View allAll Photos Tagged glutation
Deliveries all morning have resulted in many empty boxes as produce is put on display and boxes taken out of the Glut, a worker owned cooperative store, that serves Mount Rainier, Maryland, on Tuesday, March 3, 2015. The empty produce boxes tell customers that fresh produce has arrived. The Glut use social media to announce certain product arrivals. Its motto is "Still Cheap, Still Funky! USDA Photo by Lance Cheung.
U.S. Department of Agriculture (USDA) Rural Development (RD) Cooperative Programs Rural Sociologist Thomas W. Gray, Ph.D., left, makes a purchase and listens to Glut collective member Shauntrice Martin, right, about the work dynamics of this worker-owner store, serving the Mount Rainier, Maryland community, on Tuesday, March 3, 2015. Its motto is "Still Cheap, Still Funky!" USDA Photo by Lance Cheung.
Four Season Produce transporter, Jeff Martin (blue jacket) makes a delivery at the Glut, a worker-owner of this cooperative store, that serves the Mount Rainier, Maryland community, on Tuesday, March 3, 2015. USDA Photo by Lance Cheung.
Glut volunteer Tony Green, works quickly to package, weigh, label and deliver cashews to a waiting customer at this worker-owner cooperative store, that serves the Mount Rainier, Maryland community, on Tuesday, March 3, 2015. Mr. Green is retired and says he enjoys devoting time and effort to people and the atmosphere of the store. USDA Photo by Lance Cheung.
Photo: Skulptur auf dem Nordfriedhof in Wiesbaden
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Es ist auf Erd'n kein schweres Leid'n
1.) Es ist auf Erd'n kein schweres Leid'n,
Denn weil man unterm G'setz muss bleiben, (a)
Welchs bringt dem Tod
Und alle Not,
Der Höllen Glut,
Den Fluch, wenn man's nicht halten tut. (b)
2.) Hergegen ist kein lieblichere Freud',
Wenn so man uns freundlich anbeut, (c)
Gottes Gnad und Huld,
Vergebung der Schuld,
Den Mittler mild,
Durch welches Tod Gotts Zorn ist g'stillt.
3.) Drum ist das ein wohlgründte Stadt,
Die von Christo den Namen hat,
Drauf sie erbaut ist.
zu aller Frist
Ganz fest sie nist'
Auf den heiligen Bergen.
4.) Es ist auf Erd' kein wertere Stadt,
Die Gott, der Herre, lieber hat,
Denn Zions Tor.
Er wohnet da
Und zierts bevor
Ãœber alle Wohnung Jakob.
5.) Ganz wundersam-herrliche Ding'
In dir fleißig gepredigt sind,
Und solchs noch dran
Ohn' abgelan, (d)
Dadurch wirst b'stahn,
Ach, du Stadt Gottes, Sela. (e)
6.) Wer nun will sein ein Bürger fein
Zu Zion in der Stätte,
Derselbig soll,
Sei, wer er woll',
Ohn' allen Fehl
Da folgen Gottes Rate.
7.) Der Herr will kein' ausg'schlossen han,
Wer sich ihm will ergeben,
Was er verheißt,
Dasselb' g'wiss leist',
Der Wahrheit sich b'fleißt,
Der Gerechtigkeit tut nachstreben.
8.) Er biet sein Gnad' alln Völker an
Allhier auf dieser Erden
Und spricht: Ich will
Predigen lan
Der Babylon (f)
Und Rahab (g), dass sie mich ehren.
9.) Sie sollen mich erkennen wohl,
Weil ich sie hab erkoren.
Siehe, Philister
Und die Tyrer
Samt den Mohren (h)
Werden daselbst geboren.
10,) Ja, allerlei Leut' zu Zion heut'
Und stets geboren werden.
Solchs Lob sie hat
Die selige Stadt,
Der Höchst' sie erbaut,
Da ist sein Feu'r und Herde.
11.) Es will der Herr stets predig'n lan
In allen Sprachen, Sela,
Sein heiliges Wort
Dadurch man fort
Ohn all' Fürwort (i)
Könn' neugeboren werden.
