View allAll Photos Tagged html

el.godfootsteps.org/God-himself-the-unique-iii.html

 

Παντοδύναμος Θεός λέει: «η εξουσία και ο νους του Θεού είναι αυτά που γεννούν τους νόμους αυτούς· θα μεταβάλλονται και θα αλλάζουν σύμφωνα με τις σκέψεις Του, ενώ όλες αυτές οι μεταβολές και οι αλλαγές λαμβάνουν χώρα ή εξαφανίζονται για χάρη του σχεδίου Του. Πάρε, για παράδειγμα, τις επιδημίες. Ξεσπούν δίχως προειδοποίηση, κανείς δεν γνωρίζει την προέλευσή τους ή τα ακριβή αίτια της εμφάνισής τους, ενώ, όποτε μια επιδημία φτάνει σε κάποιον τόπο, εκείνοι που είναι καταδικασμένοι δεν μπορούν να διαφύγουν τη συμφορά. Η ανθρώπινη επιστήμη θεωρεί πως οι επιδημίες προκαλούνται από τη διάδοση επικίνδυνων και επιβλαβών μικροβίων, ενώ η ταχύτητα, η έκταση και η μέθοδος της μετάδοσής τους δεν μπορούν να προβλεφθούν ή να ελεγχθούν από την ανθρώπινη επιστήμη. Παρόλο που η ανθρωπότητα αντιστέκεται σε αυτές με κάθε δυνατό τρόπο, δεν μπορούν να ελέγξουν ποιοι άνθρωποι ή ποια ζώα προσβάλλονται αναπόφευκτα όταν ξεσπούν επιδημίες. Το μόνο που μπορούν να κάνουν τα ανθρώπινα όντα είναι να προσπαθήσουν να τις εμποδίσουν, να αντισταθούν σε αυτές και να τις ερευνήσουν. Ωστόσο, κανείς δεν γνωρίζει τα βασικά αίτια που εξηγούν την αρχή ή το τέλος οποιασδήποτε επιμέρους επιδημίας και κανείς δεν μπορεί να τις ελέγξει. ...»

σύσταση:

Ευαγγέλιο

 

Πηγή εικόνας: Εκκλησία του Παντοδύναμου Θεού

Όροι Χρήσης: el.godfootsteps.org/disclaimer.html

Credit

 

Vision - Zayra Set - ACCESS

 

(November 12th to December 8th)

 

Sizes: Maitreya LaraX + PetiteX Legacy (f) + Perky + Bombshell Reborn + Waifu + Rolls

 

NEW ATTITUDE

New Attitude Blog

Twitter

Tumblr

Pinterest

Instagram

Flickr

Facebook

Deviants Art

Primfeed

Credit

 

For Her

Elune. - Anya Set - ACCESS

Fits: Ebody Reborn/Waifu/v-tech and Legacy/Perky.

 

For Him

IMPACTS - Anya Set - Tattoo #10 (BOM SYSTEM)

 

NEW ATTITUDE

New Attitude Blog

Twitter

Tumblr

Pinterest

Instagram

Flickr

Facebook

Primfeed

 

#Home #cozy #decor #art #fashion #style #portrait #homedecor #aesthetic #creative #lifestyle #photography #model #fashionphotography #design #mood #vibrant #Elune #Impacts #Tattoo

Credit

 

HandBag : .:RiotzInk:. - Renzia Handbag - Kinky Event

 

Black.Flowers - Jasmine Top & Skirt - Uber

 

NEW ATTITUDE

New Attitude Blog

Twitter

Tumblr

Pinterest

Instagram

Flickr

Facebook

Primfeed

 

# #cozy #decor #art #fashion #style #portrait #homedecor #aesthetic #creative #lifestyle #photography #model #fashionphotography #design #mood #vibrant #people #Event #Riotzink #Uber #KinkyEvent #BlackFlowers

 

Credit

 

Makeup :

Knife Party - Noxious Eye Makeup // Evo X

 

KUNS - Black Out Tattoo

 

Petrichor - Ceuria Jewelry

Petrichor - Vaera Claws - Female

 

NEW ATTITUDE

New Attitude Blog

Twitter

Tumblr

Pinterest

Instagram

Flickr

Facebook

Primfeed

 

# #cozy #decor #art #fashion #style #portrait #homedecor #aesthetic #creative #lifestyle #photography #model #fashionphotography #design #mood #vibrant #people #Event #Petrichor #Kuns #KnifeParty #Makeup #Fantasy

 

Credit

 

UC - Maya Dress

 

[Chris Two Designs] - Gout de Champagne

   

NEW ATTITUDE

New Attitude Blog

Twitter

Tumblr

Pinterest

Instagram

Flickr

Facebook

Primfeed

 

#Home #cozy #decor #art #fashion #style #portrait #homedecor #aesthetic #creative #lifestyle #photography #model #fashionphotography #design #mood #vibrant #UC #United.Colors #Chris.Two.Designs #Champagne

el.easternlightning.org/videos/a-heart-to-heart-with-God-...

 

Χριστιανικά τραγούδια

Ω, Θεέ! Έχω τόσα στην καρδιά που θέλω να Σου πω.

 

Απ' τα λόγια Σου, άνοιξε η καρδιά μου,

 

τη φωνή Σου άκουσα.

 

Τα λόγια Σου αλήθεια, τρέφουν την καρδιά σαν νερό πηγής.

 

Στα λόγια Σου, χαρούμενη η καρδιά μου γαληνεύει.

 

Κατάλαβα πια την αλήθεια πράττοντας τα λόγια Σου.

 

Βλέπω ότι είσαι δίκαιος, άγιος, μιλάς μ’ αγάπη αληθινή.

 

Νιώθω την καλοσύνη Σου, είσαι άξιος αγάπης.

 

Με πίστη απολαμβάνω γαλήνη, χαρά, πιο κοντά Σου.

 

Ω, Θεέ! Ο λόγος Σου με διαπερνά κι εκθέτει την άσχημη ψυχή μου.

 

Είμαι γεμάτη διάθεση σατανική,

 

αλαζόνας, δύσκολη, συχνά Σε εξαπατώ.

 

Διεφθαρμένη κι ελπίζοντας πολλά, κάνω συμφωνίες με Σένα.

 

Χωρίς αυτά στην κόλαση θα ήμουν επειδή Σου αντιστάθηκα.

 

Η κρίση κι η παίδευσή Σου μ’ εξαγνίζουν και με σώζουν.

 

Χωρίς τις αλήθειες των εσχάτων ημερών,

 

η πίστη μου θα ’ταν μάταιη.

 

Είδα πια πόσο η κρίση των εσχάτων ημερών

 

για τη διεφθαρμένη ανθρωπότητα είναι σημαντική.

 

Κι έτσι, θ’ ακολουθήσω την αλήθεια,

 

θα κάνω το καθήκον μου να ξεπληρώσω την αγάπη Σου.

 

από το βιβλίο «Ακολουθήστε τον Αμνό και τραγουδήστε νέα τραγούδια»

σύσταση:

Εκκλησιαστικοί ύμνοι

 

Πηγή εικόνας: Αστραπή της Ανατολής

Όροι Χρήσης: el.easternlightning.org/disclaimer.html

Credit

 

Skin :

Midori's - Flavie Skin (EVOX) CHANTILLY (01 DK)

 

Shape :

Midori's - 03. Shape (Avalon)

 

Earrings :

KOKOS - EARRING-JOLIE-GAUGED XL

 

[SG] - Spiked Goggles - Gothcore

 

VENGE - 'Goddess' Septum Piercing - Gothcore

 

Tattoo :

Leven Ink - Unearthly Tattoo - Gothcore

 

GAWK! - Megan. Crop Top

 

NEW ATTITUDE

New Attitude Blog

Twitter

Tumblr

Pinterest

Instagram

Flickr

Facebook

Primfeed

 

# #cozy #decor #art #fashion #style #portrait #homedecor #aesthetic #creative #lifestyle #photography #model #fashionphotography #design #mood #vibrant #people #Event #Gothcore #Midori's #Gawk #LevenInkTattoo #Tattoo #Kokos #Venge #SG #Skin #Shape #Earrings #Gauged

Prints available here: jenny-rainbow.pixels.com/featured/black-dog-on-a-misty-ro...

 

Well... Im not sure its a dog running ahead. Im not sure in anything, because I DID NOT SEE any dogs or any subjects on that road ahead, it was empty when I was making this picture! Only when I've got the image on a screen, its appeared...:-)

Ok, you'll say Im again in a mystical mood... Probably... No pushing, decide yourself what you can see here ;-)

 

Now well - I would love to share the inforamation I've got from the website "Misterious Britain & Ireland":

There are various theories to explain the phenomena and they seem to have many common traits from sighting to sighting.

 

In appearance the phantoms vary from region to region, but it is not uncommon for them to be described as calf sized, with saucer eyes and a shaggy coat. Phantom dogs are not always black however, the one that is supposed to haunt the area around Cawthorpe and Haugham in Lincolnshire, is described as white, but still has saucer eyes and is as big as calf. The Cu Sith, the traditional fairy dog of Scotland is dark green in colour, with a shaggy tail up its back. Black dogs are more often than not associated with a specific location such as an old trackway or lane, this is sometimes reflected in the name of the routeway, although not every 'Black Dog Lane' has a tradition of the haunting.

 

There have been some attempts at classification; the folklorist Theo Brown divided the black dog phenomena into three separate types A, B and C. (A) Being a shape-shifting demon dog; (B) being a dark black dog calf sized with shaggy fur; and (C) a dog that appears in time with certain ancient festivals in specific areas of the country. Katherine Briggs, the renowned folklorist, splits these further into demon dogs, the ghosts of human beings and the ghosts of dogs in their own right............

 

........Black dogs often seem to haunt ancient lanes, trackways, crossroads, old churchyards and prehistoric sites. Many of these places were associated with local superstitions and the uncanny, they are liminal places, where the veil between worlds was thought to be thin. The haunts of the black dogs are also features said to denote ley lines, it has been suggested that they represent some form of energy or natural phenomena moulded by the mind into an archetype of the black dog. A great deal of work has been done by earth mystery researchers to suggest that certain geophysical conditions may affect the human mind. These places were recognised by ancient man, and that is why black dogs (as some form of archetype) appear at places of ancient sanctity. This same theory has been applied to other unexplained phenomena.

 

Gallows sites (often crossroads) were also common black dog haunts, the black dog was often seen as the spirit of the executed criminal, such as the dog said to haunt a gallows site in Tring, Hertfordshire: An old woman was drowned for witchcraft at Tring in the year 1751. ..........

 

.........Black dogs are also seen as guardians of treasure, especially in Scotland. A black dog was said to guard treasure buried under a standing stone near Murthley in Perthshire, here we have an account of a black dog at an ancient site and as a guardian of treasure........"

 

All the information read here: www.mysteriousbritain.co.uk/folklore/phantom-black-dogs.html

 

www.youtube.com/watch?v=oKOtzIo-uYw

 

gabbyjaws.blogspot.com/2024/12/killing-me-softly.html

 

Liv Black

Isoke Skin - Oya Tone - Genus+Reborn

 

Liv Black Coffin nails

 

Liv Black

Main Store

maps.secondlife.com/secondlife/Remonta/40/144/1501

 

CAMO Tanya Locs

JUMO Addison necklace, earrings

Maitreya Lara

Lel EvoX Avalon

SAS Lika Gold gown

Shape remodified by me

Believed to be in Public Domain From Library of Congress, Prints and Photographs Collections. More on copyright: What does "no known restrictions" mean?

______________________

 

For information from Creative Commons on proper licensing for images believed to already be in the public domain please-- click here. By using this image from this site, you are acknowledging that you have read all the information in this description and accept responsibility for any use by you or your representatives. You are accepting responsibility for conducting any additional due diligence that may be necessary to ensure your proper use of this image.

________________

 

Public Domain. Suggested credit: Library of Congress via pingnews. Additional information from source:

 

TITLE: [Woman holding child, standing in road]

  

CALL NUMBER: LC-M32- 14173[P&P]

  

REPRODUCTION NUMBER: LC-DIG-matpc-06319 (digital file from original photo)

No known restrictions on publication.

  

MEDIUM: 1 negative : glass, stereograph, dry plate ; 5 x 7 in.

  

CREATED/PUBLISHED: [between 1898 and 1946]

  

NOTES:

 

Title devised by Library staff.

 

On negative: 2821.

 

Taken either by the American Colony Photo Department or its successor the Matson Photo Service.

  

Gift; Episcopal Home; 1978.

  

FORMAT:

  

Stereographs.

Dry plate negatives.

  

PART OF: G. Eric and Edith Matson Photograph Collection

  

REPOSITORY: Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA

  

DIGITAL ID: (digital file from original photo) matpc 06319 hdl.loc.gov/loc.pnp/matpc.06319

  

CARD #: mpc2004006396/PP

  

REVIEWS www.analogica.it/ferrania-is-back-t5858-290.html?hilit=fe...

 

"Hanno preso i finanziamenti euroei,

hanno preso i finanziamenti della regione Liguria,

hanno preso i finanziamenti di Cairo Montenotte

hanno preso i soldi di kick starter

...........

Ora, a meno che il business delle magliette non vada benissimo, possono pure chiudere!"

 

D : "Qualcuno ha notizie fresche?"

R : Se aspetti loro diventerai daltonico.

 

"A questo punto la faccenda si fa grottesca..... Mi pare di ricordare che qualcuno disse che già avevano preparato l'emulsione (forse meglio chiamarla pozione) Ma.... Ehm.... ...fiscalmente?

I milaeuro che hanno preso con la "raccolta punti"?

 

"Sai, hanno trovato l'amianto in fabbrica e fino all'anno prossimo nisba.

 

Vedremo cosa inventeranno poi.

"

 

"Non ho mai avuto il benché minimo dubbio sulla questione Ferrania. Altro che regalargli quattrini in cambio di scatolette colorate vuote."

 

"io invece la penso cosi, con quei trenta euro compra da mangiare per la gente che ha fame sono sicuro ne trarresti piu soddisfazione...."

 

"Quando sono stato costretto a vedere il filmatino di mister barbetta giallastra, che col cappellino da pappagone veniva ripreso con un grandangolare -perché fa figo così-, biascicando con le uova sotto la lingua....mi sono cascate le palle e li ho mandati, definitivamente, affanc....."

 

"Certo che quelle foto di esempio fanno venire il voltastomaco, sono degne dei peggior forum... "

 

"Ma voi credete ancora che produrranno pellicole?!?"

 

"magari quello che vogliono dire è "vi stiamo truffando solo un pochino...."

 

"Orgoglio? Per cosa? Questi non stanno studiando la fusione nucleare, le emulsioni fotografiche esistono da qualche centinaio di anni, quello che vedo io è solo approssimazione ed avventurismo, e il menar per il naso la brava gente."

 

"Questi signori stanno prendendo per i fondelli tutti...

 

"L'ennesima figuraccia in un contesto veramente imbarazzante..."

 

"A questo punto credo che non ci sarà mai un rullino Ferrania in vendita."

 

"La ribadisco dicendo che, probabilmente, dietro a queste notizie non vi è alcun "investimento", magari solo il tentativo di ottenere qualche finanziamento pubblico."

 

"Come ho detto in post precedenti hanno finito ( ??) i finanziamenti pubblici e ora vedono un po se ne possono trovare di privati."

 

"Da parte mia non riceveranno nulla, a parte una mail di protesta, due anni di pura fuffa in inglese, chi gli ha fatto il business plan topolino?"

 

etc etc

 

„Электра-112“ (Elektra-112) PK7220 by ЛОМО (LOMO) *

Индустар-73 (Industar-73) 2.8/40

Rollei Ortho 25

Adox Adonal 1+50 - 6min 20sec - 20 °C

homemade development.

Epson V600

Bombycilla cedrorum

 

This shot made me realize I knew/know next to nothing about bird tongues, leading me to these informative blog posts. The second one specifically discusses the “arrowhead” tongue of cedar waxwings and robins.

toughlittlebirds.com/2014/11/20/lets-talk-about-bird-tong...

blog.lauraerickson.com/2014/12/more-about-bird-tongues-th...

Credit

 

REED - MINSI Top

 

Amias - SYDNEY pants

 

Backdrop : SYNNERGY.TAVIS - Cocktails & Dreams Backdrop

 

NEW ATTITUDE

New Attitude Blog

Twitter

Tumblr

Pinterest

Instagram

Flickr

Facebook

Deviants Art

Primfeed

 

www.northwaleswildlifetrust.org.uk/cemlynwebpages/cemlyni...

  

Introduction to Cemlyn

  

Cemlyn is one of North Wales Wildlife Trust’s star reserves and regarded by the Anglesey County Council as the “jewel in the crown” of its Area of Outstanding Natural Beauty.

It is valued both for its scenic qualities and its unique range of wildlife, and is as popular with general visitors – local people, holidaymakers, walkers etc. as it is with birdwatchers and naturalists.

 

Situated on the North coast of Anglesey, about three miles West of Cemaes, the reserve land, which is owned by the National Trust and has been leased by NWWT since 1971, includes a large lagoon, separated from the sea by a spectacular, naturally-created shingle ridge.

 

The ridge, known as Esgair Gemlyn, is formed by the process of longshore drift, its profile changing with the action of tide and weather. This unique geographical feature also provides a habitat for interesting coastal plants such as Sea Kale, Sea Campion, and Yellow Horned Poppy.

 

In the summer, the lagoon is the backdrop for Cemlyn’s most famous wildlife spectacle. Clustered on islands in the brackish water is a large and internationally important seabird colony, including breeding Common and Arctic Terns, and one of the U.K.’s largest nesting populations of Sandwich Terns. From the vantage point of the tern viewing area on the ridge, visitors experience these rare and elegant birds close-up – chasing and diving in courtship displays; incubating eggs; preening and bathing in the lagoon, or calling to their hungry chicks as they come winging in with freshly-caught fish.

 

Around the reserve there are also areas of coastal grassland, farmland, scrub, wetland, and both rocky and sandy shore encircling Cemlyn Bay. These are home to a wealth of life - birds, mammals, insects, wildflowers and marine creatures which, together with the tern colony, make up a fascinating ecosystem: an ideal ‘outdoor classroom’ for studying biodiversity.

In addition to being a Wildlife Trust reserve, Cemlyn is a Special Protection Area, a candidate Special Area of Conservation, and a Site of Special Scientific Interest. It is also part of the Anglesey Area of Outstanding Natural Beauty.

  

www.northwaleswildlifetrust.org.uk/cemlynwebpages/History...

  

History of the reserve

  

Much of Cemlyn’s history as a wildlife site is tied to the story of Captain Vivian Hewitt, who came to the area in the 1930s, settling in Bryn Aber, the large house that dominates the western end of the reserve, and buying up much of the surrounding land.

A wealthy eccentric, his interest in birds led him to construct the first dam and weir at Cemlyn, replacing tidal saltmarsh with a large and permanent lagoon which he intended as a refuge for wildfowl. He also had a scheme to nurture an area of woodland within the grounds of Bryn Aber, to attract smaller birds. To this end he began construction of an imposing double wall, which was intended both as a wind-brake for the trees, and a means for observing the birds – the gap between the two walls had viewing holes. A further plan to top the walls with polished stone was never completed, and after Captain Hewitt’s death the house was left to his housekeeper’s family, but the walls themselves remain, and lend the site its mysterious, even foreboding presence.

It is the legacy of the lagoon that has had most significance for wildlife however. The change from a tidal habitat that frequently dried out in summer, to a stable body of water encompassing small islands, has provided the terns with nesting sites that are less attractive to ground predators. Over the following decades, various changes have occurred to the lagoon – some natural, eg. storms breaking over and swamping – some man-made, eg. the reconstruction of the weir and the creation or removal of islands. The water level and salinity of the lagoon is now monitored to maintain the ideal habitat for terns and other wildlife.

A couple of years after Captain Hewitt died, the Cemlyn estate was bought by the National Trust. Since 1971, they have leased the land around the lagoon to the North Wales Wildlife Trust, who manage it as a nature reserve. The two organisations work in partnership to enhance and maintain the site for wildlife and the public.

The reserve has had a warden every summer since 1981, with two wardens being employed every season since 1997. With the help of numerous volunteers, their work has included the detailed monitoring of the tern’s breeding success, protection of the colonies from a variety of natural predators (and in a couple of cases from the unwanted attentions of egg-collectors), as well as recording other forms of wildlife, and providing information to the public. Their presence on the ridge and around the reserve helps maintain the profile of Cemlyn as an important and nationally valuable site.

  

www.northwaleswildlifetrust.org.uk/cemlynwebpages/wildlif...

  

Terns

  

Three species of tern breed regularly at Cemlyn. The numbers of Sandwich Tern nesting on the islands in the lagoon have been going up in recent years, making the colony one of the largest in the country.

There were over 1000 nests in 2005, and a good percentage of chicks fledged. The Sandwich Terns generally nest in dense groups, and seem to benefit from being close to groups of nesting Black-headed Gulls, which react aggressively to the threat of a predator, while the Sandwich Terns sit tight. Common Terns nest in sparser groups and smaller numbers on the islands, as do the very similar Arctic Terns, which make an epic journey from the southern to the northern hemisphere and back every year - the longest migration of any bird.

One of Britain's rarest seabirds, the Roseate Tern was a former breeder at Cemlyn, and is still sometimes seen on passage, as are other rarities like Little Tern and Black Tern. A vagrant Sooty Tern caused great excitement when it visited the colony in the summer of 2005.

 

The tern colony is the main focus of conservation work at Cemlyn. Because of disturbance at their traditional breeding areas, due to increased coastal access and development, terns have declined historically in Britain, so sites like Cemlyn, which still hold healthy populations, are a precious and nationally importance resource.

 

Two wardens are employed by NWWT every summer, to monitor and protect the terns. As well as dealing with disturbance and predation, they record the numbers of nests, the fledging success of chicks, and also the kinds of fish being brought in by their parents. Feeding studies are important because availability of fish, especially the terns ideal food, Sandeels, can be the key factor in a successful breeding season. The combined results of warming seas and commercial overfishing of Sandeels around Shetland for example, have had a disastrous effect on the productivity of Arctic Terns there.

 

All terns are migratory. Sandwich Terns are usually the first to be seen, in late March and April, with the bulk of breeding adults of all species arriving on site in May. June and July are the busiest months for the terns, and a good time to visit the reserve, the lagoon islands becoming a hive of activity.

By mid-August, the majority of chicks should have fledged, and be ready to join their parents on the journey south to their wintering areas - the coast of West Africa in the case of most Common and Sandwich Terns, even further south for Arctics.

  

www.northwaleswildlifetrust.org.uk/cemlynwebpages/wildlif...

  

Other Birds

  

Oystercatcher and Ringed Plover both breed on the reserve, making their nests in the shingle of the Esgair.

In such an exposed choice of site, both species rely on wonderful camouflage of eggs and chick. In response to a direct perceived threat however, adult Ringed Plovers may resort to the 'broken wing trick' - drawing the attention of a potential predator by feigning injury and leading it away from the nest. To protect these waders, as well as the tern colony, visitors are asked to avoid walking on the lagoon-side of the Esgair during the summer months.

 

Cemlyn's situation and range of habitats make it a haven for a range of birds at all times of the year. Coot, Little Grebe and Shelduck can usually be seen around the lagoon, and Stonechats are a regular feature of the surrounding areas of scrub.

A variety of waders such as Curlew, Dunlin, Golden Plover, and Redshank use the area, and Purple Sandpiper may be seen on the rocky shoreline.

Summer visitors to look out for include Whitethroat and Sedge Warbler, while Wigeon, Teal, Red-breasted Meganser and other widfowl may be present in significant numbers in Autumn and Winter.

Other migrants turn up from time to time, and over the years a variety of rarities have been spotted –

2005 sightings included, apart from the Sooty Tern, an American Golden Plover, a Terek Sandpiper and a Melodious Warbler. Any keen birdwatcher will want to scour the site for something unusual.

  

www.northwaleswildlifetrust.org.uk/cemlynwebpages/wildife...

  

Other animals

  

Grey Seals can often be seen in the sea around Cemlyn, or hauled up on Craig yr Iwrch, the rocky island just off the Trwyn, and Harbour Porpoise sometimes feed close to the western end of Cemlyn Bay.

 

Brown Hares can be seen in or around the reserve, occasionally crossing the Esgair at dawn or dusk.

 

Weasels and Stoats both hunt the hedgerows and grassland at Cemlyn, and during the summer, basking Adders and Common Lizards may be spotted.

 

There’s also a wide range of insect life – butterflies, such as Grayling, Wall Brown and Common Blue, and day-flying moths like the Six-spot Burnet can all be seen, as can various beetles, grasshoppers and dragonflies.

  

www.northwaleswildlifetrust.org.uk/cemlynwebpages/wildlif...

  

Underwater Life

  

The coastline of Cemlyn includes areas of shingle, sand and exposed rocky shore. These provide habitats for a variety of marine life including sea-anemones, crabs, prawns, blennies, butterfish, winkles, whelks, limpets, coastal lichens and a range of seaweeds. e.g. kelp.

 

The lagoon, with its changing mixture of fresh and salt water is a challenging environment, but Grey Mullet and Eels thrive in the brackish conditions. In fact Cemlyn is one of the top sites for specialised saline lagoon wildlife including shrimps and molluscs, and waterplants like Tassel Pondweed.

  

www.northwaleswildlifetrust.org.uk/cemlynwebpages/wildlif...

  

Plantlife

  

The shingle of the Esgair is one of the harshest habitats imaginable for plants – arid because of the quick-draining pebbles, and exposed to wind, salt-spray, and the ravages of winter storms. Nevertheless it provides a home to specialists like the rare Sea Kale, whose deep roots and fleshy leaves enable it to survive close to the tide-line, and whose profuse white flowers give off a strong sweet smell.

Other characteristic coastal plants to look for along the ridge include Sea Campion, Sea Beet, and the striking Yellow Horned Poppy. Stands of Sea Purslane and Glasswort (Sea Asparagus) can be found at low tide close to the car park at Bryn Aber.

The grassland around Cemlyn is rich in wildflowers; an early spread of colour is provided by Spring Squill and Thrift which punctuate the grass with blues and pinks, while later blooming flowers along the Trwyn include Tormentil, Yellow Rattle, Knapweed and Centaury.

  

www.northwaleswildlifetrust.org.uk/cemlynwebpages/seasons...

  

Cemlyn through the Seasons

  

Spring

 

Early signs of Spring may include the first Wheatears arriving on Trwyn Cemlyn, the first Manx Shearwaters weaving through the waves out to sea, or the first Sandwich Tern’s call in the Bay - these are all possible from March onwards. Later on, Spring colour on the grassland around the reserve is provided by Spring Squill and Thrift which stud the ground with blues and pinks, and the first sunny spells may tempt out Common Lizards or Adders to bask. By mid-May, a range of birdlife is becoming visible and audible around the reserve, including terns settling on the islands in the lagoon, Whitethroat and Sedge Warbler singing in the scrub and water-margins, Whimbrel foraging along the rocky shore, and other waders like Dunlin and Black-tailed Godwit on the beach or in the lagoon.

 

Summer

 

Summer sees activity on the lagoon islands reach fever pitch with the terns and Black-headed Gulls using every hour of daylight to bring food to fast-growing chicks. The sight, sound and smell of this bustling seabird metropolis make up a memorable Cemlyn experience. June and July is the time to see the stands of Sea Kale in full flower, and to spot Yellow Horned Poppy and Sea Campion along the Esgair - Oystercatcher and Ringed Plover are also nesting on the shingle during this period. On the Trwyn, look out for Tormentil and the deep pink flowers of Centaury, as well as the passing colours of butterflies like Small Heath and Common Blue.

Also look out for the red and green leaf-beetle Chrysolina polita on the Dwarf Willow along Trwyn Pencarreg.

  

Autumn

 

The tern chicks are usually fledged by mid-August, ready to start the long migration south to their wintering grounds on the coast of Africa, so by early Autumn, the islands seem strangely peaceful. Other wildlife moves in however – flocks of Golden Plover, along with other waders like Lapwing and Curlew can be seen. Big Autumn tides can uncover interesting marine life that usually remains hidden on the lower reaches of the shore, and rough weather at this time brings a range of seabirds passing close to Trwyn Cemlyn – Manx Shearwaters, Gannets, Kittiwakes and Guillemots.

 

Winter

 

The lagoon remains an important resource for birds throughout the Winter months – Little Grebe, Shoveler, and Shelduck can regularly be seen, along with the Coot and Wigeon that also graze on the surrounding fields. The Herons that fish the lagoon at Cemlyn through the year are sometimes joined by a Little Egret darting in the shallows for shrimps. Red-breasted Merganser and Great Crested Grebe can often be spotted either in the lagoon or out in the Bay, while on the rocky shore, a keen eye may pick out a Turnstone or Purple Sandpiper foraging close to the water’s edge.

  

www.northwaleswildlifetrust.org.uk/english/angleseycoasta...

  

www.northwaleswildlifetrust.org.uk/english/angleseycoasta...

  

Education & Outreach

  

The aim of the project is to raise awareness in local children about the importance of biodiversity and conservation by enabling them to explore the array of unique wildlife habitats on their local doorstep.

 

The project is designed to link in with National Curriculum topics covered in subjects including Science, Geography, History, English & RE, and provide a basis for ongoing work in the classroom. These different topics are often linked in with general environmental themes, in a conscious effort to encourage pupils to think about their relationship to their surroundings.

 

The activities include carrying out habitat surveys, where pupils record different species along a line of samples (as in an ecological transect), investigating the wildlife of the lagoon and shore using nets, and observing the tern colony through binoculars. Art-based exercises focus on perception of surroundings through the senses and encourage pupils to explore, using materials found on the beach to create their own 3D designs.

 

In some cases, the People and Wildlife Officers can visit schools to give illustrated talks and initiate written or interactive exercises in the classroom.

  

Outreach

 

The Coastal Nature Reserves project also involves general education, awareness-raising and outreach to the local community. Activities have been organised both on and off the reserve - there was a Cemlyn Creature Count in June 2010, and guided walks have also been arranged for the general public as well as for youth clubs and a daycentre group for people with learning difficulties. The project has been represented in The Anglesey Show and the Wylfa Community Fun Day. Illustrated talks have also been carried out for groups such as the Urdd, Scouts and for two branches of the University of the 3rd Age.

 

The People and Wildlife team aim to extend the range of this work, and are very keen to hear from any organisations or community groups interested in either on or off-site activities.

  

www.northwaleswildlifetrust.org.uk/english/angleseycoasta...

