curators: Luciano Carini, Simone Pieralice. Venue: Officina delle Zattere, Dorsoduro 947, Fondamenta Nani
HOLY SEE
Commissioner: Em.mo Card. Gianfranco Ravasi, Presidente del Pontificio Consiglio della Cultura. Venue: Pavilion at Arsenale – Sale d’Armi
HUNGARY
Sustainable Identities
Szilárd Cseke
Commissioner: Monika Balatoni. Deputy Commissioner: István Puskás, Sándor Fodor, Anna Karády. Curator: Kinga German. Venue: Pavilion at Giardini
ICELAND
Christoph Büchel
Commissioner: Björg Stefánsdóttir. Curator: Nína Magnúsdóttir. Venue: to be confirmed
INDONESIA, Republic of
Komodo Voyage
Heri Dono
Commissioner: Sapta Nirwandar. Deputy Commissioner: Soedarmadji JH Damais. Curator: Carla Bianpoen, Restu Imansari Kusumaningrum. Scientific Committee: Franco Laera, Asmudjo Jono Irianto, Watie Moerany, Elisabetta di Mambro. Venue: Venue: Arsenale
IRAN
Iranian Highlights
Samira Alikhanzaradeh, Mahmoud Bakhshi Moakhar, Jamshid Bayrami, Mohammed Ehsai
The Great Game
Lida Abdul, Bani Abidi, Adel Abidin, Amin Agheai, Ghodratollah Agheli, Shahriar Ahmadi, Parastou Ahovan, Farhad Ahrarnia, Rashad Alakbarov, Nazgol Ansarinia, Reza Aramesh, Alireza Astaneh, Sonia Balassanian, Mahmoud Bakhshi, Moakhar Wafaa Bilal, Mehdi Farhadian, Monir Farmanfarmaian, Shadi Ghadirian, Babak Golkar, Shilpa Gupta, Ghasem Hajizadeh, Shamsia Hassani, Sahand Hesamiyan, Sitara Ibrahimova, Pouran Jinchi, Amar Kanwar, Babak Kazemi, Ryas Komu, Ahmad Morshedloo, Farhad Moshiri, Mehrdad Mohebali, Huma Mulji, Azad Nanakeli, Jamal Penjweny, Imran Qureshi, Sara Rahbar, Rashid Rana, T.V. Santhosh, Walid Siti, Mohsen Taasha Wahidi, Mitra Tabrizian, Parviz Tanavoli, Newsha Tavakolian, Sadegh Tirafkan, Hema Upadhyay, Saira Wasim
Commissioner: Majid Mollanooruzi. Deputy Commissioners: Marco Meneguzzo, Mazdak Faiznia. Curators: Marco Meneguzzo, Mazdak Faiznia. Venue: Calle San Giovanni 1074/B, Cannaregio
IRAQ
Commissioner: Ruya Foundation for Contemporary Culture in Iraq (RUYA). Deputy Commissioner: Nuova Icona - Associazione Culturale per le Arti. Curator: Philippe Van Cauteren. Venue: Ca' Dandolo, San Polo 2879
IRELAND
Adventure: Capital
Sean Lynch
Commissioner: Mike Fitzpatrick. Curator: Woodrow Kernohan. Venue: Pavilion at Arsenale - Artiglierie
ISRAEL
Tsibi Geva | Archeology of the Present
Tsibi Geva
Commissioner: Arad Turgem, Michael Gov. Curator: Hadas Maor. Venue: Pavilion at Giardini
ITALY
Ministero dei Beni e delle attività culturali e del turismo - Direzione Generale Arte e Architettura Contemporanee e Periferie Urbane. Commissioner: Federica Galloni. Curator: Vincenzo Trione. Venue: Padiglione Italia, Tese delle Vergini at Arsenale
JAPAN
The Key in the Hand
Chiharu Shiota
Commissioner: The Japan Foundation. Deputy Commissioner: Yukihiro Ohira, Manako Kawata and Haruka Nakajima. Curator: Hitoshi Nakano. Venue : Pavilion at Giardini
KENYA
Creating Identities
Yvonne Apiyo Braendle-Amolo, Qin Feng, Shi Jinsong, Armando Tanzini, Li Zhanyang, Lan Zheng Hui, Li Gang, Double Fly Art Center
Commissioner: Paola Poponi. Curator: Sandro Orlandi Stagl. Deputy Curator: Ding Xuefeng. Venue: San Servolo Island
KOREA, Republic of
The Ways of Folding Space & Flying
MOON Kyungwon & JEON Joonho
Commissioner: Sook-Kyung Lee. Curator: Sook-Kyung Lee. Venue: Pavilion at Giardini
KOSOVO, Republic of
Speculating on the blue
Flaka Haliti
Commissioner: Ministry of Culture, Youth and Sports. Curator: Nicolaus Schafhausen. Deputy Curator: Katharina Schendl. Venue: Pavilion at Arsenale - Artiglierie
LATVIA
Armpit
Katrina Neiburga, Andris Eglitis
Commissioner: Solvita Krese (Latvian Centre for Contemporary Art). Deputy Commissioner: Kitija Vasiljeva. Curator: Kaspars Vanags. Venue: Pavilion at Arsenale
LITHUANIA
Museum
Dainius Liškevicius
Commissioner: Vytautas Michelkevicius. Deputy Commissioner: Rasa Antanaviciute. Curator: Vytautas Michelkevicius. Venue: Palazzo Zenobio, Fondamenta del Soccorso 2569, Dorsoduro
LUXEMBOURG, Grand Duchy of
Paradiso Lussemburgo
Filip Markiewicz
Commissioner: Ministry of Culture. Deputy Commissioner: MUDAM Luxembourg. Curator: Paul Ardenne. Venue: Cà Del Duca, Corte del Duca Sforza, San Marco 3052
MACEDONIA, Former Yugoslavian Republic of
We are all in this alone
Hristina Ivanoska and Yane Calovski
Commissioner: Maja Nedelkoska Brzanova, National Gallery of Macedonia. Deputy Commissioner: Olivija Stoilkova. Curator: Basak Senova. Deputy Curator: Maja Cankulovska Mihajlovska. Venue: Pavilion at Arsenale - Sale d’Armi
MAURITIUS *
From One Citizen You Gather an Idea
Sultana Haukim, Nirmal Hurry, Alix Le Juge, Olga Jürgenson, Helge Leiberg, Krishna Luchoomun, Neermala Luckeenarain, Kavinash Thomoo, Bik Van Der Pol, Laure Prouvost, Vitaly Pushnitsky, Römer + Römer
Commissioner: pARTage. Curators: Alfredo Cramerotti, Olga Jürgenson. Venue: Palazzo Flangini - Canareggio 252
MEXICO
Possesing Nature
Tania Candiani, Luis Felipe Ortega
Commissioner: Tomaso Radaelli. Deputy Commissioner: Magdalena Zavala Bonachea. Curator: Karla Jasso. Venue: Pavilion at Arsenale – Sale d’Armi
MONGOLIA *
Other Home
Enkhbold Togmidshiirev, Unen Enkh
Commissioner: Gantuya Badamgarav, MCASA. Curator: Uranchimeg Tsultemin. Scientific Committee: David A Ross, Boldbaatar Chultemin. Venue: European Cultural Centre - Palazzo Mora
MONTENEGRO
,,Ti ricordi Sjecaš li se You Remember "
Aleksandar Duravcevic
Commissioner/Curator: Anastazija Miranovic. Deputy Commissioner: Danica Bogojevic. Venue: Palazzo Malipiero (piano terra), San Marco 3078-3079/A, Ramo Malipiero
MOZAMBIQUE, Republic of *
Theme: Coexistence of Tradition and Modernity in Contemporary Mozambique
Mozambique Artists
Commissioner: Joel Matias Libombo. Deputy Commissioner: Gilberto Paulino Cossa. Curator: Comissariado-Geral para a Expo Milano 2015. Venue: Pavilion at Arsenale
NETHERLANDS, The
herman de vries - to be all ways to be
herman de vries
Commissioner: Mondriaan Fund. Curators: Colin Huizing, Cees de Boer. Venue: Pavilion ar Giardini
NEW ZEALAND
Secret Power
Simon Denny
Commissioner: Heather Galbraith. Curator: Robert Leonard. Venue: Biblioteca Nazionale Marciana, Marco Polo Airport
NORDIC PAVILION (NORWAY)
Camille Norment
Commissioner: OCA, Office for Contemporary Art Norway. Curator: Katya García-Antón. Deputy Curator: Antonio Cataldo. Venue: Pavilion at Giardini
PERU
Misplaced Ruins
Gilda Mantilla and Raimond Chaves
Commissioner: Armando Andrade de Lucio. Curator: Max Hernández-Calvo. Venue: Pavilion at Arsenale – Sale d’Armi
PHILIPPINES
Tie a String Around the World
Manuel Conde, Carlos Francisco, Manny Montelibano, Jose Tence Ruiz
Commissioner: National Commission for Culture and the Arts (NCCA), Felipe M. de Leon Jr. Curator: Patrick D. Flores. Venue: European Cultural Centre - Palazzo Mora
POLAND
Halka/Haiti. 18°48’05”N 72°23’01”W
C.T. Jasper, Joanna Malinowska
Commissioner: Hanna Wróblewska. Deputy Commissioner: Joanna Wasko. Curator: Magdalena Moskalewicz. Venue: Pavilion at Giardini
PORTUGAL
I Will Be Your Mirror / poems and problems
João Louro
Commissioner/Curator: María de Corral. Venue: Palazzo Loredan, campo S. Stefano
ROMANIA
Adrian Ghenie: Darwin’s Room
Adrian Ghenie
Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Mihai Pop. Venue: Pavilion at Giardini
Inventing the Truth. On Fiction and Reality
Michele Bressan, Carmen Dobre-Hametner, Alex Mirutziu, Lea Rasovszky, Stefan Sava, Larisa Sitar
Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Diana Marincu. Deputy Curators: Ephemair Association (Suzana Dan and Silvia Rogozea). Venue: New Gallery of the Romanian Institute for Culture and Humanistic Research in Venice
RUSSIA
The Green Pavilion
Irina Nakhova
Commissioner: Stella Kesaeva. Curator: Margarita Tupitsyn. Venue: Pavilion at Giardini
SERBIA
United Dead Nations
Ivan Grubanov
Commissioner: Lidija Merenik. Deputy Commissioner: Ana Bogdanovic. Curator: Lidija Merenik. Deputy Curator: Ana Bogdanovic. Scientific Committee: Jovan Despotovic. Venue: Pavilion at Giardini
SAN MARINO
Repubblica di San Marino “ Friendship Project “ China
Xu De Qi, Liu Dawei, Liu Ruo Wang, Ma Yuan, Li Lei, Zhang Hong Mei, Eleonora Mazza, Giuliano Giulianelli, Giancarlo Frisoni, Tony Margiotta, Elisa Monaldi, Valentina Pazzini
Commissioner: Istituti Culturali della Repubblica di San Marino. Curator: Vincenzo Sanfo. Venue: TBC
SEYCHELLES, Republic of *
A Clockwork Sunset
George Camille, Léon Wilma Loïs Radegonde
Commissioner: Seychelles Art Projects Foundation. Curators: Sarah J. McDonald, Victor Schaub Wong. Venue: European Cultural Centre - Palazzo Mora
SINGAPORE
Sea State
Charles Lim Yi Yong
Commissioner: Paul Tan, National Arts Council, Singapore. Curator: Shabbir Hussain Mustafa. Scientific Committee: Eugene Tan, Kathy Lai, Ahmad Bin Mashadi, June Yap, Emi Eu, Susie Lingham, Charles Merewether, Randy Chan. Venue: Pavilion at Arsenale – Sale d’Armi
SLOVENIA, Republic of
UTTER / The violent necessity for the embodied presence of hope
JAŠA
Commissioner: Simona Vidmar. Deputy Commissioner: Jure Kirbiš. Curators: Michele Drascek and Aurora Fonda. Venue: Pavilion at Arsenale - Artiglierie
SPAIN
Los Sujetos (The Subjects)
Pepo Salazar, Cabello/Carceller, Francesc Ruiz, + Salvador Dalí
Commissioner: Ministerio Asuntos Exteriores. Gobierno de España. Curator: Marti Manen. Venue: Pavilion at Giardini
SYRIAN ARAB REPUBLIC
Origini della civiltà
Narine Ali, Ehsan Alar, Felipe Cardeña, Fouad Dahdouh, Aldo Damioli, Svitlana Grebenyuk, Mauro Reggio, Liu Shuishi, Nass ouh Zaghlouleh, Andrea Zucchi, Helidon Xhixha
Commissioner: Christian Maretti. Curator: Duccio Trombadori. Venue: Redentore – Giudecca, San Servolo Island
SWEDEN
Excavation of the Image: Imprint, Shadow, Spectre, Thought
Lina Selander
Commissioner: Ann-Sofi Noring. Curator: Lena Essling. Venue: Pavilion at Arsenale
SWITZERLAND
Our Product
Pamela Rosenkranz
Commissioner: Swiss Arts Council Pro Helvetia, Sandi Paucic and Marianne Burki. Deputy-Commissioner: Swiss Arts Council Pro Helvetia, Rachele Giudici Legittimo. Curator: Susanne Pfeffer. Venue: Pavilion at Giardini
THAILAND
Earth, Air, Fire & Water
Kamol Tassananchalee
Commissioner: Chai Nakhonchai, Office of Contemporary Art and Culture (OCAC), Ministry of Culture. Curator: Richard David Garst. Deputy Curator: Pongdej Chaiyakut. Venue: Paradiso Gallerie, Giardini della Biennale, Castello 1260
TURKEY
Respiro
Sarkis
Commissioner: Istanbul Foundation for Culture and Arts. Curator: Defne Ayas. Deputy Curator: Ozge Ersoy. Venue: Pavilion at Arsenale – Sale d’Armi
TUVALU
Crossing the Tide
Vincent J.F. Huang
Commissioner: Taukelina Finikaso. Deputy Commissioner: Temate Melitiana. Curator: Thomas J. Berghuis. Scientific Committee: Andrea Bonifacio. Venue: Pavilion at Arsenale
UKRAINE
Hope!
Yevgenia Belorusets, Nikita Kadan, Zhanna Kadyrova, Mykola Ridnyi & SerhiyZhadan, Anna Zvyagintseva, Open Group, Artem Volokitin
Commissioner: Ministry of Culture. Curator: Björn Geldhof. Venue: Riva dei Sette Martiri
UNITED ARAB EMIRATES
1980 – Today: Exhibitions in the United Arab Emirates
Abdullah Al Saadi, Abdul Qader Al Rais, Abdulraheem Salim, Abdulrahman Zainal, Ahmed Al Ansari, Ahmed Sharif, Hassan Sharif, Mohamed Yousif, Mohammed Abdullah Bulhiah, Mohammed Al Qassab, Mohammed Kazem, Moosa Al Halyan, Najat Meky, Obaid Suroor, Salem Jawhar
Commissioner: Salama bint Hamdan Al Nahyan Foundation. Curator: Hoor Al Qasimi. Venue: Pavilion at Arsenale – Sale d'Armi
UNITED STATES OF AMERICA
Joan Jonas: They Come to Us Without a Word
Joan Jonas
Commissioner: Paul C. Ha. Deputy Commissioner: MIT List Visual Arts Center. Curators: Ute Meta Bauer, Paul C. Ha. Venue: Pavilion at Giardini
URUGUAY
Global Myopia II (Pencil & Paper)
Marco Maggi
Commissioner: Ricardo Pascale. Curator: Patricia Bentancour. Venue: Pavilion at Giardini
VENEZUELA, Bolivarian Republic of
Te doy mi palabra (I give you my word)
Argelia Bravo, Félix Molina (Flix)
Commissioner: Oscar Sotillo Meneses. Deputy Commissioner: Reinaldo Landaeta Díaz. Curator: Oscar Sotillo Meneses. Deputy Curator: Morella Jurado. Scientific Committee: Carlos Pou Ruan. Venue: Pavilion at Giardini
ZIMBABWE, Republic of
Pixels of Ubuntu/Unhu: - Exploring the social and cultural identities of the 21st century.
Chikonzero Chazunguza, Masimba Hwati, Gareth Nyandoro
Commissioner: Doreen Sibanda. Curator: Raphael Chikukwa. Deputy Curator: Tafadzwa Gwetai. Scientific Committee: Saki Mafundikwa, Biggie Samwanda, Fabian Kangai, Reverend Paul Damasane, Nontsikelelo Mutiti, Stephen Garan'anga, Dominic Benhura. Venue: Santa Maria della Pieta
ITALO-LATIN AMERICAN INSTITUTE
Voces Indígenas
Commissioner: Sylvia Irrazábal. Curator: Alfons Hug. Deputy Curator: Alberto Saraiva. Venue: Pavilion at Arsenale
ARGENTINA
Sofia Medici and Laura Kalauz
PLURINATIONAL STATE OF BOLIVIA
Sonia Falcone and José Laura Yapita
BRAZIL
Adriana Barreto
Paulo Nazareth
CHILE
Rainer Krause
COLOMBIA
León David Cobo,
María Cristina Rincón and Claudia Rodríguez
COSTA RICA
Priscilla Monge
ECUADOR
Fabiano Kueva
EL SALVADOR
Mauricio Kabistan
GUATEMALA
Sandra Monterroso
HAITI
Barbara Prézeau Stephenson
HONDURAS
Leonardo González
PANAMA
Humberto Vélez
NICARAGUA
Raúl Quintanilla
PARAGUAY
Erika Meza
Javier López
PERU
José Huamán Turpo
URUGUAY
Gustavo Tabares
Ellen Slegers
001 Inverso Mundus. AES+F
Magazzino del Sale n. 5, Dorsoduro, 265 (Fondamenta delle Zattere ai Saloni); Palazzo Nani Mocenigo, Dorsoduro, 960
May 9th – October 31st
Organization: VITRARIA Glass + A Museum
Catalonia in Venice: Singularity
Cantieri Navali, Castello, 40 (Calle Quintavalle)
May 9th - November 22nd
Organization: Institut Ramon Llull
venezia2015.llull.cat
Conversion. Recycle Group
Chiesa di Sant’Antonin, Castello (Campo Sant’Antonin)
May 6th - October 31st
Organization: Moscow Museum of Modern Art
Dansaekhwa
Palazzo Contarini-Polignac, Dorsoduro, 874 (Accademia)
May 7th – August 15th
Organization: The Boghossian Foundation
Dispossession
Palazzo Donà Brusa, Campo San Polo, 2177
May 9th - November 22nd
Organization: European Capital of Culture Wroclaw 2016
wroclaw2016.pl/biennale/
EM15 presents Doug Fishbone’s Leisure Land Golf
Arsenale Docks, Castello, 40A, 40B, 41C
May 6th - July 26th
Organization: EM15
Eredità e Sperimentazione
Grand Hotel Hungaria & Ausonia, Viale Santa Maria Elisabetta, 28, Lido di Venezia
May 9th - November 22nd
Organization: Istituto Nazionale di BioArchitettura - Sezione di Padova
Frontiers Reimagined
Palazzo Grimani, Castello, 4858 (Ramo Grimani)
May 9th - November 22nd
Organization: Tagore Foundation International; Polo museale del Veneto
Glasstress 2015 Gotika
Istituto Veneto di Scienze Lettere ed Arti, Palazzo Cavalli Franchetti, San Marco, 2847 (Campo Santo Stefano); Chiesa di Santa Maria della Visitazione, Centro Culturale Don Orione Artigianelli, Dorsoduro, 919 (Zattere); Fondazione Berengo, Campiello della Pescheria, 15, Murano;
May 9th — November 22nd
Organization: The State Hermitage Museum
Graham Fagen: Scotland + Venice 2015
Palazzo Fontana, Cannaregio, 3829 (Strada Nova)
May 9th - November 22nd
Organization: Scotland + Venice
Grisha Bruskin. An Archaeologist’s Collection
Former Chiesa di Santa Caterina, Cannaregio, 4941-4942
May 6th – November 22nd
Organization: Centro Studi sulle Arti della Russia (CSAR), Università Ca’ Foscari Venezia
Helen Sear, ... The Rest Is Smoke
Santa Maria Ausiliatrice, Castello, 450 (Fondamenta San Gioacchin)
May 9th - November 22nd
Organization: Cymru yn Fenis/Wales in Venice
Highway to Hell
Palazzo Michiel, Cannaregio, 4391/A (Strada Nova)
May 9th - November 22nd
Organization: Hubei Museum of Art
Humanistic Nature and Society (Shan-Shui) – An Insight into the Future
Palazzo Faccanon, San Marco, 5016 (Mercerie)
May 7th – August 4th
Organization: Shanghai Himalayas Museum
In the Eye of the Thunderstorm: Effervescent Practices from the Arab World & South Asia
Dorsoduro, 417 (Zattere)
May 6th - November 15th
Organization: ArsCulture
Italia Docet | Laboratorium- Artists, Participants, Testimonials and Activated Spectators
Palazzo Barbarigo Minotto, San Marco, 2504 (Fondamenta Duodo o Barbarigo)
May 9th – June 30th; September 11st – October 31st
Organization: Italian Art Motherboard Foundation (i-AM Foundation)
www.venicebiennale-italiadocet.org
Jaume Plensa: Together
Basilica di San Giorgio Maggiore, Isola di San Giorgio Maggiore
May 6th – November 22nd
Organization: Abbazia di San Giorgio Maggiore Benedicti Claustra Onlus
Jenny Holzer "War Paintings"
Museo Correr, San Marco, 52 (Piazza San Marco)
May 6th – November 22nd
Organization: The Written Art Foundation; Museo Correr, Fondazione Musei Civici di Venezia
correr.visitmuve.it
Jump into the Unknown
Palazzo Loredan dell’Ambasciatore, Dorsoduro, 1261-1262
May 9th – June 18th
Organization: Nine Dragon Heads
9dh-venice.com
Learn from Masters
Palazzo Bembo, San Marco, 4793 (Riva del Carbon)
May 9th – November 22nd
Organization: Pan Tianshou Foundation
pantianshou.caa.edu.cn/foundation_en
My East is Your West
Palazzo Benzon, San Marco, 3927
May 6th – October 31st
Organization: The Gujral Foundation
Ornamentalism. The Purvitis Prize
Arsenale Nord, Tesa 99
May 9th – November 22nd
Organization: The Secretariat of the Latvian Presidency of the Council of the European Union in 2015
www.purvisabalva.lv/en/ornamentalism
Path and Adventure
Arsenale, Castello, 2126/A (Campo della Tana)
May 9th – November 22nd
Organization: The Civic and Municipal Affairs Bureau; The Macao Museum of Art; The Cultural Affairs Bureau
Patricia Cronin: Shrine for Girls, Venice
Chiesa di San Gallo, San Marco, 1103 (Campo San Gallo)
May 9th – November 22nd
Organization: Brooklyn Rail Curatorial Projects
curatorialprojects.brooklynrail.org
Roberto Sebastian Matta. Sculture
Giardino di Palazzo Soranzo Cappello, Soprintendenza BAP per le Province di Venezia, Belluno, Padova e Treviso, Santa Croce, 770 (Fondamenta Rio Marin)
May 9th – November 22nd
Organization: Fondazione Echaurren Salaris
www.fondazioneechaurrensalaris.it
www.maggioregam.com/56Biennale_Matta
Salon Suisse: S.O.S. Dada - The World Is A Mess
Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)
May 9th; June 4th - 6th; September 10th - 12th; October 15th - 17th; November 19th – 21st
Organization: Swiss Arts Council Pro Helvetia
Sean Scully: Land Sea
Palazzo Falier, San Marco, 2906
May 9th – November 22nd
Organization: Fondazione Volume!
Sepphoris. Alessandro Valeri
Molino Stucky, interior atrium, Giudecca, 812
May 9th – November 22nd
Organization: Assessorato alla Cultura del Comune di Narni(TR); a Sidereal Space of Art; Satellite Berlin
Tesla Revisited
Palazzo Nani Mocenigo, Dorsoduro, 960
May 9th – October 18th
Organization: VITRARIA Glass + A Museum
The Bridges of Graffiti
Arterminal c/o Terminal San Basilio, Dorsoduro (Fondamenta Zattere al Ponte Lungo)
May 9th - November 22nd
Organization: Associazione Culturale Inossidabile
The Dialogue of Fire. Ceramic and Glass Masters from Barcelona to Venice
Palazzo Tiepolo Passi, San Polo, 2774
May 6th - November 22nd
Organization: Fundaciò Artigas; ArsCulture
The Question of Beings
Istituto Santa Maria della Pietà, Castello, 3701
May 9th - November 22nd
Organization: Museum of Contemporary Art, Taipei (MoCA, Taipei)
The Revenge of the Common Place
Università Ca' Foscari, Ca' Bernardo, Dorsoduro, 3199 (Calle Bernardo)
May 9th – September 30th
Organization: Vrije Universiteit Brussel (Free University Brussels-VUB)
The Silver Lining. Contemporary Art from Liechtenstein and other Microstates
Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)
October 24th – November 1st
Organization: Kunstmuseum Liechtenstein
The Sound of Creation. Paintings + Music by Beezy Bailey and Brian Eno
Conservatorio Benedetto Marcello, Palazzo Pisani, San Marco, 2810 (Campo Santo Stefano)
May 7th - November 22nd
Organization: ArsCulture
The Union of Fire and Water
Palazzo Barbaro, San Marco, 2840
May 9th - November 22nd
Organization: YARAT Contemporary Art Organisation
Thirty Light Years - Theatre of Chinese Art
Palazzo Rossini, San Marco, 4013 (Campo Manin)
May 9th - November 22nd
Organization: GAC Global Art Center Foundation; The Guangdong Museum of Art
Tsang Kin-Wah: The Infinite Nothing, Hong Kong in Venice
Arsenale, Castello, 2126 (Campo della Tana)
May 9th - November 22nd
Organization: M+, West Kowloon Cultural District; Hong Kong Arts Development Council
Under the Surface, Newfoundland and Labrador at Venice
Galleria Ca' Rezzonico, Dorsoduro, 2793
May 9th - November 22nd
Organization: Terra Nova Art Foundation
tnaf.ca
Ursula von Rydingsvard
Giardino della Marinaressa, Castello (Riva dei Sette Martiri)
May 6th - November 22nd
Organization:Yorkshire Sculpture Park
We Must Risk Delight: Twenty Artists from Los Angeles
Magazzino del Sale n. 3, Dorsoduro, 264 (Zattere)
May 7th - November 22nd
Organization: bardoLA
Wu Tien-Chang: Never Say Goodbye
Palazzo delle Prigioni, Castello, 4209 (San Marco)
May 9th - November 22nd
Organization: Taipei Fine Arts Museum of Taiwan
ONE OF THE WAY TO TRAIN THE "THE AWARENESS MUSCLE
is the critical run
and other emergency art format
CRITICAL RUN / Debate Format
Critical Run is an Art Format created by Thierry Geoffroy/Colonel
debate while running .
Debate and Run together,Now,before it is too late.
www.emergencyroomscanvas todo .org/criticalrun.html
The Art Format Critical Run has been activated in 30 differents countries with 120 different burning debates
New York,Cairo,London,Istanbul,Athens,Hanoi,Paris,Munich,Amsterdam Siberia,Copenhagen,Johanesburg,Moskow,Napoli,Sydney,
Wroclaw,Bruxelles,Rotterdam,Barcelona,Venice,Virginia,Stockholm,Århus,Kassel,Lyon,Trondheim, Berlin ,Toronto,Hannover ...
CRITICAL RUN happened on invitation from institution like Moma/PS1, Moderna Muset Stockholm ,Witte de With Rotterdam,ZKM Karlsruhe,Liverpool Biennale;Sprengel Museum etc..or have just happened on the spot because
a debate was necessary here and now.
In 2020 the Energy Room was an installation of 40 Critical Run at Museum Villa Stuck /Munich
part of Colonel solo show : The Awareness Muscle Training Center
----
Interesting publication for researches on running and art
www.emergencyrooms.org/formats.html
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------------about Venice Biennale history from wikipedia ---------
curators previous
* 1948 – Rodolfo Pallucchini
* 1966 – Gian Alberto Dell'Acqua
* 1968 – Maurizio Calvesi and Guido Ballo
* 1970 – Umbro Apollonio
* 1972 – Mario Penelope
* 1974 – Vittorio Gregotti
* 1978 – Luigi Scarpa
* 1980 – Luigi Carluccio
* 1982 – Sisto Dalla Palma
* 1984 – Maurizio Calvesi
* 1986 – Maurizio Calvesi
* 1988 – Giovanni Carandente
* 1990 – Giovanni Carandente
* 1993 – Achille Bonito Oliva
* 1995 – Jean Clair
* 1997 – Germano Celant
* 1999 – Harald Szeemann
* 2001 – Harald Szeemann
* 2003 – Francesco Bonami
* 2005 – María de Corral and Rosa Martinez
* 2007 – Robert Storr
* 2009 – Daniel Birnbaum
* 2011 – Bice Curiger
* 2013 – Massimiliano Gioni
* 2015 – Okwui Enwezor
* 2017 – Christine Macel[19]
* 2019 – Ralph Rugoff[20]
----------
#art #artist #artistic #artists #arte #artwork
Pavilion at the Venice Biennale #artcontemporain contemporary art Giardini arsenal
venice Veneziako VenecijaVenècia Venedig Venetië Veneetsia Venetsia Venise Venecia VenedigΒενετία( Venetía Hungarian Velence Feneyjar Venice Venezia Venēcija Venezja Venezia Wenecja Veneza VenețiaVenetsiya BenátkyBenetke Venecia Fenisוועניס Վենետիկ ভেনি স威尼斯 (wēinísī) 威尼斯 ვენეციისવે નિસवेनिसヴェネツィアವೆನಿಸ್베니스வெனிஸ்వెనిస్เวนิซوینس Venetsiya
art umjetnost umění kunst taide τέχνη művészetList ealaín arte māksla menasarti Kunst sztuka artă umenie umetnost konstcelfקונסטարվեստincəsənətশিল্প艺术(yìshù)藝術 (yìshù)ხელოვნებაकलाkos duabアートಕಲೆសិល្បៈ미술(misul)ສິນລະປະകലकलाအတတ်ပညာकलाකලාවகலைఆర్ట్ศิลปะ آرٹsan'atnghệ thuậtفن (fan)אומנותهنرsanat artist
other Biennale :(Biennials ) :
Venice Biennial , Documenta Havana Biennial,Istanbul Biennial ( Istanbuli),Biennale de Lyon ,Dak'Art Berlin Biennial,Mercosul Visual Arts Biennial ,Bienal do Mercosul Porto Alegre.,Berlin Biennial ,Echigo-Tsumari Triennial .Yokohama Triennial Aichi Triennale,manifesta ,Copenhagen Biennale,Aichi Triennale .Yokohama Triennial,Echigo-Tsumari Triennial.Sharjah Biennial ,Biennale of Sydney, Liverpool , São Paulo Biennial ; Athens Biennale , Bienal do Mercosul ,Göteborg International Biennial for Contemporary Art ,DOCUMENTA KASSEL ATHENS
* Dakar
kritik [edit] kritikaria kritičar crític kritiker criticus kriitik kriitikko critique crítico Kritiker κριτικός(kritikós) kritikus Gagnrýnandi léirmheastóir critico kritiķis kritikas kritiku krytyk crítico critic crítico krytyk beirniad קריטיקער
Basque Veneziako Venecija [edit] Catalan Venècia Venedig Venetië Veneetsia Venetsia Venise Venecia Venedig Βενετία(Venetía) Hungarian Velence Feneyjar Venice Venezia Latvian Venēcija Venezja Venezia Wenecja Portuguese Veneza Veneția Venetsiya Benátky Benetke Venecia Fenis וועניס Վենետիկ ভেনিস 威尼斯 (wēinísī) 威尼斯 Georgian ვენეციის વેનિસ वेनिस ヴェネツィア ವೆನಿಸ್ 베니스 வெனிஸ் వెనిస్ เวนิซ وینس Venetsiya
Thierry Geoffroy / Colonel
#thierrygeoffroy #geoffroycolonel #thierrygeoffroycololonel #lecolonel #biennalist
#artformat #formatart
#emergencyart #urgencyart #urgentart #artofthenow #nowart
emergency art emergency art urgency artist de garde vagt alarm emergency room necessityart artistrole exigencyart predicament prediction pressureart
#InstitutionalCritique
#venicebiennale #venicebiennale2017 #venicebiennale2015
#venicebiennale2019
#venice #biennale #venicebiennale #venezia #italy
#venezia #venice #veniceitaly #venicebiennale
#pastlife #memory #venicebiennale #venice #Venezia #italy #hotelveniceitalia #artexhibit #artshow #internationalart #contemporaryart #themundane #summerday
#biennalevenice
Institutional Critique
Identity Politics Post-War Consumerism, Engagement with Mass Media, Performance Art, The Body, Film/Video, Political, Collage, , Cultural Commentary, Self as Subject, Color Photography, Related to Fashion, Digital Culture, Photography, Human Figure, Technology
Racial and Ethnic Identity, Neo-Conceptualism, Diaristic
Contemporary Re-creations, Popular Culture, Appropriation, Contemporary Sculpture,
Culture, Collective History, Group of Portraits, Photographic Source
, Endurance Art, Film/Video,, Conceptual Art and Contemporary Conceptualism, Color Photography, Human Figure, Cultural Commentary
War and Military, Political Figures, Social Action, Racial and Ethnic Identity, Conflict
Personal Histories, Alter Egos and Avatars
Use of Common Materials, Found Objects, Related to Literature, Installation, Mixed-Media, Engagement with Mass Media, Collage,, Outdoor Art, Work on Paper, Text
Appropriation (art) Art intervention Classificatory disputes about art Conceptual art Environmental sculpture Found object Interactive art Modern art Neo-conceptual art Performance art Sound art Sound installation Street installations Video installation Conceptual art Art movements Postmodern art Contemporary art Art media Aesthetics Conceptualism
Post-conceptualism Anti-anti-art Body art Conceptual architecture Contemporary art Experiments in Art and Technology Found object Happening Fluxus Information art Installation art Intermedia Land art Modern art Neo-conceptual art Net art Postmodern art Generative Art Street installation Systems art Video art Visual arts ART/MEDIA conceptual artis
—-
CRITICAL RUN is an art format developed by Thierry Geoffroy / COLONEL, It follows the spirit of ULTRACONTEMPORARY and EMERGENCY ART as well as aims to train the AWARENESS MUSCLE.
Critical Run has been activated on invitation from institutions such as Moderna Muset Stockholm, Moma PS1 ,Witte de With Rotterdam, ZKM Karlsruhe, Liverpool Biennale, Manifesta Biennial ,Sprengel Museum,Venice Biennale but have also just happened on the spot because a debate was necessary here and now.
It has been activated in Beijing, Cairo, London, Istanbul, Athens, Kassel, Sao Paolo, Hanoi, Istanbul, Paris, Copenhagen, Moskow, Napoli, Sydney, Wroclaw, Bruxelles, Rotterdam, Siberia, Karlsruhe, Barcelona, Aalborg, Venice, Virginia, Stockholm, Aarhus, Rio de Janeiro, Budapest, Washington, Lyon, Caracas, Trondheim, Berlin, Toronto, Hannover, Haage, Newtown, Cartagena, Tallinn, Herning, Roskilde;Mannheim ;Munich etc...
The run debates are about emergency topics like Climate Change , Xenophobia , Wars , Hyppocrisie , Apathy ,etc ...
Participants have been very various from Sweddish art critics , German police , American climate activist , Chinese Gallerists , Brasilian students , etc ...
Critical Run is an art format , like Emergency Room or Biennalist and is part of Emergency Art ULTRACONTEMPORARY and AWARENESS MUSCLE .
www.emergencyrooms.org/criticalrun.html
www.emergencyrooms.org/formats.html
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In 2020 a large exhibition will show 40 of the Critical Run at the Museum Villa Stuck in Munich / part of the Awareness Muscle Training Center
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for activating the format or for inviting the installation
please contact 1@colonel.dk
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critical,run,art,format,debate ,artformat,formatart,moment,clarity,emergency,kunst,
Sport,effort,curator,artist,urgency,urgence,criticalrun,emergencies,ultracontemporary
,rundebate,sport,art,activism, critic,laufen,Thierry Geoffroy , Colonel,kunstformat
,now art,copenhagen,denmark
(best viewed in Large)
2 july, 2010
Schiphol is an important European airport, ranking as Europe’s 3rd largest and the world’s 14th largest for cargo tonnage. It also ranks as the world’s 3rd largest by international passenger traffic as well as Europe’s 5th and the world’s 14th busiest by overall passenger volume. Additionally, Schiphol ranks as Europe’s 5th and the world’s 17th busiest airport by number of flights, handling 446,569 traffic movements in 2008, a 1.7% drop on 2007. Schiphol's main competitors as in passenger and cargo throughput are London Heathrow Airport, Frankfurt Airport, Paris-Charles de Gaulle Airport and Madrid-Barajas Airport. In 2007, Schiphol handled 47,430,019 passengers in 2008, 0.8% down on 2007, ranking it fifth in Europe behind London, Paris, Frankfurt and Madrid. There are 188 loading slots in the whole airport. About 68% of the passenger flights were to Europe, almost 21% of its passengers travelled on intercontinental flights and 11% to Asia; cargo was mainly headed to Asia (44%) and North America (20%). In the same year, Schiphol handled 1,602,585 tons of cargo in 2008, a 3% downturn on 2007, ranking it third in Europe behind Paris and Frankfurt. In 2005 direct flights were operated to more than 260 destinations in 91 countries. The airport is one out of four airports in the world to have a rating of four stars in Skytrax's grading system.
Schiphol has five main runways, plus one used mainly by general aviation aircraft. The northern end of the Polderbaan, the name of last runway to be constructed, is 7 km north of the control tower, causing lengthy taxi times (up to 20 min) to the terminal. Plans have been made for a seventh runway.
The airport is built as one large terminal, split into three large departure halls, which converge again once airside. The most recent of these was completed in 1994, and expanded in 2007 with a new part, named Terminal 4, although this part is not recognised as a separate building. Plans for further terminal expansion exist, including the construction of a separate new terminal between the Zwanenburgbaan and Polderbaan runways that would end the one-terminal concept.
Because of intense traffic and high landing fees, some low cost carriers decided to move their flights to smaller airports, such as Rotterdam The Hague Airport and Eindhoven Airport. Many low cost carriers (like easyJet or Bmibaby) continue to operate from Schiphol, using the low-cost H-pier.
Schiphol is the home base of KLM (Royal Dutch Airlines), Arkefly, Martinair, Amsterdam Airlines and Transavia.
The Schiphol Air traffic control tower, with a height of 101 metres (331 ft), was the tallest in the world when constructed in 1991. Schiphol is geographically one of the world's lowest major commercial airports. The entire airport is below sea level; the lowest point sits at 11 feet (3.4 m) below sea level (or 4.5 feet (1.4 m) below the Dutch Normaal Amsterdams Peil (NAP)); the runways are around 3 metres (9.8 ft) below NAP.
(Wikipedia)
#Dungeness
*New* Blog post - 'Holey 1 -> 4 | Blot spinne'
paddyhamiltonstudios.blogspot.co.uk/2016/10/holey-1-4-blo...
Dungeness Open Studios | P. H.
Note: this photo was published in a Jul 24, 2009 blog titled "Full moon." It was also published in a Dec 6, 2009 blog titled "The business world is full of two kinds of people—builders and traders." And it was published in a Dec 31, 2009 blog titled "Once in a Blue Moon: Be Sure to Look Up This New Year’s Eve."
Moving into 2010, the photo was published in a Jan 29, 2010 blog titled "Friday Recap: Wolf Moon Edition," which discussed the "wolf moon" phenomenon that occurred on Jan 29th. Unfortunately, it had nothing to do with this photo -- which was taken roughly six months earlier. Indeed, I had considered photographing the "real" wolf moon, but by the time I became aware of it, it was already high in the sky and no longer interesting from a photographic perspective. Interestingly, it was also situated quite a lot further north than this particular photo -- in which the moon had risen right above 96th Street, and illuminated part of the entrance into Central Park...
Anyway, it was also published in a Jul 4, 2010 blog titled "Events for or Less Sunday." It was also published in an Oct 6, 2010 blog titled "Folklore Confirmed: The Moon's Phase Affects Rainfall (via @sciencenow)," and an Oct 29, 2010 blog titled "The Secret Behind Day Trading Software And a Reason to Use It." It was also published in a Nov 6, 2010 blog titled "Day Trading Software Along With the Perks of Technology," and a Nov 8, 2010 blog titled "How to Select the Best Day Trading Software." It was also published in a Dec 8, 2010 blog titled "E mini S&P Index Trading Perfect Tool for Full-TIme Day-traders."
Moving into 2011, the photo was published in an Apr 24, 2011 blog titled "Will you see a fuller moon tonight … or tomorrow?" And it was published in a Jul 14, 2011 blog titled "Understanding full moon," which was republished in a Jan 8, 2012 blog with the same title . It was also published in an Aug 29, 2011 blog titled "Day Software Stock Trading – Is Trading Software Right Choice For You?
Moving into 2012, the photo was published in a Jan 11, 2012 Slate France blog titled "La Lune est-elle à la portée des entrepreneurs?" It was also published in a Sep 7, 2012 blog titled "Has the Moon created the world’s most enduring optical illusion?"
Moving into 2013, the photo was published in a Feb 25, 2013 blog titled "Understanding Full Moon."
Moving into 2014, the photo was published in a Mar 7, 2014 blog titled "Nightshift."
Note: A large percentage of my "landscape" photos (including the ones in this set) are now copyright-protected, and are not available for downloads and free use. You can view them here in Flickr, but if you would like prints, enlargements, framed copies, and other variations, please visit my SmugMug "NYC HDR" gallery by clicking here.
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These photos were taken a couple days after my first HDR efforts on the 4th of July weekend, in an attempt to get a decent image of the full moon rising over the east side of Manhattan, from the terrace of my apartment over on the Upper West SIde. Not particularly memorable or spectacular results, but it gave me a chance to experiment with some of the parameters and settings in the Photomatix program I'm using to merge/combine the HDR shots.
Full disclosure: in addition to the HDR shots, I also took some "traditional" shots of the full moon a little later, after it had risen higher in the sky; these were taken with a manual setting of f/11 and 1/250th second (as recommended by Scott Kelby, in his Digital Photography books). I then used Adobe Photoshop Elements to extract just the moon out of that photo, and pasted it into this HDR composition in a separate "layer", which I was then able to enlarge to a ridiculous extent.
The original HDR image had a much more interesting orange-colored moon ... but when I tried to blow it up to a larger size, using Photoshop, the edges were so rough and grainy that it was embarrassing. So I think I'll stick with this composite, for better or worse...
********************
I tried an HDR (high dynamic range) photo once a year ago, but for some reason never pursued it. But it seems that more of and more of the "interesting" photos that I see on Flickr are HDR shots, so I decided to give it another try. The initial set of photos were taken from the rooftop of my apartment building at sunset, on the Sunday evening of 4th of July weekend.
I still have a *lot* to learn about this stuff, but even as a first attempt I'm staggered by what the tonal-mapping software programs (Photomatix, in my case) are capable of doing...
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Turkyan è un ragazzo del 1975, Macedone. Lui aveva possedimenti ed una bella casa in Macedonia. Ha perso tutto a causa della guerra. Una persona solare che si intristisce un pò quando parla della sua famiglia (moglie e due figli) rimasti in Macedonia a cui periodicamente spedisce soldi.
Dorme in un rifugio di fortuna e passa una volta alla settimana in Caritas per fare la doccia.
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Turkyan is from Macedonia. He used to be rich. He lost everything because of the war.
