Bob Given Photography

I've been given a grub. (Thankfully it wasn't my birthday). My brother found it after a very intense storm; it had crawled up to the surface of the ground to avoid getting drowned and, being early in the morning, its most likely destiny was to be eaten by a thrush.

I can't put it back where it came from, so I think I'll keep it and see what happens.

 

It's 2 inches long, more or less.

 

· · · · · · · · · · · · · · · · · · · · · · · ·

 

Me regalaron una larva de escarabajo. (Qué bueno que no era mi cumpleaños). La encontró mi hermano después de una tormenta tremenda; había salido a la superficie de la tierra para no ahogarse y, como era muy temprano a la mañana, su destino más probable era que se la comiera un zorzal.

No la puedo dejar en su casa de vuelta, así que creo que la voy a tener para ver qué pasa.

 

Mide unos 5 cm de largo.

 

Diloboderus abderus

Español (de Argentina): gusano blanco (used for the larva; literally "white worm", a generic name for all big white grubs), torito, bicho candado (the adult beetle).

In the 16th century, Cumbrian John Dryden was given the estate by his father-in-law. Using masonry from the fallen priory buildings, he first built the staircase tower and then an H-shaped mansion house.

 

His son, Erasmus, created the final footprint of the buildings by joining a medieval farm building to the house creating the pebble court. His legacy was to commission the spectacular murals hidden for centuries until the National Trust restoration in 1980.

 

In the 18th century, Edward Dryden, made significant changes to the south façade by facing it with dressed stone and replacing the stone mullioned bay windows with fashionable sash.

 

Inside, Edward modernised the interior to create a Palladian ideal. He commissioned his cousin, Elizabeth Creed, to produce the decoration scheme in the Painted Parlour.

 

Edward’s uncle was the most famous member of the family. John Dryden (1631-1700) was Poet Laureate in 1668. His immense creative output included political satire and some of the finest classic translations.

Sir Henry Dryden inherited Canons Ashby in 1837 at 19 years old. Known as ‘the Antiquary’, he was passionately interested in architecture and history, especially that of his own family and estate, recording everything he could. He cared for Canons Ashby for most of the Victorian era.

 

Canons Ashby declined through the 20th Century and was let to various tenants. One, Louise Osman, created the Prince of Wales’ investiture crown at Canons Ashby.

 

The estate was given to the National Trust in 1981.

 

I’ve given this series a lot of thought, and I’m excited to say I’m doing it. One self portrait every day for 365 days.

 

2014 was a big year of firsts for me as a photographer, and I’m feeling up to pushing myself even further in 2015. With a full-time job, freelancing, and personal work on the side, it will definitely be hard, but I’m up for the challenge.

 

Shot on January 1st, publishing at 1:05 AM on January 2nd.

Que Sera Sera was the name given to this R4D-5L (Douglas DC-3) that made the first landing at the South Pole on 31 October 1956. It was named after a popular song of the time. The aircraft's crew of seven were the first Americans to set foot on the pole and the first humans since CAPT Robert F. Scott of the Royal Navy reached it in 1912.

 

The success of the DC-3 in the commercial market spurred interest in the aircraft from the U.S. military. Of the 10,000 DC-3s ordered by the Army Air Forces, the Navy received 568, designating them R4D Skytrains. Many served in the Naval Air Transport Service created during World War II. Other roles included carrying Marine Corps paratroopers, dropping flares in support of close air support missions in Korea, and supporting expeditions to the Antarctic.

 

Equipped with skis for operating from the ice cap, the latter birds achieved their first fame in January 1947, when Commander William Hawkes (with Rear Admiral Richard Byrd aboard) led a flight of six R4Ds off the deck of the aircraft carrier Philippine Sea (CV-47) as part of Operation Highjump. This marked the first carrier take-off for the R4D. These planes operated along with six PBM flying boats for 24 days, logging 650 hours of flight time on photographic mapping flights covering 1,500,000 square miles of the interior and 5,500 miles of coastline of the continent of Antarctica.

 

This was followed by Operation Deep Freeze, and the 31 October 1956, flight of the R4D-5L nicknamed Que Sera Sera (Bureau Number 12418) now on display in the Museum. Piloted by Lieutenant Commander Gus Shinn and under the command of Rear Admiral George Dufek, it made the first landing on the ice at the South Pole, carrying the first Americans to set foot on the spot and the first expedition to reach it since 1912.

 

Though the polar landing was a bit rough, which was not unusual for the terrain, take-off from the pole proved a challenge. The high altitude of the ice cap—about 10,000 feet at the pole—starved engines of oxygen and robbed wings of their lift. That, along with the plane's 28,000-pound weight, required a jet assisted take off, the JATO bottles normally triggered after the plane hit 30 knots. However, Que Sera Sera remained stuck with the engines at full power—"We just sat on the ice like an old mud hen," Shinn said. To break loose, Shinn fired four JATO bottles. That did the trick, but he was worried about having enough JATO left to get airborne. They barely made it, only to be enveloped in ice and snow, relying on instruments to keep flying.

 

The JATO racks and landing gear skis remain on the aircraft as a reminder of its special place in aviation history.

 

www.navalaviationmuseum.org/attractions/aircraft-exhibits...

WHY WAS THIS PHOTO IN MY PERSONAL TOP 20 ALBUM?

 

Ever since being given a macro lens for my birthday, it's been a solid fixture on my camera - I have mostly concentrated on street photography lately, and I've found that it works really well for that. The downside though is that this kind of shot isn't really possible.

 

This was the last photo that I took on a weekend away in Adelaide. I took my macro lens with me, but didn't use it - this shot was taking with the standard lens that came with the camera.

 

I like it because it's not the sort of photo that I generally take, but it turned out exactly how I'd hoped it would.

 

It was late in the day, and the light being reflected off the building was amazing, as were the angles I saw on the street. I think the quality is surprising good considering it was shot at ISO3200 - it's the sort of shot that I wouldn't have expected to be able to take without a tripod. I think it's the general composition that I like most about this photo though.

Ferrari Superamerica is the name given to the most exclusive and luxurious of Ferrari models.

 

Following on from the series of Ferrari 410 Superamericas that were produced from 1956 to 1959, the 400 Superamerica continued the low volume individualised style for the most special of Ferrari's customer. A total of 45 400 Superamericas were built, most to a general form, none two exactly the same.

 

The vee-twelve engine was now 4.0 litre swept capacity with a similar 340 hp produced to the earlier 410 series.

 

The particular vehicle illustrated here is the 1962 Aerodinamico coupe, one of the very last of the 400 series produced. The aerodynamic styling was very advanced for the time, and no doubt helped in achieving a very maximun speed (at 272 km/h, faster than most racing Ferraris of the period).

 

Exclusive Ferraris were on the wane, and Ferrari was now standardising to the 250. A later 500 Superfast series of 37 cars shared the Aerodinamico style. The 500 was the last ultra-luxury, ultra exclusive series Ferrari produced.

 

The Coupe Aerodinamico shown here is white, whilst some of the 400s have changed colour over time, and look stunning in more 'passionate' hues.

 

This lego model has been created using Lego Digital Designer for Flickr LUGNts 43rd build challenge, - "Plus or Minus Ten" - celebrating vehicles produce ten years before or after the birth year of the model creator.

A mural is any piece of artwork painted or applied directly on a wall, ceiling or other large permanent surface. A distinguishing characteristic of mural painting is that the architectural elements of the given space are harmoniously incorporated into the picture.

 

Some wall paintings are painted on large canvases, which are then attached to the wall (e.g., with marouflage). Whether these works can be accurately called "murals" is a subject of some controversy in the art world, but the technique has been in common use since the late 19th century.

 

HISTORY

Murals of sorts date to Upper Paleolithic times such as the paintings in the Chauvet Cave in Ardèche department of southern France (around 30,000 BC). Many ancient murals have survived in Egyptian tombs (around 3150 BC), the Minoan palaces (Middle period III of the Neopalatial period, 1700-1600 BC) and in Pompeii (around 100 BC - AD 79).

 

During the Middle Ages murals were usually executed on dry plaster (secco). In Italy, circa 1300, the technique of painting of frescos on wet plaster was reintroduced and led to a significant increase in the quality of mural painting.

 

In modern times, the term became more well-known with the Mexican "muralista" art movement (Diego Rivera, David Siqueiros, or José Orozco). There are many different styles and techniques. The best-known is probably fresco, which uses water-soluble paints with a damp lime wash, a rapid use of the resulting mixture over a large surface, and often in parts (but with a sense of the whole). The colors lighten as they dry. The marouflage method has also been used for millennia.

 

Murals today are painted in a variety of ways, using oil or water-based media. The styles can vary from abstract to trompe-l'œil (a French term for "fool" or "trick the eye"). Initiated by the works of mural artists like Graham Rust or Rainer Maria Latzke in the 1980s, trompe-l'oeil painting has experienced a renaissance in private and public buildings in Europe. Today, the beauty of a wall mural has become much more widely available with a technique whereby a painting or photographic image is transferred to poster paper or canvas which is then pasted to a wall surface (see wallpaper, Frescography) to give the effect of either a hand-painted mural or realistic scene.

 

TECHNIQUE

In the history of mural several methods have been used:

 

A fresco painting, from the Italian word affresco which derives from the adjective fresco ("fresh"), describes a method in which the paint is applied on plaster on walls or ceilings. The buon fresco technique consists of painting in pigment mixed with water on a thin layer of wet, fresh, lime mortar or plaster. The pigment is then absorbed by the wet plaster; after a number of hours, the plaster dries and reacts with the air: it is this chemical reaction which fixes the pigment particles in the plaster. After this the painting stays for a long time up to centuries in fresh and brilliant colors.

 

Fresco-secco painting is done on dry plaster (secco is "dry" in Italian). The pigments thus require a binding medium, such as egg (tempera), glue or oil to attach the pigment to the wall.

 

Mezzo-fresco is painted on nearly-dry plaster, and was defined by the sixteenth-century author Ignazio Pozzo as "firm enough not to take a thumb-print" so that the pigment only penetrates slightly into the plaster. By the end of the sixteenth century this had largely displaced the buon fresco method, and was used by painters such as Gianbattista Tiepolo or Michelangelo. This technique had, in reduced form, the advantages of a secco work.

 

MATERIAL

In Greco-Roman times, mostly encaustic colors applied in a cold state were used.

 

Tempera painting is one of the oldest known methods in mural painting. In tempera, the pigments are bound in an albuminous medium such as egg yolk or egg white diluted in water.

 

In 16th-century Europe, oil painting on canvas arose as an easier method for mural painting. The advantage was that the artwork could be completed in the artist’s studio and later transported to its destination and there attached to the wall or ceiling. Oil paint can be said to be the least satisfactory medium for murals because of its lack of brilliance in colour. Also the pigments are yellowed by the binder or are more easily affected by atmospheric conditions. The canvas itself is more subject to rapid deterioration than a plaster ground. Different muralists tend to become experts in their preferred medium and application, whether that be oil paints, emulsion or acrylic paints applied by brush, roller or airbrush/aerosols. Clients will often ask for a particular style and the artist may adjust to the appropriate technique.

 

A consultation usually leads to a detailed design and layout of the proposed mural with a price quote that the client approves before the muralist starts on the work. The area to be painted can be gridded to match the design allowing the image to be scaled accurately step by step. In some cases the design is projected straight onto the wall and traced with pencil before painting begins. Some muralists will paint directly without any prior sketching, preferring the spontaneous technique.

 

Once completed the mural can be given coats of varnish or protective acrylic glaze to protect the work from UV rays and surface damage.

 

As an alternative to a hand-painted or airbrushed mural, digitally printed murals can also be applied to surfaces. Already existing murals can be photographed and then be reproduced in near-to-original quality.

 

The disadvantages of pre-fabricated murals and decals are that they are often mass-produced and lack the allure and exclusivity of an original artwork. They are often not fitted to the individual wall sizes of the client and their personal ideas or wishes can not be added to the mural as it progresses. The Frescography technique, a digital manufacturing method (CAM) invented by Rainer Maria Latzke addresses some of the personalisation and size restrictions.

 

Digital techniques are commonly used in advertisements. A "wallscape" is a large advertisement on or attached to the outside wall of a building. Wallscapes can be painted directly on the wall as a mural, or printed on vinyl and securely attached to the wall in the manner of a billboard. Although not strictly classed as murals, large scale printed media are often referred to as such. Advertising murals were traditionally painted onto buildings and shops by sign-writers, later as large scale poster billboards.

 

SIGNIFICANCE OF MURALS

Murals are important in that they bring art into the public sphere. Due to the size, cost, and work involved in creating a mural, muralists must often be commissioned by a sponsor. Often it is the local government or a business, but many murals have been paid for with grants of patronage. For artists, their work gets a wide audience who otherwise might not set foot in an art gallery. A city benefits by the beauty of a work of art.

 

Murals can be a relatively effective tool of social emancipation or achieving a political goal. Murals have sometimes been created against the law, or have been commissioned by local bars and coffeeshops. Often, the visual effects are an enticement to attract public attention to social issues. State-sponsored public art expressions, particularly murals, are often used by totalitarian regimes as a tool of mass-control and propaganda. However, despite the propagandist character of that works, some of them still have an artistic value.

 

Murals can have a dramatic impact whether consciously or subconsciously on the attitudes of passers by, when they are added to areas where people live and work. It can also be argued that the presence of large, public murals can add aesthetic improvement to the daily lives of residents or that of employees at a corporate venue.

 

Other world-famous murals can be found in Mexico, New York, Philadelphia, Belfast, Derry, Los Angeles, Nicaragua, Cuba and in India. They have functioned as an important means of communication for members of socially, ethnically and racially divided communities in times of conflict. They also proved to be an effective tool in establishing a dialogue and hence solving the cleavage in the long run. The Indian state Kerala has exclusive murals. These Kerala mural painting are on walls of Hindu temples. They can be dated from 9th century AD.

 

The San Bartolo murals of the Maya civilization in Guatemala, are the oldest example of this art in Mesoamerica and are dated at 300 BC.

 

Many rural towns have begun using murals to create tourist attractions in order to boost economic income. Colquitt, Georgia is one such town. Colquitt was chosen to host the 2010 Global Mural Conference. The town has more than twelve murals completed, and will host the Conference along with Dothan, Alabama, and Blakely, Georgia. In the summer of 2010, Colquitt will begin work on their Icon Mural.

 

WIKIPEDIA

Bob Given Photography

Housesteads Roman Fort is the remains of an auxiliary fort on Hadrian's Wall, at Housesteads, Northumberland, England, south of Broomlee Lough. The fort was built in stone around AD 124, soon after the construction of the wall began in AD 122 when the area was part of the Roman province of Britannia. Its name has been variously given as Vercovicium, Borcovicus, Borcovicium, and Velurtion. The 18th-century farmhouse Housesteads gives the modern name. The site is owned by the National Trust and is in the care of English Heritage. Finds can be seen at the site, in the museum at Chesters, and in the Great North Museum: Hancock in Newcastle upon Tyne.