  

How to get involved

  

Anglesey’s coastline is famous for its stunning scenery and the fantastic array of wildlife it holds. North Wales Wildlife Trust has a number of ways you can get involved in helping to protect this resource and raise awareness about its importance. The emphasis is very much on getting people involved, interacting with and enjoying their local naturalheritage.

 

As a volunteer with the Coastal Nature Reserve Project, opportunities will vary depending on the reserve and time of year. There’s a rough guide (by location) to the possibilities below.

Cemlyn Nature Reserve

The season will commence with a volunteer open day in March. This is a fantastic opportunity to meet the rest of the Cemlyn team, learn more about the work, the reserve and the wildlife you may encounter, with a guided walk and volunteer fact sheets also provided.

Check out the detailed information on helping at Cemlyn here (pdf 80k)

Mariandyrys Nature Reserve

Working to maintain the diverse grasslands and heathlands by scrub clearance and fencing

Monitoring and species survey work

Help with events and raising awareness

Coed Porthamel Reserve

Scrub clearance

Path and fence maintenance

Building and erecting bird and bat boxes

Porth Diana and Trearddur Bay

Help with events such as guided walks and beach cleans

Surveys (including Spotted Rock Rose) and monitoring

Working to maintain the diverse grasslands and heathlands by scrub clearance and fencing

  

www.northwaleswildlifetrust.org.uk/cemlynwebpages/visitin...

  

Visiting the reserve

  

Cemlyn is sign-posted from Tregele on the A5025 between Valley and Amlwch. Although the roads to the site are narrow, there are two car parks adjacent to the reserve (OS 1:50, 000 Sheet 114 and Explorer 262. Grid ref. SH329936 & SH336932).

 

The reserve is open throughout the year: admission is free.

 

Group visits are possible by appointment

  

Suggested walks around Cemlyn

  

These are a few popular routes around the reserve, focussing mainly on wildlife and landscape features.

  

Esgair Gemlyn

 

The shingle ridge at Cemlyn is accessible from the Beach car park at the eastern end of the reserve.

Although the distance along the ridge to the tern viewing area opposite the islands is only about 0.5 km, it's worth bearing in mind that during the summer months, visitors are asked to use only the seaward side of the ridge, and the shingle can make for arduous walking.

It’s a much shorter walk from the Bryn Aber car park on the western side of the lagoon, but beware – the causeway linking the car park and the ridge can flood an hour or more either side of high tide, so it’s worth checking the times to avoid getting stranded.

During the summer, daily tide-times may be chalked up close to the causeway by the wardens.

Outside of the tern breeding season, the lagoon-side of the ridge is open to the public, and its interesting habitat can be explored at closer range.

  

Trwyn Cemlyn

 

This little peninsula (Trwyn is Welsh for nose) makes a favourite short walk for local people. Accessible via the Bryn Aber car park, it comprises coastal grassland with small patches of gorse and heather, and a rocky shoreline allowing views out to The Skerries in the west, Wylfa to the east, and if there’s good visibility, sometimes the Isle of Man to the north.

It’s a good spot for spring wildflowers, and also for seeing seabirds, seals, and sometimes porpoises.

It also links up with the National Trust coastal footpath to the west.

  

Lagoon inlet

  

The narrow bridge at the western end of the lagoon, just before Bryn Aber, makes a good vantage point for the lagoon islands if the ridge is inaccessible. It also allows views over the freshwater inlet and the adjacent area of gorse and scrub known as Morfa. The road alongside the inlet that leads to the farm of Tyn Llan has no parking, but a walk down gives views of the reedy inlet margins and surrounding damp pasture, which sometimes harbour interesting birdlife.

  

Coastal footpath towards Hen Borth

 

.Cemlyn forms the eastern end of a stretch of wonderful coastal footpath, taking in rugged landscape characteristic of the north Anglesey coast.

From the stile at the ‘brow’ of Trwyn Cemlyn, the path leads off the reserve up past Craig yr Iwrch, an outlying rock favoured by seals, cormorants and roosting curlews, and along the cliffs, passing Tyn Llan farm on the left, to the bay of Hen Borth.

Keen walkers may wish to carry on following the coastline as far as Carmel Head or Ynys y Fydlyn, while others may wish to visit the small church of St Rhwydrus, returning through the gate by the farm and back past the lagoon inlet.

  

Coast towards Wylfa Head

 

Trwyn Pencarreg - the area of rocky outcrops, grassland and coastal heath to the east of the Beach car park at Cemlyn, is interesting for its plant communities, wildflowers and insects, and for its impressive views back across Cemlyn Bay. A circular walk is possible via the old mill at Felin Gafnan.

The National Trust has produced a booklet detailing several circular walks around, or starting from Cemlyn. It includes illustrated routes for all of the areas described above, and of walks that take you further afield.

To obtain a copy, or for further information regarding other National Trust walks on Anglesey, contact:

The National Trust Wales, Trinity Square, Llandudno, LL30 2DE

You will find 200+ of my poems HERE. fno.org/poetry/index.html

 

The Good Times

 

Let those good times roll

Right up to my door

Now

Soon as they're ready

And waste no more time

Worrying

Fretting or bothering

 

Let them crash on my beach

Any day or any time of day

Storm surf or gentle waves

Makes no difference to me

Just as long as they arrive

High tide replacing low tide

Good times drowning out the bad

 

They will come

And they will go

I well know

But hit me with a good card now

A good number

A loving woman

Or a sunset so sublime

Time stops

And my soul gasps

 

© Jamie McKenzie, all rights reserved

 

You will find more of my poems and songs here and in <a href=" rel="noreferrer nofollow">The Storm in Its Passing and Flights of Fancy.

 

My songs are at

www.youtube.com/user/edtech2008/videos

traveladventureeverywhere.blogspot.com/2018/08/vdnkh-exhi...

    

..

   

..

   

.

   

.

   

.

   

.

   

.

     

.

   

.

   

.

   

.

   

.

   

.

   

.

   

.

   

.

   

.

   

.

   

.

   

.

   

.

   

.

   

.

   

.

   

.

   

.

   

.

   

.

   

.

     

ALBANIA

   

Albanian Trilogy: A Series of Devious Stratagems

   

Armando Lulaj

   

Commissioner: Ministry of Culture. Curator: Marco Scotini. Deputy Curator: Andris Brinkmanis. Venue: Pavilion at Arsenale

   

ANDORRA

   

Inner Landscapes

   

Roqué, Joan Xandri

   

Commissioner: Henry Périer. Deputy Commissioner: Joana Baygual, Sebastià Petit, Francesc Rodríguez

   

Curator: Paolo de Grandis, Josep M. Ubach. Venue: Spiazzi, Castello 3865

   

ANGOLA

   

On Ways of Travelling

   

António Ole, Binelde Hyrcan, Délio Jasse, Francisco Vidal, Nelo Teixeira

   

Commissioner: Ministry of Culture, Rita Guedes Tavares. Curator: António Ole. Deputy Curator: Antonia Gaeta. Venue: Conservatorio Benedetto Marcello - Palazzo Pisani, San Marco 2810

   

ARGENTINA

   

The Uprising of Form

   

Juan Carlos Diste´fano

   

Commissioner: Magdalena Faillace. Curator: Mari´a Teresa Constantin. Venue: Pavilion at Arsenale – Sale d’Armi

   

ARMENIA, Republic of

   

Armenity / Haiyutioun

   

Haig Aivazian, Lebanon; Nigol Bezjian, Syria/USA; Anna Boghiguian Egypt/Canada; Hera Büyüktasçiyan, Turkey; Silvina Der-Meguerditchian, Argentina/Germany; Rene Gabri & Ayreen Anastas, Iran/Palestine/USA; Mekhitar Garabedian, Belgium; Aikaterini Gegisian, Greece; Yervant Gianikian & Angela Ricci Lucchi, Italy; Aram Jibilian, USA; Nina Katchadourian, USA/Finland; Melik Ohanian, France; Mikayel Ohanjanyan, Armenia/Italy; Rosana Palazyan, Brazil; Sarkis, Turkey/France; Hrair Sarkissian, Syria/UK

   

Commissioner: Ministry of Culture of the Republic of Armenia. Deputy Commissioner: Art for the World, Mekhitarist Congregation of San Lazzaro Island, Embassy of the Republic of Armenia in Italy, Vartan Karapetian. Curator: Adelina Cüberyan von Fürstenberg. Venue: Monastery and Island of San Lazzaro degli Armeni

   

AUSTRALIA

   

Fiona Hall: Wrong Way Time

   

Fiona Hall

   

Commissioner: Simon Mordant AM. Deputy Commissioner: Charles Green. Curator: Linda Michael. Scientific Committee: Simon Mordant AM, Carolyn Christov-Bakargiev, Max Delany, Rachel Kent, Danie Mellor, Suhanya Raffel, Leigh Robb. Venue: Pavilion at Giardini

   

AUSTRIA

   

Heimo Zobernig

   

Commissioner: Yilmaz Dziewior. Curator: Yilmaz Dziewior. Scientific Committee: Friends of the Venice Biennale. Venue: Pavilion at Giardini

   

AZERBAIJAN, Republic of

   

Beyond the Line

   

Ashraf Murad, Javad Mirjavadov, Tofik Javadov, Rasim Babayev, Fazil Najafov, Huseyn Hagverdi, Shamil Najafzada

   

Commissioner: Heydar Aliyev Foundation. Curators: de Pury de Pury, Emin Mammadov. Venue: Palazzo Lezze, Campo S.Stefano, San Marco 2949

   

Vita Vitale

   

Edward Burtynsky, Mircea Cantor, Loris Cecchini, Gordon Cheung, Khalil Chishtee, Tony Cragg, Laura Ford, Noemie Goudal, Siobhán Hapaska, Paul Huxley, IDEA laboratory and Leyla Aliyeva, Chris Jordan with Rebecca Clark and Helena S.Eitel, Tania Kovats, Aida Mahmudova, Sayyora Muin, Jacco Olivier, Julian Opie, Julian Perry, Mike Perry, Bas Princen, Stephanie Quayle, Ugo Rondinone, Graham Stevens, Diana Thater, Andy Warhol, Bill Woodrow, Erwin Wurm, Rose Wylie

   

Commissioner: Heydar Aliyev Foundation. Curators: Artwise: Susie Allen, Laura Culpan, Dea Vanagan. Venue: Ca’ Garzoni, San Marco 3416

   

BELARUS, Republic of

   

War Witness Archive

   

Konstantin Selikhanov

   

Commissioner: Natallia Sharanhovich. Deputy Commissioners: Alena Vasileuskaya, Kamilia Yanushkevich. Curators: Aleksei Shinkarenko, Olga Rybchinskaya. Scientific Committee: Dmitry Korol, Daria Amelkovich, Julia Kondratyuk, Sergei Jeihala, Sheena Macfarlane, Yuliya Heisik, Hanna Samarskaya, Taras Kaliahin, Aliaksandr Stasevich. Venue: Riva San Biagio, Castello 2145

   

BELGIUM

   

Personnes et les autres

   

Vincent Meessen and Guests, Mathieu K. Abonnenc, Sammy Baloji, James Beckett, Elisabetta Benassi, Patrick Bernier & Olive Martin, Tamar Guimara~es & Kasper Akhøj, Maryam Jafri, Adam Pendleton

   

Commissioner: Wallonia-Brussels Federation and Wallonia-Brussels International. Curator: Katerina Gregos. Venue: Pavilion at Giardini

   

COSTA RICA

   

"Costa Rica, Paese di pace, invita a un linguaggio universale d'intesa tra i popoli".

   

Andrea Prandi, Beatrice Gallori, Beth Parin, Biagio Schembari, Carla Castaldo, Celestina Avanzini, Cesare Berlingeri, Erminio Tansini, Fabio Capitanio, Fausto Beretti, Giovan Battista Pedrazzini, Giovanni Lamberti, Giovanni Tenga, Iana Zanoskar, Jim Prescott, Leonardo Beccegato, Liliana Scocco, Lucia Bolzano, Marcela Vicuna, Marco Bellagamba, Marco Lodola, Maria Gioia dell’Aglio, Mario Bernardinello, Massimo Meucci, Nacha Piattini, Omar Ronda, Renzo Eusebi, Tita Patti, Romina Power, Rubens Fogacci, Silvio di Pietro, Stefano Sichel, Tino Stefanoni, Ufemia Ritz, Ugo Borlenghi, Umberto Mariani, Venere Chillemi, Jacqueline Gallicot Madar, Massimo Onnis, Fedora Spinelli

   

Commissioner: Ileana Ordonez Chacon. Curator: Gregorio Rossi. Venue: Palazzo Bollani

   

CROATIA

   

Studies on Shivering: The Third Degree

   

Damir Ocko

   

Commissioner: Ministry of Culture. Curator: Marc Bembekoff. Venue: Palazzo Pisani, S. Marina

   

CUBA

   

El artista entre la individualidad y el contexto

   

Lida Abdul, Celia-Yunior, Grethell Rasúa, Giuseppe Stampone, LinYilin, Luis Edgardo Gómez Armenteros, Olga Chernysheva, Susana Pilar Delahante Matienzo

   

Commissioner: Miria Vicini. Curators: Jorge Fernández Torres, Giacomo Zaza. Venue: San Servolo Island

   

CYPRUS, Republic of

   

Two Days After Forever

   

Christodoulos Panayiotou

   

Commissioner: Louli Michaelidou. Deputy Commissioner: Angela Skordi. Curator: Omar Kholeif. Deputy Curator: Daniella Rose King. Venue: Palazzo Malipiero, Sestiere San Marco 3079

   

CZECH Republic and SLOVAK Republic

   

Apotheosis

   

Jirí David

   

Commissioner: Adam Budak. Deputy Commissioner: Barbara Holomkova. Curator: Katarina Rusnakova. Venue: Pavilion at Giardini

   

ECUADOR

   

Gold Water: Apocalyptic Black Mirrors

   

Maria Veronica Leon Veintemilla in collaboration with Lucia Vallarino Peet

   

Commissioner: Andrea Gonzàlez Sanchez. Deputy Commissioner: PDG Arte Communications. Curator: Ileana Cornea. Deputy Curator: Maria Veronica Leon Veintemilla. Venue: Istituto Santa Maria della Pietà, Castello 3701

   

ESTONIA

   

NSFW. From the Abyss of History

   

Jaanus Samma

   

Commissioner: Maria Arusoo. Curator: Eugenio Viola. Venue: Palazzo Malipiero, campo San Samuele, San Marco 3199

   

EGYPT

   

CAN YOU SEE

   

Ahmed Abdel Fatah, Gamal Elkheshen, Maher Dawoud

   

Commissioner: Hany Al Ashkar. Curator: Ministry of Culture. Venue: Pavilion at Giardini

   

FINLAND (Pavilion Alvar Aalto)

   

Hours, Years, Aeons

   

IC-98

   

Commissioner: Frame Visual Art Finland, Raija Koli. Curator: Taru Elfving. Deputy Curator: Anna Virtanen. Venue: Pavilion at Giardini

   

FRANCE

   

revolutions

   

Céleste Boursier-Mougenot

   

Commissioner: Institut français, with Ministère de la Culture et de la Communication. Curator: Emma Lavigne. Venue: Pavilion at Giardini

   

GEORGIA

   

Crawling Border

   

Rusudan Gobejishvili Khizanishvili, Irakli Bluishvili, Dimitri Chikvaidze, Joseph Sabia

   

Commissioner: Ana Riaboshenko. Curator: Nia Mgaloblishvili. Venue: Pavilion at Arsenale – Sale d’Armi

   

GERMANY

   

Fabrik

   

Jasmina Metwaly / Philip Rizk, Olaf Nicolai, Hito Steyerl, Tobias Zielony

   

Commissioner: ifa (Institut für Auslandsbeziehungen) on behalf of the Federal Foreign Office. Deputy Commissioner: Elke aus dem Moore, Nina Hülsmeier. Curator: Florian Ebner. Deputy Curator: Tanja Milewsky, Ilina Koralova. Venue: Pavilion at Giardini

   

GREAT BRITAIN

   

Sarah Lucas

   

Commissioner: Emma Dexter. Curator: Richard Riley. Deputy Curator: Katrina Schwarz. Venue: Pavilion at Giardini

   

GRENADA *

   

Present Nearness

   

Oliver Benoit, Maria McClafferty, Asher Mains, Francesco Bosso and Carmine Ciccarini, Guiseppe Linardi

   

Commissioner: Ministry of Culture. Deputy Commissioner: Susan Mains. Curator: Susan Mains. Deputy Curator: Francesco Elisei. Venue: Opera don Orione Artigianelli, Sala Tiziano, Fondamenta delle Zattere ai Gesuati, Dorsoduro 919

   

GREECE

   

Why Look at Animals? AGRIMIKÁ.

   

Maria Papadimitriou

   

Commissioner: Hellenic Ministry of Culture, Education and Religious Affairs. Curator: Gabi Scardi. Deputy Curator: Alexios Papazacharias. Venue: Pavilion at Giardini

   

BRAZIL

   

So much that it doesn't fit here

   

Antonio Manuel, André Komatsu, Berna Reale

   

Commissioner: Luis Terepins. Curator: Luiz Camillo Osorio. Deputy Curator: Cauê Alves. Venue: Pavilion at Giardini

   

CANADA

   

Canadassimo

   

BGL

   

Commissioner: National Gallery of Canada, Marc Mayer. Deputy Commissioner: National Gallery of Canada, Yves Théoret. Curator: Marie Fraser. Venue: Pavilion at Giardini

   

CHILE

   

Poéticas de la disidencia | Poetics of dissent: Paz Errázuriz - Lotty Rosenfeld

   

Paz Errázuriz, Lotty Rosenfeld

   

Commissioner: Antonio Arèvalo. Deputy Commissioner: Juan Pablo Vergara Undurraga. Curator: Nelly Richard. Venue: Pavilion at Arsenale - Artiglierie

   

CHINA, People’s Republic of

   

Other Future

   

LIU Jiakun, LU Yang, TAN Dun, WEN Hui/Living Dance Studio, WU Wenguang/Caochangdi Work Station

   

Commissioner: China Arts and Entertainment Group, CAEG. Deputy Commissioners: Zhang Yu, Yan Dong. Curator: Beijing Contemporary Art Foundation. Scientific Committee: Fan Di’an, Zhang Zikang, Zhu Di, Gao Shiming, Zhu Qingsheng, Pu Tong, Shang Hui. Venue: Pavilion at Arsenale – Giardino delle Vergini

   

GUATEMALA

   

Sweet Death

   

Emma Anticoli Borza, Sabrina Bertolelli, Mariadolores Castellanos, Max Leiva, Pier Domenico Magri, Adriana Montalto, Elmar Rojas (Elmar René Rojas Azurdia), Paolo Schmidlin, Mónica Serra, Elsie Wunderlich, Collettivo La Grande Bouffe

   

Commissioner: Daniele Radini Tedeschi. Curators: Stefania Pieralice, Carlo Marraffa, Elsie Wunderlich. Deputy Curators: Luciano Carini, Simone Pieralice. Venue: Officina delle Zattere, Dorsoduro 947, Fondamenta Nani

   

HOLY SEE

   

Commissioner: Em.mo Card. Gianfranco Ravasi, Presidente del Pontificio Consiglio della Cultura. Venue: Pavilion at Arsenale – Sale d’Armi

   

HUNGARY

   

Sustainable Identities

   

Szilárd Cseke

   

Commissioner: Monika Balatoni. Deputy Commissioner: István Puskás, Sándor Fodor, Anna Karády. Curator: Kinga German. Venue: Pavilion at Giardini

   

ICELAND

   

Christoph Büchel

   

Commissioner: Björg Stefánsdóttir. Curator: Nína Magnúsdóttir. Venue: to be confirmed

   

INDONESIA, Republic of

   

Komodo Voyage

   

Heri Dono

   

Commissioner: Sapta Nirwandar. Deputy Commissioner: Soedarmadji JH Damais. Curator: Carla Bianpoen, Restu Imansari Kusumaningrum. Scientific Committee: Franco Laera, Asmudjo Jono Irianto, Watie Moerany, Elisabetta di Mambro. Venue: Venue: Arsenale

   

IRAN

   

Iranian Highlights

   

Samira Alikhanzaradeh, Mahmoud Bakhshi Moakhar, Jamshid Bayrami, Mohammed Ehsai

   

The Great Game

   

Lida Abdul, Bani Abidi, Adel Abidin, Amin Agheai, Ghodratollah Agheli, Shahriar Ahmadi, Parastou Ahovan, Farhad Ahrarnia, Rashad Alakbarov, Nazgol Ansarinia, Reza Aramesh, Alireza Astaneh, Sonia Balassanian, Mahmoud Bakhshi, Moakhar Wafaa Bilal, Mehdi Farhadian, Monir Farmanfarmaian, Shadi Ghadirian, Babak Golkar, Shilpa Gupta, Ghasem Hajizadeh, Shamsia Hassani, Sahand Hesamiyan, Sitara Ibrahimova, Pouran Jinchi, Amar Kanwar, Babak Kazemi, Ryas Komu, Ahmad Morshedloo, Farhad Moshiri, Mehrdad Mohebali, Huma Mulji, Azad Nanakeli, Jamal Penjweny, Imran Qureshi, Sara Rahbar, Rashid Rana, T.V. Santhosh, Walid Siti, Mohsen Taasha Wahidi, Mitra Tabrizian, Parviz Tanavoli, Newsha Tavakolian, Sadegh Tirafkan, Hema Upadhyay, Saira Wasim

   

Commissioner: Majid Mollanooruzi. Deputy Commissioners: Marco Meneguzzo, Mazdak Faiznia. Curators: Marco Meneguzzo, Mazdak Faiznia. Venue: Calle San Giovanni 1074/B, Cannaregio

   

IRAQ

   

Commissioner: Ruya Foundation for Contemporary Culture in Iraq (RUYA). Deputy Commissioner: Nuova Icona - Associazione Culturale per le Arti. Curator: Philippe Van Cauteren. Venue: Ca' Dandolo, San Polo 2879

   

IRELAND

   

Adventure: Capital

   

Sean Lynch

   

Commissioner: Mike Fitzpatrick. Curator: Woodrow Kernohan. Venue: Pavilion at Arsenale - Artiglierie

   

ISRAEL

   

Tsibi Geva | Archeology of the Present

   

Tsibi Geva

   

Commissioner: Arad Turgem, Michael Gov. Curator: Hadas Maor. Venue: Pavilion at Giardini

       

ITALY

   

Ministero dei Beni e delle attività culturali e del turismo - Direzione Generale Arte e Architettura Contemporanee e Periferie Urbane. Commissioner: Federica Galloni. Curator: Vincenzo Trione. Venue: Padiglione Italia, Tese delle Vergini at Arsenale

       

JAPAN

   

The Key in the Hand

   

Chiharu Shiota

   

Commissioner: The Japan Foundation. Deputy Commissioner: Yukihiro Ohira, Manako Kawata and Haruka Nakajima. Curator: Hitoshi Nakano. Venue : Pavilion at Giardini

       

KENYA

   

Creating Identities

   

Yvonne Apiyo Braendle-Amolo, Qin Feng, Shi Jinsong, Armando Tanzini, Li Zhanyang, Lan Zheng Hui, Li Gang, Double Fly Art Center

   

Commissioner: Paola Poponi. Curator: Sandro Orlandi Stagl. Deputy Curator: Ding Xuefeng. Venue: San Servolo Island

       

KOREA, Republic of

   

The Ways of Folding Space & Flying

   

MOON Kyungwon & JEON Joonho

   

Commissioner: Sook-Kyung Lee. Curator: Sook-Kyung Lee. Venue: Pavilion at Giardini

       

KOSOVO, Republic of

   

Speculating on the blue

   

Flaka Haliti

   

Commissioner: Ministry of Culture, Youth and Sports. Curator: Nicolaus Schafhausen. Deputy Curator: Katharina Schendl. Venue: Pavilion at Arsenale - Artiglierie

       

LATVIA

   

Armpit

   

Katrina Neiburga, Andris Eglitis

   

Commissioner: Solvita Krese (Latvian Centre for Contemporary Art). Deputy Commissioner: Kitija Vasiljeva. Curator: Kaspars Vanags. Venue: Pavilion at Arsenale

       

LITHUANIA

   

Museum

   

Dainius Liškevicius

   

Commissioner: Vytautas Michelkevicius. Deputy Commissioner: Rasa Antanaviciute. Curator: Vytautas Michelkevicius. Venue: Palazzo Zenobio, Fondamenta del Soccorso 2569, Dorsoduro

       

LUXEMBOURG, Grand Duchy of

   

Paradiso Lussemburgo

   

Filip Markiewicz

   

Commissioner: Ministry of Culture. Deputy Commissioner: MUDAM Luxembourg. Curator: Paul Ardenne. Venue: Cà Del Duca, Corte del Duca Sforza, San Marco 3052

       

MACEDONIA, Former Yugoslavian Republic of

   

We are all in this alone

   

Hristina Ivanoska and Yane Calovski

   

Commissioner: Maja Nedelkoska Brzanova, National Gallery of Macedonia. Deputy Commissioner: Olivija Stoilkova. Curator: Basak Senova. Deputy Curator: Maja Cankulovska Mihajlovska. Venue: Pavilion at Arsenale - Sale d’Armi

       

MAURITIUS *

   

From One Citizen You Gather an Idea

   

Sultana Haukim, Nirmal Hurry, Alix Le Juge, Olga Jürgenson, Helge Leiberg, Krishna Luchoomun, Neermala Luckeenarain, Kavinash Thomoo, Bik Van Der Pol, Laure Prouvost, Vitaly Pushnitsky, Römer + Römer

   

Commissioner: pARTage. Curators: Alfredo Cramerotti, Olga Jürgenson. Venue: Palazzo Flangini - Canareggio 252

       

MEXICO

   

Possesing Nature

   

Tania Candiani, Luis Felipe Ortega

   

Commissioner: Tomaso Radaelli. Deputy Commissioner: Magdalena Zavala Bonachea. Curator: Karla Jasso. Venue: Pavilion at Arsenale – Sale d’Armi

       

MONGOLIA *

   

Other Home

   

Enkhbold Togmidshiirev, Unen Enkh

   

Commissioner: Gantuya Badamgarav, MCASA. Curator: Uranchimeg Tsultemin. Scientific Committee: David A Ross, Boldbaatar Chultemin. Venue: European Cultural Centre - Palazzo Mora

       

MONTENEGRO

   

,,Ti ricordi Sjecaš li se You Remember "

   

Aleksandar Duravcevic

   

Commissioner/Curator: Anastazija Miranovic. Deputy Commissioner: Danica Bogojevic. Venue: Palazzo Malipiero (piano terra), San Marco 3078-3079/A, Ramo Malipiero

       

MOZAMBIQUE, Republic of *

   

Theme: Coexistence of Tradition and Modernity in Contemporary Mozambique

   

Mozambique Artists

   

Commissioner: Joel Matias Libombo. Deputy Commissioner: Gilberto Paulino Cossa. Curator: Comissariado-Geral para a Expo Milano 2015. Venue: Pavilion at Arsenale

       

NETHERLANDS, The

   

herman de vries - to be all ways to be

   

herman de vries

   

Commissioner: Mondriaan Fund. Curators: Colin Huizing, Cees de Boer. Venue: Pavilion ar Giardini

       

NEW ZEALAND

   

Secret Power

   

Simon Denny

   

Commissioner: Heather Galbraith. Curator: Robert Leonard. Venue: Biblioteca Nazionale Marciana, Marco Polo Airport

       

NORDIC PAVILION (NORWAY)

   

Camille Norment

   

Commissioner: OCA, Office for Contemporary Art Norway. Curator: Katya García-Antón. Deputy Curator: Antonio Cataldo. Venue: Pavilion at Giardini

       

PERU

   

Misplaced Ruins

   

Gilda Mantilla and Raimond Chaves

   

Commissioner: Armando Andrade de Lucio. Curator: Max Hernández-Calvo. Venue: Pavilion at Arsenale – Sale d’Armi

       

PHILIPPINES

   

Tie a String Around the World

   

Manuel Conde, Carlos Francisco, Manny Montelibano, Jose Tence Ruiz

   

Commissioner: National Commission for Culture and the Arts (NCCA), Felipe M. de Leon Jr. Curator: Patrick D. Flores. Venue: European Cultural Centre - Palazzo Mora

       

POLAND

   

Halka/Haiti. 18°48’05”N 72°23’01”W

   

C.T. Jasper, Joanna Malinowska

   

Commissioner: Hanna Wróblewska. Deputy Commissioner: Joanna Wasko. Curator: Magdalena Moskalewicz. Venue: Pavilion at Giardini

       

PORTUGAL

   

I Will Be Your Mirror / poems and problems

   

João Louro

   

Commissioner/Curator: María de Corral. Venue: Palazzo Loredan, campo S. Stefano

       

ROMANIA

   

Adrian Ghenie: Darwin’s Room

   

Adrian Ghenie

   

Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Mihai Pop. Venue: Pavilion at Giardini

       

Inventing the Truth. On Fiction and Reality

   

Michele Bressan, Carmen Dobre-Hametner, Alex Mirutziu, Lea Rasovszky, Stefan Sava, Larisa Sitar

   

Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Diana Marincu. Deputy Curators: Ephemair Association (Suzana Dan and Silvia Rogozea). Venue: New Gallery of the Romanian Institute for Culture and Humanistic Research in Venice

       

RUSSIA

   

The Green Pavilion

   

Irina Nakhova

   

Commissioner: Stella Kesaeva. Curator: Margarita Tupitsyn. Venue: Pavilion at Giardini

       

SERBIA

   

United Dead Nations

   

Ivan Grubanov

   

Commissioner: Lidija Merenik. Deputy Commissioner: Ana Bogdanovic. Curator: Lidija Merenik. Deputy Curator: Ana Bogdanovic. Scientific Committee: Jovan Despotovic. Venue: Pavilion at Giardini

       

SAN MARINO

   

Repubblica di San Marino “ Friendship Project “ China

   

Xu De Qi, Liu Dawei, Liu Ruo Wang, Ma Yuan, Li Lei, Zhang Hong Mei, Eleonora Mazza, Giuliano Giulianelli, Giancarlo Frisoni, Tony Margiotta, Elisa Monaldi, Valentina Pazzini

   

Commissioner: Istituti Culturali della Repubblica di San Marino. Curator: Vincenzo Sanfo. Venue: TBC

       

SEYCHELLES, Republic of *

   

A Clockwork Sunset

   

George Camille, Léon Wilma Loïs Radegonde

   

Commissioner: Seychelles Art Projects Foundation. Curators: Sarah J. McDonald, Victor Schaub Wong. Venue: European Cultural Centre - Palazzo Mora

       

SINGAPORE

   

Sea State

   

Charles Lim Yi Yong

   

Commissioner: Paul Tan, National Arts Council, Singapore. Curator: Shabbir Hussain Mustafa. Scientific Committee: Eugene Tan, Kathy Lai, Ahmad Bin Mashadi, June Yap, Emi Eu, Susie Lingham, Charles Merewether, Randy Chan. Venue: Pavilion at Arsenale – Sale d’Armi

       

SLOVENIA, Republic of

   

UTTER / The violent necessity for the embodied presence of hope

   

JAŠA

   

Commissioner: Simona Vidmar. Deputy Commissioner: Jure Kirbiš. Curators: Michele Drascek and Aurora Fonda. Venue: Pavilion at Arsenale - Artiglierie

       

SPAIN

   

Los Sujetos (The Subjects)

   

Pepo Salazar, Cabello/Carceller, Francesc Ruiz, + Salvador Dalí

   

Commissioner: Ministerio Asuntos Exteriores. Gobierno de España. Curator: Marti Manen. Venue: Pavilion at Giardini

       

SYRIAN ARAB REPUBLIC

   

Origini della civiltà

   

Narine Ali, Ehsan Alar, Felipe Cardeña, Fouad Dahdouh, Aldo Damioli, Svitlana Grebenyuk, Mauro Reggio, Liu Shuishi, Nass ouh Zaghlouleh, Andrea Zucchi, Helidon Xhixha

   

Commissioner: Christian Maretti. Curator: Duccio Trombadori. Venue: Redentore – Giudecca, San Servolo Island

       

SWEDEN

   

Excavation of the Image: Imprint, Shadow, Spectre, Thought

   

Lina Selander

   

Commissioner: Ann-Sofi Noring. Curator: Lena Essling. Venue: Pavilion at Arsenale

       

SWITZERLAND

   

Our Product

   

Pamela Rosenkranz

   

Commissioner: Swiss Arts Council Pro Helvetia, Sandi Paucic and Marianne Burki. Deputy-Commissioner: Swiss Arts Council Pro Helvetia, Rachele Giudici Legittimo. Curator: Susanne Pfeffer. Venue: Pavilion at Giardini

       

THAILAND

   

Earth, Air, Fire & Water

   

Kamol Tassananchalee

   

Commissioner: Chai Nakhonchai, Office of Contemporary Art and Culture (OCAC), Ministry of Culture. Curator: Richard David Garst. Deputy Curator: Pongdej Chaiyakut. Venue: Paradiso Gallerie, Giardini della Biennale, Castello 1260

       

TURKEY

   

Respiro

   

Sarkis

   

Commissioner: Istanbul Foundation for Culture and Arts. Curator: Defne Ayas. Deputy Curator: Ozge Ersoy. Venue: Pavilion at Arsenale – Sale d’Armi

       

TUVALU

   

Crossing the Tide

   

Vincent J.F. Huang

   

Commissioner: Taukelina Finikaso. Deputy Commissioner: Temate Melitiana. Curator: Thomas J. Berghuis. Scientific Committee: Andrea Bonifacio. Venue: Pavilion at Arsenale

       

UKRAINE

   

Hope!

