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These jewelry is made out of paper. This product has been given waterproof coating. Therefore, it is water resistant.
Height: 1.2 cm approx
Width : 3.0 cm approx
My Shop:
www.craftsvilla.com/fahcreations
For more such creations please visit my bog:
At The Knightsbridge Residences, you are given access to large designer convergence areas that effectively multiply the dimensions of your home. With hyper-sized common areas that serve as "extensions" of your pod, the building is transformed into a true Vertical Village that nurtures community and interconnectivity among residents.
Because your home is beyond just your four walls.
THE LIVING ROOM
A London-inspired, fully-attended designer lobby with white-glove doormen and round-the-clock concierge service.
THE LIBRARY
An expansive Wi-Fi-ready living room replete with bestselling and international reads, an extensive DVD collection, and a business center.
THE POOL
A unique, outdoor/indoor space with waterfalls, outdoor Jacuzzi and infinity pool, multiple daybeds, lounges, tanning beds and cabanas spread across an expansive sundeck.
THE REC ROOM
A sprawling family room with a modern home entertainment system, a huge plasma projector screen, La-Z-Boy sofas, and recreational equipment for billiards, Foozball and card games.
THE PLAYROOM
A supersized play gym for your little tykes.
THE GYM
A highly-appointed, full-service fitness center complete with yoga and Pilates studios; weight training and cardiovascular exercise equipment; spinning room and on-site personal training services.
THE DINING ROOM
An expansive dining area with a delicatessen, as well as function rooms and private dining rooms for entertaining guests.
THE SPA
A sanctuary of serenity with massage and day spas, whirlpools and treatment studios for beauty.
THE OBSERVATORY
Marvel at the spellbinding views of the metropolis as you stand atop one of the Philippines' tallest structures.
OTHER AMENITIES AND SERVICES
* Dry cleaning
* 24/7 electric and maintenance services
* Storage
* Property and lease management including security, asset maintenance, value enhancement and leasing services
I was given another opportunity to take photos at Scotland's National Stadium Hampden. This time it was a Euro Qualifier with the national side playing Lithuania. I have to say it's a really tough gig. It wasn't a great night weather wise either. But I enjoyed the experience nonetheless. I fell I'm getting there, but there's still a long way to go to get those shots that the pros get. I take my hat off to them. Scotland won 1-0 scoring.
19/05/2023. Ladies European Tour 2023. Aramco Team Series Presented by Public Investment Fund, Trump International, West Palm Beach, Florida, United States of America. -19- 21 May. Ellie Givens of England during the first round. Credit: Tristan Jones/ LET
I've given up trying to get a full white background for a roster shot, there's just too many locomotives now.
YORK, ENGLAND - OCTOBER 04: during an i2i Soccer Academy Training Session at Haxby Road on October 4th 2022 in North Yorkshire, United Kingdom. (Photo by Matthew Appleby)
Mevlana Dergahı (Dervish Lodge) which is presently used as a museum formerly the Rose Garden of the Seljuks Palace it was given as a gift to Mevlana's father Sultanü'l-Ulema Bahaaeddin Veled by Sultan Alaeddin Keykubad
When Sultanü'l-Ulema died on 12 January 1231, he was buried in the present grave which is in the mausoleum. This was the first burial ever to take place in the Rose Garden.
After the death of Sultanü'l-Ulema, his friends and disciples approached Mevlana and expressed their wish to build a maussoleum over his grave. Mevlana refused this request remarking "How could there be a better mausoleum than the sky itself?).However when he died on 17 December 1273, his son Sultan Veled accepted the request of those who wanted to build a maussoleum over Mevlana's grave.The mausoleum called "Kubbe-i Hadra" (Green mausoleum) was built by the architect Bedrettin from Tebriz for 130.000 Seljuk dirhem (currency) on four elephant feet (thick columns). After this date, the construction activities never ceased and continued in stages up to the end of the 19th century.
Mevlevi Derhgahı (Dervish Lodge) and the mausoleum started to function as a museum in 1926 under the name of Konya Museum of Historical Works. In 1954 the display pattern of the museum was once more taken up and it was renamed as the Mevlevi Museum.
While the Museum originally covered an area of 6.500m² together with its garden, with the section expropriated later and designed as a rose garden, it has today reached a size of 18.000m²
The courtyard of the museum is entered from "Dervişan Kapısı" (The gate of the Dervishes). There are dervish cells along the north and west sides of the courtyard. The south side, after Matbah and Hürrem Pasha Mausoleums, terminates with the gate of Hamuşan (Sealed Lips) which opens to Üçler cemetrey. On the eastern side of the courtyard there are mausoleums of Sinan Pasha, Fatma Hatun and Hasan Pasha, the Samahane (Ritual Prayer Hall) next to them and the small mosque (mesjidt) section and the main building where the graves of Mevlana and his family members are also housed.
The courtyard is given a special flavor with the roofed washing fountain (şadırvan) built by Sultan Yavuz Sultan Selim in 1512 and the "Şeb-i Arus" (means nuptial night or the night Mevlana passed away) pool and the fountain which is located in the northern part of the court and called Selsebil.
"Tilavet" Chamber (Quran Reading And Chanting)
"Tilavet" is an Arabic word which means reading the quran with a beautiful voice and the correct rhythm. The room takes its name from its function in the past. At present it is used as the Calligraphy Department.
The calligraphy section contains the framed works of famous calliagraphs of their time such as Mahmud Celaleddin, Mustafa Rakım, Hulusi, Yesarizade as well as a gilt relief frame done by Sultan Mahmut II. The couplet in Farsi engraved on the silver door with the calligraphy of Yesarizade Mustafa İzzet Efendi says:
Kabetü'l-uşşâk bâşed in mekam
Her ki nakıs amed incâ şod temam
(Let this be the Kaaba of the minstrels. Who ever enters here in half, finds himself whole)
Huzur-ı Pir (Mausoleum)
The hall of the mausoleum is entered from a silver door which was donated in 1599 by Hasan Pasha, who is the son of Sokollu Mehmet Pasha. Here, the oldest copies of the famous works of Mevlana the "Mesnevi" and "Divan-ı Kebir" are displayed in two glass fronted cabinets. The mausoleum hall is roofed with three small domes The third dome which is also called the skin dome joins, the green dome in the north.