12.) Da werden dann die Sänger gut
Wie im Reigen vorsingen,
Die andern all
Antworten bald
Mit Lobgesang
Und gleich vor Freuden springen.
13.) Lob sei dir, Vater, im höchsten Thron
Für die Bürgschaft zu Zion.
Verleih uns gleich,
Dass keins abweich
Aus deinem Reich
Durch Jesum Christum, Amen.
(a) hier ist die Erbsünde gemeint
(b) das Gesetz nämlich
(c) alte Form von 'anbietet'
(d) ohne abzulassen
(e) Bekräftigungswort 'So soll es sein'
(f) Babylon war als Hauptstadt Babyloniens eine der wichtigsten Städte des Altertums. Sie lag am Euphrat, etwa 90 km südlich Bagdads im heutigen Irak.
Im Neuen Testament wird der Name Babylon bzw. das Attribut babylonisch zwölfmal erwähnt. Dies geschieht zum einen in Rückblicken auf die Geschichte Israels, zum anderen in den prophetischen Reden über die Zukunft der Welt. Babylon bezeichnet hier das irdische widerchristliche Machtzentrum im Gegensatz zur Stadt Gottes, dem himmlischen Jerusalem. In der Offenbarung des Johannes wird ihre Zerstörung in den letzten Gerichten Gottes vorausgesagt.
(g) Rahab ist im Alten Testament der Name der Frau, die nach dem Bericht von der Einnahme und Zerstörung Jerichos durch die Israeliten (Buch Josua, 2. Kapitel) zwei von Josua gesandte Kundschafter in ihrem Haus versteckt und gerettet habe. Dadurch habe sie mit ihrer Familie das Massaker an allen übrigen Einwohnern und die vollständige Zerstörung der Stadt überleben können.
(h) allen Menschen wird die Verheißung Gottes angeboten
(i) ohne Fürsprache oder Einwendungen anderer
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Autor: Sixtus Halbmayer
Melodie: Eigene Melodie
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gefunden in:
Das deutsche evangelische Kirchenlied
des siebzehnten Jahrhunderts
Herausgegeben von Albert Fischer und W. Tümpel
Erster Band
Druck und Verlag C. Bertelsmann
Gütersloh, 1904
Liednummer 178
Thema: Gottvertrauen, Kreuz und Trost
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Gegenstand: Psalm Nr. 87
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Sixtus Halbmayer, auch Halbmayr oder Halbmeier, lebte von 1546 bis 1615 und war ein deutscher Schulmeister, Gerichtsschreiber und Kaplan in Burgbernheim/Mittelfranken. Mit seinem Namen wurden einige wenige evangelische geistliche Lieder in Zusammenhang gebracht, von denen einige später Sebald Heyden (1498-1561), wohl wegen der gleichen Initialen S.H., zugeschrieben wurden, so etwa das Passionslied 'O Mensch, bewein dein Sünde groß'.
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Myosource, LLC offers upper and lower kinetic bands for great resistance workouts . Use our abs plus video that will work the abs in just 10 minutes. We offer a variety of videos for full body, lower body, abs and upper body workouts. myosource.com/abdominal-workout/
improve arm strength, core strength, leg strength (including glutes and hips), speed, balance, and endurance with Kinetic Bands resistance
Mirit Ben Nun: Shortness of breath
'Shortness of breath' is not only a sign of physical weakness, it is a metaphor for a mental state of strong desire that knows no repletion; more and more, an unbearable glut, without repose. Mirit Ben Nun's type of work on the other hand requires an abundance of patience. This is a Sisyphean work (requiring hard labor) of marking lines and dots, filling every empty millimeter with brilliant blots. Therefore we are facing a paradox or a logical conflict. A patient and effortful work that stems from an urgent need to cover and fill, to adorn and coat. Her craft of layering reaches a state of a continuous ceremonial ritual.