   

Yevgenia Belorusets, Nikita Kadan, Zhanna Kadyrova, Mykola Ridnyi & SerhiyZhadan, Anna Zvyagintseva, Open Group, Artem Volokitin

   

Commissioner: Ministry of Culture. Curator: Björn Geldhof. Venue: Riva dei Sette Martiri

       

UNITED ARAB EMIRATES

   

1980 – Today: Exhibitions in the United Arab Emirates

   

Abdullah Al Saadi, Abdul Qader Al Rais, Abdulraheem Salim, Abdulrahman Zainal, Ahmed Al Ansari, Ahmed Sharif, Hassan Sharif, Mohamed Yousif, Mohammed Abdullah Bulhiah, Mohammed Al Qassab, Mohammed Kazem, Moosa Al Halyan, Najat Meky, Obaid Suroor, Salem Jawhar

   

Commissioner: Salama bint Hamdan Al Nahyan Foundation. Curator: Hoor Al Qasimi. Venue: Pavilion at Arsenale – Sale d'Armi

       

UNITED STATES OF AMERICA

   

Joan Jonas: They Come to Us Without a Word

   

Joan Jonas

   

Commissioner: Paul C. Ha. Deputy Commissioner: MIT List Visual Arts Center. Curators: Ute Meta Bauer, Paul C. Ha. Venue: Pavilion at Giardini

       

URUGUAY

   

Global Myopia II (Pencil & Paper)

   

Marco Maggi

   

Commissioner: Ricardo Pascale. Curator: Patricia Bentancour. Venue: Pavilion at Giardini

       

VENEZUELA, Bolivarian Republic of

   

Te doy mi palabra (I give you my word)

   

Argelia Bravo, Félix Molina (Flix)

   

Commissioner: Oscar Sotillo Meneses. Deputy Commissioner: Reinaldo Landaeta Díaz. Curator: Oscar Sotillo Meneses. Deputy Curator: Morella Jurado. Scientific Committee: Carlos Pou Ruan. Venue: Pavilion at Giardini

       

ZIMBABWE, Republic of

   

Pixels of Ubuntu/Unhu: - Exploring the social and cultural identities of the 21st century.

   

Chikonzero Chazunguza, Masimba Hwati, Gareth Nyandoro

   

Commissioner: Doreen Sibanda. Curator: Raphael Chikukwa. Deputy Curator: Tafadzwa Gwetai. Scientific Committee: Saki Mafundikwa, Biggie Samwanda, Fabian Kangai, Reverend Paul Damasane, Nontsikelelo Mutiti, Stephen Garan'anga, Dominic Benhura. Venue: Santa Maria della Pieta

       

ITALO-LATIN AMERICAN INSTITUTE

   

Voces Indígenas

   

Commissioner: Sylvia Irrazábal. Curator: Alfons Hug. Deputy Curator: Alberto Saraiva. Venue: Pavilion at Arsenale

   

ARGENTINA

   

Sofia Medici and Laura Kalauz

   

PLURINATIONAL STATE OF BOLIVIA

   

Sonia Falcone and José Laura Yapita

   

BRAZIL

   

Adriana Barreto

   

Paulo Nazareth

   

CHILE

   

Rainer Krause

   

COLOMBIA

   

León David Cobo,

   

María Cristina Rincón and Claudia Rodríguez

   

COSTA RICA

   

Priscilla Monge

   

ECUADOR

   

Fabiano Kueva

   

EL SALVADOR

   

Mauricio Kabistan

   

GUATEMALA

   

Sandra Monterroso

   

HAITI

   

Barbara Prézeau Stephenson

   

HONDURAS

   

Leonardo González

   

PANAMA

   

Humberto Vélez

   

NICARAGUA

   

Raúl Quintanilla

   

PARAGUAY

   

Erika Meza

   

Javier López

   

PERU

   

José Huamán Turpo

   

URUGUAY

   

Gustavo Tabares

       

Ellen Slegers

           

001 Inverso Mundus. AES+F

   

Magazzino del Sale n. 5, Dorsoduro, 265 (Fondamenta delle Zattere ai Saloni); Palazzo Nani Mocenigo, Dorsoduro, 960

   

May 9th – October 31st

   

Organization: VITRARIA Glass + A Museum

   

www.vitraria.com

   

www.inversomundus.com

       

Catalonia in Venice: Singularity

   

Cantieri Navali, Castello, 40 (Calle Quintavalle)

   

May 9th - November 22nd

   

Organization: Institut Ramon Llull

   

www.llull.cat

   

venezia2015.llull.cat

       

Conversion. Recycle Group

   

Chiesa di Sant’Antonin, Castello (Campo Sant’Antonin)

   

May 6th - October 31st

   

Organization: Moscow Museum of Modern Art

   

www.mmoma.ru/

       

Dansaekhwa

   

Palazzo Contarini-Polignac, Dorsoduro, 874 (Accademia)

   

May 7th – August 15th

   

Organization: The Boghossian Foundation

   

www.villaempain.com

       

Dispossession

   

Palazzo Donà Brusa, Campo San Polo, 2177

   

May 9th - November 22nd

   

Organization: European Capital of Culture Wroclaw 2016

   

wroclaw2016.pl/biennale/

       

EM15 presents Doug Fishbone’s Leisure Land Golf

   

Arsenale Docks, Castello, 40A, 40B, 41C

   

May 6th - July 26th

   

Organization: EM15

   

www.em15venice.co.uk

       

Eredità e Sperimentazione

   

Grand Hotel Hungaria & Ausonia, Viale Santa Maria Elisabetta, 28, Lido di Venezia

   

May 9th - November 22nd

   

Organization: Istituto Nazionale di BioArchitettura - Sezione di Padova

   

www.bioarchitettura.it

       

Frontiers Reimagined

   

Palazzo Grimani, Castello, 4858 (Ramo Grimani)

   

May 9th - November 22nd

   

Organization: Tagore Foundation International; Polo museale del Veneto

   

www.frontiersreimagined.org

       

Glasstress 2015 Gotika

   

Istituto Veneto di Scienze Lettere ed Arti, Palazzo Cavalli Franchetti, San Marco, 2847 (Campo Santo Stefano); Chiesa di Santa Maria della Visitazione, Centro Culturale Don Orione Artigianelli, Dorsoduro, 919 (Zattere); Fondazione Berengo, Campiello della Pescheria, 15, Murano;

   

May 9th — November 22nd

   

Organization: The State Hermitage Museum

   

www.hermitagemuseum.org

       

Graham Fagen: Scotland + Venice 2015

   

Palazzo Fontana, Cannaregio, 3829 (Strada Nova)

   

May 9th - November 22nd

   

Organization: Scotland + Venice

   

www.scotlandandvenice.com

       

Grisha Bruskin. An Archaeologist’s Collection

   

Former Chiesa di Santa Caterina, Cannaregio, 4941-4942

   

May 6th – November 22nd

   

Organization: Centro Studi sulle Arti della Russia (CSAR), Università Ca’ Foscari Venezia

   

www.unive.it/csar

       

Helen Sear, ... The Rest Is Smoke

   

Santa Maria Ausiliatrice, Castello, 450 (Fondamenta San Gioacchin)

   

May 9th - November 22nd

   

Organization: Cymru yn Fenis/Wales in Venice

   

www.walesinvenice.org.uk

       

Highway to Hell

   

Palazzo Michiel, Cannaregio, 4391/A (Strada Nova)

   

May 9th - November 22nd

   

Organization: Hubei Museum of Art

   

www.hbmoa.com

       

Humanistic Nature and Society (Shan-Shui) – An Insight into the Future

   

Palazzo Faccanon, San Marco, 5016 (Mercerie)

   

May 7th – August 4th

   

Organization: Shanghai Himalayas Museum

   

www.himalayasmuseum.org

       

In the Eye of the Thunderstorm: Effervescent Practices from the Arab World & South Asia

   

Dorsoduro, 417 (Zattere)

   

May 6th - November 15th

   

Organization: ArsCulture

   

www.arsculture.org/

   

www.eyeofthunderstorm.com

       

Italia Docet | Laboratorium- Artists, Participants, Testimonials and Activated Spectators

   

Palazzo Barbarigo Minotto, San Marco, 2504 (Fondamenta Duodo o Barbarigo)

   

May 9th – June 30th; September 11st – October 31st

   

Organization: Italian Art Motherboard Foundation (i-AM Foundation)

   

www.i-amfoundation.org

   

www.venicebiennale-italiadocet.org

       

Jaume Plensa: Together

   

Basilica di San Giorgio Maggiore, Isola di San Giorgio Maggiore

   

May 6th – November 22nd

   

Organization: Abbazia di San Giorgio Maggiore Benedicti Claustra Onlus

   

www.praglia.it

       

Jenny Holzer "War Paintings"

   

Museo Correr, San Marco, 52 (Piazza San Marco)

   

May 6th – November 22nd

   

Organization: The Written Art Foundation; Museo Correr, Fondazione Musei Civici di Venezia

   

www.writtenartfoundation.com

   

correr.visitmuve.it

       

Jump into the Unknown

   

Palazzo Loredan dell’Ambasciatore, Dorsoduro, 1261-1262

   

May 9th – June 18th

   

Organization: Nine Dragon Heads

   

9dh-venice.com

       

Learn from Masters

   

Palazzo Bembo, San Marco, 4793 (Riva del Carbon)

   

May 9th – November 22nd

   

Organization: Pan Tianshou Foundation

   

pantianshou.caa.edu.cn/foundation_en

       

My East is Your West

   

Palazzo Benzon, San Marco, 3927

   

May 6th – October 31st

   

Organization: The Gujral Foundation

   

www.gujralfoundation.org

               

Ornamentalism. The Purvitis Prize

   

Arsenale Nord, Tesa 99

   

May 9th – November 22nd

   

Organization: The Secretariat of the Latvian Presidency of the Council of the European Union in 2015

   

www.purvisabalva.lv/en/ornamentalism

       

Path and Adventure

   

Arsenale, Castello, 2126/A (Campo della Tana)

   

May 9th – November 22nd

   

Organization: The Civic and Municipal Affairs Bureau; The Macao Museum of Art; The Cultural Affairs Bureau

   

www.iacm.gov.mo

   

www.mam.gov.mo

   

www.icm.gov.mo

       

Patricia Cronin: Shrine for Girls, Venice

   

Chiesa di San Gallo, San Marco, 1103 (Campo San Gallo)

   

May 9th – November 22nd

   

Organization: Brooklyn Rail Curatorial Projects

   

curatorialprojects.brooklynrail.org

       

Roberto Sebastian Matta. Sculture

   

Giardino di Palazzo Soranzo Cappello, Soprintendenza BAP per le Province di Venezia, Belluno, Padova e Treviso, Santa Croce, 770 (Fondamenta Rio Marin)

   

May 9th – November 22nd

   

Organization: Fondazione Echaurren Salaris

   

www.fondazioneechaurrensalaris.it

   

www.maggioregam.com/56Biennale_Matta

       

Salon Suisse: S.O.S. Dada - The World Is A Mess

   

Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)

   

May 9th; June 4th - 6th; September 10th - 12th; October 15th - 17th; November 19th – 21st

   

Organization: Swiss Arts Council Pro Helvetia

   

www.prohelvetia.ch

   

www.biennials.ch

       

Sean Scully: Land Sea

   

Palazzo Falier, San Marco, 2906

   

May 9th – November 22nd

   

Organization: Fondazione Volume!

   

www.fondazionevolume.com

       

Sepphoris. Alessandro Valeri

   

Molino Stucky, interior atrium, Giudecca, 812

   

May 9th – November 22nd

   

Organization: Assessorato alla Cultura del Comune di Narni(TR); a Sidereal Space of Art; Satellite Berlin

   

www.sepphorisproject.org

       

Tesla Revisited

   

Palazzo Nani Mocenigo, Dorsoduro, 960

   

May 9th – October 18th

   

Organization: VITRARIA Glass + A Museum

   

www.vitraria.com/

       

The Bridges of Graffiti

   

Arterminal c/o Terminal San Basilio, Dorsoduro (Fondamenta Zattere al Ponte Lungo)

   

May 9th - November 22nd

   

Organization: Associazione Culturale Inossidabile

   

www.inossidabileac.com

       

The Dialogue of Fire. Ceramic and Glass Masters from Barcelona to Venice

   

Palazzo Tiepolo Passi, San Polo, 2774

   

May 6th - November 22nd

   

Organization: Fundaciò Artigas; ArsCulture

   

www.fundacio-artigas.com/

   

www.arsculture.org/

   

www.dialogueoffire.org

       

The Question of Beings

   

Istituto Santa Maria della Pietà, Castello, 3701

   

May 9th - November 22nd

   

Organization: Museum of Contemporary Art, Taipei (MoCA, Taipei)

   

www.mocataipei.org.tw

       

The Revenge of the Common Place

   

Università Ca' Foscari, Ca' Bernardo, Dorsoduro, 3199 (Calle Bernardo)

   

May 9th – September 30th

   

Organization: Vrije Universiteit Brussel (Free University Brussels-VUB)

   

www.vub.ac.be/

       

The Silver Lining. Contemporary Art from Liechtenstein and other Microstates

   

Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)

   

October 24th – November 1st

   

Organization: Kunstmuseum Liechtenstein

   

www.kunstmuseum.li

   

www.silverlining.li

       

The Sound of Creation. Paintings + Music by Beezy Bailey and Brian Eno

   

Conservatorio Benedetto Marcello, Palazzo Pisani, San Marco, 2810 (Campo Santo Stefano)

   

May 7th - November 22nd

   

Organization: ArsCulture

   

www.arsculture.org/

       

The Union of Fire and Water

   

Palazzo Barbaro, San Marco, 2840

   

May 9th - November 22nd

   

Organization: YARAT Contemporary Art Organisation

   

www.yarat.az

   

www.bakuvenice2015.com

       

Thirty Light Years - Theatre of Chinese Art

   

Palazzo Rossini, San Marco, 4013 (Campo Manin)

   

May 9th - November 22nd

   

Organization: GAC Global Art Center Foundation; The Guangdong Museum of Art

   

www.globalartcenter.org

   

www.gdmoa.org

       

Tsang Kin-Wah: The Infinite Nothing, Hong Kong in Venice

   

Arsenale, Castello, 2126 (Campo della Tana)

   

May 9th - November 22nd

   

Organization: M+, West Kowloon Cultural District; Hong Kong Arts Development Council

   

www.westkowloon.hk/en/mplus

   

www.hkadc.org.hk

   

www.venicebiennale.hk

       

Under the Surface, Newfoundland and Labrador at Venice

   

Galleria Ca' Rezzonico, Dorsoduro, 2793

   

May 9th - November 22nd

   

Organization: Terra Nova Art Foundation

   

tnaf.ca

       

Ursula von Rydingsvard

   

Giardino della Marinaressa, Castello (Riva dei Sette Martiri)

   

May 6th - November 22nd

   

Organization:Yorkshire Sculpture Park

   

www.ysp.co.uk

       

We Must Risk Delight: Twenty Artists from Los Angeles

   

Magazzino del Sale n. 3, Dorsoduro, 264 (Zattere)

   

May 7th - November 22nd

   

Organization: bardoLA

   

www.bardoLA.org

       

Wu Tien-Chang: Never Say Goodbye

   

Palazzo delle Prigioni, Castello, 4209 (San Marco)

   

May 9th - November 22nd

   

Organization: Taipei Fine Arts Museum of Taiwan

   

www.tfam.museum

   

Credit

 

🌿🌿🌿

 

Fashionnatic - Tamae Set

 

Pretty Damage - Bamboo Buddies

 

🌿🌿🌿

 

NEW ATTITUDE

New Attitude Blog

Twitter

Tumblr

Pinterest

Instagram

Flickr

Facebook

Primfeed

SecondPix

 

🌿🌿🌿

 

#Home #cozy #decor #art #fashion #style #portrait #homedecor #aesthetic #creative #lifestyle #photography #model #fashionphotography #design #mood #vibrant #PrettyDamage #Fashionnatic #Blogger #SecondLife #SL #Influencer #Avatar #Virtual #Game #Mode #Fashion #Event

Credit

 

Top : Vanilla Bae - Solana Top

 

Short : Justice - Minnie Shorts - Cosmopolitain

 

Tattoo : Kaos Tattoo - .:: > SELECTIVE Tattoo < ::.

 

NEW ATTITUDE

New Attitude Blog

Twitter

Tumblr

Pinterest

Instagram

Flickr

Facebook

Primfeed

 

#Home #cozy #decor #art #fashion #style #portrait #homedecor #aesthetic #creative #lifestyle #photography #model #fashionphotography #design #mood #vibrant #Event #Justice #Kaos.Tattoo #Tattoo #Cosmopolitain #Smokefest

Credit

 

Black.Flowers - Josie Top & Pants

 

Buxom - Salvador Heels - The Fifty

 

[QE Home] - Bermuda Sitting Room Full Set

 

Pose : Versuta. - Scally Pose

 

NEW ATTITUDE

New Attitude Blog

Twitter

Tumblr

Pinterest

Instagram

Flickr

Facebook

Primfeed

 

#Home #cozy #decor #art #fashion #style #portrait #homedecor #aesthetic #creative #lifestyle #photography #model #fashionphotography #design #mood #vibrant #people #Event #Versuta #Pose #QE #BlackFlowers #BUXOM #Heels

  

© All rights reserved.

 

The New Mexico Photography Field School Landscape Photography Class.

 

I am deeply grateful to my teacher Craig Varjabedian and his workshop assistant Jay Packer. They were wonderfully skilled guides in helping me to orient myself to the basics of landscape photography. Their understanding and grasp of technical and aesthetic aspects of picture taking and the ineffable mysteries of photography are simply awesome and a delight. www.photofieldschool.com/craig.html

  

Craig Varjabedian is a fine-art photographer of the lands and peoples of the American West and Southwest and is Director of the Field School. He was born in Canada and began photographing at the age of thirteen. He has subsequently sustained an artistic career spanning over thirty years, which began in earnest in 1971 and involved studies with Phil Davis at the University of Michigan and Paul Caponigro in Santa Fe. Varjabedian’s first one-man show was at the Albuquerque Museum in 1994. Since that time he has been widely exhibited in museums and galleries throughout the United States. Grants from the National Endowment for the Arts, the Samuel H. Kress Foundation and the McCune Charitable Foundation have been awarded to Varjabedian over the course of his photographic career in recognition of his powerful imagery. His pursuit of an intensely personal vision has culminated in images of moments made extraordinary by light and life. He approaches his subjects receptively, preferring to utilize an intuitive approach rather than arranging forms and recording surface details. In the final analysis, Varjabedian’s photographs allow viewers to share in the authentic experience of an artistic process which celebrates luminous and heartfelt experience.

 

Upcoming books of his photographs include Four & Twenty Photographs: Stories from Behind the Lens (Spring 2007) and a book on Ghost Ranch (Spring 2008), both with Santa Fe author Robin Jones, which will be available from the University of New Mexico Press. The late Beaumont Newhall, preeminent photographic historian, wrote, “The remarkable photographs by Craig Varjabedian are not only beautiful but also extremely valuable documents of architecture, culture, and lifestyle of Northern New Mexico.”

www.photofieldschool.com/craig.html

   

I took this photo at Ghost Ranch where Georgia O'keefe lived and painted. It is said that she claimed that if she painted a nearby mountain enough times god had told her that it would be hers. She is buried there. This is a spiritually and artistically inspiring awsome place.

 

Ghost Ranch was part of a land grant to Pedro Martin Serrano from the King of Spain in 1766. The grant was called Piedra Lumbre (shining rock). The name "Ghost Ranch", or the local name Rancho de los Brujos, was derived from the many tales of ghosts and legends of hangings in the Ranch's history.

  

"When I got to New Mexico, that was mine."

 

In this way Georgia O'Keeffe described her instant love for Northern New Mexico, a love that lasted the rest of her life. The time was 1917, the event was a trip O'Keeffe and her sister Claudia took to New Mexico and Colorado from their home in Canyon, Texas. Yet it was 12 years before O'Keeffe returned to New Mexico and even longer before she found her way into the beautiful valley that would eventually become her summer home.

 

In 1929 O'Keeffe went to Taos at the invitation of friends Dorothy Brett and Mabel Dodge Luhan. There she heard of Ghost Ranch and once even caught a tantalizing glimpse of it from a high plain. In 1934 she finally found the ranch but was dismayed to learn that it was a dude ranch owned by Arthur Pack. However, a place was available for her that night in Ghost House and she spent the entire summer at the ranch.

 

That established a pattern she would follow for years, summers at Ghost Ranch exploring on foot and on canvas the beauty of the place, winters in New York. Because she was basically a "loner," she soon sought Ghost Ranch housing that was somewhat isolated from the headquarters area. Pack offered to rent her his own residence called Rancho de los Burros; this suited her very well. One spring she arrived unexpectedly and found someone else in the house. She demanded to know what those people were doing in her house. When Pack pointed out that it wasn't her house, she insisted that he sell it to her. Thus she became the owner of a very small piece of Ghost Ranch land: a house and 7 acres. (In later years she told a ranch employee doing roadwork near her home, "I wanted enough land to keep a horse - all Arthur would sell me was enough for my sewer!")

 

But Rancho de los Burros was a summer place and also a desert one. O'Keeffe wanted a garden and a winter home. Eventually, she bought 3 acres in the village of Abiquiu. She spent 3 years remodeling and rebuilding the crumbling adobes before the place was fit for human habitation. After her husband, Alfred Stieglitz, died, O'Keeffe left New York to make Abiquiu her permanent home.

 

In 1955 Arthur and Phoebe Pack gave Ghost Ranch to the Presbyterian Church. O'Keeffe was aghast. The Packs should have sold her the ranch, she thought, and besides, she never cared much for Presbyterians anyway. Her precious privacy would be gone. However, from the very beginning of this new relationship the Presbyterians respected and tried to preserve the privacy of their famous neighbor. Visitors were told, as they are today, that Rancho de los Burros was on private land with no public access. Gradually her fears were allayed and the relationship grew warmer. Office personnel sometimes did secretarial work for her; Ghost Ranch folks replaced the pump on her well. O'Keeffe became friendly enough with long-time ranch director Jim Hall and his wife Ruth to have Christmas dinner with them.

 

She made a money gift toward construction of the Hall's retirement home on the ranch. When fire destroyed the headquarters building in 1983, O'Keeffe immediately made a gift of $50,000 and lent her name to a Challenge Fund for the Phoenix campaign which resulted in replacing the headquarters building and adding a Social Center and the Ruth Hall Museum.

 

During the last few years of her life O'Keeffe was unable to come to Ghost Ranch from Abiquiu. Eventually she moved to Santa Fe where she died in her 99th year, reclusive to the end. "I find people very difficult," she once said.

 

Ghost Ranch gave her the freedom to paint what she saw and felt. Knowledgeable visitors can look around and identify many of the scenes she painted. Red and gray hills like those across from the roadside park south of the ranch headquarters were frequent subjects. Kitchen Mesa at the upper end of the valley is an example of the red and yellow cliffs she painted many times. Pedernal, the flat-topped mountain to the south, was probably her favorite subject. "It's my private mountain," she frequently said. "God told me if I painted it often enough I could have it." And of course, the Ghost Ranch logo, used on everything from stationery to T-shirts, was adapted from an O'Keeffe drawing.

 

Credit

 

TANAKA - [TNK] SPIKEY EARMUFFS - Gothcore

 

Skin : Midori's - Yandra Skin - EVOX

 

Justice - Carrie Corset

 

NEW ATTITUDE

New Attitude Blog

Twitter

Tumblr

Pinterest

Instagram

Flickr

Facebook

Primfeed

 

#Home #cozy #decor #art #fashion #style #portrait #homedecor #aesthetic #creative #lifestyle #photography #model #fashionphotography #design #mood #vibrant #Justice #Midori's #Event #Skin #Tanaka #TNK #Gothcore

el.godfootsteps.org/videos/God-Himself-ii-part-four-word....

 

Τα λόγια του Θεού σε αυτό το βίντεο είναι από το βιβλίο «Ο Λόγος Ενσαρκώνεται». Το περιεχόμενο αυτού του βίντεο:

 

Η αληθινή μετάνοια στις καρδιές των κατοίκων της Νινευή κερδίζει το έλεος του Θεού και αλλάζει την ίδια την κατάληξή τους

 

Δεν σπανίζει το έλεος και η ανεκτικότητα του Θεού, όμως σπανίζει η αληθινή μετάνοια του ανθρώπου

 

Η δίκαιη διάθεση του δημιουργού είναι πραγματική και ζωντανή

 

Τα ειλικρινή αισθήματα του Δημιουργού απέναντι στην ανθρωπότητα

 

Ο Δημιουργός εκφράζει τα πραγματικά Του αισθήματα για την ανθρωπότητα

σύσταση:

η δευτέρα παρουσία

 

Πηγή εικόνας: Εκκλησία του Παντοδύναμου Θεού

Όροι Χρήσης: el.godfootsteps.org/disclaimer.html

Credit

 

roslyn. - Blanche Outfit

 

Backdrop : Blaink. - Miracle Street

 

NEW ATTITUDE

New Attitude Blog

Twitter

Tumblr

Pinterest

Instagram

Flickr

Facebook

Deviants Art

Primfeed

 

For Links to all Items please see my main blog: goddessslfashion.blogspot.com/2018/12/blog-155-mine.html

 

Sim Location: Home - Sorry not for visiting

Poses: Jess Poses - Couple 13

Ready for this news.... it's only 88Ls!!

So it has a script in the pose to hide the poseballs, but for some reason it doesn't work for me...

NO biggie! Follow these simple instructions: Right Click and Edit, then Sit.

Once you're sitting go to the Textures Tab in Edit and change transparency to 100%. Poses Gone!

This works on anything that's modifiable by the way.

To make them visible again, if you can't find them, type ctrl+alt+T

And type the same thing again to make all the red outlines go away 😁 Hope this helps!

 

Generals (Me):

Head: Lelutka Bento Head Chloe (In World Only)

Freckles Head: Izzie's Lelutka 2.0 Bento Freckles Applier

Eyes: AG. Celestial Eyes

Body: Maitreya Mesh Body - VLara 4.1 (In World Only)

Freckles Body: Izzie's Body Applier Freckles

Skin: Glam Affair - Cleo (In World Only)

Shape: Custom Pregnancy 24 Weeks Twins - Not for Sale

 

Top To Bottom (Me):

Hair: Truth Hair - VIP Joy (Christmas VIP 2018 - In World)

Eye Shadow/Liner & Lipstick: Alaskametro<3 - Noelle Makeup

Purchased at a Fair... somewhere. Possibly in World

Eyelashes/Liner: Flair - Eyelashes - Diva - LeLutka (Possibly in world was bought at a fair)

Necklace: iDealia - Elisa Necklace

Showing is the Fat Pack Version. There IS a Gift Christmas Version with no color changes!

Rings: Zaara - Siya Stacked Rings & Hand-Harness (In World)

4 colors available via HUD for metals - Multiple Gem Colors

Nails: Alaskametro<3 - Cosmic Nail Art

Outfit: YM Shop - Badza Outfit

Was on the Free wall in World

Sorry not sure if it still is or now but definitely worth looking!

Shoes: [Sheba] - Shania Heels

Awesome HUGE Hud included. Straps & Shoe Color Changes!