The hall is bordered with a platform on its east, south and north sides. In the north where there is a two level platform, the sarcophagi of 6 Sacred horasan men are placed. Right at the feet of these, the Target Stone, made for İlhanlı King Ebu said Bahadır Khan.
There are also two framed inscriptions which are important as they reflect the thoughts and philosophy of Mevlana. The first frame is in Turkish and says:
"Either seem as you are
Or be as you seem"
Hz. Mevlâna
Second frame is a quatrain of Mevlana in Persian. In translation it reads:
"Come, Come who or whatever you are
Should you be an unbeliever, a Magian or a pagan still come
Our lodge is not a lodge of despair
With hundred repentions unheeded you may be,still, come"
Hz. Mevlana
On the high platform bordering the mausoleum hall on the east and south there are 55 graves, ten of which belong to ladies and the whole group belongs to the family members of Mevlana, and his father. There are ten other graves which belong to people such as Hüsameddin Çelebi, Selahaddin Zerkubi and Sheyh Kerimüddin who had reached high ranks in the sect of Mevlevi.
Right under the Green Dome there are the graves of Mevlana and his son Sultan Veled. The double hunched marble sarcophagus over the graves was donated in 1565 by Süleyman the Magnificent.The quilt embrodieried with gold thread placed over the sarcophagus is a Seljuk masterpiece and was made for Mevlana in 1274. When Süleyman the Magnificent had a new marble sarcophagus made over the graves of Mevlana and son, the original wood one was removed and put over the grave of Mevlana's father.
Semâ-Hâne (Ritual Hall)
The Semahane section together with the small mosque was built by Süleyman the Magnificent in the XVIth century. Semah ceromonies were continued at this ritual hall until 1926, when the Dergah (Dervish lodge) was converted to a museum. The Naat Pew in the Hall, the place where the musicians set (Mutrib cells) and the sections for men and women are preserved in their original state, while metal and glass objects and musical instruments of the Mevlevi are displayed in glassed cabinets and rugs of historical value are hung on appropriate walls of the Semahane.
Mosque
The small mosque or the mesjidt is entered from the Çerağ (apprentice) Gate. There are additional small entrances from the Semahane and the Huzur - Pir, the cemetrey. The place for the müezzin and the Mesnevihan Pew are kept in their original state.
Extremely valuable rug and wooden door samples are displayed on the south wall of the mosque and in 10 glassed cabinets put around this space, significant examples of binding, calligrapy and gilding are exhibited.
Rug And Fabric Section - Dervish Cells
There are 17 small cells, each with a small dome and chimney around the west and north sides of the front court of the Mevlana Lodge. These cells were built in 1584 by Sultan Murat III to house the dervishes.
Four cells to the right of the entrance gate are at present used as a ticket window and administration offices . The first two of the 13 cells to the left of the gate used as "Postnişin" and "Mesnevi-han" cells are kept in their origanal form and presented to the public.
The last two cells at the end are allocated to the very valuable book collections donated by Abdülbaki Gölpınarlı and Dr. Mehmed Önder, and they are used as a library.
The partition walls of the remaining 9 cells were removed providing two interconnected large corridors. In one of these corridors old rugs of historical value from regions famous for their rugs such as Kula, Gördes, Uşak and Kırşehir are displayed while the other has old rugs from districts of Konya such as Ladik, Karaman, Karapınar and Sille which are centres of rug weaving. Display windows built in the window and door sills of these cells display artefacts of Mevlevi ethnography such as "Pazarcı maşası", "Mütteka", "Nefir" which were transferred to the museum from the Lodge, and the extremely valuable Bursa fabrics from the museum collection
Matbah (Kitchen) Section
The kitchen is on the south west corner of the museum. It was built by Sultan Murat II in 1548. Until the lodge was converted to a museum in 1926 the meals were being provided from here.
This section was restored in 1990 and the display was rearranged with mannequins. Cooking, the basic function of the kitchen and the "somat" the special table routine is demonstrated with mannequins. Another such illustration was attempted, to show the other function of the kitchen which is related to the initiations of the novice, called "Nev-ni-yaz", and involves practice of Semah.
A Personal Project
At the start of this semester i got given a grid square in Stoke-On-Trent in which i could do a project on what ever i wanted, i could also change my mind, the square i had in the end was very empty just being green field, images can be seen at (on.fb.me/15muAVO),
I did enquire about changing my grid square to this one my house mate found this location on a walk and said it was very beautiful and interesting, i really wanted to take images of the location due to my heritage of my Nan and grandad AKA Pap were brought up on the boats and worked to supplying coal to factories and mainly because Pap recently passed away a couple of weeks before.
At the end of the semester i went to the location because i really wanted to take the images due to my feeling to the area, i told my nan about yeah i was taking images in stoke of the canal lovely place explained it and she told me a couple of storys about cruising up the potteries. A couple of weeks later when i go to see my nan she gets out some photos, which i normally look at when i go around to see if theres any more added or anything, she pulls out the photos which i looked at not just a week before and goes
"Is this where your on about'" See picture - (www.dropbox.com/s/x0mc5z7u5dcyjnt/img145.jpg)
I look in the background of the photo and was astonished just a week before i was at the same location.
It's brought a more close and an emotional feel to these pictures when I've been recently editing them.
Forget-Me-Not
x
And now the rain had given way to milky sunshine, we thought a fine evening wandering around Gion again taking shots. At least that was my idea and Jen and Jools agreed, as long as I said there would be dinner involved.
So just after dark we take a cab to Gion, get out on the main drag with the historic area laid out before us, and only a few folks about.
As we walk back to the main drag, I see a Geiko in full make up tottering along on her wooden shoes. It seemed rude to take her picture, so I let her pass me, but funny thing was, was there was a group of about 50 tourists all armed with cameras following her on the other side of the street, seemed silly really. Sick I suppose.
We pass an old house that offered food, so we agree to go in. We are presented with a menu, but really even in English the meals gave us little hint of what we might get. Jools and I go for something called beef shabu-shabu, and I also chance it with a bottle of hot sake.
