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As in X marks the spot of our new location...on our GPS!
Toys:
Sony A 350
lens 18-70mm
ND Filter
Cokin Gradient filter
MADE EXPLORE
Jul 26, 2009 #475
Thanks for helping me get to Explore!!!
Come visit us at:
Misturinha Verde (Claudinha)
Dirty, Sexy, Money (Misa)
Mint Candy (Jordana)
Hefesto (Speciallità)
Olá, meninas!
Fiz esse degradê com a técnica do esponjado já mostrado aqui por várias meninas. Fiz outras vezes, mas só agora consegui registrar.
Como base usei o Mint Candy. E para o degradê foram usados três esmaltes: Misturinha Verde (ganhei da Claudinha), Dirty, Sexy, Money e o Mint Candy. No anelar fiz invertido. Para finalizar passei o Hefesto e top coat.
O Sol resolveu dar o ar da graça, timidamente e já me aproveitei dele...rs...
Um beijo e uma ótima semana!
I got the idea for the gradient from here. I probably never would have figured put how to do it on my own.
This is candid, and I know it isn't that great, but it makes me happy:)
Oops! I haven't been on here in so long :( I'm obsessed with Instagram!
Here is a neon gradient I did, I used all Sinful Colors for the gradient and topped it off with Sation "Ego-Friendly"!
As you an see, I changed my name as well on here, I was Vanessaavr24, but I decided to use my Instagram name now instead! sorry for the confusion!
This image represents the end of my quest to overcome bright sky limits upon wide band photography by the sheer brute force of collecting a grunch of signal.
I have concluded that the circular gradient in this image is the result of light pollution in a Bortle 7 sky. The image is produced from a stack of 20s x 144 subs.
I found online examples of similar gradients that were attributed to a bright moon in the sky, so it seems reasonable that a bright Bortle 7 sky, and the nearby Washington DC light dome could cause a similar effect.
Improper calibration as a cause was eliminated by reprocessing without flat or dark calibration frames, and the gradient persisted. I tried another processing run with only 8 subs, and found that the signal was reduced. This seems to indicate that the problem increases with signal, and the image will only get worse with more subs collected.
The M33 and M78 luminance images that I captured on Nov 13th at a dark sky site did not have the circular gradient. This suggests that only images taken in a light polluted sky are the only ones that suffer from the gradient.
Finding that the ill effects of a bright sky are causing the circular gradient, I revisited light pollution filters as a possible cure, thinking that there is something better on the market now than when I last looked into it several years ago.
No matter what I try with background extraction, neither DBE nor ABE can take care of this gradient. Conventional wisdom for solving this problem seems to be to add a gasoline filter to one's vehicle, and then to drive out to a dark site.
Oi!!!!
Tô na maior correria sem tempo de fazer as unhas...Fiz essa Mani que eu já estava querendo fazer há algum tempo, quando vi na galeria da nossa amiga KellyD. fiquei passada e tive que fazer, as cores que eu usei não foram exatamente as mesmas e o Indie também é outro na gradiente dela foi usado o Soap Bubles e como eu não tenho usei o Pink Spice.
Amei essa mani, mas é claro que o da Kelly ficou mais bonito!
É isso meninas!!!!
Beijão!!!
SB-600 (blue) and SB-800 (red) both full power in group A. CLS
Using a gels from a Roscoe sample book.
Using overlapping scribble styles and transitioning colors, you can make a totally seamless design that fits perfectly on long, elegant pillows and the like. Continue the design as many times as you like to make one long beautiful unbroken transitioning design!
Check out my profile for more info on this tutorial!
Colors, lights, and landscape gradients looking over the Columbia River Gorge, near Hood River, OR. Can't wait for this summer's road trip
More Places to find me: Zach Dischner Photography | 500px
Blog: 2manventure
Instagram: drzachman
Another night view of the Chain Bridge in Budapest. Shot from the top of the hill.
Shot and Processing:
- f20, 10 sec with -2/3EV compensation.
- Blended in parts of a 10 sec exposure for the blown out parts at the top of the bridge.
- Blended in the buildings from the 30 sec exposure.
- Imagenomic noise reduction.
- High pass filter with Hard Light for sharpening.
- Some burning on the bridge and foreground.
- Reduce brightness with gradient on the sky.