💖💖💖💖💖💖💖💖💖💖💖💖💖💖💖💖💖💖

Generals (Him):

Head: [GA.EG] Rick 2.0 Bento Mesh Head

Piercings: [GA.EG] Rick Bento Ball Piercings

Eyes: [GA.EG] Ultimate Eyes - EY01B Sweet Dreams Pack B

Body: [SIGNATURE] Gianni - Mesh Body v4.6a (In World Only)

Skin: [GA.EG] Hugo Body Skin Hairless

Shape: Custom - Not for Sale

 

Top To Bottom (Him):

Hair: Modulus - Alfie Hair - Browns (Uber Fair Sept/Oct 2018)

Tattoos: [MC] - Dragon Warrior Tattoo

Shirt: {Cold-Ash} - Mens Mesh Sawyer Denim Shirt

Jeans: L&B - Swear Patrol Denim Jeans

Shoes: L&B - Swear Low Top Sneakers - Male

Matching Female sneakers also available

Bracelet: Custom work for Vee, our friend, battling cancer

We're with you woman and you're in our thoughts and prayers!! We 💓 You!

traveladventureeverywhere.blogspot.com/2018/12/moscow-rus...

traveladventureeverywhere.blogspot.com/2020/08/holy-mosco...

 

..

 

.

 

.

 

.

 

.

 

.

  

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

  

ALBANIA

 

Albanian Trilogy: A Series of Devious Stratagems

 

Armando Lulaj

 

Commissioner: Ministry of Culture. Curator: Marco Scotini. Deputy Curator: Andris Brinkmanis. Venue: Pavilion at Arsenale

 

ANDORRA

 

Inner Landscapes

 

Roqué, Joan Xandri

 

Commissioner: Henry Périer. Deputy Commissioner: Joana Baygual, Sebastià Petit, Francesc Rodríguez

 

Curator: Paolo de Grandis, Josep M. Ubach. Venue: Spiazzi, Castello 3865

 

ANGOLA

 

On Ways of Travelling

 

António Ole, Binelde Hyrcan, Délio Jasse, Francisco Vidal, Nelo Teixeira

 

Commissioner: Ministry of Culture, Rita Guedes Tavares. Curator: António Ole. Deputy Curator: Antonia Gaeta. Venue: Conservatorio Benedetto Marcello - Palazzo Pisani, San Marco 2810

 

ARGENTINA

 

The Uprising of Form

 

Juan Carlos Diste´fano

 

Commissioner: Magdalena Faillace. Curator: Mari´a Teresa Constantin. Venue: Pavilion at Arsenale – Sale d’Armi

 

ARMENIA, Republic of

 

Armenity / Haiyutioun

 

Haig Aivazian, Lebanon; Nigol Bezjian, Syria/USA; Anna Boghiguian Egypt/Canada; Hera Büyüktasçiyan, Turkey; Silvina Der-Meguerditchian, Argentina/Germany; Rene Gabri & Ayreen Anastas, Iran/Palestine/USA; Mekhitar Garabedian, Belgium; Aikaterini Gegisian, Greece; Yervant Gianikian & Angela Ricci Lucchi, Italy; Aram Jibilian, USA; Nina Katchadourian, USA/Finland; Melik Ohanian, France; Mikayel Ohanjanyan, Armenia/Italy; Rosana Palazyan, Brazil; Sarkis, Turkey/France; Hrair Sarkissian, Syria/UK

 

Commissioner: Ministry of Culture of the Republic of Armenia. Deputy Commissioner: Art for the World, Mekhitarist Congregation of San Lazzaro Island, Embassy of the Republic of Armenia in Italy, Vartan Karapetian. Curator: Adelina Cüberyan von Fürstenberg. Venue: Monastery and Island of San Lazzaro degli Armeni

 

AUSTRALIA

 

Fiona Hall: Wrong Way Time

 

Fiona Hall

 

Commissioner: Simon Mordant AM. Deputy Commissioner: Charles Green. Curator: Linda Michael. Scientific Committee: Simon Mordant AM, Carolyn Christov-Bakargiev, Max Delany, Rachel Kent, Danie Mellor, Suhanya Raffel, Leigh Robb. Venue: Pavilion at Giardini

 

AUSTRIA

 

Heimo Zobernig

 

Commissioner: Yilmaz Dziewior. Curator: Yilmaz Dziewior. Scientific Committee: Friends of the Venice Biennale. Venue: Pavilion at Giardini

 

AZERBAIJAN, Republic of

 

Beyond the Line

 

Ashraf Murad, Javad Mirjavadov, Tofik Javadov, Rasim Babayev, Fazil Najafov, Huseyn Hagverdi, Shamil Najafzada

 

Commissioner: Heydar Aliyev Foundation. Curators: de Pury de Pury, Emin Mammadov. Venue: Palazzo Lezze, Campo S.Stefano, San Marco 2949

 

Vita Vitale

 

Edward Burtynsky, Mircea Cantor, Loris Cecchini, Gordon Cheung, Khalil Chishtee, Tony Cragg, Laura Ford, Noemie Goudal, Siobhán Hapaska, Paul Huxley, IDEA laboratory and Leyla Aliyeva, Chris Jordan with Rebecca Clark and Helena S.Eitel, Tania Kovats, Aida Mahmudova, Sayyora Muin, Jacco Olivier, Julian Opie, Julian Perry, Mike Perry, Bas Princen, Stephanie Quayle, Ugo Rondinone, Graham Stevens, Diana Thater, Andy Warhol, Bill Woodrow, Erwin Wurm, Rose Wylie

 

Commissioner: Heydar Aliyev Foundation. Curators: Artwise: Susie Allen, Laura Culpan, Dea Vanagan. Venue: Ca’ Garzoni, San Marco 3416

 

BELARUS, Republic of

 

War Witness Archive

 

Konstantin Selikhanov

 

Commissioner: Natallia Sharanhovich. Deputy Commissioners: Alena Vasileuskaya, Kamilia Yanushkevich. Curators: Aleksei Shinkarenko, Olga Rybchinskaya. Scientific Committee: Dmitry Korol, Daria Amelkovich, Julia Kondratyuk, Sergei Jeihala, Sheena Macfarlane, Yuliya Heisik, Hanna Samarskaya, Taras Kaliahin, Aliaksandr Stasevich. Venue: Riva San Biagio, Castello 2145

 

BELGIUM

 

Personnes et les autres

 

Vincent Meessen and Guests, Mathieu K. Abonnenc, Sammy Baloji, James Beckett, Elisabetta Benassi, Patrick Bernier & Olive Martin, Tamar Guimara~es & Kasper Akhøj, Maryam Jafri, Adam Pendleton

 

Commissioner: Wallonia-Brussels Federation and Wallonia-Brussels International. Curator: Katerina Gregos. Venue: Pavilion at Giardini

 

COSTA RICA

 

"Costa Rica, Paese di pace, invita a un linguaggio universale d'intesa tra i popoli".

 

Andrea Prandi, Beatrice Gallori, Beth Parin, Biagio Schembari, Carla Castaldo, Celestina Avanzini, Cesare Berlingeri, Erminio Tansini, Fabio Capitanio, Fausto Beretti, Giovan Battista Pedrazzini, Giovanni Lamberti, Giovanni Tenga, Iana Zanoskar, Jim Prescott, Leonardo Beccegato, Liliana Scocco, Lucia Bolzano, Marcela Vicuna, Marco Bellagamba, Marco Lodola, Maria Gioia dell’Aglio, Mario Bernardinello, Massimo Meucci, Nacha Piattini, Omar Ronda, Renzo Eusebi, Tita Patti, Romina Power, Rubens Fogacci, Silvio di Pietro, Stefano Sichel, Tino Stefanoni, Ufemia Ritz, Ugo Borlenghi, Umberto Mariani, Venere Chillemi, Jacqueline Gallicot Madar, Massimo Onnis, Fedora Spinelli

 

Commissioner: Ileana Ordonez Chacon. Curator: Gregorio Rossi. Venue: Palazzo Bollani

 

CROATIA

 

Studies on Shivering: The Third Degree

 

Damir Ocko

 

Commissioner: Ministry of Culture. Curator: Marc Bembekoff. Venue: Palazzo Pisani, S. Marina

 

CUBA

 

El artista entre la individualidad y el contexto

 

Lida Abdul, Celia-Yunior, Grethell Rasúa, Giuseppe Stampone, LinYilin, Luis Edgardo Gómez Armenteros, Olga Chernysheva, Susana Pilar Delahante Matienzo

 

Commissioner: Miria Vicini. Curators: Jorge Fernández Torres, Giacomo Zaza. Venue: San Servolo Island

 

CYPRUS, Republic of

 

Two Days After Forever

 

Christodoulos Panayiotou

 

Commissioner: Louli Michaelidou. Deputy Commissioner: Angela Skordi. Curator: Omar Kholeif. Deputy Curator: Daniella Rose King. Venue: Palazzo Malipiero, Sestiere San Marco 3079

 

CZECH Republic and SLOVAK Republic

 

Apotheosis

 

Jirí David

 

Commissioner: Adam Budak. Deputy Commissioner: Barbara Holomkova. Curator: Katarina Rusnakova. Venue: Pavilion at Giardini

 

ECUADOR

 

Gold Water: Apocalyptic Black Mirrors

 

Maria Veronica Leon Veintemilla in collaboration with Lucia Vallarino Peet

 

Commissioner: Andrea Gonzàlez Sanchez. Deputy Commissioner: PDG Arte Communications. Curator: Ileana Cornea. Deputy Curator: Maria Veronica Leon Veintemilla. Venue: Istituto Santa Maria della Pietà, Castello 3701

 

ESTONIA

 

NSFW. From the Abyss of History

 

Jaanus Samma

 

Commissioner: Maria Arusoo. Curator: Eugenio Viola. Venue: Palazzo Malipiero, campo San Samuele, San Marco 3199

 

EGYPT

 

CAN YOU SEE

 

Ahmed Abdel Fatah, Gamal Elkheshen, Maher Dawoud

 

Commissioner: Hany Al Ashkar. Curator: Ministry of Culture. Venue: Pavilion at Giardini

 

FINLAND (Pavilion Alvar Aalto)

 

Hours, Years, Aeons

 

IC-98

 

Commissioner: Frame Visual Art Finland, Raija Koli. Curator: Taru Elfving. Deputy Curator: Anna Virtanen. Venue: Pavilion at Giardini

 

FRANCE

 

revolutions

 

Céleste Boursier-Mougenot

 

Commissioner: Institut français, with Ministère de la Culture et de la Communication. Curator: Emma Lavigne. Venue: Pavilion at Giardini

 

GEORGIA

 

Crawling Border

 

Rusudan Gobejishvili Khizanishvili, Irakli Bluishvili, Dimitri Chikvaidze, Joseph Sabia

 

Commissioner: Ana Riaboshenko. Curator: Nia Mgaloblishvili. Venue: Pavilion at Arsenale – Sale d’Armi

 

GERMANY

 

Fabrik

 

Jasmina Metwaly / Philip Rizk, Olaf Nicolai, Hito Steyerl, Tobias Zielony

 

Commissioner: ifa (Institut für Auslandsbeziehungen) on behalf of the Federal Foreign Office. Deputy Commissioner: Elke aus dem Moore, Nina Hülsmeier. Curator: Florian Ebner. Deputy Curator: Tanja Milewsky, Ilina Koralova. Venue: Pavilion at Giardini

 

GREAT BRITAIN

 

Sarah Lucas

 

Commissioner: Emma Dexter. Curator: Richard Riley. Deputy Curator: Katrina Schwarz. Venue: Pavilion at Giardini

 

GRENADA *

 

Present Nearness

 

Oliver Benoit, Maria McClafferty, Asher Mains, Francesco Bosso and Carmine Ciccarini, Guiseppe Linardi

 

Commissioner: Ministry of Culture. Deputy Commissioner: Susan Mains. Curator: Susan Mains. Deputy Curator: Francesco Elisei. Venue: Opera don Orione Artigianelli, Sala Tiziano, Fondamenta delle Zattere ai Gesuati, Dorsoduro 919

 

GREECE

 

Why Look at Animals? AGRIMIKÁ.

 

Maria Papadimitriou

 

Commissioner: Hellenic Ministry of Culture, Education and Religious Affairs. Curator: Gabi Scardi. Deputy Curator: Alexios Papazacharias. Venue: Pavilion at Giardini

 

BRAZIL

 

So much that it doesn't fit here

 

Antonio Manuel, André Komatsu, Berna Reale

 

Commissioner: Luis Terepins. Curator: Luiz Camillo Osorio. Deputy Curator: Cauê Alves. Venue: Pavilion at Giardini

 

CANADA

 

Canadassimo

 

BGL

 

Commissioner: National Gallery of Canada, Marc Mayer. Deputy Commissioner: National Gallery of Canada, Yves Théoret. Curator: Marie Fraser. Venue: Pavilion at Giardini

 

CHILE

 

Poéticas de la disidencia | Poetics of dissent: Paz Errázuriz - Lotty Rosenfeld

 

Paz Errázuriz, Lotty Rosenfeld

 

Commissioner: Antonio Arèvalo. Deputy Commissioner: Juan Pablo Vergara Undurraga. Curator: Nelly Richard. Venue: Pavilion at Arsenale - Artiglierie

 

CHINA, People’s Republic of

 

Other Future

 

LIU Jiakun, LU Yang, TAN Dun, WEN Hui/Living Dance Studio, WU Wenguang/Caochangdi Work Station

 

Commissioner: China Arts and Entertainment Group, CAEG. Deputy Commissioners: Zhang Yu, Yan Dong. Curator: Beijing Contemporary Art Foundation. Scientific Committee: Fan Di’an, Zhang Zikang, Zhu Di, Gao Shiming, Zhu Qingsheng, Pu Tong, Shang Hui. Venue: Pavilion at Arsenale – Giardino delle Vergini

 

GUATEMALA

 

Sweet Death

 

Emma Anticoli Borza, Sabrina Bertolelli, Mariadolores Castellanos, Max Leiva, Pier Domenico Magri, Adriana Montalto, Elmar Rojas (Elmar René Rojas Azurdia), Paolo Schmidlin, Mónica Serra, Elsie Wunderlich, Collettivo La Grande Bouffe

 

Commissioner: Daniele Radini Tedeschi. Curators: Stefania Pieralice, Carlo Marraffa, Elsie Wunderlich. Deputy Curators: Luciano Carini, Simone Pieralice. Venue: Officina delle Zattere, Dorsoduro 947, Fondamenta Nani

 

HOLY SEE

 

Commissioner: Em.mo Card. Gianfranco Ravasi, Presidente del Pontificio Consiglio della Cultura. Venue: Pavilion at Arsenale – Sale d’Armi

 

HUNGARY

 

Sustainable Identities

 

Szilárd Cseke

 

Commissioner: Monika Balatoni. Deputy Commissioner: István Puskás, Sándor Fodor, Anna Karády. Curator: Kinga German. Venue: Pavilion at Giardini

 

ICELAND

 

Christoph Büchel

 

Commissioner: Björg Stefánsdóttir. Curator: Nína Magnúsdóttir. Venue: to be confirmed

 

INDONESIA, Republic of

 

Komodo Voyage

 

Heri Dono

 

Commissioner: Sapta Nirwandar. Deputy Commissioner: Soedarmadji JH Damais. Curator: Carla Bianpoen, Restu Imansari Kusumaningrum. Scientific Committee: Franco Laera, Asmudjo Jono Irianto, Watie Moerany, Elisabetta di Mambro. Venue: Venue: Arsenale

 

IRAN

 

Iranian Highlights

 

Samira Alikhanzaradeh, Mahmoud Bakhshi Moakhar, Jamshid Bayrami, Mohammed Ehsai

 

The Great Game

 

Lida Abdul, Bani Abidi, Adel Abidin, Amin Agheai, Ghodratollah Agheli, Shahriar Ahmadi, Parastou Ahovan, Farhad Ahrarnia, Rashad Alakbarov, Nazgol Ansarinia, Reza Aramesh, Alireza Astaneh, Sonia Balassanian, Mahmoud Bakhshi, Moakhar Wafaa Bilal, Mehdi Farhadian, Monir Farmanfarmaian, Shadi Ghadirian, Babak Golkar, Shilpa Gupta, Ghasem Hajizadeh, Shamsia Hassani, Sahand Hesamiyan, Sitara Ibrahimova, Pouran Jinchi, Amar Kanwar, Babak Kazemi, Ryas Komu, Ahmad Morshedloo, Farhad Moshiri, Mehrdad Mohebali, Huma Mulji, Azad Nanakeli, Jamal Penjweny, Imran Qureshi, Sara Rahbar, Rashid Rana, T.V. Santhosh, Walid Siti, Mohsen Taasha Wahidi, Mitra Tabrizian, Parviz Tanavoli, Newsha Tavakolian, Sadegh Tirafkan, Hema Upadhyay, Saira Wasim

 

Commissioner: Majid Mollanooruzi. Deputy Commissioners: Marco Meneguzzo, Mazdak Faiznia. Curators: Marco Meneguzzo, Mazdak Faiznia. Venue: Calle San Giovanni 1074/B, Cannaregio

 

IRAQ

 

Commissioner: Ruya Foundation for Contemporary Culture in Iraq (RUYA). Deputy Commissioner: Nuova Icona - Associazione Culturale per le Arti. Curator: Philippe Van Cauteren. Venue: Ca' Dandolo, San Polo 2879

 

IRELAND

 

Adventure: Capital

 

Sean Lynch

 

Commissioner: Mike Fitzpatrick. Curator: Woodrow Kernohan. Venue: Pavilion at Arsenale - Artiglierie

 

ISRAEL

 

Tsibi Geva | Archeology of the Present

 

Tsibi Geva

 

Commissioner: Arad Turgem, Michael Gov. Curator: Hadas Maor. Venue: Pavilion at Giardini

   

ITALY

 

Ministero dei Beni e delle attività culturali e del turismo - Direzione Generale Arte e Architettura Contemporanee e Periferie Urbane. Commissioner: Federica Galloni. Curator: Vincenzo Trione. Venue: Padiglione Italia, Tese delle Vergini at Arsenale

   

JAPAN

 

The Key in the Hand

 

Chiharu Shiota

 

Commissioner: The Japan Foundation. Deputy Commissioner: Yukihiro Ohira, Manako Kawata and Haruka Nakajima. Curator: Hitoshi Nakano. Venue : Pavilion at Giardini

   

KENYA

 

Creating Identities

 

Yvonne Apiyo Braendle-Amolo, Qin Feng, Shi Jinsong, Armando Tanzini, Li Zhanyang, Lan Zheng Hui, Li Gang, Double Fly Art Center

 

Commissioner: Paola Poponi. Curator: Sandro Orlandi Stagl. Deputy Curator: Ding Xuefeng. Venue: San Servolo Island

   

KOREA, Republic of

 

The Ways of Folding Space & Flying

 

MOON Kyungwon & JEON Joonho

 

Commissioner: Sook-Kyung Lee. Curator: Sook-Kyung Lee. Venue: Pavilion at Giardini

   

KOSOVO, Republic of

 

Speculating on the blue

 

Flaka Haliti

 

Commissioner: Ministry of Culture, Youth and Sports. Curator: Nicolaus Schafhausen. Deputy Curator: Katharina Schendl. Venue: Pavilion at Arsenale - Artiglierie

   

LATVIA

 

Armpit

 

Katrina Neiburga, Andris Eglitis

 

Commissioner: Solvita Krese (Latvian Centre for Contemporary Art). Deputy Commissioner: Kitija Vasiljeva. Curator: Kaspars Vanags. Venue: Pavilion at Arsenale

   

LITHUANIA

 

Museum

 

Dainius Liškevicius

 

Commissioner: Vytautas Michelkevicius. Deputy Commissioner: Rasa Antanaviciute. Curator: Vytautas Michelkevicius. Venue: Palazzo Zenobio, Fondamenta del Soccorso 2569, Dorsoduro

   

LUXEMBOURG, Grand Duchy of

 

Paradiso Lussemburgo

 

Filip Markiewicz

 

Commissioner: Ministry of Culture. Deputy Commissioner: MUDAM Luxembourg. Curator: Paul Ardenne. Venue: Cà Del Duca, Corte del Duca Sforza, San Marco 3052

   

MACEDONIA, Former Yugoslavian Republic of

 

We are all in this alone

 

Hristina Ivanoska and Yane Calovski

 

Commissioner: Maja Nedelkoska Brzanova, National Gallery of Macedonia. Deputy Commissioner: Olivija Stoilkova. Curator: Basak Senova. Deputy Curator: Maja Cankulovska Mihajlovska. Venue: Pavilion at Arsenale - Sale d’Armi

   

MAURITIUS *

 

From One Citizen You Gather an Idea

 

Sultana Haukim, Nirmal Hurry, Alix Le Juge, Olga Jürgenson, Helge Leiberg, Krishna Luchoomun, Neermala Luckeenarain, Kavinash Thomoo, Bik Van Der Pol, Laure Prouvost, Vitaly Pushnitsky, Römer + Römer

 

Commissioner: pARTage. Curators: Alfredo Cramerotti, Olga Jürgenson. Venue: Palazzo Flangini - Canareggio 252

   

MEXICO

 

Possesing Nature

 

Tania Candiani, Luis Felipe Ortega

 

Commissioner: Tomaso Radaelli. Deputy Commissioner: Magdalena Zavala Bonachea. Curator: Karla Jasso. Venue: Pavilion at Arsenale – Sale d’Armi

   

MONGOLIA *

 

Other Home

 

Enkhbold Togmidshiirev, Unen Enkh

 

Commissioner: Gantuya Badamgarav, MCASA. Curator: Uranchimeg Tsultemin. Scientific Committee: David A Ross, Boldbaatar Chultemin. Venue: European Cultural Centre - Palazzo Mora

   

MONTENEGRO

 

,,Ti ricordi Sjecaš li se You Remember "

 

Aleksandar Duravcevic

 

Commissioner/Curator: Anastazija Miranovic. Deputy Commissioner: Danica Bogojevic. Venue: Palazzo Malipiero (piano terra), San Marco 3078-3079/A, Ramo Malipiero

   

MOZAMBIQUE, Republic of *

 

Theme: Coexistence of Tradition and Modernity in Contemporary Mozambique

 

Mozambique Artists

 

Commissioner: Joel Matias Libombo. Deputy Commissioner: Gilberto Paulino Cossa. Curator: Comissariado-Geral para a Expo Milano 2015. Venue: Pavilion at Arsenale

   

NETHERLANDS, The

 

herman de vries - to be all ways to be

 

herman de vries

 

Commissioner: Mondriaan Fund. Curators: Colin Huizing, Cees de Boer. Venue: Pavilion ar Giardini

   

NEW ZEALAND

 

Secret Power

 

Simon Denny

 

Commissioner: Heather Galbraith. Curator: Robert Leonard. Venue: Biblioteca Nazionale Marciana, Marco Polo Airport

   

NORDIC PAVILION (NORWAY)

 

Camille Norment

 

Commissioner: OCA, Office for Contemporary Art Norway. Curator: Katya García-Antón. Deputy Curator: Antonio Cataldo. Venue: Pavilion at Giardini

   

PERU

 

Misplaced Ruins

 

Gilda Mantilla and Raimond Chaves

 

Commissioner: Armando Andrade de Lucio. Curator: Max Hernández-Calvo. Venue: Pavilion at Arsenale – Sale d’Armi

   

PHILIPPINES

 

Tie a String Around the World

 

Manuel Conde, Carlos Francisco, Manny Montelibano, Jose Tence Ruiz

 

Commissioner: National Commission for Culture and the Arts (NCCA), Felipe M. de Leon Jr. Curator: Patrick D. Flores. Venue: European Cultural Centre - Palazzo Mora

   

POLAND

 

Halka/Haiti. 18°48’05”N 72°23’01”W

 

C.T. Jasper, Joanna Malinowska

 

Commissioner: Hanna Wróblewska. Deputy Commissioner: Joanna Wasko. Curator: Magdalena Moskalewicz. Venue: Pavilion at Giardini

   

PORTUGAL

 

I Will Be Your Mirror / poems and problems

 

João Louro

 

Commissioner/Curator: María de Corral. Venue: Palazzo Loredan, campo S. Stefano

   

ROMANIA

 

Adrian Ghenie: Darwin’s Room

 

Adrian Ghenie

 

Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Mihai Pop. Venue: Pavilion at Giardini

   

Inventing the Truth. On Fiction and Reality

 

Michele Bressan, Carmen Dobre-Hametner, Alex Mirutziu, Lea Rasovszky, Stefan Sava, Larisa Sitar

 

Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Diana Marincu. Deputy Curators: Ephemair Association (Suzana Dan and Silvia Rogozea). Venue: New Gallery of the Romanian Institute for Culture and Humanistic Research in Venice

   

RUSSIA

 

The Green Pavilion

 

Irina Nakhova

 

Commissioner: Stella Kesaeva. Curator: Margarita Tupitsyn. Venue: Pavilion at Giardini

   

SERBIA

 

United Dead Nations

 

Ivan Grubanov

 

Commissioner: Lidija Merenik. Deputy Commissioner: Ana Bogdanovic. Curator: Lidija Merenik. Deputy Curator: Ana Bogdanovic. Scientific Committee: Jovan Despotovic. Venue: Pavilion at Giardini

   

SAN MARINO

 

Repubblica di San Marino “ Friendship Project “ China

 

Xu De Qi, Liu Dawei, Liu Ruo Wang, Ma Yuan, Li Lei, Zhang Hong Mei, Eleonora Mazza, Giuliano Giulianelli, Giancarlo Frisoni, Tony Margiotta, Elisa Monaldi, Valentina Pazzini

 

Commissioner: Istituti Culturali della Repubblica di San Marino. Curator: Vincenzo Sanfo. Venue: TBC

   

SEYCHELLES, Republic of *

 

A Clockwork Sunset

 

George Camille, Léon Wilma Loïs Radegonde

 

Commissioner: Seychelles Art Projects Foundation. Curators: Sarah J. McDonald, Victor Schaub Wong. Venue: European Cultural Centre - Palazzo Mora

   

SINGAPORE

 

Sea State

 

Charles Lim Yi Yong

 

Commissioner: Paul Tan, National Arts Council, Singapore. Curator: Shabbir Hussain Mustafa. Scientific Committee: Eugene Tan, Kathy Lai, Ahmad Bin Mashadi, June Yap, Emi Eu, Susie Lingham, Charles Merewether, Randy Chan. Venue: Pavilion at Arsenale – Sale d’Armi

   

SLOVENIA, Republic of

 

UTTER / The violent necessity for the embodied presence of hope

 

JAŠA

 

Commissioner: Simona Vidmar. Deputy Commissioner: Jure Kirbiš. Curators: Michele Drascek and Aurora Fonda. Venue: Pavilion at Arsenale - Artiglierie

   

SPAIN

 

Los Sujetos (The Subjects)

 

Pepo Salazar, Cabello/Carceller, Francesc Ruiz, + Salvador Dalí

 

Commissioner: Ministerio Asuntos Exteriores. Gobierno de España. Curator: Marti Manen. Venue: Pavilion at Giardini

   

SYRIAN ARAB REPUBLIC

 

Origini della civiltà

 

Narine Ali, Ehsan Alar, Felipe Cardeña, Fouad Dahdouh, Aldo Damioli, Svitlana Grebenyuk, Mauro Reggio, Liu Shuishi, Nass ouh Zaghlouleh, Andrea Zucchi, Helidon Xhixha

 

Commissioner: Christian Maretti. Curator: Duccio Trombadori. Venue: Redentore – Giudecca, San Servolo Island

   

SWEDEN

 

Excavation of the Image: Imprint, Shadow, Spectre, Thought

 

Lina Selander

 

Commissioner: Ann-Sofi Noring. Curator: Lena Essling. Venue: Pavilion at Arsenale

   

SWITZERLAND

 

Our Product

 

Pamela Rosenkranz

 

Commissioner: Swiss Arts Council Pro Helvetia, Sandi Paucic and Marianne Burki. Deputy-Commissioner: Swiss Arts Council Pro Helvetia, Rachele Giudici Legittimo. Curator: Susanne Pfeffer. Venue: Pavilion at Giardini

   

THAILAND

 

Earth, Air, Fire & Water

 

Kamol Tassananchalee

 

Commissioner: Chai Nakhonchai, Office of Contemporary Art and Culture (OCAC), Ministry of Culture. Curator: Richard David Garst. Deputy Curator: Pongdej Chaiyakut. Venue: Paradiso Gallerie, Giardini della Biennale, Castello 1260

   

TURKEY

 

Respiro

 

Sarkis

 

Commissioner: Istanbul Foundation for Culture and Arts. Curator: Defne Ayas. Deputy Curator: Ozge Ersoy. Venue: Pavilion at Arsenale – Sale d’Armi

   

TUVALU

 

Crossing the Tide

 

Vincent J.F. Huang

 

Commissioner: Taukelina Finikaso. Deputy Commissioner: Temate Melitiana. Curator: Thomas J. Berghuis. Scientific Committee: Andrea Bonifacio. Venue: Pavilion at Arsenale

   

UKRAINE

 

Hope!

 

Yevgenia Belorusets, Nikita Kadan, Zhanna Kadyrova, Mykola Ridnyi & SerhiyZhadan, Anna Zvyagintseva, Open Group, Artem Volokitin

 

Commissioner: Ministry of Culture. Curator: Björn Geldhof. Venue: Riva dei Sette Martiri

   

UNITED ARAB EMIRATES

 

1980 – Today: Exhibitions in the United Arab Emirates

 

Abdullah Al Saadi, Abdul Qader Al Rais, Abdulraheem Salim, Abdulrahman Zainal, Ahmed Al Ansari, Ahmed Sharif, Hassan Sharif, Mohamed Yousif, Mohammed Abdullah Bulhiah, Mohammed Al Qassab, Mohammed Kazem, Moosa Al Halyan, Najat Meky, Obaid Suroor, Salem Jawhar

 

Commissioner: Salama bint Hamdan Al Nahyan Foundation. Curator: Hoor Al Qasimi. Venue: Pavilion at Arsenale – Sale d'Armi

   

UNITED STATES OF AMERICA

 

Joan Jonas: They Come to Us Without a Word

 

Joan Jonas

 

Commissioner: Paul C. Ha. Deputy Commissioner: MIT List Visual Arts Center. Curators: Ute Meta Bauer, Paul C. Ha. Venue: Pavilion at Giardini

   

URUGUAY

 

Global Myopia II (Pencil & Paper)

 

Marco Maggi

 

Commissioner: Ricardo Pascale. Curator: Patricia Bentancour. Venue: Pavilion at Giardini

   

VENEZUELA, Bolivarian Republic of

 

Te doy mi palabra (I give you my word)

 

Argelia Bravo, Félix Molina (Flix)

 

Commissioner: Oscar Sotillo Meneses. Deputy Commissioner: Reinaldo Landaeta Díaz. Curator: Oscar Sotillo Meneses. Deputy Curator: Morella Jurado. Scientific Committee: Carlos Pou Ruan. Venue: Pavilion at Giardini

   

ZIMBABWE, Republic of

 

Pixels of Ubuntu/Unhu: - Exploring the social and cultural identities of the 21st century.