 

Hadrian's Wall was begun in AD 122. A fort was built in stone at the Housesteads Roman Fort site around AD 124 overlying the original Broad Wall foundation and Turret 36B, about two miles north east of an existing fort at Vindolanda. The fort was repaired and rebuilt several times, its northern defences being particularly prone to collapse. A substantial civil settlement (vicus) existed to the south, outside the fort, and some of the stone foundations can still be seen, including the so-called "Murder House", where two skeletons were found beneath an apparently newly-laid floor when excavated.

 

In the 2nd century AD, the garrison consisted of an unknown double-sized auxiliary infantry cohort and a detachment of legionaries from Legio II Augusta. In the 3rd century, it comprised Cohors I Tungrorum, augmented by the numerus Hnaudifridi and the Cuneus Frisiorum, a Frisian cavalry unit, cuneus referring to a wedge formation. The Tungrians were still there in the 4th century, according to the Notitia Dignitatum. By 409 AD the Romans had withdrawn.

  

The northern granary at Vercovicium, looking east. The pillars supported a raised floor to keep food dry and free from vermin. They are not part of a hypocaust.

 

The latrines at Housesteads on Hadrian's Wall, hygienically placed at the lowest corner of the fort. The water tank at left still has original lead sealing between its slabs.

Most other early forts straddle the Wall and therefore protrude into barbarian territory. It is also unusual for Britain in that it has no running water supply and is dependent upon rainwater collection (for which purpose there is a series of large stone-lined tanks around the periphery of the defences). It also has one of the best-preserved stone latrines in Roman Britain.

 

The name of the fort has been given as Borcovicus, Borcovicium, and Velurtion. An inscription found at Housesteads with the letters VER, is believed to be short for Ver(covicianorum) – the letters ver being interchangeable with bor in later Latin. The name of the 18th-century farmhouse of Housesteads provides the modern name.

 

The site is now owned by the National Trust and is currently in the care of English Heritage. Finds from Vercovicium can be seen in the site museum, in the museum at Chesters, and in the Great North Museum: Hancock in Newcastle upon Tyne.

 

Housesteads is a former farm whose lands include the ruins of the fort. In 1604 Hugh Nixon, "Stealer of cattle and receiver of stolen goods", became the tenant of Housesteads farm. From 1663, Housesteads was the home of the Armstrongs, a notorious family of Border Reivers. Nicholas Armstrong bought the farm in 1692, only to have to sell it again in 1694 to Thomas Gibson of Hexham for the sum of £485. They remained as tenants. They were a well-known band of horse thieves and cattle rustlers who used the old fort as a place to hold the stolen horses and cattle. They traded as far afield as Aberdeen and the south of England. At one time every male member of the family was said to have been a 'broken man', formally outlawed by English or Scottish authorities. Nicholas was hanged in 1704, and his brothers fled to America. The Armstrongs lived in a typical 16th-century defensive bastle house of two storeys: the ground floor for livestock and the upper level for living quarters. Its ruins remain built up against the south gate of the Roman fort, with external stone steps and narrow loop windows. A corn-drying kiln was inserted into the gate's guard chamber in the 17th century.

 

In 1698, the farm had been sold to Thomas Gibson who turned the land around the fort to agriculture and thus ploughed up numerous Roman artefacts. The 17th-century bastle house was replaced by a farmhouse located over the Roman hospital, which was sketched by William Stukeley in 1725. Throughout the 18th century Housesteads was farmed by a single tenant farming family. Since Hodgson recorded the presence of William Magnay as the tenant during that period this fixes the tenure. In particular, the well (thought to be Roman) was documented as having actually been built by William, and used by the family as a bath. Interest in the fort increased in the 19th century, particularly after the farm was purchased by the amateur historian John Clayton in 1838, to add to his collection of Roman Wall farms. The Roman site was cleared of later buildings by Clayton, and the present farmhouse built about 1860. John Maurice Clayton attempted to auction the fort in 1929. It did not reach its reserve and was donated to the National Trust in 1930. The farm was later owned by the Trevelyans who gave the land for the site museum.

 

Roman Britain was the territory that became the Roman province of Britannia after the Roman conquest of Britain, consisting of a large part of the island of Great Britain. The occupation lasted from AD 43 to AD 410.

 

Julius Caesar invaded Britain in 55 and 54 BC as part of his Gallic Wars. According to Caesar, the Britons had been overrun or culturally assimilated by the Belgae during the British Iron Age and had been aiding Caesar's enemies. The Belgae were the only Celtic tribe to cross the sea into Britain, for to all other Celtic tribes this land was unknown. He received tribute, installed the friendly king Mandubracius over the Trinovantes, and returned to Gaul. Planned invasions under Augustus were called off in 34, 27, and 25 BC. In 40 AD, Caligula assembled 200,000 men at the Channel on the continent, only to have them gather seashells (musculi) according to Suetonius, perhaps as a symbolic gesture to proclaim Caligula's victory over the sea. Three years later, Claudius directed four legions to invade Britain and restore the exiled king Verica over the Atrebates. The Romans defeated the Catuvellauni, and then organized their conquests as the province of Britain. By 47 AD, the Romans held the lands southeast of the Fosse Way. Control over Wales was delayed by reverses and the effects of Boudica's uprising, but the Romans expanded steadily northward.

 

The conquest of Britain continued under command of Gnaeus Julius Agricola (77–84), who expanded the Roman Empire as far as Caledonia. In mid-84 AD, Agricola faced the armies of the Caledonians, led by Calgacus, at the Battle of Mons Graupius. Battle casualties were estimated by Tacitus to be upwards of 10,000 on the Caledonian side and about 360 on the Roman side. The bloodbath at Mons Graupius concluded the forty-year conquest of Britain, a period that possibly saw between 100,000 and 250,000 Britons killed. In the context of pre-industrial warfare and of a total population of Britain of c. 2 million, these are very high figures.

 

Under the 2nd-century emperors Hadrian and Antoninus Pius, two walls were built to defend the Roman province from the Caledonians, whose realms in the Scottish Highlands were never controlled. Around 197 AD, the Severan Reforms divided Britain into two provinces: Britannia Superior and Britannia Inferior. During the Diocletian Reforms, at the end of the 3rd century, Britannia was divided into four provinces under the direction of a vicarius, who administered the Diocese of the Britains. A fifth province, Valentia, is attested in the later 4th century. For much of the later period of the Roman occupation, Britannia was subject to barbarian invasions and often came under the control of imperial usurpers and imperial pretenders. The final Roman withdrawal from Britain occurred around 410; the native kingdoms are considered to have formed Sub-Roman Britain after that.

 

Following the conquest of the Britons, a distinctive Romano-British culture emerged as the Romans introduced improved agriculture, urban planning, industrial production, and architecture. The Roman goddess Britannia became the female personification of Britain. After the initial invasions, Roman historians generally only mention Britain in passing. Thus, most present knowledge derives from archaeological investigations and occasional epigraphic evidence lauding the Britannic achievements of an emperor. Roman citizens settled in Britain from many parts of the Empire.

 

History

Britain was known to the Classical world. The Greeks, the Phoenicians and the Carthaginians traded for Cornish tin in the 4th century BC. The Greeks referred to the Cassiterides, or "tin islands", and placed them near the west coast of Europe. The Carthaginian sailor Himilco is said to have visited the island in the 6th or 5th century BC and the Greek explorer Pytheas in the 4th. It was regarded as a place of mystery, with some writers refusing to believe it existed.

 

The first direct Roman contact was when Julius Caesar undertook two expeditions in 55 and 54 BC, as part of his conquest of Gaul, believing the Britons were helping the Gallic resistance. The first expedition was more a reconnaissance than a full invasion and gained a foothold on the coast of Kent but was unable to advance further because of storm damage to the ships and a lack of cavalry. Despite the military failure, it was a political success, with the Roman Senate declaring a 20-day public holiday in Rome to honour the unprecedented achievement of obtaining hostages from Britain and defeating Belgic tribes on returning to the continent.

 

The second invasion involved a substantially larger force and Caesar coerced or invited many of the native Celtic tribes to pay tribute and give hostages in return for peace. A friendly local king, Mandubracius, was installed, and his rival, Cassivellaunus, was brought to terms. Hostages were taken, but historians disagree over whether any tribute was paid after Caesar returned to Gaul.

 

Caesar conquered no territory and left no troops behind, but he established clients and brought Britain into Rome's sphere of influence. Augustus planned invasions in 34, 27 and 25 BC, but circumstances were never favourable, and the relationship between Britain and Rome settled into one of diplomacy and trade. Strabo, writing late in Augustus's reign, claimed that taxes on trade brought in more annual revenue than any conquest could. Archaeology shows that there was an increase in imported luxury goods in southeastern Britain. Strabo also mentions British kings who sent embassies to Augustus, and Augustus's own Res Gestae refers to two British kings he received as refugees. When some of Tiberius's ships were carried to Britain in a storm during his campaigns in Germany in 16 AD, they came back with tales of monsters.

 

Rome appears to have encouraged a balance of power in southern Britain, supporting two powerful kingdoms: the Catuvellauni, ruled by the descendants of Tasciovanus, and the Atrebates, ruled by the descendants of Commius. This policy was followed until 39 or 40 AD, when Caligula received an exiled member of the Catuvellaunian dynasty and planned an invasion of Britain that collapsed in farcical circumstances before it left Gaul. When Claudius successfully invaded in 43 AD, it was in aid of another fugitive British ruler, Verica of the Atrebates.

 

Roman invasion

The invasion force in 43 AD was led by Aulus Plautius,[26] but it is unclear how many legions were sent. The Legio II Augusta, commanded by future emperor Vespasian, was the only one directly attested to have taken part. The Legio IX Hispana, the XIV Gemina (later styled Martia Victrix) and the XX (later styled Valeria Victrix) are known to have served during the Boudican Revolt of 60/61, and were probably there since the initial invasion. This is not certain because the Roman army was flexible, with units being moved around whenever necessary. The IX Hispana may have been permanently stationed, with records showing it at Eboracum (York) in 71 and on a building inscription there dated 108, before being destroyed in the east of the Empire, possibly during the Bar Kokhba revolt.

 

The invasion was delayed by a troop mutiny until an imperial freedman persuaded them to overcome their fear of crossing the Ocean and campaigning beyond the limits of the known world. They sailed in three divisions, and probably landed at Richborough in Kent; at least part of the force may have landed near Fishbourne, West Sussex.

 

The Catuvellauni and their allies were defeated in two battles: the first, assuming a Richborough landing, on the river Medway, the second on the river Thames. One of their leaders, Togodumnus, was killed, but his brother Caratacus survived to continue resistance elsewhere. Plautius halted at the Thames and sent for Claudius, who arrived with reinforcements, including artillery and elephants, for the final march to the Catuvellaunian capital, Camulodunum (Colchester). Vespasian subdued the southwest, Cogidubnus was set up as a friendly king of several territories, and treaties were made with tribes outside direct Roman control.

 

Establishment of Roman rule

After capturing the south of the island, the Romans turned their attention to what is now Wales. The Silures, Ordovices and Deceangli remained implacably opposed to the invaders and for the first few decades were the focus of Roman military attention, despite occasional minor revolts among Roman allies like the Brigantes and the Iceni. The Silures were led by Caratacus, and he carried out an effective guerrilla campaign against Governor Publius Ostorius Scapula. Finally, in 51, Ostorius lured Caratacus into a set-piece battle and defeated him. The British leader sought refuge among the Brigantes, but their queen, Cartimandua, proved her loyalty by surrendering him to the Romans. He was brought as a captive to Rome, where a dignified speech he made during Claudius's triumph persuaded the emperor to spare his life. The Silures were still not pacified, and Cartimandua's ex-husband Venutius replaced Caratacus as the most prominent leader of British resistance.

 

On Nero's accession, Roman Britain extended as far north as Lindum. Gaius Suetonius Paulinus, the conqueror of Mauretania (modern day Algeria and Morocco), then became governor of Britain, and in 60 and 61 he moved against Mona (Anglesey) to settle accounts with Druidism once and for all. Paulinus led his army across the Menai Strait and massacred the Druids and burnt their sacred groves.

 

While Paulinus was campaigning in Mona, the southeast of Britain rose in revolt under the leadership of Boudica. She was the widow of the recently deceased king of the Iceni, Prasutagus. The Roman historian Tacitus reports that Prasutagus had left a will leaving half his kingdom to Nero in the hope that the remainder would be left untouched. He was wrong. When his will was enforced, Rome[clarification needed] responded by violently seizing the tribe's lands in full. Boudica protested. In consequence, Rome[clarification needed] punished her and her daughters by flogging and rape. In response, the Iceni, joined by the Trinovantes, destroyed the Roman colony at Camulodunum (Colchester) and routed the part of the IXth Legion that was sent to relieve it. Paulinus rode to London (then called Londinium), the rebels' next target, but concluded it could not be defended. Abandoned, it was destroyed, as was Verulamium (St. Albans). Between seventy and eighty thousand people are said to have been killed in the three cities. But Paulinus regrouped with two of the three legions still available to him, chose a battlefield, and, despite being outnumbered by more than twenty to one, defeated the rebels in the Battle of Watling Street. Boudica died not long afterwards, by self-administered poison or by illness. During this time, the Emperor Nero considered withdrawing Roman forces from Britain altogether.

 

There was further turmoil in 69, the "Year of the Four Emperors". As civil war raged in Rome, weak governors were unable to control the legions in Britain, and Venutius of the Brigantes seized his chance. The Romans had previously defended Cartimandua against him, but this time were unable to do so. Cartimandua was evacuated, and Venutius was left in control of the north of the country. After Vespasian secured the empire, his first two appointments as governor, Quintus Petillius Cerialis and Sextus Julius Frontinus, took on the task of subduing the Brigantes and Silures respectively.[38] Frontinus extended Roman rule to all of South Wales, and initiated exploitation of the mineral resources, such as the gold mines at Dolaucothi.

 

In the following years, the Romans conquered more of the island, increasing the size of Roman Britain. Governor Gnaeus Julius Agricola, father-in-law to the historian Tacitus, conquered the Ordovices in 78. With the XX Valeria Victrix legion, Agricola defeated the Caledonians in 84 at the Battle of Mons Graupius, in north-east Scotland. This was the high-water mark of Roman territory in Britain: shortly after his victory, Agricola was recalled from Britain back to Rome, and the Romans initially retired to a more defensible line along the Forth–Clyde isthmus, freeing soldiers badly needed along other frontiers.

 

For much of the history of Roman Britain, a large number of soldiers were garrisoned on the island. This required that the emperor station a trusted senior man as governor of the province. As a result, many future emperors served as governors or legates in this province, including Vespasian, Pertinax, and Gordian I.

