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119 in 2019
#52 - Hook/s
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PANDAEMONIUM - Chapter 3: Eaters of Shadows - n ° 004
(digital photo printed on paper - handworked with bitumen and varnish - 20,4 X 20,4 cm)
Photo: May 2009
Print: November 2011
A Mulungo e os Saís-azuis
Embroidery
My work
Brasília, Brasil
Art Week Gallery Group
Birds and Bird Art
06/09/2020
Chico Xavier
Não percas tua fé entre as sombras do mundo. Ainda que teus pés estejam sangrando, segue para a frente, erguendo-a por luz celeste, acima de ti mesmo. Crê e trabalha. Esforça-te no bem e espera com paciência. Tudo passa e tudo se renova na Terra, mas o que vem do céu permanecerá. (...)
♡♡♡
So sehen meine Windlichter bei Tageslicht aus.
Glasbehälter mit Polymer Clay behandelt, "umhüllt."
Nr.1. Polymer Clay transparent, Struktur mit Folie angebracht und dazu ein wenig Lochmuster.
Lackiert, versiegelt.
15cm H, Ø 11cm
Nr.2. Polymer Clay transpatent, Mosaikart.
Lackiert und versiegelt.
12cmH, Ø 10cm (gemessen am oberen Rand )
Nr.3. Polymer Clay transparent, Mosaikart.
Lackiert und versiegelt.
8,5cmH, Ø 8cm (gemessen am oberen Rand )
Alle Windlichter sind für Kerzen gedacht.
This is what my wind light look like in daylight.
Glass container treated with polymer clay.
Number 1. Polymer clay transparent, structure attached with foil and a little hole pattern. Painted, sealed.
15cm H, Ø 11cm
No. 2. Polymer Clay transparent, mosaic type.
Painted and sealed.
12cmH, Ø 10cm (measured at the top edge)
#3 Polymer clay transparent, mosaic style.
Painted and sealed.
8.5cmH, Ø 8cm (measured at the top edge)
All wind light are intended for candles
(WORK IN PROGRESS)
digital photo printed on paper - handworked with bitumen and varnish -
17,5 x 9,3 cm (apiece)
PANDAEMONIUM - Chapter 2: Dreams and Hallucinations - The Sleep -
(photo printed on paper, handworked with bitumen and paint - 16 x 28,5 cm)
Photo: August 2011
Print: May 2012
(WORK IN PROGRESS)
digital photo printed on paper - handworked with bitumen and varnish -
10 x 15,5 cm
A Mulungo e os Saís-azuis
Embroidery - Details
Bordado - Detalhes
My work
Brasília, Brasil
"Que eu não perca a beleza e a alegria de ver, mesmo sabendo que muitas lágrimas brotarão dos meus olhos e escorrerá por minha alma"
Chico Xavier
Life is a Rainbow - White
7 Days with Flickr - Wednesday: macro
Macro Mondays - Stitch
(photo by Freya)
…wonderful artwork made of recycled pipes and hardware by Jaffa Lam, as one of the major installations of the public media art exhibition called Human Vibrations… my favorable artwork addressing ad hoc issues in the city…
Artist Statement: Accidentally, I notice the pipes that serve us for many years on the rooftop. I feel so sorry for never taking care of them and letting them endure the sunlight and the rain. Those umbilical cord-like pipes connect different flats and deliver water for life to the households, but for most of the time, we have no connection with our neighbours. We don’t care what is happening next door. This work is mainly constructed by recycled pipes from the city to symbolise the connections between people, and viewers can listen to the resonances of different people in conversations. www.mediaarts.hk/?a=doc&id=20
… the installation is with excellent workmanship that all surfaces and weld joints are all professionally polished and absolutely safe for touching… pipes are colorless it just in my eye they are with brilliant colors when it is in connection with someone ...
Glorie: Hmm. Oronis, are you sure that's right?
Me: Hahahaha! Of course! Hahahaha!
Glorie: My hands! Oronis, really?
Me: Oh! My sweetheart! Hahahaha!
Glorie: Oronis !!!!
Der Tag voll Licht, die Nacht voll Lichter.
The day full of light, the night full of lights.
Otto Baumgartner-Amstad (1924 - 2022),
Meine Windlichter ( Glasgefäß mit Polymer Clay behandelt, Handarbeit), habe ich als Kollage meiner Nachtaufnahme von Lübeck zugefügt,
I added my window light (glass vessel treated with polymer clay, handwork) as a collage to my night shot of Lübeck,