What we got was a pan filled with water, and in the centre of the table, a lid was taken off revealing a gas burner. The pan placed on the burner and it lit. A plate of thinly sliced beef and assorted vegetables. Our server showed us what to do once the water boiled, poach the beef for a minute or so, then take out, dip in soy sauce and sesame sauce and gobble down. Yum.
Even the sake was good, and I drink the whole bottle.
From there we go to the coffee shop for another cup of Java, then walk into the touristy area which was lines with bars and clubs. Now, in the coffee shop, there were a number of statuesque Japanese women drinking and smoking, all of them tottering on high heels and with perfect make up and clothes, looking like business women. But as we saw many of them standing on street corners, clearly not business women, but women in a different business.
We flag a taxi down and get him to take us the mile to the hotel away from sin city so we can drink cans of beer and play cards. As we seem to do every evening now.
Discover something new.
At the beginning of this course I was given the topic of Clash, Culture, Chaos. From this title I began my journey by venturing different aspects of each word, and I was instantly attracted to the fashion side of the subject as I found ways that each noun could be interpreted into this area. I chose fashion as a starting point because of this and I also feel like it reflects my own personal inspiration. From this starting point I went on to look at basic fashion as we know it and I then looked at in more depth by viewing areas such as Fair Trade fashion that may not be as well-known and I found a photographer working with fair trade who I then went on to take photographs in a similar way creating connections. Throughout this process I also began to look at old cameras and had a go at using a 35mm SLR camera. I carried on my adventure through old time periods as I linked in fashion and other cameras over time. As I enjoy artwork as well as photographing as you can see in my work, I came across Bert Stern’s photo shoot with Marilyn Monroe and their final photos which inspired me to use art materials in my final pieces.
From the beginning of my journey I explored the work of many different photographers. I tried to emulate the work of Trevor Leighton, which I felt worked really well and I also managed to learn some skills such as the use of light therefore I created some successful photographs. I also investigated the work of Erwin Blumenfeld as I found his work very different and creative. However, I did not feel inspired by his photographs there did not influence it in my own work. As previously stated, I found Bert Stern’s ‘The Last Sitting’ photo shoot which inspired me to use a combination of art and photography in my final pieces.
My work is about how things have changed over. For my final piece I decided to focus on an aspect of fashion and cameras that we no longer regularly find in present day. When I look at my work I think about the comparison between my digital SLR and disposable camera photographs. The messages that I want to get across in my final outcomes is that although technology and fashion has moved on and improved from the past, you can still create work that is just as good by using old processes and that a simple difference in a photograph can show two different ways of looking at it. I have shown this through the paint strike across the images on acetate. To inform and inspire my work I looked at the work of Trevor Leighton and Bert Stern. Trevor inspired me to use a fashion photo shoot for my final pieces and Bert’s work influenced me to get creative with my outcomes. I took secondary source photographs in a similar style to Trevor’s Fair Trade photo shoot creating connections between our work. I have learned that photography is not only about the photographs themselves; they can also have other aspects like in my final products.
I took my photographs on a cannon digital SLR camera and a disposable camera. I also took photographs on a singlex 35mm SLR camera to show more variety in my theme of cameras over time however when I processed my film in the darkroom the negatives came out blank.
I used aperture to touch up my digital SLR images and I also completely reduced the saturation so that they were black and white to fit in with the theme. I feel that making them black and white also helped to show the clash with the coloured paint once I had added it. Once I had received my disposable camera outcomes, I began to cut down and paint the pieces of acetate that were to be sewn to all of the photos. I hand sewed the acetate to the images to influence show my understanding of my fair trade research. Using acetate instead of painting straight onto my photographs helps to show how there are two way to look at them as you can still easily view the images without the paint.
In my work I have shown that I can use the basic elements. I have used form, texture, colour and tone. Using these I could ensure that my photos weren’t too simple or basic, and that they can maintain attention and interest from viewers. You can see that I have used some rules of composition such as changing the positioning of the model, in the centre and slightly off centred. I think that if my work was larger it would show a better understand of the point that I was trying to get across, however I did not have the facilities to do so.
Before finishing my final pieces I did a couple of experiments to see what else I could use on my work. I tried the effect of tea staining as it again showed the theme of ‘over time’, and I also attempted to print my final outcomes out onto acetate. I decided that I did not like these processes therefore did not use them.
I managed to settle on my final ideas and techniques for my final piece by looking through all of the work that I have completed and I picked out certain things that I thought worked and that I liked. I used these as my guidelines and I put them all together to get my plan for my final outcomes.
As a conclusion, I personally think that I have responded very well to the brief and have created some interesting forms of photography from the starting theme of Clash, Culture, Chaos. I feel this way as all of my work and research is somehow linked in with my final pieces. I think that my work connected to the work of Bert Stern for both obvious and deeper reasons such as the paint strikes, fashion portraits, and positions of the models. When I look at my work I feel like I can see how technology has changed over time yet still looks just as good in its own way. The most successful part of my work in my opinion is how you can see the comparison of the cameras, and how you can see two ways to view the images. I think that my photographs are successful.
I was on a run and on my way out of Marshalltown I saw Y735 sitting on the pork chop line. It took me a minute to realize it but it was sitting there and I believe tied down this afternoon. I don't catch it much but when I've caught it sitting before it was on this line but north the main and south of Gervich, not half way up the line. I don't know what is normal.
©All photographs on this site are copyright: ©DESPITE STRAIGHT LINES (Paul Williams) 2011 – 2021 & GETTY IMAGES ®
No license is given nor granted in respect of the use of any copyrighted material on this site other than with the express written agreement of ©DESPITE STRAIGHT LINES (Paul Williams). No image may be used as source material for paintings, drawings, sculptures, or any other art form without permission and/or compensation to ©DESPITE STRAIGHT LINES (Paul Williams)
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I would like to say a huge and heartfelt 'THANK YOU' to GETTY IMAGES, and the 49.661+ Million visitors to my FLICKR site.
***** Selected for sale in the GETTY IMAGES COLLECTION on Monday 19th August 2024
CREATIVE RF gty.im/2153968552 MOMENT ROYALTY FREE COLLECTION**
This photograph became my 7,015th frame to be selected for sale in the Getty Images collection and I am very grateful to them for this wonderful opportunity.
