View allAll Photos Tagged home...
I love old metal script lettering. Spotted this on a vintage RV parked in north-east Monrovia. The light was fading so my shot of the whole vehicle didn't come out very well. Perhaps I will get another one in the future. The back end of the car as a great shape.
This is Japanese Sewing Book "Home Couture" by Machiko Kayaki. This book includes 23 sewing projects, like dresses, shirts and bags. Very stylish and elegant. And it comes with Full Size Pattern. The instructions are in Japanese, but it has step by step diagrams. So it is pretty easy to follow.
This book is USED, but in EXCELLENT Condition, just a little bit dirty on the dust cover, the book itself is like BRAND NEW.
ISBN: 4-579-10745-4
Page:82
If you are interested in this book, pls check my profile.
view from the lot just to the south of the Smart Home 2014. Creek is behind black protective fencing. Cannot see catchment basin from this view.
ALRESFORD Southdowns, Alresford, Hampshire General branch for 40 children. The property at Alresford was purchased in 1899 by the Rev Joseph Peck for a new venture in child care by the Primitive Methodist Church. Set in delightful country surroundings, the main building is approached through an avenue of lime trees. There is a hobbies room and a community hall, the gifts of Mr Edgar A Milward, OBE, Chairman of the Alresford branch committee.
Also a modern family house in memory of the late Mary Yolland has been built in the grounds and provides accommodation for nine children and two staff.
This one was made from the original Hermitage home. Somehow, they removed the second story from the original building to convert it to slave quarters
...my big goose, Tyson! My old man has been with me for more than a full decade now (crazy), and although the door has changed over the years, his face as I open it is what really makes it the door to "home". Sometimes that face is all I need (:
I know I'm behind everyone else - trying to catch up!
(2/365) Our Daily Challenge: so nice to come home to...
as always, criticism is always welcome (: I still have a lot to learn!
Organized for the Armory by Los Angeles-based independent curator Kris Kuramitsu, this exhibition highlights and contextualizes a group of artists that work in Los Angeles as well as other locations in Asia and Latin America, among them Ho Chi Minh City, Tokyo, Mumbai, Tijuana, Guadalajara, and Mexico City.
Los Angeles is perpetually framed as a prototypical global city, an outer-edge American capital that serves as a key Pacific Rim nexus of exchange for people, goods, and ideas. Home Away explores the contours of a transnational artistic practice that is rooted in this context – the dynamism of Los Angeles in the second decade of the new millennium.
The nine artists in this exhibition have deep ties to Los Angeles, yet maintain studios and live part of their lives in cities across Asia and Latin America. While artists have always had a history of living such peripatetic lives – making homes where their inspiration leads them – the artists in this exhibition have found meaning in the relationship between multiple bases of creative operation. These artists have made a home in Los Angeles as professionals nurtured by the community of creative people in this city, yet actively maintain connections to their former homes, exploring the impact of immigration, surveillance, or trade policies on people, goods, and ideas as they move from place to place.
Home Away seeks to define the contours of different kinds of international artistic practices, simultaneously global and local, that resonate with the way that we live our daily lives in Southern California. The artist team The Propeller Group, for example, works in international collectives borne from the simultaneous conditions of global citizenship, Internet communication, and a commitment to multiple communities they call home. For Bruce Yonemoto and Haruko Tanaka, their mutual Japanese heritage and a media-soaked Southern California are rich sources of inspiration.Tanya Aguiñiga blends a keen vocabulary of modernist forms and a passion for traditional fiber and ceramic arts, maintaining close ties to communities of artists and craftspeople throughout Mexico. Video artist Michelle Dizon, born and raised in Los Angeles as part of the Philippine diaspora, focuses on subjectivity as it intersects with the histories of colonialism and its legacies of immigration, diaspora, and globalization. Neha Choksi has moved between studios in Mumbai and the US for most of her career, exploring the impact of humans on the natural environment. Camilo Ontiveros, Rubén Ortiz-Torres, and Yoshua Okón each explores aspects of US-Mexico trade, surveillance, matters of immigration and labor, and cultural and economic colonialism, and their effects on US and international policy.
The exhibition will include newly-commissioned works and existing works in all disciplines including painting, photography, sculpture, and video.
what do you do when you're home alone??? I shot about 180 self portraits... here's one of them.
strobist: shoot through umbrellas on each side. camera left high was SB-25 on 1/8 and camera right low was 285HV on 1/4. Triggered by pocketwizards.
this species of yellow frangipani is rare..well..according to uncle tony. it is so rare that uncle tony had to smuggle it in from bali. he could not resist bringing it home even though it meant breaking the law. uncle tony gave us a small branch of his to plant in year two thousand seven.
Last week I bought a pair of shoes. When I wanted to throw the shoe box away at home, I had to laugh...
It’s not hard to décor your house in a place where you do not have any market to buy decorative item. Yes in Dublar Chor, you will not found any place to buy any decorative item. But look at them, they have made the wind charmer in their gate by using the small dried fishes.
This is a very creative idea to use dried fishes to make wind charmers. Some also uses the color as I have seen in others photo stream.
|| Dublar Chor, Shundorbon, Bangladesh || 2011
Parramatta was founded in 1788, the same year as Sydney. The British Colony, which had arrived in January 1788 in the First Fleet at Sydney Cove, had only enough food to support itself for a short time and the soil around Sydney Cove proved too poor to grow the amount of food that 1,000 convicts, soldiers and administrators needed to survive. During 1788, Governor Arthur Phillip had reconnoitred several places before choosing Parramatta as the most likely place for a successful large farm. Parramatta was the furthest navigable point inland on the Parramatta River (i.e. furthest from the thin, sandy coastal soil) and also the point at which the river became freshwater and therefore useful for farming.
Standing within 200 acres of parkland overlooking historic Parramatta, Old Government House is Australia's oldest public building. For seven decades it was the 'country' residence of the first 10 Governors of the colony, including Governor and Mrs Macquarie who, from 1810 to 1821, preferred the clean air and space of rural Parramatta to the unsanitary and crime ridden streets of Sydney Town.
The central block of the house was built in 1799 by Governor John Hunter, however the appearance of the house today is largely thanks to Governor and Mrs Macquarie. Their 1815 extensions, designed by Macquarie’s Aide, Lieutenant John Watts, transformed the house into an elegant Palladian style residence.