He is alone in Italy. The wife and the kids are still in Macedonia. Thanks to Caritas he takes a shower once a week.
Una piccola Caritas di un paese di provincia. Uno sparuto gruppo di volontari talvolta ben oltre i 70 anni.
Un gruppo di donne e uomini che si occupa della distribuzione di cibo e di indumenti.
Cinquanta metri quadri ricavati da un piccolo locale con sottoscala al lato di una parrocchia; è qui che ogni settimana si presentano donne e uomini di diverse etnie ed estrazione sociale chiedendo cibo e vestiti.
Scorre in questo angusto spazio tutta l'ingiustizia della moderna società.
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A small Caritas charity group in a small provincial village. A scanty group of volunteers, at times aged well over seventy.
A group of men and women taking care of distributing free food and clothes.
Fifty square meters in a tiny structure next to a parish. It is here that every week men and women belonging to different ethnic groups and social ranks turn up, begging for food and clothes.
All the injustice of modern society flows in this tight space.
Listen here , strongly recommended (Iranian Mazandaranian Folkloric Music - Composer : Ahmad Mohsenpour , Kamaancheh Player : Ahmad Mohsenpour , Vocalist and Narrator : Hosein Alambaaz )
منظومه «طالب و زهره» از شناخته ترين منظومه هاي تبری است كه در كنار منظومه هاي ديگر چون«امير و گوهر» و «نجما» و «عباس مسكين» جلوه گري ميكند.
«طالب و زهره» چون ديگر منظومه ها در زبانها و اقوام ايراني، ريشه در آيينها،باورها و اسطوره ها دارد و بدون ترديد نشانههايي روشن از دوران «گوسان»ها و «هونياگر=خونياگر»ها را در خود دارد و ميتواند يك چكامه گوساني باشد.
بيان اين نكته بيمناسبت نيست. اينكه اشعار منظومه «طالب و زهره» را به «ستيالنساء» خواهر طالب، نسبت دهيم، يا با اشاره به تكگوييهايي كه در برخي اشعار اززبان زهره خوانده ميشود، آن را سروده زهره بدانيم، اهميت چنداني ندارد. ديگر آنكه «طالب» منظومه تا چه اندازه با «طالب آملي» شاعر سالهاي پاياني قرن دهم هجري كه در دربار جهانگير پادشاه گوركاني هند، عنوان ملك الشعرايي يافت،همخواني دارد نيز اعتباري ثانوي دارد. مهم آن است كه تخيل و آرزوهاي سحرآفرين افسانه ها و حماسه ها اثري ماندگار بيافريند و درد و هجران و ناكامي، عشق و شيدايي را باساز و آواز فرياد كند. طالب چون همه قهرمانان تاريخي،از تاريخ جدا شده و به دنياي حماسه ها و افسانه ها راه يافته است. مردم تبرستان برپايه آرزوها، باورها،و تخيلات خويش،اين داستان را پرورش داده، حافظه قومي و تاريخي خويش را بر بستراين منظومه شكلي نوين بخشيده، پرورده و ساختهاند، آنگونه كه بدرستي ميتوان گفت كه منظومه «طالب و زهره» نه سروده «ستي النساء» و «زهره» و حتي خود طالب، بلكه سروده و پرورده ناخودآگاه قومي مردم تبرستان است.
و«زهره دختري چلاوي از بخش كوه نشين آمل است كه با نامادري خود روزگار ميگذراند.«طالب آملي است و در بخش شهري آن «دشت» زندگي ميكند. هردو مادر خويش را از دست دادهاند و نامادري دارند.
آنها در مكتب خانهاي درس ميخوانند و از فرصتهايي كه بدست ميآورند استفاده كرده در كنار يكديگر مينشينند و دلداده يكديگر ميشوند و طالب گردنبند يادگاري مادر خويش را به زهره ميدهد. پس از برملا شدن شيداييشان هنگاميكه طالب از پدر ميخواهد زهره را خواستگاري كند، پدر ميگويد: همانگونه كه زنبور و پروانه جفت نميشوند،چلاوي و آملي يار نميشوند و مخالفت ميكند. نامادري او نيز خويشاوند خود (خواهرزاده اش) را نشان كرده است.
خانواده زهره نيز مخالفند و ميخواهند او را به قادر پا به سن گذاشته ولي مالدار بدهند. نامادري طالب وقتي پافشاري اورا ميبيند به بهانه تدارك عروسي او را به گاوسرا ميفرستد. طالب به هنگام دلتنگي در گاوسرا، با كبوتر بالاي درخت سخن ميگويد و از زخم تبربردست و تيشه بر پا شكوه ميكند.
در شامگاهي كه رنجور است، به خواب ميرود و در رويا زهره را ميبيند كه در ميان آب فرورفته است و نيز خواب ميبيند كه زهره به همراه نامادري براي خريد عروسي به بازار رفته است. فرداي آن روز «قلي چاروادار» براي او خبري ميآورد كه پنجشنبه شب زهره عروس ميشود و به خانه قادر ميرود. طالب براي ديدن زهره به راه ميافتد و در راه زهره و بستگان او را مييابد و از زهره گله ميكند كه چرا او را خبر نكرد. در اين هنگام، برادر زهره با تبرزين، زخمي جانكاه بر شانه او ميزند و او را خونين و مالين ميسازد و برجاي مينهد. طالب به خاطر زهره، چيزي نميگويد ولي با خود اشعاري رجزگونه ميخواند كه:
مانند سهراب شمشير به دست ميگيرم. كمان گرد كياني را در كف ميگيرم. مانند فرامرز نيزه بازي ميكنم و چون من سواري نيست و اگر تبر به اسب سوار بزنم، اسب وسوار را چهار پاره ميكنم.
پسر عموهاي او،طالب را خونين و مالين مييابند و او را كه از تشنگي و گرسنگي بيتاب شده با (گرماستي) نيرو ميبخشند طالب براي اينكه فتنه را بخواباند، حقيقت را نميگويد و گراز را سبب زخم ميخواند.
هنگاميكه خبر زخم خوردن طالب به زهره ميرسد،شمعي نذر امامزاده ميكند و پس از ناله فراوان، به خواب ميرود و در رويا طالب را ميبيند كه عمر نو پيدا كرده و سالم سوار برسمند است.
در آن سوي،طالب هنگاميكه بهبود مييابد، براي ماهيگيري به كنار رودخانه ميرود و زهره را در كنار رودخانه پيدا ميكند و ماهي را به او ميدهد و ميگويد كه فردا شب براي خواستگاري به خانه زهره ميآيد.
نامادري، چارهاي ديگر ميانديشد و در غذايي كه از ماهي درست كردهاند،داروي بيهوشي ميريزد. طالب با خوردن غذا،هوش از دست داده و شوريده ميشود و ميگريزد و ميگويند سر از تهران و كاشان و اصفهان و به روايتي هندوستان در ميآورد. زهره زبان به مويه ميگشايد و دشت و كوه و شهر را به جستجوي طالب ميگردد. نشاني او را از كوه و دشت و رودخانه و ماهي و آهو و چوپان و گالش و ... جويا ميشود ولي هرگز او را نمييابد تا اينكه يك روز در كنار دريا (رودخانه) كبوتري بر بالاي درخت انجيلي ميبيند. كبوتر به سخن ميآيد و ميگويد: طالب را ماهي دريا خورده است. از شاه ماهي ميپرسد. او ميگويد: طالب را ميان هندي در حاليكه پيراهني سفيد بر تن داشت و بر اسب سمندي سوار بود ديده است.
زهره به ياد طالب مترسكي ميسازد. (قبا و چاقاو چرخي لم كلا) و دوري به گرد مترسك ميزند ميگويد: ميخواهم ببينم به طالب من ماننده است يا نه؟
زهره يكبار نيز به هنگام آوردن درخت و لباس عروسي از سوي قادر،با گردنبند اهدايي طالب، اقدام به خودكشي ميكند ولي موفق نميشود.
ميگويند بعدها زهره به كس ديگر شوهر كرد. طالب نيز در هندوستان با دختر شاه آنجا ازدواج كرد و در سن 42 سالگي مرد. خواهرش ستيالنساء سرپرستي دو فرزند خردسال اورا به عهده گرفت. زهره،پس از آگاهي از مرگ طالب،روزي به كنار رود ميعادگاه گذشته رفت و ديگر برنگشت. ميگويند زهره خود را به آب سپرد و همراه ماهيها به سوي طالب رفت
متن موسیقی :
خَله توم گِذِرنه ، اَته چَن سالِم رد وونه ، گِنِنه زِهرِه شونه ات نِفَرِ خِنه
طالِبَم که هِندِسّون دَیّه شاهِ کیجاجا عَروسی کِنّه و دِه تا وچه ِ پِر وونه
طالب تا سال 1036 که چِل و دِه ساله بیه ، مینِه
این خَوِر زهره ِ گوش رَسِنِه
زِهره به یادِ اون زَمونی که وِه و طالب خِشِ روزگار داشتِنِه ، هَر روز شیه هِرازِ لو ماهیونِ جا حَرف زوئِه
اَتِه روز وینِنِه که زِهرِه بوردِه و دیگه پِیی نَکِرده
هِرازِ پِه خَلِه چَرخی دنه ، وِه رِه پیدا نَکِردِنِه
گِنِنِه که زِهرِه شه خِدِّه او هِدا و ماهیونِ هِمراه بوردِه طالِبِ وَر
زمان زیادی گذشت ، چند سالی هم رد شد ، نقل است که زهره با کسی ازدواج می کند
طالب هم که به هندوستان رفته بود با دختر شاه عروسی میکند و پدر دو فرزند می شود
طالب در سال 1036 که 42 سال سن داشت ، می میرد
این خبر به گوش زهره می رسد
زهره به یاد زمانی که او و طالب با هم روزگار خوشی داشتند ، هر روز به کنار آب می رفت و با ماهی ها حرف می زد
یک روز زهره می رود و دیگر بر نمی گردد
خیلی دنبالش گشتند ، امّا او را نیافتند
می گویند که زهره خود را به آب داد و همراه با ماهی ها به سوی طالب رفت
of Mazandaran gathering , Day 2 ...
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ALBANIA
Albanian Trilogy: A Series of Devious Stratagems
Armando Lulaj
Commissioner: Ministry of Culture. Curator: Marco Scotini. Deputy Curator: Andris Brinkmanis. Venue: Pavilion at Arsenale
ANDORRA
Inner Landscapes
Roqué, Joan Xandri
Commissioner: Henry Périer. Deputy Commissioner: Joana Baygual, Sebastià Petit, Francesc Rodríguez
Curator: Paolo de Grandis, Josep M. Ubach. Venue: Spiazzi, Castello 3865
ANGOLA
On Ways of Travelling
António Ole, Binelde Hyrcan, Délio Jasse, Francisco Vidal, Nelo Teixeira
Commissioner: Ministry of Culture, Rita Guedes Tavares. Curator: António Ole. Deputy Curator: Antonia Gaeta. Venue: Conservatorio Benedetto Marcello - Palazzo Pisani, San Marco 2810
ARGENTINA
The Uprising of Form
Juan Carlos Diste´fano
Commissioner: Magdalena Faillace. Curator: Mari´a Teresa Constantin. Venue: Pavilion at Arsenale – Sale d’Armi
ARMENIA, Republic of
Armenity / Haiyutioun
Haig Aivazian, Lebanon; Nigol Bezjian, Syria/USA; Anna Boghiguian Egypt/Canada; Hera Büyüktasçiyan, Turkey; Silvina Der-Meguerditchian, Argentina/Germany; Rene Gabri & Ayreen Anastas, Iran/Palestine/USA; Mekhitar Garabedian, Belgium; Aikaterini Gegisian, Greece; Yervant Gianikian & Angela Ricci Lucchi, Italy; Aram Jibilian, USA; Nina Katchadourian, USA/Finland; Melik Ohanian, France; Mikayel Ohanjanyan, Armenia/Italy; Rosana Palazyan, Brazil; Sarkis, Turkey/France; Hrair Sarkissian, Syria/UK
Commissioner: Ministry of Culture of the Republic of Armenia. Deputy Commissioner: Art for the World, Mekhitarist Congregation of San Lazzaro Island, Embassy of the Republic of Armenia in Italy, Vartan Karapetian. Curator: Adelina Cüberyan von Fürstenberg. Venue: Monastery and Island of San Lazzaro degli Armeni
AUSTRALIA
Fiona Hall: Wrong Way Time
Fiona Hall
Commissioner: Simon Mordant AM. Deputy Commissioner: Charles Green. Curator: Linda Michael. Scientific Committee: Simon Mordant AM, Carolyn Christov-Bakargiev, Max Delany, Rachel Kent, Danie Mellor, Suhanya Raffel, Leigh Robb. Venue: Pavilion at Giardini
AUSTRIA
Heimo Zobernig
Commissioner: Yilmaz Dziewior. Curator: Yilmaz Dziewior. Scientific Committee: Friends of the Venice Biennale. Venue: Pavilion at Giardini
AZERBAIJAN, Republic of
Beyond the Line
Ashraf Murad, Javad Mirjavadov, Tofik Javadov, Rasim Babayev, Fazil Najafov, Huseyn Hagverdi, Shamil Najafzada
Commissioner: Heydar Aliyev Foundation. Curators: de Pury de Pury, Emin Mammadov. Venue: Palazzo Lezze, Campo S.Stefano, San Marco 2949
Vita Vitale
Edward Burtynsky, Mircea Cantor, Loris Cecchini, Gordon Cheung, Khalil Chishtee, Tony Cragg, Laura Ford, Noemie Goudal, Siobhán Hapaska, Paul Huxley, IDEA laboratory and Leyla Aliyeva, Chris Jordan with Rebecca Clark and Helena S.Eitel, Tania Kovats, Aida Mahmudova, Sayyora Muin, Jacco Olivier, Julian Opie, Julian Perry, Mike Perry, Bas Princen, Stephanie Quayle, Ugo Rondinone, Graham Stevens, Diana Thater, Andy Warhol, Bill Woodrow, Erwin Wurm, Rose Wylie
Commissioner: Heydar Aliyev Foundation. Curators: Artwise: Susie Allen, Laura Culpan, Dea Vanagan. Venue: Ca’ Garzoni, San Marco 3416
BELARUS, Republic of
War Witness Archive
Konstantin Selikhanov
Commissioner: Natallia Sharanhovich. Deputy Commissioners: Alena Vasileuskaya, Kamilia Yanushkevich. Curators: Aleksei Shinkarenko, Olga Rybchinskaya. Scientific Committee: Dmitry Korol, Daria Amelkovich, Julia Kondratyuk, Sergei Jeihala, Sheena Macfarlane, Yuliya Heisik, Hanna Samarskaya, Taras Kaliahin, Aliaksandr Stasevich. Venue: Riva San Biagio, Castello 2145
BELGIUM
Personnes et les autres
Vincent Meessen and Guests, Mathieu K. Abonnenc, Sammy Baloji, James Beckett, Elisabetta Benassi, Patrick Bernier & Olive Martin, Tamar Guimara~es & Kasper Akhøj, Maryam Jafri, Adam Pendleton
Commissioner: Wallonia-Brussels Federation and Wallonia-Brussels International. Curator: Katerina Gregos. Venue: Pavilion at Giardini
COSTA RICA
"Costa Rica, Paese di pace, invita a un linguaggio universale d'intesa tra i popoli".
Andrea Prandi, Beatrice Gallori, Beth Parin, Biagio Schembari, Carla Castaldo, Celestina Avanzini, Cesare Berlingeri, Erminio Tansini, Fabio Capitanio, Fausto Beretti, Giovan Battista Pedrazzini, Giovanni Lamberti, Giovanni Tenga, Iana Zanoskar, Jim Prescott, Leonardo Beccegato, Liliana Scocco, Lucia Bolzano, Marcela Vicuna, Marco Bellagamba, Marco Lodola, Maria Gioia dell’Aglio, Mario Bernardinello, Massimo Meucci, Nacha Piattini, Omar Ronda, Renzo Eusebi, Tita Patti, Romina Power, Rubens Fogacci, Silvio di Pietro, Stefano Sichel, Tino Stefanoni, Ufemia Ritz, Ugo Borlenghi, Umberto Mariani, Venere Chillemi, Jacqueline Gallicot Madar, Massimo Onnis, Fedora Spinelli
Commissioner: Ileana Ordonez Chacon. Curator: Gregorio Rossi. Venue: Palazzo Bollani
CROATIA
Studies on Shivering: The Third Degree
Damir Ocko
Commissioner: Ministry of Culture. Curator: Marc Bembekoff. Venue: Palazzo Pisani, S. Marina
CUBA
El artista entre la individualidad y el contexto
Lida Abdul, Celia-Yunior, Grethell Rasúa, Giuseppe Stampone, LinYilin, Luis Edgardo Gómez Armenteros, Olga Chernysheva, Susana Pilar Delahante Matienzo
Commissioner: Miria Vicini. Curators: Jorge Fernández Torres, Giacomo Zaza. Venue: San Servolo Island
CYPRUS, Republic of
Two Days After Forever
Christodoulos Panayiotou
Commissioner: Louli Michaelidou. Deputy Commissioner: Angela Skordi. Curator: Omar Kholeif. Deputy Curator: Daniella Rose King. Venue: Palazzo Malipiero, Sestiere San Marco 3079
CZECH Republic and SLOVAK Republic
Apotheosis
Jirí David
Commissioner: Adam Budak. Deputy Commissioner: Barbara Holomkova. Curator: Katarina Rusnakova. Venue: Pavilion at Giardini
ECUADOR
Gold Water: Apocalyptic Black Mirrors
Maria Veronica Leon Veintemilla in collaboration with Lucia Vallarino Peet
Commissioner: Andrea Gonzàlez Sanchez. Deputy Commissioner: PDG Arte Communications. Curator: Ileana Cornea. Deputy Curator: Maria Veronica Leon Veintemilla. Venue: Istituto Santa Maria della Pietà, Castello 3701
ESTONIA
NSFW. From the Abyss of History
Jaanus Samma
Commissioner: Maria Arusoo. Curator: Eugenio Viola. Venue: Palazzo Malipiero, campo San Samuele, San Marco 3199
EGYPT
CAN YOU SEE
Ahmed Abdel Fatah, Gamal Elkheshen, Maher Dawoud
Commissioner: Hany Al Ashkar. Curator: Ministry of Culture. Venue: Pavilion at Giardini
FINLAND (Pavilion Alvar Aalto)
Hours, Years, Aeons
IC-98
Commissioner: Frame Visual Art Finland, Raija Koli. Curator: Taru Elfving. Deputy Curator: Anna Virtanen. Venue: Pavilion at Giardini
FRANCE
revolutions
Céleste Boursier-Mougenot
Commissioner: Institut français, with Ministère de la Culture et de la Communication. Curator: Emma Lavigne. Venue: Pavilion at Giardini
GEORGIA
Crawling Border
Rusudan Gobejishvili Khizanishvili, Irakli Bluishvili, Dimitri Chikvaidze, Joseph Sabia
Commissioner: Ana Riaboshenko. Curator: Nia Mgaloblishvili. Venue: Pavilion at Arsenale – Sale d’Armi
GERMANY
Fabrik
Jasmina Metwaly / Philip Rizk, Olaf Nicolai, Hito Steyerl, Tobias Zielony
Commissioner: ifa (Institut für Auslandsbeziehungen) on behalf of the Federal Foreign Office. Deputy Commissioner: Elke aus dem Moore, Nina Hülsmeier. Curator: Florian Ebner. Deputy Curator: Tanja Milewsky, Ilina Koralova. Venue: Pavilion at Giardini
GREAT BRITAIN
Sarah Lucas
Commissioner: Emma Dexter. Curator: Richard Riley. Deputy Curator: Katrina Schwarz. Venue: Pavilion at Giardini
GRENADA *
Present Nearness
Oliver Benoit, Maria McClafferty, Asher Mains, Francesco Bosso and Carmine Ciccarini, Guiseppe Linardi
Commissioner: Ministry of Culture. Deputy Commissioner: Susan Mains. Curator: Susan Mains. Deputy Curator: Francesco Elisei. Venue: Opera don Orione Artigianelli, Sala Tiziano, Fondamenta delle Zattere ai Gesuati, Dorsoduro 919
GREECE
Why Look at Animals? AGRIMIKÁ.
Maria Papadimitriou
Commissioner: Hellenic Ministry of Culture, Education and Religious Affairs. Curator: Gabi Scardi. Deputy Curator: Alexios Papazacharias. Venue: Pavilion at Giardini
BRAZIL
So much that it doesn't fit here
Antonio Manuel, André Komatsu, Berna Reale
Commissioner: Luis Terepins. Curator: Luiz Camillo Osorio. Deputy Curator: Cauê Alves. Venue: Pavilion at Giardini
CANADA
Canadassimo
BGL
Commissioner: National Gallery of Canada, Marc Mayer. Deputy Commissioner: National Gallery of Canada, Yves Théoret. Curator: Marie Fraser. Venue: Pavilion at Giardini
CHILE
Poéticas de la disidencia | Poetics of dissent: Paz Errázuriz - Lotty Rosenfeld
Paz Errázuriz, Lotty Rosenfeld
Commissioner: Antonio Arèvalo. Deputy Commissioner: Juan Pablo Vergara Undurraga. Curator: Nelly Richard. Venue: Pavilion at Arsenale - Artiglierie
CHINA, People’s Republic of
Other Future
LIU Jiakun, LU Yang, TAN Dun, WEN Hui/Living Dance Studio, WU Wenguang/Caochangdi Work Station
Commissioner: China Arts and Entertainment Group, CAEG. Deputy Commissioners: Zhang Yu, Yan Dong. Curator: Beijing Contemporary Art Foundation. Scientific Committee: Fan Di’an, Zhang Zikang, Zhu Di, Gao Shiming, Zhu Qingsheng, Pu Tong, Shang Hui. Venue: Pavilion at Arsenale – Giardino delle Vergini
GUATEMALA
Sweet Death
Emma Anticoli Borza, Sabrina Bertolelli, Mariadolores Castellanos, Max Leiva, Pier Domenico Magri, Adriana Montalto, Elmar Rojas (Elmar René Rojas Azurdia), Paolo Schmidlin, Mónica Serra, Elsie Wunderlich, Collettivo La Grande Bouffe
Commissioner: Daniele Radini Tedeschi. Curators: Stefania Pieralice, Carlo Marraffa, Elsie Wunderlich. Deputy Curators: Luciano Carini, Simone Pieralice. Venue: Officina delle Zattere, Dorsoduro 947, Fondamenta Nani
HOLY SEE
Commissioner: Em.mo Card. Gianfranco Ravasi, Presidente del Pontificio Consiglio della Cultura. Venue: Pavilion at Arsenale – Sale d’Armi
HUNGARY
Sustainable Identities
Szilárd Cseke
Commissioner: Monika Balatoni. Deputy Commissioner: István Puskás, Sándor Fodor, Anna Karády. Curator: Kinga German. Venue: Pavilion at Giardini
ICELAND
Christoph Büchel
Commissioner: Björg Stefánsdóttir. Curator: Nína Magnúsdóttir. Venue: to be confirmed
INDONESIA, Republic of
Komodo Voyage
Heri Dono
Commissioner: Sapta Nirwandar. Deputy Commissioner: Soedarmadji JH Damais. Curator: Carla Bianpoen, Restu Imansari Kusumaningrum. Scientific Committee: Franco Laera, Asmudjo Jono Irianto, Watie Moerany, Elisabetta di Mambro. Venue: Venue: Arsenale
IRAN
Iranian Highlights
Samira Alikhanzaradeh, Mahmoud Bakhshi Moakhar, Jamshid Bayrami, Mohammed Ehsai
The Great Game
Lida Abdul, Bani Abidi, Adel Abidin, Amin Agheai, Ghodratollah Agheli, Shahriar Ahmadi, Parastou Ahovan, Farhad Ahrarnia, Rashad Alakbarov, Nazgol Ansarinia, Reza Aramesh, Alireza Astaneh, Sonia Balassanian, Mahmoud Bakhshi, Moakhar Wafaa Bilal, Mehdi Farhadian, Monir Farmanfarmaian, Shadi Ghadirian, Babak Golkar, Shilpa Gupta, Ghasem Hajizadeh, Shamsia Hassani, Sahand Hesamiyan, Sitara Ibrahimova, Pouran Jinchi, Amar Kanwar, Babak Kazemi, Ryas Komu, Ahmad Morshedloo, Farhad Moshiri, Mehrdad Mohebali, Huma Mulji, Azad Nanakeli, Jamal Penjweny, Imran Qureshi, Sara Rahbar, Rashid Rana, T.V. Santhosh, Walid Siti, Mohsen Taasha Wahidi, Mitra Tabrizian, Parviz Tanavoli, Newsha Tavakolian, Sadegh Tirafkan, Hema Upadhyay, Saira Wasim
Commissioner: Majid Mollanooruzi. Deputy Commissioners: Marco Meneguzzo, Mazdak Faiznia. Curators: Marco Meneguzzo, Mazdak Faiznia. Venue: Calle San Giovanni 1074/B, Cannaregio
IRAQ
Commissioner: Ruya Foundation for Contemporary Culture in Iraq (RUYA). Deputy Commissioner: Nuova Icona - Associazione Culturale per le Arti. Curator: Philippe Van Cauteren. Venue: Ca' Dandolo, San Polo 2879
IRELAND
Adventure: Capital
Sean Lynch
Commissioner: Mike Fitzpatrick. Curator: Woodrow Kernohan. Venue: Pavilion at Arsenale - Artiglierie
ISRAEL
Tsibi Geva | Archeology of the Present
Tsibi Geva
Commissioner: Arad Turgem, Michael Gov. Curator: Hadas Maor. Venue: Pavilion at Giardini
ITALY
Ministero dei Beni e delle attività culturali e del turismo - Direzione Generale Arte e Architettura Contemporanee e Periferie Urbane. Commissioner: Federica Galloni. Curator: Vincenzo Trione. Venue: Padiglione Italia, Tese delle Vergini at Arsenale
JAPAN
The Key in the Hand
Chiharu Shiota
Commissioner: The Japan Foundation. Deputy Commissioner: Yukihiro Ohira, Manako Kawata and Haruka Nakajima. Curator: Hitoshi Nakano. Venue : Pavilion at Giardini
KENYA
Creating Identities
Yvonne Apiyo Braendle-Amolo, Qin Feng, Shi Jinsong, Armando Tanzini, Li Zhanyang, Lan Zheng Hui, Li Gang, Double Fly Art Center
Commissioner: Paola Poponi. Curator: Sandro Orlandi Stagl. Deputy Curator: Ding Xuefeng. Venue: San Servolo Island
KOREA, Republic of
The Ways of Folding Space & Flying
MOON Kyungwon & JEON Joonho
Commissioner: Sook-Kyung Lee. Curator: Sook-Kyung Lee. Venue: Pavilion at Giardini
KOSOVO, Republic of
Speculating on the blue
Flaka Haliti
Commissioner: Ministry of Culture, Youth and Sports. Curator: Nicolaus Schafhausen. Deputy Curator: Katharina Schendl. Venue: Pavilion at Arsenale - Artiglierie
LATVIA
Armpit
Katrina Neiburga, Andris Eglitis
Commissioner: Solvita Krese (Latvian Centre for Contemporary Art). Deputy Commissioner: Kitija Vasiljeva. Curator: Kaspars Vanags. Venue: Pavilion at Arsenale
LITHUANIA
Museum
Dainius Liškevicius
Commissioner: Vytautas Michelkevicius. Deputy Commissioner: Rasa Antanaviciute. Curator: Vytautas Michelkevicius. Venue: Palazzo Zenobio, Fondamenta del Soccorso 2569, Dorsoduro
LUXEMBOURG, Grand Duchy of
Paradiso Lussemburgo
Filip Markiewicz
Commissioner: Ministry of Culture. Deputy Commissioner: MUDAM Luxembourg. Curator: Paul Ardenne. Venue: Cà Del Duca, Corte del Duca Sforza, San Marco 3052
MACEDONIA, Former Yugoslavian Republic of
We are all in this alone
Hristina Ivanoska and Yane Calovski
Commissioner: Maja Nedelkoska Brzanova, National Gallery of Macedonia. Deputy Commissioner: Olivija Stoilkova. Curator: Basak Senova. Deputy Curator: Maja Cankulovska Mihajlovska. Venue: Pavilion at Arsenale - Sale d’Armi
MAURITIUS *
From One Citizen You Gather an Idea
Sultana Haukim, Nirmal Hurry, Alix Le Juge, Olga Jürgenson, Helge Leiberg, Krishna Luchoomun, Neermala Luckeenarain, Kavinash Thomoo, Bik Van Der Pol, Laure Prouvost, Vitaly Pushnitsky, Römer + Römer
Commissioner: pARTage. Curators: Alfredo Cramerotti, Olga Jürgenson. Venue: Palazzo Flangini - Canareggio 252
MEXICO
Possesing Nature
Tania Candiani, Luis Felipe Ortega
Commissioner: Tomaso Radaelli. Deputy Commissioner: Magdalena Zavala Bonachea. Curator: Karla Jasso. Venue: Pavilion at Arsenale – Sale d’Armi
MONGOLIA *
Other Home
Enkhbold Togmidshiirev, Unen Enkh
Commissioner: Gantuya Badamgarav, MCASA. Curator: Uranchimeg Tsultemin. Scientific Committee: David A Ross, Boldbaatar Chultemin. Venue: European Cultural Centre - Palazzo Mora
MONTENEGRO
,,Ti ricordi Sjecaš li se You Remember "
Aleksandar Duravcevic
Commissioner/Curator: Anastazija Miranovic. Deputy Commissioner: Danica Bogojevic. Venue: Palazzo Malipiero (piano terra), San Marco 3078-3079/A, Ramo Malipiero
MOZAMBIQUE, Republic of *
Theme: Coexistence of Tradition and Modernity in Contemporary Mozambique
Mozambique Artists
Commissioner: Joel Matias Libombo. Deputy Commissioner: Gilberto Paulino Cossa. Curator: Comissariado-Geral para a Expo Milano 2015. Venue: Pavilion at Arsenale
NETHERLANDS, The
herman de vries - to be all ways to be
herman de vries
Commissioner: Mondriaan Fund. Curators: Colin Huizing, Cees de Boer. Venue: Pavilion ar Giardini
NEW ZEALAND
Secret Power
Simon Denny
Commissioner: Heather Galbraith. Curator: Robert Leonard. Venue: Biblioteca Nazionale Marciana, Marco Polo Airport
NORDIC PAVILION (NORWAY)
Camille Norment
Commissioner: OCA, Office for Contemporary Art Norway. Curator: Katya García-Antón. Deputy Curator: Antonio Cataldo. Venue: Pavilion at Giardini
PERU
Misplaced Ruins
Gilda Mantilla and Raimond Chaves
Commissioner: Armando Andrade de Lucio. Curator: Max Hernández-Calvo. Venue: Pavilion at Arsenale – Sale d’Armi
PHILIPPINES
Tie a String Around the World
Manuel Conde, Carlos Francisco, Manny Montelibano, Jose Tence Ruiz
Commissioner: National Commission for Culture and the Arts (NCCA), Felipe M. de Leon Jr. Curator: Patrick D. Flores. Venue: European Cultural Centre - Palazzo Mora
POLAND
Halka/Haiti. 18°48’05”N 72°23’01”W
C.T. Jasper, Joanna Malinowska
Commissioner: Hanna Wróblewska. Deputy Commissioner: Joanna Wasko. Curator: Magdalena Moskalewicz. Venue: Pavilion at Giardini
PORTUGAL
I Will Be Your Mirror / poems and problems
João Louro
Commissioner/Curator: María de Corral. Venue: Palazzo Loredan, campo S. Stefano
ROMANIA
Adrian Ghenie: Darwin’s Room
Adrian Ghenie
Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Mihai Pop. Venue: Pavilion at Giardini
Inventing the Truth. On Fiction and Reality
Michele Bressan, Carmen Dobre-Hametner, Alex Mirutziu, Lea Rasovszky, Stefan Sava, Larisa Sitar
Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Diana Marincu. Deputy Curators: Ephemair Association (Suzana Dan and Silvia Rogozea). Venue: New Gallery of the Romanian Institute for Culture and Humanistic Research in Venice
RUSSIA
The Green Pavilion
Irina Nakhova
Commissioner: Stella Kesaeva. Curator: Margarita Tupitsyn. Venue: Pavilion at Giardini
SERBIA
United Dead Nations
Ivan Grubanov
Commissioner: Lidija Merenik. Deputy Commissioner: Ana Bogdanovic. Curator: Lidija Merenik. Deputy Curator: Ana Bogdanovic. Scientific Committee: Jovan Despotovic. Venue: Pavilion at Giardini
SAN MARINO
Repubblica di San Marino “ Friendship Project “ China
Xu De Qi, Liu Dawei, Liu Ruo Wang, Ma Yuan, Li Lei, Zhang Hong Mei, Eleonora Mazza, Giuliano Giulianelli, Giancarlo Frisoni, Tony Margiotta, Elisa Monaldi, Valentina Pazzini
Commissioner: Istituti Culturali della Repubblica di San Marino. Curator: Vincenzo Sanfo. Venue: TBC
SEYCHELLES, Republic of *
A Clockwork Sunset
George Camille, Léon Wilma Loïs Radegonde
Commissioner: Seychelles Art Projects Foundation. Curators: Sarah J. McDonald, Victor Schaub Wong. Venue: European Cultural Centre - Palazzo Mora
SINGAPORE
Sea State
Charles Lim Yi Yong
Commissioner: Paul Tan, National Arts Council, Singapore. Curator: Shabbir Hussain Mustafa. Scientific Committee: Eugene Tan, Kathy Lai, Ahmad Bin Mashadi, June Yap, Emi Eu, Susie Lingham, Charles Merewether, Randy Chan. Venue: Pavilion at Arsenale – Sale d’Armi
SLOVENIA, Republic of
UTTER / The violent necessity for the embodied presence of hope
JAŠA
Commissioner: Simona Vidmar. Deputy Commissioner: Jure Kirbiš. Curators: Michele Drascek and Aurora Fonda. Venue: Pavilion at Arsenale - Artiglierie
SPAIN
Los Sujetos (The Subjects)
Pepo Salazar, Cabello/Carceller, Francesc Ruiz, + Salvador Dalí
Commissioner: Ministerio Asuntos Exteriores. Gobierno de España. Curator: Marti Manen. Venue: Pavilion at Giardini
SYRIAN ARAB REPUBLIC
Origini della civiltà
Narine Ali, Ehsan Alar, Felipe Cardeña, Fouad Dahdouh, Aldo Damioli, Svitlana Grebenyuk, Mauro Reggio, Liu Shuishi, Nass ouh Zaghlouleh, Andrea Zucchi, Helidon Xhixha
Commissioner: Christian Maretti. Curator: Duccio Trombadori. Venue: Redentore – Giudecca, San Servolo Island
SWEDEN
Excavation of the Image: Imprint, Shadow, Spectre, Thought
Lina Selander
Commissioner: Ann-Sofi Noring. Curator: Lena Essling. Venue: Pavilion at Arsenale
SWITZERLAND
Our Product
Pamela Rosenkranz
Commissioner: Swiss Arts Council Pro Helvetia, Sandi Paucic and Marianne Burki. Deputy-Commissioner: Swiss Arts Council Pro Helvetia, Rachele Giudici Legittimo. Curator: Susanne Pfeffer. Venue: Pavilion at Giardini
THAILAND
Earth, Air, Fire & Water
Kamol Tassananchalee
Commissioner: Chai Nakhonchai, Office of Contemporary Art and Culture (OCAC), Ministry of Culture. Curator: Richard David Garst. Deputy Curator: Pongdej Chaiyakut. Venue: Paradiso Gallerie, Giardini della Biennale, Castello 1260
TURKEY
Respiro
Sarkis
Commissioner: Istanbul Foundation for Culture and Arts. Curator: Defne Ayas. Deputy Curator: Ozge Ersoy. Venue: Pavilion at Arsenale – Sale d’Armi
TUVALU
Crossing the Tide
Vincent J.F. Huang
Commissioner: Taukelina Finikaso. Deputy Commissioner: Temate Melitiana. Curator: Thomas J. Berghuis. Scientific Committee: Andrea Bonifacio. Venue: Pavilion at Arsenale
UKRAINE
Hope!
Yevgenia Belorusets, Nikita Kadan, Zhanna Kadyrova, Mykola Ridnyi & SerhiyZhadan, Anna Zvyagintseva, Open Group, Artem Volokitin
Commissioner: Ministry of Culture. Curator: Björn Geldhof. Venue: Riva dei Sette Martiri
UNITED ARAB EMIRATES
1980 – Today: Exhibitions in the United Arab Emirates
Abdullah Al Saadi, Abdul Qader Al Rais, Abdulraheem Salim, Abdulrahman Zainal, Ahmed Al Ansari, Ahmed Sharif, Hassan Sharif, Mohamed Yousif, Mohammed Abdullah Bulhiah, Mohammed Al Qassab, Mohammed Kazem, Moosa Al Halyan, Najat Meky, Obaid Suroor, Salem Jawhar
Commissioner: Salama bint Hamdan Al Nahyan Foundation. Curator: Hoor Al Qasimi. Venue: Pavilion at Arsenale – Sale d'Armi
UNITED STATES OF AMERICA
Joan Jonas: They Come to Us Without a Word
Joan Jonas
Commissioner: Paul C. Ha. Deputy Commissioner: MIT List Visual Arts Center. Curators: Ute Meta Bauer, Paul C. Ha. Venue: Pavilion at Giardini
URUGUAY
Global Myopia II (Pencil & Paper)
Marco Maggi
Commissioner: Ricardo Pascale. Curator: Patricia Bentancour. Venue: Pavilion at Giardini
VENEZUELA, Bolivarian Republic of
Te doy mi palabra (I give you my word)
Argelia Bravo, Félix Molina (Flix)
Commissioner: Oscar Sotillo Meneses. Deputy Commissioner: Reinaldo Landaeta Díaz. Curator: Oscar Sotillo Meneses. Deputy Curator: Morella Jurado. Scientific Committee: Carlos Pou Ruan. Venue: Pavilion at Giardini
ZIMBABWE, Republic of
Pixels of Ubuntu/Unhu: - Exploring the social and cultural identities of the 21st century.
Chikonzero Chazunguza, Masimba Hwati, Gareth Nyandoro
Commissioner: Doreen Sibanda. Curator: Raphael Chikukwa. Deputy Curator: Tafadzwa Gwetai. Scientific Committee: Saki Mafundikwa, Biggie Samwanda, Fabian Kangai, Reverend Paul Damasane, Nontsikelelo Mutiti, Stephen Garan'anga, Dominic Benhura. Venue: Santa Maria della Pieta
ITALO-LATIN AMERICAN INSTITUTE
Voces Indígenas
Commissioner: Sylvia Irrazábal. Curator: Alfons Hug. Deputy Curator: Alberto Saraiva. Venue: Pavilion at Arsenale
ARGENTINA
Sofia Medici and Laura Kalauz
PLURINATIONAL STATE OF BOLIVIA
Sonia Falcone and José Laura Yapita
BRAZIL
Adriana Barreto
Paulo Nazareth
CHILE
Rainer Krause
COLOMBIA
León David Cobo,
María Cristina Rincón and Claudia Rodríguez
COSTA RICA
Priscilla Monge
ECUADOR
Fabiano Kueva
EL SALVADOR
Mauricio Kabistan
GUATEMALA
Sandra Monterroso
HAITI
Barbara Prézeau Stephenson
HONDURAS
Leonardo González
PANAMA
Humberto Vélez
NICARAGUA
Raúl Quintanilla
PARAGUAY
Erika Meza
Javier López
PERU
José Huamán Turpo
URUGUAY
Gustavo Tabares
Ellen Slegers
001 Inverso Mundus. AES+F
Magazzino del Sale n. 5, Dorsoduro, 265 (Fondamenta delle Zattere ai Saloni); Palazzo Nani Mocenigo, Dorsoduro, 960
May 9th – October 31st
Organization: VITRARIA Glass + A Museum
Catalonia in Venice: Singularity
Cantieri Navali, Castello, 40 (Calle Quintavalle)
May 9th - November 22nd
Organization: Institut Ramon Llull
venezia2015.llull.cat
Conversion. Recycle Group
Chiesa di Sant’Antonin, Castello (Campo Sant’Antonin)
May 6th - October 31st
Organization: Moscow Museum of Modern Art
Dansaekhwa
Palazzo Contarini-Polignac, Dorsoduro, 874 (Accademia)
May 7th – August 15th
Organization: The Boghossian Foundation
Dispossession
Palazzo Donà Brusa, Campo San Polo, 2177
May 9th - November 22nd
Organization: European Capital of Culture Wroclaw 2016
wroclaw2016.pl/biennale/
EM15 presents Doug Fishbone’s Leisure Land Golf
Arsenale Docks, Castello, 40A, 40B, 41C
May 6th - July 26th
Organization: EM15
Eredità e Sperimentazione
Grand Hotel Hungaria & Ausonia, Viale Santa Maria Elisabetta, 28, Lido di Venezia
May 9th - November 22nd
Organization: Istituto Nazionale di BioArchitettura - Sezione di Padova
Frontiers Reimagined
Palazzo Grimani, Castello, 4858 (Ramo Grimani)
May 9th - November 22nd
Organization: Tagore Foundation International; Polo museale del Veneto
Glasstress 2015 Gotika
Istituto Veneto di Scienze Lettere ed Arti, Palazzo Cavalli Franchetti, San Marco, 2847 (Campo Santo Stefano); Chiesa di Santa Maria della Visitazione, Centro Culturale Don Orione Artigianelli, Dorsoduro, 919 (Zattere); Fondazione Berengo, Campiello della Pescheria, 15, Murano;
May 9th — November 22nd
Organization: The State Hermitage Museum
Graham Fagen: Scotland + Venice 2015
Palazzo Fontana, Cannaregio, 3829 (Strada Nova)
May 9th - November 22nd
Organization: Scotland + Venice
Grisha Bruskin. An Archaeologist’s Collection
Former Chiesa di Santa Caterina, Cannaregio, 4941-4942
May 6th – November 22nd
Organization: Centro Studi sulle Arti della Russia (CSAR), Università Ca’ Foscari Venezia
Helen Sear, ... The Rest Is Smoke
Santa Maria Ausiliatrice, Castello, 450 (Fondamenta San Gioacchin)
May 9th - November 22nd
Organization: Cymru yn Fenis/Wales in Venice
Highway to Hell
Palazzo Michiel, Cannaregio, 4391/A (Strada Nova)
May 9th - November 22nd
Organization: Hubei Museum of Art
Humanistic Nature and Society (Shan-Shui) – An Insight into the Future
Palazzo Faccanon, San Marco, 5016 (Mercerie)
May 7th – August 4th
Organization: Shanghai Himalayas Museum
In the Eye of the Thunderstorm: Effervescent Practices from the Arab World & South Asia
Dorsoduro, 417 (Zattere)
May 6th - November 15th
Organization: ArsCulture
Italia Docet | Laboratorium- Artists, Participants, Testimonials and Activated Spectators
Palazzo Barbarigo Minotto, San Marco, 2504 (Fondamenta Duodo o Barbarigo)
May 9th – June 30th; September 11st – October 31st
Organization: Italian Art Motherboard Foundation (i-AM Foundation)
www.venicebiennale-italiadocet.org
Jaume Plensa: Together
Basilica di San Giorgio Maggiore, Isola di San Giorgio Maggiore
May 6th – November 22nd
Organization: Abbazia di San Giorgio Maggiore Benedicti Claustra Onlus
Jenny Holzer "War Paintings"
Museo Correr, San Marco, 52 (Piazza San Marco)
May 6th – November 22nd
Organization: The Written Art Foundation; Museo Correr, Fondazione Musei Civici di Venezia
correr.visitmuve.it
Jump into the Unknown
Palazzo Loredan dell’Ambasciatore, Dorsoduro, 1261-1262
May 9th – June 18th
Organization: Nine Dragon Heads
9dh-venice.com
Learn from Masters
Palazzo Bembo, San Marco, 4793 (Riva del Carbon)
May 9th – November 22nd
Organization: Pan Tianshou Foundation
pantianshou.caa.edu.cn/foundation_en
My East is Your West
Palazzo Benzon, San Marco, 3927
May 6th – October 31st
Organization: The Gujral Foundation
Ornamentalism. The Purvitis Prize
Arsenale Nord, Tesa 99
May 9th – November 22nd
Organization: The Secretariat of the Latvian Presidency of the Council of the European Union in 2015
www.purvisabalva.lv/en/ornamentalism
Path and Adventure
Arsenale, Castello, 2126/A (Campo della Tana)
May 9th – November 22nd
Organization: The Civic and Municipal Affairs Bureau; The Macao Museum of Art; The Cultural Affairs Bureau
Patricia Cronin: Shrine for Girls, Venice
Chiesa di San Gallo, San Marco, 1103 (Campo San Gallo)
May 9th – November 22nd
Organization: Brooklyn Rail Curatorial Projects
curatorialprojects.brooklynrail.org
Roberto Sebastian Matta. Sculture
Giardino di Palazzo Soranzo Cappello, Soprintendenza BAP per le Province di Venezia, Belluno, Padova e Treviso, Santa Croce, 770 (Fondamenta Rio Marin)
May 9th – November 22nd
Organization: Fondazione Echaurren Salaris
www.fondazioneechaurrensalaris.it
www.maggioregam.com/56Biennale_Matta
Salon Suisse: S.O.S. Dada - The World Is A Mess
Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)
May 9th; June 4th - 6th; September 10th - 12th; October 15th - 17th; November 19th – 21st
Organization: Swiss Arts Council Pro Helvetia
Sean Scully: Land Sea
Palazzo Falier, San Marco, 2906
May 9th – November 22nd
Organization: Fondazione Volume!