 

Chikonzero Chazunguza, Masimba Hwati, Gareth Nyandoro

 

Commissioner: Doreen Sibanda. Curator: Raphael Chikukwa. Deputy Curator: Tafadzwa Gwetai. Scientific Committee: Saki Mafundikwa, Biggie Samwanda, Fabian Kangai, Reverend Paul Damasane, Nontsikelelo Mutiti, Stephen Garan'anga, Dominic Benhura. Venue: Santa Maria della Pieta

   

ITALO-LATIN AMERICAN INSTITUTE

 

Voces Indígenas

 

Commissioner: Sylvia Irrazábal. Curator: Alfons Hug. Deputy Curator: Alberto Saraiva. Venue: Pavilion at Arsenale

 

ARGENTINA

 

Sofia Medici and Laura Kalauz

 

PLURINATIONAL STATE OF BOLIVIA

 

Sonia Falcone and José Laura Yapita

 

BRAZIL

 

Adriana Barreto

 

Paulo Nazareth

 

CHILE

 

Rainer Krause

 

COLOMBIA

 

León David Cobo,

 

María Cristina Rincón and Claudia Rodríguez

 

COSTA RICA

 

Priscilla Monge

 

ECUADOR

 

Fabiano Kueva

 

EL SALVADOR

 

Mauricio Kabistan

 

GUATEMALA

 

Sandra Monterroso

 

HAITI

 

Barbara Prézeau Stephenson

 

HONDURAS

 

Leonardo González

 

PANAMA

 

Humberto Vélez

 

NICARAGUA

 

Raúl Quintanilla

 

PARAGUAY

 

Erika Meza

 

Javier López

 

PERU

 

José Huamán Turpo

 

URUGUAY

 

Gustavo Tabares

   

Ellen Slegers

     

001 Inverso Mundus. AES+F

 

Magazzino del Sale n. 5, Dorsoduro, 265 (Fondamenta delle Zattere ai Saloni); Palazzo Nani Mocenigo, Dorsoduro, 960

 

May 9th – October 31st

 

Organization: VITRARIA Glass + A Museum

 

www.vitraria.com

 

www.inversomundus.com

   

Catalonia in Venice: Singularity

 

Cantieri Navali, Castello, 40 (Calle Quintavalle)

 

May 9th - November 22nd

 

Organization: Institut Ramon Llull

 

www.llull.cat

 

venezia2015.llull.cat

   

Conversion. Recycle Group

 

Chiesa di Sant’Antonin, Castello (Campo Sant’Antonin)

 

May 6th - October 31st

 

Organization: Moscow Museum of Modern Art

 

www.mmoma.ru/

   

Dansaekhwa

 

Palazzo Contarini-Polignac, Dorsoduro, 874 (Accademia)

 

May 7th – August 15th

 

Organization: The Boghossian Foundation

 

www.villaempain.com

   

Dispossession

 

Palazzo Donà Brusa, Campo San Polo, 2177

 

May 9th - November 22nd

 

Organization: European Capital of Culture Wroclaw 2016

 

wroclaw2016.pl/biennale/

   

EM15 presents Doug Fishbone’s Leisure Land Golf

 

Arsenale Docks, Castello, 40A, 40B, 41C

 

May 6th - July 26th

 

Organization: EM15

 

www.em15venice.co.uk

   

Eredità e Sperimentazione

 

Grand Hotel Hungaria & Ausonia, Viale Santa Maria Elisabetta, 28, Lido di Venezia

 

May 9th - November 22nd

 

Organization: Istituto Nazionale di BioArchitettura - Sezione di Padova

 

www.bioarchitettura.it

   

Frontiers Reimagined

 

Palazzo Grimani, Castello, 4858 (Ramo Grimani)

 

May 9th - November 22nd

 

Organization: Tagore Foundation International; Polo museale del Veneto

 

www.frontiersreimagined.org

   

Glasstress 2015 Gotika

 

Istituto Veneto di Scienze Lettere ed Arti, Palazzo Cavalli Franchetti, San Marco, 2847 (Campo Santo Stefano); Chiesa di Santa Maria della Visitazione, Centro Culturale Don Orione Artigianelli, Dorsoduro, 919 (Zattere); Fondazione Berengo, Campiello della Pescheria, 15, Murano;

 

May 9th — November 22nd

 

Organization: The State Hermitage Museum

 

www.hermitagemuseum.org

   

Graham Fagen: Scotland + Venice 2015

 

Palazzo Fontana, Cannaregio, 3829 (Strada Nova)

 

May 9th - November 22nd

 

Organization: Scotland + Venice

 

www.scotlandandvenice.com

   

Grisha Bruskin. An Archaeologist’s Collection

 

Former Chiesa di Santa Caterina, Cannaregio, 4941-4942

 

May 6th – November 22nd

 

Organization: Centro Studi sulle Arti della Russia (CSAR), Università Ca’ Foscari Venezia

 

www.unive.it/csar

   

Helen Sear, ... The Rest Is Smoke

 

Santa Maria Ausiliatrice, Castello, 450 (Fondamenta San Gioacchin)

 

May 9th - November 22nd

 

Organization: Cymru yn Fenis/Wales in Venice

 

www.walesinvenice.org.uk

   

Highway to Hell

 

Palazzo Michiel, Cannaregio, 4391/A (Strada Nova)

 

May 9th - November 22nd

 

Organization: Hubei Museum of Art

 

www.hbmoa.com

   

Humanistic Nature and Society (Shan-Shui) – An Insight into the Future

 

Palazzo Faccanon, San Marco, 5016 (Mercerie)

 

May 7th – August 4th

 

Organization: Shanghai Himalayas Museum

 

www.himalayasmuseum.org

   

In the Eye of the Thunderstorm: Effervescent Practices from the Arab World & South Asia

 

Dorsoduro, 417 (Zattere)

 

May 6th - November 15th

 

Organization: ArsCulture

 

www.arsculture.org/

 

www.eyeofthunderstorm.com

   

Italia Docet | Laboratorium- Artists, Participants, Testimonials and Activated Spectators

 

Palazzo Barbarigo Minotto, San Marco, 2504 (Fondamenta Duodo o Barbarigo)

 

May 9th – June 30th; September 11st – October 31st

 

Organization: Italian Art Motherboard Foundation (i-AM Foundation)

 

www.i-amfoundation.org

 

www.venicebiennale-italiadocet.org

   

Jaume Plensa: Together

 

Basilica di San Giorgio Maggiore, Isola di San Giorgio Maggiore

 

May 6th – November 22nd

 

Organization: Abbazia di San Giorgio Maggiore Benedicti Claustra Onlus

 

www.praglia.it

   

Jenny Holzer "War Paintings"

 

Museo Correr, San Marco, 52 (Piazza San Marco)

 

May 6th – November 22nd

 

Organization: The Written Art Foundation; Museo Correr, Fondazione Musei Civici di Venezia

 

www.writtenartfoundation.com

 

correr.visitmuve.it

   

Jump into the Unknown

 

Palazzo Loredan dell’Ambasciatore, Dorsoduro, 1261-1262

 

May 9th – June 18th

 

Organization: Nine Dragon Heads

 

9dh-venice.com

   

Learn from Masters

 

Palazzo Bembo, San Marco, 4793 (Riva del Carbon)

 

May 9th – November 22nd

 

Organization: Pan Tianshou Foundation

 

pantianshou.caa.edu.cn/foundation_en

   

My East is Your West

 

Palazzo Benzon, San Marco, 3927

 

May 6th – October 31st

 

Organization: The Gujral Foundation

 

www.gujralfoundation.org

       

Ornamentalism. The Purvitis Prize

 

Arsenale Nord, Tesa 99

 

May 9th – November 22nd

 

Organization: The Secretariat of the Latvian Presidency of the Council of the European Union in 2015

 

www.purvisabalva.lv/en/ornamentalism

   

Path and Adventure

 

Arsenale, Castello, 2126/A (Campo della Tana)

 

May 9th – November 22nd

 

Organization: The Civic and Municipal Affairs Bureau; The Macao Museum of Art; The Cultural Affairs Bureau

 

www.iacm.gov.mo

 

www.mam.gov.mo

 

www.icm.gov.mo

   

Patricia Cronin: Shrine for Girls, Venice

 

Chiesa di San Gallo, San Marco, 1103 (Campo San Gallo)

 

May 9th – November 22nd

 

Organization: Brooklyn Rail Curatorial Projects

 

curatorialprojects.brooklynrail.org

   

Roberto Sebastian Matta. Sculture

 

Giardino di Palazzo Soranzo Cappello, Soprintendenza BAP per le Province di Venezia, Belluno, Padova e Treviso, Santa Croce, 770 (Fondamenta Rio Marin)

 

May 9th – November 22nd

 

Organization: Fondazione Echaurren Salaris

 

www.fondazioneechaurrensalaris.it

 

www.maggioregam.com/56Biennale_Matta

   

Salon Suisse: S.O.S. Dada - The World Is A Mess

 

Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)

 

May 9th; June 4th - 6th; September 10th - 12th; October 15th - 17th; November 19th – 21st

 

Organization: Swiss Arts Council Pro Helvetia

 

www.prohelvetia.ch

 

www.biennials.ch

   

Sean Scully: Land Sea

 

Palazzo Falier, San Marco, 2906

 

May 9th – November 22nd

 

Organization: Fondazione Volume!

 

www.fondazionevolume.com

   

Sepphoris. Alessandro Valeri

 

Molino Stucky, interior atrium, Giudecca, 812

 

May 9th – November 22nd

 

Organization: Assessorato alla Cultura del Comune di Narni(TR); a Sidereal Space of Art; Satellite Berlin

 

www.sepphorisproject.org

   

Tesla Revisited

 

Palazzo Nani Mocenigo, Dorsoduro, 960

 

May 9th – October 18th

 

Organization: VITRARIA Glass + A Museum

 

www.vitraria.com/

   

The Bridges of Graffiti

 

Arterminal c/o Terminal San Basilio, Dorsoduro (Fondamenta Zattere al Ponte Lungo)

 

May 9th - November 22nd

 

Organization: Associazione Culturale Inossidabile

 

www.inossidabileac.com

   

The Dialogue of Fire. Ceramic and Glass Masters from Barcelona to Venice

 

Palazzo Tiepolo Passi, San Polo, 2774

 

May 6th - November 22nd

 

Organization: Fundaciò Artigas; ArsCulture

 

www.fundacio-artigas.com/

 

www.arsculture.org/

 

www.dialogueoffire.org

   

The Question of Beings

 

Istituto Santa Maria della Pietà, Castello, 3701

 

May 9th - November 22nd

 

Organization: Museum of Contemporary Art, Taipei (MoCA, Taipei)

 

www.mocataipei.org.tw

   

The Revenge of the Common Place

 

Università Ca' Foscari, Ca' Bernardo, Dorsoduro, 3199 (Calle Bernardo)

 

May 9th – September 30th

 

Organization: Vrije Universiteit Brussel (Free University Brussels-VUB)

 

www.vub.ac.be/

   

The Silver Lining. Contemporary Art from Liechtenstein and other Microstates

 

Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)

 

October 24th – November 1st

 

Organization: Kunstmuseum Liechtenstein

 

www.kunstmuseum.li

 

www.silverlining.li

   

The Sound of Creation. Paintings + Music by Beezy Bailey and Brian Eno

 

Conservatorio Benedetto Marcello, Palazzo Pisani, San Marco, 2810 (Campo Santo Stefano)

 

May 7th - November 22nd

 

Organization: ArsCulture

 

www.arsculture.org/

   

The Union of Fire and Water

 

Palazzo Barbaro, San Marco, 2840

 

May 9th - November 22nd

 

Organization: YARAT Contemporary Art Organisation

 

www.yarat.az

 

www.bakuvenice2015.com

   

Thirty Light Years - Theatre of Chinese Art

 

Palazzo Rossini, San Marco, 4013 (Campo Manin)

 

May 9th - November 22nd

 

Organization: GAC Global Art Center Foundation; The Guangdong Museum of Art

 

www.globalartcenter.org

 

www.gdmoa.org

   

Tsang Kin-Wah: The Infinite Nothing, Hong Kong in Venice

 

Arsenale, Castello, 2126 (Campo della Tana)

 

May 9th - November 22nd

 

Organization: M+, West Kowloon Cultural District; Hong Kong Arts Development Council

 

www.westkowloon.hk/en/mplus

 

www.hkadc.org.hk

 

www.venicebiennale.hk

   

Under the Surface, Newfoundland and Labrador at Venice

 

Galleria Ca' Rezzonico, Dorsoduro, 2793

 

May 9th - November 22nd

 

Organization: Terra Nova Art Foundation

 

tnaf.ca

   

Ursula von Rydingsvard

 

Giardino della Marinaressa, Castello (Riva dei Sette Martiri)

 

May 6th - November 22nd

 

Organization:Yorkshire Sculpture Park

 

www.ysp.co.uk

   

We Must Risk Delight: Twenty Artists from Los Angeles

 

Magazzino del Sale n. 3, Dorsoduro, 264 (Zattere)

 

May 7th - November 22nd

 

Organization: bardoLA

 

www.bardoLA.org

   

Wu Tien-Chang: Never Say Goodbye

 

Palazzo delle Prigioni, Castello, 4209 (San Marco)

 

May 9th - November 22nd

 

Organization: Taipei Fine Arts Museum of Taiwan

 

www.tfam.museum

   

Credit

 

[TF]-[QE] - CROWN

 

Brows :

[Simple Bloom] - Milena - Low Tail

 

Cazimi - Razor Metallic Liners 2K

 

TANAKA - [CL0UD] Disturbed Piercings

 

Tattoo :

Riotzink - Delulu Queen Tattoo {BOM/Evox}

 

NEW ATTITUDE

New Attitude Blog

Twitter

Tumblr

Pinterest

Instagram

Flickr

Facebook

Primfeed

 

# #cozy #decor #art #fashion #style #portrait #homedecor #aesthetic #creative #lifestyle #photography #model #fashionphotography #design #mood #vibrant #people #Event #Riotzink #Tattoo #SimpleBloom #[SB] #Brows #Cazimi #Tanaka #TNK #[EQ]

ONE OF THE WAY TO TRAIN THE "THE AWARENESS MUSCLE

 

is the critical run

and other emergency art format

 

CRITICAL RUN / Debate Format

 

Critical Run is an Art Format created by Thierry Geoffroy/Colonel

debate while running .

Debate and Run together,Now,before it is too late.

 

www.emergencyroomscanvas todo .org/criticalrun.html

 

The Art Format Critical Run has been activated in 30 differents countries with 120 different burning debates

New York,Cairo,London,Istanbul,Athens,Hanoi,Paris,Munich,Amsterdam Siberia,Copenhagen,Johanesburg,Moskow,Napoli,Sydney,

Wroclaw,Bruxelles,Rotterdam,Barcelona,Venice,Virginia,Stockholm,Århus,Kassel,Lyon,Trondheim, Berlin ,Toronto,Hannover ...

 

CRITICAL RUN happened on invitation from institution like Moma/PS1, Moderna Muset Stockholm ,Witte de With Rotterdam,ZKM Karlsruhe,Liverpool Biennale;Sprengel Museum etc..or have just happened on the spot because

a debate was necessary here and now.

 

In 2020 the Energy Room was an installation of 40 Critical Run at Museum Villa Stuck /Munich

part of Colonel solo show : The Awareness Muscle Training Center

 

----

 

Interesting publication for researches on running and art

 

www.emergencyrooms.org/formats.html

 

14 Performances. Relation Work (1976 - 1980). Filmed by Paolo Cardazzo. Marina Abramović/ Ulay. Neuer Berliner Kunstverein, Berlin, Germany.

 

Abramović, Marina. Student Body: Workshops 1979 - 2003: Performances 1993 - 2003. Milano: ed. Charta, 2003.

 

Bergson, Henri. Creative Evolution. London: Macmillan and Co., 1911.

Bergson, Henri. Key Writings. Edited by Keith Ansell-Pearson and John Mullarkey. New York:

 

Continuum, 2002.

Bergson, Henri. Matter and Memory. New York: Zone Books, 1988.

 

Blaikie, William. “Common Sense Physical Training.” In Athletics and Health: Modern Achievement: Advice and Instruction upon the Conduct of Life, Principles of Business, Care of Health, Duties of Citizenship, etc. Edited by Edward Everett Hale. New York: P.F. Collier & Son, 1902.

 

Blaikie, William. How to Get Strong and How to Stay So. New York: Harper & Brothers Publishers, 1883.

 

Cunningham, Merce. Changes: Notes on Choreography. New York: Something Else Press, 1969.

 

de Balzac, Honoré. The Human Comedy. EBook: Project Gutenberg, 2010. de Balzac, Honoré. Théorie de la démarche. 1833, 1853.

 

de Biran, Maine. “Opposition du principe de Descartes avec celui d’une science de l’homme. Première base d’une division des faits psychologiques et physiologiques. Perception et sensation animale.” In Maine de Biran. Librairie Philosophique J. VRIN, 1990.

 

de Tocqueville, Alexis. The Old Regime and the Revolution. New York: Harper & Brothers, Publishers, 1856.

 

Delaumosne, M. L’Abbe. “The Delsarte System.” Translated by Frances A. Shaw. In Delsarte System of Oratory, 4th Ed. New York: Edgar S. Werner, 1893.

 

Descartes, René. Méditations metaphysiques. 1641.

 

Gropius, Walter, and Arthur S. Wensinger, eds. The Theater of the Bauhaus: Oskar Schlemmer, Laszlo Moholy-Nagy, Farkas Molnár. Translated by Arthur S. Wensinger. Middleton, Conn.: Wesleyan University, 1961.

 

Hahn, Archibald. How to Sprint: The Theory of Spring Racing. New York: American Sports Publishing Company, 1923.

 

Hegel, Georg Wilhelm Friedrich. Phenomenology of Spirit. Translated by A.V. Miller. Oxford: Oxford University Press, 1977.

 

Helmholtz, Hermann. “On the Facts Underlying Geometry.” In Epistemological Writings: Hermann von Helmholtz. Edited by R.S. Cohen and Y. Elkana. Boston: D. Reidel Publishing Company, 1977.

 

Helmholtz, Hermann. Théorie physiologique de la musique fondée sur l’étude des sensations auditives. Paris: Masson, 1868.

 

Helmholtz, Hermann. Treatise of Physiological Optics (Handbuch der physiologischen Optik) 1856. 3 Volumes. Translated by James P.C. Southall. Milwaukee, 1924.

 

Holmes, Oliver Wendall. Soundings from the Atlantic. Boston: Tickknor and Fields, 1864. James, William. The Principles of Psychology. New York: Henry Holt & Co, 1890, 1918.

 

James, William. Writings 1902 - 1910. Edited by Bruce Kuklick. New York: Literary Classics of the United States, 1987.

 

Kandinsky, Vasily. Über Das Geistige in der Kunst. Dritte Auflage. München: R. Piper&Co, 1912.

 

Kant, Immanuel. “Was ist Aufklärung?” 1784.

 

Laban, Rudolf. A Life for Dance: Reminiscences. Translated by Lisa Ullmann. London: Macdonald & Evans, 1975.

 

Laban, Rudolf. Choreographie. Jena: E. Diederichs, 1926.

 

Laban, Rudolf. Choreutics. Edited by Lisa Ullmann. London: Macdonald & Evans, 1939, 1966.

 

Laban, Rudolf. Effort: Economy in Body Movement. 2nd Edition. Boston: Plays, 1947, 1974.

 

Laban, Rudolf. Principles of Dance and Movement Notation. New York: A Dance Horizons Republication, 1956, 1970.

 

Laban, Rudolf. The Language of Movement: A Guidebook to Choreutics. Edited by Lisa Ullmann. Boston: Plays, Inc., 1974.

  

MacKaye, Percy. “Steele Mackaye, Dynamic Artist of the American Theatre; An Outline of his Life Work,” in The Drama. Edited by William Norman Guthrie and Charles Hubbard Sergel. Chicago: The Dramatic Publishing Company, 1911.

 

Marey, Étienne-Jules. La Machine Animale: Locomotion Terrestre et Aérienne. Paris: Librairie Germer Baillière, 1873.

 

Marey, Étienne-Jules. Le Vol des Oiseaux. Paris: Libraire de l’académie de médecine, 1890. Marey, Étienne-Jules. Movement. Translated by Eric Pritchard. New York: D. Appleton and

 

Company, 1895.

 

Michelet, Jules. The History of France. Volume I. Translated by Walter K. Kelly. London: Chapman and Hall, 1844.

 

Morgan, Anna. An Hour with Delsarte: A Study of Expression. New York: Edgar S. Werner Publisher, 1891.

 

Muybridge, Eadweard. Animal Locomotion: An Electro-photographic Investigation of Consecutive Phases of Animal Movements. Philadelphia: University of Pennsylvania and J. B. Lippincott Company, 1887.

 

Muybridge, Eadweard. Descriptive Zoopraxography, or the Science of Animal Locomotion. Philadelphia: University of Pennsylvania, 1893.

 

Muybridge, Eadweard. The Attitudes of Animals in Motion: A Series of Photographs Illustrating the Consecutive Positions assumed by Animals in Performing Various Movements; Executed at Palo Alto, California, in 1878 and 1879 (1881). Albumen, Library of Congress, Washington, D.C., Library of Congress.

 

Muybridge, Eadweard. The Human Figure in Motion. New York: Dover Publications, 1955. Ramsaye, Terry. A Million and One Nights: A History of the Motion Picture. U.K.: Simon and

 

Schuster, Inc., 1926, 1954.

Richer, Paul. Physiologie Artistique: De l’Homme en Mouvement. Paris: Aulanier et Cie, 1896.

 

Sanburn, Frederic. Delsartean Scrap-book: Health, Personality, Beauty, House-Decoration, Dress, etc. New York: United States Book Company, c. 1890.

 

Schlemmer, Oskar. Briefe und Tagebücher: The Letters and Diaries of Oskar Schlemmer. Edited by Tut Schlemmer. Translated by Krishna Winston. Middletown, Conn: Wesleyan University Press, 1972.

  

Schlemmer, Oskar, and Heimo Kuchling. Der Mensch, Unterricht am Bauhaus. Nachgelassene Aufzeichnungen. Mainz: F. Kupferberg, 1969.

 

Schuftan, Werner. Handbuch des Tanzes. Preface by Rudolf von Laban. Mannheim: Verlag Deutscher Chorsänger Verband und Tänzerbund, 1928.

 

Shearman, Sir Montague. Athletics and Football. London: Longmans, Green, and Co., 1888. Smith, Shawn Michelle. At the Edge of Sight: Photography and the Unseen. Durham: Duke

 

University Press, 2013.

 

Stebbins, Genevieve. Delsarte System of Expression, 5th Edition. New York: Edgar S. Werner, 1894; orig. 1885.

 

Talbot, Frederick A. Practical Cinematography and its Applications. London: William Heinemann, 1913.

 

Wigman, Mary. The Mary Wigman Book: Her Writings. Middletown, CT: Wesleyan University Press, 1975.

 

Abramović, Marina, et al. Marina Abramović: Seven Easy Pieces. New York: Charta 2007. Acconci, Vito. Language to Cover a Page: The Early Writings of Vito Acconci. Edited by Craig

 

Dworkin. Cambridge: MIT Press, 2006.

Adolphs, Volker, and Philip Norten. Gehen Bleiben: Bewegung, Körper, Ort in der Kunst der

 

Gegenwart. Bonn: Kunstmuseum Bonn, 2007.

Agamben, Giorgio. “Movement.” In Dance: Documents of Contemporary Art. Edited André

 

Lepecki. London: MIT Press and WhiteChapel Gallery, 2012.

Alberro, Alexander, and Blake Stimson, eds. Institutional Critique: An Anthology of Artists’

 

Writings. Cambridge: MIT Press, 2009.

Albers, Kate Palmer. “Abundant Images and the Collective Sublime.” Exposure. Volume 46,

 

Issue 2 (Fall 2013).

 

Allen, Beverly. Rape Warfare: The Hidden Genocide in Bosnia-Herzegovina and Croatia. Minneapolis: University of Minnesota Press, 1996.

 

Alloway, Lawrence. The Venice Biennale 1895 - 1968: from salon to goldfish bowl. Greenwich, CT: New York Graphic Society LTD., 1968.

Anderson, Ben. “Affect and Biopower: Towards a Politics of Life.” Transactions - Institute of British Geographers, Issue 1 (2011).

 

Andras, Edit, and Bojana Pejic, eds. Gender Check: Femininity and Masculinity in the Art of Eastern Europe. Cologne: Buchhandlung Walther König, 2009.

 

Antliff, Mark. Inventing Bergson: Cultural Politics and the Parisian Avant-Garde. Princeton: Princeton University Press, 1992.

 

Arendt, Hannah. The Human Condition, Second Edition. Chicago: University of Chicago Press, 1958, 1998.

 

Arendt, Hannah. On Violence. New York: Harcourt Brace, 1969.

Atkins, Dawn, ed. Looking Queer: Body Image and Identity in Lesbian, Bisexual, Gay, and

 

Transgender Communities. New York: The Haworth Press, 1998.

Ault, Julie, ed. Alternative Art, New York, 1965-1985: A Cultural Politics Book for the Social

 

Text Collective. Minneapolis: University of Minnesota Press, 2002.

Auslander, Philip. “Going with the Flow: Performance Art and Mass Culture.” TDR. Volume 33,

 

Number 2 (Summer 1989).

Auslander, Philip. “The Performativity of Performance Documentation.” PAJ 84 (2006).

 

Backstein, Joseph, and Daniel Birnbaum, Sven-Olov Wallenstein. Thinking Worlds - The Moscow Conference on Philosophy, Politics, and Art. Berlin: Sternberg Press, 2008.

 

Badovinac, Zdenka. Body and the East: From the 1960s to the Present. Cambridge, Mass.: MIT Press, 1999.

 

Baer, Ulrich. Spectral Evidence: The Photography of Trauma. Cambridge: MIT Press, 2002. Baker, George. “Entr’acte.” October. Volume 105 (Summer 2003).

 

Bale, John. Imagined Olympians: Body Culture and Colonial Representations in Rwanda. Minneapolis: University of Minnesota Press, 2002.

 

Bale, John. Running Cultures: Racing in Time and Space. London: Frank Cass, 2004. Banes, Sally. Democracy’s Body: Judson Dance Theatre, 1962 - 1964. Durham, NC: Duke

 

University Press, 1993.

 

Banes, Sally. Terpsichore in Sneakers: Post-Modern Dance, 2nd edition. Middletown, CT: Wesleyan University Press, 1987.

  

Bartenieff, Irmgard. Body Movement: Coping with the Environment. New York: Routledge, 2002.

 

Barthes, Roland. Camera Lucida: Reflections on Photography. Translated by Richard Howard. New York: Hill and Wang, 198, 2010.

 

Barthes, Roland. Mythologies. Translated by Annette Lavers. New York: Hill and Wang, 1972. Batchen, Geoffrey. Burning with Desire: The Conception of Photography. Cambridge: MIT

 

Press, 1997.

 

Baudelaire, Charles. The Parisian Prowler, Le Spleen de Paris Petits Poèmes en Prose. Translated by Edward K. Kaplan. Athens: The University of Georgia Press, 1989.

 

Bauer, M. W. and G. Gaskell. Biotechnology — the Making of a Global Controversy. Cambridge: Cambridge University Press, 2002.

 

Bayat, Asef. Life as Politics: How Ordinary People Change the Middle East. Amsterdam: Amsterdam University Press, 2010, 2015.

 

Belaief, Lynne. “Meanings of the Body.” Journal of the Philosophy of Sport. Volume 4, Issue 1 (1977).

 

Bell, Catherine. Ritual: Perspectives and Dimensions. New York: Oxford University Press, 1997.

 

Benjamin, Walter. Charles Baudelaire: A Lyric Poet in the Era of High Capitalism. Translated by Harry Zohn. London: Verso, 1997.

 

Benjamin, Walter. Selected Writings, Volumes 1 - 4. Edited by Howard Eiland and Michael W. Jennings. Cambridge: Belknap Press of Harvard University Press, 2003 - 2006.

 

Benjamin, Walter. “The Storyteller: Reflections on the Works of Nikolai Leskov.” In Illuminations. Edited by Hannah Arendt. Translated by Harry Zohn. New York: Schocken Books, 2007.

 

Bennett, Jill. Empathic Vision: Affect, Trauma, and Contemporary Art. Stanford, CA; Stanford University Press, 2005.

 

Berger, John. About Looking. New York: Pantheon Books, 1980.

 

Bergson, Henri. Laughter: An Essay on the Meaning of the Comic. Translated by Cloudesley Brereton and Fred Rothwell. New York: The Macmillan Company, 1914.

  

Bishop, Claire, and Marta Dziewańska, eds. 1968 - 1989: Political Upheaval and Artistic Change. Warsaw: Museum of Modern Art, 2009.

 

Bishop, Claire. Artificial Hells: Participatory Art and the Politics of Spectatorship. London: Verso, 2012.

 

Bishop, Claire. Radical Museology: or, What’s ‘Contemporary’ in Museums of Contemporary Art? London: Koenig Books, 2013.

 

Black, Graham. Transforming Museums in the Twenty-First Century. New York: Routledge, 2011.

 

Blaive, Muriel, and Christian Gerbel, Thomas Lindenberger, eds. Clashes in European Memory: The Case of Communist Repression and the Holocaust. Innsbruck: Studienverlag, 2011.

 

Blassnigg, Martha. Time, Memory, Consciousness and the Cinema Experience: Revisiting Ideas on Matter and Spirit. New York: Rodopi, 2009.

 

Bloomer, Kent C., and Charles Willard Moore. Body, Memory, and Architecture. New Haven: Yale University Press, 1977.

 

Boecker, Henning, et. al. “The Runner’s High: Opioidergic Mechanisms in the Human Brain.” Cerebral Cortex. Volume 18, Number 11 (2008).

 

Bougarel, Xavier, and Elissa Helms, Ger Duijzings, eds. The New Bosnian Mosaic: Identities, Memories and Moral Claims in a Post-War Society. Hampshire, England: Ashgate, 2007.

 

Bourdieu, Pierre. Outline of a Theory of Practice. Cambridge: Cambridge University Press, 1977.

 

Bourriaud, Nicolas. Relational Aesthetics. Dijon: Les Presses du réel, 1998, 2002.