 

Roman military organisation in the north

In 84 AD

In 84 AD

 

In 155 AD

In 155 AD

 

Hadrian's Wall, and Antonine Wall

There is no historical source describing the decades that followed Agricola's recall. Even the name of his replacement is unknown. Archaeology has shown that some Roman forts south of the Forth–Clyde isthmus were rebuilt and enlarged; others appear to have been abandoned. By 87 the frontier had been consolidated on the Stanegate. Roman coins and pottery have been found circulating at native settlement sites in the Scottish Lowlands in the years before 100, indicating growing Romanisation. Some of the most important sources for this era are the writing tablets from the fort at Vindolanda in Northumberland, mostly dating to 90–110. These tablets provide evidence for the operation of a Roman fort at the edge of the Roman Empire, where officers' wives maintained polite society while merchants, hauliers and military personnel kept the fort operational and supplied.

 

Around 105 there appears to have been a serious setback at the hands of the tribes of the Picts: several Roman forts were destroyed by fire, with human remains and damaged armour at Trimontium (at modern Newstead, in SE Scotland) indicating hostilities at least at that site.[citation needed] There is also circumstantial evidence that auxiliary reinforcements were sent from Germany, and an unnamed British war of the period is mentioned on the gravestone of a tribune of Cyrene. Trajan's Dacian Wars may have led to troop reductions in the area or even total withdrawal followed by slighting of the forts by the Picts rather than an unrecorded military defeat. The Romans were also in the habit of destroying their own forts during an orderly withdrawal, in order to deny resources to an enemy. In either case, the frontier probably moved south to the line of the Stanegate at the Solway–Tyne isthmus around this time.

 

A new crisis occurred at the beginning of Hadrian's reign): a rising in the north which was suppressed by Quintus Pompeius Falco. When Hadrian reached Britannia on his famous tour of the Roman provinces around 120, he directed an extensive defensive wall, known to posterity as Hadrian's Wall, to be built close to the line of the Stanegate frontier. Hadrian appointed Aulus Platorius Nepos as governor to undertake this work who brought the Legio VI Victrix legion with him from Germania Inferior. This replaced the famous Legio IX Hispana, whose disappearance has been much discussed. Archaeology indicates considerable political instability in Scotland during the first half of the 2nd century, and the shifting frontier at this time should be seen in this context.

 

In the reign of Antoninus Pius (138–161) the Hadrianic border was briefly extended north to the Forth–Clyde isthmus, where the Antonine Wall was built around 142 following the military reoccupation of the Scottish lowlands by a new governor, Quintus Lollius Urbicus.

 

The first Antonine occupation of Scotland ended as a result of a further crisis in 155–157, when the Brigantes revolted. With limited options to despatch reinforcements, the Romans moved their troops south, and this rising was suppressed by Governor Gnaeus Julius Verus. Within a year the Antonine Wall was recaptured, but by 163 or 164 it was abandoned. The second occupation was probably connected with Antoninus's undertakings to protect the Votadini or his pride in enlarging the empire, since the retreat to the Hadrianic frontier occurred not long after his death when a more objective strategic assessment of the benefits of the Antonine Wall could be made. The Romans did not entirely withdraw from Scotland at this time: the large fort at Newstead was maintained along with seven smaller outposts until at least 180.

 

During the twenty-year period following the reversion of the frontier to Hadrian's Wall in 163/4, Rome was concerned with continental issues, primarily problems in the Danubian provinces. Increasing numbers of hoards of buried coins in Britain at this time indicate that peace was not entirely achieved. Sufficient Roman silver has been found in Scotland to suggest more than ordinary trade, and it is likely that the Romans were reinforcing treaty agreements by paying tribute to their implacable enemies, the Picts.

 

In 175, a large force of Sarmatian cavalry, consisting of 5,500 men, arrived in Britannia, probably to reinforce troops fighting unrecorded uprisings. In 180, Hadrian's Wall was breached by the Picts and the commanding officer or governor was killed there in what Cassius Dio described as the most serious war of the reign of Commodus. Ulpius Marcellus was sent as replacement governor and by 184 he had won a new peace, only to be faced with a mutiny from his own troops. Unhappy with Marcellus's strictness, they tried to elect a legate named Priscus as usurper governor; he refused, but Marcellus was lucky to leave the province alive. The Roman army in Britannia continued its insubordination: they sent a delegation of 1,500 to Rome to demand the execution of Tigidius Perennis, a Praetorian prefect who they felt had earlier wronged them by posting lowly equites to legate ranks in Britannia. Commodus met the party outside Rome and agreed to have Perennis killed, but this only made them feel more secure in their mutiny.

 

The future emperor Pertinax (lived 126–193) was sent to Britannia to quell the mutiny and was initially successful in regaining control, but a riot broke out among the troops. Pertinax was attacked and left for dead, and asked to be recalled to Rome, where he briefly succeeded Commodus as emperor in 192.

 

3rd century

The death of Commodus put into motion a series of events which eventually led to civil war. Following the short reign of Pertinax, several rivals for the emperorship emerged, including Septimius Severus and Clodius Albinus. The latter was the new governor of Britannia, and had seemingly won the natives over after their earlier rebellions; he also controlled three legions, making him a potentially significant claimant. His sometime rival Severus promised him the title of Caesar in return for Albinus's support against Pescennius Niger in the east. Once Niger was neutralised, Severus turned on his ally in Britannia; it is likely that Albinus saw he would be the next target and was already preparing for war.

 

Albinus crossed to Gaul in 195, where the provinces were also sympathetic to him, and set up at Lugdunum. Severus arrived in February 196, and the ensuing battle was decisive. Albinus came close to victory, but Severus's reinforcements won the day, and the British governor committed suicide. Severus soon purged Albinus's sympathisers and perhaps confiscated large tracts of land in Britain as punishment. Albinus had demonstrated the major problem posed by Roman Britain. In order to maintain security, the province required the presence of three legions, but command of these forces provided an ideal power base for ambitious rivals. Deploying those legions elsewhere would strip the island of its garrison, leaving the province defenceless against uprisings by the native Celtic tribes and against invasion by the Picts and Scots.

 

The traditional view is that northern Britain descended into anarchy during Albinus's absence. Cassius Dio records that the new Governor, Virius Lupus, was obliged to buy peace from a fractious northern tribe known as the Maeatae. The succession of militarily distinguished governors who were subsequently appointed suggests that enemies of Rome were posing a difficult challenge, and Lucius Alfenus Senecio's report to Rome in 207 describes barbarians "rebelling, over-running the land, taking loot and creating destruction". In order to rebel, of course, one must be a subject – the Maeatae clearly did not consider themselves such. Senecio requested either reinforcements or an Imperial expedition, and Severus chose the latter, despite being 62 years old. Archaeological evidence shows that Senecio had been rebuilding the defences of Hadrian's Wall and the forts beyond it, and Severus's arrival in Britain prompted the enemy tribes to sue for peace immediately. The emperor had not come all that way to leave without a victory, and it is likely that he wished to provide his teenage sons Caracalla and Geta with first-hand experience of controlling a hostile barbarian land.

 

Northern campaigns, 208–211

An invasion of Caledonia led by Severus and probably numbering around 20,000 troops moved north in 208 or 209, crossing the Wall and passing through eastern Scotland on a route similar to that used by Agricola. Harried by punishing guerrilla raids by the northern tribes and slowed by an unforgiving terrain, Severus was unable to meet the Caledonians on a battlefield. The emperor's forces pushed north as far as the River Tay, but little appears to have been achieved by the invasion, as peace treaties were signed with the Caledonians. By 210 Severus had returned to York, and the frontier had once again become Hadrian's Wall. He assumed the title Britannicus but the title meant little with regard to the unconquered north, which clearly remained outside the authority of the Empire. Almost immediately, another northern tribe, the Maeatae, went to war. Caracalla left with a punitive expedition, but by the following year his ailing father had died and he and his brother left the province to press their claim to the throne.

 

As one of his last acts, Severus tried to solve the problem of powerful and rebellious governors in Britain by dividing the province into Britannia Superior and Britannia Inferior. This kept the potential for rebellion in check for almost a century. Historical sources provide little information on the following decades, a period known as the Long Peace. Even so, the number of buried hoards found from this period rises, suggesting continuing unrest. A string of forts were built along the coast of southern Britain to control piracy; and over the following hundred years they increased in number, becoming the Saxon Shore Forts.

 

During the middle of the 3rd century, the Roman Empire was convulsed by barbarian invasions, rebellions and new imperial pretenders. Britannia apparently avoided these troubles, but increasing inflation had its economic effect. In 259 a so-called Gallic Empire was established when Postumus rebelled against Gallienus. Britannia was part of this until 274 when Aurelian reunited the empire.

 

Around the year 280, a half-British officer named Bonosus was in command of the Roman's Rhenish fleet when the Germans managed to burn it at anchor. To avoid punishment, he proclaimed himself emperor at Colonia Agrippina (Cologne) but was crushed by Marcus Aurelius Probus. Soon afterwards, an unnamed governor of one of the British provinces also attempted an uprising. Probus put it down by sending irregular troops of Vandals and Burgundians across the Channel.

 

The Carausian Revolt led to a short-lived Britannic Empire from 286 to 296. Carausius was a Menapian naval commander of the Britannic fleet; he revolted upon learning of a death sentence ordered by the emperor Maximian on charges of having abetted Frankish and Saxon pirates and having embezzled recovered treasure. He consolidated control over all the provinces of Britain and some of northern Gaul while Maximian dealt with other uprisings. An invasion in 288 failed to unseat him and an uneasy peace ensued, with Carausius issuing coins and inviting official recognition. In 293, the junior emperor Constantius Chlorus launched a second offensive, besieging the rebel port of Gesoriacum (Boulogne-sur-Mer) by land and sea. After it fell, Constantius attacked Carausius's other Gallic holdings and Frankish allies and Carausius was usurped by his treasurer, Allectus. Julius Asclepiodotus landed an invasion fleet near Southampton and defeated Allectus in a land battle.

 

Diocletian's reforms

As part of Diocletian's reforms, the provinces of Roman Britain were organized as a diocese governed by a vicarius under a praetorian prefect who, from 318 to 331, was Junius Bassus who was based at Augusta Treverorum (Trier).

 

The vicarius was based at Londinium as the principal city of the diocese. Londinium and Eboracum continued as provincial capitals and the territory was divided up into smaller provinces for administrative efficiency.

 

Civilian and military authority of a province was no longer exercised by one official and the governor was stripped of military command which was handed over to the Dux Britanniarum by 314. The governor of a province assumed more financial duties (the procurators of the Treasury ministry were slowly phased out in the first three decades of the 4th century). The Dux was commander of the troops of the Northern Region, primarily along Hadrian's Wall and his responsibilities included protection of the frontier. He had significant autonomy due in part to the distance from his superiors.

 

The tasks of the vicarius were to control and coordinate the activities of governors; monitor but not interfere with the daily functioning of the Treasury and Crown Estates, which had their own administrative infrastructure; and act as the regional quartermaster-general of the armed forces. In short, as the sole civilian official with superior authority, he had general oversight of the administration, as well as direct control, while not absolute, over governors who were part of the prefecture; the other two fiscal departments were not.

 

The early-4th-century Verona List, the late-4th-century work of Sextus Rufus, and the early-5th-century List of Offices and work of Polemius Silvius all list four provinces by some variation of the names Britannia I, Britannia II, Maxima Caesariensis, and Flavia Caesariensis; all of these seem to have initially been directed by a governor (praeses) of equestrian rank. The 5th-century sources list a fifth province named Valentia and give its governor and Maxima's a consular rank. Ammianus mentions Valentia as well, describing its creation by Count Theodosius in 369 after the quelling of the Great Conspiracy. Ammianus considered it a re-creation of a formerly lost province, leading some to think there had been an earlier fifth province under another name (may be the enigmatic "Vespasiana"), and leading others to place Valentia beyond Hadrian's Wall, in the territory abandoned south of the Antonine Wall.

 

Reconstructions of the provinces and provincial capitals during this period partially rely on ecclesiastical records. On the assumption that the early bishoprics mimicked the imperial hierarchy, scholars use the list of bishops for the 314 Council of Arles. The list is patently corrupt: the British delegation is given as including a Bishop "Eborius" of Eboracum and two bishops "from Londinium" (one de civitate Londinensi and the other de civitate colonia Londinensium). The error is variously emended: Bishop Ussher proposed Colonia, Selden Col. or Colon. Camalodun., and Spelman Colonia Cameloduni (all various names of Colchester); Gale and Bingham offered colonia Lindi and Henry Colonia Lindum (both Lincoln); and Bishop Stillingfleet and Francis Thackeray read it as a scribal error of Civ. Col. Londin. for an original Civ. Col. Leg. II (Caerleon). On the basis of the Verona List, the priest and deacon who accompanied the bishops in some manuscripts are ascribed to the fourth province.

 

In the 12th century, Gerald of Wales described the supposedly metropolitan sees of the early British church established by the legendary SS Fagan and "Duvian". He placed Britannia Prima in Wales and western England with its capital at "Urbs Legionum" (Caerleon); Britannia Secunda in Kent and southern England with its capital at "Dorobernia" (Canterbury); Flavia in Mercia and central England with its capital at "Lundonia" (London); "Maximia" in northern England with its capital at Eboracum (York); and Valentia in "Albania which is now Scotland" with its capital at St Andrews. Modern scholars generally dispute the last: some place Valentia at or beyond Hadrian's Wall but St Andrews is beyond even the Antonine Wall and Gerald seems to have simply been supporting the antiquity of its church for political reasons.

 

A common modern reconstruction places the consular province of Maxima at Londinium, on the basis of its status as the seat of the diocesan vicarius; places Prima in the west according to Gerald's traditional account but moves its capital to Corinium of the Dobunni (Cirencester) on the basis of an artifact recovered there referring to Lucius Septimius, a provincial rector; places Flavia north of Maxima, with its capital placed at Lindum Colonia (Lincoln) to match one emendation of the bishops list from Arles;[d] and places Secunda in the north with its capital at Eboracum (York). Valentia is placed variously in northern Wales around Deva (Chester); beside Hadrian's Wall around Luguvalium (Carlisle); and between the walls along Dere Street.

 

4th century

Emperor Constantius returned to Britain in 306, despite his poor health, with an army aiming to invade northern Britain, the provincial defences having been rebuilt in the preceding years. Little is known of his campaigns with scant archaeological evidence, but fragmentary historical sources suggest he reached the far north of Britain and won a major battle in early summer before returning south. His son Constantine (later Constantine the Great) spent a year in northern Britain at his father's side, campaigning against the Picts beyond Hadrian's Wall in the summer and autumn. Constantius died in York in July 306 with his son at his side. Constantine then successfully used Britain as the starting point of his march to the imperial throne, unlike the earlier usurper, Albinus.

