View allAll Photos Tagged gradient
I leave you today with this photograph of my series on last August, an intense sunset in Pont d'en Gil, a spectacular natural bridge by the sea on a rocky breakwater on the cliffs of northern Menorca.
They were about five minutes in which the orange flooded everything, creating an incredible atmosphere.
On the technical side, say that I only used a neutral gradient three steps filter.
I hope you like it. Have a nice Tuesday. :)
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GIMP.
I've still only managed to create a gradient using foreground and background colors. It's a start.
the imperfect gradient
the view from my bathroom
via diffused glass,
water restrictions,
fine fly screen,
winter sunlit hedge,
paling fence
and blue sky
This is a photo of a faded sticker on a lamp post. Looking closely you can see some digital distortion. That is because I. Tried to use my camera’s panorama mode and move around the post to compensate for the curvature. It worked - sort of - and gave an interesting effect.
Want a neat profile picture, product picture, or poster of your avatar? Contact me at craline.resident inworld or send me a notecard asking, and I'd be more than happy to make you a pic!
My pricing:
Single person, headshot/above waist: 500L
Single person, full: 1000L
2 people, headshots/above waist: 1500L
2 people, full: 2000L
Add 1,000 to the individual price for each additional person. I tend to finish them within a few days.
東京 昭和記念公園
I refuse an invitation to the following group and the method.
Three or more comments, Many of the add-min, Multiple invitations
Light and shadow, as seen on Newgale.
Tripod-mounted. AF. Big Stopper.
El mucho contrast boost; greyscale; linear gradient & sundry amends in Lightroom. HSS!
Take a break at Pelcomb Portraits.
Monoprint using oil-based printing inks on newspaper.
I have been looking at the work of Franz Kline, a 1950's / 60's artist whose stark often untitled work caught my attention when I saw it in a film.
There is something about the strength and finality of his work which I really enjoy. This near accidental print seemed to have some of the qualities - I might even have it framed. :)
Olá meninas, quanto tempo! rsrs
Então, acho que estou ficando viciada nessa coisa de Gradiente! Depois de um tempo, olhei pro Cotton Candy e pensei: hum, acho que fazer uma gradiente do lilás pro roxo vai ficar bonita, começando por ele (cotton candy). Ou seja, nem 24 horas consegui ficar só com o Hits! rsrs Mas, achei mt mais bonito assim!
Beijo!
Usei:
Base Colorama
Cotton Candy, Hits (2x)
TC Lorena
Esponjado com Cotton Candy, Hits + Pucci-licious, Color Club e Veludo, Ana Hickmann
TC Lorena
Obs: de fundo, fazendo papel de robert, minha caixinha de manicure, os esmaltes, meu copão de água e meu livro das Crônicas de Nárnia! :-)
Well, if anyone is ever told to 'pound sand', this is the place to be. White Sands, New Mexico is like being in another world altogether when you are here. Sand dunes all sculptured by the wind, it's amazing that anything can grow here. And it's very interesting to explore and find what does :)))
Thank you to Sick Little Monkey for your texture!
Please!! NO Awards or Large Graphics...Buddy Icons are OK. Thank You!
This image highlights the location of the galaxy JADES-GS-z6 in a portion of an area of the sky known as GOODS-South, which was observed as part of the JWST Advanced Deep Extragalactic Survey, or JADES.
More + high resolution image: www.esa.int/Science_Exploration/Space_Science/Webb/Webb_s...
This galaxy, along with others in this region, were part of a Webb study by an international team of astronomers, who observed the chemical signature of carbon-rich dust grains at redshift ~7. This is roughly equivalent to one billion years after the birth of the Universe. Similar observational signatures have been observed in the much more recent Universe, attributed to complex, carbon-based molecules known as polycyclic aromatic hydrocarbons (PAHs). It is not thought likely, however, that PAHs would have developed within the first billion years of cosmic time. Therefore, this observation suggests the exciting possibility that Webb may have observed a different species of carbon-based molecule: possibly minuscule graphite- or diamond-like grains produced by the earliest stars or supernovae. This observation suggests exciting avenues of investigation into both the production of cosmic dust and the earliest stellar populations in our Universe, and was made possible by Webb’s unprecedented sensitivity.
The team’s research indicates that this particular galaxy showed significant dust obscuration and has undergone substantial metal enrichment relative to galaxies with similar mass at the same redshift. The team also believes the galaxy's visible colour gradient may indicate a peculiar geometrical alignment of stars and dust.
In this image, blue, green, and red were assigned to Webb’s NIRCam (Near-Infrared Camera) data at 0.9, 1.15, and 1.5 microns; 2.0, 2.77, and 3.55 microns; and 3.56, 4.1, and 4.44 microns (F090W, F115W, and F150W; F200W, F277W, and F335M; and F356W, F410M, and F444W), respectively.
The galaxy is shown zoomed in on a region measuring roughly 1x1 arcseconds, which is a measure of angular distance on the sky. One arcsecond is equal to 1/3600 of one degree of arc (the full Moon has an angular diameter of about 0.5 degrees). The actual size of an object that covers one arcsecond on the sky depends on its distance from the telescope.
Image credit: ESA/Webb, NASA, ESA, CSA, B. Robertson (UC Santa Cruz), B. Johnson (Center for Astrophysics, Harvard & Smithsonian), S. Tacchella (University of Cambridge, M. Rieke (Univ. of Arizona), D. Eisenstein (Center for Astrophysics, Harvard & Smithsonian), A. Pagan (STScI)
[Image description: The image shows a deep galaxy field, featuring thousands of galaxies of various shapes and sizes. A cutout indicates a particular galaxy, known as JADES-GS-z6, which was a research target for this result. It appears as a blurry smudge of blue, red and green.]
Okay, I got bored ... It has been raining and storming outside today, so I couldn't get out to my garden area to take some wonderful color shots ... so this will have to do for my fill of color.
Thursday morning at the colliery, and the locomotive has just been sent down the wrong road by Dudley who’s on his damn notebook again and Deliberation Dave - both of who aren’t paying attention, despite them offering to change the point for shunter Shifty Sigmund stood with his back to us.
The driver of the loco luckily was on the ball and quickly applied the brakes. Phew. But Sigmund’s language cannot be repeated here, despite most of you, my loyal readers being of more sterling stuff and not of the easily offended on behalf other people variety.
This part of the colliery is interesting historically, because before the railway came and drastically changed the immediate landscape, there used to be a canal here. The humpback bridge in the distance used to cross over the waterway, but was kept when the railway was built.
The locomotive is stood on a 1 in 20 gradient, quite steep for a railway I’m sure you’ll agree. And whilst it’s not the steepest adhesion railway in the whole of Little Britain, it certainly is in this part of the Somerset Coal Field if one ignores the nearby cable hauled inclines of Kilmersdon, Clandown and suchlike.
A short flight of locks used to be roughly where the gradient is, with the one here being a 3 compartment ‘staircase’ flight, which made it particularly unpopular with the boatmen who worked the coal canal, especially in latter years with badly leaking gates.
And finally, the canal now terminates out of shot to the left next to The Pedant & Armchair pub. It was formerly known as ‘The Coal Boat’, and had a very different type of customer back then before it became a favourite haunt of the squeaky voiced nasally afflicted railway loving hobbyist and narrowboat loving gongoozlers.