©DESPITE STRAIGHT LINES (Paul Williams)
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Photograph taken at an altitude of One hundred and fifty one metres at 10.52am on Thursday May 9th 2024, ten miles East of Aberystwyth at Pontarfynach (The bridge on the Mynach), or Devil's Bridge as it is known. The village and community are in Ceredigion, where above the River Mynach is a series of three stacked bridges, constructed hundreds of years apart, from which the village gets its English name.
Here we see the base of one of the waterfalls fed by the Afom Rheidol.
Nikon D850 Single-lens reflex digital camera F Mount with FX CMOS 35.9mm x 23.9mm Image sensor 46.89 Million total pixels Hand held Focal length: 24mm Shutter speed: 1/50s (Mechanical shutter) Aperture f/13.0 iso500 Nikon VR Vibration Reduction enabled Image area Full Frame FX (36 x 24) NEF RAW L 45.4Million pixels (8256 x 5504) 14 Bit uncompressed Focus mode: AF-C Priority Selection: Release Nikon Back button focusing enabled AF-Focus area: 3D Tracking watch area: Normal 55 Tracking points Exposure mode: Manual mode Metering mode: Centre weighted metering Active D-Lighting: Normal White balance on: Natural light auto, 0, 0 Colour space: Adobe RGB Picture control: (SD) Standard (Sharpening +3.00/Clarity +1.00)
Nikon AF-S 24-120mm f/4G ED VR. Nikon GP-1 GPS module. Hoodman HEYENRG round eyepiece oversized eyecup. Black Rapid Curve Breathe strap. My Memory 128GB Class 10 SDXC 80MB/s card. Lowepro Flipside 400 AW camera bag. Nikon EN-EL15a battery.
LATITUDE: N 52d 22m 44.10s
LONGITUDE: W 3d 50m 59.90s
ALTITUDE: 151.0m
RAW (TIFF) FILE: 130.00MB NEF: 93.9MB
PROCESSED (JPeg) FILE: 52.20MB
PROCESSING POWER:
Nikon D850 Firmware versions C 1.21 (8/12/2022) LD Distortion Data 2.018 (16/01/20) LF 1.00 Nikon Codec Full version 1.31.2 (09/11/2021)
HP 110-352na Desktop PC with Windows 10 Home edition AMD Quad-Core A6-5200 APU 64Bit processor. Radeon HD8400 graphics. 8 GB DDR3 Memory with 1TB Data storage. 64-bit Windows 10. My Passport USB 3.0 2TB portable desktop hard drive. Nikon NX STUDIO 64bit Version 1.2.2 (08/12/2022). Nikon Capture NX-D 64bit Version 1.6.2 (18/02/2020). Nikon Picture Control Utility 2 (Version 2.4.5 (18/02/2020). Nikon Transfer 2 Version 2.16.0 (08/12/2022). Adobe photoshop Elements 8 Version 8.0 64bit.
Given wider fenders, matchbox wheels and More Body Modifications this Started Life As The Orange Whizzwheels Corgi Juniors Model. The Tow Winch Was Made From A Motor From An iPhone, I changed The Style Of The headlights And Lots Of Wire Was Used For The Bars. One Of My Better Builds.
A 6 wheel drive Cat 140M road grader working on a half mile long 12 feet high snow drift left by winter storms Iras & Kori. Union County, Oregon.
2 Pillows given to Nicola for Christmas 2016
20" x 12" Pillow - Dark Coral Rainbuds from the Sundrops line by Corey Yoder for Moda & Coral Honey from Birds & The Bees by Tamara Kate for Michael Miller
16" x 16" Pillow - Chevrons are Pure Elements solids in Icy Mint, Fresh Water & Cozumel Blue. Back is Aqua Waves Galore from the Coral Queen of the Sea Line by Stacy Iest for Moda
Fabrics purchased from Fat Quarter Shop - www.fatquartershop.com/
Given the pleasantly rural feel of Tai Po, this ugly skyscraper outside the Tai Wo MTR station looked positively ugly and totally out of place. Jan/Feb. 2012.
Letterpress thankyou postcard for Boulder-based Given Goods. Simple, single-color postcards printed front & back on heavyweight watercolor paper.
©All photographs on this site are copyright: ©DESPITE STRAIGHT LINES (Paul Williams) 2011 – 2021 & GETTY IMAGES ®
No license is given nor granted in respect of the use of any copyrighted material on this site other than with the express written agreement of ©DESPITE STRAIGHT LINES (Paul Williams). No image may be used as source material for paintings, drawings, sculptures, or any other art form without permission and/or compensation to ©DESPITE STRAIGHT LINES (Paul Williams)
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I would like to say a huge and heartfelt 'THANK YOU' to GETTY IMAGES, and the 50.905+ Million visitors to my FLICKR site.
***** Selected for sale in the GETTY IMAGES COLLECTION on Thursday 30th October 2025
CREATIVE RF gty.im/2243392493 MOMENT ROYALTY FREE COLLECTION**
This photograph became my 7,340th frame to be selected for sale in the Getty Images collection and I am very grateful to them for this wonderful opportunity.
©DESPITE STRAIGHT LINES (Paul Williams)
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Photograph taken at an altitude of Fifteenmetres at 13:34pm on Monday 15th May 2023 off Pacific Rim Highway 4 and Airport Road on the sandy shoreline of the Pacific Rim National Park Reserve at Long Beach in Tofino, British Columbia.
Here we see a Sitka Spruce tree (Picea Sitchensis) also known as the Tideland Spruce or Western Spruce.
Nikon D850 Single-lens reflex digital camera F Mount with FX CMOS 35.9mm x 23.9mm Image sensor 46.89 Million total pixels Focal length: 24mm Shutter speed: 1/80s (Mechanical shutter) Aperture f/13.0 iso640 Handheld with Nikkor VR Vibration Reduction enabled Image area Full Frame FX (36 x 24) NEF RAW L 45.4Million pixels (8256 x 5504) 14 Bit uncompressed AF-C Priority Selection: Release Nikon Back button focusing enabled 3D Tracking watch area: Normal 55 Tracking points Exposure mode: Manual mode Metering mode: Matrix metering White balance on: Auto1, A1.00, M0.25 (5160k) Colour space: Adobe RGB Picture control: (A) Auto (Sharpening +1.00/Clarity +1.00)
Nikkor AFS-24-120mm F4 VR. Nikon GP-1 GPS module. Hoodman HEYENRG round eyepiece oversized eyecup. Black Rapid Curve Breathe strap. My Memory 128GB Class 10 SDXC 80MB/s card. Lowepro Flipside 400 AW camera bag. Nikon EN-EL15a battery.