 

In the middle of the century, the province was loyal for a few years to the usurper Magnentius, who succeeded Constans following the latter's death. After the defeat and death of Magnentius in the Battle of Mons Seleucus in 353, Constantius II dispatched his chief imperial notary Paulus Catena to Britain to hunt down Magnentius's supporters. The investigation deteriorated into a witch-hunt, which forced the vicarius Flavius Martinus to intervene. When Paulus retaliated by accusing Martinus of treason, the vicarius attacked Paulus with a sword, with the aim of assassinating him, but in the end he committed suicide.

 

As the 4th century progressed, there were increasing attacks from the Saxons in the east and the Scoti (Irish) in the west. A series of forts had been built, starting around 280, to defend the coasts, but these preparations were not enough when, in 367, a general assault of Saxons, Picts, Scoti and Attacotti, combined with apparent dissension in the garrison on Hadrian's Wall, left Roman Britain prostrate. The invaders overwhelmed the entire western and northern regions of Britannia and the cities were sacked. This crisis, sometimes called the Barbarian Conspiracy or the Great Conspiracy, was settled by Count Theodosius from 368 with a string of military and civil reforms. Theodosius crossed from Bononia (Boulogne-sur-Mer) and marched on Londinium where he began to deal with the invaders and made his base.[ An amnesty was promised to deserters which enabled Theodosius to regarrison abandoned forts. By the end of the year Hadrian's Wall was retaken and order returned. Considerable reorganization was undertaken in Britain, including the creation of a new province named Valentia, probably to better address the state of the far north. A new Dux Britanniarum was appointed, Dulcitius, with Civilis to head a new civilian administration.

 

Another imperial usurper, Magnus Maximus, raised the standard of revolt at Segontium (Caernarfon) in north Wales in 383, and crossed the English Channel. Maximus held much of the western empire, and fought a successful campaign against the Picts and Scots around 384. His continental exploits required troops from Britain, and it appears that forts at Chester and elsewhere were abandoned in this period, triggering raids and settlement in north Wales by the Irish. His rule was ended in 388, but not all the British troops may have returned: the Empire's military resources were stretched to the limit along the Rhine and Danube. Around 396 there were more barbarian incursions into Britain. Stilicho led a punitive expedition. It seems peace was restored by 399, and it is likely that no further garrisoning was ordered; by 401 more troops were withdrawn, to assist in the war against Alaric I.

 

End of Roman rule

The traditional view of historians, informed by the work of Michael Rostovtzeff, was of a widespread economic decline at the beginning of the 5th century. Consistent archaeological evidence has told another story, and the accepted view is undergoing re-evaluation. Some features are agreed: more opulent but fewer urban houses, an end to new public building and some abandonment of existing ones, with the exception of defensive structures, and the widespread formation of "dark earth" deposits indicating increased horticulture within urban precincts. Turning over the basilica at Silchester to industrial uses in the late 3rd century, doubtless officially condoned, marks an early stage in the de-urbanisation of Roman Britain.

 

The abandonment of some sites is now believed to be later than had been thought. Many buildings changed use but were not destroyed. There was a growing number of barbarian attacks, but these targeted vulnerable rural settlements rather than towns. Some villas such as Chedworth, Great Casterton in Rutland and Hucclecote in Gloucestershire had new mosaic floors laid around this time, suggesting that economic problems may have been limited and patchy. Many suffered some decay before being abandoned in the 5th century; the story of Saint Patrick indicates that villas were still occupied until at least 430. Exceptionally, new buildings were still going up in this period in Verulamium and Cirencester. Some urban centres, for example Canterbury, Cirencester, Wroxeter, Winchester and Gloucester, remained active during the 5th and 6th centuries, surrounded by large farming estates.

 

Urban life had generally grown less intense by the fourth quarter of the 4th century, and coins minted between 378 and 388 are very rare, indicating a likely combination of economic decline, diminishing numbers of troops, problems with the payment of soldiers and officials or with unstable conditions during the usurpation of Magnus Maximus 383–87. Coinage circulation increased during the 390s, but never attained the levels of earlier decades. Copper coins are very rare after 402, though minted silver and gold coins from hoards indicate they were still present in the province even if they were not being spent. By 407 there were very few new Roman coins going into circulation, and by 430 it is likely that coinage as a medium of exchange had been abandoned. Mass-produced wheel thrown pottery ended at approximately the same time; the rich continued to use metal and glass vessels, while the poor made do with humble "grey ware" or resorted to leather or wooden containers.

 

Sub-Roman Britain

Towards the end of the 4th century Roman rule in Britain came under increasing pressure from barbarian attacks. Apparently, there were not enough troops to mount an effective defence. After elevating two disappointing usurpers, the army chose a soldier, Constantine III, to become emperor in 407. He crossed to Gaul but was defeated by Honorius; it is unclear how many troops remained or ever returned, or whether a commander-in-chief in Britain was ever reappointed. A Saxon incursion in 408 was apparently repelled by the Britons, and in 409 Zosimus records that the natives expelled the Roman civilian administration. Zosimus may be referring to the Bacaudic rebellion of the Breton inhabitants of Armorica since he describes how, in the aftermath of the revolt, all of Armorica and the rest of Gaul followed the example of the Brettaniai. A letter from Emperor Honorius in 410 has traditionally been seen as rejecting a British appeal for help, but it may have been addressed to Bruttium or Bologna. With the imperial layers of the military and civil government gone, administration and justice fell to municipal authorities, and local warlords gradually emerged all over Britain, still utilizing Romano-British ideals and conventions. Historian Stuart Laycock has investigated this process and emphasised elements of continuity from the British tribes in the pre-Roman and Roman periods, through to the native post-Roman kingdoms.

 

In British tradition, pagan Saxons were invited by Vortigern to assist in fighting the Picts, Scoti, and Déisi. (Germanic migration into Roman Britannia may have begun much earlier. There is recorded evidence, for example, of Germanic auxiliaries supporting the legions in Britain in the 1st and 2nd centuries.) The new arrivals rebelled, plunging the country into a series of wars that eventually led to the Saxon occupation of Lowland Britain by 600. Around this time, many Britons fled to Brittany (hence its name), Galicia and probably Ireland. A significant date in sub-Roman Britain is the Groans of the Britons, an unanswered appeal to Aetius, leading general of the western Empire, for assistance against Saxon invasion in 446. Another is the Battle of Deorham in 577, after which the significant cities of Bath, Cirencester and Gloucester fell and the Saxons reached the western sea.

 

Historians generally reject the historicity of King Arthur, who is supposed to have resisted the Anglo-Saxon conquest according to later medieval legends.

 

Trade

During the Roman period Britain's continental trade was principally directed across the Southern North Sea and Eastern Channel, focusing on the narrow Strait of Dover, with more limited links via the Atlantic seaways. The most important British ports were London and Richborough, whilst the continental ports most heavily engaged in trade with Britain were Boulogne and the sites of Domburg and Colijnsplaat at the mouth of the river Scheldt. During the Late Roman period it is likely that the shore forts played some role in continental trade alongside their defensive functions.

 

Exports to Britain included: coin; pottery, particularly red-gloss terra sigillata (samian ware) from southern, central and eastern Gaul, as well as various other wares from Gaul and the Rhine provinces; olive oil from southern Spain in amphorae; wine from Gaul in amphorae and barrels; salted fish products from the western Mediterranean and Brittany in barrels and amphorae; preserved olives from southern Spain in amphorae; lava quern-stones from Mayen on the middle Rhine; glass; and some agricultural products. Britain's exports are harder to detect archaeologically, but will have included metals, such as silver and gold and some lead, iron and copper. Other exports probably included agricultural products, oysters and salt, whilst large quantities of coin would have been re-exported back to the continent as well.

 

These products moved as a result of private trade and also through payments and contracts established by the Roman state to support its military forces and officials on the island, as well as through state taxation and extraction of resources. Up until the mid-3rd century, the Roman state's payments appear to have been unbalanced, with far more products sent to Britain, to support its large military force (which had reached c. 53,000 by the mid-2nd century), than were extracted from the island.

 

It has been argued that Roman Britain's continental trade peaked in the late 1st century AD and thereafter declined as a result of an increasing reliance on local products by the population of Britain, caused by economic development on the island and by the Roman state's desire to save money by shifting away from expensive long-distance imports. Evidence has been outlined that suggests that the principal decline in Roman Britain's continental trade may have occurred in the late 2nd century AD, from c. 165 AD onwards. This has been linked to the economic impact of contemporary Empire-wide crises: the Antonine Plague and the Marcomannic Wars.

 

From the mid-3rd century onwards, Britain no longer received such a wide range and extensive quantity of foreign imports as it did during the earlier part of the Roman period; vast quantities of coin from continental mints reached the island, whilst there is historical evidence for the export of large amounts of British grain to the continent during the mid-4th century. During the latter part of the Roman period British agricultural products, paid for by both the Roman state and by private consumers, clearly played an important role in supporting the military garrisons and urban centres of the northwestern continental Empire. This came about as a result of the rapid decline in the size of the British garrison from the mid-3rd century onwards (thus freeing up more goods for export), and because of 'Germanic' incursions across the Rhine, which appear to have reduced rural settlement and agricultural output in northern Gaul.

 

Economy

Mineral extraction sites such as the Dolaucothi gold mine were probably first worked by the Roman army from c. 75, and at some later stage passed to civilian operators. The mine developed as a series of opencast workings, mainly by the use of hydraulic mining methods. They are described by Pliny the Elder in his Natural History in great detail. Essentially, water supplied by aqueducts was used to prospect for ore veins by stripping away soil to reveal the bedrock. If veins were present, they were attacked using fire-setting and the ore removed for comminution. The dust was washed in a small stream of water and the heavy gold dust and gold nuggets collected in riffles. The diagram at right shows how Dolaucothi developed from c. 75 through to the 1st century. When opencast work was no longer feasible, tunnels were driven to follow the veins. The evidence from the site shows advanced technology probably under the control of army engineers.

 

The Wealden ironworking zone, the lead and silver mines of the Mendip Hills and the tin mines of Cornwall seem to have been private enterprises leased from the government for a fee. Mining had long been practised in Britain (see Grimes Graves), but the Romans introduced new technical knowledge and large-scale industrial production to revolutionise the industry. It included hydraulic mining to prospect for ore by removing overburden as well as work alluvial deposits. The water needed for such large-scale operations was supplied by one or more aqueducts, those surviving at Dolaucothi being especially impressive. Many prospecting areas were in dangerous, upland country, and, although mineral exploitation was presumably one of the main reasons for the Roman invasion, it had to wait until these areas were subdued.

 

By the 3rd and 4th centuries, small towns could often be found near villas. In these towns, villa owners and small-scale farmers could obtain specialist tools. Lowland Britain in the 4th century was agriculturally prosperous enough to export grain to the continent. This prosperity lay behind the blossoming of villa building and decoration that occurred between AD 300 and 350.

 

Britain's cities also consumed Roman-style pottery and other goods, and were centres through which goods could be distributed elsewhere. At Wroxeter in Shropshire, stock smashed into a gutter during a 2nd-century fire reveals that Gaulish samian ware was being sold alongside mixing bowls from the Mancetter-Hartshill industry of the West Midlands. Roman designs were most popular, but rural craftsmen still produced items derived from the Iron Age La Tène artistic traditions. Britain was home to much gold, which attracted Roman invaders. By the 3rd century, Britain's economy was diverse and well established, with commerce extending into the non-Romanised north.

 

Government

Further information: Governors of Roman Britain, Roman client kingdoms in Britain, and Roman auxiliaries in Britain

Under the Roman Empire, administration of peaceful provinces was ultimately the remit of the Senate, but those, like Britain, that required permanent garrisons, were placed under the Emperor's control. In practice imperial provinces were run by resident governors who were members of the Senate and had held the consulship. These men were carefully selected, often having strong records of military success and administrative ability. In Britain, a governor's role was primarily military, but numerous other tasks were also his responsibility, such as maintaining diplomatic relations with local client kings, building roads, ensuring the public courier system functioned, supervising the civitates and acting as a judge in important legal cases. When not campaigning, he would travel the province hearing complaints and recruiting new troops.

 

To assist him in legal matters he had an adviser, the legatus juridicus, and those in Britain appear to have been distinguished lawyers perhaps because of the challenge of incorporating tribes into the imperial system and devising a workable method of taxing them. Financial administration was dealt with by a procurator with junior posts for each tax-raising power. Each legion in Britain had a commander who answered to the governor and, in time of war, probably directly ruled troublesome districts. Each of these commands carried a tour of duty of two to three years in different provinces. Below these posts was a network of administrative managers covering intelligence gathering, sending reports to Rome, organising military supplies and dealing with prisoners. A staff of seconded soldiers provided clerical services.

 

Colchester was probably the earliest capital of Roman Britain, but it was soon eclipsed by London with its strong mercantile connections. The different forms of municipal organisation in Britannia were known as civitas (which were subdivided, amongst other forms, into colonies such as York, Colchester, Gloucester and Lincoln and municipalities such as Verulamium), and were each governed by a senate of local landowners, whether Brythonic or Roman, who elected magistrates concerning judicial and civic affairs. The various civitates sent representatives to a yearly provincial council in order to profess loyalty to the Roman state, to send direct petitions to the Emperor in times of extraordinary need, and to worship the imperial cult.

 

Demographics

Roman Britain had an estimated population between 2.8 million and 3 million people at the end of the second century. At the end of the fourth century, it had an estimated population of 3.6 million people, of whom 125,000 consisted of the Roman army and their families and dependents.[80] The urban population of Roman Britain was about 240,000 people at the end of the fourth century. The capital city of Londinium is estimated to have had a population of about 60,000 people. Londinium was an ethnically diverse city with inhabitants from the Roman Empire, including natives of Britannia, continental Europe, the Middle East, and North Africa. There was also cultural diversity in other Roman-British towns, which were sustained by considerable migration, from Britannia and other Roman territories, including continental Europe, Roman Syria, the Eastern Mediterranean and North Africa. In a study conducted in 2012, around 45 percent of sites investigated dating from the Roman period had at least one individual of North African origin.

 

Town and country

During their occupation of Britain the Romans founded a number of important settlements, many of which survive. The towns suffered attrition in the later 4th century, when public building ceased and some were abandoned to private uses. Place names survived the deurbanised Sub-Roman and early Anglo-Saxon periods, and historiography has been at pains to signal the expected survivals, but archaeology shows that a bare handful of Roman towns were continuously occupied. According to S.T. Loseby, the very idea of a town as a centre of power and administration was reintroduced to England by the Roman Christianising mission to Canterbury, and its urban revival was delayed to the 10th century.