 

Brandstetter, Gabriele. Poetics of Dance: Body, Image and Space in the Historical Avant- Gardes. Translated by Elena Polzer and Mark Franko. Oxford: Oxford University Press, 1995, 2015.

 

Braudy, Leo, and Marshall Cohen, eds. Film Theory and Criticism: Introductory Readings. New York: Oxford UP, 1999.

 

Braun, Marta. Eadweard Muybridge. London: Reaktion, 2010.

Braun, Marta. Picturing Time: The Work of Etienne-Jules Marey (1830 - 1904). Chicago:

 

University of Chicago Press, 1992, 1994.

 

Brettell, Richard R. Modern Art, 1851 - 1929: Capitalism and Representation. Oxford: Oxford University Press, 1999.

  

Brooke, J.D., and H.T.A. Whiting, eds. Human Movement - A Field of Study. London: Henry Kimpton Publishers, 1973.

 

Brown, Keith S., and Yannis Hamilakis, eds. The Usable Past: Greek Metahistories. Lanham, MD: Lexington Books, 2003.

 

Brunnbauer, Ulf, and Konrad Clewing, eds. Südost-Forschungen. Munich: R. Oldenbourg Verlag, 2008.

 

Bruno, Giuliana. Atlas of Emotion: Journeys in Art, Architecture, and Film. New York: Verso, 2002.

 

Bryzgel, Amy. Performing the East: Performance Art in Russia, Latvia, and Poland since 1980. London: I.B. Tauris, 2012.

 

Buchloh, Benjamin H. D. Neo-Avantgarde and Culture Industry: Essays on European and American Art from 1955 to 1975. Cambridge: MIT Press, 2001, 2003.

 

Buck-Morss, Susan. The Dialectics of Seeing: Walter Benjamin and the Arcades Project. Cambridge: MIT Press, 1991.

 

Burchell, Graham, and Colin Gordon, Peter Miller, eds. The Foucault Effect: Studies in Governmentality. Chicago: University of Chicago Press, 1991.

 

Bürger, Peter. Theory of the Avant-Garde. Translated by Michael Shaw. Minneapolis: University of Minnesota Press and Manchester University Press, 1974, 1984.

 

Butler, Judith. Bodies that Matter: On the Discursive Limits of Sex. New York: Routledge, 1993. Butler, Judith. Gender Trouble: Feminism and the Subversion of Identity. New York: Routledge,

 

2006.

 

Butler, Samuel. Unconscious Memory: A Comparison between the Theory of Dr. Ewald Hering and the ‘Philosophy of the Unconscious’ of Dr. Edward von Hartmann. London: David Bogue, 1880.

 

Cage, John. Silence: Lectures and Writings. Middletown, CT: Wesleyan University Press, 1961. Campany, David, ed. The Cinematic: Documents of Contemporary Art. Cambridge: MIT Press,

 

2007.

Canales, Jimena. A Tenth of a Second: A History. Chicago: University of Chicago Press, 2009.

 

Careri, Francesco. Walkscapes: Walking as an Aesthetic Practice. Translated by Steve Piccolo and Paul Hammond. Barcelona: Editorial Gusavo Gili, 2002.

  

Carroll, Noël. Theorizing the Moving Image. Cambridge: Cambridge University Press, 1996. Cetinić, Ljiljana, and Ana Panić, eds. Štafete: Titova Štafeta - Štafeta Mladosti, 1945 - 1987.

 

Belgrade: Tipografik plus, 2008.

Chase, Stuart. Men and Machines. New York: Macmillan Co, 1929.

 

Christesen, Paul. Sport and Democracy in the Ancient and Modern Worlds. Cambridge: Cambridge University Press, 2012.

 

Christian, Mary. Marina Abramović: The Artist is Present. New York: The Museum of Modern Art, 2010.

 

Clark, Kenneth. The Nude: A Study in Ideal Form. New York: Pantheon Books, 1956. Coleman, Simon, and John Eade, eds. Reframing Pilgrimage: Cultures in Motion. London:

 

Routledge, 2004.

 

Connerton, Paul. The Spirit of Mourning: History, Memory and the Body. Cambridge: Cambridge University Press, 2011.

 

Cosgrove, Denis. Geography and Vision: Seeing, Imagining and Representing the World. New York: I.B. Tauris, 2008.

 

Cottington, David. Cubism in the Shadow of War: The Avant-Garde and Politics in Paris 1905- 1914. New Haven: Yale University Press, 1998.

 

Crane, Susan, ed. Museums and Memory. Stanford: Stanford University Press, 2000. Crary, Jonathan. Techniques of the Observer: On Vision and Modernity in the Nineteenth

 

Century. Cambridge: MIT Press, 1990.

Crow, Thomas. The Rise of the Sixties: American and European Art in the Era of Dissent.

 

London: Laurence King Publishing, 1996.

 

Csiksgentmihalyi, Mihaly. Creativity! Flow and psychology of discovery and invention. New York: Harper Collins, 1996.

 

Cumming, John. Runners & Walkers: A Nineteenth Century Sports Chronicle. Chicago: Regency Gateway, 1981.

 

Cvejić, Bojana, and Ana Vujanović. Public Sphere by Performance. Belgrade: b_books, TkH, 2012.

  

Dagg, Anne Innis. Running, Walking, and Jumping: The Science of Locomotion. New York: Crane, Russak & Company, Inc, 1977.

 

de Certeau, Michel. The Practice of Everyday Life. Translated by Steven Rendall. Berkeley: University of California Press, 1984, 1988.

 

de Certeau, Michel. The Writing of History. Translated by Tom Conley. New York: Columbia University Press, 1975, 1988.

 

de Groote, Pascale. Ballets Suédois: Jean Börlin. Ghent: University of Ghent, 2002.

de Waal, Frans. The Age of Empathy: Nature’s Lessons for a Kinder Society. New York:

 

Harmony Books, 2009.

 

Deleuze, Gilles. Cinema 1: The Movement-Image. Minneapolis: University of Minnesota Press, 1986.

 

Deleuze, Gilles, and Félix Guattari. A Thousand Plateaus. London: Continuum, 1980, 2008. Dewey, John. The Public and its Problems: An Essay in Political Inquiry. Edited by Melvin L.

 

Rogers. University Park, PA: The Pennsylvania State University, 2012.

di Giovanni, Janine. Madness Visible: A Memoir of War. London: Bloomsbury, 2005.

 

Djetelić, Pera, and Dragan Maršičević. Narodna Omladina i Jugoslovenski Kongres za Fizičku Kulturu. Beograd: Mladost, 1959.

 

Djurić, Dubravka, and Miško Šuvaković, eds. Impossible Histories: Historical Avant-gardes, Neo-avant-gardes, and Post-avant-gardes in Yugoslavia, 1918 - 1991. Cambridge: MIT Press, 2003.

 

Donawerth, Jane, ed. Rhetorical Theory by Women before 1900: An Anthology. Lanham, MD: Rowman & Littlefield Publishers, Inc, 2002.

 

Dörr, Evelyn. Rudolf Laban: The Dancer of the Crystal. Lanham, Maryland: The Rowman & Littlefield Publishing Group, Inc., 2008.

 

Drakulić, Slavenka. Balkan Express: Fragments from the Other Side of War. London: Hutchinson, 1993.

 

Drakulić, Slavenka. They Would Never Hurt a Fly: War Criminals on Trial in the Hague. New York: Penguin, 2005.

 

Drapag, Vesna. Constructing Yugoslavia: A Transnational History. London: Palgrave Macmillan, 2010.

Duncan, Carol. Civilizing Rituals: Inside Public Art Museums. Abingdon: Routledge, 1995. Eamon, Christopher. Rearview Mirror: New Art from Central and Eastern Europe. Edmonton:

 

Art Gallery of Alberta, 2011.

 

Eichberg, Henning, ed. Body Cultures: Essays on Sport, Space, and Identity. London, New York: Routledge, 1998.

 

Elias, Norbert. The Civilizing Process. Sociogenetic and Psychogenetic Investigations. Oxford: Blackwell, 1939, 2000.

 

Elias, Norbert, and Eric Dunning. Quest for Excitement: Sport and Leisure in the Civilising Process. Dublin: University of College Dublin Press, 2008.

 

Enwezor, Okwui. Archive Fever: Uses of the Document in Contemporary Art. Göttingen: Steidl Publishers, 2008.

 

Erjavec, Aleš, ed. Postmodernism and the Postsocialist Condition: Politicized Art under Late Socialism. Berkeley: University of California Press, 2003.

 

Fer, Briony, and David Batchelor, Paul Wood. Realism, Rationalism, Surrealism: Art Between the Wars. New Haven: Yale University Press, 1993.

 

Finn, David. How to Visit A Museum. New York: Abrams, 1985.

Fleming, Bruce. Running is Life: Transcending the Crisis of Modernity. Lanham: University

 

Press of America, Inc, 2010.

 

Forrester, Sibelan E.S., and Magdalena J. Zaborowska, Elena Gapova, eds. Over the Wall/After the Fall: Post-Communist Cultures Through an East-West Gaze. Bloomington: Indiana University Press, 2004.

 

Foster, Hal. The Return of the Real: The Avant-Garde at the End of the Century. Cambridge: MIT Press, 1996.

 

Foster, Hal. “What’s Neo about the Neo-Avant-Garde?” October. Volume 70, The Duchamp Effect (Autumn, 1994), 5 - 32.

 

Foucault, Michel. Discipline and Punish: The Birth of the Prison. Translated by Alan Sheridan. New York: Vintage Books, Random House, Inc, 1977, 1995.

 

Foucault, Michel. The History of Sexuality Volume 1. Translated by Robert Hurley. New York: Pantheon Books, 1978.

 

Foucault, Michel. Power/Knowledge: Selected Interviews & Other Writings, 1972 - 1977. Edited by Colin Gordon. New York: Pantheon Books,1972, 1980.

  

Fraleigh, Sondra Horton. Dance and the Lived Body: A Descriptive Aesthetics. Pittsburgh: University of Pittsburgh Press, 1987.

 

Frampton, Hollis. “Eadweard Muybridge: Fragments of a Tesseract.” In On the Camera Arts and Consecutive Matters: The Writings of Hollis Frampton. Cambridge: MIT Press, 2009.

 

Fried, Michael. Four Honest Outlaws: Sala, Ray, Marioni, Gordon. New Haven: Yale University Press, 2011.

 

Gallagher, Catherine, and Thomas Laqueur, eds. The Making of the Modern Body: Sexuality and Society in the Nineteenth Century. Berkeley: University of California Press, 1987.

 

Gamwell, Lynn, ed. Dreams Nineteen Hundred to Two Thousand: Science, Art, and the Unconscious Mind. Binghamton: State University of New York at Binghamton, 2000.

 

Gay, Peter. Savage Reprisals: Bleak House, Madame Bovary, Buddenbrooks. New York: W.W. Norton & Company, 2002.

 

Gehm, Sabine, and Pirkko Husemann, Katharina von Wilke, eds. Knowledge in Motion: Perspectives of Artistic and Scientific Research in Dance. Translated by Bettina von Arps- Aubert. Bielefeld: Transcript, 2007.

 

Genoways, Hugh H., ed. Museum Philosophy for the Twenty-First Century. Oxford: AltaMira Press, 2006.

 

Geoghegan, Bernard Dionysius. “After Kittler: On the Cultural Techniques of Recent German Media Theory.” Theory Culture Society (August 2013).

 

Gidal, Peter. Materialist Film. London: Routledge, 1989.

Giedion, Siegfried. Space, Time, and Architecture: The Growth of a New Tradition. Cambridge:

 

Harvard University Press, 1974.

 

Godard, Jean-Luc. Godard on Godard. Edited by Jean Narboni and Tom Milne. New York: The Viking Press, 1968, 1972.

 

Gödl, Doris. “Challenging the Past: Serbian and Croatian Aggressor-Victim Narratives.” International Journal of Sociology 37. No. 1 (2007).

 

Goldberg, Roselee. Performance: Live Art Since the ‘60s. London: Thames & Hudson, 2004.

 

Goldberg, Roselee. Performance Art: From Futurism to the Present. London: Thames & Hudson, 2001.

  

Goldberg, Vicki, ed. Photography in Print: Writings from 1816 to the Present. New York: Simon and Schuster, 1981.

 

Golding, Sue, ed. The Eight Technologies of Otherness. London: Routledge, 1997. Gotaas, Thor. Running: A Global History. London: Reaktion Books, 2009.

 

Grau, Andrée, and Stephanie Jordan. Europe Dancing: Perspectives on Theatre, Dance, and Cultural Identity. New York: Routledge, 2000.

 

Grigorov, Dimitar. “‘Рачунајте на нас.’ ‘Oдломак’ о Титовој штафети или Штафети младости.” In Друштвену историју. Belgrade: 2008.

 

Grimes, Ronald L. Beginnings in Ritual Studies. Columbia: University of South Carolina Press, 1995.

 

Groys, Boris. Introduction to Antiphilosophy. Translated by David Fernbach. London: Verso, 2012.

 

Groys, Boris. The Communist Postscript. Translated by Thomas Ford. London: Verso, 2010. Groys, Boris, and Ann von der Heiden, Peter Weibel, eds. Zurück aus der Zukunft.

 

Osteuropäische Kulturen im Zeitalter des Postkommunismus. Berlin: Suhrkamp, 2005.

Gržinić, Marina, and Günther Heeg, Veronika Darian. Mind the Map! History is not a Given: A

 

th th

Critical Anthology Based on the Symposium [Leipzig, 13 -16 October 2005]. Frankfurt:

 

Revolver, 2006.

 

Guttman, Allen. “Sport, Politics, and the Engaged Historian.” Journal of Contemporary History. Volume 38, Number 3 (2003).

 

Hardt, Michael, and Antonio Negri. Empire. Boston, Harvard University Press, 2001. Hargreaves, Jennifer, and Patricia Anne Vertinsky, eds. Physical Culture, Power, and the Body.

 

New York: Routledge, 2007.

 

Harris, Mary Emma. The Arts at Black Mountain College. Cambridge: MIT Press, 1987, 2002.

 

Harte, Jane L., et. al. “The effects of running and meditation on beta-endorphin, corticotropin- releasing hormone and cortisol in plasma, and on mood.” Biological Psychology. Volume 40, Issue 3 (June 1995).

 

Harte, Jane L., and Georg H. Eifert. “The effects of running, environment, and attentional focus on athletes’ catecholamine and cortisol levels and moods.” Psychophysiology. Volume 32, Issue 1 (January 1995).

  

Havránek, Vít, ed. Jiří Kovanda: Actions and Installations, 2005-1976. Zurich: Tranzit & JRP|Ringier, 2006.

 

Helme, Sirje. PopKunst Forever: Estonian Pop Art at the Turn of the 1960s and 1970s. Tallinn: Art Museum of Estonia - Kumu Art Museu, 2010.

 

Hemmings, Frederick William John, ed. The Age of Realism. Baltimore: Penguin Books, 1974. Hendricks, Gordon. Eadweard Muybridge: The Father of the Motion Picture. New York:

 

Grossman Publishers, of Viking Press, 1975.

 

Henning, Michelle. Museums, Media, and Cultural Theory. New York: Open University Press, 2006.

 

Hewitt, Andrew. Social Choreography: Ideology as Performance in Dance and Everyday Movement. Durham: Duke University Press, 2005.

 

Higgins, Steven. Still Moving: The Film and Media Collections of the Museum of Modern Art. New York: The Museum of Modern Art, 2006.

 

Hoberman, John M. “Sport and Political Ideology.” Journal of Sport and Social Issues. Volume 1, Number 2 (1977).

 

Hodgson, John. Mastering Movement: The Life and Work of Rudolf Laban. New York: Routledge, 2001.

 

Hoelzl, Ingrid, and Friedrich Tietjen, eds. Images in Motion. Burges: Die Keure, 2012. Husserl, Edmund. The Phenomenology of Internal Time-Consciousness. Edited by Martin

 

Heidegger. Translated by James S. Churchill. Bloomington: Indiana University Press, 1964.

 

IRWIN, ed. East Art Map: Contemporary Art and Eastern Europe. London: Afterall and MIT Press, 2006.

 

Ivey, Paul Eli. Radiance from Halcyon: A Utopian Experiment in Religion and Science. Minneapolis: University of Minnesota Press, 2013.

 

Jameson, Frederic. Postmodernism, or, The Cultural Logic of Late Capitalism. Durham: Duke University Press,1991.

 

Janevski, Ana, ed. As Soon as I Open My Eyes I See a Film: Experiment in the Art of Yugoslavia in the 1960s and 1970s. Warsaw: Museum of Modern Art, 2010.

 

Jarausch, Konrad H., and Michael Geyer. Shattered Past: Reconstructing German Histories. Princeton, NJ: Princeton University Press, 2003.

  

Jones, Amelia. Body Art/Performing the Subject. Minneapolis: University of Minnesota Press, 1998.

 

Jones, Amelia, and Adrian Heathfield. Perform, Repeat, Record: Live Art in History. Chicago: University of Chicago Press, 2012.

 

Jones, Amelia. “The Body and Technology.” Art Journal. Volume 60, Number 1 (Spring, 2001). Joseph, Brandon W. Random Order: Robert Rauschenberg and the Neo-avant-garde.

 

Cambridge: MIT Press, 2003.

Joy, Jenn. The Choreographic. Cambridge: MIT Press, 2014.

 

Jünger, Ernst. “War and Photography.” Translated by Anthony Nassar. New German Critique. Number 59 (Spring-Summer, 1993).

 

Kater, Michael H. Hitler Youth. Cambridge, Mass.: Harvard University Press, 2004. Kebo, Ozren. Sarajevo za početnike. Sarajevo: Dani, 1996.

 

Kelley, Jeff, ed. Essays on the Blurring of Art and Life. Berkley: University of California Press, 1993, 2003.

 

Kern, Stephen. The Culture of Time and Space. Cambridge, Mass: Harvard University Press, 1983.

 

Kester, Grant H. Conversation Pieces: Community and Communication in Modern Art. Berkley: University of California Press, 2004.

 

Kholeif, Omar. Moving Image. London: Whitechapel, 2015.

Kirkpatrick, Sidney. The Revenge of Thomas Eakins. New Haven: Yale University Press, 2006.

 

Kirn, Gal, and Dubravka Sekulić, Žiga Testen, eds. Surfing the Black: Yugoslav Black Wave Cinema and its Transgressive Moments. Maastricht: Jan van Eyck Academie, 2012.

 

Kittler, Friedrich A. Gramophone, Film, Typewriter. Stanford: Stanford University Press, 1999. Klinger, Cornelia, and Bartomeu Mari. Modernologies: Contemporary Artists Researching

 

Modernity and Modernism. Barcelona: Museu d’Art Contemporani de Barcelona, 2009.

Knell, Simon J., et al., eds. National Museums: New Studies from around the World. New York:

 

Routledge, 2011.

Knudson, Duane. Fundamentals of Biomechanics, Second Edition. New York: Springer, 2007.

  

Knust, Albrecht. Handbook of Kinetography Laban: Examples. Hamburg: Das Tanzarchiv, 1958. Koch, Sabine, et al. Body Memory, Metaphor, and Movement. Philadelphia: John Benjamins

 

Publishing Company, 2012.

Krauss, Rosalind E. “Sculpture in the Expanded Field.” October. Volume 8 (Spring 1979).

 

Krauss, Rosalind E. The Originality of the Avant-Garde and Other Modernist Myths. Cambridge: MIT Press, 1985.

 

Kuligowski, Waldemar. “A Relay of Youth of the 21st Century. A Re-enactment of Ritual or a Grotesque Performance?” Cargo. Volume 10, Number 1 - 2 (2012).

 

Kwon, Miwon. One Place After Another: Site-Specific Art and Locational Identity. Cambridge: MIT Press, 2002.

 

LaBelle, Brandon. Background Noise: Perspectives on Sound Art. London and New York: Continuum International Publishing Group, 2006.

 

Lakoff, George, and Mark Johnson. Metaphors We Live By. Chicago: University of Chicago Press, 1980.

 

Landsberg, Alison. Prosthetic Memory: The Transformation of American Remembrance in the Age of Mass Culture. New York: Columbia University Press, 2004.

 

Laws, Kenneth, and Francia Russell. Physics and the Art of Dance: Understanding Movement. Oxford: Oxford University Press, 2002.

 

le Blanc, Guillaume. Courir: Méditations Physiques. Paris: Éditions Flammarion, 2012.

Leahy, Helen Rees. Museum Bodies: The Politics of Practices of Visiting and Viewing. Surrey,

 

England: Ashgate, 2012.

Lederman, Gail. Manliness and Civilization: A Cultural History of Gender and Race in the

 

United States, 1880 - 1917. Chicago: The University of Chicago Press, 1995. Lefebvre, Henri. The Production of Space. Oxford: Blackwell, 1991.

 

Lehman, Arnold L., and Brenda Richardson, eds. Oskar Schlemmer. Baltimore: The Baltimore Museum of Art, 1986.

 

Lemke, Thomas. Bio-Politics: An Advanced Introduction. Translated by Eric Frederick Trump. New York: New York University Press, 2011.

 

Lepage, Jean-Denis G.G. Hitler Youth, 1922 - 1945: An Illustrated History. London: McFarland & Company, Inc.,2009.

  

Lepecki, André, ed. Dance: Documents of Contemporary Art. London: MIT Press and WhiteChapel Gallery, 2012.

 

Leposavić, Radonja. vlasTito iskustvo. Belgrade: Publikum, 2005.

Licht, Alan. Sound Art: Beyond Music, Between Categories. New York: Rizzoli International

 

Publications, 2007.

 

Lippard, Lucy. Six Years: The Dematerialization of the Art Object from 1966 to 1972. Berkley: University of California Press, 1973.

 

Loland, Sigmund, and Berit Skirstad, Ivan Waddington. Pain and Injury in Sport: Social and Ethical Analysis. New York: Routledge, 2006.

 

Luthar, Breda, and Maruša Pušnik, eds. Remembering Utopia: The Culture of Everyday Life in Socialist Yugoslavia. Washington, D.C.: New Academia Publishers, 2010.

 

Mackay, Robin, and Armen Avanessian, eds. #Accelerate: The Accelerationist Reader. Falmouth, UK: Urbanomic, 2014.

 

Malcolm, Noel. Bosnia: A Short Story. London: MacMillan, 1994.

Maletic, Vera. Body - Space - Expression: The Development of Rudolf Laban’s Movement and

 

Dance Concepts. Amsterdam: Mouton de Gruyter, 1987.

Marie, Michel. The French New Wave: An Artistic School. Translated by Richard Neupert.

 

Oxford: Blackwell Publishing, 1997.

 

Marien, Mary Warner. Photography: A Cultural History. 2nd Edition. London: Laurence King Publishing Ltd, 2002, 2006.

 

Marks, Laura. Touch: Sensuous Theory and Multisensory Media. Minneapolis: University of Minnesota Press, 2002.

 

Marvin, Carolyn. When Old Technologies Were New: Thinking about Electric Communication in the Late Nineteenth Century. Oxford: Oxford University Press, 1988.

 

Mathews, Nancy Mowll. “The Body in Motion.” In Moving Pictures: American Art and Early Film, 1880 - 1910. Manchester, Vermont: Hudson Hills Press, 2005.

 

Mauss, Marcel. “Techniques of the Body” (1934). In Incorporations, Zone 6. Edited by Jonathan Crary and Sanford Kwinter. New York: Zone, 1992.

 

Mazower, Mark. Dark Continent: Europe’s Twentieth Century. New York: A.A. Knopf, 1999.

  

McGinnis, Peter M. Biomechanics of Sport and Exercise, Third Edition. Champaign, IL: Human Kinetics, 2013.

 

McSorley, Kevin, ed. War and the Body: Militarisation, Practice and Experience. New York: Routledge, 2013.

 

Meltzer, Eve. Systems We Have Loved: Conceptual Art, Affect, and the Antihumanist Turn. Chicago: The University of Chicago, 2013.

 

Merleau-Ponty, Maurice. The Phenomenology of Perception. Translated by Colin Smith. London: Routledge and Kegan Paul, 1962, 1989.

 

Metz, Christian. Film Language: A Semiotics of the Cinema. Translated by Michael Taylor. New York: Oxford University Press, 1974.

 

Metz, Christian. “Photography and Fetish.” October. Volume 34 (Autumn, 1985).

Meyer, James. Minimalism: Art and Polemics in the Sixties. New Haven: Yale University Press,

 

Michelson, Annette, ed. Kino-Eye: The Writings of Dziga Vertov. Translated by Kevin O’Brien. Berkeley: University of California Press, 1984.

 

Mirzoeff, Nicholas, ed. The Visual Culture Reader, Second Edition. New York: Routledge, 1998, 2002.

 

Mishima, Yukio. Sun and Steel: His Personal Testament on Art, Action, and Ritual Death. New York: Kodansha, 1970.

 

Mondloch, Kate. Screens: Viewing Media Installation Art. Minneapolis: The University of Minnesota Press, 2010.

 

Moore, Sarah J. Empire on Display: San Francisco’s Panama-Pacific International Exposition of 1915. Norman, OK: University of Oklahoma Press, 2013.

 

Morgan, William P. “Affective beneficence of vigorous physical activity.” Medicine and Science in Sports and Exercise. Volume 17, Number 1 (February 1985).

 

Morse, Meredith. Soft is Fast: Simone Forti in the 1960s and After. Cambridge: MIT Press, 2016.

 

Mosse, George L. The Image of Man: The Creation of Modern Masculinity. Oxford: Oxford University Press, 1996.

 

Motherwell, Robert, ed. Dada Painters and Poets. New Haven: Harvard University Press, 1981.

  

Mozley, Anita Ventura, ed. Eadweard Muybridge: The Stanford Years, 1872 - 1882. San Francisco: Stanford University, 1972.

 

Mulvey, Laura. Death 24x a Second: Stillness and the Moving Image. London: Reaction books, 2006.

 

Mumford, Lewis. Technics and Civilization. London: Routledge & Kegan Paul LTD, 1934, 1955.

 

Muñoz, José Esteban. Disidentifications: Queers of Color and the Performance of Politics. Minneapolis: The University of Minnesota Press, 1999.

 

Musolff, Andreas. Metaphor, Nation, and the Holocaust: The Concept of the Body Politic. New York: Routledge, 2010.

 

New Collectivism, ed. Neue Slowenische Kunst. Translated by Marjan Golobič. Hong Kong: Paramount Printing, 1991.

 

Newman, Michael, and Jon Bird, eds. Rewriting Conceptual Art. London: Reaction Books, 1999. O’Doherty, Brian. Inside the White Cube: The Ideology of the Gallery Space. Berkley:

 

University of California Press, 1986.

 

O’Rourke, Karen. Walking and Mapping: Artists as Cartographers. Cambridge: MIT Press, 2013.

 

Obrist, Hans Ulrich. Do It: The Compendium. New York: Independent Curators International/D.A.P., 2013.

 

Partsch-Bergsohn, Isa. Modern Dance in Germany and the Untied States: Crosscurrents and Influences. Chur: Harwood Academic Publishers, 1994.

 

Passerini, Luisa, ed. Memory and Totalitarianism. Oxford: Oxford University Press, 1992. Pavković, Aleksandar. The Fragmentation of Yugoslavia: Nationalism and War in the Balkans,

 

Second Edition. New York: St. Martin’s Press, 2000.

 

Pegrum, Mark A. Challenging Modernity: Dada Between Modern and Postmodern. Oxford: Berghahn Books, 2000.

 

Peiffer, Lorenz. Sport im Nationalsozialismus: Zum aktuellen Stand der sporthistorischen Forschung. Göttingen: Verlag Die Werkstaat, 2004, 2015.

 

Pejić, Bojana, and David Elliot. After the Wall: Art and Culture in Post-Communist Europe. Stockholm: Moderna Museet, 1999.

  

Penz, Otto. “Sport and Speed.” International Review for the Sociology of Sport. Volume 25, Number 2 (June 1990).

 

Peoples, Crocker. “A Psychological Analysis of the ‘Runner’s High’ (Human Performance).” Physical Educator. Volume 40, Number 1 (March 1, 1983).

 

Perica, Vjekoslav. Balkan Idols: Religion and Nationalism in Yugoslav States. Oxford: Oxford University Press, 2002.

 

Petrov, Ana. “Telesni projekti i regulacija normativnog tela: uloga fizičke kulture u Jugoslaviji.” Institut za etnologiju i folkloristiku. Issue 51, Number 2 (2014).

 

Pfister, Gertrud, ed. Gymnastics, A Transatlantic Movement: From Europe to America. New York: Routledge, 2011.

 

Phelan, Peggy. Unmarked: The Politics of Performance. New York: Routledge, 1993. Phillips, Christopher, ed. Photography in the Modern Era: European Documents and Critical

 

Writings, 1913 - 1940. New York: The Metropolitan Museum of Art/Aperature, 1990. Phillips, Murray G. Deconstructing Sport History: A Postmodern Analysis. Albany: State

 

University of New York Press, 2006.

 

Pissaro, Joachim, et al. Martin Creed: What’s the Point of It? London: Hayward Publishing, 2014.

 

Piotrowski, Piotr. In the Shadow of Yalta: Art and the Avant-Garde in Eastern Europe, 1945 - 1989. London: Reaktion, 2009.

 

Preston-Dunlop, Valerie. Rudolf Laban: An Extraordinary Life. London, Dance Books, 1998. Preziosi, Donald. Art Religion Amnesia: The Enchantments of Credulity. New York: Routledge,

  

Pursell, Caroll. White Heat: People and Technology. Berkley: University of California Press, 1994.

 

Quercetani, R. L. A World History of Track and Field Athletics 1864-1964. London: Oxford University Press, 1964.

 

Rabinbach, Anson. The Human Motor: Energy, Fatigue, and the Origins of Modernity. New York: Basic Books, 1990.

 

Rabinow, Paul, ed. The Foucault Reader. New York: Random House, 1984.

  

Radstone, Susannah, and Bill Schwarz, Memory: Histories, Theories, Debates. New York: Fordham University Press, 2010.

 

Rancière, Jacques. Aesthetics and its Discontents. Malden: Polity Press, 2004.

Rancière, Jacques. The Emancipated Spectator. Translated by Gregory Elliot. London: Verso,

 

Rancière, Jacques. The Politics of Aesthetics: The Distribution of the Sensible. London: Continuum, 2006.

 

Rees, A.L., and Duncan White, Steven Ball, David Curtis, eds. Expanded Cinema: Art, Performance, Film. London: Tate Publishing, 2011.

 

Rempel, Gerhard. Hitler’s Children: The Hitler Youth and the SS. Chapel Hill: University of North Carolina Press, 1989.