LATITUDE: N 49d 4m 17.90s
LONGITUDE: W 125d 45m 33.70s
ALTITUDE: 15.0m
RAW (TIFF) FILE: 130.00MB NEF: 91.8MB
PROCESSED (JPeg) FILE: 43.60MB
PROCESSING POWER:
Nikon D850 Firmware versions C 1.21 (8/12/2022) LD Distortion Data 2.018 (16/01/20) LF 1.00 Nikon Codec Full version 1.31.2 (09/11/2021)
HP 110-352na Desktop PC with Windows 10 Home edition AMD Quad-Core A6-5200 APU 64Bit processor. Radeon HD8400 graphics. 8 GB DDR3 Memory with 1TB Data storage. 64-bit Windows 10. My Passport USB 3.0 2TB portable desktop hard drive. Nikon NX STUDIO 64bit Version 1.2.2 (08/12/2022). Nikon Capture NX-D 64bit Version 1.6.2 (18/02/2020). Nikon Picture Control Utility 2 (Version 2.4.5 (18/02/2020). Nikon Transfer 2 Version 2.16.0 (08/12/2022). Adobe photoshop Elements 8 Version 8.0 64bit.
The Marrabel Roman Catholic was built on land given by one of Marrabel’s first settlers, Mr Garrett Hannan.
There was already a temporary pine and pug Chapel. Tenders were called for in February 1867: by July the foundation stone was laid, and the church opened on 5 July 1868. Wright, Woods & Hamilton were the architects.
*The Very Rev John Smyth, VG, assisted by the Rev Joseph Tappeiner and the pastor of the district, laid on Sunday, 7th instant, the foundation stone of a Catholic Church, under the title of St Agnes the Martyr. Though the constant and heavy rains during the week had rendered the roads in many places almost impassable, and the day itself was unsettled and showery, yet no fewer than about 400 persons came to see laid the first stone of their church.
At 10 o'clock am the Rev Joseph Tappeiner celebrated mass, after which the priests and laity walked in procession from the small and unsightly building hitherto used as a chapel to the site of the new church.
The Vicar-General having laid the foundation stone, according to the Roman Ritual, preached an excellent sermon
The handsome sum of £84 14s 10d was then laid upon the stone. The building will be Gothic: the nave will measure 60 by 25 feet, besides chancel, sacristies, and porch. The plinth, quoins, and buttresses will be cut stone; and as the site is elevated, with a background of fine old gumtrees, the building will greatly contribute to the beauty of the young and rising township of Marrabel. [Ref: Express and Telegraph 11-7-1867]
Catholic Church, Marrabel,—
*The Very Rev John Smyth VG, assisted by the Rev Messrs Polk and Huger SJ, solemnly blessed and opened the Church of St Agnes, at Marrabel on Sunday, the 5th instant.
The very rev gentlemen preached an eloquent sermon on the occasion, and the handsome sum of £170 was received towards the liquidation of the debt, which is only a little over £400. When it is borne in mind that the building cost £1,000 independently of the stones, which were given and carted free of charge, the liberality of the congregation and friends will be more clearly understood. [Ref: Adelaide Observer from the Kapunda Herald 18-7-1868]
*The Rev Chas Van der Heyden – We are requested to inform our readers that this gentleman has removed from Riverton, and is now living in the new presbytery at Marrabel, recently erected by the Catholics of the district. [Ref: Irish Harp and Farmers’ Herald 12-3-1870]
*S. Agnes, Marrabel — A bazaar in aid of the church and new presbytery at Marrabel was held in S. Joseph's schoolroom on Wednesday, the 15th instant and following days. There was a large, effective and artistic display of useful and ornamental articles…praise is due to the ladies of the community for their enthusiastic zeal and persevering endeavours to make the Bazaar a success. [Ref: Irish Harp and Farmers’ Herald 25-3-1871]
*Presentations to Rev Michael Kennedy of Marrabel.
On Friday evening, April 30, many of the parishioners of the Mission of Marrabel met at Tothill's Creek to present an address and a purse of sovereigns to the Rev Michael Kennedy, in acknowledgment of the many services which had been done them by the rev gentleman during his long sojourn among them.
The residents of the parish of Marrabel, thought it our duty to assemble here this evening for the purpose of tendering our thanks for the able and cheerful manner in which you have for the last five years forwarded our interests … especially for the great efforts which you made to liquidate the debt which had been incurred some years ago for the purpose of building our church and parochial residence at Marrabel.
Independent of the outlay of £120 on the interior of the church, and some smaller sums spent in various other improvements, he had collected towards the debt on the church and presbytery £631 in the space of five years. [Ref: South Australian Advertiser 17-5-1877]
*The annual picnic in connection the with St Agnes Church, Marrabel, was held on Easter Monday. There was good attendance, notwithstanding that the weather was cold and wet.
In the evening the Rev W O’Dowling delivered an interesting lecture on the life of Dan O’Connell. The lecture was followed by a ball, which wound up a very enjoyable day. [Ref: Kapunda Herald 20-4-1900]
*The tender of Mr S H Roberts, of Saddleworth, has been accepted for building a sanctuary and vestry at St Agnes Church, Marrabel.
The price of the tender was £563. [Ref: Kapunda Herald 18-9-1914]
*Mr O Colmer of Riverton has obtained the contract for extensive repairs to the Catholic Church at Marrabel, including the putting in of a new ceiling. It is anticipated that he will start during this week. [Ref: Kapunda Herald 7-8-1936]
The Marrabel Roman Catholic was built on land given by one of Marrabel’s first settlers, Mr Garrett Hannan.