 

Roman towns can be broadly grouped in two categories. Civitates, "public towns" were formally laid out on a grid plan, and their role in imperial administration occasioned the construction of public buildings. The much more numerous category of vici, "small towns" grew on informal plans, often round a camp or at a ford or crossroads; some were not small, others were scarcely urban, some not even defended by a wall, the characteristic feature of a place of any importance.

 

Cities and towns which have Roman origins, or were extensively developed by them are listed with their Latin names in brackets; civitates are marked C

 

Alcester (Alauna)

Alchester

Aldborough, North Yorkshire (Isurium Brigantum) C

Bath (Aquae Sulis) C

Brough (Petuaria) C

Buxton (Aquae Arnemetiae)

Caerleon (Isca Augusta) C

Caernarfon (Segontium) C

Caerwent (Venta Silurum) C

Caister-on-Sea C

Canterbury (Durovernum Cantiacorum) C

Carlisle (Luguvalium) C

Carmarthen (Moridunum) C

Chelmsford (Caesaromagus)

Chester (Deva Victrix) C

Chester-le-Street (Concangis)

Chichester (Noviomagus Reginorum) C

Cirencester (Corinium) C

Colchester (Camulodunum) C

Corbridge (Coria) C

Dorchester (Durnovaria) C

Dover (Portus Dubris)

Exeter (Isca Dumnoniorum) C

Gloucester (Glevum) C

Great Chesterford (the name of this vicus is unknown)

Ilchester (Lindinis) C

Leicester (Ratae Corieltauvorum) C

Lincoln (Lindum Colonia) C

London (Londinium) C

Manchester (Mamucium) C

Newcastle upon Tyne (Pons Aelius)

Northwich (Condate)

St Albans (Verulamium) C

Silchester (Calleva Atrebatum) C

Towcester (Lactodurum)

Whitchurch (Mediolanum) C

Winchester (Venta Belgarum) C

Wroxeter (Viroconium Cornoviorum) C

York (Eboracum) C

 

Religion

The druids, the Celtic priestly caste who were believed to originate in Britain, were outlawed by Claudius, and in 61 they vainly defended their sacred groves from destruction by the Romans on the island of Mona (Anglesey). Under Roman rule the Britons continued to worship native Celtic deities, such as Ancasta, but often conflated with their Roman equivalents, like Mars Rigonemetos at Nettleham.

 

The degree to which earlier native beliefs survived is difficult to gauge precisely. Certain European ritual traits such as the significance of the number 3, the importance of the head and of water sources such as springs remain in the archaeological record, but the differences in the votive offerings made at the baths at Bath, Somerset, before and after the Roman conquest suggest that continuity was only partial. Worship of the Roman emperor is widely recorded, especially at military sites. The founding of a Roman temple to Claudius at Camulodunum was one of the impositions that led to the revolt of Boudica. By the 3rd century, Pagans Hill Roman Temple in Somerset was able to exist peaceably and it did so into the 5th century.

 

Pagan religious practices were supported by priests, represented in Britain by votive deposits of priestly regalia such as chain crowns from West Stow and Willingham Fen.

 

Eastern cults such as Mithraism also grew in popularity towards the end of the occupation. The London Mithraeum is one example of the popularity of mystery religions among the soldiery. Temples to Mithras also exist in military contexts at Vindobala on Hadrian's Wall (the Rudchester Mithraeum) and at Segontium in Roman Wales (the Caernarfon Mithraeum).

 

Christianity

It is not clear when or how Christianity came to Britain. A 2nd-century "word square" has been discovered in Mamucium, the Roman settlement of Manchester. It consists of an anagram of PATER NOSTER carved on a piece of amphora. There has been discussion by academics whether the "word square" is a Christian artefact, but if it is, it is one of the earliest examples of early Christianity in Britain. The earliest confirmed written evidence for Christianity in Britain is a statement by Tertullian, c. 200 AD, in which he described "all the limits of the Spains, and the diverse nations of the Gauls, and the haunts of the Britons, inaccessible to the Romans, but subjugated to Christ". Archaeological evidence for Christian communities begins to appear in the 3rd and 4th centuries. Small timber churches are suggested at Lincoln and Silchester and baptismal fonts have been found at Icklingham and the Saxon Shore Fort at Richborough. The Icklingham font is made of lead, and visible in the British Museum. A Roman Christian graveyard exists at the same site in Icklingham. A possible Roman 4th-century church and associated burial ground was also discovered at Butt Road on the south-west outskirts of Colchester during the construction of the new police station there, overlying an earlier pagan cemetery. The Water Newton Treasure is a hoard of Christian silver church plate from the early 4th century and the Roman villas at Lullingstone and Hinton St Mary contained Christian wall paintings and mosaics respectively. A large 4th-century cemetery at Poundbury with its east–west oriented burials and lack of grave goods has been interpreted as an early Christian burial ground, although such burial rites were also becoming increasingly common in pagan contexts during the period.

 

The Church in Britain seems to have developed the customary diocesan system, as evidenced from the records of the Council of Arles in Gaul in 314: represented at the council were bishops from thirty-five sees from Europe and North Africa, including three bishops from Britain, Eborius of York, Restitutus of London, and Adelphius, possibly a bishop of Lincoln. No other early sees are documented, and the material remains of early church structures are far to seek. The existence of a church in the forum courtyard of Lincoln and the martyrium of Saint Alban on the outskirts of Roman Verulamium are exceptional. Alban, the first British Christian martyr and by far the most prominent, is believed to have died in the early 4th century (some date him in the middle 3rd century), followed by Saints Julius and Aaron of Isca Augusta. Christianity was legalised in the Roman Empire by Constantine I in 313. Theodosius I made Christianity the state religion of the empire in 391, and by the 5th century it was well established. One belief labelled a heresy by the church authorities — Pelagianism — was originated by a British monk teaching in Rome: Pelagius lived c. 354 to c. 420/440.

 

A letter found on a lead tablet in Bath, Somerset, datable to c. 363, had been widely publicised as documentary evidence regarding the state of Christianity in Britain during Roman times. According to its first translator, it was written in Wroxeter by a Christian man called Vinisius to a Christian woman called Nigra, and was claimed as the first epigraphic record of Christianity in Britain. This translation of the letter was apparently based on grave paleographical errors, and the text has nothing to do with Christianity, and in fact relates to pagan rituals.

 

Environmental changes

The Romans introduced a number of species to Britain, including possibly the now-rare Roman nettle (Urtica pilulifera), said to have been used by soldiers to warm their arms and legs, and the edible snail Helix pomatia. There is also some evidence they may have introduced rabbits, but of the smaller southern mediterranean type. The European rabbit (Oryctolagus cuniculus) prevalent in modern Britain is assumed to have been introduced from the continent after the Norman invasion of 1066. Box (Buxus sempervirens) is rarely recorded before the Roman period, but becomes a common find in towns and villas

 

Legacy

During their occupation of Britain the Romans built an extensive network of roads which continued to be used in later centuries and many are still followed today. The Romans also built water supply, sanitation and wastewater systems. Many of Britain's major cities, such as London (Londinium), Manchester (Mamucium) and York (Eboracum), were founded by the Romans, but the original Roman settlements were abandoned not long after the Romans left.

 

Unlike many other areas of the Western Roman Empire, the current majority language is not a Romance language, or a language descended from the pre-Roman inhabitants. The British language at the time of the invasion was Common Brittonic, and remained so after the Romans withdrew. It later split into regional languages, notably Cumbric, Cornish, Breton and Welsh. Examination of these languages suggests some 800 Latin words were incorporated into Common Brittonic (see Brittonic languages). The current majority language, English, is based on the languages of the Germanic tribes who migrated to the island from continental Europe

Given that walls down at Leake Street last for just about long enough to grab a photo before someone throws up another piece or they're relentlessly tagged we thought we'd make the most of the ceiling space we had to do a little tagger baiting. If you're good enough and can get up to the ceiling to throw your tag up then you’re in, it’s as simple as that! We don’t mess about. This is ironclad!

 

As a side note I'm not entirely sure why we thought it would be at all easy to put lettering on a curved ceiling. But at least we managed to get there in the end. It's pretty tricky to get a decent photo though...

 

Cheers

 

id-iom

Given to Mr. Carlo Zanotta (Gregario of Gastone Nencini) from Aldo Moser, older brother of Francesco. This was in december 84. Bike is nr. 006 with gold / silver palque saying what i just said.

Will be selling the bike on ebay during this december 2011

seller iD

vintagespeedbicycles

Given the day when I took these, I couldn't resist... Composite of three other images (check my Photostream for those)

pens given as part of the Visual Libraries Project.

 

COPIC, RHODIA, Seawhite, Portsmouth City Council, University of Portsmouth

Svetlana had been tracking the target for a month, ever since Agent Vanessa had given her the order.

 

Now the permission for the assassination had been confirmed.

 

Svetlana wore a nice dress for the mission, with a belt, one of those she receives from France through Josephine. The woman tied a headscarf on her head, not in the Russian style, but in the Eastern style, put on black leather gloves, and covered her face with glasses.

 

At 21:14, the girl drove up to a house in the city center. The house was luxurious, built during Stalin's time.

 

Luckily, there was no concierge, and Sveta quickly went up to the floor of the house and pulled on the second, white gloves.

 

"Hmm, the lock has a secret," the woman said. "What a fool!"

 

Opening the Soviet "lock with a secret" was as easy for Svetlana as any other, it just took 10 seconds longer. Having made sure that there were no strangers on the stairs, the girl picked the lock and put the master keys in her purse.

Opening the door, Svetdana took out a flashlight and a revolver, not registered anywhere, which the agent had given her for the murder.

 

Sveta saw the light in the living room and went in.

 

The dissident, all black-haired and a scoundrel, was sprawled in a chair, reading an illegal newspaper.

Seeing the armed girl, he screamed:

- Who are you? Should I call the police now?

- And they won't help you! Sit down! - the girl smiled.

 

At that moment, the dissident's fat wife entered, screamed, wanted to run away, but Sveta deftly pointed the revolver at her.

- Stop! In the chair, quickly, fat woman!

Sobbing, the woman sat down in the chair.

- Do you have children, freaks? Svetlana asked.

- Don't kill the child, she's the only daughter, the man begged.

- Call her here, or I'll find her myself and blow your brains out!

- Sarah!... the woman screamed through her tears.

 

A dark-haired, plump schoolgirl of about 12 years old entered.

- So, girl, where do mom and dad hide the jewelry? Sveta asked smiling.

The girl with the rhinestone stared at the revolver, a puddle formed under her pants.

 

- Yeah, she's wet herself! Sveta burst out laughing - and now give me the money quickly! Otherwise I'll kill everyone, every minute!

 

The woman and the girl fearfully pulled out several boxes of gold and pearls from the sideboard, as well as several packs of Soviet rubles and German marks.

 

- Put everything here! said the robber, grabbing the briefcase standing on the floor and throwing it to the frightened and tearful ladies.

 

At that moment the man tried to rush to the curtain (yeah, where the gun was hidden, Sveta immediately realized) and Svetlana shot him dead with two shots to the head. The women screamed and rushed to the man's body.

- Well, no problem, no problem, bitch! Sveta screamed, she will know better than to disobey me!

 

The women, all in tears, looked at the killer with fear and anger. Svetal grabbed the briefcase and made a move as if she wanted to shoot the girl.

- Puck! - Sveta laughed - okay, bitches, live!

 

Sveta flew out of the apartment like a bullet and quickly jumped into the car.

Given to us by the late, much missed David Bonavia of The Times, about 1982. Made in Tangshan 唐山瓷 on back.

An arrangement of ZX Spectrum related objects including cassettes, manuals, and joysticks.

 

Still works! This was the first game console, computer even, I ever owned. The Sinclair ZX Spectrum+ was released in 1984 before I was born. I was given this in first school, probably around 1992. Ghostbusters was clearly my favourite game.

St Laurence's Church, a Grade I Listed building and the largest parish church in Ludlow, Shropshire. It was one of only 18 churches given a five-star rating in England's Thousand Greatest Churches by Simon Jenkins (1999) and is described as the "cathedral of the Marches". It is the 13th most popular free visitor attraction in the West Midlands, with 70,000 visitors per year.

 

The parish church was established as a place of worship in association with the founding of Ludlow by the Normans in the late 11th century. It is situated atop the hill around which the medieval town developed. The church was rebuilt in the year 1199 and has had several later additions and modifications. The tower is 135 feet (41 metres) high and commands expansive views of the town and surrounding countryside. Notable features include an extensive set of misericords in the choir stalls as well as fine stained glass windows.

 

Original Norman traces were found beneath the south porch, indicating some extant foundations exist from the 11th century AD. After its initial construction the church was expanded and rebuilt in 1199 to accommodate a growing town population. In the late Middle Ages considerable wealth accrued to the town based upon the wool trade. Correspondingly the church underwent several further additions in that era. The major works occurred between 1433 and 1471 with a virtual re-building of the nave, tower and chancel elements. The tower took on a Perpendicular style which was the preferred style of the late 15th century in England. The Saint John's Chapel on the north side was the chapel of the Palmers Guild, which thrived in the Late Middle Ages. The Palmers' Window within St John's Chapel illustrates the legend of King Edward the Confessor and St John the Evangelist by eight panels and was inspired by the Ludlow Palmers’ 13th century pilgrimage to the Holy Land.

 

In 1540, John Leland called the church very Fayre and large and richly adorned and taken for the Fayrest in all these parts.

 

The large east window of the chancel underwent restoration in the year 1832; this window depicts the martyrdom of St Laurence. The most extensive modern repairs and rehabilitation occurred in the period 1859 to 1861, which consisted primarily of interior modifications. Further major restorations took place between 1870 and 1909, including that on the tower in 1889-91, and to the roof in 1953-59.

 

In February 2013 it was announced that plans to build a new cloister for improved access and facilities on the north side of the church have been dropped. Repairs to the roof and pinnacles will proceed and about £2.5 million will be spent on repairs to stonework and windows. The nave will be reorganised with moveable seating and a biomass boiler will be installed for heating.

 

New Milton is a market town in south west Hampshire, England. ( In 1303, Thomas de Chaucombe was given permission to hold a weekly market on Tuesdays at Milton, as well as an annual fair on the feast day of Mary Magdalene. ) The town has a high street and holds a market every Wednesday. Situated on the edge of the New Forest, the town is about six miles ( 10 km ) west of Lymington town centre and 12 miles ( 19 km ) east of Bournemouth town centre. New Milton dates back to Anglo-Saxon times, and encompasses Old Milton, Barton on Sea, Ashley, Bashley, and Wootton. It is recorded as having a population of around 23,000 in 2001. The traditional village centre of Milton was just south of the church. Up to the 1960's, moated earthworks were still visible next to the road known as Moat Lane. Excavations of these earthworks in 1956 revealed a series of peasant enclosures and hut remains dating from the 9th to the 12th century, but no evidence of a manorial farmstead was found.