Sepphoris. Alessandro Valeri
Molino Stucky, interior atrium, Giudecca, 812
May 9th – November 22nd
Organization: Assessorato alla Cultura del Comune di Narni(TR); a Sidereal Space of Art; Satellite Berlin
Tesla Revisited
Palazzo Nani Mocenigo, Dorsoduro, 960
May 9th – October 18th
Organization: VITRARIA Glass + A Museum
The Bridges of Graffiti
Arterminal c/o Terminal San Basilio, Dorsoduro (Fondamenta Zattere al Ponte Lungo)
May 9th - November 22nd
Organization: Associazione Culturale Inossidabile
The Dialogue of Fire. Ceramic and Glass Masters from Barcelona to Venice
Palazzo Tiepolo Passi, San Polo, 2774
May 6th - November 22nd
Organization: Fundaciò Artigas; ArsCulture
The Question of Beings
Istituto Santa Maria della Pietà, Castello, 3701
May 9th - November 22nd
Organization: Museum of Contemporary Art, Taipei (MoCA, Taipei)
The Revenge of the Common Place
Università Ca' Foscari, Ca' Bernardo, Dorsoduro, 3199 (Calle Bernardo)
May 9th – September 30th
Organization: Vrije Universiteit Brussel (Free University Brussels-VUB)
The Silver Lining. Contemporary Art from Liechtenstein and other Microstates
Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)
October 24th – November 1st
Organization: Kunstmuseum Liechtenstein
The Sound of Creation. Paintings + Music by Beezy Bailey and Brian Eno
Conservatorio Benedetto Marcello, Palazzo Pisani, San Marco, 2810 (Campo Santo Stefano)
May 7th - November 22nd
Organization: ArsCulture
The Union of Fire and Water
Palazzo Barbaro, San Marco, 2840
May 9th - November 22nd
Organization: YARAT Contemporary Art Organisation
Thirty Light Years - Theatre of Chinese Art
Palazzo Rossini, San Marco, 4013 (Campo Manin)
May 9th - November 22nd
Organization: GAC Global Art Center Foundation; The Guangdong Museum of Art
Tsang Kin-Wah: The Infinite Nothing, Hong Kong in Venice
Arsenale, Castello, 2126 (Campo della Tana)
May 9th - November 22nd
Organization: M+, West Kowloon Cultural District; Hong Kong Arts Development Council
Under the Surface, Newfoundland and Labrador at Venice
Galleria Ca' Rezzonico, Dorsoduro, 2793
May 9th - November 22nd
Organization: Terra Nova Art Foundation
tnaf.ca
Ursula von Rydingsvard
Giardino della Marinaressa, Castello (Riva dei Sette Martiri)
May 6th - November 22nd
Organization:Yorkshire Sculpture Park
We Must Risk Delight: Twenty Artists from Los Angeles
Magazzino del Sale n. 3, Dorsoduro, 264 (Zattere)
May 7th - November 22nd
Organization: bardoLA
Wu Tien-Chang: Never Say Goodbye
Palazzo delle Prigioni, Castello, 4209 (San Marco)
May 9th - November 22nd
Organization: Taipei Fine Arts Museum of Taiwan
With Acknowledgment to the Roll of Honour website (RoH)
www.roll-of-honour.com/Norfolk/Holt.html
There is another set of memorials in the church of St Andrew the Apostle.
www.roll-of-honour.com/Norfolk/HoltStAndrew.html
Names shown on the Church memorial are marked as (CM)
Alfred Anthony……………………………….................(RoH) (CM)
Corporal 47535. The Queen's (Royal West Surrey Regt.) Labour Company Chinese Labour Corps transf. to (74127) 54th Chinese Company. Died on 27th November 1919. Aged 32. Son of Mr. T. and Mrs. H. Anthony, of 8, Eastrea Rd. Whittlesea. Cambs; husband of D. Anthony, of 5 Bluestone Terrace, Holt, Norfolk. Buried: Terlincthun British Cemetery, Wimille, Pas de Calais, France. Ref. XIV. C. 13.
CWGC www.cwgc.org/search/casualty_details.aspx?casualty=4024320
No match on Norlink
The 13 year old Alfred, already a Brickyard Labourer, is recorded on the 1901 Census as living at Eastrea Road, Whittlesey. This is the household of his parents, Thomas, (aged 54 and a Brickyard Labourer from Whittlesey), and Hannah, (aged 55 and from Whittlesey.) Also resident are Arthur’s brothers Charles, (aged 18), Harry, (aged 17), and Walter, (aged 10). Charles and Harry work as Brickyard Labourers, and all were born Whittlesey.
Oliver Bennett………………………………..................(RoH) (CM)
Corporal 32124. 12th Battery Royal Field Artillery. Killed in action in France & Flanders on 21st October 1914. Aged 25. Born at North Walsham. Enlisted Norwich. Son of William and Rebecca Bennett, of Holt, Norfolk, Norwich, Norfolk. Buried: Harlebeke New British Cemetery, West-Vlaanderen, Belgium. Ref. XVI. A. 8.
CWGC www.cwgc.org/search/casualty_details.aspx?casualty=485790
No match on Norlink
The 12 year old Oliver was recorded on the 1901 census at Bull Street, Holt, having been born North Walsham. This was the household of his parents, William, aged 59 and a Licensed Victualler from Letheringsett, and Rebecca, (aged 40 and from Hoveton St John, Norfolk). Their other children are:-
Frank…………….aged 8.………….born North Walsham.
Ida Grace………aged 14.…………..born Stalham
Margaret……….aged 6.……………born Edgefield
One of the Stained Glass Windows in St Andrews, Holt is dedicated to the memory of Oliver and Charles Henry Steer, (qv), former members of the church choir.
www.wartimememoriesproject.com/greatwar/allied/royalartil...
The battery was newly arrived in France and was involved in supporting the 7th Division on the opening day of the Battle of Langemarck.
webstats.ordersofbattle.darkscape.net/site/warpath/divs/7...
www.historyofwar.org/articles/battles_langemarck_1914.html
Robert William Beresford……………................(RoH) (CM)
Sergeant 293. 1st/5th Battalion Norfolk Regiment. Died in Gallipoli on 21st August 1915. Aged 29. Born and enlisted Holt. Son of Henry Beresford, of Shire Hall Plain, Holt; husband of Emily E. Beresford, of Weston Square, Holt, Norfolk. No known grave. Commemorated on Helles Memorial, Turkey. Panel 42 to 44.
CWGC www.cwgc.org/search/casualty_details.aspx?casualty=698865
No match on Norlink
The 14 year old Robert is recorded on the 1901 Census as employed as a Domestic Page Boy, and living at Shire Hall Plain, Holt, the town of his birth. This was the household of his parents, Henry, (aged 42 and a Mineral Water cater from Holt), and Sophia, (aged 39 and from Bodham). Their other children are:-
Agnes……………aged 10
Alice…………..aged 13
Bertie………….aged 12
Bessie…………aged 20
Fred……………aged 2
Gertrude………..aged under 1
Mable………….aged 9
Percy…………..aged 3
Sidney…………aged 4.
Also living with them is a Grandson, George Beresford, aged under 1.
All born Holt.
Following the disastrous attack on the 12th, subsequently immortalised in tales of Alien abduction, lost battalions and more poignantly in “All the Kings Men”, the survivors were merged with the 1st/4ths until re-enforcements could arrive. A diary of an officer of that Battalion records that there was a Turkish attack in the mid-afternoon which broke into the trenches on their right, but was quiet in their sector.
user.online.be/~snelders/sand.htm
William Betts………………………………....................(RoH) (CM)
Private 16399. 3rd Battalion Norfolk Regiment. Died on 20th February 1916. Aged 27. Son of William and Triana Betts, of Fir Cottage, Briston, Melton Constable. Buried: Holt Burial Ground, Norfolk. Ref. C. 542.
CWGC www.cwgc.org/search/casualty_details.aspx?casualty=2802696
No match on Norlink
The most likely match on the 1901 Census is a 12 year old William, born Gissing, and now living at 30 Hill Street, Norwich. This is the household of his parents, Edward William, (a 38 year old Cab Man from Norwich), and Alice Caroline (aged 39 from probably Burston, Norfolk). Their other children are:-
Edith May…………aged 8.…born Gissing
Harry………………aged 6.…born Gisleham, Suffolk
Katherine Alice……aged 5.…born Norwich
Mildred Constance..aged 11...born Gissing
Sidney……………..aged 9.…born Gissing
The 3rd Battalion were a UK based Training Battalion providing drafts to the other Battalions of the Regiment.
Thomas Boast………………………….......................(RoH) (CM)
RoH - No further information available at present.
Probably
CWGC www.cwgc.org/search/casualty_details.aspx?casualty=275227
Name: BOAST, THOMAS TOWNSHEND
Rank: Second Lieutenant Regiment: Norfolk Regiment Unit Text: 3rd Bn.
Age: 28 Date of Death: 29/09/1918 Awards: Mentioned in Despatches
Additional information: Son of George John and M. A. Boast, of Taxal Edge, Whaley Bridge, Cheshire. Native of Holt, Norfolk.
Grave/Memorial Reference: C. 29. Cemetery: NEUVILLE-BOURJONVAL BRITISH CEMETERY
No match on Norlink
The 1901 Census has a Thomas T Boast, aged 10, living at Cromer Road, Holt. This is the household of his parents, George J, (aged 37 and a Domestic Gardener from Thorpe St. Andrews near Norwich), and Mary A, (aged 35 and from Fakenham). Their other children are:-
Alice A………..aged 3.…..born Holt
George J………aged 5.…..born Holt
Mabel M………aged 8.….born Holt
Also staying with them is a niece, Olive M Boast, born Langham and aged 13.
While the 3rd Battalion was a UK based training establishment, it was likely that Lt Boast was on attachment to another Battalion of the Regiment. Neuville-Bourjonval was only re-taken from the Germans at the start of September 1918, and was still very much in the front-line. A study of other casualties buried in this cemetery from this time reveals a number of officer casualties from the units that made up the 15th Brigade, which included the 1st Norfolks.
Albert Victor Bray……………………....................(RoH) (CM)
Private 22958. 9th Battalion Norfolk Regiment. Died of wounds at home on 10th February 1917. Aged 20. Born and enlisted King’s Lynn. Son of the late William and Margaret Bray, of Holt. Buried: Holt Burial Ground. Ref. C. 549.
CWGC www.cwgc.org/search/casualty_details.aspx?casualty=2802697
No match on Norlink
There is no obvious match for Albert on the 1901 Census, but as can be seen from the census entry for his brother Charles below that the family has already suffered some sort of break-up at this time.
Brother of Charles below
Charles William Bray…………………..................(RoH) (CM)
Lance Corporal 41028. 8th Battalion Royal Inniskilling Fusiliers. Formerly 25409 Norfolk Regiment. Killed in action in France & Flanders on 16th August 1917. Aged 28. Born St Margaret’s, Norfolk (King’s Lynn?). Enlisted Norwich. Son of the late William and Margaret Bray. No known grave. Commemorated on Tyne Cot Memorial, Zonnebeke, West-Vlaanderen, Belgium. Panel 70 to 72.
www.cwgc.org/search/casualty_details.aspx?casualty=842798
No match on Norlink
Brother of Albert above
The 12 year old Charles Bray is recorded on the 1901 census at South Street, Kings Lynn, his birth town. The head of the household is his married brother Ernest, (aged 25 and a Brickmaker from the town). Also living with them is Ernest and Charles 16 year old brother, Herbert, who is employed as a Carpenters Apprentice. The wife of Ernest is Harriet, (aged 30 and from West Winch), and the couple have a daughter Evelyn who is less than a year old.
Thursday 16th August 1917 - Day 17
Rainfall Nil
The phase of the battle known as The Battle of Langemarck commenced today and lasted until the 18th. Zero Hour was 4.45 am.
16th (Irish) Division
49 Bde
7th Bn, Royal Inniskilling Fusiliers attacked on the left and the regiments 8th Bn on the right. 7/8th Bn, Royal Irish Fusiliers was in support. Attached from 47 Bde was 6th Bn Royal Irish Regt which was held in reserve. It was during this action that L/Cpl Frederick Room earned his Victoria Cross. Room was in charge of the battalion stretcher bearers and worked continuously under intense fire, dressing the wounded and helping to evacuate them. It was he fourth and last VC earned by a man of the Royal Irish Regt.
7th Inniskillings took Beck House and then moved on to Delva Farm, taking it before coming under heavy fire from the rear where they had failed to mop up some German pillboxes. 8th Inniskillings was held up by MG fire while attacking Borry Farm.
forum.irishmilitaryonline.com/showthread.php?t=11535&...
Horace Bullock………………………………................(RoH) (CM)
Private 49505. 9th Battalion Essex Regiment. Formerly 53042 Suffolk Regiment. Killed in action in France & Flanders on 6th September 1918. Born and lived Holt. Enlisted Norwich. No known grave. Commemorated on Vis-En-Artois Memorial, Pas de Calais, France. Panel 7.
CWGC www.cwgc.org/search/casualty_details.aspx?casualty=1740608
No match on Norlink
The most likely match on the 1901 Census is a 1 year Horace living at Shirehall Plain, Holt. This is the household of his parents, Samuel, (aged 31 and described as a Bricklayer and then something illegible, which the Genes Reunited transcibers have put down as Inn-Keeper?), and Margaret E. (aged 29 and from Hockham, (possibly Holkham?). Their other children are:-
Eleanor…….aged 7.….born Holt
Hilda May…aged 4.….born Holt
Albert Caston………………………………...................(RoH) (CM)
Corporal 13018. 9th Battalion Norfolk Regiment. Killed in action in France & Flanders on 15th September 1916. Born Holt. Enlisted Norwich. No known grave. Commemorated on Thiepval Memorial, Somme, France. Pier and Face 1 C and 1 D.
CWGC www.cwgc.org/search/casualty_details.aspx?casualty=1542715
No match on Norlink
No obvious match on the 1901 Census,
15th September 1916 Battle of the Somme
The last great Allied effort to achieve a breakthrough came on 15 September in the Battle of Flers-Courcelette with the initial advance made by 11 British divisions (nine from Fourth Army, two Canadian divisions on the Reserve Army sector) and a later attack by four French corps.
The battle is chiefly remembered today as the debut of the tank. The British had high hopes that this secret weapon would break the deadlock of the trenches. Early tanks were not weapons of mobile warfare—with a top speed of 2 mph (3.2 km/h), they were easily outpaced by the infantry—but were designed for trench warfare. They were untroubled by barbed wire obstacles and impervious to rifle and machine gun fire, though highly vulnerable to artillery. Additionally, the tanks were notoriously unreliable; of the 49 tanks available on 15 September, only 32 made it to the start line, and of these, only 21 made it into action
en.wikipedia.org/wiki/Battle_of_Flers-Courcelette
An intense preliminary bombardment began on 12 September and at 6.20am on Friday 15 September the advance began in mist and smoke. XIV Corps attack, on the extreme right, where hopes of breakthrough were pinned, fared badly; 56th Division and 6th Division lost heavily as tanks and artillery support failed to neutralise vital defensive positions
www.cwgc.org/somme/content.asp?menuid=27&id=27&me...
151 Soldiers of the 9th Battalion appear to have died on this day.
Alfred Woodhouse Caston…………….............(RoH) (CM)
Private 36460. 8th Battalion East Surrey Regiment. Died in France & Flanders on 29th July 1918. Aged 30. Born Holt. Enlisted Norwich. Son of Alfred W. Caston, of 5, Albert St., Holt, Norfolk. Buried: Crouy British Cemetery, Crouy-Sur-Somme, France. Ref. IV. B. 20.
CWGC www.cwgc.org/search/casualty_details.aspx?casualty=71021
No match on Norlink
No obvious match on the 1901 Census
The battalion was in the reserve lines on this date, with working parties in the front line at night improving defences. No casualties are recorded since the 22nd.
qrrarchive.websds.net/PDF/ES00819180608.pdf
Frederick W Chestney………………………..........(RoH) (CM)
The roll of honour entry for this person is incorrect. The correct individual is shown below.
Name: CHESTNEY, FREDERICK WILLIAM
Rank: Private Regiment/Service: Training Reserve Unit Text: 22nd Bn
Age: 18 Date of Death: 30/01/1918 Service No: 10/7202
Additional information: Son of Mr.E Chestney. N.B.: PLEASE NOTE This casualty was accepted for commemoration by the Commission. Please contact the Commission before planning a visit, for more information.
Grave/Memorial Reference: Plot D Grave 728 Cemetery: HOLT BURIAL GROUND
www.cwgc.org/search/casualty_details.aspx?casualty=75197297
No match on Norlink
The 2 year old Frederick is recorded on the 1901 Census living at Lion Street, Holt, the yown of his birth. He is living with his parents Elijah, (aged 40 and a Carpenter from Holt), and Amelia J. (aged 39 and from Suffolk, (possibly Southwold?)). As well as Frederick, they have an 8 month old daughter, Kathleen E.M.
Charles William Clarke………………….............(RoH) (CM)
Private 12493. 7th Battalion Norfolk Regiment. Killed in action in France & Flanders on 13th October 1915. Aged 22. Born Holt. Enlisted Norwich. Son of Mrs. Mary Ann White, of Cross St., Holt, Norfolk. No known grave. Commemorated on Loos Memorial, Pas de Calais, France. Panel 30 and 31.
CWGC www.cwgc.org/search/casualty_details.aspx?casualty=729875
No match on Norlink
On the 1901 Census, the 7 year old Charles W is living at Chapel Street, Holt. His widowed mother, the 34 year old Mary Ann earns a living as a washerwoman. She is also bringing up Augustus, (aged 3) and Susannah, (aged 1), although she has a 35 year old boarder, William White living with her. William is employed as a Hedger. All of them come from Holt.
On 12th October 1915 the Battalion moved from billets to a line in front of the St Elie Quarries, taking over from the Coldstream Guards. The attack was planned to go ahead the following day under a smoke cloud with the Norfolks closing on the German trenches from both ends of their position thus straightening their line, their own trenches being in a semi-circle. The left side of the Battalion was also tasked with bombing a German communications trench. A bright sunny day with an ideal wind for moving the smoke towards the enemy positions, the artillery bombardment began at 12:00 and was intensive by 13:45. 54 heavy and 86 field howitzers and 286 field guns fired on enemy trenches in the area of the Hohenzollern Redoubt, Fosse 8, the Quarries, Gun Trench and the positions south to Chalk Pit Wood. It failed to cause sufficient damage to the enemy positions. The smoke barrage went wrong and ceased by 13:40, twenty minutes before the attack was launched at 14:00 and was thus very thin. German machine gun fire from in front and from the direction of Slag Alley, opposite the Norfolks right flank, enfiladed their attack. Whilst they gained a foothold in the Quarries and consolidated the position they were unable to advance further. In the battalions first serious engagement they lost 5 Officers killed or died of wounds and 6 wounded, and 66 other ranks killed, 196 wounded and 160 missing.
Source: 1914-1918.invisionzone.com/forums/index.php?showtopic=42270
.
Albert Edward Cockaday………………..........(RoH) (CM)
Private 201347. 1st/4th Battalion Norfolk Regiment. Killed in action in Palestine on 19th April 1917. Aged 21. Born North Heigham, Norwich. Enlisted Norwich. Son of Archibald and Laura Cockaday, of 4, Weston Square, Holt, Norfolk. Buried: Gaza War Cemetery, Israel. Ref. XIII. E. 6.
CWGC www.cwgc.org/search/casualty_details.aspx?casualty=649749
No match on Norlink
The 4 year old Albert is recorded on the 1901 Census at Carpenters Arms Yard, Norwich Road, Holt. This is the household of his parents, Archibald, (aged 25 and a Gas Fitter and Plumber from Norwich), and Laura, (aged 24 and also from Norwich). Their oher children are:-
Ethel………………aged under /1.…..born Holt
Harry……………aged 2.……………born Holt
19th April 1917 During the 2nd Battle of Gaza,
Facing the Tank Redoubt was the 161st Brigade of the 54th Division. To their right were the two Australian battalions (1st and 3rd) of the Imperial Camel Corps Brigade who had dismounted about 4,000 yards from their objective. As the infantry went in to attack at 7.30am they were joined by a single tank called "The Nutty" which attracted a lot of shell fire. The tank followed a wayward path towards the redoubt on the summit of a knoll where it was fired on point blank by four field guns until it was stopped and set alight in the middle of the position.
The infantry and the 1st Camel Battalion, having suffered heavy casualties on their approach, now made a bayonet charge against the trenches. About 30 "Camels" and 20 of the British infantry (soldiers of the 5th (territorial Battalion of the Norfolk Regiment) reached the redoubt, then occupied by around 600 Turks who immediately broke and fled towards their second line of defences to the rear.
The British and Australians held on unsupported for about two hours by which time most had been wounded. With no reinforcements at hand and a Turkish counter-attack imminent, the survivors endeavoured to escape back to their own lines.
To the right (west) of Tank Redoubt, the 3rd Camel Battalion, advancing in the gap between two redoubts, actually made the furthest advance of the battle, crossing the Gaza-Beersheba Road and occupying a pair of low hills (dubbed "Jack" and "Jill"). As the advances on their flanks faltered, the "Camels" were forced to retreat to avoid being isolated.
en.wikipedia.org/wiki/Second_Battle_of_Gaza
More than a thousand one hundred of the men of the 54th posted killed wounded or missing were from the two Norfolk regiment battalions, equating to 75% of their strength. Eastern Daily Press "Sunday" section May 5, 2007
en.wikipedia.org/wiki/Second_Battle_of_Gaza
Private Cockadays British War Medal and Victory Medal were auctioned in January 2010
www.lockdales.com/AuctionMedals&Militaria.htm
Ernest William Cooper…………………...............(RoH) (CM)
(Most Likely)
Private 37010. 2nd/5th Battalion King's Own (Royal Lancaster Regt.) Killed in action in France & Flanders on 29th August, 1918. Aged 22. Born Holt. Enlisted Bolton. Son of Alfred and Mary Jane Cooper, of 2, Excelsior Cottage, Co-operative St., Sheringham, Norfolk. No known grave. Commemorated on Vis-En-Artois Memorial, Pas de Calais, France. Panel 3.
CWGC www.cwgc.org/search/casualty_details.aspx?casualty=1741309
No match on Norlink
The 6 year Ernest W. can be found on the 1901 census at Blakeney Road, Letheringsett, his birth village. This is the household of his parents, Alfred, (a 35 year old Agricultural Labourer from Wiveton), and Mary J. (aged 37 and from Thornage). Their other children are:-
Alfred R……….aged 3.………….born Glandford
Alice M………..aged 11.…………born Letheringsett
Clement………..aged 14.………..born Thornage.Employed as a Yardmans help
Dorothy M…….aged 1.………….born Letheringsett
While I can’t find anything specific to the 2/5th, the 57th Division, of which the Battalion was part, has this note on its battle honours.
Battle of the Scarpe. 26-30 Aug 1918, including the capture of Monchy le Preux.
www.warpath.orbat.com/divs/57_div.htm
Fred Cotts……………………………….........................(RoH) (CM)
Corporal 14450. Depot, Northamptonshire Regiment. Transf. to (432073) 131st Company Chinese Labour Corps. Died on 14th May 1919. Aged 32. Son of A. and T. Cotts, of Holt, Norfolk; husband of I. M. Brown (formerly Cotts), of Mill Cottages, Cropredy, Banbury. Buried: Duisans British Cemetery, Etrun, Pas de Calais, France. Ref. VII. C. 33.
CWGC www.cwgc.org/search/casualty_details.aspx?casualty=169138
No match on Norlink
The 14 year old Frederick is recorded on the 1901 Census at Hempstead Road, Holt and is already employed as an errand boy and porter. This is the household of his parents, Thomas William, (age 41 and an Ironmongers warehouseman from Wood Norton), and Elizabeth, (age 38 and from Bodham). Their other children are:-
Annie……aged 10.…born Holt
Ernest J….aged 15.…born Holt. Employed as a Bricklayers Labourer.
Herbert….aged 12.…born Holt
Thomas H,,aged 17...born Holt.Employed as a Domestic Gardener. (see next entry)
Thomas Henry Cotts……………………...............(RoH) (CM)
Private 13005. 2nd Battalion Bedfordshire Regiment. Killed in action in France & Flanders on 17th May 1915. Aged 33. Born and lived Holt. Enlisted Hertford. Son of William Thomas and Elizabeth Cotts, of Station Rd., Holt, Norfolk. No known grave. Commemorated on Le Touret Memorial, Pas de Calais, France. Panel 10 and 11.
CWGC www.cwgc.org/search/casualty_details.aspx?casualty=1559482
No match on Norlink
See Census details against brother Fred above.
This day was the 2nd day of the battle of Festurbert. The battalion had taken been in action the day before and had taken casualties. For what happened on the day I refer you to the Battalion’s war diary.
17 May 1915 2.30 a.m. Orders received to withdraw Bn. to reserve trenches. Movement completed by 3.45 a.m. About 1.30 p.m. Bn. received orders to be ready to move at shortest notice. Ref.Map 1/10000. ILLIES-VIOLAINE-FESTUBERT. About 3 p.m. orders received to move Bn. into position in rear of old German Fire trench between L1-L2 in order to make an attack in conjunction with 4 Cameron Highs: on left, on points L10, L11, L8 to K5. Battn. frontage from L8-K5. 'B' Coy. on right, under Capt. H.E.Huntriss [Harold Edward HUNTRISS], 2 Bedf.R. 'C' Coy. on right, under Bt.Lt.Col.E.I.de S.Thorpe [Edward Ivan de Sausmarez THORPE, CMG, DSO], 2 Bedf.R. were detailed as the two leading coys: & formed up between L1 & L2. 'A' Coy. under Capt.W.Hutton-Williams [William HUTTON-WILLIAMS] 3rd E.Sur.R. attached 2 Bedf.R. & 'D' Cou. under Maj.J.Mackenzie, V.C. [John MacKENZIE, VC, DCM] 2 Bedf.R. formed up in rear of old British trench, in support, moving up into new line as places were vacated by 'B' & 'C' Coys. About 7.30 p.m. 'B' and 'C' Coys. advanced to the Attack, on right of 4th Camerons, with 2 sections of Bombthrowers under 2nd Lt.W.J. Stonier [William John STONIER], 2nd Bedf.R. working on the right down the communication trench towards K.4. & K.5. 'B' & 'C' Coys. on vacating the trenches to the assault were met by heavy shrapnel, machine gun & rifle fire & Coy.Q.M.S. (Actg.Coy.S.M.) was killed as he climbed over the parapet. (On 22nd May, official information was received, that this N.C.O. had been granted a commission as 2nd Lt. in the 2nd Cheshire Regt). By about 9 p.m. when the whole Battn. less 2 platoons of 'A' Coy. which were kept in reserve by the C.O. (Major C.C.Onslow [Cranley Charlton ONSLOW, CB, CMG, CBE, DSO]) had been launched to the attack, information was received by the C.O. that Lt.Col.Thorpe [Edward Ivan de Sausmarez THORPE, CMG, DSO] had called a halt, as he was unable to collect a party sufficiently strong to assault the German position, owing to the darkness, and many serious obstacles, in the nature of ditches varying from 2 to 5 ft. in depth, and from 2 to 5 ft. in width filled with water, running diagonally as well as parallel to our advance, which had broken all cohesion in the attacking force; and also that he could not gain touch with the Cameron Highrs: Just at this time too, 2nd Lt.W.J.Stonier [William John STONIER] reported having arrived at K.4, & meeting with opposition in that neighbourhood, his party had expended all their bombs and had themselves, with a small party under 2nd Lt.C.H.Brewer [Charles Herbert BREWER], been bombed and trench mortared from the direction of K.5. & had had to retire into the communication trench, which they continued to hold. A portion of the Battn. misunderstanding Lt.Col.Thorpe's [Edward Ivan de Sausmarez THORPE, CMG, DSO] order, had in the meantime retired on to our original position. Under these circumstances the C.O. reformed the whole of the Battn. in the original position, from which the attack was launched (L1 and L2), with the exception of the party in the Communication trench; and informed the Brigadier General H.WATTS how matters stood. During these operations Maj.J.Mackenzie V.C. [John MacKENZIE, VC] was killed & the following officers were wounded: - Capt.H.E.Huntriss [Harold Edward HUNTRISS], Lt.A.E.Kuhn [Alfred Edgar KUHN], 2nd Lts. A.Grover [Albert GROVER], R.S.Lardner [Reginald Seymour LARDNER], Lieut. F.V.Parker [Frederick Vivian PARKER] & R.H.Boys [Richard Harvey BOYS]. During the night information was received that a portion of the 4th Camerons had succeeded in entering the enemy trench. Several men were drowned in the ditches, referred to above
www.bedfordregiment.org.uk/2ndbn/2ndbtn1915diary.html
Charles Edward Dack…………………….............(RoH) (CM)
Lance Corporal 246. 8th Battalion East Surrey Regiment. Killed in action in France & Flanders on 30th September 1915. Born Holt. Enlisted Norwich. Buried: Norfolk Cemetery, Becordel-Becourt, Somme, France. Ref. I. C. 8.
CWGC www.cwgc.org/search/casualty_details.aspx?casualty=39420
No match on Norlink
The 9 year old Charles E Dack is recorded on the 1901 Census at Hempstead Road, Holt. This is the household of his widowed mother, Sarah, (aged 44, from Holt and now supporting her family by working as a laundress and washerwoman. Her other children are:-
Daisy………aged 5.….born Holt
Ernest W…..aged 2.….born Holt (see next entry)
Ethel M……aged 15...born Holt
Matilda…….aged 11...born Holt
Sydney G….aged 12...born Holt (see second entry below)
On the 1891 Census, Sarah’s husband Matthew is still alive. His profession appears to be Shiphand. There appear to be four older children, Edith, Emma, William and Thomas. The family are living at Gravel Pit Lane, Holt.
The battalion’s war diary for this date includes the following:-
“During the day the Germans threw a number of rifle grenades, whiz-bangs and two six inch howitzer shells into the TAMBOUR DUCLOUS, our guns retaliating in the morning and afternoon. L\Cpl DACK and Private Meyer were both seriously wounded by one shell, L\Cpl DACK dying before removal from the Regimental Dressing Station Post”
qrrarchive.websds.net/PDF/ESD0081915006.pdf
Ernest Dack………………………………......................(RoH) (CM)
Private G/14677. 2nd Battalion Royal Sussex Regiment. Killed in action with the British Expeditionary Force on 28th September 1916. Born Holt. Enlisted Chelmsford. No known grave. Commemorated on Thiepval Memorial, Somme, France. Pier and Face 7 C.
CWGC www.cwgc.org/search/casualty_details.aspx?casualty=758227
No match on Norlink
See Census family details against brother Charles above.
The Battalions battle honours includes:-
Battle of Morval. (25-28 Sep 1916, including the capture of Combles, Lesboeufs and Gueudecourt).
outofbattle.blogspot.com/2008/06/2nd-battalion-royal-suss...
Sidney George Dack…………….................(RoH) (CM)
Private 17998. 1st Battalion Northamptonshire Regiment. Formerly 18990 Norfolk Regiment. Died of wounds in France & Flanders on 26th August 1916. Born Holt. Enlisted Felixstowe. Buried: Heilly Station Cemetery, Mericourt-L'Abbe, Somme, France. Ref. III. G. 8.
CWGC www.cwgc.org/search/casualty_details.aspx?casualty=270710
No match on Norlink
See family details against brother Charles above.
The 1st Battalion had been heavily engaged on the 19th and the 20th having seized part of a German trench and holding it for 24 hours against numerous counter-attacks before finally being forced out.
forum.irishmilitaryonline.com/showthread.php?t=9058&p...
William R Dix………………………………....................(RoH) (CM)
Private 18011. 1st Battalion Northamptonshire Regiment. Formerly 14169 Norfolk Regiment. Killed in action in France & Flanders on 9th May 1915. Aged 19. Born Holt. Enlisted Norwich. Son of William and Susan Dix, of Grove Rd., Holt, Norfolk. No known grave. Commemorated on Le Touret Memorial, Pas de Calais, France. Panel 28
to 30.
CWGC www.cwgc.org/search/casualty_details.aspx?casualty=858578
(As William Dix)
No match on Norlink
The 6 year old William is recorded at Norwich Road, Holt having been born Pedham\Pulham(? - poor handwriting). This is the household of his parents, William, (age 35 and a Domestic Gardener from Wiveton), and Susan, (age 34 and from Holt). Their other children are:-
Ada…….aged 4.…born Cley
Agnes….aged 14...born Holt
Hilda…..aged 2.…born Cley
Mable….aged 12...born Holt
Maud…..aged 8.…born Pedham\Pulham
The Battle of Aubers
9 May 1915
Operational approach - two pincers north and south of Neuve Chappelle.
The Southern attack was to be made in easterly direction by the 1st and Meerut Divisions, on a 2400-yard front between Chocolat Menier Corner and Port Arthur (1st Division would have an attack frontage of 1600 yards; Meerut 800 yards), with the objective Rue du Marais - Lorgies - Ligny le Grand, incorporating La Cliqueterie (a heavily defended German strongpoint). The 2nd Division was moved up into reserve, from the La Bassée canal sector, leaving behind 4th (Guards) Brigade and receiving in exchange the 5th (London) Brigade of the London Division who moved to the canal in their place.
9 May: the Southern pincer
4.06am: sunrise and all very quiet on this front.
5.00am: British bombardment opens with field guns firing shrapnel at the German wire and howitzers firing High Explosive shells onto front line. German troops are seen peering above their parapet even while this shelling was going on.
5.30am: British bombardment intensifies, field guns switch to HE and also fire at breastworks. The lead battalions of the two assaulting Brigades of 1st Division go over the top to take up a position only 80 yards from German front. (2nd Brigade has 1/Northants and 2/Royal Sussex in front and 2/KRRC and 1/5th Royal Sussex in immediate support; 3rd Brigade has 2/Royal Munster Fusiliers and 2/Welsh in front, with 1/4th Royal Welsh Fusiliers in support). Heavy machine-gun fire cuts the attackers down even on their own ladders and parapet steps, but men continue to press forward as ordered.
In the area of the Indian Corps, the lead battalions of the Dehra Dun Brigade of the Meerut Division (2/2nd Ghurkas, 1/4th and 1st Seaforth Highlanders) were so badly hit by enemy fire that no men got beyond their own parapet and the front-line and communications trenches were soon filled with dead and wounded men.
5.40am: British bombardment lifts off front lines and advances 600 yards; infantry assault begins. Despite the early losses and enemy fire the three Brigades attempted to advance across No Man's Land. They were met by intense crossfire from the German machine-guns, which could not be seen in their ground-level and strongly protected emplacements. Whole lines of men were seen to be hit. Few lanes had been cut in the wire and even where men reached it they were forced to bunch, forming good targets for the enemy gunners. The leading battalions suffered very significant losses, particularly among officers and junior leaders. Around 100 men on the Northants and Munsters got into the German front, but all were killed or captured. The advance of the supporting battalions suffered similarly, and by 6.00am the advance had halted, with hundreds of men pinned down in No Man's Land, unable to advance or fall back.
6.15am: A repeat of the initial bombardment is ordered, with the added difficulty of uncertain locations of the most advanced troops.
7.20am: Major-General Haking (CO, 1st Division) reports failure and asks if he should bring in his last Brigade (1st (Guards)). He offered his opinion that it would not be successful.
Worst infantry casualties in the Southern attack, by battalion 1/ Northamptonshire 560, of which 17 offofficers First wave of 2nd Brigade
Joseph Dixon………………………………..................(RoH) (CM)
No further information available at present (215 potential matches on CWGC - check Genes Re-united to see if we can track down any likely individuals)
No match on Norlink
The 1901 Census for England and Wales has 5 Joseph Dixon’s with a Norfolk, or which only 2 are born after 1870. The two youngest ones are both born and still living in Sprowston on the edge of Norwich. Neither family has any apparent connection with the North Norfolk area by birth. There are also three Dixon’s recorded in Holt, a boy boarder, a teenage servant, and a widowed woman in her mid-thirties.
George Flood………………………………...................(RoH) (CM)
Private 3/647. 2nd Battalion Essex Regiment. Killed in action in France & Flanders on 6th April 1915. Born Gorleston-on-Sea. Lived Holt. Enlisted Colchester. Buried: Calvaire (Essex) Military Cemetery, Comines-Warneton, Hainaut, Belgium. Ref. I. L. 3.
CWGC www.cwgc.org/search/casualty_details.aspx?casualty=92427
No match on Norlink
There is a 19 year old George Flood who had been born in Gorleston, and was now employed as a Billiard Marker, living at 8 School Road, Runham, Great Yarmouth. This was the household of his married sister, Emma Read, (aged 22 and from East Dereham) and her husband, James, (aged 23 and a general labourer for the council). Emma and James have a son, Harry, who is under 1.
The same individual on the 1891 census is to be found at No 3, Waterloo, St Faiths. His parents are Charles, (who appears to be out of work), and Emily, who is listed as a master shoemaker. As well as George, they have four other children.
James William Graveling…………………............(RoH) (CM)
Private 48734. 6th Battalion Northamptonshire Regiment. Killed in action in France & Flanders on 31st August 1918. Aged 19. Born Holt. Enlisted Cromer. Son of Mr. W. J. Graveling, of Holt, Norfolk. Buried: Combles Communal Cemetery Extension, Somme, France. Ref. IV. A. 29.
CWGC www.cwgc.org/search/casualty_details.aspx?casualty=591766
No match on Norlink
The 2 year old James is recorded on the 1901 census at Gas Hill, Letheringsett Hill, Holt. This is the household of his parents, William, (aged 25 and a bricklayers labourer from Norwich), and Phoebe, (aged 21 and also from Norwich). As well as James, they have a daughter Edith, aged 3.
The 6th Battalion was part of the 18th (Eastern) Division, which lists amongst its Battle Honours:-
Second Battle of Bapaume. 31 Aug-3 Sep 1918.
www.warpath.orbat.com/divs/18_div.htm
www.historyofwar.org/articles/battles_bapaumeII.html
Edward Greengrass……. (RoH) (Church memorial has Wallace Greengrass)
RoH had no further information available at present.
Most likely match
www.cwgc.org/search/casualty_details.aspx?casualty=196818
Name: GREENGRASS Initials: E W
Rank: Lance Corporal Regiment/Service: Norfolk Regiment Unit Text: 1st Bn.
Date of Death: 21/08/1918 Service No: 43215
Grave/Memorial Reference: II. B. 13. Cemetery: FONCQUEVILLERS MILITARY CEMETERY
(The only other match is a Canadian soldier who appears to have been born in Canada, and with no obvious links to the area)
No obvious match on the 1901 Census under the name of either Edward or Wallace. However, if he was a career soldier, he could have been overseas at the time of the 1901 Census.
No match on Norlink
The 1st Battalion was part of the 5th Division, which lists amongst its Battle Honours:-
Battle of Albert. 21-23 Aug 1918, including the capture of Chuignes.
webstats.ordersofbattle.darkscape.net/site/warpath/divs/5...
In the same brigade were the 1st Bedfords. The extract from their war diary on this day reads:-
21 Aug 1918 Battalion moved forward to the attack at 4.45 a.m. meeting with very slight opposition. The objective was about 1500 yards from original German Front Line which had already been taken by the 37th Division. Battalion gained objective which they consolidated, remaining there in support to the 1/Norfolk Regt. who passed through to take the next objective.
Casualties Capts G. de C.[Geoffrey de Carteret] MILLAIS & H.J.WEST M.C. wounded (since died of wounds) & 46 O.R.s Killed & wounded etc.
www.bedfordregiment.org.uk/1stbn/1stbtn1918diary.html
Frederick W Grout…………………………..............(RoH) (CM)
Private 13812. 8th Battalion Norfolk Regiment. Killed in action in France & Flanders on 8th February 1916. Born Holt. Enlisted Norwich. Buried: Albert Communal Cemetery Extension, Somme, France. Ref. B. 11.
CWGC www.cwgc.org/search/casualty_details.aspx?casualty=551902
No match on Norlink
The 18 year old Frederick W. can be found on the 1901 Census at Holt Hall Cottages, Holt. He was still single and working as a Gardeners Assistant.This is the household of his parents, Robert, (aged 49 and a Domestic Gardener from Coltishall), and Lucy, (aged 52 and from Wickmere). They also have a daughter, Edith S, age 21, living with them.
Ernest Guymer……………………………….................(RoH) (CM)
(It is highly likely that this is the Ernest Guymer on the memorial). Private 275014. 3rd Battalion London Regt (Royal Fusiliers). Formerly 21277 3rd East Kent Regiment. Killed in action in France & Flanders on 10th September 1918. Aged 38. Born Foulsham. Lived and enlisted Great Yarmouth. Son of Robert and Hannah Guymer. In the 1901 census, Ernest is working as a baker’s assistant and living with his widowed mother in Holt. Buried: St. Sever Cemetery Extension, Rouen, France. Ref. R. II. U. 9. (Thanks to Bernie Guymer for the family information)
CWGC has no personal details or age
www.cwgc.org/search/casualty_details.aspx?casualty=518002
The 21 year old Ernest can indeed be found on the 1901 Census, living at Fish Hill, Holt, with his widowed mother. He had been born at Foulsham, single, and was now employed as a Bakers Assistant. His mother, Hannah, aged 66 and from Stibbard, was the head of the household. Her other children still resident with her are :-
Elvira….aged 23.…born Foulsham. Employed as a Grocers Assistant.
George…aged 26.…born Whitwell. Employed as a General Domestic.
Maffe…..aged 25,,,,born Whitwell. Grocer Shop Keeper.