There was already a temporary pine and pug Chapel. Tenders were called for in February 1867: by July the foundation stone was laid, and the church opened on 5 July 1868. Wright, Woods & Hamilton were the architects.
*The Very Rev John Smyth, VG, assisted by the Rev Joseph Tappeiner and the pastor of the district, laid on Sunday, 7th instant, the foundation stone of a Catholic Church, under the title of St Agnes the Martyr. Though the constant and heavy rains during the week had rendered the roads in many places almost impassable, and the day itself was unsettled and showery, yet no fewer than about 400 persons came to see laid the first stone of their church.
At 10 o'clock am the Rev Joseph Tappeiner celebrated mass, after which the priests and laity walked in procession from the small and unsightly building hitherto used as a chapel to the site of the new church.
The Vicar-General having laid the foundation stone, according to the Roman Ritual, preached an excellent sermon
The handsome sum of £84 14s 10d was then laid upon the stone. The building will be Gothic: the nave will measure 60 by 25 feet, besides chancel, sacristies, and porch. The plinth, quoins, and buttresses will be cut stone; and as the site is elevated, with a background of fine old gumtrees, the building will greatly contribute to the beauty of the young and rising township of Marrabel. [Ref: Express and Telegraph 11-7-1867]
Catholic Church, Marrabel,—
*The Very Rev John Smyth VG, assisted by the Rev Messrs Polk and Huger SJ, solemnly blessed and opened the Church of St Agnes, at Marrabel on Sunday, the 5th instant.
The very rev gentlemen preached an eloquent sermon on the occasion, and the handsome sum of £170 was received towards the liquidation of the debt, which is only a little over £400. When it is borne in mind that the building cost £1,000 independently of the stones, which were given and carted free of charge, the liberality of the congregation and friends will be more clearly understood. [Ref: Adelaide Observer from the Kapunda Herald 18-7-1868]
*The Rev Chas Van der Heyden – We are requested to inform our readers that this gentleman has removed from Riverton, and is now living in the new presbytery at Marrabel, recently erected by the Catholics of the district. [Ref: Irish Harp and Farmers’ Herald 12-3-1870]
*S. Agnes, Marrabel — A bazaar in aid of the church and new presbytery at Marrabel was held in S. Joseph's schoolroom on Wednesday, the 15th instant and following days. There was a large, effective and artistic display of useful and ornamental articles…praise is due to the ladies of the community for their enthusiastic zeal and persevering endeavours to make the Bazaar a success. [Ref: Irish Harp and Farmers’ Herald 25-3-1871]
*Presentations to Rev Michael Kennedy of Marrabel.
On Friday evening, April 30, many of the parishioners of the Mission of Marrabel met at Tothill's Creek to present an address and a purse of sovereigns to the Rev Michael Kennedy, in acknowledgment of the many services which had been done them by the rev gentleman during his long sojourn among them.
The residents of the parish of Marrabel, thought it our duty to assemble here this evening for the purpose of tendering our thanks for the able and cheerful manner in which you have for the last five years forwarded our interests … especially for the great efforts which you made to liquidate the debt which had been incurred some years ago for the purpose of building our church and parochial residence at Marrabel.
Independent of the outlay of £120 on the interior of the church, and some smaller sums spent in various other improvements, he had collected towards the debt on the church and presbytery £631 in the space of five years. [Ref: South Australian Advertiser 17-5-1877]
*The annual picnic in connection the with St Agnes Church, Marrabel, was held on Easter Monday. There was good attendance, notwithstanding that the weather was cold and wet.
In the evening the Rev W O’Dowling delivered an interesting lecture on the life of Dan O’Connell. The lecture was followed by a ball, which wound up a very enjoyable day. [Ref: Kapunda Herald 20-4-1900]
*The tender of Mr S H Roberts, of Saddleworth, has been accepted for building a sanctuary and vestry at St Agnes Church, Marrabel.
The price of the tender was £563. [Ref: Kapunda Herald 18-9-1914]
*Mr O Colmer of Riverton has obtained the contract for extensive repairs to the Catholic Church at Marrabel, including the putting in of a new ceiling. It is anticipated that he will start during this week. [Ref: Kapunda Herald 7-8-1936]
Given out as gifts at the Absolut Blank launch event in Mexico. These ceramic bottles were limited to 60 units.
Given that the mobile phone world is in a transition from all the proprietary cables to the standard Micro USB, Nokia have supplied an adapter for all their 3mm and 2mm charging tips. I think this is somewhat cumbersome for that it is, but still a good idea to supply it.
Ah, Ukraine! When I first visited Rusfurrence in 2013, and was given a tour of Moscow by my excellent hosts, I thought I’d fallen in love with Russian cuisine – only to discover that nearly everything I’d devoured was in fact Ukrainian. Therefore, I knew I would one day have no choice but to visit the source, and boy howdy, was it worth it.
Our hosts and dear friends took such excellent care of us, with ‘us’ including a surprising number of foreigners, most of whom had never been to Ukraine before. My boyfriend Rush joined me, as did our friend Bostitch, and we met up with Oatcake and Fox Amoore and far, far too many other friends to mention.
The convention itself was fantastic, marked by the lively, can-do spirit the Ukrainians are known for, though I regrettably saw far too little of it. We’d wanted to take a quick look at Kiev while we were in the country but it wound up taking us three hours to get back, and it also didn’t help that I’d caught a bug that left me too tired to partake of many of the events – including a party bus!
Still, there was plenty of fun to be had in the evenings. The Tiger Bar set up in the corridor of the fourth floor, the Stone Soup bar in the suite and balcony of room 107, and of course the traditional picnic and barbecue in the woods, which I was told was how WUFF had originally started. It started raining rather fiercely immediately after the campfire got started, but the Ukrainians proved themselves indomitable, putting together a shovel team to dig emergency trenches and build dams around the fire, which never went out!
Words can’t describe the warmth and fun of the con. We’ll certainly be back.
For more WUFF ’16 photos, check out the gallery here: www.flickr.com/photos/alexfvance/albums/72157668089241926
As always, share and enjoy.