The parish church of Milton is dedicated to Mary Magdalene and consists of a chancel with vestry, a nave and a western tower. The medieval church was pulled down and replaced around 1830, although the tower is of an earlier 17th century date. In 1835 a Church of England National School was founded on an island of land near the village green, where children were taught until just after World War I. In 1881, the population of the entire Milton parish was only 1489 people, and Milton was still a small village. The location of the village on the main Christchurch to Lymington road ( now the A 337 ) meant that there were two coaching inns - The Wheatsheaf and The George.

In March 1888 New Milton railway station was opened, which is still in operation today. A new town developed, which expanded rapidly with the coming of the railway and the name New Milton was used for the first time and can originally be traced back to the Post Office that stood opposite the railway station. In 1895, the owner of the Post Office, Emma Newhook, commissioned a sign, which read - New Milton Sub Post Office to differentiate it from the post office in Old Milton. This was officially accepted in 1896, and so the name New Milton caught on. Much of the local farmland has been developed, first in the 1960's for commuter housing and again in the 1970's for small industrial / trade units. There is a mix of housing from cottages on the outskirts to more modern, urban housing in the central area.

Milton village subsequently became known as Old Milton, and lies between New Milton and Barton on Sea. There are a few notable architectural points of interest in the local area. However, a distinctive row of Coast Guard Cottages are to be found in Barton Lane, Barton on Sea, which were built at the end of the 19th century by the Government of the day to house armed guards to try to stop the smuggling that was rife at the time. The Barton on Sea and Mudeford coastline was renowned for smuggling with many of the offshore seaways and routes to shore being named after well known local smuggling families. It was in this context that Frederick Marryat, author of The Children of the New Forest, was sent on patrol here as a young naval lieutenant in 1821, to watch over the Christchurch Bay area. Britain's first reinforced concrete bridge was built in 1901 just outside New Milton at Chewton. There was an earlier experiment in building with this material in its un reinforced form at Sway ( Sway Tower ).

New Milton water tower. Built in 1900 was the Tudor style water tower, which can be found adjacent to the car park in Osborne Road. It has a staircase and is constructed with a turret, slit windows and battlements. It is a striking orange - red colour, was built from locally manufactured bricks. The German Luftwaffe carried out bombing raids on New Milton on the 23rd August 1940, the 8th August 1942 and on January 22nd 1943. The town's water tower was suggested as the target. During the Second World War, New Milton homed evacuees and was a transit station for soldiers going to the battlefields. It also had an army hospital. It was a favourite for the airmen who were based at the nearby airfields at Lymington and Holmsley. The Memorial Centre in Whitefield Road commemorates those who died in the raids, as well as towns people who have died more recently. Bricks can be purchased for inscription and insertion into the wall of the Memorial Room, which stands to the left of the front door and contains mementos saved from the original building, which was destroyed by fire in the 1970's.

Ballard Lake that borders Fernhill Lane and Lake Grove Road, in New Milton is a picturesque area of New Milton that you could spend a hot summers day feeding the many ducks, mallards, geese that live around this lake. A few walks branch out from this lake to stroll along. Seats have been sited from donations from residents who have passed away and serve as a reminder to long lost friends or family. The stream from this lake meanders for many miles in many cases forming picturesque walks further along New Milton.

dated 1557, given by Jean Stouten, who was {or later became?} dean of the cathedral ; see en.wikipedia.org/wiki/Li%C3%A8ge_Cathedral for confusing dates

New Milton is a market town in south west Hampshire, England. ( In 1303, Thomas de Chaucombe was given permission to hold a weekly market on Tuesdays at Milton, as well as an annual fair on the feast day of Mary Magdalene. ) The town has a high street and holds a market every Wednesday. Situated on the edge of the New Forest, the town is about six miles ( 10 km ) west of Lymington town centre and 12 miles ( 19 km ) east of Bournemouth town centre. New Milton dates back to Anglo-Saxon times, and encompasses Old Milton, Barton on Sea, Ashley, Bashley, and Wootton. It is recorded as having a population of around 23,000 in 2001. The traditional village centre of Milton was just south of the church. Up to the 1960's, moated earthworks were still visible next to the road known as Moat Lane. Excavations of these earthworks in 1956 revealed a series of peasant enclosures and hut remains dating from the 9th to the 12th century, but no evidence of a manorial farmstead was found.

The parish church of Milton is dedicated to Mary Magdalene and consists of a chancel with vestry, a nave and a western tower. The medieval church was pulled down and replaced around 1830, although the tower is of an earlier 17th century date. In 1835 a Church of England National School was founded on an island of land near the village green, where children were taught until just after World War I. In 1881, the population of the entire Milton parish was only 1489 people, and Milton was still a small village. The location of the village on the main Christchurch to Lymington road ( now the A 337 ) meant that there were two coaching inns - The Wheatsheaf and The George.

In March 1888 New Milton railway station was opened, which is still in operation today. A new town developed, which expanded rapidly with the coming of the railway and the name New Milton was used for the first time and can originally be traced back to the Post Office that stood opposite the railway station. In 1895, the owner of the Post Office, Emma Newhook, commissioned a sign, which read - New Milton Sub Post Office to differentiate it from the post office in Old Milton. This was officially accepted in 1896, and so the name New Milton caught on. Much of the local farmland has been developed, first in the 1960's for commuter housing and again in the 1970's for small industrial / trade units. There is a mix of housing from cottages on the outskirts to more modern, urban housing in the central area.

Milton village subsequently became known as Old Milton, and lies between New Milton and Barton on Sea. There are a few notable architectural points of interest in the local area. However, a distinctive row of Coast Guard Cottages are to be found in Barton Lane, Barton on Sea, which were built at the end of the 19th century by the Government of the day to house armed guards to try to stop the smuggling that was rife at the time. The Barton on Sea and Mudeford coastline was renowned for smuggling with many of the offshore seaways and routes to shore being named after well known local smuggling families. It was in this context that Frederick Marryat, author of The Children of the New Forest, was sent on patrol here as a young naval lieutenant in 1821, to watch over the Christchurch Bay area. Britain's first reinforced concrete bridge was built in 1901 just outside New Milton at Chewton. There was an earlier experiment in building with this material in its un reinforced form at Sway ( Sway Tower ).

New Milton water tower. Built in 1900 was the Tudor style water tower, which can be found adjacent to the car park in Osborne Road. It has a staircase and is constructed with a turret, slit windows and battlements. It is a striking orange - red colour, was built from locally manufactured bricks. The German Luftwaffe carried out bombing raids on New Milton on the 23rd August 1940, the 8th August 1942 and on January 22nd 1943. The town's water tower was suggested as the target. During the Second World War, New Milton homed evacuees and was a transit station for soldiers going to the battlefields. It also had an army hospital. It was a favourite for the airmen who were based at the nearby airfields at Lymington and Holmsley. The Memorial Centre in Whitefield Road commemorates those who died in the raids, as well as towns people who have died more recently. Bricks can be purchased for inscription and insertion into the wall of the Memorial Room, which stands to the left of the front door and contains mementos saved from the original building, which was destroyed by fire in the 1970's.

Ballard Lake that borders Fernhill Lane and Lake Grove Road, in New Milton is a picturesque area of New Milton that you could spend a hot summers day feeding the many ducks, mallards, geese that live around this lake. A few walks branch out from this lake to stroll along. Seats have been sited from donations from residents who have passed away and serve as a reminder to long lost friends or family. The stream from this lake meanders for many miles in many cases forming picturesque walks further along New Milton.

It's been over a decade since the release of MP-8, otherwise known to you and me as Masterpiece Grimlock. For whatever reason, Grimlock remains the only Dinobot to have been given a glorious Masterpiece form. While you can argue about how well the toy has held up, this was pretty much the only good G1 style Grimlock for the longest time.

 

No.. the Titans Return one was terrible, as was that.. thing that came out of the Energon series.

 

As part of the Studio Series line (which I guess is Hasbro/Takara's "whatever I feel like" line), a subline known as "Studio Series '86" was created, with what looks like sole purpose of creating figures from the 1986 movie. I mean, some of the characters have received new interpretations since 1986, but the modern engineering is a welcome touch.

 

I personally eagerly await a proper Galvatron, but for now, there's been no announcement. But, there's been a few interesting gems, one of which is Grimlock, who comes packed with Wheelie, everyone's favourite character in the movie.

 

The Studio Series Grimlock marks a return to form for the character. Chunky, loveable robot to chunky, lovable T-Rex, then back. No filler or anything exotic.

 

It's hard to say if this toy is a watered down MP like with some of the other recent figures,. After all, it's been a decade. However, I can definitely see the influences, as well as appreciate the improvements made.

 

So the figure retails for $69.99 CAD, or I believe $49.99 USD. Contents are... kind of sparse. You of course get Grimlock himself. Accessory wise, you get his twin barreled gun, a semi fixed pose Wheelie and a cardboard backdrop. His sword doesn't make an appearance here, sadly., let alone all the other fun weapons the 80s toy had.

 

While I recognize that Wheelie and Grimlock were effectively an item in the movie... screw Wheelie.

 

I would have preferred Grimlock to be properly armed.

 

Might as well get Wheelie out of the way. He comes basically ready to either sit, get down Gangnam style, or back his ass up. He's goa slingshot in one hand and his other hand in an accusatory point. He's got five points of six points of articulation - shoulders, hips, waist, and head. So yeah.. he's basically there.

 

Lets talk about the king himself, Grimlock.

 

The robot mode for Grimlock is about the height of MP 44, so just under 10 inches standing. Proportionally, Grimlock looks like a bruiser,, with broad shoulders (inherited from his MP form) and stocky feet (new to the formula). Overall, I'd say this is the MP proportions if they widened his feet and shortened his upper legs. Whether or not this floats your boat is preference, but from a show accuracy perspective nobody really wins, though fortunately they did include the multi coloured shins. Gold chest is as prominent and blocky as ever, and the sculpt is.. well, it's not exactly a hard sculpt to get right. Eyes are blue because, well that's what was in the animation model.

 

Articulation wise, the figure is pretty typical for a mainline Leader figure. Posing wise, tou get ankle side tilts, single jointed knees, thigh twist, standard hips, waist, standard shoulders, bicep swivel, single jointed elbows, wrist, and ball jointed head. An nice improvement to the MP I've see is that Grimlock's "wings" are connected to the body via a double joint, which not only improves durability, but also allows for more posing options when it comes to this part of the body.

 

While we're on the subject of bot mode, those who get upset at hollowness of the figure should be relatively content, as the only hollow spot I can see is the cavity where the fists rotate into.

 

Transformations into T-Rex us pretty straight forward, as was the MP version if I'm being honest. If you've ever handled a G1 Grimlock, this is pretty much the same thing with a few small twists thrown in, One example would be how the tail is now concealed within the back of the leg (from the MP again).

 

T-Rex itself is pretty good. Simplified, colour wise, just like the show model. The dino arms could have used an extra joint or two, especially wrists, but the introduction of the ball jointed shoulders is nice. Like the MP, this T-Rex has the rocket pack moulded into the back. No tail articulation is present, and due to the way the bicep snap out of the shoulders to form the knees of the T-Rex, holding some poses in dino mode may prove to be troublesome. On the plus side, his dino head has been beautifully created, and given an opening mouth and a turning neck.

 

Paint wise, the set actually isn't bad. As usual, there isn't much actual paint - on Grimlock you've got the golds, the multi coloured shins, the blues of the eyes and a red stripe on the outside of the wings. Wheelie, strangely, has much more paint cover, with basically anything that isn't black, matte grey, or that slingshot being covered in paint. Actual paint apps themselves aren't going to win any awards, but they are clean and crisp. I am especially happy with how smooth the gold paint applications on Grimlock are. Tampos (limited to the Autobot sigils) are sharply printed and applied.

 

While Grimlock doesn't look hollow, he certainly feels it. In a way it helps as this probably allows for easier posing. Wheelie, on the other hand, feels very solid. Still, Grimlock gets the job done, and it isn't like he feels fragile or can't take play testing. It's probably the same stuff everything else is made from these days, and is stiff enough to allow for some nice mechanical detailing. Joints are solid and will get the job done. There are no rough finishes on the parts nor did I encounter anything that I would call a QC issue, though there are instances where the thinness of the parts makes holding things in place a bit challenging. All-in-all what you'd expect from something you can get at your local big box store.

 

It's nice to see that the Studio Series continues to exhibit the generally good production values of the mainline , and it's especially nice to finally get a competent G1 Grimlock that can be played with, albeit under armed. Hopefully Hasbro/Takara will finish the line off and give us all five Dinobots and wash the terrible aftertaste of the combiner out of my mouth.

Kgl. Bayer. 5. Infanterie-Regt. Großherzog Ernst Ludwig von Hessen

(Bamberg) II Bayer. Armee-Korps

If you've never heard of Orange County, let our Mombassador Debbie Givens tell you why you need to visit (Dinseyland is only one of the great things it has to offer!). Let Debbie plan your trip to OC 1. Tell us about life in Orange County. I think of Orange County as a "suburban paradise." It

 

momaboard.livejournal.com/6958.html

This was given to me as a gift from a co-worker - they have been in his family for years. I used Paint Shop Pro to adjust the contrast - thee original had darkened over time. It is a beautiful portrait. The young lady appears to be holding a glass and wearing a sash with a flower on it, with lace in her hair. Time period would be mid 1800s. The original may have been hand tinted- I am sure it was.

LOS ANGELES – A 14-year-old teen who suffered a sudden cardiac arrest and was given life-saving emergency medical treatment will re-unite at a Venice fire station with the Los Angeles Fire Department (LAFD) Firefighter/Paramedics who saved him.

 

The survivor, 14-year-old Jacob Perez, experienced this dire medical emergency while on a baseball field in Venice on March 13. An LAFD Firefighter/Paramedic dispatcher provided initial bystander CPR instructions over the phone to the 911 caller and quickly dispatched EMS resources to the incident. Upon their arrival, LAFD Firefighter/Paramedics implemented advanced life support measures and Jacob eventually regained consciousness and was transported to a local hospital. After a short stay, he made a full recovery.

 

Jacob and his family met and thanked his LAFD rescuers at Fire Station 63 in Venice, California at a press conference on Saturday, April 17, 2021.

 

Photo Use Permitted via Creative Commons - Credit: LAFD Photo | Kevin Johnson

 

LAFD Incident: 031121-0713

 

Connect with us: LAFD.ORG | News | Facebook | Instagram | Reddit | Twitter: @LAFD @LAFDtalk

Given to me by a friendly man at the local railway museum in Oswestry. My ancestors came from Oswestry pre 1850 so I'm pleased to own this.

I was given a challenge by Hot Wheels Mattel to bring my fastest Hot Wheel to race on their secret track in El Segundo Mattel Hot Wheels head quarters and Design center. I raced 112 Hot Wheels and it came down to these top 4 in the finals. Great excuse to play with my Hot Wheels, lol.