The family lived two doors down from Fred Chestney, (q.v), on the census return.
No match on Norlink
Fred Herron………………………………......................(RoH) (CM)
Roll of Honour web-site has no further details
Possibles
Name: HERRON, FREDRICK Initials: F Nationality: United Kingdom Rank: Lance Corporal Regiment/Service: Yorkshire Regiment Unit Text: 4th Bn. Age: 23 Date of Death: 29/10/1918 Service No: 200184 Awards: M M Additional information: Brother of Herbert Herron, of Cliffe Bank, Piercebridge, Darlington. Casualty Type: Commonwealth War Dead Grave/Memorial Reference: LXVII. M. 21. Cemetery: ETAPLES MILITARY CEMETERY
www.cwgc.org/search/casualty_details.aspx?casualty=502132
Name: HERRON Initials: F G Nationality: United Kingdom Rank: Private Regiment/Service: The Queen's (Royal West Surrey Regiment) Unit Text: 8th Bn. Date of Death: 03/05/1918 Service No: 5670 Casualty Type: Commonwealth War Dead Grave/Memorial Reference: XI. C. 4. Cemetery: COLOGNE SOUTHERN CEMETERY
www.cwgc.org/search/casualty_details.aspx?casualty=901745
Name: HERRON Initials: F H Nationality: United Kingdom Rank: Private Regiment/Service: Machine Gun Corps (Infantry) Unit Text: 154th Coy. Age: 21 Date of Death: 20/09/1917 Service No: 102948 Additional information: Son of William and Harriett Herron, of 62, Leroy St., Tower Bridge Rd., Bermondsey, London. Casualty Type: Commonwealth War Dead Grave/Memorial Reference: XLV. D. 19. Cemetery: POELCAPELLE BRITISH CEMETERY
www.cwgc.org/search/casualty_details.aspx?casualty=491625
Name: HERRON, FREDERICK NICOLL Initials: F N Nationality: Australian Rank: Private Regiment/Service: Australian Pioneers Unit Text: 2nd Date of Death: 29/09/1917 Service No: 1714 Casualty Type: Commonwealth War Dead Grave/Memorial Reference: XXV. B. 11. Cemetery: LIJSSENTHOEK MILITARY CEMETERY
www.cwgc.org/search/casualty_details.aspx?casualty=431256
(Australian Army record checked - born Arbroath, Scotland, but no other obvious link with any other part of the UK. He‘s also on the Arbroath War Memorial)
Name: HERRON Initials: F H Nationality: United Kingdom Rank: Sapper Regiment/Service: Royal Engineers Date of Death: 28/04/1918 Service No: WR/200483 Casualty Type: Commonwealth War Dead Grave/Memorial Reference: In South-East part. Cemetery: BEARPARK (ST. EDMUND) CHURCHYARD
www.cwgc.org/search/casualty_details.aspx?casualty=354511
No match on Norlink
No likely matches on the 1901 or 1911 Census
Reginald Horne……………………………….................(RoH) (CM)
Roll of Honour web-site has no further details
8 possible matches on CWGC, none with an obvious link to Norfolk and all with unknown age.
The 6 year old Reginald is recorded on the 1901 Census as living at Fairstead Hill Cottage, Holt, the town of his birth. This is the household of his parents, Walter, (aged 39 and a Stone Mason from Holt), and Charlotte, (aged 36 and also from Holt).Their other children are:-
Audrey…aged 1.….born Holt
Herbert…aged 11.…..born Holt
Mary……aged 15.…born Holt
Walter…..aged 14.…born Holt.
No match on Norlink
William Houchen……………………………….............(RoH) (CM)
Private 202529. 8th Battalion Norfolk Regiment. Killed in action in France & Flanders on 20th October 1917. Born Great Ellingham. Enlisted Cromer. Son of William and Emily Houchen of Reymerston; husband of Elizabeth Houchen of New St., Holt, Norfolk. Buried: New Irish Farm Cemetery, Ieper, West-Vlaanderen, Belgium. Ref. X. D. 6.
CWGC www.cwgc.org/search/casualty_details.aspx?casualty=452506
No match on Norlink
The 18 year William can be found on the 1901 census at North Green Farm, Reymerston. Having been born at Great Ellingham, he now works as a Outfitting Assistant. The address is the household of his parents, William, (a 44 year old farmer from Great Ellingham) and Emily, (aged 47 and also from Great Ellingham). Living with them is Emily’s sister Rebecca Rivett who is single as well as their children:-
Arthur……aged 9.……born Great Ellingham
Charles…..aged 15.…..born Great Ellingham, Occupation - Farmers Son
Frank…….aged 11.…..born Great Ellingham
Matilda….aged 7.…….born Reymerston
Sarah…….aged 12.…..born Great Ellingham
October 1917
The first three weeks of October were spent on the west bank of the Yser canal, and partly in training for the attack of October 22nd in the Poelcappelle neighbourhood. On the 8th Leiutenant -Colonel Ferguson and commanding the battalion almost contiously for three years proceeded on six months special leave to England and was suceeded by Mjor E. N.Snepp. The only other notable event was on the 15th when the German bombardment was specially severe causing several causualties. One shell made a direct hit on a 'pill-box' in which was the regimental aid post. The medical officer was wounded two men were killed and one wounded. On the 20th the battalion was in Cane trench ready for the forthcoming attack "
It then goes on to decribe the attack which went in on around 5.50am of the 22nd. The Norfolks went first, leapt frogged by the 10th Essex. Despite the mud all the objectives were achieved.
"The triumphant Essex and Norfolks...........tramped back to hear the whole division ...and General Maxse.... singing their paise. "
Losses were heavy and this was destined to be the Battalions last great action before it's dissolution. Being split up in the new year to go to the 7th and 9th Norfolks
1914-1918.invisionzone.com/forums/lofiversion/index.php/t...
Herbert Henry Jenkinson…………………...........(RoH) (CM)
Private 65059. 109th Company Labour Corps. Formerly 48973 29th Battalion Middlesex Regiment. Died of wounds in France & Flanders on 29th August 1917. Born and lived Holt. Enlisted Cromer. Son of Robert and Martha A. Jenkinson, of Pearson's Buildings, Holt, Norfolk. Buried: White House Cemetery, Ieper, West-Vlaanderen, Belgium. Ref. I. C. 2.
On CWGC as H Jenkinson
www.cwgc.org/search/casualty_details.aspx?casualty=454688
No match on Norlink
The 7 year old Herbert is recorded on the 1901 Census at Old Work House Yard, Holt. This is the household of his parents, Robert, (aged 35 and a Carter for a Domestic Merchant from Holt), and Martha, (aged 35 and from Brinton). Their other children are:-
Celia…….aged 4.….born Holt
Eliza…….aged 5.….born Holt
Hilda…….aged 1.…born Holt
Mildred….aged 2.…born Holt
Richard Knights………………………………................(RoH) (CM)
Corporal 3288. 6th Battalion Rifle Brigade. Died on 22nd August 1920. Buried: Holt Burial Ground. Ref. C. 598.
CWGC www.cwgc.org/search/casualty_details.aspx?casualty=2802699
No match on Norlink
The 10 year old Richard is recorded on the 1901 census at Chapel Street, Holt. This was the household of his parents, William, (aged 55 and an Ordinary Field Labourer from Edgefield), and Deborah, (aged 51 and from Rudham). Their other children are:-
Charles……..aged 21.….born Holt. Occupation - Bricklayer
Ellen………..aged 14.….born Holt
Frederick……aged 12.…born Holt
Stephen……..aged 8.…..born Holt
John Knowles………………………………..................(RoH) (CM)
Private 12762. 7th Battalion Norfolk Regiment. Died of wounds in France & Flanders on 1st November 1915. Born Holt. Enlisted Norwich. Buried: Lillers Communal Cemetery, Pas de Calais, France. Ref. IV. D. 33.
CWGC www.cwgc.org/search/casualty_details.aspx?casualty=2947636
No match on Norlink
There are 2 possible matches on the 1901 Census. One aged 6, born Holt, now living at Holt Road, Edgefield. Parents are Thomas and Amy. The other is aged 9, born Holt and living at Norwich Road, Holt at the time of the census. Parents are Albert and Harriet.
Benjamin Lake………………………………..................(RoH) (CM)
Roll of Honour web-site has no further details
Only Benjamin listed and most likely match based on parents initial
Name: LAKE, BENJAMIN
Rank: Private Regiment/Service: 7th (Queen's Own) Hussars
Age: 39 Date of Death: 21/01/1919 Service No: 45645
Additional information: Son of Mr. and Mrs. F. Lake.
Buried in Muttra Cemetery. Grave/Memorial Reference: Face 1. Memorial: MADRAS 1914-1918 WAR MEMORIAL, CHENNAI
www.cwgc.org/search/casualty_details.aspx?casualty=1465833
The 20 year old Benjamin is recorded at Fairstead Road, Holt, on the 1901 Census. He was born at Holt, is still single and works as an Ostler Groom. This is the household of his parents, Frederick, (aged 50 and a house painter from Wisbech), and Maria, (aged 48 and from Marham). Their other children are:-
Edith……aged 10.…born Holt
Flora V…aged 15.…born Holt.General Domestic Servant.
Maud……aged 7.….born Holt
Robert M..aged 17...born Holt.Bricklayers Labourer.
Victor Lewis……………………………….....................(RoH) (CM)
Private 15997. 8th (Service) Battalion, Devonshire Regiment. Killed in action in France & Flanders on 14th July 1916. Born and lived Holt. Enlisted Southwark, Surrey. Buried: Quarry Cemetery, Montauban, Somme, France. Ref. IV. D. 4.
CWGC www.cwgc.org/search/casualty_details.aspx?casualty=245422
No match on Norlink
The 3 year old Victor J. is recorded on the 1901 Census at Bull Street, Holt. This was the household of his parents, Robert C S, (aged 39 and a Joiner from Holt), and Ellen L. (aged 40 and from Marylebone, London). Their other children are:-
Alfred J……….aged u/1.…..born Holt
Horace C………aged 11.……born Marylebone
Louie E………..aged 13.…..born London West Bourne Park
Nellie E………..aged 6.……born Walthamstow, Essex
Vio;et B………..aged 8.……born Walthamstow, Essex
On this day the 8th Battalion carried out a successful night attack on the Snout (the German second position) in Bazentin Wood after a 4 mile approach march. After consolidation withdrawn to reserve in White Trench.
www.keepmilitarymuseum.org/somme/reg_8th_devons.php?
Charles Percy Loades………………………...........(RoH) (CM)
Lance Sergeant 328011. 1st/ 6th Battalion Kings’ (Liverpool Regiment). Formerly 206083 Norfolk Yeomanry. Died of wounds in France & Flanders on 7th September 1918. Aged 37. Born and lived Holt. Enlisted Norwich. Son of William and Susanna Loades, of 55, St. Philip's Rd., Norwich, Norfolk. Buried: Terlincthun British Cemetery, Wimille, Pas de Calais, France. Ref. III. C. 30.
CWGC www.cwgc.org/search/casualty_details.aspx?casualty=4026158
No match on Norlink
The 19 year old Charlie P is recorded on the 1901 Census at Mundesley Road, North Walsham. He was born at Holt, and was employed as a House Painter and Decorator. This was the household of his parents, William, (aged 50 and a House Painter and decorator from Holt) and Susannah, (aged 55 and also from Holt).They also have their two grown up daughters living with them - Eva Grace, (aged 16 and born Holt), and Lilian K, (aged 23, born Holt and working as a dressmaker).
Robert Edmund Loynes…………………..............(RoH) (CM)
Fitter Staff Sergeant 137760. 258th Siege Battery, Royal Garrison Artillery. Killed in action in France & Flanders on 6th June 1918. Aged 36. Born Holt. Lived King’s Lynn. Enlisted Norwich. Son of Robert John and Ann Loynes. Buried: Cabaret-Rouge British Cemetery, Souchez, Pas de Calais, France. Ref. VIII. M. 32.
CWGC www.cwgc.org/search/casualty_details.aspx?casualty=586466
There is a picture of Fitter Staff Sergeant Loynes on Norlink
norlink.norfolk.gov.uk/02_Catalogue/02_013_PictureTitleIn...
The accompanying notes are:-
Staff Sergeant Loynes was born in Holt on 6th October 1881. Educated at Holt and Brancaster, he enlisted on 3rd September 1914. He was killed in action in France on 6th June 1918
The 19 year old Robert Edmond is recorded on the 1901 Census at Main Road, Brancaster. He had been born in Holt, was single and working as an engine fitter. This is the household of his parents, Robert John, (aged 52 and an Engine Fitter from Cley), and Annie, (aged 54 from Boston, Lincs). They also have a grown up daughter, Grace Elizabeth, aged 19, living with them. On the 1891 Census the family are recorded at Gravel Pit Lane, Holt.
Robert also is listed on the Melton Constable - Midland and Great Northern Railway War Memorial
1914-1918.invisionzone.com/forums/lofiversion/index.php/t...
And the Brancaster one
www.roll-of-honour.com/Norfolk/Brancaster.html
Walter Mann………………………………......................(RoH) (CM)
Gunner 146416. 16th Trench Mortar Battery, Royal Field Artillery. Killed in action in France & Flanders on 15th March 1917. Lived Holt. Enlisted Woolwich, S.E. Buried: Kemmel Chateau Military Cemetery, Heuvelland, West-Vlaanderen, Belgium. Ref. G. 28.
CWGC www.cwgc.org/search/casualty_details.aspx?casualty=155361
No match on Norlink
Two possible matches on the 1901 Census with a Holt connection. One is aged 4 and living at Cromer Road, Holt. His parents are Robert and Annie. The other (Walter J) is aged 12 and living at the Market Place, Holt. His parents are John and Rebecca.
Victor George Mayes……………………................(RoH) (CM)
Private 23157. 7th Battalion Border Regiment. Formerly 18987 Norfolk Regiment. Killed in action in France & Flanders on 13th April 1916. Aged 24. Born Ashwell Thorpe, Norfolk. Lived Marsham, Norfolk. Enlisted Norwich. Son of Mrs. Hannah J. Mayes, of The Lodge, Wramplingham, Wymondham, Norfolk. Buried: Cite Bonjean Military Cemetery, Armentieres, Nord, France. Ref. IX. G. 64.
CWGC www.cwgc.org/search/casualty_details.aspx?casualty=276911
No match on Norlink
There are also various Georges with a Norfolk connection on the 1901 Census. However the only Victor is recorded at The Street, Ashwellthorpe. He is aged 10 and the village is given as his birth place. This is the household of his parents, George, (aged 42 and a “Gardener at Hall” from Talcolneston.), and Hannah, (aged 35 and from Fundenhall.). Their other children are:-
Ada…….aged 8.…..born Ashwellthorpe
Arthur….aged 17.…born Ashwellthorpe. Shepherd on Farm.
Florence..aged 12.…born Ashwellthorpe
Herbert…aged 6.…..born Ashwellthorpe
Joseph Bernard McMahon……………………………….............(RoH) (CM)
Serjeant 41329. 1st Battalion Royal Dublin Fusiliers. Died of wounds in France & Flanders on 4th October 1917. Aged 44. Lived Holt. Enlisted Scunthorpe. Father of James Bernard McMahon, of Fish Hill, Holt, Norfolk. Buried: Dozinghem Military Cemetery, Poperinge, West-Vlaanderen, Belgium. Ref. VII. G. 5.
CWGC www.cwgc.org/search/casualty_details.aspx?casualty=153272
No match on Norlink
No obvious match on the 1901 Census.
Frank Mears……………………………….......................(RoH) (CM)
Sapper 84665. 208th Field Company, Corps of Royal Engineers. Killed in action in France & Flanders on 10th April 1918. Born Kelling, Norfolk. Lived Holt. Enlisted Norwich. Buried: Outtersteene Communal Cemetery Extension, Bailleul, Nord, France. Ref. II. D. 32. See also 34th Norfolk Division, Royal Engineers.
CWGC www.cwgc.org/search/casualty_details.aspx?casualty=42401
No match on Norlink
The 19 year old Frank is recorded on the 1901 Census at Queens Yard, New Street Holt, having been born at Kelling. Frank is a Railway Navvy. This is the household of his parents, James, (age 62 and a Teamster on Farm from Edgefield), and Mary Ann, (aged 58 and from Gunthorpe).
The 208th was a “Norfolk” Unit, assigned to the 34th Division.
The division includes amonst itsd battle honours:-
Battle of Estaires. 9-11 Apr 1918, including the first defence of Givenchy.
www.ordersofbattle.darkscape.net/site/warpath/divs/34_div...
Battle of Estaires
9 - 11 April
This was the first phase of the battle and involved the German forces attacking the defending Portuguese and British Divisions.[1]
In one of the greatest defeats in the military history of Portugal, the 2nd Portuguese Division, approximately 20,000 men commanded by General Gomes da Costa (later President of Portugal), lost about 300 officers and 7,000 men killed, wounded and prisoners, resisting the attack of four German divisions with 50,000 men of 6th German Army, commanded by General Ferdinand von Quast in the first day of the German offensive. Emergency British troops deployed to help the Portuguese defenses were also captured or forced to retreat.
On the flanks of the Portuguese, the British 55th Division (south of the Portuguese) were able to refuse their northern brigade and despite numerous further attacks formed a firm defensive line which limited the effectiveness of the German attack. On the Portuguese northern flank, the British 40th Division were outflanked and attacked from the rear and as a result allowed the attacking German units to extend the breakthrough of the front line further north.
en.wikipedia.org/wiki/Battle_of_the_Lys
oxfordshireandbuckinghamshirelightinfantry.wordpress.com/...
William James Middleton……………………........(RoH) (CM)
Private F/3305. 12th Battalion Duke of Cambridge’s Own Middlesex Regiment. Killed in action in France & Flanders on 3rd May 1917. Born Saxlingham, Norfolk. Lived Holt. Enlisted Norwich. No known grave. Commemorated on Arras Memorial, Pas de Calais, France. Bay 7.
CWGC www.cwgc.org/search/casualty_details.aspx?casualty=781115
No match on Norlink
The 10 year old William J. is recorded on the 1901 Census at the Holt Road Shop, Saxlingham, (in the district of Walsingham), This is the househo
Blogged here:
three-honeybees.blogspot.com.au/2012/03/finish.html
I wish I'd had a contrasting print for the binding. The pattern used the backing print for binding and I didn't realise until too late that my border and backing prints were the same aqua colour. I ended up using the border print for binding as it looked better than the slightly different aqua print. If I'd been patient enough I would have ordered a bit of something different to bind it!
The portrait of Romanian Countess Anna de Noailles, Princess Bassaraba Brancovan is one of the iconic paintings of the 20th century by the Basque painter Ignacio Zuloaga.
Anna de NoaIles biography is the object of a new Anthology published as an E-Book under the title:
"Blouse Roumaine - the Unsung Voices of Romanian Women"
Presented and Selected by Constantin ROMAN
Anthology E-BOOK (11BM)
DISTRIBUTION: Online with credit card
COST: $ 54.99, £34.99 (ca Euros 35.50)
LINK: www.blouseroumaine.com/orderthebook_p1.html
CONTENTS:
2,250,000 words,
over 1,000 pages,
ca 160 illustrations in text
160 critical biographies,
58 social categories/professions,
600 quotations (mostly translated into English for the first time),
circa 3,000 bibliographical references (including URLs and credits)
6 Indexes (alphabetical, by profession, timeline, quotation Index, place
index and name index)
AUTHOR: Constantin Roman is a Scholar with a Doctorate from Cambridge and a Member of the Society of Authors (London). He is an International Adviser, Guest Speaker, Professor Honoris Causa and Commander of the Order of Merit.
INDEX BY PROSFESSION: 58 CATEGORIES by Call, Profession or Social Status
Academics (22), Actresses (9), Anti-Communist Fighters (14), Architects/Interior Designers (2), Art Critics (9), Artist Book Binders (1), Ballerinas (6), Charity Workers/Benefactors (20), Communist Public Figures (2), Courtesans (3), Designers (2), Diplomats (4), Essayists (11), Ethnographers (6), Exiles & First-generation Romanians born abroad (87), Explorers (1), Feminists (12), Folk Singers (1), Gymnasts, Dressage Riders (2), Historians (5), Honorary Romanian Women (15), Illustrators (3), Journalists (13), Lawyers (4), Librarians (3), Linguists (2), Literary Critics (1), Media (15), Medical Doctors/Nurses (5), Memoir Writers (16), Missionaries and Nuns (4), Mountainéers (2), Museographers (1), Musical Instruments Makers (1), Novelists (24), Opera Singers (16), Painters (14), Peasant Farmers (6), Philosophers and Philosophy Graduates (4), Pianists (6), Pilots (4), Playwrights (5), Poets (29), Political Prisoners (30), Politicians (5), Revolutionaries (2), Royals and Aristocrats (34), Scientists (8), Sculptors (4), Slave (1), Socialites/Hostesses (20), Spouses/Relations of Public Figures (51), Spies (2), Tapestry Weavers (4), Translators (25), Unknown Illustrious (6), Violinists (4), Workers (3)
NOTE:
Most of the above 160 Romanian women, in the best tradition of versatility, are true polymaths and therefore nearly each one of them falls in more than just one category, often three or more. This explains why adding the numbers of the 57 individual categories bears no relation to the actual total of the above 160 women included in Blouse Roumaine.
-----------------------------------------------------------------------------------------------------------
LIST OF 160 CRITICAL BIOGRAPHIES (each supported by Quotations and Bibliography)
AA *Gabriela Adamesteanu *Florenta Albu *Nina Arbore *Elena Arnàutoiu *Ioana Raluca Voicu-Arnàutoiu, *Laurentia Arnàutoiu *Mariea Plop - Arnàutoiu *Ana Aslan *Lady Elizabeth Asquith Bibescu
BB *Lauren Bacall *Lady Florence Baker *Zoe Bàlàceanu *Ecaterina Bàlàcioiu-Lovinescu *Victorine de Bellio *Pss. Marta Bibescu *Adriana Bittel *Maria Prodan Bjørnson *Ana Blandiana *Yvonne Blondel *Lola Bobescu *Smaranda Bràescu *Elena Bràtianu *Élise Bràtianu *Ioana Bràtianu *Elena Bràtianu- Racottà *Letitzia Bucur
CC *Anne-Marie Callimachi *Georgeta Cancicov *Madeleine Cancicov *Pss. Alexandra Cantacuzino *Pss.Maria Cantacuzino (Madame Puvis de Chavannes) *Pss. Maruca Cantacuzino-Enesco* Pss. Catherine Caradja *Elena Caragiani-Stoenescu *Marta Caraion-Blanc, *Nina Cassian, *Otilia Cazimir *Elena Ceausescu *Maria Cebotari *Ioana Celibidache *Hélène Chrissoveloni (Mme Paul Morand)*Alice Cocea *Irina Codreanu *Lizica Codreanu *Alina Cojocaru *Nadia Comàneci *Denisa Comànescu *Lena Constante *Silvia Constantinescu *Doina Cornea *Hortense Cornu *Viorica Cortez*Otilia Cosmutzà *Sandra Cotovu *Ileana Cotrubas *Carmen-Daniela Cràsnaru *Mioara Cremene *Florica Cristoforeanu *Pss. Elena Cuza
DD *Hariclea Darclée *Cella Delavrancea *Alina Diaconú *Varinca Diaconú *Anca Diamandy *Marie Ana Dràgescu *Rodica Dràghincescu *Bucura Dumbravà *Natalia Dumitrescu
EE *Micaela Eleutheriade *Queen Elisabeth of Romania (‘Carmen Sylva’) *Alexandra Enescu *Mica Ertegün
FF *Lizi Florescu, *Maria Forescu *Nicoleta Franck *Aurora Fúlgida
GG *Angela Gheorghiu *Pss Grigore Ghica *Pss. Georges Ghika (Liane de Pougy) *Veturia Goga *Maria Golescu *Nadia Gray *Olga Greceanu *Pss. Helen of Greece *Nicole Valéry-Grossu *Carmen Groza
HH *Virginia Andreescu Haret *Clara Haskil *Lucia Hossu-Longin
II *Pss. Ileana of Romania *Ana Ipàtescu *Marie-France Ionesco *Dora d’Istria *Rodica Iulian
JJ *Doina Jela *Lucretia Jurj
KK *Mite Kremnitz
LL *Marie-Jeanne Lecca *Madeleine Lipatti *Monica Lovinescu *Elena Lupescu
MM *Maria Mailat *Ileana Màlàncioiu *Ionela Manolesco *Lilly Marcou *Silvia Marcovici *Queen Marie of Romania *Ioana A. Marin *Ioana Meitani *Gabriela Melinescu *Veronica Micle *Nelly Miricioiu *Herta Müller *Alina Mungiu-Pippidi *Agnes Kelly Murgoci
NN *Mabel Nandris *Anita Nandris-Cudla *Lucia Negoità *Mariana Nicolesco *Countess Anna de Noailles *Ana Novac
OO *Helen O’Brien *Oana Orlea
PP *Hortensia Papadat-Bengescu *Milita Pàtrascu *Ana Pauker *Marta Petreu *Cornelia Pillat *Magdalena Popa *Elvira Popescu
RR *Ruxandra Racovitzà *Elisabeta Rizea *Eugenia Roman *Stella Roman *Queen Ana de România, *Pss. Margarita de România *Maria Rosetti *Elisabeth Roudinesco
SS *Annie Samuelli *Sylvia Sidney *Henriette-Yvonne Stahl *Countess Leopold Starszensky *Elena Stefoi *Pss. Marina Stirbey *Sanda Stolojan *Cecilia Cutzescu-Storck
TT *Maria Tànase *Aretia Tàtàrescu *Monica Theodorescu *Elena Theodorini
UU *Viorica Ursuleac
VV *Elena Vàcàrescu *Leontina Vàduva *Ana Velescu *Marioara Ventura *Anca Visdei *Wanda Sachelarie Vladimirescu *Alice Steriade Voinescu
WW *Sabina Wurmbrand
ZZ *Virginia Zeani
www.kingdomsalvation.org/ru/the-road-to-purification.html
Дорога к очищению
Кристофер, Филиппины
Меня зовут Кристофер, я пастор семейной церкви на Филиппинах. В 1987 году я был крещен и вернулся к Господу Иисусу. По милости Господа, в 1996 году я стал пастором местной церкви. В то время, помимо проповеди во многих городах Филиппин, я также проповедовал в таких местах, как Гонконг и Малайзия. Благодаря работе и водительству Святого Духа я чувствовал неисчерпаемую энергию в работе для Господа и слова лились непрерывным потоком во время моих проповедей. Я часто оказывал поддержку братьям и сестрам, когда они переживали упадок и слабость. Иногда члены их семей, которые не верили в Господа, были недружелюбны ко мне, но я оставался терпеливым, не терял веру в Господа и верил, что Господь может их изменить. Поэтому я чувствовал, что сильно изменился с тех пор, как поверил в Господа. Однако с 2011 года я не ощущал работу Святого Духа так же сильно, как раньше. Мало-помалу я прекратил получать новое просвещение для своих проповедей и у меня не было сил освободиться от жизни в грехе. Если мои жена и дочь не делали того, чего я хотел, я не мог сдержать гнев и стремился преподать им урок. Я знал, что это не соответствует воле Господа, но зачастую не мог ничего с собой поделать. Меня это сильно огорчало. Чтобы освободиться от жизни, в которой чередовались грех и покаяние, я стал уделять больше времени чтению Библии, посту и молитве, и повсюду находил духовных пасторов, чтобы вместе искать и исследовать. Но все мои усилия были бесполезны и никак не изменили мою жизнь во грехе и тьму в моей душе.
Однажды вечером весной 2016 года жена спросила меня: «Кристофер, я заметила, что в последнее время ты чем-то обеспокоен. О чем ты думаешь?» Выслушав жену, я рассказал ей, что меня беспокоило: «Я думаю о том, почему последние несколько лет я не могу освободиться от жизни в грехе, несмотря на то, что являюсь пастором и столько лет верю в Господа. Сейчас у меня нет связи с Господом. Как будто Господь оставил меня. Хотя я проповедую повсюду, как только у меня появляется свободное время, особенно поздней ночью, я всегда чувствую некую пустоту и беспокойство, и это чувство становится все сильнее и сильнее. Я думаю о том, как много лет я верил в Господа и как много читал Библию, как часто был полон решимости нести крест и победить самого себя, но я все так же повязан грехами, могу солгать, чтобы защитить свои интересы и лицо, и не живу в соответствии со словами: „И в устах их нет лукавства“ (Откр. 14:5). Хотя я знаю, что у меня есть одобрение Господа, я не могу ничего поделать с тем, что жалуюсь Господу и недопонимаю Его, когда сталкиваюсь с невзгодами и переплавкой, и я совершенно неспособен добровольно отвергнуть себя. Я боюсь, что, когда придет Господь, я не смогу войти в Царство Небесное из-за того, что жил в грехе!»
Услышав это, жена сказала: «Кристофер, как ты можешь так думать? Ты должен верить, ты же пастор! Хотя мы живем в грехе и не освободились от его оков, Библия говорит: „Ибо если устами твоими будешь исповедывать Иисуса Господом и сердцем твоим веровать, что Бог воскресил Его из мертвых, то спасешься“ (Рим. 10:9), а также: „Ибо всякий, кто призовет имя Господне, спасется“ (Рим. 10:13). Пока мы продолжаем читать Библию, встречаться и молиться Господу, нести крест и всегда следовать за Господом до Его второго пришествия, мы сможем войти в Царство Небесное и получить благословение Господа».
Тогда я ответил жене: «Раньше я тоже так думал, но в Послании Петра 1:16 сказано: „Ибо написано: будьте святы, потому что Я свят.“ Я верил в Господа тридцать лет, но я не могу держаться пути Господа и живя во грехе, я все еще часто противлюсь Господу. Я и в малейшей степени не соответствую Господним требованиям. Ох! Сколько раз я решал повиноваться учениям Господа, но не мог практиковать слово Господа. Как я могу быть достойным войти в Царство Небесное при таких обстоятельствах? Господь Иисус сказал: „Не всякий, говорящий Мне: «Господи! Господи!», войдет в Царство Небесное, но исполняющий волю Отца Моего Небесного“ (Мф. 7:21). Согласно словам Господа, войти в Царство Небесное не так просто, как мы думаем. Господь свят, поэтому как люди, которые не могут практиковать слово Господа и которые часто противятся Ему, могут быть восхищены в Царство Небесное? Только те, кто изменился и исполняет Божью волю, могут войти в Царство Небесное!»
...
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βασιλεία του Θεού
I
«Ο Θεός δεν νοιάζεται
αν κάποιος είν' ασήμαντος
ή και σπουδαίος.
Αρκεί ο άνθρωπος
ν' ακούει τον Θεό,
να υπακούει σ' ό,τι
ο Θεός διατάζει κι εμπιστεύεται,
και τότε θα μπορεί να συνεργάζεται
στο έργο Του,
στο σχέδιό Του και στο θέλημά Του,
έτσι το θέλημα και το σχέδιό Του
ανεμπόδιστα να προχωρούν,
τέτοιες πράξεις αξίζουν,
αξίζουν την ενθύμηση από τον Θεό,
κι αξίζουν να λάβουν
την ευλογία Του.
Ο Θεός θεωρεί πολύτιμους
τέτοιους ανθρώπους
και εκτιμάει τις πράξεις τους,
καθώς και την καρδιά
και την τρυφερή
στοργή τους γι' Αυτόν.
Αυτ' είναι του Θεού η στάση.
II
Ο Θεός δεν νοιάζεται
αν κάποιος είν' ασήμαντος
ή και σπουδαίος.
Αρκεί ο άνθρωπος
ν' ακούει τον Θεό,
να υπακούει σ' ό,τι
ο Θεός διατάζει κι εμπιστεύεται,
και τότε θα μπορεί να συνεργάζεται
στο έργο Του,
στο σχέδιό Του και στο θέλημά Του,
έτσι το θέλημα και το σχέδιό Του
ανεμπόδιστα να προχωρούν,
τέτοιες πράξεις αξίζουν,
αξίζουν την ενθύμηση από τον Θεό,
κι αξίζουν να λάβουν
την ευλογία Του.
Ο Θεός θεωρεί πολύτιμους
τέτοιους ανθρώπους
και εκτιμάει τις πράξεις τους,
καθώς και την καρδιά
και την τρυφερή
στοργή τους γι' Αυτόν.
Αυτ' είναι του Θεού η στάση.»
από το βιβλίο «Ο Λόγος Ενσαρκώνεται»
Ύμνοι
Πηγή εικόνας: Εκκλησία του Παντοδύναμου Θεού
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The Edit of this Photo Demands Your View In BLACK with Large size for better out put, Plz Press L for Black
This is the cover photo of my set National Language Movement 2011
This Photo was taken on 21th Fab at 01:30 pm , From Jatio Shaheed Minar , Dhaka, BANGLADESH, This Photo was Taken while my Special Photowalk with The flickr Group Frame BANGLADESH
Description :The Bengali Language Movement: and in Bangali Trnslation to ভাষা আন্দোলন
The Bengali Language Movement: Can read In Bangoli here]ভাষা আন্দোলন, also known as the Language Movement (Bengali: ভাষা আন্দোলন; Bhasha Andolon), was a political effort in Bangladesh (then known as East Pakistan), advocating the recognition of the Bengali language as an official language ofPakistan. Such recognition would allow Bengali to be used in government affairs.When the state of Pakistan was formed in 1947, its two regions, East Pakistan (also called East Bengal) and West Pakistan, were split along cultural, geographical, and linguistic lines. In 1948, the Government of Pakistan ordained Urdu as the sole national language, sparking extensive protests among the Bengali-speaking majority of East Pakistan. Facing rising sectarian tensions and mass discontent with the new law, the government outlawed public meetings and rallies. The students of the University of Dhaka and other political activists defied the law and organised a protest on 21 February 1952. The movement reached its climax when police killed student demonstrators on that day. The deaths provoked widespread civil unrest led by the Awami Muslim League, later renamed the Awami League. After years of conflict, the central government relented and granted official status to the Bengali language in 1956. In 2000,UNESCO declared 21 February International Mother Language Day for the whole world to celebrate[1], in tribute to the Language Movement and the ethno-linguistic rights of people around the world.The Language Movement catalysed the assertion of Bengali national identity in Pakistan, and became a forerunner to Bengali nationalist movements, including the 6-point movement and subsequently the Bangladesh Liberation War in 1971. In Bangladesh, 21 February is observed as Language Movement Day, a national holiday. The Shaheed Minar monument was constructed near Dhaka Medical College in memory of the movement and its victims
Background
The present nations of Pakistan and Bangladesh were part of undivided India during the British colonial rule. From the mid-19th century, the Urdu language had been promoted as thelingua franca of Indian Muslims by political and religious leaders such as Sir Khwaja Salimullah, Sir Syed Ahmed Khan, Nawab Viqar-ul-Mulk and Maulvi Abdul Haq.[2][3] Urdu is an Indo-Aryan language of the Indo-Iranian branch, belonging to the Indo-European family of languages. It developed under Persian, Arabic and Turkic influence on apabhramshas (last linguistic stage of the medieval Indian Aryan language Pali-Prakrit)[4] in South Asia during the Delhi Sultanate and Mughal Empire.[5] With its Perso-Arabic script, the language was considered a vital element of the Islamic culture for Indian Muslims; Hindi and the Devanagari script were seen as fundamentals of Hindu culture.[2]While the use of Urdu grew common with Muslims in northern India, the Muslims of Bengal (a province in the eastern part of British Indian sub-continent) primarily used the Bengali language. Bengali is an Eastern Indo-Aryan language that arose from the eastern Middle Indic languages around 1000 CE[6] and developed considerably during the Bengal Renaissance. As early as the late 19th century, social activists such as the Muslim feminist Roquia Sakhawat Hussain were choosing to write in Bengali to reach out to the people and develop it as a modern literary language. Supporters of Bengali opposed Urdu even before the partition of India, when delegates from Bengal rejected the idea of making Urdu the lingua franca of Muslim India in the 1937 Lucknow session of the Muslim League. The Muslim League was a British Indian political party that became the driving force behind the creation of Pakistan as a Muslim state separate from British India.[7]
The Other Set related to this set are available here at : International Mother Language Day
All other Photos of this set are available at : National Language Movement Dat 2011
_____________________________________
Thanks In Advance for not Inviting me to any Group and Attaching Graphics to this picture as a part of your comments, I appreciate you to view my photo , click Faves and write your comments instead you copy pest your comment to me.
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Philadelphia, PA, est. 1682; pop. 1,567,442 (metro 6MM)
• built in 1740 • earliest known photograph is dated 1859 — bldg. was then 119 yrs. old [photo] • Georgian-Colonial trinity aka "bandbox" design • typically, trinity houses had 1 room per floor & were built facing each other in rows of 4 identical bldgs. • in addition to the room on each floor, this house had a walkable attic room & a cellar
• served as both business & residence for shopkeepers & artisans for over 150 yrs. • among the occupants in the 18th c. were a shoemaker, apothecary & an upholsterer named Betsy Ross, who is said to have sewn the first American flag in this building • estimates of when & how long she lived here have her arriving in 1773 at the earliest & departing as late as 1791
• over time the house changed in appearance [photos] as neighborhood houses were razed & replaced w/larger commercial buildings —Where's Betsy
Betsy Ross
• Elizabeth "Betsy" Griscom (1752-1836) was a fourth-generation American • daughter of Samuel Griscom (1717-1793) & Rebecca James (c. 1730-1793) • the 8th of their 17 children • great granddaughter of Andrew Griscom (c. 1654-1694), a Quaker carpenter who migrated from England to New Jersey in 1680, 1 yr. before William Penn founded Philadelphia
"She often laughed at the curious fact that she was born on the first day of the week, the first day of the month, the first day of the year, and the first year of the 'new style' [which was] the dividing line between the old way of measuring the years time and the new method under the [Gregorian calendar… She was also] the seventh daughter of a seventh daughter." —C.B. Satterthwaite, great grandson, The Des Moines Register, 07 Jan, 1906
• at age 3 Betsy's family moved to a large home at 4th & Arch Sts. • went to a Friends (Quaker) public school • 8 of her siblings died before adulthood • lost her mother, father & sister, Deborah, to the 1793 yellow fever epidemic
• upon completion of her schooling at age 12, her father apprenticed her to upholsterer John Webster • fell in love with fellow apprentice John Ross (1752-1773), son of an Episcopal asst. rector at Christ Church • defying her parents, in 1773 Betsy, age 21, eloped w/John
• Betsy's sister Sarah & her husband Capt. Wm. Donaldson rowed the couple across the Delaware River, heading 5 miles downstream to Gloucestertown, NJ • they were married at family friend William Hugg Jr.'s tavern & inn, known locally as Hugg's …more: The New Jersey Hugg Line
• because her marriage to a non-Quaker was considered an act of "disorderly and undutiful conduct," Betsy was split from her family & read out of meeting, i.e., disowned by her Quaker community • became a member of Christ Church • the Ross's pew No. 12 [photo] was adjacent to Martha & George Washington's No. 56 & not far from Deborah & Benjamin Franklin's No. 70
• the newlyweds — now trained upholsterers — opened their own business • c. 1773 they rented a house, probably at what is today 239 Arch St. although the exact site is still debated by historians • most records point to this house or one next door at No. 241, long since razed
"The identity of the location was always preserved in the family, which agrees with the records in the old Philadelphia directories… from 1785, the first published, to the removal of Betsy Ross and her husband from 239 Arch Street, in 1791" —Betsy Ross grandson George Canby, New York Times, 05 July, 1908
• Benjamin Franklin & Benjamin Chew were among the Rosses' customers • business slowed during the Revolutionary War as fabric was in short supply • John Ross joined the Pennsylvania militia • mid-Jan., 1776, he was gravely wounded by a powder explosion at a Delaware River ammunition cache, apparently while standing guard • Betsy nursed him in their home, but he died within days
• in June, 1777, Betsy married girlhood suitor Joseph Ashburn, a privateer who commanded the sailing sloop Swallow • the couple had 2 daughters • the 1st, Aucilla ("Zillah"), died in infancy
• British troops entered Philadelphia on 26 Sep., 1777 after their victory at the Battle of Brandywine • the Ashburn home was forcibly shared with British occupation soldiers as the Continental Army suffered through the killing winter at Valley Forge • the British soldiers nicknamed Betsy "Little Rebel" —US History•org
• Betsy was pregnant with Elizabeth ("Eliza") when Joseph accepted a job offer & shipped out as first mate on the 6-gun brigantine, Patty • returned to be present for the Feb., 1781 birth of their 2nd daughter
• Joseph became master of the 18-gun Lion & took her to sea late in the summer of 1781 • on 31 Aug., his ship was captured off the coast of France by a 44-gun British frigate, the HMS Prudente
• prior to March, 1782, the British refused to designate captured rebels as prisoners of war, thus the captives from the Lion were viewed as traitors, charged with high treason & committed to Plymouth, England's Mill Prison [images] • while incarcerated, Ashburn met fellow prisoner John Claypoole, a longtime friend of the Ross family
• Claypoole, a Continental Army vet, had been wounded at Germantown & consequently discharged • in 1781 he signed on to man the 18-gun Pennsylvania privateer Chevalier de la Luzerne & was captured in April • in the spring of 1782 Ashburn died in prison, leaving Betsy a 2-time war widow at age 30 —Betsy Ross and the Making of America
"In the Night of the 3d of March Mr Joseph Ashburn departed this life after an illness of about a week which he bore with amazing fortitude & resignation" —John Claypoole, Mill Prison
"The story goes that Ashburn, while in Mill Prison, often talked with John Claypoole about his wife, Betty*, and at his death sent farewell messages by him to her. Claypoole, on his arrival in Philadelphia, hastened to deliver these messages, and inside of eight months he married her." —John Claypoole's Memorandum-Book *Betsy is referred to as "Betty" in some 18th, 19th & early 20th c. books & media
• in 1782 Claypoole returned to Philadelphia, called on Betsy & married her the following year • gave up his seafaring career to join her at the Arch St. upholstery shop • though renamed "John Claypoole, upholsterer," to customers the shop remained Betsy's place • the couple had 5 daughters: Clarissa, Susanna, Rachel, Jane & Harriet, who died at 9 months • sometime after Susanna's birth in 1786, the Claypooles moved from Arch St. to a larger house on 2nd
• Betsy returned to her Quaker roots, albeit with the Free (Fighting) Quakers, a group exiled from the main Quaker community when their support for the Revolution was ruled a violation of the faith's peace testimony • the couple became members c. 1785 • image: Betsy Claypoole signature taken from the Meeting House roster
• it is widely believed that when the Free Quaker Meeting House shut down in 1834, it was its last attending members — Elizabeth Claypoole & Samuel Wetherill — who closed the doors
• in 1817, after a long illness, John Claypoole died • Betsy never remarried • after retiring, she moved to the home of her daughter, Susanna • she died on 30 Jan, 1836, age 84
The American Flags
"Flags were a rare sight on land in the British North American colonies," —Wooden Teachout, Capture the Flag: A Political History of American Patriotism
• American flags were seldom used in parades or displayed by private citizens • colors were flown mainly in battle, over government institutions & on ships, where they were essential to identifying other vessels & determining friend or foe
• this changed after America's 1876 Centennial Exposition, which explains why "flags made prior to the Civil War are extremely rare, and flags made before 1820 are practically nonexistent." —Jeff R. Bridgeman, Stars and Stripes, Early American Life, Aug. 2011
• with the onset of the Revolutionary War, a flag for the "United Colonies" was created without the sanction of the Continental Congress • this 1775 flag was known as the Continental Colors, aka Grand Union, Congress Flag, Cambridge Flag
• on 2 Dec., 1775, the 1st Continental Colors flag was hand sewn by milliner Margaret Manny, who had begun making flags & ensigns the previous year
"Everyone knows about Betsy Ross, why do we know nothing about Margaret Manny? Probably for no better reason than that she had fewer articulate friends and relatives to build a story around her." —historian Barbara Tuchman, The First Salute
• the Continental Colors had 13 alternating red & white stripes with the British Union crosses in the canton • was created to replace the use of individual colony flags • prior to the Declaration of Independence, it was probably the most used unofficial flag of the revolution • American Flag Timeline
• the inclusion of the British Jack in the design signals that this flag was intended not for a civil war of secession, but rather a crusade to secure the American colonists' rights as Englishman • prior to the signing of the Declaration of Independence, Gen. George Washington, still hoping for reconciliation with Mother England, would occasionally toast the King —The Forgotten Flag of the American Revolution and What It Means
• on 3 Dec, 1775, the new flag was raised by 1st Lt. John Paul Jones (1747-1792) on the 30-gun Continental Navy frigate USS Alfred [painting], the 1st national ensign to fly on an American fighting vessel —Naval History Blog
• the flag later flew over the signing of the Declaration of Independence & according to tradition (contested by some scholars), it was raised on a ship's mast atop Charlestown's Prospect Hill [painting] during Washington's 1 Jan., 1776 siege of Boston
• spotting the hybrid British/American flag for the first time, confused British observers took it as a signal of submission: “By this time, I presume, they begin to think it strange that we have not made a formal surrender of our lines,” Washington wrote • his psychological weaponry also included an early form of war propaganda
• absent a single government-mandated flag design, a variety of others were used • within a yr. after Prospect hill, the Continental Colors' Union Jack was replaced by a blue field w/13 white stars in various arrangements, e.g., rows, or possibly a circle?