- Alex "Khaki” Vance
If you want to say hi, you can find me on Twitter @khakidoggy, or drop me an email at khakidoggy@me.com
[ If you appear in any of the photos you're free to use them; if you know anyone in a photo, please do share it with them! ]
For even more con photography: www.flickr.com/photos/alexfvance/albums/
The present parish of Ash, more than 7,000 acres in extent and one of the largest in Kent, was once only a part of the great manor of Wingham. Originally a royal manor, Wingham was given by King Athelstan of Kent to the See of Canterbury about 850 : it covered the present parishes of Ash, Goodnestone, Nonington, Wingham and parts of Staple and Womenswold.
In a list of churches probably made in 1071, in which 'Aesce' is said to belong to Wingham, mention is also made of an apparently more important church 'de Raette', as well as one at 'Fleota' belonging to the manor of Folkestone. If, as seems likely, 'de Raette' refers to Richborough, this is the only record of that church; but the chapel of Fleet, actually within the 3rd century Roman walls of Richborough Castle, continued in use until the 16th century. Leland in the time of Henry VIII wrote that 'withyn the castel is a lytle paroche Chirch of S. Augustine'. it was believed that when St. Augustine first stepped ashore in England in 597 the impression of his foot was miraculously left upon a stone. This relic was afterwards kept in this chapel dedicated to him, and pilgrims flocked there upon the anniversary of the landing to pray and to recover their health. Excavations have uncovered the ground plan of the chapel, and confirm that it was pre-Norman in origin. Excavations in the northwest comer of the Roman fort have also, revealed the foundations and font of an even earlier church of c.400, one of the earliest Christian structures known in Britain.
By the 13th century there was another chapel in the northwest of the parish, at Overland, where complaint was made in 1294 that 'there used to be a baptistery and seven years ago it was taken away and is at Esse'. Edward Hasted. writing about 1790, said that the chapel had been 'for some time in ruins ... having been desecrated about the beginning of this century'. Its exact site has now been lost : some carved stonework which may come from it is at Knell; a few more pieces are in the church.
In 1282 Ash became a separate parish. In the deed founding a College of Canons at Wingham and dividing that parish into four, Archbishop Peckham explained, 'We have turned our eyes to the church of Wingham as it were to a fruitful vineyard..... which cannot be easily cultivated by the labours of one husbandman... from the great extent of the parish as well as its numerous population'. He assigned to Wingham parish church the chapel of Overland : to Ash he gave the chapel of Fleet. It was the duty of the canons of Wingham College, to whom the tithes of Ash were paid, to provide a vicar. In 1535 the parishioners of Ash complained, 'There has always been a vicar here to serve the cure till for the last 22 years the said Canons have usurped the vicarage to their own use ... within a quarter of a year we have had seven curates, which has caused much strife as we are 500 residents.'
In 1547 Wingham College was suppressed by Henry VIII, and its possessions forfeited to the Crown. In 1549, "the late chapel called Richborough Chapel in Ash Parish with its burial ground, buildings, lead, glass, iron, stones and tiles except the bells and leaden roof", and "'the late Chapel of Overland in Ash parish next Sandwich in width 22 feet in length 34 feet, with its burial ground of half a rod, buildings, etc.", were both sold to William Hyde and Hugh Cartwright.
The right of presentation to the benefice of Ash was granted by Queen Mary to the Archbishop in 1558, and three years later Queen Elizabeth I gave the rectory-the right to the great tithes-to the See of Canterbury. The Archbishop is still the patron of the living today.
In the 19th century the need again arose for chapels in the more distant parts of the parish. In 1842 Holy Trinity Church at Ware was built, and Westmarsh was formed into a separate ecclesiastical parish in 1849. The corrugated-iron mission room of St. Augustine's, Richborough, was opened in 1888. It was followed in 1892 by a similar room at Goldstone, rebuilt in 1904. But by the 1960s the motor car had made these separate buildings less necessary. In 1967 the parish of Westmarsh was re-united with Ash; St. Augustine's, Richborough, was closed in 1969, and Holy Trinity Church in 1970.
And there was given me a reed like unto a rod: and the angel stood, saying, Rise, and measure the temple of God, and the altar, and them that worship therein.
But the court which is without the temple leave out, and measure it not; for it is given unto the Gentiles: and the holy city shall they tread under foot forty and two months.
And I will give power unto my two witnesses, and they shall prophesy a thousand two hundred and threescore days, clothed in sackcloth.
These are the two olive trees, and the two candlesticks standing before the God of the earth.
And if any man will hurt them, fire proceedeth out of their mouth, and devoureth their enemies: and if any man will hurt them, he must in this manner be killed.
These have power to shut heaven, that it rain not in the days of their prophecy: and have power over waters to turn them to blood, and to smite the earth with all plagues, as often as they will.
And when they shall have finished their testimony, the beast that ascendeth out of the bottomless pit shall make war against them, and shall overcome them, and kill them.
And their dead bodies shall lie in the street of the great city, which spiritually is called Sodom and Egypt, where also our Lord was crucified.
And they of the people and kindreds and tongues and nations shall see their dead bodies three days and an half, and shall not suffer their dead bodies to be put in graves.
And they that dwell upon the earth shall rejoice over them, and make merry, and shall send gifts one to another; because these two prophets tormented them that dwelt on the earth.
And after three days and an half the spirit of life from God entered into them, and they stood upon their feet; and great fear fell upon them which saw them.
And they heard a great voice from heaven saying unto them, Come up hither. And they ascended up to heaven in a cloud; and their enemies beheld them.
And the same hour was there a great earthquake, and the tenth part of the city fell, and in the earthquake were slain of men seven thousand: and the remnant were affrighted, and gave glory to the God of heaven.
Revelation 11:1-13 King James Version
On March 31 2012, I was given the privilege of being able to ride on the Ffestiniog railway`s gravity train as a specially-invited brakesman. .
It was an unique experience for me having the sensation of riding down on these wagons from the summit at Tanygrisiau power house to Minffordd, something that my grandfather could well have done when used to work at Maenofferen quarry.
My sincere thanks goes to Peter Dennis & Iain wilkinson for making it possible for me to undertake this unique experience.
Given all of the steel coil cars in its this eastbound Norfolk Southern train might have made a pickup at Burns Harbor, Indiana. It is shown in Porter.