This ritual digests every object into itself - useful or discarded -- available and ordinary or rare and exceptional -- they submit and devote to the overlay work. Mirit BN gathers scrap off the streets -- cardboard rolls of fabric, assortments of wooden boards and pieces, plates and planks -- and constructs a new link, her own syntax, which she alone is fully responsible for. The new combination -- a type of a sculptural construction -- goes through a process of patching by the act of painting.
In fact Mirit regards her three dimensional objects as a platform for painting, with a uniform continuity, even if it has obstacles, mounds and valleys. These objects beg her to paint, to lay down colors, to set in motion an intricate weave of abstract patterns that at times finds itself wandering the contours of human images and sometimes -- not. In those cases what is left is the monotonous activity of running the patterns, inch by inch, till their absolute coverage, till a short and passing instant of respite and than on again to a new onset.
Next to this assembly of garbage and it's recycling into 'painted sculptures' Mirit offers a surprising reunion between her illustrated objects and so called cheap African sculpture; popular artifacts or articles that are classified in the standard culture as 'primitive'.
This combination emphasizes the difference between her individualistic performance and the collective creation which is translated into cultural clichés. The wood carved image creates a moment of peace within the crowded bustle; an introverted image, without repetitiveness and reverberation. This meeting of strangers testifies that Mirit' work could not be labeled under the ´outsiders art´ category. She is a one woman school who is compelled to do the art work she picked out to perform. Therefore she isn't creating ´an image´ such as the carved wooden statues, but she produces breathless ´emotional jam' whose highest values are color, motion, beauty and plenitude. May it never lack, neither diluted, nor dull for even an instant
Tali Tamir
August 2010
Mirit Ben Nun: Shortness of breath
'Shortness of breath' is not only a sign of physical weakness, it is a metaphor for a mental state of strong desire that knows no repletion; more and more, an unbearable glut, without repose. Mirit Ben Nun's type of work on the other hand requires an abundance of patience. This is a Sisyphean work (requiring hard labor) of marking lines and dots, filling every empty millimeter with brilliant blots. Therefore we are facing a paradox or a logical conflict. A patient and effortful work that stems from an urgent need to cover and fill, to adorn and coat. Her craft of layering reaches a state of a continuous ceremonial ritual.
This ritual digests every object into itself - useful or discarded -- available and ordinary or rare and exceptional -- they submit and devote to the overlay work. Mirit BN gathers scrap off the streets -- cardboard rolls of fabric, assortments of wooden boards and pieces, plates and planks -- and constructs a new link, her own syntax, which she alone is fully responsible for. The new combination -- a type of a sculptural construction -- goes through a process of patching by the act of painting.
In fact Mirit regards her three dimensional objects as a platform for painting, with a uniform continuity, even if it has obstacles, mounds and valleys. These objects beg her to paint, to lay down colors, to set in motion an intricate weave of abstract patterns that at times finds itself wandering the contours of human images and sometimes -- not. In those cases what is left is the monotonous activity of running the patterns, inch by inch, till their absolute coverage, till a short and passing instant of respite and than on again to a new onset.
Next to this assembly of garbage and it's recycling into 'painted sculptures' Mirit offers a surprising reunion between her illustrated objects and so called cheap African sculpture; popular artifacts or articles that are classified in the standard culture as 'primitive'.
This combination emphasizes the difference between her individualistic performance and the collective creation which is translated into cultural clichés. The wood carved image creates a moment of peace within the crowded bustle; an introverted image, without repetitiveness and reverberation. This meeting of strangers testifies that Mirit' work could not be labeled under the ´outsiders art´ category. She is a one woman school who is compelled to do the art work she picked out to perform. Therefore she isn't creating ´an image´ such as the carved wooden statues, but she produces breathless ´emotional jam' whose highest values are color, motion, beauty and plenitude. May it never lack, neither diluted, nor dull for even an instant
Tali Tamir
August 2010
Customers browse the aisles of the Glut, a worker owned cooperative store serving Mount Rainier, Maryland, on Tuesday, March 3, 2015. Its motto is "Still Cheap, Still Funky! USDA Photo by Lance Cheung.
A glut of figs... we've eaten lots, made jam... drying them now. My wife is pleading with me to stop bringing more in! Come and get some!