• on 14 June, 1777, now celebrated as Flag Day, the American Flag was born by resolution of the Continental Congress, the country’s 1st flag law • during the Revolutionary period that followed, the stars on most American flags were arranged in rows of 4-5-4 with the number of points on most stars ranging from 4 to 8 • compared to the Continental Colors, the rows of stars made it easier to identify the flag/ship/nationality at sea —The 13 Stars & Stripes
The Story
• about a year before the Flag Resolution of 1777 Betsy Ross, 5-months a widow & struggling to make a ends meet, is said to have received a visit from a Continental Congress flag committee (apparently a secret one as there are no records of its existence)
• according to the well known Betsy Ross story, in late May of 1776 (but possibly 1777) 3 heroes of the revolution — George Ross, the uncle of Betsy's late husband, financier/slave trader Robert Morris & Betsy's pew neighbor Gen. George Washington [portraits] — called on her to discuss a flag for the new nation
• Rachel Fletcher (Betsy's daughter) recalled that "…she was previously well acquainted with Washington, and that he had often been in her house in friendly visits, as well as on business. That she had embroidered ruffles for his shirt bosoms and cuffs, and that it was partly owing to his friendship for her that she was chosen to make the flag." —Rachel's affidavit
• as told by Betsy, Gen. Washington, then head of the Continental Army, showed her a rough design of a flag with 6-pointed stars • she offered suggestions for modifications & stated a preference for 5-pointed stars • when her visitors expressed concern over the difficulty of producing them, she replied, "Nothing easier," which she then proved by cutting a 5-pointed star in a single snip • video: Make a perfect star with ONE cut! (1:15) • Two Conundrums Concerning the Betsy Ross Five-Pointed Star
• changes approved, Washington redrew the flag w/a pencil • Betsy's friend & collaborator William Barrett, a Cherry St. ornamental painter created a water color copy of the drawing for her to work from • 1-2 other seamstresses sewed alternate designs for the committee, but only Betsy's was approved & used
• what is known today as the "Betsy Ross flag" has 13 red & white stripes & a ring of 13, white 5-pointed stars • though the design may have been in use by 1777, vexillologists believe that between 1777-1795, (the yrs. the official flag had 13 stars) most flags displayed stars in rows, which are easier to produce than a circle
• None of the surviving flags from the 18th century exhibit the Betsy Ross pattern • however a few examples are depicted in the art of the era (although period art is notoriously unreliable for flag research)
• the flag depicted in Chas. Willson Peale's 1779 George Washington at the Battle of Princeton is generally considered credible & "may be the only evidence in a painting… that suggests that a circle-pattern flag may have existed in colonial times… Otherwise, you won't see an American flag with a perfect circle of stars made before the 1890s." —Jeff R. Bridgeman, loc. cit.13 Stars in the Betsy Ross Pattern • historically significant the American flags [images]
• though known as an upholsterer, there is no doubt that Betsy made flags, having sewn pennants & ensigns for the Pennsylvania State Navy Board (as did Margaret Manning & Rebecca Young, whose daughter Mary Pickersgill would go on to sew the enormous flag that inspired the U.S. National Anthem, Francis Scott Key's The Star-Spangled Banner)
• a month before Congress passed the Flag Resolution, Betsy was paid 14 pounds, 12 shillings, 2 pence (~$2,300 in 2017 USD) for what must have been a prodigious quantity of Pennsylvania Navy flags • there is no hard evidence that any of these were American flags • "...today we are reasonably convinced that Betsy’s flag was a naval flag, with a simple ‘in line’ arrangement of the stars…" —John B. Harker, Historian & Betsy Ross descendent
• Betsy (Elizabeth Claypool) was now in the business of producing flags & ensigns for the federal govt. • throughout the Jefferson & Madison admins. the skilled needlewoman made flags as large as 18' x 24' for American military installations, with demand peaking during the War of 1812
• for the rest of her life she — in her words — "never knew what it was to want employment" • her oldest daughter, Clarissa Sidney Wilson (1785-1864) [portrait], succeeded her, supplying arsenals, navy yards & the mercantile marine with flags for years —Betsy Ross•org
"In the last years of her life, Ross was neither more nor less important than other aging women who had lived through the Revolution. That she became famous while others were forgotten exposes the interlocking power of family history, local memory, and national politics." —How Betsy Ross Became Famous by Laurel Thatcher Ulrich, Historian
The Legend
"…at a time of great historic import such as that time when the Declaration was signed, people have no leisure to think about the minor events which are taking place. Thus, during the revolution no one thought of Betsy Ross as a national heroine, and it was not, in fact until 1870 that William J. Canby (1825-1890) first brought the story of how the first flag was made into general prominence." —Dr. Lloyd Balderston, great-grandson of Betsy Ross, The Philadelphia Inquirer, 3 Jul, 1908
• there is no record of the the Betsy Ross story prior to 1870 • that year — 34 years after her death — Betsy's 45 yr. old grandson, a title processor named William Jackson Canby, presented a paper titled The History of the Flag of the United States to the Historical Society of Pennsylvania • the document, accompanied by sworn affidavits, was an oral history passed on by descendants of Betsy Ross, including Canby himself who was 11 yrs. old when she died • …more: The Evolution of the American Flag by (Betsy Ross descendants) George Canby (1829-1907), Lloyd Balderston, Ph.D (1863-1933)
• the story was largely ignored until it was mentioned in historian George Henry Preble's 1872 book Our Flag & appeared in the July, 1873 Harper's Monthly [illustration] • with Civil War wounds slowly healing & the 1876 centennial celebration fast approaching, Betsy Ross & the flag entered American consciousness • in the 1880's her story began to appear in textbooks • by the mid 1890s it was often illustrated by an engraving of The Birth of Our Nation’s Flag, an 1893 painting by Charles H. Weisgerber (1856-1932)
• oral tradition has it that in 1892 Weisgerber, a 36 yr. old aspiring artist, was bent on winning a forthcoming art competition • walking along Arch St., he noticed a plaque at No. 239 which identified the bldg. as the site where Betsy Ross sewed the 1st American flag
• inspired, Weisgerber envisioned a scene of Betsy & the 1st flag set in her shop • to fill in details of the story, characters & setting, he drew on period portraits, the testimony of living descendants & the 22 yr. old Canby paper
• with no authentic image of Betsy in existence (according to her relatives), Weisgerber painted a composite taken from images of 4 of her daughters & a granddaughter who was said to closely resemble her • the resulting portrait was critiqued by relatives who had known her & modified accordingly • Weisgerber then created a massive 9' x 12' painting • portrayed the young Widow Ross, saintly matriarch of a new nation, as she presents the 1st American flag to 3 revered American patriarchs
• "the image was [said] …by Mrs. Ross' grandson, George Canby, to be the only correct likeness of [her]" — he was 7 yrs. old when Betsy Ross died —The Times (Philadelphia) 15 Jun 1893
• the flag depicted in the painting — with no evidence to support the authenticity of its design — has since been known as the "Betsy Ross flag," the standard for celebrating the U.S.A.'s birthday each 4th of July
The Apotheosis
• Weisgerber's painting won the $1,000 prize & in 1893 was showcased in the Pennsylvania Building at Chicago’s Columbian Exposition • seen by millions of visitors • contributed to the nascent reverence for Betsy Ross & the flag as sacred symbols of the emerging, quasi-religious American civil religion • politicians, patriotic societies & public sentiment propelled the flag's transformation into an object of veneration, its role expanding well beyond the customary military & govt. functions
On Flag Day, 1894, the Colonial Dames gathered 500 schoolchildren to honor “the adoption by Congress . . . of the flag made by Betsy Ross from the design submitted to her by Gen. Washington” • by 1895, 10 states had laws requiring public schools to display the flag on all school days — Laurel Thatcher Ulrich, loc. cit.
• in 1897 the City of New York bought thousands of lithographs of Weisgerber’s painting for its public schools: “It is thought that the representation which is declared historically correct, together with such lectures as the teachers may deliver, will add much to the pupil’s knowledge and keep alive a proper reverence for the country’s emblem.” —New York Times, 14 Feb, 1897
• in 1885, NYC school principal George T. Balch (1821-1908), a vet. of the Indian & Civil Wars, wrote Salute to the Flag, the U.S.A.'s first pledge of allegiance
"I give my hand and my heart to my country — one nation, one language, one flag."
• the heightened patriotism of the era inspired a movement to organize schoolyard flag raising ceremonies • the American Flag Assn. was founded in 1897 for the "fostering of public sentiment in favor of honoring the flag in our country and preserving it from desecration" • Natl. Flag Day was proclaimed in 1917
• Christian Socialist Francis Bellamy (1855-1931), who worked in the premium dept. of The Youth's Companion magazine, wrote a new U.S. Pledge of Allegiance (1892) for his employer • created as part of the magazine's campaign to sell American flags to public schools • goal was a flag in every classroom • 25,000 schools acquired flags the 1st yr. • though priced "at cost," banner sales proved profitable
• Bellamy also choreographed a salute — the "Bellamy Salute" — to accompany the pledge • because of its similarity to the Nazi heil it was replaced by a right-hand-over-heart gesture during World War II • another Youth's Companion employee, James Upham, headed a flag-centric project designed to engage public schools in the commemoration of the U.S.A.'s 1st Columbus Day (Oct. 1892)
The Verdict
• for nearly a century-and-a-half, historians have debated the available evidence in an attempt to prove that Betsy Ross either did or did not produce the 1st American flag: "There’s no good historical evidence that she did. But that doesn’t mean she didn’t. There’s simply a lack of documentation. Most historians believe the story is apocryphal." —Marc Leepson, author of Flag: An American Biography, The Truth About Betsy Ross
• the identity of the woman who sewed America's 1st flag may never be certain, but there is good reason to believe that its designer may have been Francis Hopkinson (1737-1791) • the NJ representative to the Continental Congress & signer of the Declaration of Independence is the only person entered into the Congressional record for designing the 1st American flag
• it has been speculated that on 14 June, 1777, it was Hopkinson who replaced the British crosses in the Continental Colors with white stars on a blue field • no original sketch of a Hopkinson flag exists, but surviving rough sketches including his design for the Great Seal of the U.S. incorporate elements of 2 of his flag designs —Wikipedia
On 25 May, 1780, Hopkinson wrote to the Continental Board, requesting "a Quarter Cask of the public Wine" as payment for several itemized "patriotic designs" he had completed, most notably, "the flag of the United States of America" • submitted another bill on 24 June for "drawings and devices," including "the Naval Flag of the United States"
• the Treasury Board rejected his request for payment because he "was not the only person consulted on those exhibitions of Fancy" & furthermore was not entitled to compensation as he was already on the government payroll —Did Francis Hopkinson Design Two Flags?, Earl P. Williams, Jr.
• Hopkinson is also considered America's 1st poet-composer • written at age 21, his song My Days have been so Wondrous Free (1759) is regarded as the earliest surviving American secular composition [listen] —UPen•edu
Saving Betsy's House
• by 1859, 239 Arch St. was occupied by the family of German immigrant (Carl) Philip Mund (1822-1883), who operated a tailor's shop on the 1st floor • the landlord, after collecting rent for the first year, never returned • over the succeeding rent-free decades, the Munds operated a variety of businesses in their retail space
• after Canby's 1870 speech identified the location of Betsy Ross's house as Arch between 2nd & 3rd, the Munds — occupants of the block's last standing colonial house — posted a sign: "First Flag of the US Made in this House" • in 1876, as visitors poured into the city for the Philadelphia Centennial Exhibition, the Munds ran an ad for their latest 1st floor business: "Original Flag House, Lager, Wine and Liquors. This is the house where the first United States flag was made by Mrs. John Ross." —Historic Philadelphia
• after Philip Mund died his wife Amelia, who objected to running a saloon, converted the space into a cigar store & candy shop which operated until 1892 — her son Charles then devoted the space to a museum/souvenir shop [photo] —The Betsy Ross House Facts, Myths, and Pictures by G.A. Anderson
• c. 1897 citizens led by Charles Weisgerber organized the American Flag Soc. & Betsy Ross Memorial Assn. • goal was to rescue the house from imminent demolition • intended to purchase it from Charles Mund, restore it to its 18th-c. appearance, preserve the memory of Betsy Ross & honor the American flag
• to raise the funds for purchasing the Betsy Ross "American Flag House," the Association devised a rudimentary multi-level marketing strategy • sold lifetime memberships for 10 cents • each member was encouraged to recruit others & form a group of 30; each group founder received a chromolithographograph of Weisgerber's painting • over 2 million monochrome certificates were sold at ten cents each • the colorful chromoliths were available at addl. cost (frame not included) —Enjoying Philadelphia
• the Association leased the house in 1898, purchased it in 1903 • Weisgerber & his family moved in • lived upstairs, kept the museum & a souvenir shop on the 1st floor • in 1902 they named their newborn son Charles Vexil Domus, Latin for "flag house" [photo] • he would later replace his parents as custodian of the house —G.A. Anderson, loc. cit.
• by 1936 the house was on the verge of ruin • in 1937 Philadelphia Mayor Davis Wilson proposed a restoration by WPA workers • this provoked "a storm of protest" from critics
• Pennsylvania Historical Soc. members wrote off the Betsy Ross story as "hokum" and "the bunk" • the protests from scholars & historians sparked an unwinnable faith vs. reason culture war with patriotic organizations such as the Daughters of the American Revolution & the Patriotic Order Sons of America
• amid the controversy, Philadelphia radio manufacturer & philanthropist A. Atwater Kent (1873-1949) offered to pay up to $25K for the restoration • Historical architect, Richardson Brognard Okie (1875-1945) won the commission
• the design for the restoration was derived from evidence & conjecture • goal was to return the bldg. to its c. 1777 appearance • surviving architectural elements were preserved when possible • materials salvaged from demolished colonial era homes were also used • in 1941, the Association gave the property to the city • the house now stands as one of Philadelphia's most popular tourist attractions
Postscript
• in 1929 Hugg's tavern, where Betsy Griscom defied family & church to marry John Ross, was demolished to make way for the Proprietor's Park swimming pool, which no longer exists • the Revolutionary War-era Hugg-Harrison-Glover House (1764), built on property owned by the Hugg family as early as 1683, was razed in the face of fervent opposition, March, 2017 —Facebook
• 178 yrs. after Betsy's wedding & just 5 blocks from where Hugg's once stood, another American legend was born at the Twin Bar [photo] when Bill Haley (and the Saddlemen) performed there in the early 1950s [poster] • in 1952 Haley's band laid down a cover of Rock the Joint [listen], an historic 1949 recording by Jimmy Preston & His Prestonians [listen] • each of these recordings has been cited as a candidate for the title of first rock 'n' roll song • Gloucester City thus became one of several U.S. sites that claims the title "Cradle of Rock 'n Roll"
Charles H. Weisgerber died in 1932 • his magnum opus, The Birth of the American Flag lay rolled up & hidden away in a barn loft & later in the back of a South Jersey dye-making workshop • his grandson Stuart (son of Vexil Domus) found it — still rolled up — in his mother's basement • its poor condition precluded exhibition: in the 50s, hanging in the old State Museum at Harrisburg, it had been vandalized, then incurred additional damage from repeated unrolling
• Weisgerber sought a Philadelphia home for the massive work but was unsuccessful • after a $40K restoration in 2002 the painting, it's appraised market value just $50K, returned to the State Museum at Harrisburg
• in 1976 the remains of Betsy Ross & 3rd husband John Claypoole were moved from Mount Moriah cemetery, Yeadon, PA, to the garden on the west side of the Betsy Ross House courtyard
sw.kingdomsalvation.org/testimonies/the-never-quenching-l...?
Nguvu ya Maisha Ambayo Haiwezi Kuzimwa Kamwe
Dong Mei, Mkoa wa Henan
Mimi ni mtu wa kawaida. Niliishi maisha ya kawaida. Kama wengi wanaotamani sana mwanga, nilijaribu njia nyingi kutafuta maana ya kweli ya uwepo wa wanadamu, nikijaribu kuyapa maisha yangu umuhimu zaidi. Mwishowe, juhudi zangu zote zilikuwa bure. Lakini baada ya kuwa na bahati ya kutosha kukubali kazi ya Mwenyezi Mungu ya siku za mwisho, mabadiliko ya muujiza yalitokea katika maisha yangu. Yalileta rangi zaidi katika maisha yangu, na nilikuja kuelewa kwamba ni Mungu pekee ni Mtoa wa kweli wa roho na maisha ya wanadamu. Nilikuwa na furaha kwamba hatimaye nilikuwa nimepata njia sahihi ya maisha. Hata hivyo, huku nikitekeleza wajibu wangu wakati mmoja nilikamatwa kiharamu na kuteswa kikatili na serikali ya CCP. Kutoka kwa hili, safari ya maisha yangu ilipata uzoefu ambao kamwe sitasahau …
Siku moja mnamo Desemba 2011 takribani saa moja asubuhi, mimi na kiongozi mwingine wa kanisa ulikuwa tukitekeleza hesabu ya mali ya kanisa wakati zaidi ya maafisa kumi wa polisi ghafla waliingia. Mmoja wa hawa polisi waovu alitukurupia na kusema kwa kelele: “Msisonge!” Baada ya kuona kilichokuwa kikitokea, kichwa changu kilishtuka. Kisha, polisi waovu walituchunguza kama magaidi waliokuwa wakitekeleza wizi. Pia walipekua kila chumba, walivigeuza shelabela kwa haraka sana. Mwishowe, walipata mali fulani ya kanisa, kadi tatu za benki, risiti za kuweka pesa, kompyuta, simu za rununu, na kadhalika. Waliyachukua yote ngawira, na kisha walituchukua sisi wanne kwa kituo cha polisi.
Alasiri, polisi waovu waliwaleta ndani dada wengine watatu ambao walikuwa wamewakamata. Walitufungia sisi saba katika chumba na hawakuacha tuzungumze, wala hawakuturuhusu tulale usiku ulipofika. Baada ya kuona dada wakifungiwa ndani na mimi, na kufikiri kuhusu ni kiasi gani cha pesa ambacho kanisa lilipoteza, nilikuwa nimezuzuliwa na wasiwasi. Yote ambayo ningefanya ni kuomba kwa dharura kwa Mungu: Ee Mungu! Huku nikikabiliwa na hali ya aina hii, sijui la kufanya. Tafadhali linda moyo wangu na kuufanya mtulivu. Baada ya kuomba, nilifikiri maneno ya Mungu: “Usiogope, mambo kama haya yanapotendeka kanisani, yote yanaruhusiwa na Mimi. Simama na kuzungumza kwa niaba Yangu. Kuwa na imani kwamba mambo na masuala yote yanaruhusiwa na kiti Changu cha enzi na yote yana nia Zangu ndani yayo” (“Sura ya 41” ya Matamko ya Kristo Mwanzoni katika Neno Laonekana katika Mwili). “Unapaswa kujua kwamba vitu vyote vilivyo katika mazingira yanayo wazunguka vipo hapo kwa ruhusa Yangu, Mimi napanga yote. Oneni wazi na muridhishe moyo Wangu katika mazingira Niliyokupa” (“Sura ya 26” ya Matamko ya Kristo Mwanzoni katika Neno Laonekana katika Mwili). Maneno ya Mungu yalizima hofu kubwa moyoni mwangu. Nilitambua kwamba, leo, hii hali imenipata kwa ruhusa ya Mungu, na kwamba wakati ulikuwa umewadia ambapo Mungu alitaka nimshuhudie. Baada ya kuelewa mapenzi ya Mungu, nilimwomba Mungu na kusema: “Ee Mungu! Nataka kutii utaratibu na mipango Yako na kusimama imara katika ushuhuda Kwako—lakini mimi ni wa kimo kidogo, na naomba kwamba Unipe imani na nguvu, na kunilinda katika kusimama imara.”
Asubuhi iliyofuata, walitutenga na kutuhoji. “Najua wewe ni kiongozi wa kanisa. Tumekuwa tukiwafuatia ninyi watu kwa miezi mitano,” alisema mmoja wa polisi waovu kwa maringo. Nilipomsikia akieleza kwa utondoti kila kitu ambacho walikuwa wamefanya kunifuatia, nilitetemeka kwaa woga. Katika akili yangu, nilifikiri, serikali ya CCP kweli inaweka matayarisho mengi katika kutukamata. Kwa kuwa tayari wanajua mimi ni kiongozi wa kanisa, hakuna jinsi wataniacha niende. Mara moja niliweka azimio langu mbele ya Mungu: Afadhali nife badala ya kumsaliti Mungu na kuwa Yuda. Baada ya kuona kuwa kuhoji kwao hakukuwa kunazaa matunda yoyote, walimpa mtu kazi ya kunitazama na kutoniacha nilale.
Katika siku ya tatu ya mahojiano, mkuu wa polisi waovu aliwasha kompyuta na kunifanya nisome taarifa zilizomsingizia Mungu. Kwa kuona kwamba sikuguswa, baada ya hapo alinihoji kwa makini kuhusu fedha za kanisa. Niligeuza kichwa changu kwa upande mmoja na kumpuuza. Hili lilimfanya kukasirika sana na alianza kutukana. “Haijalishi usiposema lolote—tunaweza kukuzuia bila mwisho, na kukutesa wakati wowote ule tunaotaka,” alinitisha kwa ukali. Katikati ya usiku huo, polisi walianza mateso yao. Walivuta mkono wangu mmoja nyuma ya bega langu na mwingine juu kutoka kwa mgongo wangu. Walifinya mgongo wangu na miguu yao, kwa nguvu walitia pingu vifundo pamoja. Ilikuwa uchungu sana kiasi kwamba nilipiga yowe kwa maumivu—mifupa na nyama katika mabega yangu zilihizi kana kwamba zingepasuka. Ningeweza tu kupiga magoti bila kusonga na kichwa changu kikiwa sakafuni. Nilifikiri mayowe yangu yangewafanya watulize makali kwangu, lakini badala yake waliweka kikombe cha chai kati ya pingu na mgongo wangu, jambo ambalo lilizidisha tena maumivu. Mifupa katika mwili wangu wa juu ilihisi kana kwamba ilikuwa imevunjwa nusu. Nilihisi uchungu sana hivi kwamba sikuthubutu kupumua nje na jasho baridi ilitiririka usoni pangu. Punde tu nilipohisi kwamba singevumilia uchungu tena, mmoja wa polisi waovu alichukua fursa hii kuniambia: “Tupe tu jina na tutakuachilia uende mara moja.” Wakati huo, nilimwita Mungu aulinde moyo wangu. Mara moja nilifikiria wimbo: “Mungu katika mwili, Anateseka, napaswa kuteseka kiasi gani zaidi? Ikiwa ningekubali giza, ningemwonaje Mungu? Ningewezaje kukuacha kutafuta unaodaiwa kuwa uhuru? Afadhali niteseke ili kufidia moyo Wako unaohuzunika” (“Kusubiri Habari Njema za Mungu” katika Mfuateni Mwanakondoo na Kuimba Nyimbo Mpya). “Ndiyo,” Nilifikiria. “Kristo ndiye Mungu mtakatifu na mwenye haki. Alipata mwili na kuja duniani kuleta wokovu kwa wanadamu waliopotoka kwa kina. Kwa muda fulani sasa, Amekiwa akiteswa na kuwindwa na serikali ya CCP na amepingwa na kushutumiwa na wanadamu. Haikumpasa Mungu kuteseka kwa njia hii, lakini Anavumilia haya yote ili kutuokoa.” Kwa hivyo, baada ya kutafakari, niliona kwamba nilikuwa nikiteseka sasa ili kupata wokovu—napaswa kupitia mateso haya. Iwapo ningekubali kushindwa na Shetani kwa sababu singeweza kuvumilia uchungu, ningewezaje kukabiliana na Mungu wakati wowote tena? Kufikiri hili kulinipa nguvu, na nikakua mgumu mara nyingine tena. Polisi waovu walinitesa kwa takriban saa moja. Walipoondoa pingu, mwili wangu mzima ulianguka bila nguvu sakafuni. “Usipoongea tutafanya hilo tena!” walinipigia kelele. Niliwatazama na kutosema chochote. Moyo wangu ulijawa na chuki kwa polisi hawa waovu. Mmoja wa polisi waovu alisonga mbele kutia pingu tena. Huku nikifikiri uchungu mkali sana ambao nilikuwa nimeupita karibuni, niliendelea kumwomba Mungu moyoni mwangu. Kwa mshangao wangu, alipojaribu kuvuta mikono yangu nyuma ya mgongo wangu hangeweza kuisogeza. Haikuwa uchungu sana, pia. Alikuwa akijaribu kwa nguvu sana hivi kwamba kichwa chake chote kilikuwa kimejaa jasho—lakini bado hangeweza kutia pingu. “Una nguvu mwingi!” alitweta kwa hasira. Nilijua kwamba huyu alikuwa Mungu akinijali, kwamba Mungu alikuwa akinipa nguvu. Shukrani iwe kwa Mungu!
Kufika alfajiri kulikuwa vigumu. Bado nilikuwa na kiwewe nilipofikiri nyuma jinsi polisi waovu walikuwa wamenitesa. Pia walinitisha, wakiniambia kwamba iwapo singesema chochote, wangelazimika kunipeleka ndani sana ya milimani na kuniua. Baadaye, walipokamata waumini wengine, wangesema nililisaliti kanisa—wangechafua jina langu, na kuwafanya ndugu wengine wa kanisa wanichukie na kunikana. Kufikiri hilo, moyo wangu ulizidiwa na mawimbi ya majonzi na kutojiweza. Nilijipata nikihisi mwoga na mnyonge. Akilini mwangu nilifikiri: Afadhali nife. Kwa njia hiyo sitakuwa Yuda na kumsaliti Mungu, wala sitakanwa na ndugu zangu. Pia nitaepuka uchungu wa mateso ya mwili. Kwa hivyo nilingoja hadi wakati ambapo polisi waovu waliokuwa wakinilinda hawakuwa wakitia makini na kuupiga kichwa changu kwa nguvu sana dhidi ya ukuta—lakini yote yaliyotokea ilikuwa kwamba kichwa changu kiliona kizunguzungu, sikufa. Wakati huo, maneno ya Mungu yalinipa nuru kutoka ndani: “Wengine wanapokuelewa vibaya, unaweza kumwomba Mungu na kusema: ‘Ee Mungu! Siombi kwamba wengine wanivumilie au kunitendea vyema, wala kwamba wanielewe au kunikubali. Naomba tu kwamba niweze kukupenda moyoni mwangu, kwamba niwe na uhakika moyoni mwangu, na kwamba dhamiri yangu ni safi. Siombi kwamba wengine wanisifu, au kuniheshimu, ninatafuta tu kukuridhisha kutoka moyoni mwangu’” (“Ni kwa Kupitia Usafishaji tu Ndiyo Mwanadamu Anaweza Kumpenda Mungu kwa Kweli” katika Neno Laonekana katika Mwili). Maneno ya Mungu yaliondoa huzuni kutoka kwa moyo wangu. Ndiyo. Mungu huona mioyo ya ndani kabisa ya watu. Iwapo polisi wakinisingizia, hata kama ndugu wengine kwa kweli wanielewe visivyo na kunikataa kwa sababu hawajui kile kilichotendeka kwa kweli, naamini kwamba nia za Mungu ni nzuri; Mungu anajaribu imani na upendo wangu Kwake, na napaswa kufuatilia kumfanya Mungu kuridhika. Baada ya kubaini njama janja za Shetani, ghafla nilihisi mwenye fedheha na aibu. Niliona kwamba imani yangu kwa Mungu ilikuwa ndogo sana. Sikuwa nimeweza kusimama imara baada ya kupitia uchungu kidogo, na nilikuwa nimefikiri kutoroka na kuepuke mipango ya Mungu kupitia kifo. Lengo la polisi waovu katika kuzungumza maneno haya ya tishio lilikuwa kunifanya nimkane Mungu. Na isingekuwa ulinzi wa Mungu, ningedanganywa na njama zao janja. Nilipokuwa nikitafakari maneno ya Mungu, moyo wangu ulijawa na mwanga. Sikutaka tena kufa, ila kuishi maisha mazuri, na kutumia kile ambacho kweli niliishi kwa kudhihirisha kumshuhudia Mungu na kumletea Shetani aibu.
Polisi hao wawili waovu waliopewa kazi ya kunilinda waliuliza mbona nilikuwa nimegongesha kichwa changu dhidi ya ukuta. Nilisema kwa sababu polisi hao wengine walikuwa wamenipiga. “Kimsingi tunafanya kazi kupitia elimu. Usijali—sitawaacha wakupige tena,” mmoja wao alisema kwa tabasamu. Baada ya kusikia maneno yake ya faraja, nilifikiri: Hawa watu wawili si wabaya; tangu nikamatwe wamekuwa wazuri kabisa kwangu. Kwa hilo, nililegeza tahadhari yangu. Lakini wakati huo, maneno ya Mungu yalikuja ghafla moyoni mwangu: “Nyakati zote, watu Wangu wanapaswa kujihadhari dhidi ya hila danganyifu za Shetani, walinde lango la nyumba Yangu kwa ajili Yangu, … kitu ambacho kitawazuia kuingia katika mtego wa Shetani, wakati mtakapokuwa na majuto ya kuchelewa sana” (“Sura ya 3” ya Maneno ya Mungu kwa Ulimwengu Mzima katika Neno Laonekana katika Mwili). Maneno ya Mungu yalinipa kumbusho la wakati wa kufaa, yakinionyesha kwamba njama janja za ibilisi ni nyingi, na napaswa kuwa hadhari dhidi ya ibilisi hawa wakati wote. Sikutarajia hata kidogo kwamba punde wangefichua tabia zao halisi. Mmoja wa polisi waovu alianza kumkashifu Mungu, huku mwingine aliketi chini kando yangu alinipapasa mguu wangu, akinitazama kwa jicho la husuda na kuuliza kuhusu fedha za kanisa. Jioni, alipoona kwamba nilikuwa nikisinzia, alianza kupapasa kifua changu. Baada ya kuona kwamba walikuwa wamefichua tabia yao halisi, nilijawa na hasira. Ni sasa tu nilipoona waliodhaniwa polisi wa watu walikuwa tu wahuni na wadhalimu. Haya yalikuwa mambo mabaya yenye kustahili dharau, ambayo wangeweza kufanya. Kama matokeo, niliweza tu kumwomba Mungu kwa dharura ili anilinde kutokana na madhara yao.
Katika siku kadhaa zilizofuata, polisi waovu hawakunihoji tu kwa makini kuhusu kanisa, lakini pia walichukua zamu kunitazama ili kwamba nisilale. Baadaye, walipoona jinsi sikuwa nimewapa chochote, polisi hao wawili waovu waliokuwa wakinihoji walizidi kwa ghadhabu. Mmoja wao alinishambulia vikali, akinizaba kofi usoni, akinipiga kwa vishindo mara kadhaa. Uso wangu uliwasha, ulianza kuvimba, na mwishowe ukawa wenye ganzi sana kiasi kwamba singehisi chochote. Kwa sababu maswali yao hayakuwa yamezaa matunda yoyote kutoka kwangu, jioni moja mkuu wa polisi waovu alinipigia unyende na kusema, “Unahitaji kuanza kufungua mdomo wako. Unajaribu subira yangu—siamini kwamba hakuna chochote tunaweza kufanya na wewe. Nimekutana na watu wengi wagumu zaidi kukuliko. Tusipokuwa wakali kwako, hutatii katu!!” Alitoa amri na polisi waovu kadhaa walianza kunitesa. Jioni, chumba cha mahojiano kilikuwa cha huzuni na cha kuogofya—nilihisi kana kwamba nilikuwa jahanamu. Walinifanya nichutame sakafuni na kufunga mikono yangu katikati ya magoti na miguu yangu. Kisha, waliingiza kifimbo cha mbao katikati ya mapindi ya mikono yangu na nyuma ya magoti yangu, wakilazimisha mwili wangu wote kupinda juu. Kisha walikiinua kifimbo na kukiweka katikati ya meza mbili, wakiuacha mwili wangu wote ukining’inia hewani na kichwa changu kikiwa juu chini. Punde waliponiinua juu, kichwa changu kilipata kizunguzungu na niliona vigumu kupumua. Ilihisi kana kwamba nilikuwa nikisongwa. Kwa sababu nilikuwa nilining’inishwa hewani juu chini uzito wangu wote ulikuwa ukiangukia vifundo vyangu. Mwanzoni, ili kukomesha pingu kuukata mwili wangu, nilifumbata mikono yangu pamoja kwa kukaza, nikaupinda mwili wangu, na kujaribu kwa nguvu kadiri nilivyoweza kubaki katika hali hiyo. Lakini nguvu yangu ilipungua polepole. Mikono yangu iliteleza kutoka kwa vifundo vya miguu hadi kwa magoti yangu, na pingu ilikata kwa kina katika mwili wangu, ikiniacha na uchungu mkubwa sana. Baada ya kuning’inia hivi kwa takribani nusu saa, ilihisi kana kwamba damu yote katika mwili wangu ilikuwa imejikusanya kichwani mwangu. Uvimbe mchungu katika kichwa changu na macho ulifanya yahisi kana kwamba yalikuwa karibu kulipuka. Makato ya kina yalikuwa yamechimbwa katika vifundo vyangu, na mikono yangu ilikuwa imevimba sana kiasi kwamba ilionekana kama mikate miwili. Nilihisi nilikuwa ukingoni mwa kifo. “Siwezi kuvumilia tena, niweke chini!” nilipaza sauti kwa kukata tamaa. “Hakuna anayeweza kukuokoa ila wewe mwenyewe. Tuambie tu jina na tutakuacha uteremke chini,” alisema mmoja wa polisi waovu kwa ukali. Mwishowe, waliona kwa kweli nilikuwa katika taabu na waliniweka chini. Walinilisha glukosi kiasi na kuanza kunihoji tena. Nililala bila nguvu kama matope ardhini, macho yangu yakifumbwa kwa kukaza, nikiwa siwatilii makini. Bila kutarajia, polisi waovu waliniinua hewani tena. Bila nguvu ya kushikilia kwa mikono yangu, sikuwa na lingine ila kuacha pingu ijitie ndani katika vifundo vyangu, makali yaliyochongoka yakikata mwili wangu. Wakati huo, ilikuwa uchungu sana nilitoa yowe la kuhuzunisha sana. Sikuwa na nguvu ya kuendelea kupigana na kupumua kwangu kulikuwa kumekua kwa kina kifupi sana. Ilionekana kana kwamba wakati ulikuwa umesimama. Nilihisi kwamba nilikuwa nikiyumbayumba ukingoni mwa kifo. Nilipofikiri kwamba wakati huu kweli ningekufa, nilitaka kumwambia Mungu maneno yaliyokuwa moyoni mwangu kabla ya maisha yangu kuisha: “Ee Mungu! Wakati huu, ambapo kweli niko ukingoni mwa kifo, nahisi woga— lakini hata kama kweli nikifa leo, bado nitasifu haki Yako. Ee Mungu! Katika safari yangu fupi ya maisha, nakushukuru kwa kunichagua nirudi nyumbani kutoka kwa dunia hii ya dhambi, kunizuia kuzurura, nikiwa nimepotea, na kuniruhusu kuishi milele katika kumbatio Lako kunjufu. Ee Mungu, nimefurahia upendo Wako sana—na ilhali sasa tu, wakati maisha yangu yako karibu kuisha, ndipo nagundua kwamba sijatunza upendo Wako. Nyakati nyingi nimekufanya kuwa na huzuni na masikitiko; mimi ni kama mtoto mjinga anayejua tu kufurahia upendo wa mama yake, ilhali hajawahi kufikiria kuulipiza. Sasa tu ambapo niko karibu kupoteza maisha yangu ndipo naelewa kwamba ni lazima nitunze upendo Wako, na ni sasa tu ndipo najuta kukosa nyakati nyingi nzuri. Sasa, ninachojuta zaidi ni kwamba sijaweza kukufanyia lolote na unanidai mengi sana, na kama bado naweza kuishi, kwa hakika nitafanya kila niwezalo kutekeleza wajibu wangu, kufidia kile Unachonidai. Wakati huu, naomba tu kwamba Unipe nguvu, kuniruhusu kutowahi tena kuogopa kifo, na kuwa mwenye nguvu katika kile ninachokabili….” Tone baada ya tone la machozi lilianguka kutoka kwa paji la uso wangu. Usiku ulikuwa kimya kiasi cha kuogofya. Sauti ya pekee ilikuwa saa kubwa ikipiga ta-ta, kana kwamba kuhesabu sekunde ambazo zilisalia za maisha yangu. Hapo ndipo kitu cha muujiza kilifanyika: Nilihisi kana kwamba mwanga wa jua wa vuguvugu ulikuwa ukiniangazia, na polepole niliacha kuhisi uchungu mwilini mwangu. Maneno ya Mungu nguruma akilini mwangu: “Tangu unapoingia katika dunia hii ukilia, unaanza kutekeleza wajibu wako. Kwa kuchukua jukumu lako katika mpango wa Mungu na katika utaratibu Wake, unaanza safari yako katika maisha. Licha ya asili yako na licha ya safari iliyoko mbele yako, hakuna kitakachoepuka mpango na utaratibu ambao mbingu imeunda, na hakuna aliye na udhibiti wa hatima yake mwenyewe, kwa maana yule Anayetawala kila kitu ndiye tu Aliye na uwezo wa kazi hiyo” (“Mungu Ndiye Chanzo cha Uhai wa Mwanadamu” katika Neno Laonekana katika Mwili). Ndiyo—Mungu ndiye chanzo cha maisha yangu, Mungu hutawala kudura yangu, na lazima nijiachilie mikononi mwa Mungu na kujiweka katika matumizi Yake. Kutafakari maneno ya Mungu kulinipa hisia ya kufurahisha, tulivu moyoni mwangu, kana kwamba nilikuwa nikijinyoosha katika kumbatio kunjufu la Mungu. Nilijipata nikilala. Wakiwa na woga kwamba ningekufa, polisi waovu waliniweka chini na kwa haraka walinipa glukosi kiasi na maji. Katika kukaribia kwangu kifo, nilikuwa nimetazama matendo ya muujiza ya Mungu.
Siku iliyofuata, polisi waovu walishinda jioni nzima wakiniinua juu tena na tena. Walinihoji kuhusu mahali ambapo pesa za risiti ambazo walikuwa wamechukua ngariwa zilikuwa. Wakati huo wote, sikusema chochote—ilhali bado hawakukata tamaa. Ili kupata pesa za kanisa, walitumia kila njia yenye kustahili dharau kunitesa. Wakati huo, maneno ya Mungu yalirudia rudia moyoni mwangu: “Maelfu ya miaka ya chuki ikiwa imejaa kifuani, milenia ya dhambi imeandikwa katika moyo—inawezekanaje hii isichochee chuki? Kumlipiza Mungu, kuuondoa kabisa uadui wake, usimwache kutangatanga tena, na usimruhusu kufanya fujo zaidi kama anavyotaka! Sasa ndio wakati: Mwanadamu ana muda mrefu tangu akusanye nguvu zake zote, amejitolea nguvu zake zote, amelipa kila gharama, kwa hili, kuchana uso uliojificha wa pepo hili na kuwafanya watu, ambao wamepofushwa na kuvumilia kila aina ya mateso na taabu, kuinuka kutoka katika maumivu na kurudi kwa ibilisi huyu wa zamani” (“Kazi na Kuingia (8)” katika Neno Laonekana katika Mwili). Maneno ya Mungu yalinipa nguvu na imani kubwa. Ningepigana hadi kufa na Shetani, na hata kama ningekufa, ningesimama imara katika ushuhuda wangu kwa Mungu. Nikitiwa msukumo na maneno ya Mungu, bila kujua nilisahau uchungu. Kwa njia hii, kila wakati waliniinua juu, maneno ya Mungu yalinitia msukumo na kunipa motisha, na hivyo kadiri walivyonibeba juu mara nyingi, ndivyo nilivyoweza kubaini asili yao zaidi—ambayo ilikuwa ya ibilisi waovu—na ndivyo azimio langu kusimama imara katika ushuhuda wangu na kumridhisha Mungu lilivyokuwa kubwa zaidi. Mwishowe, wote walichoshwa na mimi. “Watu wengi sana hawawezi kuvumilia kutundikwa hivi kwa nusu saa, lakini amevumilia wakati huu wote—kwa kweli yeye ni sugu!” Niliwasikia wakitoa mawazo. Kwa kusikia maneno haya, nilijawa na msisimko. Akilini mwangu, nilifikiri: Mungu msaada wangu, huwezi kunivunja moyo. Mbali na mateso ya mwili, wakati wa siku na usiku zangu tisa katika kituo cha polisi polisi waovu pia walininyima usingizi. Kila wakati nilipofunga macho yangu na kuanza kusinzia, wangepiga vifimbo vyao dhidi ya meza, au sivyo wangenifanya nisimame na kukimbia huku na kule, au sivyo kunipigia kelele tu, wakijaribu kunihuzunisha na kuvunja akili yangu. Baada ya siku tisa, wakiona kwamba hawakuwa wamefikia lengo lao, polisi bado hawakukata tamaa. Walinipeleka katika hoteli, ambapo walitia pingu mikono yangu mbele ya miguu yangu, kisha wakaingiza kifimbo cha mbao katikati ya mapindi ya mikono na miguu yangu, nikilazimika kuketi mwili wangu ukiwa umepinda juu sakafuni. Walinifanya nibaki katika hali hii nikiketi sakafuni kwa siku kadhaa zilizofuata, ambayo ilisababisha pingu kuukata mwili wangu. Mikono na vifundo vyangu vilivimba na kubadilika rangi kuwa zambarau, na kikalio changu kilihisi uchungu sana sikuthubutu kukisugua ama kukishika; ilihisi kama nilikuwa nikikalia sindano. Siku moja, mmoja wa viongozi wa polisi waovu, akiona kwamba mahojiano yangu hayakuwa yamezaa matunda, alitembea kunifikia akiwa amekasirika sana na kunizaba kofi kwa nguvu usoni—kwa nguvu kiasi cha kutosha kulegeza meno yangu mbili.