I was given a bag of Double Coated Chocolate Bites, a strawberry flavoured liquorice with milk chocolate made by Darrell Lea (theres an add if I have seen one) by the fella at the Telstra Office in the Queen Street Mall, Brisbane. I know it was to butter me up to give him a good report on the survey but I still took them - since when do you get anything free from a phone company these days. I did think that they would be a good thing for the Week 48 topic.
Any way about half of the chocolates made it home - well I'm not supposed to have any chocolate in my diet. Once home I stuffed the rest of the packet in the bottom of the pantry locker and that's where they stayed till today. Upon opening the packet of chocs I found that they had sweated and bubbled a little but still ok to photograph and to eat before they went stale. ;o)))
"7 Days of Shooting" "Week #48 - Chocolate" "Minimal Sunday"
Given the fact that the Governor has shut down all bars and nightclubs, and given the fact that all stage shows have gone Dark at least until late September or October -- what is a Gent to do on the Fabulous Las Vegas Strip between the hours of 5pm and 5am?
Eat Well! And Drink Well!!
Even on a Monday night in the midst of the COVID-19 Global Pandemic, one can still eat well and drink well on the Strip! You can order cocktails and drinks in any lounge that also serves bar food. And even though most restaurants are running on short staff and on short hours, there's still some very fine dining to be done here!
But you must wear your face mask and exercise Social Distancing!
Sooner or later your very lovely lady will call you from back home for her daily report, and you had better have some good answers for her!
A Personal Project
At the start of this semester i got given a grid square in Stoke-On-Trent in which i could do a project on what ever i wanted, i could also change my mind, the square i had in the end was very empty just being green field, images can be seen at (on.fb.me/15muAVO),
I did enquire about changing my grid square to this one my house mate found this location on a walk and said it was very beautiful and interesting, i really wanted to take images of the location due to my heritage of my Nan and grandad AKA Pap were brought up on the boats and worked to supplying coal to factories and mainly because Pap recently passed away a couple of weeks before.
At the end of the semester i went to the location because i really wanted to take the images due to my feeling to the area, i told my nan about yeah i was taking images in stoke of the canal lovely place explained it and she told me a couple of storys about cruising up the potteries. A couple of weeks later when i go to see my nan she gets out some photos, which i normally look at when i go around to see if theres any more added or anything, she pulls out the photos which i looked at not just a week before and goes
"Is this where your on about'" See picture - (www.dropbox.com/s/x0mc5z7u5dcyjnt/img145.jpg)
I look in the background of the photo and was astonished just a week before i was at the same location.
It's brought a more close and an emotional feel to these pictures when I've been recently editing them.
Forget-Me-Not
x
given to me by my Bubi (grandma) on my fathers side of the family when i graduated from highschool in 1996 & right before i entered the military. She was the only grandperant i knew my entire life. this has been around my neck pretty much 24/7, 365days a year since then while i traveled the world. it reminds me of my faith, my family and my grandmother
Given myself an alphabet soup game. Two new photos and another two from my photostream or archives, when possible.
I had chosen a pylon for this one from my photostream, but had another look through the archives and decided that this old pram was a better option. Taken in Etampes in October 2011.
Thank you for your favourites. :O)
Given to me by the election committee for having put up with Graham being absent so often. I wasn't the only wife to get them!.
Went to this Sandwich Shop with the Fam, before watching the SJ Sharks ! The Sandwich was crazyy good, too bad i forgot the name.
Given that I consider myself something of a transit nerd, I'm not sure how I managed to come away with so few photos of Berlin's transit system.
This is one of the newer-model trains running on the U8 line. I wish I'd gotten a picture of the first train we went on, it was considerably more "vintage". Had little levers you had to pull to open the doors.
Gotta say: not a fan of the window decals.
Dubai was incredible. Literally breath taking! I got given a lovely 4 star hotel near the airport by emirates with my ticket, which was great, and although the rooms were standard, it had awesome facilities including a bar in the middle of a swimming pool! After dropping my stuff off here I headed off to Old Dubai!
Culture is what interests me, so the older and more Arabic areas of Dubai were what I wanted to see. So I headed off to the gold Souq in al ras. Unfortunately it appeared to be a holy day, so not all of the gold stalls were open, but the amount of gold and goods on display was astounding anyway. Walking along around here I stumbled onto some awesome mosques as well. The atmosphere was lively, and different from what I am used to. I spent quite allot of time in this area searching for the spice souq aswell, although it was not until later that I found it. This area did seem a bit more westernised than I had hoped however, so I headed to the waterfront to catch an abra across the river. After walking up and down waterfront a couple of times trying to find somewhere to get on an abra, I gave up! I couldn't find it anywhere- it's probably just because I don't read Arabic! So instead I took the metro across, and found what I would consider my faviroute area in Dubai.
Although the views from the other side of the river was great, from this side it was fantastic. The crystal blue water, seagulls, old dusty background with colourful wooden boats floating along. Truly magnificent! The walk along the waterfront and around this area just took you back 20 years. Arabs wearing Classic Arabic light flowy clothing, head scarfs and skull caps. Children playing with birds, street stalls selling freshly squeezed orange juice, coconuts, and all manner of Arabic attire, spices and foods. Going further away from the waterfront were tiny lanes, just wide enough for one man, yet they had stores along either side, giving you am awe-inspiring claustrophobic shopping experience. I loved it.
Here I found the oldest fort in Dubai, which had been transformed into the Dubai heritage museum with all sorts of old artifacts. The building was ancient stone and sand, and just looked like a giant sand castle. So cool! It looked smaller than it was aswell, due to the rather large mosque built next door.
Walking further and further along the waterfront, with this ancient style Arabic life all around me, I decided I loved the Arabic life. The sound calling out for prayer, was incredible. I didn't think they did that in Dubai, but they do, and I loved it. The people always happy, the streets- dirty, small and sandy, but a world away from my own, and the sights, beautiful and majestic despite the general lack of colour. It was great. Not only this but the smells! The spices and herbs odour all around, gave you a real treat just to walk near. But the food- was even better. The Dubai street food was an explosion of flavours and herbs. It wasn't spicy, but very fragrant, and I loved it! I spent far longer here than I anticipated! But it was too great to leave..
20-12-13