 

Richards, Mary. Marina Abramović. New York: Routledge, 2010.

Ricoeur, Paul. Oneself as Another. Translated by Kathleen Blamey. Chicago: University of

 

Chicago Press, 1992.

Rosa, Hartmut. Beschleunigung und Entfremdung: Entwurf einer Kritischen Theorie

 

spätmoderner Zeitlichkeit. Berlin: Suhrkamp, 2013.

Rosa, Hartmut, and William E. Scheuerman. High-Speed: Social Acceleration, Power, and

 

Modernity. University Park, PA: The Pennsylvania State University, 2009.

Rosati, Lauren, and Mary Anne Staniszewski, eds. Alternative Histories: New York Art Spaces,

 

1960-2010. Cambridge: MIT Press, 2012.

 

Rosenstone, Robert A., “History in Images/History in Words: Reflections on the Possibility of Really Putting History onto Film.” The American Historical Review. Volume 93. Number 5 (December 1988).

 

Rossol, Nadine. Performing the Nation in Interwar Germany: Sport, Spectacle, and Political Symbolism, 1926 - 1936. New York: Palgrave Macmillan, 2010.

 

Roxby-Maude, Alice, On Camera: Performance and Photography. Southampton: John Hansard Gallery, 2007.

 

Ruyter, Nancy Lee Chalfa. The Cultivation of Body and Mind in Nineteenth-Century American Delsartism. Westport, CT: Greenwood Press, 1999.

 

Salazar, James B. Bodies of Reform The Rhetoric of Character in Gilded Age America. New York: New York University Press, 2010.

  

Schechner, Richard. Essays on Performance Theory 1970 - 1976. New York: Drama Book Specialists, 1973, 1977.

 

Scheerder, Jeroen, and Koen Breedveld, eds. Running Across Europe: The Rise and Size of One of the Largest Sport Markets. New York: Palgrave Macmillan, 2015.

 

Seckinelgin, H., and Billy Wong, eds. Global Civil Society 2011: Globally and the Absence of Justice. Hampshire: Palgrave Macmillan, 2011.

 

Sekula, Allan. “The Body and the Archive.” October. Volume 39 (Winter, 1986). Semon, Richard. Die mnemischen Empmfindungen in ihren Beziehungen zu den

 

Originalempfindungen. Leipzig: W. Engelmann, 1909.

Shawn, Ted. Every Little Movement: A Book About François Delsarte. Pittsfield, MA: The Eagle

 

Printing and Binding Company, 1954.

Shayt, David H. “Stairway to Redemption: America’s Encounter with the British Prison

 

Treadmill.” Technology and Culture, Volume 30, Number 4 (Oct. 1989).

Sheridan, Heather, and Leslie Howe, and Keith Thompson, eds. Sporting Reflections: Some

 

Philosophical Perspectives. Aachen: Meyer & Meyer Verlag, 2007.

 

Siegmund, Gerald, and Stefan Hölscher, eds. Dance, Politics, and Co-Immunity: Thinking Resistances, Current Perspectives on Politics and Communities in the Arts. Volume 1. Zürich- Berlin: Diaphanes, 2013.

 

Sileo, Diego, and Eugenio Viola, PAC (Milano), eds. Marina Abramović: The Abramović Method. 2 Volumes. Milan: 24 ORE Cultura, 2012.

 

Silverman, Kaja. The Subject of Semiotics. New York: Oxford University Press, 1983.

Slevin, Tom. Vision of the Human: Art, World War One and the Modernist Subject. London: I.B.

 

Tauris, 2015.

 

Solnit, Rebecca. River of Shadows: Eadweard Muybridge and the Technological Wild West. New York: Viking, 2003.

 

Solnit, Rebecca. Wanderlust: A History of Walking. London: Verso, 2001.

Sontag, Susan. Against Interpretation and Other Essays. New York: Picador, 1966, 2001. Sontag, Susan. “Fascinating Fascism.” The New York Review of Books (6 February 1975). Sontag, Susan. On Photography. New York: Picador, 1977.

  

Spieker, Sven. The Big Archive: Art from Bureaucracy. Cambridge: MIT Press, 2008. Stepišnik, Drago. Oris Zgodovine Telesne Kulture na Slovenskem. Ljubljana: Dražavna založba

 

Slovenija, 1968.

 

Stipančić, Branka. “‘Zame je resničnost umetnost,’ Intervju s Tomislavom Gotovcem.” Vijenac, Number 123/VI (8 Oct. 1998).

 

Stoddart, Tom. Sarajevo. Washington, D.C.: Smithsonian Institution Press, 1998.

Stošić, Mirjana. “Body-name — The Brotherhood Chronotype and Social Choreography.”

 

Култура/Culture (2015).

Suljagić, Emir. Postcards from the Grave. Translated by Lejla Haverić. London: The Bosnian

 

Institute, 2005.

 

Susovski, Marijan, ed. The New Art Practice in Yugoslavia, 1966 - 1978. Zagreb: Gallery of Contemporary Art, 1978.

 

Sutil, Nicolás Salazar. Motion and Representation: The Language of Human Movement. Cambridge: MIT Press, 2015.

 

Swenson, Kirsten. Irrational Judgements: Eva Hesse, Sol Lewitt, and 1960s New York. New Haven: Yale University Press, 2015.

 

Szeemann, Harold. Zum freien Tanz, zu reiner Kunst. Rolandseck: Stiftung Hans Arp und Sophie Taeuber-Arp, 1991.

 

Tagg, John. The Burden of Representation: Essays on Photographies and Histories. Minneapolis: University of Minnesota Press, 1988.

 

Tilmans, Karin, and Frank van Vree, Jay Winter, eds. Performing the Past: Memory, History, and Identity in Modern Europe. Amsterdam: Amsterdam University Press, 2010.

 

Tumarkin, Maria M. Traumascapes: The Power and Fate of Places Transformed by Tragedies. Victoria, Australia: Melbourne University Press, 2005.

 

Udall, Sharyn R. Dance and American Art: A Long Embrace. Madison: University of Wisconsin Press, 2012.

 

Vacche, Angela Dalle. Film, Art, New Media: Museum without Walls? New York: Palgrave Macmillan, 2012.

 

Vertinsky, Patricia Anne. The Eternally Wounded Woman: Women, Doctors, and Exercise in the Late Nineteenth Century. Manchester: Manchester University Press, 1989.

  

Virilio, Paul. The Art of the Motor. Translated Julie Rose. Minneapolis: University of Minnesota Press, 1995.

 

Weibel, Peter. Beyond Art: A Third Culture. Vienna: Ambra Verlag, 2005.

 

Wells, Liz, ed. Photography: A Critical Introduction. New York: Rutledge, 1996/2015.

 

Westcott, James. When Marina Abramović Dies: A Biography. Cambridge: MIT Press, 2010.

 

White, Hayden. “Historiography and Historiophoty.” The American Historical Review. Volume 93. Number 5 (December 1988).

 

White, Hayden V. Metahistory: The Historical Imagination in Nineteenth-Century Europe. Baltimore: Johns Hopkins University Press, 1973.

 

Wiehager, Renate, ed. Moving Pictures: Photography and Film in Contemporary Art. Ostfildern- Ruit, Germany: Hate Cantz Publishers, 2001.

 

Williams, Raymond. Culture and Society, 1780 - 1950. New York: Columbia University Press, 1958/1983.

 

Wood, Catherine. Yvonne Rainer: The Mind is a Muscle. London: Afterall, 2007. Wood, Denis. The Power of Maps. New York: Guilford Press, 2010.

 

Woodward, Susan L. Balkan Tragedy: Chaos and Dissolution after the Cold War. Washington, D.C.: The Brookings Institution, 1995.

 

Young, Kevin. Deviance and Social Control in Sport. Champaign, IL: Human Kinetics, 2008. Youngblood, Gene. Expanded Cinema. New York: E.P. Dutton and Co., 1970.

 

Zelizer, Barbie, ed. Visual Culture and the Holocaust. New Brunswick: Rutgers University Press, 2001.

 

Zidić, Igor, and Ana Dević, Antonio Gotovac Lauer a.k.a. Tomislav Gotovac. Antonio Gotovac Lauer: Čelična mreža. Zagreb: Moderna Galerija and Studio Josip Račič, 2006.

 

Zorn, John W., ed. The Essential Delsarte. Metuchen, NJ: The Scarecrow Press, Inc, 1968.

 

Žižek, Slavoj. The Indivisible Remainder: An Essay on Schelling and Related Matters. London: Verso, 1996.

 

----

  

------------about Venice Biennale history from wikipedia ---------

curators previous

* 1948 – Rodolfo Pallucchini

* 1966 – Gian Alberto Dell'Acqua

* 1968 – Maurizio Calvesi and Guido Ballo

* 1970 – Umbro Apollonio

* 1972 – Mario Penelope

* 1974 – Vittorio Gregotti

* 1978 – Luigi Scarpa

* 1980 – Luigi Carluccio

* 1982 – Sisto Dalla Palma

* 1984 – Maurizio Calvesi

* 1986 – Maurizio Calvesi

* 1988 – Giovanni Carandente

* 1990 – Giovanni Carandente

* 1993 – Achille Bonito Oliva

* 1995 – Jean Clair

* 1997 – Germano Celant

* 1999 – Harald Szeemann

* 2001 – Harald Szeemann

* 2003 – Francesco Bonami

* 2005 – María de Corral and Rosa Martinez

* 2007 – Robert Storr

* 2009 – Daniel Birnbaum

* 2011 – Bice Curiger

* 2013 – Massimiliano Gioni

* 2015 – Okwui Enwezor

* 2017 – Christine Macel[19]

* 2019 – Ralph Rugoff[20]

  

----------

 

#art #artist #artistic #artists #arte #artwork

 

Pavilion at the Venice Biennale #artcontemporain contemporary art Giardini arsenal

 

venice Veneziako VenecijaVenècia Venedig Venetië Veneetsia Venetsia Venise Venecia VenedigΒενετία( Venetía Hungarian Velence Feneyjar Venice Venezia Venēcija Venezja Venezia Wenecja Veneza VenețiaVenetsiya BenátkyBenetke Venecia Fenisוועניס Վենետիկ ভেনি স威尼斯 (wēinísī) 威尼斯 ვენეციისવે નિસवेनिसヴェネツィアವೆನಿಸ್베니스வெனிஸ்వెనిస్เวนิซوینس Venetsiya

 

art umjetnost umění kunst taide τέχνη művészetList ealaín arte māksla menasarti Kunst sztuka artă umenie umetnost konstcelfקונסטարվեստincəsənətশিল্প艺术(yìshù)藝術 (yìshù)ხელოვნებაकलाkos duabアートಕಲೆសិល្បៈ미술(misul)ສິນລະປະകലकलाအတတ်ပညာकलाකලාවகலைఆర్ట్ศิลปะ آرٹsan'atnghệ thuậtفن (fan)אומנותهنرsanat artist

 

other Biennale :(Biennials ) :

Venice Biennial , Documenta Havana Biennial,Istanbul Biennial ( Istanbuli),Biennale de Lyon ,Dak'Art Berlin Biennial,Mercosul Visual Arts Biennial ,Bienal do Mercosul Porto Alegre.,Berlin Biennial ,Echigo-Tsumari Triennial .Yokohama Triennial Aichi Triennale,manifesta ,Copenhagen Biennale,Aichi Triennale .Yokohama Triennial,Echigo-Tsumari Triennial.Sharjah Biennial ,Biennale of Sydney, Liverpool , São Paulo Biennial ; Athens Biennale , Bienal do Mercosul ,Göteborg International Biennial for Contemporary Art ,DOCUMENTA KASSEL ATHENS

* Dakar

  

kritik [edit] kritikaria kritičar crític kritiker criticus kriitik kriitikko critique crítico Kritiker κριτικός(kritikós) kritikus Gagnrýnandi léirmheastóir critico kritiķis kritikas kritiku krytyk crítico critic crítico krytyk beirniad קריטיקער

 

Basque Veneziako Venecija [edit] Catalan Venècia Venedig Venetië Veneetsia Venetsia Venise Venecia Venedig Βενετία(Venetía) Hungarian Velence Feneyjar Venice Venezia Latvian Venēcija Venezja Venezia Wenecja Portuguese Veneza Veneția Venetsiya Benátky Benetke Venecia Fenis וועניס Վենետիկ ভেনিস 威尼斯 (wēinísī) 威尼斯 Georgian ვენეციის વેનિસ वेनिस ヴェネツィア ವೆನಿಸ್ 베니스 வெனிஸ் వెనిస్ เวนิซ وینس Venetsiya

 

Thierry Geoffroy / Colonel

#thierrygeoffroy #geoffroycolonel #thierrygeoffroycololonel #lecolonel #biennalist

 

#artformat #formatart

#emergencyart #urgencyart #urgentart #artofthenow #nowart

emergency art emergency art urgency artist de garde vagt alarm emergency room necessityart artistrole exigencyart predicament prediction pressureart

 

#InstitutionalCritique

 

#venicebiennale #venicebiennale2017 #venicebiennale2015

#venicebiennale2019

#venice #biennale #venicebiennale #venezia #italy

#venezia #venice #veniceitaly #venicebiennale

 

#pastlife #memory #venicebiennale #venice #Venezia #italy #hotelveniceitalia #artexhibit #artshow #internationalart #contemporaryart #themundane #summerday

 

#biennalevenice

 

Institutional Critique

 

Identity Politics Post-War Consumerism, Engagement with Mass Media, Performance Art, The Body, Film/Video, Political, Collage, , Cultural Commentary, Self as Subject, Color Photography, Related to Fashion, Digital Culture, Photography, Human Figure, Technology

 

Racial and Ethnic Identity, Neo-Conceptualism, Diaristic

 

Contemporary Re-creations, Popular Culture, Appropriation, Contemporary Sculpture,

 

Culture, Collective History, Group of Portraits, Photographic Source

 

, Endurance Art, Film/Video,, Conceptual Art and Contemporary Conceptualism, Color Photography, Human Figure, Cultural Commentary

 

War and Military, Political Figures, Social Action, Racial and Ethnic Identity, Conflict

 

Personal Histories, Alter Egos and Avatars

 

Use of Common Materials, Found Objects, Related to Literature, Installation, Mixed-Media, Engagement with Mass Media, Collage,, Outdoor Art, Work on Paper, Text

  

Appropriation (art) Art intervention Classificatory disputes about art Conceptual art Environmental sculpture Found object Interactive art Modern art Neo-conceptual art Performance art Sound art Sound installation Street installations Video installation Conceptual art Art movements Postmodern art Contemporary art Art media Aesthetics Conceptualism

 

Post-conceptualism Anti-anti-art Body art Conceptual architecture Contemporary art Experiments in Art and Technology Found object Happening Fluxus Information art Installation art Intermedia Land art Modern art Neo-conceptual art Net art Postmodern art Generative Art Street installation Systems art Video art Visual arts ART/MEDIA conceptual artis

 

—-

 

CRITICAL RUN is an art format developed by Thierry Geoffroy / COLONEL, It follows the spirit of ULTRACONTEMPORARY and EMERGENCY ART as well as aims to train the AWARENESS MUSCLE.​

Critical Run has been activated on invitation from institutions such as Moderna Muset Stockholm, Moma PS1 ,Witte de With Rotterdam, ZKM Karlsruhe, Liverpool Biennale, Manifesta Biennial ,Sprengel Museum,Venice Biennale but have also just happened on the spot because a debate was necessary here and now.

 

It has been activated in Beijing, Cairo, London, Istanbul, Athens, Kassel, Sao Paolo, Hanoi, Istanbul, Paris, Copenhagen, Moskow, Napoli, Sydney, Wroclaw, Bruxelles, Rotterdam, Siberia, Karlsruhe, Barcelona, Aalborg, Venice, Virginia, Stockholm, Aarhus, Rio de Janeiro, Budapest, Washington, Lyon, Caracas, Trondheim, Berlin, Toronto, Hannover, Haage, Newtown, Cartagena, Tallinn, Herning, Roskilde;Mannheim ;Munich etc...

 

The run debates are about emergency topics like Climate Change , Xenophobia , Wars , Hyppocrisie , Apathy ,etc ...

 

Participants have been very various from Sweddish art critics , German police , American climate activist , Chinese Gallerists , Brasilian students , etc ...

 

Critical Run is an art format , like Emergency Room or Biennalist and is part of Emergency Art ULTRACONTEMPORARY and AWARENESS MUSCLE .

 

www.emergencyrooms.org/criticalrun.html

 

www.emergencyrooms.org/formats.html

-------

In 2020 a large exhibition will show 40 of the Critical Run at the Museum Villa Stuck in Munich / part of the Awareness Muscle Training Center

------

for activating the format or for inviting the installation

please contact 1@colonel.dk

 

www.colonel.dk/

 

-----

 

critical,run,art,format,debate ,artformat,formatart,moment,clarity,emergency,kunst,

 

Sport,effort,curator,artist,urgency,urgence,criticalrun,emergencies,ultracontemporary

,rundebate,sport,art,activism, critic,laufen,Thierry Geoffroy , Colonel,kunstformat

 

,now art,copenhagen,denmark

 

traveladventureeverywhere.blogspot.com/2018/12/moscow-rus...

 

..

 

..

 

.

 

.

 

.

 

.

 

.

  

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

 

.

  

ALBANIA

 

Albanian Trilogy: A Series of Devious Stratagems

 

Armando Lulaj

 

Commissioner: Ministry of Culture. Curator: Marco Scotini. Deputy Curator: Andris Brinkmanis. Venue: Pavilion at Arsenale

 

ANDORRA

 

Inner Landscapes

 

Roqué, Joan Xandri

 

Commissioner: Henry Périer. Deputy Commissioner: Joana Baygual, Sebastià Petit, Francesc Rodríguez

 

Curator: Paolo de Grandis, Josep M. Ubach. Venue: Spiazzi, Castello 3865

 

ANGOLA

 

On Ways of Travelling

 

António Ole, Binelde Hyrcan, Délio Jasse, Francisco Vidal, Nelo Teixeira

 

Commissioner: Ministry of Culture, Rita Guedes Tavares. Curator: António Ole. Deputy Curator: Antonia Gaeta. Venue: Conservatorio Benedetto Marcello - Palazzo Pisani, San Marco 2810

 

ARGENTINA

 

The Uprising of Form

 

Juan Carlos Diste´fano

 

Commissioner: Magdalena Faillace. Curator: Mari´a Teresa Constantin. Venue: Pavilion at Arsenale – Sale d’Armi

 

ARMENIA, Republic of

 

Armenity / Haiyutioun

 

Haig Aivazian, Lebanon; Nigol Bezjian, Syria/USA; Anna Boghiguian Egypt/Canada; Hera Büyüktasçiyan, Turkey; Silvina Der-Meguerditchian, Argentina/Germany; Rene Gabri & Ayreen Anastas, Iran/Palestine/USA; Mekhitar Garabedian, Belgium; Aikaterini Gegisian, Greece; Yervant Gianikian & Angela Ricci Lucchi, Italy; Aram Jibilian, USA; Nina Katchadourian, USA/Finland; Melik Ohanian, France; Mikayel Ohanjanyan, Armenia/Italy; Rosana Palazyan, Brazil; Sarkis, Turkey/France; Hrair Sarkissian, Syria/UK

 

Commissioner: Ministry of Culture of the Republic of Armenia. Deputy Commissioner: Art for the World, Mekhitarist Congregation of San Lazzaro Island, Embassy of the Republic of Armenia in Italy, Vartan Karapetian. Curator: Adelina Cüberyan von Fürstenberg. Venue: Monastery and Island of San Lazzaro degli Armeni

 

AUSTRALIA

 

Fiona Hall: Wrong Way Time

 

Fiona Hall

 

Commissioner: Simon Mordant AM. Deputy Commissioner: Charles Green. Curator: Linda Michael. Scientific Committee: Simon Mordant AM, Carolyn Christov-Bakargiev, Max Delany, Rachel Kent, Danie Mellor, Suhanya Raffel, Leigh Robb. Venue: Pavilion at Giardini

 

AUSTRIA

 

Heimo Zobernig

 

Commissioner: Yilmaz Dziewior. Curator: Yilmaz Dziewior. Scientific Committee: Friends of the Venice Biennale. Venue: Pavilion at Giardini

 

AZERBAIJAN, Republic of

 

Beyond the Line

 

Ashraf Murad, Javad Mirjavadov, Tofik Javadov, Rasim Babayev, Fazil Najafov, Huseyn Hagverdi, Shamil Najafzada

 

Commissioner: Heydar Aliyev Foundation. Curators: de Pury de Pury, Emin Mammadov. Venue: Palazzo Lezze, Campo S.Stefano, San Marco 2949

 

Vita Vitale

 

Edward Burtynsky, Mircea Cantor, Loris Cecchini, Gordon Cheung, Khalil Chishtee, Tony Cragg, Laura Ford, Noemie Goudal, Siobhán Hapaska, Paul Huxley, IDEA laboratory and Leyla Aliyeva, Chris Jordan with Rebecca Clark and Helena S.Eitel, Tania Kovats, Aida Mahmudova, Sayyora Muin, Jacco Olivier, Julian Opie, Julian Perry, Mike Perry, Bas Princen, Stephanie Quayle, Ugo Rondinone, Graham Stevens, Diana Thater, Andy Warhol, Bill Woodrow, Erwin Wurm, Rose Wylie

 

Commissioner: Heydar Aliyev Foundation. Curators: Artwise: Susie Allen, Laura Culpan, Dea Vanagan. Venue: Ca’ Garzoni, San Marco 3416

 

BELARUS, Republic of

 

War Witness Archive

 

Konstantin Selikhanov

 

Commissioner: Natallia Sharanhovich. Deputy Commissioners: Alena Vasileuskaya, Kamilia Yanushkevich. Curators: Aleksei Shinkarenko, Olga Rybchinskaya. Scientific Committee: Dmitry Korol, Daria Amelkovich, Julia Kondratyuk, Sergei Jeihala, Sheena Macfarlane, Yuliya Heisik, Hanna Samarskaya, Taras Kaliahin, Aliaksandr Stasevich. Venue: Riva San Biagio, Castello 2145

 

BELGIUM

 

Personnes et les autres

 

Vincent Meessen and Guests, Mathieu K. Abonnenc, Sammy Baloji, James Beckett, Elisabetta Benassi, Patrick Bernier & Olive Martin, Tamar Guimara~es & Kasper Akhøj, Maryam Jafri, Adam Pendleton

 

Commissioner: Wallonia-Brussels Federation and Wallonia-Brussels International. Curator: Katerina Gregos. Venue: Pavilion at Giardini

 

COSTA RICA

 

"Costa Rica, Paese di pace, invita a un linguaggio universale d'intesa tra i popoli".

 

Andrea Prandi, Beatrice Gallori, Beth Parin, Biagio Schembari, Carla Castaldo, Celestina Avanzini, Cesare Berlingeri, Erminio Tansini, Fabio Capitanio, Fausto Beretti, Giovan Battista Pedrazzini, Giovanni Lamberti, Giovanni Tenga, Iana Zanoskar, Jim Prescott, Leonardo Beccegato, Liliana Scocco, Lucia Bolzano, Marcela Vicuna, Marco Bellagamba, Marco Lodola, Maria Gioia dell’Aglio, Mario Bernardinello, Massimo Meucci, Nacha Piattini, Omar Ronda, Renzo Eusebi, Tita Patti, Romina Power, Rubens Fogacci, Silvio di Pietro, Stefano Sichel, Tino Stefanoni, Ufemia Ritz, Ugo Borlenghi, Umberto Mariani, Venere Chillemi, Jacqueline Gallicot Madar, Massimo Onnis, Fedora Spinelli

 

Commissioner: Ileana Ordonez Chacon. Curator: Gregorio Rossi. Venue: Palazzo Bollani

 

CROATIA

 

Studies on Shivering: The Third Degree

 

Damir Ocko

 

Commissioner: Ministry of Culture. Curator: Marc Bembekoff. Venue: Palazzo Pisani, S. Marina

 

CUBA

 

El artista entre la individualidad y el contexto

 

Lida Abdul, Celia-Yunior, Grethell Rasúa, Giuseppe Stampone, LinYilin, Luis Edgardo Gómez Armenteros, Olga Chernysheva, Susana Pilar Delahante Matienzo

 

Commissioner: Miria Vicini. Curators: Jorge Fernández Torres, Giacomo Zaza. Venue: San Servolo Island

 

CYPRUS, Republic of

 

Two Days After Forever

 

Christodoulos Panayiotou

 

Commissioner: Louli Michaelidou. Deputy Commissioner: Angela Skordi. Curator: Omar Kholeif. Deputy Curator: Daniella Rose King. Venue: Palazzo Malipiero, Sestiere San Marco 3079

 

CZECH Republic and SLOVAK Republic

 

Apotheosis

 

Jirí David

 

Commissioner: Adam Budak. Deputy Commissioner: Barbara Holomkova. Curator: Katarina Rusnakova. Venue: Pavilion at Giardini

 

ECUADOR

 

Gold Water: Apocalyptic Black Mirrors

 

Maria Veronica Leon Veintemilla in collaboration with Lucia Vallarino Peet

 

Commissioner: Andrea Gonzàlez Sanchez. Deputy Commissioner: PDG Arte Communications. Curator: Ileana Cornea. Deputy Curator: Maria Veronica Leon Veintemilla. Venue: Istituto Santa Maria della Pietà, Castello 3701

 

ESTONIA

 

NSFW. From the Abyss of History

 

Jaanus Samma

 

Commissioner: Maria Arusoo. Curator: Eugenio Viola. Venue: Palazzo Malipiero, campo San Samuele, San Marco 3199

 

EGYPT

 

CAN YOU SEE

 

Ahmed Abdel Fatah, Gamal Elkheshen, Maher Dawoud

 

Commissioner: Hany Al Ashkar. Curator: Ministry of Culture. Venue: Pavilion at Giardini

 

FINLAND (Pavilion Alvar Aalto)

 

Hours, Years, Aeons

 

IC-98

 

Commissioner: Frame Visual Art Finland, Raija Koli. Curator: Taru Elfving. Deputy Curator: Anna Virtanen. Venue: Pavilion at Giardini

 

FRANCE

 

revolutions

 

Céleste Boursier-Mougenot

 

Commissioner: Institut français, with Ministère de la Culture et de la Communication. Curator: Emma Lavigne. Venue: Pavilion at Giardini

 

GEORGIA

 

Crawling Border

 

Rusudan Gobejishvili Khizanishvili, Irakli Bluishvili, Dimitri Chikvaidze, Joseph Sabia

 

Commissioner: Ana Riaboshenko. Curator: Nia Mgaloblishvili. Venue: Pavilion at Arsenale – Sale d’Armi

 

GERMANY

 

Fabrik

 

Jasmina Metwaly / Philip Rizk, Olaf Nicolai, Hito Steyerl, Tobias Zielony

 

Commissioner: ifa (Institut für Auslandsbeziehungen) on behalf of the Federal Foreign Office. Deputy Commissioner: Elke aus dem Moore, Nina Hülsmeier. Curator: Florian Ebner. Deputy Curator: Tanja Milewsky, Ilina Koralova. Venue: Pavilion at Giardini

 

GREAT BRITAIN

 

Sarah Lucas

 

Commissioner: Emma Dexter. Curator: Richard Riley. Deputy Curator: Katrina Schwarz. Venue: Pavilion at Giardini

 

GRENADA *

 

Present Nearness

 

Oliver Benoit, Maria McClafferty, Asher Mains, Francesco Bosso and Carmine Ciccarini, Guiseppe Linardi

 

Commissioner: Ministry of Culture. Deputy Commissioner: Susan Mains. Curator: Susan Mains. Deputy Curator: Francesco Elisei. Venue: Opera don Orione Artigianelli, Sala Tiziano, Fondamenta delle Zattere ai Gesuati, Dorsoduro 919

 

GREECE

 

Why Look at Animals? AGRIMIKÁ.