Mwishowe, wakuu wawili kutoka kwa Idara ya Usalama wa Umma ya Mkoa walikuja. Punde walipowasili, waliondoa pingu, wakanisaidia kwenda kwa kochi, na kunipa kikombe cha maji. “Umekuwa na wakati mgumu kwa siku chache zilizopita—lakini usilitilie moyoni, walikuwa wakifuata tu amri,” walisema kwa unafiki. Unafiki wao ulinifanya niwachukie sana kiasi kwamba nilisaga meno yangu. Pia kuwasha kompyuta na kunionyesha ushahidi usio kweli. Walisema maneno mengi ambayo yalishutumu na kufukuru dhidi ya Mungu. Moyoni mwangu, nilihisi kukasirishwa. Nilitaka kubishana nao, lakini nilijua kwamba kufanya hivyo kungewafanya tu kukufuru dhidi ya Mungu kwa wayowayo hata zaidi. Wakati huu, nilihisi kweli jinsi taabu aliyopitia Mungu mwenye mwili ilivyokuwa kubwa, na jinsi Mungu alivyovumilia fedheha nyingi kwa ajili ya kumwokoa mwanadamu. Kilicho zaidi, niliona uhafifu na kustahili dharau kwa ibilisi hawa waovu. Moyoni mwangu, kwa siri niliapa kwamba ningejiondoa kabisa kwa Shetani na milele kuwa mwaminifu kwa Mungu. Baadaye, bila kujali jinsi walivyojaribu kunidanganya, niliendelea kufunga mdomo wangu na sikusema chochote. Baada ya kuona kuwa maneno yao hayakuwa na athari yoyote, wakuu hao wawili waliondoka tu kwa hasira.
Katika kipindi cha siku na usiku kumi katika hoteli, waliendelea kunitia pingu, wakinifanya kuchuchumaa sakafuni nikishika miguu yangu. Nikikumbuka tangu nilipokamatwa, nilikuwa nimeishi siku na usiku kumi na tisa katika kituo cha polisi na hoteli. Ulinzi wa upendo wa Mungu ulikuwa umeniruhusu nilale kidogo, lakini polisi waovu hawakuwa wameniruhusu kulala wakati huo wote; ningefunga macho tu kwa muda na wangefanya chochote kilichohitajika kuniweka macho—kupiga meza, kunipiga teke kwa nguvu, kunipigia kelele, kuniamuru nikimbie huku na kule, na kadhalika. Kila wakati ningeshtuliwa, moyo wangu ungetwanga kifuani mwangu, na ningehisi woga sana. Hilo, likiongezwa kwa mateso ya mara kwa mara ya polisi waovu, na nguvu yangu iliishia kupunguka kabisa, mwili wangu wote ulikuwa umevimba na usiotulia, na niliona kila kitu vikiwa mbili mbili. Ningejua kulikuwa na watu mbele yangu wakiongea, lakini sauti ya milio yao ingeonekana kana kwamba ilikuwa ikitoka mbali sana. Zaidi ya hayo, mijibizo yangu ilianza kuwa ya polepole sana. Kwa mimi kustahimili hili kwa kiasi fulani kulikuwa yote kwa sababu ya nguvu kuu ya Mungu! Kama alivyosema Mungu: “Husababisha binadamu kuzaliwa upya, na kumwezesha kwa ushupavu kuishi kwa kila jukumu lake. Kwa sababu ya uwezo Wake, na nguvu ya maisha Yake yasiyopungua, binadamu ameishi kwa kizazi baada ya kizazi, ambapo nguvu ya uhai wa Mungu umekuwa uti wa mgongo wa kuwepo kwa binadamu, na ambayo Mungu amelipia gharama ambayo hakuna mtu wa kawaida amewahi kulipa. Nguvu za Mungu za maisha zinaweza kutawala juu ya nguvu zozote; zaidi ya hayo, inazidi mamlaka yoyote. Maisha Yake ni ya milele, nguvu zake za ajabu, na nguvu Zake za maisha si rahisi kuzidiwa na kiumbe yeyote au nguvu za adui” (“Ni Kristo Wa Siku za Mwisho Pekee Ndiye Anayeweza Kumpa Mwanadamu Njia ya Uzima wa Milele” katika Neno Laonekana katika Mwili). Moyoni mwangu, nilitoa shukrani na sifa ya uaminifu kwa Mungu: Ee Mungu! Unatawala vitu vyote, matendo Yako ni yasiyokadirika, Wewe pekee ni mwenyezi, Wewe ni nguvu ya maisha isiyozimika, Wewe ni chemichemi ya maji hai kwa maisha yangu. Katika hali hii maalum, nimetazama nguvu Yako maalum na mamlaka. Mwishowe, polisi waovu hawakupata majibu kwa maswali yao kutoka kwangu, na walinituma hadi katika kituo cha kuzuia.
Njiani kuelekea katika kituo cha kuzuia, polisi wawili waliniambia: “Umefanya vizuri sana. Ninyi watu huenda mkawa katika kituo cha kuzuia, lakini ninyi ni watu wazuri. Kuna aina nyingi hapo: wauza madawa, wauaji, malaya—utaona utakapowasili.” “Kwa kuwa unajua sisi ni watu wazuri, mbona mnatukamata? Je, serikali haiongei kuhusu uhuru wa dini?” niliuliza. “Hiyo ni Chama cha Kikomunisti inawadanganya. Chama hicho hutupa riziki yetu, kwa hivyo lazima tufanye kinachosema. Hatuna chuki kwako ama kuwa na kitu chochote dhidi yako. Tulikukamata tu kwa sababu unamwamini Mungu,” mmoja wa polisi alisema. Baada ya kusikia hili, nilikumbuka kila kitu nilichokuwa nimepitia. Singeweza kuzuia kukumbuka maneno ya Mungu: “Uhuru wa dini? Haki halali na matakwa ya wananchi? Zote hizo ni njama za kufunika dhambi!” (“Kazi na Kuingia (8)” katika Neno Laonekana katika Mwili). Maneno ya Mungu yaliulenga kiini cha suala, yakiniruhusu kuona kwa kweli sura ya kweli ya serikali ya CCP na jinsi inavyojaribu kupata heshima ambayo haistahili; kwa juu juu, inapeperusha bendera ya uhuru wa dini, lakini kwa siri inakamata, kukandamiza, na kushambulia wale wanaomwamini Mungu pande zote za nchi, katika tumaini bure la kupiga marufuku kazi ya Mungu, na pia inapora pesa za kanisa bila aibu,yote ambayo huweka wazi asili yake ya kishetani inayomchukia Mungu na kuchukia ukweli.
Nikiwa katika kituo cha kuzuia, kulikuwa na nyakati ambapo nilikuwa dhaifu na katika maumivu. Lakini maneno ya Mungu yaliendelea kunipa moyo, kunipa nguvu na imani, kuniruhusu kuelewa kwamba ingawa Shetani alikuwa ameniondolea uhuru wa mwili, mateso yalikuwa yameniongeza, yakinifundisha kumtegemea Mungu wakati wa mateso ya hao ibilisi waovu, kuniruhusu kuelewa maana ya kweli ya ukweli mwingi, kuona thamani ya ukweli, na kuongeza azimio langu na motisha ya kufuatilia ukweli. Nilikuwa tayari kuendelea kumtii Mungu, na kupitia yote ambayo Mungu alikuwa amenipangia. Kama matokeo, nilipokuwa nikifanya kazi katika kituo cha kuzuia, niliimba nyimbo na kwa kimya nilifikiri kuhusu upendo wa Mungu. Nilihisi kwamba moyo wangu ulikuwa umekuja karibu na Mungu, na sikuona tena siku zikiwa chungu ama za kudhikisha sana.
Wakati wa kipindi hiki, polisi waovu walinihoji mara mingi zaidi. Nilimshukuru Mungu kwa kuniongoza katika kushinda mateso yao mara kwa mara tena. Baadaye polisi waovu waliondoa pesa zote kutoka kwa kadi zangu tatu za benki. Kutazama bila kujiweza peza za kanisa zikichukuliwa na polisi waovu kuliuvunja moyo wangu. Moyo wangu ulijawa na chuki kwa hili kundi lafi, ovu la ibilisi, na nilitamani sana ufalme wa Kristo kuwasili punde. Mwishowe, licha ya kutokuwa na ushahidi wowote, walinihukumu mwaka mmoja na miezi mitatu ya kuelimishwa tena kupitia kazi kwa ajili ya “kuvuruga utulivu wa umma.”
Baada ya kuteswa kikatili na serikali ya CCP, kwa kweli nilikuwa nimeonja upendo na wokovu wa Mungu kwangu, na nilikuja kufahamu ukuu na uweza wa Mungu na matendo Yake ya muujiza, nilikuwa nimeona mamlaka na nguvu ya maneno ya Mungu. Aidha kwa kweli nilikuwa nimemdharau Shetani. Katika kipindi hicho cha mateso, maneno ya Mungu yalikuwa yameandamana na mimi kupitia mchana na usiku za kudhikisha, maneno ya Mungu yalikuwa yameniruhusu kubaini njama janja za Shetani na kutoa ulinzi wa wakati wa kufaa. Maneno ya Mungu yalikuwa yamenifanya kuwa mwenye nguvu na ujasiri, yakiniruhusu kushinda mateso yao katili mara kwa mara tena. Maneno ya Mungu yalikuwa yamenipa nguvu na imani, yalikuwa yamenipa ujasiri wa kupigana na Shetani hadi mwisho kabisa…. Shukrani ziwe kwa Mungu! Mwenyezi Mungu ndiye ukweli, njia na uzima! Daima nitamfuata Mwenyezi Mungu hadi mwisho kabisa!
Image Source: Kanisa la Mwenyezi Mungu
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Σχετικά λόγια του Θεού:
« Η σωτηρία του ανθρώπου από τον Θεό δεν επιτελείται απευθείας μέσω του Πνεύματος ή ως Πνεύμα, διότι το Πνεύμα Του δεν μπορεί ούτε να το αγγίξει ούτε να το δει ο άνθρωπος και δεν μπορεί να το προσεγγίσει ο άνθρωπος. Αν προσπαθούσε να σώσει τον άνθρωπο άμεσα μέσω του Πνεύματος, ο άνθρωπος δεν θα ήταν σε θέση να λάβει τη σωτηρία Του. Και αν δεν ήταν ο Θεός που ενδύθηκε την εξωτερική μορφή ενός δημιουργημένου ανθρώπου, δεν θα ήταν σε θέση να λάβει αυτή τη σωτηρία. Γιατί ο άνθρωπος δεν μπορεί με κανέναν τρόπο να τον πλησιάσει, όπως όταν δεν μπορούσε κανείς να πλησιάσει το σύννεφο του Ιεχωβά. Μόνο μέσω της ενσάρκωσής Tου σε δημιουργημένο άνθρωπο, δηλαδή, μόνο θέτοντας την οδό Του στη σάρκα που θα γίνει,θα μπορεί προσωπικά να εμφυσήσει την οδό σε όλους όσους Τον ακολουθούν. Μόνο τότε ο άνθρωπος θα μπορέσει να ακούσει ο ίδιος την οδό Του, να δει την οδό Του και να λάβει την οδό Του, τότε μέσω αυτού θα σωθεί πλήρως. Εάν ο Θεός δεν ενσαρκωνόταν, κανένας θνητός δεν θα λάμβανε τόσο μεγάλη σωτηρία, και δεν θα σωζόταν ούτε ένας άνθρωπος. Εάν το Πνεύμα του Θεού εργαζόταν απευθείας μεταξύ των ανθρώπων, ο άνθρωπος θα πλήττονταν ή θα παρασυρόταν πλήρως και θα φυλακιζόταν από τον Σατανά, γιατί ο άνθρωπος δεν είναι σε θέση να συγχρωτιστεί με τον Θεό. Η πρώτη ενσάρκωση έγινε για να λυτρώσει τον άνθρωπο από την αμαρτία μέσω της σάρκας του Ιησού, δηλαδή, Αυτός έσωσε τον άνθρωπο από τον σταυρό, αλλά η διεφθαρμένη σατανική διάθεση παρέμενε ακόμα μέσα στον άνθρωπο. Η δεύτερη ενσάρκωση δεν πρέπει πλέον να χρησιμεύει ως προσφορά περί αμαρτίας, αλλά για να σώζει πλήρως όσους λυτρώθηκαν από την αμαρτία. Αυτό γίνεται έτσι ώστε όσοι συγχωρούνται να μπορούν να απελευθερωθούν από τις αμαρτίες τους και να εξαγνιστούν πλήρως και να επιτύχουν αλλαγή της διάθεσής τους, σπάζοντας έτσι τα δεσμά της επιρροής του σκότους του Σατανά και επιστρέφοντας ενώπιον του θρόνου του Θεού. Μόνο κατ’ αυτόν τον τρόπο μπορεί ο άνθρωπος να αγιοποιηθεί πλήρως. »
από «Το μυστήριο της ενσάρκωσης (4)» στο βιβλίο «Ο Λόγος Ενσαρκώνεται»
Πηγή εικόνας: Εκκλησία του Παντοδύναμου Θεού
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ALBANIA
Albanian Trilogy: A Series of Devious Stratagems
Armando Lulaj
Commissioner: Ministry of Culture. Curator: Marco Scotini. Deputy Curator: Andris Brinkmanis. Venue: Pavilion at Arsenale
ANDORRA
Inner Landscapes
Roqué, Joan Xandri
Commissioner: Henry Périer. Deputy Commissioner: Joana Baygual, Sebastià Petit, Francesc Rodríguez
Curator: Paolo de Grandis, Josep M. Ubach. Venue: Spiazzi, Castello 3865
ANGOLA
On Ways of Travelling
António Ole, Binelde Hyrcan, Délio Jasse, Francisco Vidal, Nelo Teixeira
Commissioner: Ministry of Culture, Rita Guedes Tavares. Curator: António Ole. Deputy Curator: Antonia Gaeta. Venue: Conservatorio Benedetto Marcello - Palazzo Pisani, San Marco 2810
ARGENTINA
The Uprising of Form
Juan Carlos Diste´fano
Commissioner: Magdalena Faillace. Curator: Mari´a Teresa Constantin. Venue: Pavilion at Arsenale – Sale d’Armi
ARMENIA, Republic of
Armenity / Haiyutioun
Haig Aivazian, Lebanon; Nigol Bezjian, Syria/USA; Anna Boghiguian Egypt/Canada; Hera Büyüktasçiyan, Turkey; Silvina Der-Meguerditchian, Argentina/Germany; Rene Gabri & Ayreen Anastas, Iran/Palestine/USA; Mekhitar Garabedian, Belgium; Aikaterini Gegisian, Greece; Yervant Gianikian & Angela Ricci Lucchi, Italy; Aram Jibilian, USA; Nina Katchadourian, USA/Finland; Melik Ohanian, France; Mikayel Ohanjanyan, Armenia/Italy; Rosana Palazyan, Brazil; Sarkis, Turkey/France; Hrair Sarkissian, Syria/UK
Commissioner: Ministry of Culture of the Republic of Armenia. Deputy Commissioner: Art for the World, Mekhitarist Congregation of San Lazzaro Island, Embassy of the Republic of Armenia in Italy, Vartan Karapetian. Curator: Adelina Cüberyan von Fürstenberg. Venue: Monastery and Island of San Lazzaro degli Armeni
AUSTRALIA
Fiona Hall: Wrong Way Time
Fiona Hall
Commissioner: Simon Mordant AM. Deputy Commissioner: Charles Green. Curator: Linda Michael. Scientific Committee: Simon Mordant AM, Carolyn Christov-Bakargiev, Max Delany, Rachel Kent, Danie Mellor, Suhanya Raffel, Leigh Robb. Venue: Pavilion at Giardini
AUSTRIA
Heimo Zobernig
Commissioner: Yilmaz Dziewior. Curator: Yilmaz Dziewior. Scientific Committee: Friends of the Venice Biennale. Venue: Pavilion at Giardini
AZERBAIJAN, Republic of
Beyond the Line
Ashraf Murad, Javad Mirjavadov, Tofik Javadov, Rasim Babayev, Fazil Najafov, Huseyn Hagverdi, Shamil Najafzada
Commissioner: Heydar Aliyev Foundation. Curators: de Pury de Pury, Emin Mammadov. Venue: Palazzo Lezze, Campo S.Stefano, San Marco 2949
Vita Vitale
Edward Burtynsky, Mircea Cantor, Loris Cecchini, Gordon Cheung, Khalil Chishtee, Tony Cragg, Laura Ford, Noemie Goudal, Siobhán Hapaska, Paul Huxley, IDEA laboratory and Leyla Aliyeva, Chris Jordan with Rebecca Clark and Helena S.Eitel, Tania Kovats, Aida Mahmudova, Sayyora Muin, Jacco Olivier, Julian Opie, Julian Perry, Mike Perry, Bas Princen, Stephanie Quayle, Ugo Rondinone, Graham Stevens, Diana Thater, Andy Warhol, Bill Woodrow, Erwin Wurm, Rose Wylie
Commissioner: Heydar Aliyev Foundation. Curators: Artwise: Susie Allen, Laura Culpan, Dea Vanagan. Venue: Ca’ Garzoni, San Marco 3416
BELARUS, Republic of
War Witness Archive
Konstantin Selikhanov
Commissioner: Natallia Sharanhovich. Deputy Commissioners: Alena Vasileuskaya, Kamilia Yanushkevich. Curators: Aleksei Shinkarenko, Olga Rybchinskaya. Scientific Committee: Dmitry Korol, Daria Amelkovich, Julia Kondratyuk, Sergei Jeihala, Sheena Macfarlane, Yuliya Heisik, Hanna Samarskaya, Taras Kaliahin, Aliaksandr Stasevich. Venue: Riva San Biagio, Castello 2145
BELGIUM
Personnes et les autres
Vincent Meessen and Guests, Mathieu K. Abonnenc, Sammy Baloji, James Beckett, Elisabetta Benassi, Patrick Bernier & Olive Martin, Tamar Guimara~es & Kasper Akhøj, Maryam Jafri, Adam Pendleton
Commissioner: Wallonia-Brussels Federation and Wallonia-Brussels International. Curator: Katerina Gregos. Venue: Pavilion at Giardini
COSTA RICA
"Costa Rica, Paese di pace, invita a un linguaggio universale d'intesa tra i popoli".
Andrea Prandi, Beatrice Gallori, Beth Parin, Biagio Schembari, Carla Castaldo, Celestina Avanzini, Cesare Berlingeri, Erminio Tansini, Fabio Capitanio, Fausto Beretti, Giovan Battista Pedrazzini, Giovanni Lamberti, Giovanni Tenga, Iana Zanoskar, Jim Prescott, Leonardo Beccegato, Liliana Scocco, Lucia Bolzano, Marcela Vicuna, Marco Bellagamba, Marco Lodola, Maria Gioia dell’Aglio, Mario Bernardinello, Massimo Meucci, Nacha Piattini, Omar Ronda, Renzo Eusebi, Tita Patti, Romina Power, Rubens Fogacci, Silvio di Pietro, Stefano Sichel, Tino Stefanoni, Ufemia Ritz, Ugo Borlenghi, Umberto Mariani, Venere Chillemi, Jacqueline Gallicot Madar, Massimo Onnis, Fedora Spinelli
Commissioner: Ileana Ordonez Chacon. Curator: Gregorio Rossi. Venue: Palazzo Bollani
CROATIA
Studies on Shivering: The Third Degree
Damir Ocko
Commissioner: Ministry of Culture. Curator: Marc Bembekoff. Venue: Palazzo Pisani, S. Marina
CUBA
El artista entre la individualidad y el contexto
Lida Abdul, Celia-Yunior, Grethell Rasúa, Giuseppe Stampone, LinYilin, Luis Edgardo Gómez Armenteros, Olga Chernysheva, Susana Pilar Delahante Matienzo
Commissioner: Miria Vicini. Curators: Jorge Fernández Torres, Giacomo Zaza. Venue: San Servolo Island
CYPRUS, Republic of
Two Days After Forever
Christodoulos Panayiotou
Commissioner: Louli Michaelidou. Deputy Commissioner: Angela Skordi. Curator: Omar Kholeif. Deputy Curator: Daniella Rose King. Venue: Palazzo Malipiero, Sestiere San Marco 3079
CZECH Republic and SLOVAK Republic
Apotheosis
Jirí David
Commissioner: Adam Budak. Deputy Commissioner: Barbara Holomkova. Curator: Katarina Rusnakova. Venue: Pavilion at Giardini
ECUADOR
Gold Water: Apocalyptic Black Mirrors
Maria Veronica Leon Veintemilla in collaboration with Lucia Vallarino Peet
Commissioner: Andrea Gonzàlez Sanchez. Deputy Commissioner: PDG Arte Communications. Curator: Ileana Cornea. Deputy Curator: Maria Veronica Leon Veintemilla. Venue: Istituto Santa Maria della Pietà, Castello 3701
ESTONIA
NSFW. From the Abyss of History
Jaanus Samma
Commissioner: Maria Arusoo. Curator: Eugenio Viola. Venue: Palazzo Malipiero, campo San Samuele, San Marco 3199
EGYPT
CAN YOU SEE
Ahmed Abdel Fatah, Gamal Elkheshen, Maher Dawoud
Commissioner: Hany Al Ashkar. Curator: Ministry of Culture. Venue: Pavilion at Giardini
FINLAND (Pavilion Alvar Aalto)
Hours, Years, Aeons
IC-98
Commissioner: Frame Visual Art Finland, Raija Koli. Curator: Taru Elfving. Deputy Curator: Anna Virtanen. Venue: Pavilion at Giardini
FRANCE
revolutions
Céleste Boursier-Mougenot
Commissioner: Institut français, with Ministère de la Culture et de la Communication. Curator: Emma Lavigne. Venue: Pavilion at Giardini
GEORGIA
Crawling Border
Rusudan Gobejishvili Khizanishvili, Irakli Bluishvili, Dimitri Chikvaidze, Joseph Sabia
Commissioner: Ana Riaboshenko. Curator: Nia Mgaloblishvili. Venue: Pavilion at Arsenale – Sale d’Armi
GERMANY
Fabrik
Jasmina Metwaly / Philip Rizk, Olaf Nicolai, Hito Steyerl, Tobias Zielony
Commissioner: ifa (Institut für Auslandsbeziehungen) on behalf of the Federal Foreign Office. Deputy Commissioner: Elke aus dem Moore, Nina Hülsmeier. Curator: Florian Ebner. Deputy Curator: Tanja Milewsky, Ilina Koralova. Venue: Pavilion at Giardini
GREAT BRITAIN
Sarah Lucas
Commissioner: Emma Dexter. Curator: Richard Riley. Deputy Curator: Katrina Schwarz. Venue: Pavilion at Giardini
GRENADA *
Present Nearness
Oliver Benoit, Maria McClafferty, Asher Mains, Francesco Bosso and Carmine Ciccarini, Guiseppe Linardi
Commissioner: Ministry of Culture. Deputy Commissioner: Susan Mains. Curator: Susan Mains. Deputy Curator: Francesco Elisei. Venue: Opera don Orione Artigianelli, Sala Tiziano, Fondamenta delle Zattere ai Gesuati, Dorsoduro 919
GREECE
Why Look at Animals? AGRIMIKÁ.
Maria Papadimitriou
Commissioner: Hellenic Ministry of Culture, Education and Religious Affairs. Curator: Gabi Scardi. Deputy Curator: Alexios Papazacharias. Venue: Pavilion at Giardini
BRAZIL
So much that it doesn't fit here
Antonio Manuel, André Komatsu, Berna Reale
Commissioner: Luis Terepins. Curator: Luiz Camillo Osorio. Deputy Curator: Cauê Alves. Venue: Pavilion at Giardini
CANADA
Canadassimo
BGL
Commissioner: National Gallery of Canada, Marc Mayer. Deputy Commissioner: National Gallery of Canada, Yves Théoret. Curator: Marie Fraser. Venue: Pavilion at Giardini
CHILE
Poéticas de la disidencia | Poetics of dissent: Paz Errázuriz - Lotty Rosenfeld
Paz Errázuriz, Lotty Rosenfeld
Commissioner: Antonio Arèvalo. Deputy Commissioner: Juan Pablo Vergara Undurraga. Curator: Nelly Richard. Venue: Pavilion at Arsenale - Artiglierie
CHINA, People’s Republic of
Other Future
LIU Jiakun, LU Yang, TAN Dun, WEN Hui/Living Dance Studio, WU Wenguang/Caochangdi Work Station
Commissioner: China Arts and Entertainment Group, CAEG. Deputy Commissioners: Zhang Yu, Yan Dong. Curator: Beijing Contemporary Art Foundation. Scientific Committee: Fan Di’an, Zhang Zikang, Zhu Di, Gao Shiming, Zhu Qingsheng, Pu Tong, Shang Hui. Venue: Pavilion at Arsenale – Giardino delle Vergini
GUATEMALA
Sweet Death
Emma Anticoli Borza, Sabrina Bertolelli, Mariadolores Castellanos, Max Leiva, Pier Domenico Magri, Adriana Montalto, Elmar Rojas (Elmar René Rojas Azurdia), Paolo Schmidlin, Mónica Serra, Elsie Wunderlich, Collettivo La Grande Bouffe
Commissioner: Daniele Radini Tedeschi. Curators: Stefania Pieralice, Carlo Marraffa, Elsie Wunderlich. Deputy Curators: Luciano Carini, Simone Pieralice. Venue: Officina delle Zattere, Dorsoduro 947, Fondamenta Nani
HOLY SEE
Commissioner: Em.mo Card. Gianfranco Ravasi, Presidente del Pontificio Consiglio della Cultura. Venue: Pavilion at Arsenale – Sale d’Armi
HUNGARY
Sustainable Identities
Szilárd Cseke
Commissioner: Monika Balatoni. Deputy Commissioner: István Puskás, Sándor Fodor, Anna Karády. Curator: Kinga German. Venue: Pavilion at Giardini
ICELAND
Christoph Büchel
Commissioner: Björg Stefánsdóttir. Curator: Nína Magnúsdóttir. Venue: to be confirmed
INDONESIA, Republic of
Komodo Voyage
Heri Dono
Commissioner: Sapta Nirwandar. Deputy Commissioner: Soedarmadji JH Damais. Curator: Carla Bianpoen, Restu Imansari Kusumaningrum. Scientific Committee: Franco Laera, Asmudjo Jono Irianto, Watie Moerany, Elisabetta di Mambro. Venue: Venue: Arsenale
IRAN
Iranian Highlights
Samira Alikhanzaradeh, Mahmoud Bakhshi Moakhar, Jamshid Bayrami, Mohammed Ehsai
The Great Game
Lida Abdul, Bani Abidi, Adel Abidin, Amin Agheai, Ghodratollah Agheli, Shahriar Ahmadi, Parastou Ahovan, Farhad Ahrarnia, Rashad Alakbarov, Nazgol Ansarinia, Reza Aramesh, Alireza Astaneh, Sonia Balassanian, Mahmoud Bakhshi, Moakhar Wafaa Bilal, Mehdi Farhadian, Monir Farmanfarmaian, Shadi Ghadirian, Babak Golkar, Shilpa Gupta, Ghasem Hajizadeh, Shamsia Hassani, Sahand Hesamiyan, Sitara Ibrahimova, Pouran Jinchi, Amar Kanwar, Babak Kazemi, Ryas Komu, Ahmad Morshedloo, Farhad Moshiri, Mehrdad Mohebali, Huma Mulji, Azad Nanakeli, Jamal Penjweny, Imran Qureshi, Sara Rahbar, Rashid Rana, T.V. Santhosh, Walid Siti, Mohsen Taasha Wahidi, Mitra Tabrizian, Parviz Tanavoli, Newsha Tavakolian, Sadegh Tirafkan, Hema Upadhyay, Saira Wasim
Commissioner: Majid Mollanooruzi. Deputy Commissioners: Marco Meneguzzo, Mazdak Faiznia. Curators: Marco Meneguzzo, Mazdak Faiznia. Venue: Calle San Giovanni 1074/B, Cannaregio
IRAQ
Commissioner: Ruya Foundation for Contemporary Culture in Iraq (RUYA). Deputy Commissioner: Nuova Icona - Associazione Culturale per le Arti. Curator: Philippe Van Cauteren. Venue: Ca' Dandolo, San Polo 2879
IRELAND
Adventure: Capital
Sean Lynch
Commissioner: Mike Fitzpatrick. Curator: Woodrow Kernohan. Venue: Pavilion at Arsenale - Artiglierie
ISRAEL
Tsibi Geva | Archeology of the Present
Tsibi Geva
Commissioner: Arad Turgem, Michael Gov. Curator: Hadas Maor. Venue: Pavilion at Giardini
ITALY
Ministero dei Beni e delle attività culturali e del turismo - Direzione Generale Arte e Architettura Contemporanee e Periferie Urbane. Commissioner: Federica Galloni. Curator: Vincenzo Trione. Venue: Padiglione Italia, Tese delle Vergini at Arsenale
JAPAN
The Key in the Hand
Chiharu Shiota
Commissioner: The Japan Foundation. Deputy Commissioner: Yukihiro Ohira, Manako Kawata and Haruka Nakajima. Curator: Hitoshi Nakano. Venue : Pavilion at Giardini
KENYA
Creating Identities
Yvonne Apiyo Braendle-Amolo, Qin Feng, Shi Jinsong, Armando Tanzini, Li Zhanyang, Lan Zheng Hui, Li Gang, Double Fly Art Center
Commissioner: Paola Poponi. Curator: Sandro Orlandi Stagl. Deputy Curator: Ding Xuefeng. Venue: San Servolo Island
KOREA, Republic of
The Ways of Folding Space & Flying
MOON Kyungwon & JEON Joonho
Commissioner: Sook-Kyung Lee. Curator: Sook-Kyung Lee. Venue: Pavilion at Giardini
KOSOVO, Republic of
Speculating on the blue
Flaka Haliti
Commissioner: Ministry of Culture, Youth and Sports. Curator: Nicolaus Schafhausen. Deputy Curator: Katharina Schendl. Venue: Pavilion at Arsenale - Artiglierie
LATVIA
Armpit
Katrina Neiburga, Andris Eglitis
Commissioner: Solvita Krese (Latvian Centre for Contemporary Art). Deputy Commissioner: Kitija Vasiljeva. Curator: Kaspars Vanags. Venue: Pavilion at Arsenale
LITHUANIA
Museum
Dainius Liškevicius
Commissioner: Vytautas Michelkevicius. Deputy Commissioner: Rasa Antanaviciute. Curator: Vytautas Michelkevicius. Venue: Palazzo Zenobio, Fondamenta del Soccorso 2569, Dorsoduro
LUXEMBOURG, Grand Duchy of
Paradiso Lussemburgo
Filip Markiewicz
Commissioner: Ministry of Culture. Deputy Commissioner: MUDAM Luxembourg. Curator: Paul Ardenne. Venue: Cà Del Duca, Corte del Duca Sforza, San Marco 3052
MACEDONIA, Former Yugoslavian Republic of
We are all in this alone
Hristina Ivanoska and Yane Calovski
Commissioner: Maja Nedelkoska Brzanova, National Gallery of Macedonia. Deputy Commissioner: Olivija Stoilkova. Curator: Basak Senova. Deputy Curator: Maja Cankulovska Mihajlovska. Venue: Pavilion at Arsenale - Sale d’Armi
MAURITIUS *
From One Citizen You Gather an Idea
Sultana Haukim, Nirmal Hurry, Alix Le Juge, Olga Jürgenson, Helge Leiberg, Krishna Luchoomun, Neermala Luckeenarain, Kavinash Thomoo, Bik Van Der Pol, Laure Prouvost, Vitaly Pushnitsky, Römer + Römer
Commissioner: pARTage. Curators: Alfredo Cramerotti, Olga Jürgenson. Venue: Palazzo Flangini - Canareggio 252
MEXICO
Possesing Nature
Tania Candiani, Luis Felipe Ortega
Commissioner: Tomaso Radaelli. Deputy Commissioner: Magdalena Zavala Bonachea. Curator: Karla Jasso. Venue: Pavilion at Arsenale – Sale d’Armi
MONGOLIA *
Other Home
Enkhbold Togmidshiirev, Unen Enkh
Commissioner: Gantuya Badamgarav, MCASA. Curator: Uranchimeg Tsultemin. Scientific Committee: David A Ross, Boldbaatar Chultemin. Venue: European Cultural Centre - Palazzo Mora
MONTENEGRO
,,Ti ricordi Sjecaš li se You Remember "
Aleksandar Duravcevic
Commissioner/Curator: Anastazija Miranovic. Deputy Commissioner: Danica Bogojevic. Venue: Palazzo Malipiero (piano terra), San Marco 3078-3079/A, Ramo Malipiero
MOZAMBIQUE, Republic of *
Theme: Coexistence of Tradition and Modernity in Contemporary Mozambique
Mozambique Artists
Commissioner: Joel Matias Libombo. Deputy Commissioner: Gilberto Paulino Cossa. Curator: Comissariado-Geral para a Expo Milano 2015. Venue: Pavilion at Arsenale
NETHERLANDS, The
herman de vries - to be all ways to be
herman de vries
Commissioner: Mondriaan Fund. Curators: Colin Huizing, Cees de Boer. Venue: Pavilion ar Giardini
NEW ZEALAND
Secret Power
Simon Denny
Commissioner: Heather Galbraith. Curator: Robert Leonard. Venue: Biblioteca Nazionale Marciana, Marco Polo Airport
NORDIC PAVILION (NORWAY)
Camille Norment
Commissioner: OCA, Office for Contemporary Art Norway. Curator: Katya García-Antón. Deputy Curator: Antonio Cataldo. Venue: Pavilion at Giardini
PERU
Misplaced Ruins
Gilda Mantilla and Raimond Chaves
Commissioner: Armando Andrade de Lucio. Curator: Max Hernández-Calvo. Venue: Pavilion at Arsenale – Sale d’Armi
PHILIPPINES
Tie a String Around the World
Manuel Conde, Carlos Francisco, Manny Montelibano, Jose Tence Ruiz
Commissioner: National Commission for Culture and the Arts (NCCA), Felipe M. de Leon Jr. Curator: Patrick D. Flores. Venue: European Cultural Centre - Palazzo Mora
POLAND
Halka/Haiti. 18°48’05”N 72°23’01”W
C.T. Jasper, Joanna Malinowska
Commissioner: Hanna Wróblewska. Deputy Commissioner: Joanna Wasko. Curator: Magdalena Moskalewicz. Venue: Pavilion at Giardini
PORTUGAL
I Will Be Your Mirror / poems and problems
João Louro
Commissioner/Curator: María de Corral. Venue: Palazzo Loredan, campo S. Stefano
ROMANIA
Adrian Ghenie: Darwin’s Room
Adrian Ghenie
Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Mihai Pop. Venue: Pavilion at Giardini
Inventing the Truth. On Fiction and Reality
Michele Bressan, Carmen Dobre-Hametner, Alex Mirutziu, Lea Rasovszky, Stefan Sava, Larisa Sitar
Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Diana Marincu. Deputy Curators: Ephemair Association (Suzana Dan and Silvia Rogozea). Venue: New Gallery of the Romanian Institute for Culture and Humanistic Research in Venice
RUSSIA
The Green Pavilion
Irina Nakhova
Commissioner: Stella Kesaeva. Curator: Margarita Tupitsyn. Venue: Pavilion at Giardini
SERBIA
United Dead Nations
Ivan Grubanov
Commissioner: Lidija Merenik. Deputy Commissioner: Ana Bogdanovic. Curator: Lidija Merenik. Deputy Curator: Ana Bogdanovic. Scientific Committee: Jovan Despotovic. Venue: Pavilion at Giardini
SAN MARINO
Repubblica di San Marino “ Friendship Project “ China
Xu De Qi, Liu Dawei, Liu Ruo Wang, Ma Yuan, Li Lei, Zhang Hong Mei, Eleonora Mazza, Giuliano Giulianelli, Giancarlo Frisoni, Tony Margiotta, Elisa Monaldi, Valentina Pazzini
Commissioner: Istituti Culturali della Repubblica di San Marino. Curator: Vincenzo Sanfo. Venue: TBC
SEYCHELLES, Republic of *
A Clockwork Sunset
George Camille, Léon Wilma Loïs Radegonde
Commissioner: Seychelles Art Projects Foundation. Curators: Sarah J. McDonald, Victor Schaub Wong. Venue: European Cultural Centre - Palazzo Mora
SINGAPORE
Sea State
Charles Lim Yi Yong
Commissioner: Paul Tan, National Arts Council, Singapore. Curator: Shabbir Hussain Mustafa. Scientific Committee: Eugene Tan, Kathy Lai, Ahmad Bin Mashadi, June Yap, Emi Eu, Susie Lingham, Charles Merewether, Randy Chan. Venue: Pavilion at Arsenale – Sale d’Armi
SLOVENIA, Republic of
UTTER / The violent necessity for the embodied presence of hope
JAŠA
Commissioner: Simona Vidmar. Deputy Commissioner: Jure Kirbiš. Curators: Michele Drascek and Aurora Fonda. Venue: Pavilion at Arsenale - Artiglierie
SPAIN
Los Sujetos (The Subjects)
Pepo Salazar, Cabello/Carceller, Francesc Ruiz, + Salvador Dalí
Commissioner: Ministerio Asuntos Exteriores. Gobierno de España. Curator: Marti Manen. Venue: Pavilion at Giardini
SYRIAN ARAB REPUBLIC
Origini della civiltà
Narine Ali, Ehsan Alar, Felipe Cardeña, Fouad Dahdouh, Aldo Damioli, Svitlana Grebenyuk, Mauro Reggio, Liu Shuishi, Nass ouh Zaghlouleh, Andrea Zucchi, Helidon Xhixha
Commissioner: Christian Maretti. Curator: Duccio Trombadori. Venue: Redentore – Giudecca, San Servolo Island
SWEDEN
Excavation of the Image: Imprint, Shadow, Spectre, Thought
Lina Selander
Commissioner: Ann-Sofi Noring. Curator: Lena Essling. Venue: Pavilion at Arsenale
SWITZERLAND
Our Product
Pamela Rosenkranz
Commissioner: Swiss Arts Council Pro Helvetia, Sandi Paucic and Marianne Burki. Deputy-Commissioner: Swiss Arts Council Pro Helvetia, Rachele Giudici Legittimo. Curator: Susanne Pfeffer. Venue: Pavilion at Giardini
THAILAND
Earth, Air, Fire & Water
Kamol Tassananchalee
Commissioner: Chai Nakhonchai, Office of Contemporary Art and Culture (OCAC), Ministry of Culture. Curator: Richard David Garst. Deputy Curator: Pongdej Chaiyakut. Venue: Paradiso Gallerie, Giardini della Biennale, Castello 1260
TURKEY
Respiro
Sarkis
Commissioner: Istanbul Foundation for Culture and Arts. Curator: Defne Ayas. Deputy Curator: Ozge Ersoy. Venue: Pavilion at Arsenale – Sale d’Armi
TUVALU
Crossing the Tide
Vincent J.F. Huang
Commissioner: Taukelina Finikaso. Deputy Commissioner: Temate Melitiana. Curator: Thomas J. Berghuis. Scientific Committee: Andrea Bonifacio. Venue: Pavilion at Arsenale
UKRAINE
Hope!
Yevgenia Belorusets, Nikita Kadan, Zhanna Kadyrova, Mykola Ridnyi & SerhiyZhadan, Anna Zvyagintseva, Open Group, Artem Volokitin
Commissioner: Ministry of Culture. Curator: Björn Geldhof. Venue: Riva dei Sette Martiri
UNITED ARAB EMIRATES
1980 – Today: Exhibitions in the United Arab Emirates
Abdullah Al Saadi, Abdul Qader Al Rais, Abdulraheem Salim, Abdulrahman Zainal, Ahmed Al Ansari, Ahmed Sharif, Hassan Sharif, Mohamed Yousif, Mohammed Abdullah Bulhiah, Mohammed Al Qassab, Mohammed Kazem, Moosa Al Halyan, Najat Meky, Obaid Suroor, Salem Jawhar
Commissioner: Salama bint Hamdan Al Nahyan Foundation. Curator: Hoor Al Qasimi. Venue: Pavilion at Arsenale – Sale d'Armi
UNITED STATES OF AMERICA
Joan Jonas: They Come to Us Without a Word
Joan Jonas
Commissioner: Paul C. Ha. Deputy Commissioner: MIT List Visual Arts Center. Curators: Ute Meta Bauer, Paul C. Ha. Venue: Pavilion at Giardini
URUGUAY
Global Myopia II (Pencil & Paper)
Marco Maggi
Commissioner: Ricardo Pascale. Curator: Patricia Bentancour. Venue: Pavilion at Giardini
VENEZUELA, Bolivarian Republic of
Te doy mi palabra (I give you my word)
Argelia Bravo, Félix Molina (Flix)
Commissioner: Oscar Sotillo Meneses. Deputy Commissioner: Reinaldo Landaeta Díaz. Curator: Oscar Sotillo Meneses. Deputy Curator: Morella Jurado. Scientific Committee: Carlos Pou Ruan. Venue: Pavilion at Giardini
ZIMBABWE, Republic of
Pixels of Ubuntu/Unhu: - Exploring the social and cultural identities of the 21st century.