Producers and suppliers are continually delivering to the Glut a worker owned cooperative store, that serves Mount Rainier, Maryland, on Tuesday, March 3, 2015. Glut's motto is "Still Cheap, Still Funky! USDA Photo by Lance Cheung.
Fresh produce at thet Glut, a worker owned cooperative store, that serves Mount Rainier, Maryland, on Tuesday, March 3, 2015. Its motto is "Still Cheap, Still Funky! USDA Photo by Lance Cheung.
Fresh produce at thet Glut, a worker owned cooperative store, that serves Mount Rainier, Maryland, on Tuesday, March 3, 2015. Its motto is "Still Cheap, Still Funky! USDA Photo by Lance Cheung.
Sorry folks, for the glut of shorebird shots, but you know...I just can't help but click over 500 shots when I see them. They move so quickly through the shallows, gathering food and every shot is a new pose. Enjoy...and oh, I will be going back whenever the sun comes back to see if I can spot any other peeps out there.
Glut volunteer Tony Green, works quickly to package, weigh, label and deliver cashews to a waiting customer at this worker-owner cooperative store, that serves the Mount Rainier, Maryland community, on Tuesday, March 3, 2015. Mr. Green is retired and says he enjoys devoting time and effort to people and the atmosphere of the store. USDA Photo by Lance Cheung.
Glut collective member Shauntrice Martin talks about the more than 200 bulk containers of different herbs and spices available at the Glut, a worker-owner cooperative store, that serves the Mount Rainier, Maryland community, on Tuesday, March 3, 2015. A variety of products, and simple and efficient displays help keep costs reasonable. Its motto is "Still Cheap, Still Funky!" USDA Photo by Lance Cheung.
Vendor displays of products and a focus on customer service the Glut is a worker owned cooperative store, that serves Mount Rainier, Maryland, on Tuesday, March 3, 2015. Its motto is "Still Cheap, Still Funky! USDA Photo by Lance Cheung.
www.youtube.com/watch?v=GCSeUcYyHcg
Monday morning feels so bad
Everybody seems to nag me
Come on Tuesday I feel better
Even my old man looks good
Wednesday just won't go
Thursday goes too slow
I've got Friday on my mind
Gonna have fun in the city
Be with my girl, she's so pretty
She looks fine tonight
She is outa' sight to me
Tonight, I'll paint it red
Tonight, I'll lose my head
Tonight, I've got to get tonight
Monday I have Friday on my mind
Do the five day drag once more
No one, nothing else that bugs me
Now I'm working for the rich man
But I'll change his tune one day
Tonight I'll get mad
Tomorrow I'll be glad
'Cause I've got Friday on my mind
Gonna have fun in the city
Be with my girl she's so pretty
She looks fine tonight
She is outa' sight to me
Tonight, I'll paint it red
Tonight, I'll lose my head
Tonight, I've got to get tonight
Monday I have Friday on my mind
Yeah
Gonna have fun in the city
Be with my girl she's so pretty
Gonna have fun in the city
Gonna have some fun
Be with my girl she's so pretty
Gonna have some fun
Gonna have fun in the city
Gonna have some fun
Be with my girl she's so pretty
In the city tonight
Gonna have fun in the city
Monday morning feels so bad
Everybody seems to nag me
Come on Tuesday I feel better
Even my old man looks good
Wednesday just won't go
Thursday goes too slow
I've got Friday on my mind
Gonna have fun in the city
Be with my girl, she's so pretty
She looks fine tonight
She is outa' sight to me
Tonight, I'll paint it red
Tonight, I'll lose my head
Tonight, I've got to get tonight
Monday I have Friday on my mind
Do the five day drag once more
No one, nothing else that bugs me
Now I'm working for the rich man
But I'll change his tune one day
Tonight I'll get mad
Tomorrow I'll be glad
'Cause I've got Friday on my mind
Gonna have fun in the city
Be with my girl she's so pretty
She looks fine tonight
She is outa' sight to me
Tonight, I'll paint it red
Tonight, I'll lose my head
Tonight, I've got to get tonight
Monday I have Friday on my mind
Yeah
Gonna have fun in the city
Be with my girl she's so pretty
Gonna have fun in the city
Gonna have some fun
Be with my girl she's so pretty
Gonna have some fun
Gonna have fun in the city
Gonna have some fun
Be with my girl she's so pretty
In the city tonight
Gonna have fun in the city
Glut volunteer Tony Green, works quickly to package, weigh, label and deliver cashews to a waiting customer at this worker-owner cooperative store, that serves the Mount Rainier, Maryland community, on Tuesday, March 3, 2015. Mr. Green is retired and says he enjoys devoting time and effort to people and the atmosphere of the store. USDA Photo by Lance Cheung.