My top 4 fastest Hot Wheels that will be going to the finals a the Hot Wheels HQ secret track.

1st (Made in 1969) Mongoose dragster Redline.

2nd (Made in 1974) Ford Grand Torino gold wheels.

3rd (Made in 2008) 1970 Buick G5X.

4th (Made in 1993) 1969 Olds Cutlass.

 

The Cutlass and Grand Torino are both my favorites and glad they made the finals to go and race with me at Hot Wheels head quarters.

 

Mattel Hot Wheels called me today and they are excited as I am. They said that no one really gets clearances to go into the Hot Wheels design center and not even some of their Mattel employees and that I'm very lucky. I told him just like Willy Wonka the Golden ticket. He said "Yeah just like that and I never thought of it that way." he said.

 

Info on my mission #3 to Hot Wheels HQ

www.fiestamovement.com/missions/view/265

FOX SPARROW (Passerella iliaca), tree farm just north of Everett STP (Sewage Treatment Plant), Everett, SNOHOMISH CO, WA, January 2, 2016. Originally claimed as schistacea, but I find myself agreeing with Charlie previous, though some cross with a Red form seems entirely possible given rufescence in crown and a bit on breast spots. Note entirely gray upperparts except subtle brownish crown, dark streaks, somewhat finer than in other forms.

This checklist would have given step by step instructions to the Apollo 13 astronauts as they prepared to explore the lunar surface. However, plans for a Moon landing were abandoned after an explosion in the service module. Had the mission gone as planned, this checklist would have bene discarded on the Moon. Instead it was signed by all three crewmembers and given to Scott Millicon, the author of the checklist as a "thank you" for his support.

 

Space Center Houston is the official visitor center of NASA Johnson Space Center and a Smithsonian Affiliate Museum owned and operated by the nonprofit Manned Spaceflight Education Foundation. The center opened in 1992 and hosts more than 1 million visitors annually in its 250,000-square-foot educational complex with over 400 space artifacts, permanent and traveling exhibits, attractions, live shows and theaters dedicated to preserving the history of America's human spaceflight program.

 

The Lyndon B. Johnson Space Center (JSC) is the National Aeronautics and Space Administration's Manned Spacecraft Center, where human spaceflight training, research, and flight control are conducted. Construction of the center, designed by Charles Luckman, began in 1962 and the 1,620-acre facility officially opened for business in September 1963. The center is home to NASA's astronaut corps, and is responsible for training astronauts from both the U.S. and its international partners. It has become popularly known for its flight control function, identified as "Mission Control" during the Gemini, Apollo, Skylab, Apollo–Soyuz, and Space Shuttle program flights. It is also the site of the former Lunar Receiving Laboratory, where the first astronauts returning from the Moon were quarantined, and where the majority of lunar samples are stored.

Given the surplus of the e-thots, the big sales are coming this year!

A Personal Project

At the start of this semester i got given a grid square in Stoke-On-Trent in which i could do a project on what ever i wanted, i could also change my mind, the square i had in the end was very empty just being green field, images can be seen at (on.fb.me/15muAVO),

I did enquire about changing my grid square to this one my house mate found this location on a walk and said it was very beautiful and interesting, i really wanted to take images of the location due to my heritage of my Nan and grandad AKA Pap were brought up on the boats and worked to supplying coal to factories and mainly because Pap recently passed away a couple of weeks before.

 

At the end of the semester i went to the location because i really wanted to take the images due to my feeling to the area, i told my nan about yeah i was taking images in stoke of the canal lovely place explained it and she told me a couple of storys about cruising up the potteries. A couple of weeks later when i go to see my nan she gets out some photos, which i normally look at when i go around to see if theres any more added or anything, she pulls out the photos which i looked at not just a week before and goes

 

"Is this where your on about'" See picture - (www.dropbox.com/s/x0mc5z7u5dcyjnt/img145.jpg)

I look in the background of the photo and was astonished just a week before i was at the same location.

 

It's brought a more close and an emotional feel to these pictures when I've been recently editing them.

  

Forget-Me-Not

x

A mural is any piece of artwork painted or applied directly on a wall, ceiling or other large permanent surface. A distinguishing characteristic of mural painting is that the architectural elements of the given space are harmoniously incorporated into the picture.

 

Some wall paintings are painted on large canvases, which are then attached to the wall (e.g., with marouflage). Whether these works can be accurately called "murals" is a subject of some controversy in the art world, but the technique has been in common use since the late 19th century.

 

HISTORY

Murals of sorts date to Upper Paleolithic times such as the paintings in the Chauvet Cave in Ardèche department of southern France (around 30,000 BC). Many ancient murals have survived in Egyptian tombs (around 3150 BC), the Minoan palaces (Middle period III of the Neopalatial period, 1700-1600 BC) and in Pompeii (around 100 BC - AD 79).

 

During the Middle Ages murals were usually executed on dry plaster (secco). In Italy, circa 1300, the technique of painting of frescos on wet plaster was reintroduced and led to a significant increase in the quality of mural painting.

 

In modern times, the term became more well-known with the Mexican "muralista" art movement (Diego Rivera, David Siqueiros, or José Orozco). There are many different styles and techniques. The best-known is probably fresco, which uses water-soluble paints with a damp lime wash, a rapid use of the resulting mixture over a large surface, and often in parts (but with a sense of the whole). The colors lighten as they dry. The marouflage method has also been used for millennia.

 

Murals today are painted in a variety of ways, using oil or water-based media. The styles can vary from abstract to trompe-l'œil (a French term for "fool" or "trick the eye"). Initiated by the works of mural artists like Graham Rust or Rainer Maria Latzke in the 1980s, trompe-l'oeil painting has experienced a renaissance in private and public buildings in Europe. Today, the beauty of a wall mural has become much more widely available with a technique whereby a painting or photographic image is transferred to poster paper or canvas which is then pasted to a wall surface (see wallpaper, Frescography) to give the effect of either a hand-painted mural or realistic scene.

 

TECHNIQUE

In the history of mural several methods have been used:

 

A fresco painting, from the Italian word affresco which derives from the adjective fresco ("fresh"), describes a method in which the paint is applied on plaster on walls or ceilings. The buon fresco technique consists of painting in pigment mixed with water on a thin layer of wet, fresh, lime mortar or plaster. The pigment is then absorbed by the wet plaster; after a number of hours, the plaster dries and reacts with the air: it is this chemical reaction which fixes the pigment particles in the plaster. After this the painting stays for a long time up to centuries in fresh and brilliant colors.

 

Fresco-secco painting is done on dry plaster (secco is "dry" in Italian). The pigments thus require a binding medium, such as egg (tempera), glue or oil to attach the pigment to the wall.

 

Mezzo-fresco is painted on nearly-dry plaster, and was defined by the sixteenth-century author Ignazio Pozzo as "firm enough not to take a thumb-print" so that the pigment only penetrates slightly into the plaster. By the end of the sixteenth century this had largely displaced the buon fresco method, and was used by painters such as Gianbattista Tiepolo or Michelangelo. This technique had, in reduced form, the advantages of a secco work.

 

MATERIAL

In Greco-Roman times, mostly encaustic colors applied in a cold state were used.

 

Tempera painting is one of the oldest known methods in mural painting. In tempera, the pigments are bound in an albuminous medium such as egg yolk or egg white diluted in water.

 

In 16th-century Europe, oil painting on canvas arose as an easier method for mural painting. The advantage was that the artwork could be completed in the artist’s studio and later transported to its destination and there attached to the wall or ceiling. Oil paint can be said to be the least satisfactory medium for murals because of its lack of brilliance in colour. Also the pigments are yellowed by the binder or are more easily affected by atmospheric conditions. The canvas itself is more subject to rapid deterioration than a plaster ground. Different muralists tend to become experts in their preferred medium and application, whether that be oil paints, emulsion or acrylic paints applied by brush, roller or airbrush/aerosols. Clients will often ask for a particular style and the artist may adjust to the appropriate technique.

 

A consultation usually leads to a detailed design and layout of the proposed mural with a price quote that the client approves before the muralist starts on the work. The area to be painted can be gridded to match the design allowing the image to be scaled accurately step by step. In some cases the design is projected straight onto the wall and traced with pencil before painting begins. Some muralists will paint directly without any prior sketching, preferring the spontaneous technique.

 

Once completed the mural can be given coats of varnish or protective acrylic glaze to protect the work from UV rays and surface damage.

 

As an alternative to a hand-painted or airbrushed mural, digitally printed murals can also be applied to surfaces. Already existing murals can be photographed and then be reproduced in near-to-original quality.

 

The disadvantages of pre-fabricated murals and decals are that they are often mass-produced and lack the allure and exclusivity of an original artwork. They are often not fitted to the individual wall sizes of the client and their personal ideas or wishes can not be added to the mural as it progresses. The Frescography technique, a digital manufacturing method (CAM) invented by Rainer Maria Latzke addresses some of the personalisation and size restrictions.

 

Digital techniques are commonly used in advertisements. A "wallscape" is a large advertisement on or attached to the outside wall of a building. Wallscapes can be painted directly on the wall as a mural, or printed on vinyl and securely attached to the wall in the manner of a billboard. Although not strictly classed as murals, large scale printed media are often referred to as such. Advertising murals were traditionally painted onto buildings and shops by sign-writers, later as large scale poster billboards.

 

SIGNIFICANCE OF MURALS

Murals are important in that they bring art into the public sphere. Due to the size, cost, and work involved in creating a mural, muralists must often be commissioned by a sponsor. Often it is the local government or a business, but many murals have been paid for with grants of patronage. For artists, their work gets a wide audience who otherwise might not set foot in an art gallery. A city benefits by the beauty of a work of art.

 

Murals can be a relatively effective tool of social emancipation or achieving a political goal. Murals have sometimes been created against the law, or have been commissioned by local bars and coffeeshops. Often, the visual effects are an enticement to attract public attention to social issues. State-sponsored public art expressions, particularly murals, are often used by totalitarian regimes as a tool of mass-control and propaganda. However, despite the propagandist character of that works, some of them still have an artistic value.

 

Murals can have a dramatic impact whether consciously or subconsciously on the attitudes of passers by, when they are added to areas where people live and work. It can also be argued that the presence of large, public murals can add aesthetic improvement to the daily lives of residents or that of employees at a corporate venue.

 

Other world-famous murals can be found in Mexico, New York, Philadelphia, Belfast, Derry, Los Angeles, Nicaragua, Cuba and in India. They have functioned as an important means of communication for members of socially, ethnically and racially divided communities in times of conflict. They also proved to be an effective tool in establishing a dialogue and hence solving the cleavage in the long run. The Indian state Kerala has exclusive murals. These Kerala mural painting are on walls of Hindu temples. They can be dated from 9th century AD.

 

The San Bartolo murals of the Maya civilization in Guatemala, are the oldest example of this art in Mesoamerica and are dated at 300 BC.

 

Many rural towns have begun using murals to create tourist attractions in order to boost economic income. Colquitt, Georgia is one such town. Colquitt was chosen to host the 2010 Global Mural Conference. The town has more than twelve murals completed, and will host the Conference along with Dothan, Alabama, and Blakely, Georgia. In the summer of 2010, Colquitt will begin work on their Icon Mural.

 

WIKIPEDIA

Aletta was given the opportunity to pose as a geeky fashion nerd for a popular fashion magazine. She had some doubts but ended up agreeing to do it. Boy did she make the right call!

Do you dare to laugh at the Grey Heron?

Bob Given Photography

www.youtube.com/watch?v=ebqcbn0ieKU

Given to me at the Pride Festival

Given a refresh last year ready to tie in with the new Alstom trams, it has to be said they're looking great for ten years old!!

 

212 enters the single branch line at Highbury Vale with a service to Phoenix Park.

Bob Given Photography

Given the chance to ask Premier Rachael Notley a question, Colin Charlton a student at the Career and Technology Centre in Calgary got right to the point: “What do you think of using the CBE, Alberta's largest school district, as a pilot project to increase solar usage in Alberta, as well as build kids' awareness about energy efficiency and renewable energy?” Charlton asked. “Who do I talk to in your government about getting this low-cost energy and education idea off ground?” Charlton was a little surprised when the Premier promised him a meeting with Environment Minister Shannon Phillips. Photo supplied See video and blog: www.greenenergyfutures.ca/episode/alberta-students-school...

Ah, Ukraine! When I first visited Rusfurrence in 2013, and was given a tour of Moscow by my excellent hosts, I thought I’d fallen in love with Russian cuisine – only to discover that nearly everything I’d devoured was in fact Ukrainian. Therefore, I knew I would one day have no choice but to visit the source, and boy howdy, was it worth it.

 

Our hosts and dear friends took such excellent care of us, with ‘us’ including a surprising number of foreigners, most of whom had never been to Ukraine before. My boyfriend Rush joined me, as did our friend Bostitch, and we met up with Oatcake and Fox Amoore and far, far too many other friends to mention.

 

The convention itself was fantastic, marked by the lively, can-do spirit the Ukrainians are known for, though I regrettably saw far too little of it. We’d wanted to take a quick look at Kiev while we were in the country but it wound up taking us three hours to get back, and it also didn’t help that I’d caught a bug that left me too tired to partake of many of the events – including a party bus!

 

Still, there was plenty of fun to be had in the evenings. The Tiger Bar set up in the corridor of the fourth floor, the Stone Soup bar in the suite and balcony of room 107, and of course the traditional picnic and barbecue in the woods, which I was told was how WUFF had originally started. It started raining rather fiercely immediately after the campfire got started, but the Ukrainians proved themselves indomitable, putting together a shovel team to dig emergency trenches and build dams around the fire, which never went out!

 

Words can’t describe the warmth and fun of the con. We’ll certainly be back.

 

For more WUFF ’16 photos, check out the gallery here: www.flickr.com/photos/alexfvance/albums/72157668089241926

 

As always, share and enjoy.

 

- Alex "Khaki” Vance

 

If you want to say hi, you can find me on Twitter @khakidoggy, or drop me an email at khakidoggy@me.com

 

[ If you appear in any of the photos you're free to use them; if you know anyone in a photo, please do share it with them! ]

 

For even more con photography: www.flickr.com/photos/alexfvance/albums/

A mural is any piece of artwork painted or applied directly on a wall, ceiling or other large permanent surface. A distinguishing characteristic of mural painting is that the architectural elements of the given space are harmoniously incorporated into the picture.

 

Some wall paintings are painted on large canvases, which are then attached to the wall (e.g., with marouflage). Whether these works can be accurately called "murals" is a subject of some controversy in the art world, but the technique has been in common use since the late 19th century.