Chikonzero Chazunguza, Masimba Hwati, Gareth Nyandoro
Commissioner: Doreen Sibanda. Curator: Raphael Chikukwa. Deputy Curator: Tafadzwa Gwetai. Scientific Committee: Saki Mafundikwa, Biggie Samwanda, Fabian Kangai, Reverend Paul Damasane, Nontsikelelo Mutiti, Stephen Garan'anga, Dominic Benhura. Venue: Santa Maria della Pieta
ITALO-LATIN AMERICAN INSTITUTE
Voces Indígenas
Commissioner: Sylvia Irrazábal. Curator: Alfons Hug. Deputy Curator: Alberto Saraiva. Venue: Pavilion at Arsenale
ARGENTINA
Sofia Medici and Laura Kalauz
PLURINATIONAL STATE OF BOLIVIA
Sonia Falcone and José Laura Yapita
BRAZIL
Adriana Barreto
Paulo Nazareth
CHILE
Rainer Krause
COLOMBIA
León David Cobo,
María Cristina Rincón and Claudia Rodríguez
COSTA RICA
Priscilla Monge
ECUADOR
Fabiano Kueva
EL SALVADOR
Mauricio Kabistan
GUATEMALA
Sandra Monterroso
HAITI
Barbara Prézeau Stephenson
HONDURAS
Leonardo González
PANAMA
Humberto Vélez
NICARAGUA
Raúl Quintanilla
PARAGUAY
Erika Meza
Javier López
PERU
José Huamán Turpo
URUGUAY
Gustavo Tabares
Ellen Slegers
001 Inverso Mundus. AES+F
Magazzino del Sale n. 5, Dorsoduro, 265 (Fondamenta delle Zattere ai Saloni); Palazzo Nani Mocenigo, Dorsoduro, 960
May 9th – October 31st
Organization: VITRARIA Glass + A Museum
Catalonia in Venice: Singularity
Cantieri Navali, Castello, 40 (Calle Quintavalle)
May 9th - November 22nd
Organization: Institut Ramon Llull
venezia2015.llull.cat
Conversion. Recycle Group
Chiesa di Sant’Antonin, Castello (Campo Sant’Antonin)
May 6th - October 31st
Organization: Moscow Museum of Modern Art
Dansaekhwa
Palazzo Contarini-Polignac, Dorsoduro, 874 (Accademia)
May 7th – August 15th
Organization: The Boghossian Foundation
Dispossession
Palazzo Donà Brusa, Campo San Polo, 2177
May 9th - November 22nd
Organization: European Capital of Culture Wroclaw 2016
wroclaw2016.pl/biennale/
EM15 presents Doug Fishbone’s Leisure Land Golf
Arsenale Docks, Castello, 40A, 40B, 41C
May 6th - July 26th
Organization: EM15
Eredità e Sperimentazione
Grand Hotel Hungaria & Ausonia, Viale Santa Maria Elisabetta, 28, Lido di Venezia
May 9th - November 22nd
Organization: Istituto Nazionale di BioArchitettura - Sezione di Padova
Frontiers Reimagined
Palazzo Grimani, Castello, 4858 (Ramo Grimani)
May 9th - November 22nd
Organization: Tagore Foundation International; Polo museale del Veneto
Glasstress 2015 Gotika
Istituto Veneto di Scienze Lettere ed Arti, Palazzo Cavalli Franchetti, San Marco, 2847 (Campo Santo Stefano); Chiesa di Santa Maria della Visitazione, Centro Culturale Don Orione Artigianelli, Dorsoduro, 919 (Zattere); Fondazione Berengo, Campiello della Pescheria, 15, Murano;
May 9th — November 22nd
Organization: The State Hermitage Museum
Graham Fagen: Scotland + Venice 2015
Palazzo Fontana, Cannaregio, 3829 (Strada Nova)
May 9th - November 22nd
Organization: Scotland + Venice
Grisha Bruskin. An Archaeologist’s Collection
Former Chiesa di Santa Caterina, Cannaregio, 4941-4942
May 6th – November 22nd
Organization: Centro Studi sulle Arti della Russia (CSAR), Università Ca’ Foscari Venezia
Helen Sear, ... The Rest Is Smoke
Santa Maria Ausiliatrice, Castello, 450 (Fondamenta San Gioacchin)
May 9th - November 22nd
Organization: Cymru yn Fenis/Wales in Venice
Highway to Hell
Palazzo Michiel, Cannaregio, 4391/A (Strada Nova)
May 9th - November 22nd
Organization: Hubei Museum of Art
Humanistic Nature and Society (Shan-Shui) – An Insight into the Future
Palazzo Faccanon, San Marco, 5016 (Mercerie)
May 7th – August 4th
Organization: Shanghai Himalayas Museum
In the Eye of the Thunderstorm: Effervescent Practices from the Arab World & South Asia
Dorsoduro, 417 (Zattere)
May 6th - November 15th
Organization: ArsCulture
Italia Docet | Laboratorium- Artists, Participants, Testimonials and Activated Spectators
Palazzo Barbarigo Minotto, San Marco, 2504 (Fondamenta Duodo o Barbarigo)
May 9th – June 30th; September 11st – October 31st
Organization: Italian Art Motherboard Foundation (i-AM Foundation)
www.venicebiennale-italiadocet.org
Jaume Plensa: Together
Basilica di San Giorgio Maggiore, Isola di San Giorgio Maggiore
May 6th – November 22nd
Organization: Abbazia di San Giorgio Maggiore Benedicti Claustra Onlus
Jenny Holzer "War Paintings"
Museo Correr, San Marco, 52 (Piazza San Marco)
May 6th – November 22nd
Organization: The Written Art Foundation; Museo Correr, Fondazione Musei Civici di Venezia
correr.visitmuve.it
Jump into the Unknown
Palazzo Loredan dell’Ambasciatore, Dorsoduro, 1261-1262
May 9th – June 18th
Organization: Nine Dragon Heads
9dh-venice.com
Learn from Masters
Palazzo Bembo, San Marco, 4793 (Riva del Carbon)
May 9th – November 22nd
Organization: Pan Tianshou Foundation
pantianshou.caa.edu.cn/foundation_en
My East is Your West
Palazzo Benzon, San Marco, 3927
May 6th – October 31st
Organization: The Gujral Foundation
Ornamentalism. The Purvitis Prize
Arsenale Nord, Tesa 99
May 9th – November 22nd
Organization: The Secretariat of the Latvian Presidency of the Council of the European Union in 2015
www.purvisabalva.lv/en/ornamentalism
Path and Adventure
Arsenale, Castello, 2126/A (Campo della Tana)
May 9th – November 22nd
Organization: The Civic and Municipal Affairs Bureau; The Macao Museum of Art; The Cultural Affairs Bureau
Patricia Cronin: Shrine for Girls, Venice
Chiesa di San Gallo, San Marco, 1103 (Campo San Gallo)
May 9th – November 22nd
Organization: Brooklyn Rail Curatorial Projects
curatorialprojects.brooklynrail.org
Roberto Sebastian Matta. Sculture
Giardino di Palazzo Soranzo Cappello, Soprintendenza BAP per le Province di Venezia, Belluno, Padova e Treviso, Santa Croce, 770 (Fondamenta Rio Marin)
May 9th – November 22nd
Organization: Fondazione Echaurren Salaris
www.fondazioneechaurrensalaris.it
www.maggioregam.com/56Biennale_Matta
Salon Suisse: S.O.S. Dada - The World Is A Mess
Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)
May 9th; June 4th - 6th; September 10th - 12th; October 15th - 17th; November 19th – 21st
Organization: Swiss Arts Council Pro Helvetia
Sean Scully: Land Sea
Palazzo Falier, San Marco, 2906
May 9th – November 22nd
Organization: Fondazione Volume!
Sepphoris. Alessandro Valeri
Molino Stucky, interior atrium, Giudecca, 812
May 9th – November 22nd
Organization: Assessorato alla Cultura del Comune di Narni(TR); a Sidereal Space of Art; Satellite Berlin
Tesla Revisited
Palazzo Nani Mocenigo, Dorsoduro, 960
May 9th – October 18th
Organization: VITRARIA Glass + A Museum
The Bridges of Graffiti
Arterminal c/o Terminal San Basilio, Dorsoduro (Fondamenta Zattere al Ponte Lungo)
May 9th - November 22nd
Organization: Associazione Culturale Inossidabile
The Dialogue of Fire. Ceramic and Glass Masters from Barcelona to Venice
Palazzo Tiepolo Passi, San Polo, 2774
May 6th - November 22nd
Organization: Fundaciò Artigas; ArsCulture
The Question of Beings
Istituto Santa Maria della Pietà, Castello, 3701
May 9th - November 22nd
Organization: Museum of Contemporary Art, Taipei (MoCA, Taipei)
The Revenge of the Common Place
Università Ca' Foscari, Ca' Bernardo, Dorsoduro, 3199 (Calle Bernardo)
May 9th – September 30th
Organization: Vrije Universiteit Brussel (Free University Brussels-VUB)
The Silver Lining. Contemporary Art from Liechtenstein and other Microstates
Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)
October 24th – November 1st
Organization: Kunstmuseum Liechtenstein
The Sound of Creation. Paintings + Music by Beezy Bailey and Brian Eno
Conservatorio Benedetto Marcello, Palazzo Pisani, San Marco, 2810 (Campo Santo Stefano)
May 7th - November 22nd
Organization: ArsCulture
The Union of Fire and Water
Palazzo Barbaro, San Marco, 2840
May 9th - November 22nd
Organization: YARAT Contemporary Art Organisation
Thirty Light Years - Theatre of Chinese Art
Palazzo Rossini, San Marco, 4013 (Campo Manin)
May 9th - November 22nd
Organization: GAC Global Art Center Foundation; The Guangdong Museum of Art
Tsang Kin-Wah: The Infinite Nothing, Hong Kong in Venice
Arsenale, Castello, 2126 (Campo della Tana)
May 9th - November 22nd
Organization: M+, West Kowloon Cultural District; Hong Kong Arts Development Council
Under the Surface, Newfoundland and Labrador at Venice
Galleria Ca' Rezzonico, Dorsoduro, 2793
May 9th - November 22nd
Organization: Terra Nova Art Foundation
tnaf.ca
Ursula von Rydingsvard
Giardino della Marinaressa, Castello (Riva dei Sette Martiri)
May 6th - November 22nd
Organization:Yorkshire Sculpture Park
We Must Risk Delight: Twenty Artists from Los Angeles
Magazzino del Sale n. 3, Dorsoduro, 264 (Zattere)
May 7th - November 22nd
Organization: bardoLA
Wu Tien-Chang: Never Say Goodbye
Palazzo delle Prigioni, Castello, 4209 (San Marco)
May 9th - November 22nd
Organization: Taipei Fine Arts Museum of Taiwan
democracystreet.blogspot.co.uk/2007/07/my-fifth-brompton-...
T6 Brompton folding bicycle with Brookes saddle boughts from Mike at Phoenix Cycles in Battersea Bridge Road, London (UK) in 2004, and serviced by him since.
Still my main bicycle.
See the British novelist Will Self writing about the Brompton in September 08:
".... if you feel tempted at this point to cast my piece aside, unread, on the quite reasonable grounds that not only do you not like bicycles, or cycling, but you especially revile the ghastly middle-aged-mannish gadget obsession that you already feel emanating from my prose in great waves, then I say: desist! Give me a chance! Read on, and if I can't convince you by the end of these 2,000 words that a Brompton folding bicycle is not only a superior means of locomotion, and a perfect antidote to the stresses of the modern world, but also a means of achieving a deeper harmony with place and culture than you've hitherto achieved, then I personally guarantee to come round to your house and sort out your old Allen keys – or something like that. ....."
www.independent.co.uk/news/uk/this-britain/the-wheel-thin...
This is me writing in October 2007: An amicable divorce
democracystreet.blogspot.co.uk/2007/10/dignified-divorce....
I have just seen my car driven away by a friend who's got it for free. I've been 'deciding' for 5 years - maybe longer. But the final decision to be rid of it came a week ago, since when it's sat in our drive, insurance cancelled. It helped that the cost of repairing its transmission was assessed as more than its worth. I have not been without a car since the 1960s. This evening is a moment long anticipated, regularly postponed.
I recall having some of my happiest childhood times in cars, with my family. What I best remember (something written about and filmed at the time) is the accessibility to places all over Britain we got from having a car in the 1950s. I realise we drove - 50 years ago - on roads that most people now see in absurd advertisements - filmed on locations in Croatia or Albania.
My mother and step-father were writers and journalists through the late 1940s and '50s. Cars were part of their salaries. We had the means to drive. We would arrive at places where there would be no cars for miles - or very few. We could park next to beaches, cliff tops, and high ridges with mighty views (see what I mean about advertising?). We reconnoitred long, lightly-paved rural lanes ending in cul-de-sacs where, after a word with a the farmer, we set up tent and fished in clear trout streams. We ate our catch fried in butter. I was often very happy - innocent of being in a vanguard of social change.
My step-father remarked once, when I was going on once about the 'beauties of the countryside' (I was a literary youth) that this sort of thing wouldn't last. 'We're doing things the very rich could do. Now we are doing it. Soon everyone will be doing it! We're part of the rot.' In later years he observed that the central dilemma of socialism (quoting Bertrand Russell) was that 'you can ruin anything by making it available to everybody.'
From the mid '60s, life on the open road, new motorways notwithstanding, became increasingly closed. The freeway became unfree as more and more people, understandably, sought access to a possession we'd enjoyed more exclusively. The freedoms promised by the advertisers of cars became more and more conditional. Friends of friends were killed in them and by them.
I started travelling abroad to get away from the crowds in my own country - often walking and relying on trains and buses when going to lonelier places that were still places. Travelling with my wife, we seldom returned more than twice because we could always see material prosperity spreading - as it rightly should - but in the process blighting the quietness and slowness of more self-sufficient economies we'd visited as guests rather than an important part of the new local economy. We saw fishing boats laid up and replaced by marinas and yachts. We saw heritage signage spreading, as places became consumer items and we became harvest. We too had been consuming but we'd usually enjoyed the only table in the house.
In his old age, my father said 'The only places left to live will be the cracks between the concrete. I advise you to to live in places already ruined. Maybe you will find the wisdom to make them better in some new way none of us understand.'
I did not revisit my childhood experiences of motor touring until 1995, when with my young children we toured the Peloponnese in a hired car. We had had help from the Greek half of my family identifying still isolated areas of the peninsula. The motorway southwest from Athens was under construction. We drove en famille from Athens via Corinth and Leonidi, Sparta, Kalamata and Messini to Pylos on almost empty roads, stopping when we wanted and having picnics, strolling together through ancient ruins. Stopping high in the Taygetos mountains in Lakonia (the point from where this summer's conflagration spread) one Sunday evening and hearing silence under a black sky pierced by a million stars (normally hidden above the yellowing pall of light polluted England), with no sound except the cooling cracking of the car, hot from ascending a narrow zigzag road where we encountered no other vehicle for half-hours at a time.
I took joy seeing my little daughter and wife who, unlike me, had never been to Greece, walking among the remains of a civilisation I associate with my roots as well as my present family. The car took us to the edge of beaches and right up to tavernas where we could park and walk to a table. Only once an ill-judged detour 'to see the sea' at Koroni jammed us into the narrow walking streets of an ex-fishing village grid-locked by visiting motorists - foreign, and the new expanding Greek middle classes, and us.
Back in England I saw this holiday as an anachronistic replay of my motoring childhood and realised I could not keep trying to stay ahead of people with the same aspirations as myself but slightly further back in the rat race. I had to start thinking about my step-father's old age advice. I kept my car but reduced my annual mileage below 3000. My favoured way of getting about became my feet, my bicycle, train or bus, while car ownership just went on increasing.
I have indeed found contentment and interest in the cracks in the concrete. I have watched wild fowl, inland seagulls, herons, urban rats, and foxes along canal towpaths, passing beneath the pillars of raised motorway junctions as I've cycled and walked the city, threading its congested roads and alleys free of worries about gridlock and parking. I have enjoyed picnics in the shadow of dilapidated industrial ruins. I've campaigned for more urban green space, for education for sustainable living. I've chatted across the rich world in cyberspace to like-minded people about ways to solve that central dilemma of making the riches of the world available to everyone without destroying it.
I've tried to imagine cities where more people will want to stay and make them into real places again instead of dismal, narrow economies where they can earn enough 'to get away.' I have found the roots of such cities in my own home town, as I walk and cycle about. Anyone hearing moralising in these reflections, should know that we fly to places still, that there's still a car in the drive (my wife's). My daughter has just bought her own. We are profligate with energy. This is more about about ending my long marriage to the car. It's been a gentle separation, then an amicable divorce from a long and increasingly jaded marriage of convenience.
Issue 5 of Seoul based 'B' Brand Documentary Magazine, which gets no financial support from the brands it chooses to cover, focused on the Brompton. It contains several of my images of the Brompton and a picture of me with this model by the Birmingham photographer Dan Burwood issuu.com/magazineb/docs/magazineb_brompton_abridgment_eng
ONE OF THE WAY TO TRAIN THE "THE AWARENESS MUSCLE
is the critical run
and other emergency art format
CRITICAL RUN / Debate Format
Critical Run is an Art Format created by Thierry Geoffroy/Colonel
debate while running .
Debate and Run together,Now,before it is too late.
www.emergencyroomscanvas todo .org/criticalrun.html
The Art Format Critical Run has been activated in 30 differents countries with 120 different burning debates
New York,Cairo,London,Istanbul,Athens,Hanoi,Paris,Munich,Amsterdam Siberia,Copenhagen,Johanesburg,Moskow,Napoli,Sydney,
Wroclaw,Bruxelles,Rotterdam,Barcelona,Venice,Virginia,Stockholm,Århus,Kassel,Lyon,Trondheim, Berlin ,Toronto,Hannover ...
CRITICAL RUN happened on invitation from institution like Moma/PS1, Moderna Muset Stockholm ,Witte de With Rotterdam,ZKM Karlsruhe,Liverpool Biennale;Sprengel Museum etc..or have just happened on the spot because
a debate was necessary here and now.
In 2020 the Energy Room was an installation of 40 Critical Run at Museum Villa Stuck /Munich
part of Colonel solo show : The Awareness Muscle Training Center
----
Interesting publication for researches on running and art
www.emergencyrooms.org/formats.html
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------------about Venice Biennale history from wikipedia ---------
curators previous
* 1948 – Rodolfo Pallucchini
* 1966 – Gian Alberto Dell'Acqua
* 1968 – Maurizio Calvesi and Guido Ballo
* 1970 – Umbro Apollonio
* 1972 – Mario Penelope
* 1974 – Vittorio Gregotti
* 1978 – Luigi Scarpa
* 1980 – Luigi Carluccio
* 1982 – Sisto Dalla Palma
* 1984 – Maurizio Calvesi
* 1986 – Maurizio Calvesi
* 1988 – Giovanni Carandente
* 1990 – Giovanni Carandente
* 1993 – Achille Bonito Oliva
* 1995 – Jean Clair
* 1997 – Germano Celant
* 1999 – Harald Szeemann
* 2001 – Harald Szeemann
* 2003 – Francesco Bonami
* 2005 – María de Corral and Rosa Martinez
* 2007 – Robert Storr
* 2009 – Daniel Birnbaum
* 2011 – Bice Curiger
* 2013 – Massimiliano Gioni
* 2015 – Okwui Enwezor
* 2017 – Christine Macel[19]
* 2019 – Ralph Rugoff[20]
----------
#art #artist #artistic #artists #arte #artwork
Pavilion at the Venice Biennale #artcontemporain contemporary art Giardini arsenal
venice Veneziako VenecijaVenècia Venedig Venetië Veneetsia Venetsia Venise Venecia VenedigΒενετία( Venetía Hungarian Velence Feneyjar Venice Venezia Venēcija Venezja Venezia Wenecja Veneza VenețiaVenetsiya BenátkyBenetke Venecia Fenisוועניס Վենետիկ ভেনি স威尼斯 (wēinísī) 威尼斯 ვენეციისવે નિસवेनिसヴェネツィアವೆನಿಸ್베니스வெனிஸ்వెనిస్เวนิซوینس Venetsiya
art umjetnost umění kunst taide τέχνη művészetList ealaín arte māksla menasarti Kunst sztuka artă umenie umetnost konstcelfקונסטարվեստincəsənətশিল্প艺术(yìshù)藝術 (yìshù)ხელოვნებაकलाkos duabアートಕಲೆសិល្បៈ미술(misul)ສິນລະປະകലकलाအတတ်ပညာकलाකලාවகலைఆర్ట్ศิลปะ آرٹsan'atnghệ thuậtفن (fan)אומנותهنرsanat artist
other Biennale :(Biennials ) :
Venice Biennial , Documenta Havana Biennial,Istanbul Biennial ( Istanbuli),Biennale de Lyon ,Dak'Art Berlin Biennial,Mercosul Visual Arts Biennial ,Bienal do Mercosul Porto Alegre.,Berlin Biennial ,Echigo-Tsumari Triennial .Yokohama Triennial Aichi Triennale,manifesta ,Copenhagen Biennale,Aichi Triennale .Yokohama Triennial,Echigo-Tsumari Triennial.Sharjah Biennial ,Biennale of Sydney, Liverpool , São Paulo Biennial ; Athens Biennale , Bienal do Mercosul ,Göteborg International Biennial for Contemporary Art ,DOCUMENTA KASSEL ATHENS
* Dakar
kritik [edit] kritikaria kritičar crític kritiker criticus kriitik kriitikko critique crítico Kritiker κριτικός(kritikós) kritikus Gagnrýnandi léirmheastóir critico kritiķis kritikas kritiku krytyk crítico critic crítico krytyk beirniad קריטיקער
Basque Veneziako Venecija [edit] Catalan Venècia Venedig Venetië Veneetsia Venetsia Venise Venecia Venedig Βενετία(Venetía) Hungarian Velence Feneyjar Venice Venezia Latvian Venēcija Venezja Venezia Wenecja Portuguese Veneza Veneția Venetsiya Benátky Benetke Venecia Fenis וועניס Վենետիկ ভেনিস 威尼斯 (wēinísī) 威尼斯 Georgian ვენეციის વેનિસ वेनिस ヴェネツィア ವೆನಿಸ್ 베니스 வெனிஸ் వెనిస్ เวนิซ وینس Venetsiya
Thierry Geoffroy / Colonel
#thierrygeoffroy #geoffroycolonel #thierrygeoffroycololonel #lecolonel #biennalist
#artformat #formatart
#emergencyart #urgencyart #urgentart #artofthenow #nowart
emergency art emergency art urgency artist de garde vagt alarm emergency room necessityart artistrole exigencyart predicament prediction pressureart
#InstitutionalCritique
#venicebiennale #venicebiennale2017 #venicebiennale2015
#venicebiennale2019
#venice #biennale #venicebiennale #venezia #italy
#venezia #venice #veniceitaly #venicebiennale
#pastlife #memory #venicebiennale #venice #Venezia #italy #hotelveniceitalia #artexhibit #artshow #internationalart #contemporaryart #themundane #summerday
#biennalevenice
Institutional Critique
Identity Politics Post-War Consumerism, Engagement with Mass Media, Performance Art, The Body, Film/Video, Political, Collage, , Cultural Commentary, Self as Subject, Color Photography, Related to Fashion, Digital Culture, Photography, Human Figure, Technology
Racial and Ethnic Identity, Neo-Conceptualism, Diaristic
Contemporary Re-creations, Popular Culture, Appropriation, Contemporary Sculpture,
Culture, Collective History, Group of Portraits, Photographic Source
, Endurance Art, Film/Video,, Conceptual Art and Contemporary Conceptualism, Color Photography, Human Figure, Cultural Commentary
War and Military, Political Figures, Social Action, Racial and Ethnic Identity, Conflict
Personal Histories, Alter Egos and Avatars
Use of Common Materials, Found Objects, Related to Literature, Installation, Mixed-Media, Engagement with Mass Media, Collage,, Outdoor Art, Work on Paper, Text
Appropriation (art) Art intervention Classificatory disputes about art Conceptual art Environmental sculpture Found object Interactive art Modern art Neo-conceptual art Performance art Sound art Sound installation Street installations Video installation Conceptual art Art movements Postmodern art Contemporary art Art media Aesthetics Conceptualism
Post-conceptualism Anti-anti-art Body art Conceptual architecture Contemporary art Experiments in Art and Technology Found object Happening Fluxus Information art Installation art Intermedia Land art Modern art Neo-conceptual art Net art Postmodern art Generative Art Street installation Systems art Video art Visual arts ART/MEDIA conceptual artis
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CRITICAL RUN is an art format developed by Thierry Geoffroy / COLONEL, It follows the spirit of ULTRACONTEMPORARY and EMERGENCY ART as well as aims to train the AWARENESS MUSCLE.
Critical Run has been activated on invitation from institutions such as Moderna Muset Stockholm, Moma PS1 ,Witte de With Rotterdam, ZKM Karlsruhe, Liverpool Biennale, Manifesta Biennial ,Sprengel Museum,Venice Biennale but have also just happened on the spot because a debate was necessary here and now.
It has been activated in Beijing, Cairo, London, Istanbul, Athens, Kassel, Sao Paolo, Hanoi, Istanbul, Paris, Copenhagen, Moskow, Napoli, Sydney, Wroclaw, Bruxelles, Rotterdam, Siberia, Karlsruhe, Barcelona, Aalborg, Venice, Virginia, Stockholm, Aarhus, Rio de Janeiro, Budapest, Washington, Lyon, Caracas, Trondheim, Berlin, Toronto, Hannover, Haage, Newtown, Cartagena, Tallinn, Herning, Roskilde;Mannheim ;Munich etc...
The run debates are about emergency topics like Climate Change , Xenophobia , Wars , Hyppocrisie , Apathy ,etc ...
Participants have been very various from Sweddish art critics , German police , American climate activist , Chinese Gallerists , Brasilian students , etc ...
Critical Run is an art format , like Emergency Room or Biennalist and is part of Emergency Art ULTRACONTEMPORARY and AWARENESS MUSCLE .
www.emergencyrooms.org/criticalrun.html
www.emergencyrooms.org/formats.html
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In 2020 a large exhibition will show 40 of the Critical Run at the Museum Villa Stuck in Munich / part of the Awareness Muscle Training Center
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for activating the format or for inviting the installation
please contact 1@colonel.dk
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critical,run,art,format,debate ,artformat,formatart,moment,clarity,emergency,kunst,
Sport,effort,curator,artist,urgency,urgence,criticalrun,emergencies,ultracontemporary
,rundebate,sport,art,activism, critic,laufen,Thierry Geoffroy , Colonel,kunstformat
,now art,copenhagen,denmark
ONE OF THE WAY TO TRAIN THE "THE AWARENESS MUSCLE
is the critical run
and other emergency art format
CRITICAL RUN / Debate Format
Critical Run is an Art Format created by Thierry Geoffroy/Colonel
debate while running .
Debate and Run together,Now,before it is too late.
www.emergencyroomscanvas todo .org/criticalrun.html
The Art Format Critical Run has been activated in 30 differents countries with 120 different burning debates
New York,Cairo,London,Istanbul,Athens,Hanoi,Paris,Munich,Amsterdam Siberia,Copenhagen,Johanesburg,Moskow,Napoli,Sydney,
Wroclaw,Bruxelles,Rotterdam,Barcelona,Venice,Virginia,Stockholm,Århus,Kassel,Lyon,Trondheim, Berlin ,Toronto,Hannover ...
CRITICAL RUN happened on invitation from institution like Moma/PS1, Moderna Muset Stockholm ,Witte de With Rotterdam,ZKM Karlsruhe,Liverpool Biennale;Sprengel Museum etc..or have just happened on the spot because
a debate was necessary here and now.
In 2020 the Energy Room was an installation of 40 Critical Run at Museum Villa Stuck /Munich
part of Colonel solo show : The Awareness Muscle Training Center
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Interesting publication for researches on running and art
www.emergencyrooms.org/formats.html
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------------about Venice Biennale history from wikipedia ---------
curators previous
* 1948 – Rodolfo Pallucchini
* 1966 – Gian Alberto Dell'Acqua
* 1968 – Maurizio Calvesi and Guido Ballo
* 1970 – Umbro Apollonio
* 1972 – Mario Penelope
* 1974 – Vittorio Gregotti
* 1978 – Luigi Scarpa
* 1980 – Luigi Carluccio
* 1982 – Sisto Dalla Palma
* 1984 – Maurizio Calvesi
* 1986 – Maurizio Calvesi
* 1988 – Giovanni Carandente
* 1990 – Giovanni Carandente
* 1993 – Achille Bonito Oliva
* 1995 – Jean Clair
* 1997 – Germano Celant
* 1999 – Harald Szeemann
* 2001 – Harald Szeemann
* 2003 – Francesco Bonami
* 2005 – María de Corral and Rosa Martinez
* 2007 – Robert Storr
* 2009 – Daniel Birnbaum
* 2011 – Bice Curiger
* 2013 – Massimiliano Gioni
* 2015 – Okwui Enwezor
* 2017 – Christine Macel[19]
* 2019 – Ralph Rugoff[20]
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#art #artist #artistic #artists #arte #artwork
Pavilion at the Venice Biennale #artcontemporain contemporary art Giardini arsenal
venice Veneziako VenecijaVenècia Venedig Venetië Veneetsia Venetsia Venise Venecia VenedigΒενετία( Venetía Hungarian Velence Feneyjar Venice Venezia Venēcija Venezja Venezia Wenecja Veneza VenețiaVenetsiya BenátkyBenetke Venecia Fenisוועניס Վենետիկ ভেনি স威尼斯 (wēinísī) 威尼斯 ვენეციისવે નિસवेनिसヴェネツィアವೆನಿಸ್베니스வெனிஸ்వెనిస్เวนิซوینس Venetsiya
art umjetnost umění kunst taide τέχνη művészetList ealaín arte māksla menasarti Kunst sztuka artă umenie umetnost konstcelfקונסטարվեստincəsənətশিল্প艺术(yìshù)藝術 (yìshù)ხელოვნებაकलाkos duabアートಕಲೆសិល្បៈ미술(misul)ສິນລະປະകലकलाအတတ်ပညာकलाකලාවகலைఆర్ట్ศิลปะ آرٹsan'atnghệ thuậtفن (fan)אומנותهنرsanat artist
other Biennale :(Biennials ) :
Venice Biennial , Documenta Havana Biennial,Istanbul Biennial ( Istanbuli),Biennale de Lyon ,Dak'Art Berlin Biennial,Mercosul Visual Arts Biennial ,Bienal do Mercosul Porto Alegre.,Berlin Biennial ,Echigo-Tsumari Triennial .Yokohama Triennial Aichi Triennale,manifesta ,Copenhagen Biennale,Aichi Triennale .Yokohama Triennial,Echigo-Tsumari Triennial.Sharjah Biennial ,Biennale of Sydney, Liverpool , São Paulo Biennial ; Athens Biennale , Bienal do Mercosul ,Göteborg International Biennial for Contemporary Art ,DOCUMENTA KASSEL ATHENS
* Dakar
kritik [edit] kritikaria kritičar crític kritiker criticus kriitik kriitikko critique crítico Kritiker κριτικός(kritikós) kritikus Gagnrýnandi léirmheastóir critico kritiķis kritikas kritiku krytyk crítico critic crítico krytyk beirniad קריטיקער
Basque Veneziako Venecija [edit] Catalan Venècia Venedig Venetië Veneetsia Venetsia Venise Venecia Venedig Βενετία(Venetía) Hungarian Velence Feneyjar Venice Venezia Latvian Venēcija Venezja Venezia Wenecja Portuguese Veneza Veneția Venetsiya Benátky Benetke Venecia Fenis וועניס Վենետիկ ভেনিস 威尼斯 (wēinísī) 威尼斯 Georgian ვენეციის વેનિસ वेनिस ヴェネツィア ವೆನಿಸ್ 베니스 வெனிஸ் వెనిస్ เวนิซ وینس Venetsiya
Thierry Geoffroy / Colonel
#thierrygeoffroy #geoffroycolonel #thierrygeoffroycololonel #lecolonel #biennalist
#artformat #formatart
#emergencyart #urgencyart #urgentart #artofthenow #nowart
emergency art emergency art urgency artist de garde vagt alarm emergency room necessityart artistrole exigencyart predicament prediction pressureart
#InstitutionalCritique
#venicebiennale #venicebiennale2017 #venicebiennale2015
#venicebiennale2019
#venice #biennale #venicebiennale #venezia #italy
#venezia #venice #veniceitaly #venicebiennale
#pastlife #memory #venicebiennale #venice #Venezia #italy #hotelveniceitalia #artexhibit #artshow #internationalart #contemporaryart #themundane #summerday
#biennalevenice
Institutional Critique
Identity Politics Post-War Consumerism, Engagement with Mass Media, Performance Art, The Body, Film/Video, Political, Collage, , Cultural Commentary, Self as Subject, Color Photography, Related to Fashion, Digital Culture, Photography, Human Figure, Technology
Racial and Ethnic Identity, Neo-Conceptualism, Diaristic
Contemporary Re-creations, Popular Culture, Appropriation, Contemporary Sculpture,
Culture, Collective History, Group of Portraits, Photographic Source
, Endurance Art, Film/Video,, Conceptual Art and Contemporary Conceptualism, Color Photography, Human Figure, Cultural Commentary
War and Military, Political Figures, Social Action, Racial and Ethnic Identity, Conflict
Personal Histories, Alter Egos and Avatars
Use of Common Materials, Found Objects, Related to Literature, Installation, Mixed-Media, Engagement with Mass Media, Collage,, Outdoor Art, Work on Paper, Text
Appropriation (art) Art intervention Classificatory disputes about art Conceptual art Environmental sculpture Found object Interactive art Modern art Neo-conceptual art Performance art Sound art Sound installation Street installations Video installation Conceptual art Art movements Postmodern art Contemporary art Art media Aesthetics Conceptualism
Post-conceptualism Anti-anti-art Body art Conceptual architecture Contemporary art Experiments in Art and Technology Found object Happening Fluxus Information art Installation art Intermedia Land art Modern art Neo-conceptual art Net art Postmodern art Generative Art Street installation Systems art Video art Visual arts ART/MEDIA conceptual artis
—-
CRITICAL RUN is an art format developed by Thierry Geoffroy / COLONEL, It follows the spirit of ULTRACONTEMPORARY and EMERGENCY ART as well as aims to train the AWARENESS MUSCLE.
Critical Run has been activated on invitation from institutions such as Moderna Muset Stockholm, Moma PS1 ,Witte de With Rotterdam, ZKM Karlsruhe, Liverpool Biennale, Manifesta Biennial ,Sprengel Museum,Venice Biennale but have also just happened on the spot because a debate was necessary here and now.
It has been activated in Beijing, Cairo, London, Istanbul, Athens, Kassel, Sao Paolo, Hanoi, Istanbul, Paris, Copenhagen, Moskow, Napoli, Sydney, Wroclaw, Bruxelles, Rotterdam, Siberia, Karlsruhe, Barcelona, Aalborg, Venice, Virginia, Stockholm, Aarhus, Rio de Janeiro, Budapest, Washington, Lyon, Caracas, Trondheim, Berlin, Toronto, Hannover, Haage, Newtown, Cartagena, Tallinn, Herning, Roskilde;Mannheim ;Munich etc...
The run debates are about emergency topics like Climate Change , Xenophobia , Wars , Hyppocrisie , Apathy ,etc ...
Participants have been very various from Sweddish art critics , German police , American climate activist , Chinese Gallerists , Brasilian students , etc ...
Critical Run is an art format , like Emergency Room or Biennalist and is part of Emergency Art ULTRACONTEMPORARY and AWARENESS MUSCLE .
www.emergencyrooms.org/criticalrun.html
www.emergencyrooms.org/formats.html
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In 2020 a large exhibition will show 40 of the Critical Run at the Museum Villa Stuck in Munich / part of the Awareness Muscle Training Center
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for activating the format or for inviting the installation
please contact 1@colonel.dk
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critical,run,art,format,debate ,artformat,formatart,moment,clarity,emergency,kunst,
Sport,effort,curator,artist,urgency,urgence,criticalrun,emergencies,ultracontemporary
,rundebate,sport,art,activism, critic,laufen,Thierry Geoffroy , Colonel,kunstformat
,now art,copenhagen,denmark
You've gotta see it LARGE on black!
Captured with a Canon EOS 30D and a Canon EF-S 17-55mm f/2.8 IS USM lens.
Location: Tanner Bridge Road, Jefferson City, Missouri
This was a planned HDR scene I captured about a year ago. I've been spending a lot of time with Photoshop CS4 and ACR 5 lately and thought about re-working this piece and I'm glad I did. I have a tutorial about how I created the original HDR image here; however, after using my new process, I need to update the steps.
In short, I used to simply load my Canon 30D RAW files directly into Photomatix, tone map, then save as 16bit tiff. Then load the 16bit tiff into Photoshop to do further enhancing such as noise removal.
Now I process each RAW in ACR 5, apply Noiseware Pro NR and save each frame as a 16bit tiff, then I open each tiff with Photomatix, merge, tone map, save again as 16bit tiff, open in Photoshop, apply default Noiseware Pro NR, USM (radius 1.1, amt: 40%), then save as 8bit jpg, which is what you see above. This rendition is far better than my first version (much cleaner, sharper, and the tonal depth is better too).
Fui convidada pela linda Prii para fazer uma participação no Blog dela, gente! Quanta honra!
www.blogohmy.com/2013/08/friozinho-na-barriga.html#disqus...
May 20, 2020 - Bushnell Nebraska
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Watch the Video from this storm chase day on Flickr Click Here
Day 2 of chasing the plains of Wyoming. With a good chance of seeing what we came for. We had plans in place to be in position early to catch that's days first round of severe storms in Central Wyoming.
Moving west via Hwy 26 through Torrington, Lingle, Fort Laramie, Guernsey, then north on I-25 to Glendo where we would stop to watch the scudnado form and not produce.
Packed the gear up after this event and moved south to be ahead of part 2 of that afternoon and evenings cells that were to develop shortly after this first event.
After the jaunt south to Pine Bluff Wyoming we headed to Bushnell Nebraska. About 15 miles from Pine Bluff Wyoming to watch this next storm build and eventually move west into Nebraska. We didn't want to be under the base of this storm due to the hail core. So we backed off and awaited the storm to develop right at sunset!
*** Please NOTE and RESPECT the Copyright ***
Copyright 2020
Dale Kaminski @ NebraskaSC Photography
All Rights Reserved
This image may not be copied, reproduced, published or distributed in any medium without the expressed written permission of the copyright holder.
#ForeverChasing
#NebraskaSC
Visit my Photostream Archive (On Flickr) of Severe Weather
title.
White at the intersection.
( Nikon cooplix 8700 shot )
Manhattan,New york, USA,2007 … 5 / 6
(Today's picture. That's unannounced.)
image.
Jessica Lauren Four - White Mountain [Freestyle Records]
_________________________________
_________________________________
Profile.
In November 2014, we caught the attention of the party selected to undertake the publicity for a mobile phone that changed the face of the world with just a single model, and will conclude a confidentiality agreement with them.
stealaway.cocolog-nifty.com/stealaway/2016/11/profile.html
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iBooks. Electronic Publishing. It is free now.
0.about the iBooks.
stealaway.cocolog-nifty.com/stealaway/2017/03/about-digit...
1.unforgettable '(ENG.ver.)(This book is Dedicated to the future artist.)
itunes.apple.com/us/book/unforgettable/id1216576828?ls=1&...
For Japanese only.
2.unforgettable '(JNP.ver.)(This book is Dedicated to the future artist.)
itunes.apple.com/us/book/unforgettable/id1216584262?ls=1&...
3. Streamlined trajectory.
itunes.apple.com/us/book/%E6%B5%81%E7%B7%9A%E5%BD%A2%E3%8... =11
_________________________________
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_________________________________
flickr . ( XL size )
_________________________________
www.flickr.com/photos/stealaway/
_________________________________
_________________________________
My Novel >> Unforgettable'
(This book is Dedicated to the future artist.)
Mitsushiro Nakagawa
All Translated by Yumi Ikeda .
images.
U2 - No Line On The Horizon Live in Dublin
www.youtube.com/watch?v=_oKwnkYFsiE&feature=related
There are two reasons why a person faces the sea.
One, to enjoy a slice of shine in the sea like children bubbling over in the beach.
The other, to brush the dust of memory like an old man who misses old days, staring at the shine
quietly.
Those lead to only one meaning though they do not seem to overlap. It’s a rebirth.
I face myself to change tomorrow, a vague day into something certain.
That is the meaning of a rebirth.
I had a very sweet girlfriend when I was 18.
After she left, I knew the meaning of gentleness for the first time and also a true pain of loss. After
she left, how many times did I depend too much on her, doubt her, envy her and keep on telling lies
until I realized it is love?
I wonder whether a nobody like me could have given something to her who was struggling in the
daily life in those days. Giving something is arrogant conceit. It is nothing but self-satisfaction.
I had been thinking about such a thing.
However, I guess what she saw in me was because I had nothing. That‘s why she tried to see
something in me. Perhaps she found a slight possibility in me, a guy filled with ambiguous, unstable
tomorrow. But I wasted days depending too much on her gentleness.
Now I finally can convey how I felt in those days when we met.
1/9
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Fin.
images.
U2 - No Line On The Horizon Live in Dublin
www.youtube.com/watch?v=_oKwnkYFsiE&feature=related
_________________________________
_________________________________
Title of my book > unforgettable'
Author : Mitsushiro Nakagawa
Out Now.
ISBN978-4-86264-866-2
in Amazon.
www.amazon.co.jp/Unforgettable’-Mitsushiro-Nakagawa/dp/...
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Schedule of the next novel.
Still would stand all time.(unforgettable'2)
2018. Spring. It's expected to open it. That's Japanese.
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2017.
Autumn.
Theme.
This must be the place I waited years to leave .
Place. Tokyo Big Sight.
Sponsoring. Design festa.
2018.
The uncertainness of date and time.
Kawamura Memorial DIC Museum of Art Annex Gallery.
Place. Sakura-shi, Chiba.
Theme.
From that day ....
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Future's photography place.
2017.
Manhattan. New York. The United States.
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I went to New York 2007.
Day when Japan was left. March 9. Afternoon.
Day where it returned to Japan. March 14. Afternoon.
I am in Japan now.
The photograph in New York starts as follows.
www.fotolog.com/stealaway/22748231
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Japanese is the following.
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YouPic
youpic.com/photographer/mitsushironakagawa/
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タイトル。
交差点の白。
( Nikon cooplix 8700 shot )
次の小説のイメージ。
Still would stand all time.(unforgettable'2)
（いつまでもなくならないだろう）
Manhattan,New york, USA,2007 … 5 / 6
(今日の写真。それは未発表です。)
image.
Jessica Lauren Four - White Mountain [Freestyle Records]
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プロフィール。
2014年11月、たった1機種で世界を塗り替えた携帯電話の広告を請け負った選考者の目に留まり、秘密保持同意書を結ぶ。
stealaway.cocolog-nifty.com/stealaway/2016/11/profile.html
_________________________________
_________________________________
iBooks.電子出版。（現在は無料）
0.about the iBooks.
stealaway.cocolog-nifty.com/stealaway/2017/03/about-digit...
1.unforgettable’ ( ENG.ver.)(This book is Dedicated to the future artist.)
itunes.apple.com/us/book/unforgettable/id1216576828?ls=1&...
For Japanese only.
2.unforgettable’ ( JNP.ver.)(この小説は未来のアーティストへ捧げます)
itunes.apple.com/us/book/unforgettable/id1216584262?ls=1&...
3.流線形の軌跡。
itunes.apple.com/us/book/%E6%B5%81%E7%B7%9A%E5%BD%A2%E3%8...
_________________________________
_________________________________
僕の小説。英語版
My Novel Unforgettable' (This book is Dedicated to the future artist.)
Mitsushiro Nakagawa
All Translated by Yumi Ikeda .
1/9
www.flickr.com/photos/stealaway/24577016535/in/dateposted...
2/9
www.flickr.com/photos/stealaway/24209330259/in/dateposted...
3/9
www.flickr.com/photos/stealaway/23975215274/in/dateposted...
4/9
www.flickr.com/photos/stealaway/24515964952/in/dateposted...
5/9
www.flickr.com/photos/stealaway/24276473749/in/dateposted...
6/9
www.flickr.com/photos/stealaway/24548895082/in/dateposted...
7/9
www.flickr.com/photos/stealaway/24594603711/in/dateposted...
8/9
www.flickr.com/photos/stealaway/24588215562/in/dateposted...
9/9
www.flickr.com/photos/stealaway/24100804163/in/dateposted...
Fin.
images.
U2 - No Line On The Horizon Live in Dublin
www.youtube.com/watch?v=_oKwnkYFsiE&feature=related
_________________________________
_________________________________
Title of my book > unforgettable'
Author : Mitsushiro Nakagawa
Out Now.
ISBN978-4-86264-866-2
in Amazon.
www.amazon.co.jp/Unforgettable’-Mitsushiro-Nakagawa/dp/...
_________________________________
_________________________________
次の小説の予定。
Still would stand all time.(unforgettable'2)
（いつまでもなくならないだろう）
２０１８年。春。公開予定。それは日本語です。
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_________________________________
２０１7年。秋。
テーマ。
This must be the place I waited years to leave .
場所。東京ビッグサイト。
Sponsoring. Design festa.
２０１８年。
日時未定。
DIC川村記念美術館付属ギャラリー。
場所。千葉県佐倉市。
テーマ。
あの日から、ずっと…
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_________________________________
今後の撮影地。
２０１７年。
マンハッタン。ニューヨーク。アメリカ。
_________________________________
_________________________________
I went to New York 2007.
Day when Japan was left. March 9. Afternoon.
Day where it returned to Japan. March 14. Afternoon.
I am in Japan now.
The photograph in New York starts as follows.
www.fotolog.com/stealaway/22748231
_________________________________
Japanese is the following.
_________________________________
_________________________________
YouPic
youpic.com/photographer/mitsushironakagawa/
_________________________________
_________________________________
traveladventureeverywhere.blogspot.com/2018/08/vdnkh-exhi...