 

Maria Papadimitriou

 

Commissioner: Hellenic Ministry of Culture, Education and Religious Affairs. Curator: Gabi Scardi. Deputy Curator: Alexios Papazacharias. Venue: Pavilion at Giardini

 

BRAZIL

 

So much that it doesn't fit here

 

Antonio Manuel, André Komatsu, Berna Reale

 

Commissioner: Luis Terepins. Curator: Luiz Camillo Osorio. Deputy Curator: Cauê Alves. Venue: Pavilion at Giardini

 

CANADA

 

Canadassimo

 

BGL

 

Commissioner: National Gallery of Canada, Marc Mayer. Deputy Commissioner: National Gallery of Canada, Yves Théoret. Curator: Marie Fraser. Venue: Pavilion at Giardini

 

CHILE

 

Poéticas de la disidencia | Poetics of dissent: Paz Errázuriz - Lotty Rosenfeld

 

Paz Errázuriz, Lotty Rosenfeld

 

Commissioner: Antonio Arèvalo. Deputy Commissioner: Juan Pablo Vergara Undurraga. Curator: Nelly Richard. Venue: Pavilion at Arsenale - Artiglierie

 

CHINA, People’s Republic of

 

Other Future

 

LIU Jiakun, LU Yang, TAN Dun, WEN Hui/Living Dance Studio, WU Wenguang/Caochangdi Work Station

 

Commissioner: China Arts and Entertainment Group, CAEG. Deputy Commissioners: Zhang Yu, Yan Dong. Curator: Beijing Contemporary Art Foundation. Scientific Committee: Fan Di’an, Zhang Zikang, Zhu Di, Gao Shiming, Zhu Qingsheng, Pu Tong, Shang Hui. Venue: Pavilion at Arsenale – Giardino delle Vergini

 

GUATEMALA

 

Sweet Death

 

Emma Anticoli Borza, Sabrina Bertolelli, Mariadolores Castellanos, Max Leiva, Pier Domenico Magri, Adriana Montalto, Elmar Rojas (Elmar René Rojas Azurdia), Paolo Schmidlin, Mónica Serra, Elsie Wunderlich, Collettivo La Grande Bouffe

 

Commissioner: Daniele Radini Tedeschi. Curators: Stefania Pieralice, Carlo Marraffa, Elsie Wunderlich. Deputy Curators: Luciano Carini, Simone Pieralice. Venue: Officina delle Zattere, Dorsoduro 947, Fondamenta Nani

 

HOLY SEE

 

Commissioner: Em.mo Card. Gianfranco Ravasi, Presidente del Pontificio Consiglio della Cultura. Venue: Pavilion at Arsenale – Sale d’Armi

 

HUNGARY

 

Sustainable Identities

 

Szilárd Cseke

 

Commissioner: Monika Balatoni. Deputy Commissioner: István Puskás, Sándor Fodor, Anna Karády. Curator: Kinga German. Venue: Pavilion at Giardini

 

ICELAND

 

Christoph Büchel

 

Commissioner: Björg Stefánsdóttir. Curator: Nína Magnúsdóttir. Venue: to be confirmed

 

INDONESIA, Republic of

 

Komodo Voyage

 

Heri Dono

 

Commissioner: Sapta Nirwandar. Deputy Commissioner: Soedarmadji JH Damais. Curator: Carla Bianpoen, Restu Imansari Kusumaningrum. Scientific Committee: Franco Laera, Asmudjo Jono Irianto, Watie Moerany, Elisabetta di Mambro. Venue: Venue: Arsenale

 

IRAN

 

Iranian Highlights

 

Samira Alikhanzaradeh, Mahmoud Bakhshi Moakhar, Jamshid Bayrami, Mohammed Ehsai

 

The Great Game

 

Lida Abdul, Bani Abidi, Adel Abidin, Amin Agheai, Ghodratollah Agheli, Shahriar Ahmadi, Parastou Ahovan, Farhad Ahrarnia, Rashad Alakbarov, Nazgol Ansarinia, Reza Aramesh, Alireza Astaneh, Sonia Balassanian, Mahmoud Bakhshi, Moakhar Wafaa Bilal, Mehdi Farhadian, Monir Farmanfarmaian, Shadi Ghadirian, Babak Golkar, Shilpa Gupta, Ghasem Hajizadeh, Shamsia Hassani, Sahand Hesamiyan, Sitara Ibrahimova, Pouran Jinchi, Amar Kanwar, Babak Kazemi, Ryas Komu, Ahmad Morshedloo, Farhad Moshiri, Mehrdad Mohebali, Huma Mulji, Azad Nanakeli, Jamal Penjweny, Imran Qureshi, Sara Rahbar, Rashid Rana, T.V. Santhosh, Walid Siti, Mohsen Taasha Wahidi, Mitra Tabrizian, Parviz Tanavoli, Newsha Tavakolian, Sadegh Tirafkan, Hema Upadhyay, Saira Wasim

 

Commissioner: Majid Mollanooruzi. Deputy Commissioners: Marco Meneguzzo, Mazdak Faiznia. Curators: Marco Meneguzzo, Mazdak Faiznia. Venue: Calle San Giovanni 1074/B, Cannaregio

 

IRAQ

 

Commissioner: Ruya Foundation for Contemporary Culture in Iraq (RUYA). Deputy Commissioner: Nuova Icona - Associazione Culturale per le Arti. Curator: Philippe Van Cauteren. Venue: Ca' Dandolo, San Polo 2879

 

IRELAND

 

Adventure: Capital

 

Sean Lynch

 

Commissioner: Mike Fitzpatrick. Curator: Woodrow Kernohan. Venue: Pavilion at Arsenale - Artiglierie

 

ISRAEL

 

Tsibi Geva | Archeology of the Present

 

Tsibi Geva

 

Commissioner: Arad Turgem, Michael Gov. Curator: Hadas Maor. Venue: Pavilion at Giardini

   

ITALY

 

Ministero dei Beni e delle attività culturali e del turismo - Direzione Generale Arte e Architettura Contemporanee e Periferie Urbane. Commissioner: Federica Galloni. Curator: Vincenzo Trione. Venue: Padiglione Italia, Tese delle Vergini at Arsenale

   

JAPAN

 

The Key in the Hand

 

Chiharu Shiota

 

Commissioner: The Japan Foundation. Deputy Commissioner: Yukihiro Ohira, Manako Kawata and Haruka Nakajima. Curator: Hitoshi Nakano. Venue : Pavilion at Giardini

   

KENYA

 

Creating Identities

 

Yvonne Apiyo Braendle-Amolo, Qin Feng, Shi Jinsong, Armando Tanzini, Li Zhanyang, Lan Zheng Hui, Li Gang, Double Fly Art Center

 

Commissioner: Paola Poponi. Curator: Sandro Orlandi Stagl. Deputy Curator: Ding Xuefeng. Venue: San Servolo Island

   

KOREA, Republic of

 

The Ways of Folding Space & Flying

 

MOON Kyungwon & JEON Joonho

 

Commissioner: Sook-Kyung Lee. Curator: Sook-Kyung Lee. Venue: Pavilion at Giardini

   

KOSOVO, Republic of

 

Speculating on the blue

 

Flaka Haliti

 

Commissioner: Ministry of Culture, Youth and Sports. Curator: Nicolaus Schafhausen. Deputy Curator: Katharina Schendl. Venue: Pavilion at Arsenale - Artiglierie

   

LATVIA

 

Armpit

 

Katrina Neiburga, Andris Eglitis

 

Commissioner: Solvita Krese (Latvian Centre for Contemporary Art). Deputy Commissioner: Kitija Vasiljeva. Curator: Kaspars Vanags. Venue: Pavilion at Arsenale

   

LITHUANIA

 

Museum

 

Dainius Liškevicius

 

Commissioner: Vytautas Michelkevicius. Deputy Commissioner: Rasa Antanaviciute. Curator: Vytautas Michelkevicius. Venue: Palazzo Zenobio, Fondamenta del Soccorso 2569, Dorsoduro

   

LUXEMBOURG, Grand Duchy of

 

Paradiso Lussemburgo

 

Filip Markiewicz

 

Commissioner: Ministry of Culture. Deputy Commissioner: MUDAM Luxembourg. Curator: Paul Ardenne. Venue: Cà Del Duca, Corte del Duca Sforza, San Marco 3052

   

MACEDONIA, Former Yugoslavian Republic of

 

We are all in this alone

 

Hristina Ivanoska and Yane Calovski

 

Commissioner: Maja Nedelkoska Brzanova, National Gallery of Macedonia. Deputy Commissioner: Olivija Stoilkova. Curator: Basak Senova. Deputy Curator: Maja Cankulovska Mihajlovska. Venue: Pavilion at Arsenale - Sale d’Armi

   

MAURITIUS *

 

From One Citizen You Gather an Idea

 

Sultana Haukim, Nirmal Hurry, Alix Le Juge, Olga Jürgenson, Helge Leiberg, Krishna Luchoomun, Neermala Luckeenarain, Kavinash Thomoo, Bik Van Der Pol, Laure Prouvost, Vitaly Pushnitsky, Römer + Römer

 

Commissioner: pARTage. Curators: Alfredo Cramerotti, Olga Jürgenson. Venue: Palazzo Flangini - Canareggio 252

   

MEXICO

 

Possesing Nature

 

Tania Candiani, Luis Felipe Ortega

 

Commissioner: Tomaso Radaelli. Deputy Commissioner: Magdalena Zavala Bonachea. Curator: Karla Jasso. Venue: Pavilion at Arsenale – Sale d’Armi

   

MONGOLIA *

 

Other Home

 

Enkhbold Togmidshiirev, Unen Enkh

 

Commissioner: Gantuya Badamgarav, MCASA. Curator: Uranchimeg Tsultemin. Scientific Committee: David A Ross, Boldbaatar Chultemin. Venue: European Cultural Centre - Palazzo Mora

   

MONTENEGRO

 

,,Ti ricordi Sjecaš li se You Remember "

 

Aleksandar Duravcevic

 

Commissioner/Curator: Anastazija Miranovic. Deputy Commissioner: Danica Bogojevic. Venue: Palazzo Malipiero (piano terra), San Marco 3078-3079/A, Ramo Malipiero

   

MOZAMBIQUE, Republic of *

 

Theme: Coexistence of Tradition and Modernity in Contemporary Mozambique

 

Mozambique Artists

 

Commissioner: Joel Matias Libombo. Deputy Commissioner: Gilberto Paulino Cossa. Curator: Comissariado-Geral para a Expo Milano 2015. Venue: Pavilion at Arsenale

   

NETHERLANDS, The

 

herman de vries - to be all ways to be

 

herman de vries

 

Commissioner: Mondriaan Fund. Curators: Colin Huizing, Cees de Boer. Venue: Pavilion ar Giardini

   

NEW ZEALAND

 

Secret Power

 

Simon Denny

 

Commissioner: Heather Galbraith. Curator: Robert Leonard. Venue: Biblioteca Nazionale Marciana, Marco Polo Airport

   

NORDIC PAVILION (NORWAY)

 

Camille Norment

 

Commissioner: OCA, Office for Contemporary Art Norway. Curator: Katya García-Antón. Deputy Curator: Antonio Cataldo. Venue: Pavilion at Giardini

   

PERU

 

Misplaced Ruins

 

Gilda Mantilla and Raimond Chaves

 

Commissioner: Armando Andrade de Lucio. Curator: Max Hernández-Calvo. Venue: Pavilion at Arsenale – Sale d’Armi

   

PHILIPPINES

 

Tie a String Around the World

 

Manuel Conde, Carlos Francisco, Manny Montelibano, Jose Tence Ruiz

 

Commissioner: National Commission for Culture and the Arts (NCCA), Felipe M. de Leon Jr. Curator: Patrick D. Flores. Venue: European Cultural Centre - Palazzo Mora

   

POLAND

 

Halka/Haiti. 18°48’05”N 72°23’01”W

 

C.T. Jasper, Joanna Malinowska

 

Commissioner: Hanna Wróblewska. Deputy Commissioner: Joanna Wasko. Curator: Magdalena Moskalewicz. Venue: Pavilion at Giardini

   

PORTUGAL

 

I Will Be Your Mirror / poems and problems

 

João Louro

 

Commissioner/Curator: María de Corral. Venue: Palazzo Loredan, campo S. Stefano

   

ROMANIA

 

Adrian Ghenie: Darwin’s Room

 

Adrian Ghenie

 

Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Mihai Pop. Venue: Pavilion at Giardini

   

Inventing the Truth. On Fiction and Reality

 

Michele Bressan, Carmen Dobre-Hametner, Alex Mirutziu, Lea Rasovszky, Stefan Sava, Larisa Sitar

 

Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Diana Marincu. Deputy Curators: Ephemair Association (Suzana Dan and Silvia Rogozea). Venue: New Gallery of the Romanian Institute for Culture and Humanistic Research in Venice

   

RUSSIA

 

The Green Pavilion

 

Irina Nakhova

 

Commissioner: Stella Kesaeva. Curator: Margarita Tupitsyn. Venue: Pavilion at Giardini

   

SERBIA

 

United Dead Nations

 

Ivan Grubanov

 

Commissioner: Lidija Merenik. Deputy Commissioner: Ana Bogdanovic. Curator: Lidija Merenik. Deputy Curator: Ana Bogdanovic. Scientific Committee: Jovan Despotovic. Venue: Pavilion at Giardini

   

SAN MARINO

 

Repubblica di San Marino “ Friendship Project “ China

 

Xu De Qi, Liu Dawei, Liu Ruo Wang, Ma Yuan, Li Lei, Zhang Hong Mei, Eleonora Mazza, Giuliano Giulianelli, Giancarlo Frisoni, Tony Margiotta, Elisa Monaldi, Valentina Pazzini

 

Commissioner: Istituti Culturali della Repubblica di San Marino. Curator: Vincenzo Sanfo. Venue: TBC

   

SEYCHELLES, Republic of *

 

A Clockwork Sunset

 

George Camille, Léon Wilma Loïs Radegonde

 

Commissioner: Seychelles Art Projects Foundation. Curators: Sarah J. McDonald, Victor Schaub Wong. Venue: European Cultural Centre - Palazzo Mora

   

SINGAPORE

 

Sea State

 

Charles Lim Yi Yong

 

Commissioner: Paul Tan, National Arts Council, Singapore. Curator: Shabbir Hussain Mustafa. Scientific Committee: Eugene Tan, Kathy Lai, Ahmad Bin Mashadi, June Yap, Emi Eu, Susie Lingham, Charles Merewether, Randy Chan. Venue: Pavilion at Arsenale – Sale d’Armi

   

SLOVENIA, Republic of

 

UTTER / The violent necessity for the embodied presence of hope

 

JAŠA

 

Commissioner: Simona Vidmar. Deputy Commissioner: Jure Kirbiš. Curators: Michele Drascek and Aurora Fonda. Venue: Pavilion at Arsenale - Artiglierie

   

SPAIN

 

Los Sujetos (The Subjects)

 

Pepo Salazar, Cabello/Carceller, Francesc Ruiz, + Salvador Dalí

 

Commissioner: Ministerio Asuntos Exteriores. Gobierno de España. Curator: Marti Manen. Venue: Pavilion at Giardini

   

SYRIAN ARAB REPUBLIC

 

Origini della civiltà

 

Narine Ali, Ehsan Alar, Felipe Cardeña, Fouad Dahdouh, Aldo Damioli, Svitlana Grebenyuk, Mauro Reggio, Liu Shuishi, Nass ouh Zaghlouleh, Andrea Zucchi, Helidon Xhixha

 

Commissioner: Christian Maretti. Curator: Duccio Trombadori. Venue: Redentore – Giudecca, San Servolo Island

   

SWEDEN

 

Excavation of the Image: Imprint, Shadow, Spectre, Thought

 

Lina Selander

 

Commissioner: Ann-Sofi Noring. Curator: Lena Essling. Venue: Pavilion at Arsenale

   

SWITZERLAND

 

Our Product

 

Pamela Rosenkranz

 

Commissioner: Swiss Arts Council Pro Helvetia, Sandi Paucic and Marianne Burki. Deputy-Commissioner: Swiss Arts Council Pro Helvetia, Rachele Giudici Legittimo. Curator: Susanne Pfeffer. Venue: Pavilion at Giardini

   

THAILAND

 

Earth, Air, Fire & Water

 

Kamol Tassananchalee

 

Commissioner: Chai Nakhonchai, Office of Contemporary Art and Culture (OCAC), Ministry of Culture. Curator: Richard David Garst. Deputy Curator: Pongdej Chaiyakut. Venue: Paradiso Gallerie, Giardini della Biennale, Castello 1260

   

TURKEY

 

Respiro

 

Sarkis

 

Commissioner: Istanbul Foundation for Culture and Arts. Curator: Defne Ayas. Deputy Curator: Ozge Ersoy. Venue: Pavilion at Arsenale – Sale d’Armi

   

TUVALU

 

Crossing the Tide

 

Vincent J.F. Huang

 

Commissioner: Taukelina Finikaso. Deputy Commissioner: Temate Melitiana. Curator: Thomas J. Berghuis. Scientific Committee: Andrea Bonifacio. Venue: Pavilion at Arsenale

   

UKRAINE

 

Hope!

 

Yevgenia Belorusets, Nikita Kadan, Zhanna Kadyrova, Mykola Ridnyi & SerhiyZhadan, Anna Zvyagintseva, Open Group, Artem Volokitin

 

Commissioner: Ministry of Culture. Curator: Björn Geldhof. Venue: Riva dei Sette Martiri

   

UNITED ARAB EMIRATES

 

1980 – Today: Exhibitions in the United Arab Emirates

 

Abdullah Al Saadi, Abdul Qader Al Rais, Abdulraheem Salim, Abdulrahman Zainal, Ahmed Al Ansari, Ahmed Sharif, Hassan Sharif, Mohamed Yousif, Mohammed Abdullah Bulhiah, Mohammed Al Qassab, Mohammed Kazem, Moosa Al Halyan, Najat Meky, Obaid Suroor, Salem Jawhar

 

Commissioner: Salama bint Hamdan Al Nahyan Foundation. Curator: Hoor Al Qasimi. Venue: Pavilion at Arsenale – Sale d'Armi

   

UNITED STATES OF AMERICA

 

Joan Jonas: They Come to Us Without a Word

 

Joan Jonas

 

Commissioner: Paul C. Ha. Deputy Commissioner: MIT List Visual Arts Center. Curators: Ute Meta Bauer, Paul C. Ha. Venue: Pavilion at Giardini

   

URUGUAY

 

Global Myopia II (Pencil & Paper)

 

Marco Maggi

 

Commissioner: Ricardo Pascale. Curator: Patricia Bentancour. Venue: Pavilion at Giardini

   

VENEZUELA, Bolivarian Republic of

 

Te doy mi palabra (I give you my word)

 

Argelia Bravo, Félix Molina (Flix)

 

Commissioner: Oscar Sotillo Meneses. Deputy Commissioner: Reinaldo Landaeta Díaz. Curator: Oscar Sotillo Meneses. Deputy Curator: Morella Jurado. Scientific Committee: Carlos Pou Ruan. Venue: Pavilion at Giardini

   

ZIMBABWE, Republic of

 

Pixels of Ubuntu/Unhu: - Exploring the social and cultural identities of the 21st century.

 

Chikonzero Chazunguza, Masimba Hwati, Gareth Nyandoro

 

Commissioner: Doreen Sibanda. Curator: Raphael Chikukwa. Deputy Curator: Tafadzwa Gwetai. Scientific Committee: Saki Mafundikwa, Biggie Samwanda, Fabian Kangai, Reverend Paul Damasane, Nontsikelelo Mutiti, Stephen Garan'anga, Dominic Benhura. Venue: Santa Maria della Pieta

   

ITALO-LATIN AMERICAN INSTITUTE

 

Voces Indígenas

 

Commissioner: Sylvia Irrazábal. Curator: Alfons Hug. Deputy Curator: Alberto Saraiva. Venue: Pavilion at Arsenale

 

ARGENTINA

 

Sofia Medici and Laura Kalauz

 

PLURINATIONAL STATE OF BOLIVIA

 

Sonia Falcone and José Laura Yapita

 

BRAZIL

 

Adriana Barreto

 

Paulo Nazareth

 

CHILE

 

Rainer Krause

 

COLOMBIA

 

León David Cobo,

 

María Cristina Rincón and Claudia Rodríguez

 

COSTA RICA

 

Priscilla Monge

 

ECUADOR

 

Fabiano Kueva

 

EL SALVADOR

 

Mauricio Kabistan

 

GUATEMALA

 

Sandra Monterroso

 

HAITI

 

Barbara Prézeau Stephenson

 

HONDURAS

 

Leonardo González

 

PANAMA

 

Humberto Vélez

 

NICARAGUA

 

Raúl Quintanilla

 

PARAGUAY

 

Erika Meza

 

Javier López

 

PERU

 

José Huamán Turpo

 

URUGUAY

 

Gustavo Tabares

   

Ellen Slegers

     

001 Inverso Mundus. AES+F

 

Magazzino del Sale n. 5, Dorsoduro, 265 (Fondamenta delle Zattere ai Saloni); Palazzo Nani Mocenigo, Dorsoduro, 960

 

May 9th – October 31st

 

Organization: VITRARIA Glass + A Museum

 

www.vitraria.com

 

www.inversomundus.com

   

Catalonia in Venice: Singularity

 

Cantieri Navali, Castello, 40 (Calle Quintavalle)

 

May 9th - November 22nd

 

Organization: Institut Ramon Llull

 

www.llull.cat

 

venezia2015.llull.cat

   

Conversion. Recycle Group

 

Chiesa di Sant’Antonin, Castello (Campo Sant’Antonin)

 

May 6th - October 31st

 

Organization: Moscow Museum of Modern Art

 

www.mmoma.ru/

   

Dansaekhwa

 

Palazzo Contarini-Polignac, Dorsoduro, 874 (Accademia)

 

May 7th – August 15th

 

Organization: The Boghossian Foundation

 

www.villaempain.com

   

Dispossession

 

Palazzo Donà Brusa, Campo San Polo, 2177

 

May 9th - November 22nd

 

Organization: European Capital of Culture Wroclaw 2016

 

wroclaw2016.pl/biennale/

   

EM15 presents Doug Fishbone’s Leisure Land Golf

 

Arsenale Docks, Castello, 40A, 40B, 41C

 

May 6th - July 26th

 

Organization: EM15

 

www.em15venice.co.uk

   

Eredità e Sperimentazione

 

Grand Hotel Hungaria & Ausonia, Viale Santa Maria Elisabetta, 28, Lido di Venezia

 

May 9th - November 22nd

 

Organization: Istituto Nazionale di BioArchitettura - Sezione di Padova

 

www.bioarchitettura.it

   

Frontiers Reimagined

 

Palazzo Grimani, Castello, 4858 (Ramo Grimani)

 

May 9th - November 22nd

 

Organization: Tagore Foundation International; Polo museale del Veneto

 

www.frontiersreimagined.org

   

Glasstress 2015 Gotika

 

Istituto Veneto di Scienze Lettere ed Arti, Palazzo Cavalli Franchetti, San Marco, 2847 (Campo Santo Stefano); Chiesa di Santa Maria della Visitazione, Centro Culturale Don Orione Artigianelli, Dorsoduro, 919 (Zattere); Fondazione Berengo, Campiello della Pescheria, 15, Murano;

 

May 9th — November 22nd

 

Organization: The State Hermitage Museum

 

www.hermitagemuseum.org

   

Graham Fagen: Scotland + Venice 2015

 

Palazzo Fontana, Cannaregio, 3829 (Strada Nova)

 

May 9th - November 22nd

 

Organization: Scotland + Venice

 

www.scotlandandvenice.com

   

Grisha Bruskin. An Archaeologist’s Collection

 

Former Chiesa di Santa Caterina, Cannaregio, 4941-4942

 

May 6th – November 22nd

 

Organization: Centro Studi sulle Arti della Russia (CSAR), Università Ca’ Foscari Venezia

 

www.unive.it/csar

   

Helen Sear, ... The Rest Is Smoke

 

Santa Maria Ausiliatrice, Castello, 450 (Fondamenta San Gioacchin)

 

May 9th - November 22nd

 

Organization: Cymru yn Fenis/Wales in Venice

 

www.walesinvenice.org.uk

   

Highway to Hell

 

Palazzo Michiel, Cannaregio, 4391/A (Strada Nova)

 

May 9th - November 22nd

 

Organization: Hubei Museum of Art

 

www.hbmoa.com

   

Humanistic Nature and Society (Shan-Shui) – An Insight into the Future

 

Palazzo Faccanon, San Marco, 5016 (Mercerie)

 

May 7th – August 4th

 

Organization: Shanghai Himalayas Museum

 

www.himalayasmuseum.org

   

In the Eye of the Thunderstorm: Effervescent Practices from the Arab World & South Asia

 

Dorsoduro, 417 (Zattere)

 

May 6th - November 15th

 

Organization: ArsCulture

 

www.arsculture.org/

 

www.eyeofthunderstorm.com

   

Italia Docet | Laboratorium- Artists, Participants, Testimonials and Activated Spectators

 

Palazzo Barbarigo Minotto, San Marco, 2504 (Fondamenta Duodo o Barbarigo)

 

May 9th – June 30th; September 11st – October 31st

 

Organization: Italian Art Motherboard Foundation (i-AM Foundation)

 

www.i-amfoundation.org

 

www.venicebiennale-italiadocet.org

   

Jaume Plensa: Together

 

Basilica di San Giorgio Maggiore, Isola di San Giorgio Maggiore

 

May 6th – November 22nd

 

Organization: Abbazia di San Giorgio Maggiore Benedicti Claustra Onlus

 

www.praglia.it

   

Jenny Holzer "War Paintings"

 

Museo Correr, San Marco, 52 (Piazza San Marco)

 

May 6th – November 22nd

 

Organization: The Written Art Foundation; Museo Correr, Fondazione Musei Civici di Venezia

 

www.writtenartfoundation.com

 

correr.visitmuve.it

   

Jump into the Unknown

 

Palazzo Loredan dell’Ambasciatore, Dorsoduro, 1261-1262

 

May 9th – June 18th

 

Organization: Nine Dragon Heads

 

9dh-venice.com

   

Learn from Masters

 

Palazzo Bembo, San Marco, 4793 (Riva del Carbon)

 

May 9th – November 22nd

 

Organization: Pan Tianshou Foundation

 

pantianshou.caa.edu.cn/foundation_en

   

My East is Your West

 

Palazzo Benzon, San Marco, 3927

 

May 6th – October 31st

 

Organization: The Gujral Foundation

 

www.gujralfoundation.org

       

Ornamentalism. The Purvitis Prize

 

Arsenale Nord, Tesa 99

 

May 9th – November 22nd

 

Organization: The Secretariat of the Latvian Presidency of the Council of the European Union in 2015

 

www.purvisabalva.lv/en/ornamentalism

   

Path and Adventure

 

Arsenale, Castello, 2126/A (Campo della Tana)

 

May 9th – November 22nd

 

Organization: The Civic and Municipal Affairs Bureau; The Macao Museum of Art; The Cultural Affairs Bureau

 

www.iacm.gov.mo

 

www.mam.gov.mo

 

www.icm.gov.mo

   

Patricia Cronin: Shrine for Girls, Venice

 

Chiesa di San Gallo, San Marco, 1103 (Campo San Gallo)

 

May 9th – November 22nd

 

Organization: Brooklyn Rail Curatorial Projects

 

curatorialprojects.brooklynrail.org

   

Roberto Sebastian Matta. Sculture

 

Giardino di Palazzo Soranzo Cappello, Soprintendenza BAP per le Province di Venezia, Belluno, Padova e Treviso, Santa Croce, 770 (Fondamenta Rio Marin)

 

May 9th – November 22nd

 

Organization: Fondazione Echaurren Salaris

 

www.fondazioneechaurrensalaris.it

 

www.maggioregam.com/56Biennale_Matta

   

Salon Suisse: S.O.S. Dada - The World Is A Mess

 

Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)

 

May 9th; June 4th - 6th; September 10th - 12th; October 15th - 17th; November 19th – 21st

 

Organization: Swiss Arts Council Pro Helvetia

 

www.prohelvetia.ch

 

www.biennials.ch

   

Sean Scully: Land Sea

 

Palazzo Falier, San Marco, 2906

 

May 9th – November 22nd

 

Organization: Fondazione Volume!

 

www.fondazionevolume.com

   

Sepphoris. Alessandro Valeri

 

Molino Stucky, interior atrium, Giudecca, 812

 

May 9th – November 22nd

 

Organization: Assessorato alla Cultura del Comune di Narni(TR); a Sidereal Space of Art; Satellite Berlin

 

www.sepphorisproject.org

   

Tesla Revisited

 

Palazzo Nani Mocenigo, Dorsoduro, 960

 

May 9th – October 18th

 

Organization: VITRARIA Glass + A Museum

 

www.vitraria.com/

   

The Bridges of Graffiti

 

Arterminal c/o Terminal San Basilio, Dorsoduro (Fondamenta Zattere al Ponte Lungo)

 

May 9th - November 22nd

 

Organization: Associazione Culturale Inossidabile

 

www.inossidabileac.com

   

The Dialogue of Fire. Ceramic and Glass Masters from Barcelona to Venice

 

Palazzo Tiepolo Passi, San Polo, 2774

 

May 6th - November 22nd

 

Organization: Fundaciò Artigas; ArsCulture

 

www.fundacio-artigas.com/

 

www.arsculture.org/

 

www.dialogueoffire.org

   

The Question of Beings

 

Istituto Santa Maria della Pietà, Castello, 3701

 

May 9th - November 22nd

 

Organization: Museum of Contemporary Art, Taipei (MoCA, Taipei)

 

www.mocataipei.org.tw

   

The Revenge of the Common Place

 

Università Ca' Foscari, Ca' Bernardo, Dorsoduro, 3199 (Calle Bernardo)

 

May 9th – September 30th

 

Organization: Vrije Universiteit Brussel (Free University Brussels-VUB)

 

www.vub.ac.be/

   

The Silver Lining. Contemporary Art from Liechtenstein and other Microstates

 

Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)

 

October 24th – November 1st

 

Organization: Kunstmuseum Liechtenstein

 

www.kunstmuseum.li

 

www.silverlining.li

   

The Sound of Creation. Paintings + Music by Beezy Bailey and Brian Eno

 

Conservatorio Benedetto Marcello, Palazzo Pisani, San Marco, 2810 (Campo Santo Stefano)

 

May 7th - November 22nd

 

Organization: ArsCulture

 

www.arsculture.org/

   

The Union of Fire and Water

 

Palazzo Barbaro, San Marco, 2840

 

May 9th - November 22nd

 

Organization: YARAT Contemporary Art Organisation

 

www.yarat.az

 

www.bakuvenice2015.com

   

Thirty Light Years - Theatre of Chinese Art

 

Palazzo Rossini, San Marco, 4013 (Campo Manin)

 

May 9th - November 22nd

 

Organization: GAC Global Art Center Foundation; The Guangdong Museum of Art

 

www.globalartcenter.org

 

www.gdmoa.org

   

Tsang Kin-Wah: The Infinite Nothing, Hong Kong in Venice

 

Arsenale, Castello, 2126 (Campo della Tana)

 

May 9th - November 22nd

 

Organization: M+, West Kowloon Cultural District; Hong Kong Arts Development Council

 

www.westkowloon.hk/en/mplus

 

www.hkadc.org.hk

 

www.venicebiennale.hk

   

Under the Surface, Newfoundland and Labrador at Venice

 

Galleria Ca' Rezzonico, Dorsoduro, 2793

 

May 9th - November 22nd

 

Organization: Terra Nova Art Foundation

 

tnaf.ca

   

Ursula von Rydingsvard

 

Giardino della Marinaressa, Castello (Riva dei Sette Martiri)

 

May 6th - November 22nd

 

Organization:Yorkshire Sculpture Park

 

www.ysp.co.uk

   

We Must Risk Delight: Twenty Artists from Los Angeles

 

Magazzino del Sale n. 3, Dorsoduro, 264 (Zattere)

 

May 7th - November 22nd

 

Organization: bardoLA

 

www.bardoLA.org

   

Wu Tien-Chang: Never Say Goodbye

 

Palazzo delle Prigioni, Castello, 4209 (San Marco)

 

May 9th - November 22nd

 

Organization: Taipei Fine Arts Museum of Taiwan

 

www.tfam.museum

 

Credit

 

[Eternus] - Kimiko Dress

 

Compatible with :

Legacy+Perky+Bombshell - LaraX+PetiteX - Reborn+Juicy Boobs+Waifu

 

NEW ATTITUDE

New Attitude Blog

Twitter

Tumblr

Pinterest

Instagram

Flickr

Facebook

Deviants Art

Primfeed

Credit

 

[[Masoom]] - Claw Crusader - Equal 10 Event

 

Event Opens: 10th November Event Ends: 5th December

 

Compatible with : Lara, Lara X, Waifu Boobs, Waifu + Rolls, Mounds(Reborn), Juicy Rolls, Ebody Reborn, Kupra, Legacy, Legacy Perky

 

NEW ATTITUDE

New Attitude Blog

Twitter

Tumblr

Pinterest

Instagram

Flickr

Facebook

Deviants Art

Primfeed

1 2 ••• 50 51 53 55 56 ••• 79 80