Apparently, hoisting all that weight really builds the glutes.
…
All content of this and other eric Hews flickr sets, both visual and verbal content, are Copyright © 2008 eric Hews.
Thanks for contacting me about the usage of my stuff.
Mirit Ben Nun: Shortness of breath
'Shortness of breath' is not only a sign of physical weakness, it is a metaphor for a mental state of strong desire that knows no repletion; more and more, an unbearable glut, without repose. Mirit Ben Nun's type of work on the other hand requires an abundance of patience. This is a Sisyphean work (requiring hard labor) of marking lines and dots, filling every empty millimeter with brilliant blots. Therefore we are facing a paradox or a logical conflict. A patient and effortful work that stems from an urgent need to cover and fill, to adorn and coat. Her craft of layering reaches a state of a continuous ceremonial ritual.
This ritual digests every object into itself - useful or discarded -- available and ordinary or rare and exceptional -- they submit and devote to the overlay work. Mirit BN gathers scrap off the streets -- cardboard rolls of fabric, assortments of wooden boards and pieces, plates and planks -- and constructs a new link, her own syntax, which she alone is fully responsible for. The new combination -- a type of a sculptural construction -- goes through a process of patching by the act of painting.
In fact Mirit regards her three dimensional objects as a platform for painting, with a uniform continuity, even if it has obstacles, mounds and valleys. These objects beg her to paint, to lay down colors, to set in motion an intricate weave of abstract patterns that at times finds itself wandering the contours of human images and sometimes -- not. In those cases what is left is the monotonous activity of running the patterns, inch by inch, till their absolute coverage, till a short and passing instant of respite and than on again to a new onset.
Next to this assembly of garbage and it's recycling into 'painted sculptures' Mirit offers a surprising reunion between her illustrated objects and so called cheap African sculpture; popular artifacts or articles that are classified in the standard culture as 'primitive'.
This combination emphasizes the difference between her individualistic performance and the collective creation which is translated into cultural clichés. The wood carved image creates a moment of peace within the crowded bustle; an introverted image, without repetitiveness and reverberation. This meeting of strangers testifies that Mirit' work could not be labeled under the ´outsiders art´ category. She is a one woman school who is compelled to do the art work she picked out to perform. Therefore she isn't creating ´an image´ such as the carved wooden statues, but she produces breathless ´emotional jam' whose highest values are color, motion, beauty and plenitude. May it never lack, neither diluted, nor dull for even an instant
Tali Tamir
August 2010
A big glut of J3 photos coming your way! This was my design for a new city library and affordable homes. Now open! First batch is mostly of the Library and the great concave screen focussed on the Greek Orthodox Church on the opposite side of the road.
Myosource, LLC offers upper and lower kinetic bands for abs workout . Use our abs plus video that will work the abs in just 10 minutes. myosource.com/abdominal-workout/
improve arm strength, core strength, leg strength (including glutes and hips), speed, balance, and endurance with Kinetic Bands resistance
Four Season Produce transporter, Jeff Martin (blue jacket) looks on as broccoli is inspected by a Glut worker-owner of this cooperative store, that serves the Mount Rainier, Maryland community, on Tuesday, March 3, 2015. USDA Photo by Lance Cheung.
Home Leg Workout. Exercises for Glutes and Hamstrings. Please credit Eric Astrauskas, Spec. Hon. B.A. (Kinesiology), www.PTinTO.com