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ALBANIA
Albanian Trilogy: A Series of Devious Stratagems
Armando Lulaj
Commissioner: Ministry of Culture. Curator: Marco Scotini. Deputy Curator: Andris Brinkmanis. Venue: Pavilion at Arsenale
ANDORRA
Inner Landscapes
Roqué, Joan Xandri
Commissioner: Henry Périer. Deputy Commissioner: Joana Baygual, Sebastià Petit, Francesc Rodríguez
Curator: Paolo de Grandis, Josep M. Ubach. Venue: Spiazzi, Castello 3865
ANGOLA
On Ways of Travelling
António Ole, Binelde Hyrcan, Délio Jasse, Francisco Vidal, Nelo Teixeira
Commissioner: Ministry of Culture, Rita Guedes Tavares. Curator: António Ole. Deputy Curator: Antonia Gaeta. Venue: Conservatorio Benedetto Marcello - Palazzo Pisani, San Marco 2810
ARGENTINA
The Uprising of Form
Juan Carlos Diste´fano
Commissioner: Magdalena Faillace. Curator: Mari´a Teresa Constantin. Venue: Pavilion at Arsenale – Sale d’Armi
ARMENIA, Republic of
Armenity / Haiyutioun
Haig Aivazian, Lebanon; Nigol Bezjian, Syria/USA; Anna Boghiguian Egypt/Canada; Hera Büyüktasçiyan, Turkey; Silvina Der-Meguerditchian, Argentina/Germany; Rene Gabri & Ayreen Anastas, Iran/Palestine/USA; Mekhitar Garabedian, Belgium; Aikaterini Gegisian, Greece; Yervant Gianikian & Angela Ricci Lucchi, Italy; Aram Jibilian, USA; Nina Katchadourian, USA/Finland; Melik Ohanian, France; Mikayel Ohanjanyan, Armenia/Italy; Rosana Palazyan, Brazil; Sarkis, Turkey/France; Hrair Sarkissian, Syria/UK
Commissioner: Ministry of Culture of the Republic of Armenia. Deputy Commissioner: Art for the World, Mekhitarist Congregation of San Lazzaro Island, Embassy of the Republic of Armenia in Italy, Vartan Karapetian. Curator: Adelina Cüberyan von Fürstenberg. Venue: Monastery and Island of San Lazzaro degli Armeni
AUSTRALIA
Fiona Hall: Wrong Way Time
Fiona Hall
Commissioner: Simon Mordant AM. Deputy Commissioner: Charles Green. Curator: Linda Michael. Scientific Committee: Simon Mordant AM, Carolyn Christov-Bakargiev, Max Delany, Rachel Kent, Danie Mellor, Suhanya Raffel, Leigh Robb. Venue: Pavilion at Giardini
AUSTRIA
Heimo Zobernig
Commissioner: Yilmaz Dziewior. Curator: Yilmaz Dziewior. Scientific Committee: Friends of the Venice Biennale. Venue: Pavilion at Giardini
AZERBAIJAN, Republic of
Beyond the Line
Ashraf Murad, Javad Mirjavadov, Tofik Javadov, Rasim Babayev, Fazil Najafov, Huseyn Hagverdi, Shamil Najafzada
Commissioner: Heydar Aliyev Foundation. Curators: de Pury de Pury, Emin Mammadov. Venue: Palazzo Lezze, Campo S.Stefano, San Marco 2949
Vita Vitale
Edward Burtynsky, Mircea Cantor, Loris Cecchini, Gordon Cheung, Khalil Chishtee, Tony Cragg, Laura Ford, Noemie Goudal, Siobhán Hapaska, Paul Huxley, IDEA laboratory and Leyla Aliyeva, Chris Jordan with Rebecca Clark and Helena S.Eitel, Tania Kovats, Aida Mahmudova, Sayyora Muin, Jacco Olivier, Julian Opie, Julian Perry, Mike Perry, Bas Princen, Stephanie Quayle, Ugo Rondinone, Graham Stevens, Diana Thater, Andy Warhol, Bill Woodrow, Erwin Wurm, Rose Wylie
Commissioner: Heydar Aliyev Foundation. Curators: Artwise: Susie Allen, Laura Culpan, Dea Vanagan. Venue: Ca’ Garzoni, San Marco 3416
BELARUS, Republic of
War Witness Archive
Konstantin Selikhanov
Commissioner: Natallia Sharanhovich. Deputy Commissioners: Alena Vasileuskaya, Kamilia Yanushkevich. Curators: Aleksei Shinkarenko, Olga Rybchinskaya. Scientific Committee: Dmitry Korol, Daria Amelkovich, Julia Kondratyuk, Sergei Jeihala, Sheena Macfarlane, Yuliya Heisik, Hanna Samarskaya, Taras Kaliahin, Aliaksandr Stasevich. Venue: Riva San Biagio, Castello 2145
BELGIUM
Personnes et les autres
Vincent Meessen and Guests, Mathieu K. Abonnenc, Sammy Baloji, James Beckett, Elisabetta Benassi, Patrick Bernier & Olive Martin, Tamar Guimara~es & Kasper Akhøj, Maryam Jafri, Adam Pendleton
Commissioner: Wallonia-Brussels Federation and Wallonia-Brussels International. Curator: Katerina Gregos. Venue: Pavilion at Giardini
COSTA RICA
"Costa Rica, Paese di pace, invita a un linguaggio universale d'intesa tra i popoli".
Andrea Prandi, Beatrice Gallori, Beth Parin, Biagio Schembari, Carla Castaldo, Celestina Avanzini, Cesare Berlingeri, Erminio Tansini, Fabio Capitanio, Fausto Beretti, Giovan Battista Pedrazzini, Giovanni Lamberti, Giovanni Tenga, Iana Zanoskar, Jim Prescott, Leonardo Beccegato, Liliana Scocco, Lucia Bolzano, Marcela Vicuna, Marco Bellagamba, Marco Lodola, Maria Gioia dell’Aglio, Mario Bernardinello, Massimo Meucci, Nacha Piattini, Omar Ronda, Renzo Eusebi, Tita Patti, Romina Power, Rubens Fogacci, Silvio di Pietro, Stefano Sichel, Tino Stefanoni, Ufemia Ritz, Ugo Borlenghi, Umberto Mariani, Venere Chillemi, Jacqueline Gallicot Madar, Massimo Onnis, Fedora Spinelli
Commissioner: Ileana Ordonez Chacon. Curator: Gregorio Rossi. Venue: Palazzo Bollani
CROATIA
Studies on Shivering: The Third Degree
Damir Ocko
Commissioner: Ministry of Culture. Curator: Marc Bembekoff. Venue: Palazzo Pisani, S. Marina
CUBA
El artista entre la individualidad y el contexto
Lida Abdul, Celia-Yunior, Grethell Rasúa, Giuseppe Stampone, LinYilin, Luis Edgardo Gómez Armenteros, Olga Chernysheva, Susana Pilar Delahante Matienzo
Commissioner: Miria Vicini. Curators: Jorge Fernández Torres, Giacomo Zaza. Venue: San Servolo Island
CYPRUS, Republic of
Two Days After Forever
Christodoulos Panayiotou
Commissioner: Louli Michaelidou. Deputy Commissioner: Angela Skordi. Curator: Omar Kholeif. Deputy Curator: Daniella Rose King. Venue: Palazzo Malipiero, Sestiere San Marco 3079
CZECH Republic and SLOVAK Republic
Apotheosis
Jirí David
Commissioner: Adam Budak. Deputy Commissioner: Barbara Holomkova. Curator: Katarina Rusnakova. Venue: Pavilion at Giardini
ECUADOR
Gold Water: Apocalyptic Black Mirrors
Maria Veronica Leon Veintemilla in collaboration with Lucia Vallarino Peet
Commissioner: Andrea Gonzàlez Sanchez. Deputy Commissioner: PDG Arte Communications. Curator: Ileana Cornea. Deputy Curator: Maria Veronica Leon Veintemilla. Venue: Istituto Santa Maria della Pietà, Castello 3701
ESTONIA
NSFW. From the Abyss of History
Jaanus Samma
Commissioner: Maria Arusoo. Curator: Eugenio Viola. Venue: Palazzo Malipiero, campo San Samuele, San Marco 3199
EGYPT
CAN YOU SEE
Ahmed Abdel Fatah, Gamal Elkheshen, Maher Dawoud
Commissioner: Hany Al Ashkar. Curator: Ministry of Culture. Venue: Pavilion at Giardini
FINLAND (Pavilion Alvar Aalto)
Hours, Years, Aeons
IC-98
Commissioner: Frame Visual Art Finland, Raija Koli. Curator: Taru Elfving. Deputy Curator: Anna Virtanen. Venue: Pavilion at Giardini
FRANCE
revolutions
Céleste Boursier-Mougenot
Commissioner: Institut français, with Ministère de la Culture et de la Communication. Curator: Emma Lavigne. Venue: Pavilion at Giardini
GEORGIA
Crawling Border
Rusudan Gobejishvili Khizanishvili, Irakli Bluishvili, Dimitri Chikvaidze, Joseph Sabia
Commissioner: Ana Riaboshenko. Curator: Nia Mgaloblishvili. Venue: Pavilion at Arsenale – Sale d’Armi
GERMANY
Fabrik
Jasmina Metwaly / Philip Rizk, Olaf Nicolai, Hito Steyerl, Tobias Zielony
Commissioner: ifa (Institut für Auslandsbeziehungen) on behalf of the Federal Foreign Office. Deputy Commissioner: Elke aus dem Moore, Nina Hülsmeier. Curator: Florian Ebner. Deputy Curator: Tanja Milewsky, Ilina Koralova. Venue: Pavilion at Giardini
GREAT BRITAIN
Sarah Lucas
Commissioner: Emma Dexter. Curator: Richard Riley. Deputy Curator: Katrina Schwarz. Venue: Pavilion at Giardini
GRENADA *
Present Nearness
Oliver Benoit, Maria McClafferty, Asher Mains, Francesco Bosso and Carmine Ciccarini, Guiseppe Linardi
Commissioner: Ministry of Culture. Deputy Commissioner: Susan Mains. Curator: Susan Mains. Deputy Curator: Francesco Elisei. Venue: Opera don Orione Artigianelli, Sala Tiziano, Fondamenta delle Zattere ai Gesuati, Dorsoduro 919
GREECE
Why Look at Animals? AGRIMIKÁ.
Maria Papadimitriou
Commissioner: Hellenic Ministry of Culture, Education and Religious Affairs. Curator: Gabi Scardi. Deputy Curator: Alexios Papazacharias. Venue: Pavilion at Giardini
BRAZIL
So much that it doesn't fit here
Antonio Manuel, André Komatsu, Berna Reale
Commissioner: Luis Terepins. Curator: Luiz Camillo Osorio. Deputy Curator: Cauê Alves. Venue: Pavilion at Giardini
CANADA
Canadassimo
BGL
Commissioner: National Gallery of Canada, Marc Mayer. Deputy Commissioner: National Gallery of Canada, Yves Théoret. Curator: Marie Fraser. Venue: Pavilion at Giardini
CHILE
Poéticas de la disidencia | Poetics of dissent: Paz Errázuriz - Lotty Rosenfeld
Paz Errázuriz, Lotty Rosenfeld
Commissioner: Antonio Arèvalo. Deputy Commissioner: Juan Pablo Vergara Undurraga. Curator: Nelly Richard. Venue: Pavilion at Arsenale - Artiglierie
CHINA, People’s Republic of
Other Future
LIU Jiakun, LU Yang, TAN Dun, WEN Hui/Living Dance Studio, WU Wenguang/Caochangdi Work Station
Commissioner: China Arts and Entertainment Group, CAEG. Deputy Commissioners: Zhang Yu, Yan Dong. Curator: Beijing Contemporary Art Foundation. Scientific Committee: Fan Di’an, Zhang Zikang, Zhu Di, Gao Shiming, Zhu Qingsheng, Pu Tong, Shang Hui. Venue: Pavilion at Arsenale – Giardino delle Vergini
GUATEMALA
Sweet Death
Emma Anticoli Borza, Sabrina Bertolelli, Mariadolores Castellanos, Max Leiva, Pier Domenico Magri, Adriana Montalto, Elmar Rojas (Elmar René Rojas Azurdia), Paolo Schmidlin, Mónica Serra, Elsie Wunderlich, Collettivo La Grande Bouffe
Commissioner: Daniele Radini Tedeschi. Curators: Stefania Pieralice, Carlo Marraffa, Elsie Wunderlich. Deputy Curators: Luciano Carini, Simone Pieralice. Venue: Officina delle Zattere, Dorsoduro 947, Fondamenta Nani
HOLY SEE
Commissioner: Em.mo Card. Gianfranco Ravasi, Presidente del Pontificio Consiglio della Cultura. Venue: Pavilion at Arsenale – Sale d’Armi
HUNGARY
Sustainable Identities
Szilárd Cseke
Commissioner: Monika Balatoni. Deputy Commissioner: István Puskás, Sándor Fodor, Anna Karády. Curator: Kinga German. Venue: Pavilion at Giardini
ICELAND
Christoph Büchel
Commissioner: Björg Stefánsdóttir. Curator: Nína Magnúsdóttir. Venue: to be confirmed
INDONESIA, Republic of
Komodo Voyage
Heri Dono
Commissioner: Sapta Nirwandar. Deputy Commissioner: Soedarmadji JH Damais. Curator: Carla Bianpoen, Restu Imansari Kusumaningrum. Scientific Committee: Franco Laera, Asmudjo Jono Irianto, Watie Moerany, Elisabetta di Mambro. Venue: Venue: Arsenale
IRAN
Iranian Highlights
Samira Alikhanzaradeh, Mahmoud Bakhshi Moakhar, Jamshid Bayrami, Mohammed Ehsai
The Great Game
Lida Abdul, Bani Abidi, Adel Abidin, Amin Agheai, Ghodratollah Agheli, Shahriar Ahmadi, Parastou Ahovan, Farhad Ahrarnia, Rashad Alakbarov, Nazgol Ansarinia, Reza Aramesh, Alireza Astaneh, Sonia Balassanian, Mahmoud Bakhshi, Moakhar Wafaa Bilal, Mehdi Farhadian, Monir Farmanfarmaian, Shadi Ghadirian, Babak Golkar, Shilpa Gupta, Ghasem Hajizadeh, Shamsia Hassani, Sahand Hesamiyan, Sitara Ibrahimova, Pouran Jinchi, Amar Kanwar, Babak Kazemi, Ryas Komu, Ahmad Morshedloo, Farhad Moshiri, Mehrdad Mohebali, Huma Mulji, Azad Nanakeli, Jamal Penjweny, Imran Qureshi, Sara Rahbar, Rashid Rana, T.V. Santhosh, Walid Siti, Mohsen Taasha Wahidi, Mitra Tabrizian, Parviz Tanavoli, Newsha Tavakolian, Sadegh Tirafkan, Hema Upadhyay, Saira Wasim
Commissioner: Majid Mollanooruzi. Deputy Commissioners: Marco Meneguzzo, Mazdak Faiznia. Curators: Marco Meneguzzo, Mazdak Faiznia. Venue: Calle San Giovanni 1074/B, Cannaregio
IRAQ
Commissioner: Ruya Foundation for Contemporary Culture in Iraq (RUYA). Deputy Commissioner: Nuova Icona - Associazione Culturale per le Arti. Curator: Philippe Van Cauteren. Venue: Ca' Dandolo, San Polo 2879
IRELAND
Adventure: Capital
Sean Lynch
Commissioner: Mike Fitzpatrick. Curator: Woodrow Kernohan. Venue: Pavilion at Arsenale - Artiglierie
ISRAEL
Tsibi Geva | Archeology of the Present
Tsibi Geva
Commissioner: Arad Turgem, Michael Gov. Curator: Hadas Maor. Venue: Pavilion at Giardini
ITALY
Ministero dei Beni e delle attività culturali e del turismo - Direzione Generale Arte e Architettura Contemporanee e Periferie Urbane. Commissioner: Federica Galloni. Curator: Vincenzo Trione. Venue: Padiglione Italia, Tese delle Vergini at Arsenale
JAPAN
The Key in the Hand
Chiharu Shiota
Commissioner: The Japan Foundation. Deputy Commissioner: Yukihiro Ohira, Manako Kawata and Haruka Nakajima. Curator: Hitoshi Nakano. Venue : Pavilion at Giardini
KENYA
Creating Identities
Yvonne Apiyo Braendle-Amolo, Qin Feng, Shi Jinsong, Armando Tanzini, Li Zhanyang, Lan Zheng Hui, Li Gang, Double Fly Art Center
Commissioner: Paola Poponi. Curator: Sandro Orlandi Stagl. Deputy Curator: Ding Xuefeng. Venue: San Servolo Island
KOREA, Republic of
The Ways of Folding Space & Flying
MOON Kyungwon & JEON Joonho
Commissioner: Sook-Kyung Lee. Curator: Sook-Kyung Lee. Venue: Pavilion at Giardini
KOSOVO, Republic of
Speculating on the blue
Flaka Haliti
Commissioner: Ministry of Culture, Youth and Sports. Curator: Nicolaus Schafhausen. Deputy Curator: Katharina Schendl. Venue: Pavilion at Arsenale - Artiglierie
LATVIA
Armpit
Katrina Neiburga, Andris Eglitis
Commissioner: Solvita Krese (Latvian Centre for Contemporary Art). Deputy Commissioner: Kitija Vasiljeva. Curator: Kaspars Vanags. Venue: Pavilion at Arsenale
LITHUANIA
Museum
Dainius Liškevicius
Commissioner: Vytautas Michelkevicius. Deputy Commissioner: Rasa Antanaviciute. Curator: Vytautas Michelkevicius. Venue: Palazzo Zenobio, Fondamenta del Soccorso 2569, Dorsoduro
LUXEMBOURG, Grand Duchy of
Paradiso Lussemburgo
Filip Markiewicz
Commissioner: Ministry of Culture. Deputy Commissioner: MUDAM Luxembourg. Curator: Paul Ardenne. Venue: Cà Del Duca, Corte del Duca Sforza, San Marco 3052
MACEDONIA, Former Yugoslavian Republic of
We are all in this alone
Hristina Ivanoska and Yane Calovski
Commissioner: Maja Nedelkoska Brzanova, National Gallery of Macedonia. Deputy Commissioner: Olivija Stoilkova. Curator: Basak Senova. Deputy Curator: Maja Cankulovska Mihajlovska. Venue: Pavilion at Arsenale - Sale d’Armi
MAURITIUS *
From One Citizen You Gather an Idea
Sultana Haukim, Nirmal Hurry, Alix Le Juge, Olga Jürgenson, Helge Leiberg, Krishna Luchoomun, Neermala Luckeenarain, Kavinash Thomoo, Bik Van Der Pol, Laure Prouvost, Vitaly Pushnitsky, Römer + Römer
Commissioner: pARTage. Curators: Alfredo Cramerotti, Olga Jürgenson. Venue: Palazzo Flangini - Canareggio 252
MEXICO
Possesing Nature
Tania Candiani, Luis Felipe Ortega
Commissioner: Tomaso Radaelli. Deputy Commissioner: Magdalena Zavala Bonachea. Curator: Karla Jasso. Venue: Pavilion at Arsenale – Sale d’Armi
MONGOLIA *
Other Home
Enkhbold Togmidshiirev, Unen Enkh
Commissioner: Gantuya Badamgarav, MCASA. Curator: Uranchimeg Tsultemin. Scientific Committee: David A Ross, Boldbaatar Chultemin. Venue: European Cultural Centre - Palazzo Mora
MONTENEGRO
,,Ti ricordi Sjecaš li se You Remember "
Aleksandar Duravcevic
Commissioner/Curator: Anastazija Miranovic. Deputy Commissioner: Danica Bogojevic. Venue: Palazzo Malipiero (piano terra), San Marco 3078-3079/A, Ramo Malipiero
MOZAMBIQUE, Republic of *
Theme: Coexistence of Tradition and Modernity in Contemporary Mozambique
Mozambique Artists
Commissioner: Joel Matias Libombo. Deputy Commissioner: Gilberto Paulino Cossa. Curator: Comissariado-Geral para a Expo Milano 2015. Venue: Pavilion at Arsenale
NETHERLANDS, The
herman de vries - to be all ways to be
herman de vries
Commissioner: Mondriaan Fund. Curators: Colin Huizing, Cees de Boer. Venue: Pavilion ar Giardini
NEW ZEALAND
Secret Power
Simon Denny
Commissioner: Heather Galbraith. Curator: Robert Leonard. Venue: Biblioteca Nazionale Marciana, Marco Polo Airport
NORDIC PAVILION (NORWAY)
Camille Norment
Commissioner: OCA, Office for Contemporary Art Norway. Curator: Katya García-Antón. Deputy Curator: Antonio Cataldo. Venue: Pavilion at Giardini
PERU
Misplaced Ruins
Gilda Mantilla and Raimond Chaves
Commissioner: Armando Andrade de Lucio. Curator: Max Hernández-Calvo. Venue: Pavilion at Arsenale – Sale d’Armi
PHILIPPINES
Tie a String Around the World
Manuel Conde, Carlos Francisco, Manny Montelibano, Jose Tence Ruiz
Commissioner: National Commission for Culture and the Arts (NCCA), Felipe M. de Leon Jr. Curator: Patrick D. Flores. Venue: European Cultural Centre - Palazzo Mora
POLAND
Halka/Haiti. 18°48’05”N 72°23’01”W
C.T. Jasper, Joanna Malinowska
Commissioner: Hanna Wróblewska. Deputy Commissioner: Joanna Wasko. Curator: Magdalena Moskalewicz. Venue: Pavilion at Giardini
PORTUGAL
I Will Be Your Mirror / poems and problems
João Louro
Commissioner/Curator: María de Corral. Venue: Palazzo Loredan, campo S. Stefano
ROMANIA
Adrian Ghenie: Darwin’s Room
Adrian Ghenie
Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Mihai Pop. Venue: Pavilion at Giardini
Inventing the Truth. On Fiction and Reality
Michele Bressan, Carmen Dobre-Hametner, Alex Mirutziu, Lea Rasovszky, Stefan Sava, Larisa Sitar
Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Diana Marincu. Deputy Curators: Ephemair Association (Suzana Dan and Silvia Rogozea). Venue: New Gallery of the Romanian Institute for Culture and Humanistic Research in Venice
RUSSIA
The Green Pavilion
Irina Nakhova
Commissioner: Stella Kesaeva. Curator: Margarita Tupitsyn. Venue: Pavilion at Giardini
SERBIA
United Dead Nations
Ivan Grubanov
Commissioner: Lidija Merenik. Deputy Commissioner: Ana Bogdanovic. Curator: Lidija Merenik. Deputy Curator: Ana Bogdanovic. Scientific Committee: Jovan Despotovic. Venue: Pavilion at Giardini
SAN MARINO
Repubblica di San Marino “ Friendship Project “ China
Xu De Qi, Liu Dawei, Liu Ruo Wang, Ma Yuan, Li Lei, Zhang Hong Mei, Eleonora Mazza, Giuliano Giulianelli, Giancarlo Frisoni, Tony Margiotta, Elisa Monaldi, Valentina Pazzini
Commissioner: Istituti Culturali della Repubblica di San Marino. Curator: Vincenzo Sanfo. Venue: TBC
SEYCHELLES, Republic of *
A Clockwork Sunset
George Camille, Léon Wilma Loïs Radegonde
Commissioner: Seychelles Art Projects Foundation. Curators: Sarah J. McDonald, Victor Schaub Wong. Venue: European Cultural Centre - Palazzo Mora
SINGAPORE
Sea State
Charles Lim Yi Yong
Commissioner: Paul Tan, National Arts Council, Singapore. Curator: Shabbir Hussain Mustafa. Scientific Committee: Eugene Tan, Kathy Lai, Ahmad Bin Mashadi, June Yap, Emi Eu, Susie Lingham, Charles Merewether, Randy Chan. Venue: Pavilion at Arsenale – Sale d’Armi
SLOVENIA, Republic of
UTTER / The violent necessity for the embodied presence of hope
JAŠA
Commissioner: Simona Vidmar. Deputy Commissioner: Jure Kirbiš. Curators: Michele Drascek and Aurora Fonda. Venue: Pavilion at Arsenale - Artiglierie
SPAIN
Los Sujetos (The Subjects)
Pepo Salazar, Cabello/Carceller, Francesc Ruiz, + Salvador Dalí
Commissioner: Ministerio Asuntos Exteriores. Gobierno de España. Curator: Marti Manen. Venue: Pavilion at Giardini
SYRIAN ARAB REPUBLIC
Origini della civiltà
Narine Ali, Ehsan Alar, Felipe Cardeña, Fouad Dahdouh, Aldo Damioli, Svitlana Grebenyuk, Mauro Reggio, Liu Shuishi, Nass ouh Zaghlouleh, Andrea Zucchi, Helidon Xhixha
Commissioner: Christian Maretti. Curator: Duccio Trombadori. Venue: Redentore – Giudecca, San Servolo Island
SWEDEN
Excavation of the Image: Imprint, Shadow, Spectre, Thought
Lina Selander
Commissioner: Ann-Sofi Noring. Curator: Lena Essling. Venue: Pavilion at Arsenale
SWITZERLAND
Our Product
Pamela Rosenkranz
Commissioner: Swiss Arts Council Pro Helvetia, Sandi Paucic and Marianne Burki. Deputy-Commissioner: Swiss Arts Council Pro Helvetia, Rachele Giudici Legittimo. Curator: Susanne Pfeffer. Venue: Pavilion at Giardini
THAILAND
Earth, Air, Fire & Water
Kamol Tassananchalee
Commissioner: Chai Nakhonchai, Office of Contemporary Art and Culture (OCAC), Ministry of Culture. Curator: Richard David Garst. Deputy Curator: Pongdej Chaiyakut. Venue: Paradiso Gallerie, Giardini della Biennale, Castello 1260
TURKEY
Respiro
Sarkis
Commissioner: Istanbul Foundation for Culture and Arts. Curator: Defne Ayas. Deputy Curator: Ozge Ersoy. Venue: Pavilion at Arsenale – Sale d’Armi
TUVALU
Crossing the Tide
Vincent J.F. Huang
Commissioner: Taukelina Finikaso. Deputy Commissioner: Temate Melitiana. Curator: Thomas J. Berghuis. Scientific Committee: Andrea Bonifacio. Venue: Pavilion at Arsenale
UKRAINE
Hope!
Yevgenia Belorusets, Nikita Kadan, Zhanna Kadyrova, Mykola Ridnyi & SerhiyZhadan, Anna Zvyagintseva, Open Group, Artem Volokitin
Commissioner: Ministry of Culture. Curator: Björn Geldhof. Venue: Riva dei Sette Martiri
UNITED ARAB EMIRATES
1980 – Today: Exhibitions in the United Arab Emirates
Abdullah Al Saadi, Abdul Qader Al Rais, Abdulraheem Salim, Abdulrahman Zainal, Ahmed Al Ansari, Ahmed Sharif, Hassan Sharif, Mohamed Yousif, Mohammed Abdullah Bulhiah, Mohammed Al Qassab, Mohammed Kazem, Moosa Al Halyan, Najat Meky, Obaid Suroor, Salem Jawhar
Commissioner: Salama bint Hamdan Al Nahyan Foundation. Curator: Hoor Al Qasimi. Venue: Pavilion at Arsenale – Sale d'Armi
UNITED STATES OF AMERICA
Joan Jonas: They Come to Us Without a Word
Joan Jonas
Commissioner: Paul C. Ha. Deputy Commissioner: MIT List Visual Arts Center. Curators: Ute Meta Bauer, Paul C. Ha. Venue: Pavilion at Giardini
URUGUAY
Global Myopia II (Pencil & Paper)
Marco Maggi
Commissioner: Ricardo Pascale. Curator: Patricia Bentancour. Venue: Pavilion at Giardini
VENEZUELA, Bolivarian Republic of
Te doy mi palabra (I give you my word)
Argelia Bravo, Félix Molina (Flix)
Commissioner: Oscar Sotillo Meneses. Deputy Commissioner: Reinaldo Landaeta Díaz. Curator: Oscar Sotillo Meneses. Deputy Curator: Morella Jurado. Scientific Committee: Carlos Pou Ruan. Venue: Pavilion at Giardini
ZIMBABWE, Republic of
Pixels of Ubuntu/Unhu: - Exploring the social and cultural identities of the 21st century.
Chikonzero Chazunguza, Masimba Hwati, Gareth Nyandoro
Commissioner: Doreen Sibanda. Curator: Raphael Chikukwa. Deputy Curator: Tafadzwa Gwetai. Scientific Committee: Saki Mafundikwa, Biggie Samwanda, Fabian Kangai, Reverend Paul Damasane, Nontsikelelo Mutiti, Stephen Garan'anga, Dominic Benhura. Venue: Santa Maria della Pieta
ITALO-LATIN AMERICAN INSTITUTE
Voces Indígenas
Commissioner: Sylvia Irrazábal. Curator: Alfons Hug. Deputy Curator: Alberto Saraiva. Venue: Pavilion at Arsenale
ARGENTINA
Sofia Medici and Laura Kalauz
PLURINATIONAL STATE OF BOLIVIA
Sonia Falcone and José Laura Yapita
BRAZIL
Adriana Barreto
Paulo Nazareth
CHILE
Rainer Krause
COLOMBIA
León David Cobo,
María Cristina Rincón and Claudia Rodríguez
COSTA RICA
Priscilla Monge
ECUADOR
Fabiano Kueva
EL SALVADOR
Mauricio Kabistan
GUATEMALA
Sandra Monterroso
HAITI
Barbara Prézeau Stephenson
HONDURAS
Leonardo González
PANAMA
Humberto Vélez
NICARAGUA
Raúl Quintanilla
PARAGUAY
Erika Meza
Javier López
PERU
José Huamán Turpo
URUGUAY
Gustavo Tabares
Ellen Slegers
001 Inverso Mundus. AES+F
Magazzino del Sale n. 5, Dorsoduro, 265 (Fondamenta delle Zattere ai Saloni); Palazzo Nani Mocenigo, Dorsoduro, 960
May 9th – October 31st
Organization: VITRARIA Glass + A Museum
Catalonia in Venice: Singularity
Cantieri Navali, Castello, 40 (Calle Quintavalle)
May 9th - November 22nd
Organization: Institut Ramon Llull
venezia2015.llull.cat
Conversion. Recycle Group
Chiesa di Sant’Antonin, Castello (Campo Sant’Antonin)
May 6th - October 31st
Organization: Moscow Museum of Modern Art
Dansaekhwa
Palazzo Contarini-Polignac, Dorsoduro, 874 (Accademia)
May 7th – August 15th
Organization: The Boghossian Foundation
Dispossession
Palazzo Donà Brusa, Campo San Polo, 2177
May 9th - November 22nd
Organization: European Capital of Culture Wroclaw 2016
wroclaw2016.pl/biennale/
EM15 presents Doug Fishbone’s Leisure Land Golf
Arsenale Docks, Castello, 40A, 40B, 41C
May 6th - July 26th
Organization: EM15
Eredità e Sperimentazione
Grand Hotel Hungaria & Ausonia, Viale Santa Maria Elisabetta, 28, Lido di Venezia
May 9th - November 22nd
Organization: Istituto Nazionale di BioArchitettura - Sezione di Padova
Frontiers Reimagined
Palazzo Grimani, Castello, 4858 (Ramo Grimani)
May 9th - November 22nd
Organization: Tagore Foundation International; Polo museale del Veneto
Glasstress 2015 Gotika
Istituto Veneto di Scienze Lettere ed Arti, Palazzo Cavalli Franchetti, San Marco, 2847 (Campo Santo Stefano); Chiesa di Santa Maria della Visitazione, Centro Culturale Don Orione Artigianelli, Dorsoduro, 919 (Zattere); Fondazione Berengo, Campiello della Pescheria, 15, Murano;
May 9th — November 22nd
Organization: The State Hermitage Museum
Graham Fagen: Scotland + Venice 2015
Palazzo Fontana, Cannaregio, 3829 (Strada Nova)
May 9th - November 22nd
Organization: Scotland + Venice
Grisha Bruskin. An Archaeologist’s Collection
Former Chiesa di Santa Caterina, Cannaregio, 4941-4942
May 6th – November 22nd
Organization: Centro Studi sulle Arti della Russia (CSAR), Università Ca’ Foscari Venezia
Helen Sear, ... The Rest Is Smoke
Santa Maria Ausiliatrice, Castello, 450 (Fondamenta San Gioacchin)
May 9th - November 22nd
Organization: Cymru yn Fenis/Wales in Venice
Highway to Hell
Palazzo Michiel, Cannaregio, 4391/A (Strada Nova)
May 9th - November 22nd
Organization: Hubei Museum of Art
Humanistic Nature and Society (Shan-Shui) – An Insight into the Future
Palazzo Faccanon, San Marco, 5016 (Mercerie)
May 7th – August 4th
Organization: Shanghai Himalayas Museum
In the Eye of the Thunderstorm: Effervescent Practices from the Arab World & South Asia
Dorsoduro, 417 (Zattere)
May 6th - November 15th
Organization: ArsCulture
Italia Docet | Laboratorium- Artists, Participants, Testimonials and Activated Spectators
Palazzo Barbarigo Minotto, San Marco, 2504 (Fondamenta Duodo o Barbarigo)
May 9th – June 30th; September 11st – October 31st
Organization: Italian Art Motherboard Foundation (i-AM Foundation)
www.venicebiennale-italiadocet.org
Jaume Plensa: Together
Basilica di San Giorgio Maggiore, Isola di San Giorgio Maggiore
May 6th – November 22nd
Organization: Abbazia di San Giorgio Maggiore Benedicti Claustra Onlus
Jenny Holzer "War Paintings"
Museo Correr, San Marco, 52 (Piazza San Marco)
May 6th – November 22nd
Organization: The Written Art Foundation; Museo Correr, Fondazione Musei Civici di Venezia
correr.visitmuve.it
Jump into the Unknown
Palazzo Loredan dell’Ambasciatore, Dorsoduro, 1261-1262
May 9th – June 18th
Organization: Nine Dragon Heads
9dh-venice.com
Learn from Masters
Palazzo Bembo, San Marco, 4793 (Riva del Carbon)
May 9th – November 22nd
Organization: Pan Tianshou Foundation
pantianshou.caa.edu.cn/foundation_en
My East is Your West
Palazzo Benzon, San Marco, 3927
May 6th – October 31st
Organization: The Gujral Foundation
Ornamentalism. The Purvitis Prize
Arsenale Nord, Tesa 99
May 9th – November 22nd
Organization: The Secretariat of the Latvian Presidency of the Council of the European Union in 2015
www.purvisabalva.lv/en/ornamentalism
Path and Adventure
Arsenale, Castello, 2126/A (Campo della Tana)
May 9th – November 22nd
Organization: The Civic and Municipal Affairs Bureau; The Macao Museum of Art; The Cultural Affairs Bureau
Patricia Cronin: Shrine for Girls, Venice
Chiesa di San Gallo, San Marco, 1103 (Campo San Gallo)
May 9th – November 22nd
Organization: Brooklyn Rail Curatorial Projects
curatorialprojects.brooklynrail.org
Roberto Sebastian Matta. Sculture
Giardino di Palazzo Soranzo Cappello, Soprintendenza BAP per le Province di Venezia, Belluno, Padova e Treviso, Santa Croce, 770 (Fondamenta Rio Marin)
May 9th – November 22nd
Organization: Fondazione Echaurren Salaris
www.fondazioneechaurrensalaris.it
www.maggioregam.com/56Biennale_Matta
Salon Suisse: S.O.S. Dada - The World Is A Mess
Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)
May 9th; June 4th - 6th; September 10th - 12th; October 15th - 17th; November 19th – 21st
Organization: Swiss Arts Council Pro Helvetia
Sean Scully: Land Sea
Palazzo Falier, San Marco, 2906
May 9th – November 22nd
Organization: Fondazione Volume!
Sepphoris. Alessandro Valeri
Molino Stucky, interior atrium, Giudecca, 812
May 9th – November 22nd
Organization: Assessorato alla Cultura del Comune di Narni(TR); a Sidereal Space of Art; Satellite Berlin
Tesla Revisited
Palazzo Nani Mocenigo, Dorsoduro, 960
May 9th – October 18th
Organization: VITRARIA Glass + A Museum
The Bridges of Graffiti
Arterminal c/o Terminal San Basilio, Dorsoduro (Fondamenta Zattere al Ponte Lungo)
May 9th - November 22nd
Organization: Associazione Culturale Inossidabile
The Dialogue of Fire. Ceramic and Glass Masters from Barcelona to Venice
Palazzo Tiepolo Passi, San Polo, 2774
May 6th - November 22nd
Organization: Fundaciò Artigas; ArsCulture
The Question of Beings
Istituto Santa Maria della Pietà, Castello, 3701
May 9th - November 22nd
Organization: Museum of Contemporary Art, Taipei (MoCA, Taipei)
The Revenge of the Common Place
Università Ca' Foscari, Ca' Bernardo, Dorsoduro, 3199 (Calle Bernardo)
May 9th – September 30th
Organization: Vrije Universiteit Brussel (Free University Brussels-VUB)
The Silver Lining. Contemporary Art from Liechtenstein and other Microstates
Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)
October 24th – November 1st
Organization: Kunstmuseum Liechtenstein
The Sound of Creation. Paintings + Music by Beezy Bailey and Brian Eno
Conservatorio Benedetto Marcello, Palazzo Pisani, San Marco, 2810 (Campo Santo Stefano)
May 7th - November 22nd
Organization: ArsCulture
The Union of Fire and Water
Palazzo Barbaro, San Marco, 2840
May 9th - November 22nd
Organization: YARAT Contemporary Art Organisation
Thirty Light Years - Theatre of Chinese Art
Palazzo Rossini, San Marco, 4013 (Campo Manin)
May 9th - November 22nd
Organization: GAC Global Art Center Foundation; The Guangdong Museum of Art
Tsang Kin-Wah: The Infinite Nothing, Hong Kong in Venice
Arsenale, Castello, 2126 (Campo della Tana)
May 9th - November 22nd
Organization: M+, West Kowloon Cultural District; Hong Kong Arts Development Council
Under the Surface, Newfoundland and Labrador at Venice
Galleria Ca' Rezzonico, Dorsoduro, 2793
May 9th - November 22nd
Organization: Terra Nova Art Foundation
tnaf.ca
Ursula von Rydingsvard
Giardino della Marinaressa, Castello (Riva dei Sette Martiri)
May 6th - November 22nd
Organization:Yorkshire Sculpture Park
We Must Risk Delight: Twenty Artists from Los Angeles
Magazzino del Sale n. 3, Dorsoduro, 264 (Zattere)
May 7th - November 22nd
Organization: bardoLA
Wu Tien-Chang: Never Say Goodbye
Palazzo delle Prigioni, Castello, 4209 (San Marco)
May 9th - November 22nd
Organization: Taipei Fine Arts Museum of Taiwan
[crosseye stereograph, see 3D with your right eye on the left image, and left on right.]
That's "The Pike" in Long Beach, California, circa mid 1960's. The Pike was one of the reasons Disneyland was created. Although Walt is quoted as having been sitting on a bench near Griffith Park's carousel when the question of "Why isn't there a place where parents and their kids can both have fun (together)?" This is the place he was thinking of what NOT to do, from among several like it, such as Pacific Ocean Park, Santa Monica Pier, and Newport. The pike was full of trash everywhere, barkers, rotten old dark rides (It was later discovered that the mummy in Laugh in the Dark, contained actual, recent, human remains.) There were swearing sailors pissing in public corners, and vomit that had been in place so long it had become part of the pavement. In the photo is Looff's carousel on the left and, on the right, the famous twin racer coaster, Cyclone Racer. It was famous for sending trains full of people to their untimely demise, their last drink, a watery ocean drowning, when the poorly maintained track gave way.
Although before my time, the Pike in Long Beach was fed by the sailors on leave from the Naval Ship Yards on Terminal Island to the West beyond the mouth of the Los Angeles River. War time saw The Pike in it's heyday, and wartime was it's greatest contribution. In the Post-War fifties, The Pike faced an economic downturn, and with direct competition for the family pass-time dollar from Knott's Berry Farm (and nearby Alligator Farm) and the splendidly new Disneyland, the independent operators either banded together with, or, (the smart move) sold out to the new management. New management, new name, NU-PIKE! And the name du jour was just as imaginative as it's implementation - sparse. The Long Beach city council contracted all of the owner/operators to maintain standards, patched the old road that was now a pedestrian walkway, hired custodians, tore out The Plunge, and slapped (more slopped) paint hither and yon. The RTD 36f bus (f for Freeway Flier) to LA was no match at bringing as many gleeful revelers as the high speed interurban electric railroad of the Pacific Electric (of Who Framed Roger Rabbit fame) had been. I was born 5 days before the last one of the Big Red Cars rolled down Long Beach Blvd. I have been told I was on the last one, but, as an infant, I couldn't have remembered my first and last ride, home from the hospital. The new zoo was a petting pen full of mangy goats. The fun zone (seen in another picture) was an alley cluttered with tourist trap shops mixed with buildings containing a hall of mirrors, bumper-cars, stick your head in a hole souvenir photographer, and the side show guy that would spurt stage blood pumped from his chair through his piercings after driving a spike through the one in his hand - the guy that taught me to smoke cigarettes.
Kiddy-land was a collection of lame traveling carnival truck rides running in 30 foot circles - 16 motorcycles, 8 cars, 8 boats, 8 helicopters (as seen in the introduction of "The Courtship of Eddie's Father" - before their move to the NU-PIKE - while still at Pierpoint Landing.)
The miniature railroad who's cars later went to Gene Autry's Melodyland before winding up circling today's Travel Town was near the picnic grounds. Hobos and the homeless camped near the cinderblock restrooms that were locked at night, so folks just peed on the walls, NU-PIKE, same old smell.
Charles I.D. Looff built the carousel seen on the left and lived above it in the roof.
The Plunge was like other plunges along the California Coast, for bathers, like the Redondo Beach Plunge, filtered ocean salt water warmed by the cooling towers of the nearby power-plant.
There was another attraction just East of the Dual Ferris wheel, which was the most interesting way to execute exotic saltwater fish ever. It was a UFO shaped diving vessel ringed by porthole windows and a water tight door. Attached at the top and bottom was a loop of cable wound around a motor pulley and through some lead weights. Moments after the door was closed, the floor dropped as the whole vessel plunged into a tank of pressure shocked fish that would suddenly behave like none of their kind ever would in the wild, knocked the sense right out of 'em. Other attractions were considered and dismissed, but The Queen Mary was re-fabricated (read gutted) into Jacques Cousteau's Living Seas as well as a convention center, and an historic tour above. Trying to loose the looser image they quickly renamed the pike "Queensway Park" and fabricated a London-esque town called "Queensway Village" at the base of the gantryway to the ship. This was soon followed by the construction of Queensway Bridge extending Magnolia across the mouth of the Los Angeles River and creating a loop convenient to the southern end of Interstate 710, the Long Beach Freeway. That began the landfill happy wanton destruction of the entire area. Today the Shoreline Drive hosts the Long Beach Grand Prix precisely on top of where bathers would toe test the temp on the shoreline.
This Pictured Sign represents the neon shiny small moment in history, of the repackaged, same ol', same ol' NU_PUKE.
Re-packaged as Crosseye-Stereograph from Curious Hanman's Nu-pike-Neon a Parallel Stereograph.
It is important to note that Disney Seas was supposed to go here when Disney Corp., in order to own the Disneyland Hotel, bought the Wrather Corp., who was the contractor operating the Queen Mary. Instead Disney Seas opened in Tokyo, Japan.