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When the Maxima and Supra came home, I had already acquired the Skyline...little did I know that it would go on to star in the sequel.
Location : JEZZ MADZ place
mODEL: mS. tetchie
MUA : Ms. She
pHOTOGRAPHER: kIYURI
pOST PROCESS AND eFFECTS: rUPHIL
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We are ecstatic that Cricket is still living and doing well. He has just come home from the vet (around 4:45 PM here)and is still wobbly and out of it. His legs are splayed to keep himself upright, He went back to sleep once I put his house back.
I got him around 9 PM after fixing his wet food (mixture of Critical Care, ground up regular food, Benebac, Nutrical). He will only eat it if the top is sweetened. We also have some sticky rice which we make a little ball of and leave it in his easy reach dish. The other things he has are a bit of soy cheese, some freeze-dried sweet potato, and a cheese Yogi. He needs calories and sleep. He comes out and chows down part of what's there before heading back to sleep.
We tried having him out, but he didn't want to be picked up or to stay with someone. We finally put him in a shoe box to see how he was doing. He went to the corner and peed a lot. So much for that box! He was so wobbly that we had to put him back to bed.
Several friends have been playing around with low-light and nighttime photography, and their results have been intriguing. So I decided to try it. This was shot at 9 PM. The bugs finally drove me inside.
Doug and I finally bought our dream loft! I haven't really had a chance to take too many photos with work and everything going on so I took the time out today to make something a bit silly :)
This is Japanese Sewing Book "Home Couture" by Machiko Kayaki. This book includes 23 sewing projects, like dresses, shirts and bags. Very stylish and elegant. And it comes with Full Size Pattern. The instructions are in Japanese, but it has step by step diagrams. So it is pretty easy to follow.
This book is USED, but in EXCELLENT Condition, just a little bit dirty on the dust cover, the book itself is like BRAND NEW.
ISBN: 4-579-10745-4
Page:82
If you are interested in this book, pls check my profile.
view from the lot just to the south of the Smart Home 2014. Creek is behind black protective fencing. Cannot see catchment basin from this view.
...my big goose, Tyson! My old man has been with me for more than a full decade now (crazy), and although the door has changed over the years, his face as I open it is what really makes it the door to "home". Sometimes that face is all I need (:
I know I'm behind everyone else - trying to catch up!
(2/365) Our Daily Challenge: so nice to come home to...
as always, criticism is always welcome (: I still have a lot to learn!
Organized for the Armory by Los Angeles-based independent curator Kris Kuramitsu, this exhibition highlights and contextualizes a group of artists that work in Los Angeles as well as other locations in Asia and Latin America, among them Ho Chi Minh City, Tokyo, Mumbai, Tijuana, Guadalajara, and Mexico City.
Los Angeles is perpetually framed as a prototypical global city, an outer-edge American capital that serves as a key Pacific Rim nexus of exchange for people, goods, and ideas. Home Away explores the contours of a transnational artistic practice that is rooted in this context – the dynamism of Los Angeles in the second decade of the new millennium.
The nine artists in this exhibition have deep ties to Los Angeles, yet maintain studios and live part of their lives in cities across Asia and Latin America. While artists have always had a history of living such peripatetic lives – making homes where their inspiration leads them – the artists in this exhibition have found meaning in the relationship between multiple bases of creative operation. These artists have made a home in Los Angeles as professionals nurtured by the community of creative people in this city, yet actively maintain connections to their former homes, exploring the impact of immigration, surveillance, or trade policies on people, goods, and ideas as they move from place to place.
Home Away seeks to define the contours of different kinds of international artistic practices, simultaneously global and local, that resonate with the way that we live our daily lives in Southern California. The artist team The Propeller Group, for example, works in international collectives borne from the simultaneous conditions of global citizenship, Internet communication, and a commitment to multiple communities they call home. For Bruce Yonemoto and Haruko Tanaka, their mutual Japanese heritage and a media-soaked Southern California are rich sources of inspiration.Tanya Aguiñiga blends a keen vocabulary of modernist forms and a passion for traditional fiber and ceramic arts, maintaining close ties to communities of artists and craftspeople throughout Mexico. Video artist Michelle Dizon, born and raised in Los Angeles as part of the Philippine diaspora, focuses on subjectivity as it intersects with the histories of colonialism and its legacies of immigration, diaspora, and globalization. Neha Choksi has moved between studios in Mumbai and the US for most of her career, exploring the impact of humans on the natural environment. Camilo Ontiveros, Rubén Ortiz-Torres, and Yoshua Okón each explores aspects of US-Mexico trade, surveillance, matters of immigration and labor, and cultural and economic colonialism, and their effects on US and international policy.
The exhibition will include newly-commissioned works and existing works in all disciplines including painting, photography, sculpture, and video.