 

HISTORY

Murals of sorts date to Upper Paleolithic times such as the paintings in the Chauvet Cave in Ardèche department of southern France (around 30,000 BC). Many ancient murals have survived in Egyptian tombs (around 3150 BC), the Minoan palaces (Middle period III of the Neopalatial period, 1700-1600 BC) and in Pompeii (around 100 BC - AD 79).

 

During the Middle Ages murals were usually executed on dry plaster (secco). In Italy, circa 1300, the technique of painting of frescos on wet plaster was reintroduced and led to a significant increase in the quality of mural painting.

 

In modern times, the term became more well-known with the Mexican "muralista" art movement (Diego Rivera, David Siqueiros, or José Orozco). There are many different styles and techniques. The best-known is probably fresco, which uses water-soluble paints with a damp lime wash, a rapid use of the resulting mixture over a large surface, and often in parts (but with a sense of the whole). The colors lighten as they dry. The marouflage method has also been used for millennia.

 

Murals today are painted in a variety of ways, using oil or water-based media. The styles can vary from abstract to trompe-l'œil (a French term for "fool" or "trick the eye"). Initiated by the works of mural artists like Graham Rust or Rainer Maria Latzke in the 1980s, trompe-l'oeil painting has experienced a renaissance in private and public buildings in Europe. Today, the beauty of a wall mural has become much more widely available with a technique whereby a painting or photographic image is transferred to poster paper or canvas which is then pasted to a wall surface (see wallpaper, Frescography) to give the effect of either a hand-painted mural or realistic scene.

 

TECHNIQUE

In the history of mural several methods have been used:

 

A fresco painting, from the Italian word affresco which derives from the adjective fresco ("fresh"), describes a method in which the paint is applied on plaster on walls or ceilings. The buon fresco technique consists of painting in pigment mixed with water on a thin layer of wet, fresh, lime mortar or plaster. The pigment is then absorbed by the wet plaster; after a number of hours, the plaster dries and reacts with the air: it is this chemical reaction which fixes the pigment particles in the plaster. After this the painting stays for a long time up to centuries in fresh and brilliant colors.

 

Fresco-secco painting is done on dry plaster (secco is "dry" in Italian). The pigments thus require a binding medium, such as egg (tempera), glue or oil to attach the pigment to the wall.

 

Mezzo-fresco is painted on nearly-dry plaster, and was defined by the sixteenth-century author Ignazio Pozzo as "firm enough not to take a thumb-print" so that the pigment only penetrates slightly into the plaster. By the end of the sixteenth century this had largely displaced the buon fresco method, and was used by painters such as Gianbattista Tiepolo or Michelangelo. This technique had, in reduced form, the advantages of a secco work.

 

MATERIAL

In Greco-Roman times, mostly encaustic colors applied in a cold state were used.

 

Tempera painting is one of the oldest known methods in mural painting. In tempera, the pigments are bound in an albuminous medium such as egg yolk or egg white diluted in water.

 

In 16th-century Europe, oil painting on canvas arose as an easier method for mural painting. The advantage was that the artwork could be completed in the artist’s studio and later transported to its destination and there attached to the wall or ceiling. Oil paint can be said to be the least satisfactory medium for murals because of its lack of brilliance in colour. Also the pigments are yellowed by the binder or are more easily affected by atmospheric conditions. The canvas itself is more subject to rapid deterioration than a plaster ground. Different muralists tend to become experts in their preferred medium and application, whether that be oil paints, emulsion or acrylic paints applied by brush, roller or airbrush/aerosols. Clients will often ask for a particular style and the artist may adjust to the appropriate technique.

 

A consultation usually leads to a detailed design and layout of the proposed mural with a price quote that the client approves before the muralist starts on the work. The area to be painted can be gridded to match the design allowing the image to be scaled accurately step by step. In some cases the design is projected straight onto the wall and traced with pencil before painting begins. Some muralists will paint directly without any prior sketching, preferring the spontaneous technique.

 

Once completed the mural can be given coats of varnish or protective acrylic glaze to protect the work from UV rays and surface damage.

 

As an alternative to a hand-painted or airbrushed mural, digitally printed murals can also be applied to surfaces. Already existing murals can be photographed and then be reproduced in near-to-original quality.

 

The disadvantages of pre-fabricated murals and decals are that they are often mass-produced and lack the allure and exclusivity of an original artwork. They are often not fitted to the individual wall sizes of the client and their personal ideas or wishes can not be added to the mural as it progresses. The Frescography technique, a digital manufacturing method (CAM) invented by Rainer Maria Latzke addresses some of the personalisation and size restrictions.

 

Digital techniques are commonly used in advertisements. A "wallscape" is a large advertisement on or attached to the outside wall of a building. Wallscapes can be painted directly on the wall as a mural, or printed on vinyl and securely attached to the wall in the manner of a billboard. Although not strictly classed as murals, large scale printed media are often referred to as such. Advertising murals were traditionally painted onto buildings and shops by sign-writers, later as large scale poster billboards.

 

SIGNIFICANCE OF MURALS

Murals are important in that they bring art into the public sphere. Due to the size, cost, and work involved in creating a mural, muralists must often be commissioned by a sponsor. Often it is the local government or a business, but many murals have been paid for with grants of patronage. For artists, their work gets a wide audience who otherwise might not set foot in an art gallery. A city benefits by the beauty of a work of art.

 

Murals can be a relatively effective tool of social emancipation or achieving a political goal. Murals have sometimes been created against the law, or have been commissioned by local bars and coffeeshops. Often, the visual effects are an enticement to attract public attention to social issues. State-sponsored public art expressions, particularly murals, are often used by totalitarian regimes as a tool of mass-control and propaganda. However, despite the propagandist character of that works, some of them still have an artistic value.

 

Murals can have a dramatic impact whether consciously or subconsciously on the attitudes of passers by, when they are added to areas where people live and work. It can also be argued that the presence of large, public murals can add aesthetic improvement to the daily lives of residents or that of employees at a corporate venue.

 

Other world-famous murals can be found in Mexico, New York, Philadelphia, Belfast, Derry, Los Angeles, Nicaragua, Cuba and in India. They have functioned as an important means of communication for members of socially, ethnically and racially divided communities in times of conflict. They also proved to be an effective tool in establishing a dialogue and hence solving the cleavage in the long run. The Indian state Kerala has exclusive murals. These Kerala mural painting are on walls of Hindu temples. They can be dated from 9th century AD.

 

The San Bartolo murals of the Maya civilization in Guatemala, are the oldest example of this art in Mesoamerica and are dated at 300 BC.

 

Many rural towns have begun using murals to create tourist attractions in order to boost economic income. Colquitt, Georgia is one such town. Colquitt was chosen to host the 2010 Global Mural Conference. The town has more than twelve murals completed, and will host the Conference along with Dothan, Alabama, and Blakely, Georgia. In the summer of 2010, Colquitt will begin work on their Icon Mural.

 

WIKIPEDIA

I was given an opportunity to take these photographs of Tank Noodle's food for their menu update, you'll see these soon on their menu so I guess it's a sneak preview. It was a very difficult session, in fact; probably one of the most difficult I've ever done.

 

5 hours total for around 25 dishes. This probably is nothing to professional food stylists and photographers. I tried styling these my very best, and these are a few of my favorites from the batch.

 

notice that I put my name across these photos, it ruins the photos but my last few food sessions ended up being stock photos used all over the internet in the last year or so. If you would like to use these please email me and give proper credentials.

Given the PSE 8 treatment

Whyalla. Population 21,200.

Hummock Hill was sighted and named by Matthew Flinders in 1802 and soon after given French names by Captain Baudin. The first pastoral runs were taken out here in the 1850s as it had the Middle Back ranges, coastal access and Port Augusta not too far distant. One of the early pastoralists was James Patterson who took out the Iron Knob leasehold of over 160 square miles in 1854 near Iron Knob. To the north and west of his leasehold was that of James Loudon who took out Caroona station in 1862. Other leaseholds in the region of Whyalla were Point Lowly, Pandurra and Middleback. In the early 1870s Loudon sold Caroona to Sir Samuel Davenport and Sir John Morphett and it was Davenport, with his interest in minerals and mining, who sent the first ore samples to England in 1878 for analysis. This resulted in a mining lease taken out in 1880 by Ernest Siekman. The lease lapsed as he did not pay the annual rental. BHP took out nine mining leases in 1896 and the future of iron Knob and the future Whyalla began. BHP began taking iron ore for smelting to Port Augusta in 1899 which took bullock drays two days. The Hundred of Randell which covered this area was declared in 1895 as interest in the ore deposits increased.

 

In 1896 the government released land fronting Spencers Gulf for lease. One of the first to take up land where Whyalla stands was Humphrey Cowled who leased 30,000 acres on the gulf which he called Nonowie. The town of Hummock Hill emerged in 1900 after BHP developed their ore leases. The ore was used for flux in the Port Pirie smelter and it was shipped across Spencers Gulf. Most of the early settler families at Hummock Hill also came by ship across the gulf from Port Pirie. These families remained the backbone of the Whyalla population until World War Two. In 1900 BHP proposed to the government of SA to enact a bill that would allow them to build a tramway from Iron Knob to Hummock Hill on the coast with a permanent leasehold of the route. Port Augusta Council opposed this as they wanted the tramway built to Port Augusta and its already existing port. There was some logic in this opposition as a tramway to Port Augusta would be 46 miles in length whereas the tramway to Hummock Hill was about 35 miles, not a significantly shorter distance. The government enacted legislation for a BHP tramway to Hummock Hill in 1901 and BHP had developed a small jetty and port by 1903. At the same time the town of Hummock Hill emerged partly on BHP leasehold land. By 1905 the settlement had its first school, a general store and a tin Institute in which the school was conducted. Church services were also held in the hall. In 1903 the community was pleased when Mr Delprat, the general manager of the Broken Hill mine visited Hummock Hill and Iron Knob. The first hotel opened in 1905 on the site that later became the Whyalla Hotel 20 or so years later. The beer was shipped to the hotel from Port Pirie. The isolation of Hummock Hill was reduced when a telephone service began in 1911. Gradually stone houses replaced early tin and timber houses and the town took shape. The government officially surveyed and changed the name of the town to Whyalla in 1914 which means “sound of the sea” in a local Aboriginal language. The new solid Institute was opened in 1920 by Mr Delprat the BHP manager in Broken Hill. At the time Whyalla had a population of around 1,000 people with sporting clubs, RSL, banks, and commercial enterprises. Water was shipped from Port Pirie when necessary. BHP established a dairy to provide milk for the residents and a small desalination plant was built to provide additional fresh water. The impressive red ironstone buildings, often in the Art Deco style were erected in the late 1930s or early 1940s as the city’s industrial base expanded to steel making and ship building. The iron stone Whyalla Hotel opened in 1933. It was enlarged in 1940. This was a company town run by BHP with the exception of the Post Office, the School and the Police Station run by the government and the commercial enterprises of the town. BHP was a paternalistic employer and during the Depression of the 1930s as work slowed BHP found other jobs for married male employees such as re grading the tramway from Iron Knob etc.

During World War One Mr Delprat had suggested a steel furnace and steel works in Whyalla but this did not happen. The steel industry in Australia began with a small furnace and plant at Lithgow in the Blue Mountains in 1901. This plant was superseded by the bigger steel works in Newcastle in 1915 and Whyalla jetty was then expanded to ship iron ore direct to Newcastle. The third steel plant in Australia was established at Port Kembla (Wollongong) in 1928 and Iron Knob ore was also shipped there. With the rise of Hitler and Third Reich in Europe in 1933 and the ominous threat of world war Australia began to be concerned about its future as it was clear we were no longer isolated from the rest of the world. In 1937 the SA government passed legislation for the Morgan to Whyalla Murray River water pipeline to ensure water reliability for Whyalla and this was an essential for the first production of steel by BHP. The 1937 act set aside 1,000 acres for BHP to establish the plant and adjacent harbour. Progress was not hasty and the furnace and harbour began in 1939. After the outbreak of World War Two work progressed quickly. The first steel was produced in 1941 and called pig iron. Port Kembla also produced pig iron or steel and its export to Japan in 1938 led to the Attorney General Robert Menzies being called Pig Iron Bob by striking wharf unionists. The union slogan at the time was “No scrap for the Jap.” At that time Japan was fighting the Sino-Japanese War and needed more steel. The industrial dispute at Port Kembla ended in January 1939 when the waterside workers loaded the ships at Port Kembla. In 1940 the Royal Australia Navy asked BHP if they could build ships in Whyalla and this became urgent with the war and work began in 1940 on the hulls of several ships before the steel blast furnace was completed. The town grew rapidly with an influx of new workers and the construction of the hospital, an abattoirs, the Spencer Hotel, and the establishment of a Whyalla newspaper in 1941/42. During the War the population rose from 1,350 in 1937 to 7,900 in 1944. During most of World War Two BHP employed around 2,500 men and women with a peak of 2,750 employees in 1941. During the War BHP also established an ammunitions annex to produce shells for war arms. In a couple of years Whyalla produced 748,000 shell cases. The Combined Unions Council negotiated with BHP for workers’ wages and conditions. The newly employed women to offset the war time labour shortage were employed in the war effort in the shell annex, the tool room and in ship building. The women received 90% of the men’s wages for the same job.

The first ship was launched in 1941 and named the HMAS Whyalla (650 tonnes) which is now part of the Information Centre and Maritime Museum. It was one of four corvettes made in Whyalla for the Royal Australia Navy and they mainly worked as minesweepers and surveillance. During and after World War Two Whyalla built 36 ships for the Australian Navy, four for Indian navy and 20 for the British Admiralty. After the War most of the ships built in Whyalla shipyards were mainly cargo and iron ore carriers. A total of 63 ships, one oil rig and two barges were built in Whyalla by 1978 when shipbuilding was closed down. Most of the corvettes manufactured in Whyalla had South Australian town names- Whyalla, Gawler and Pirie. Whyalla also built the Kalgoorlie corvette for the Royal Navy. Other SA named corvettes built interstate were the Kapunda, the Glenelg and the Wallaroo. After the war BHP built commercial ships and eventually in 1958 they decided to build an integrated steel works in Whyalla (completed 1965) to process the ore into steel. Railway lines and ships were among the steel products produced.

As a shipbuilding site and producer of ammunition shells Whyalla needed special consideration and defence during World War Two. Defence installations were erected on Hummock Hill during the Second World War (1942) as Whyalla was a potential Japanese bombing target. Four anti-aircraft guns were on the ready at Hummock Hill. Other defence installations were built south of Cowell at Port Gibbon to forewarn of a Japanese attack. Complacency about war threats was overturned when German shipping mines were discovered in Spencers Gulf in 1940 designed to impede BHP ore carriers to Newcastle and Wollongong. Across the Gulf Port Pirie produced half of Britain’s lead so it too needed special protection. A survey recommended special defences for both Iron Triangle cities but only Whyalla got special protection. As the threat of Japan increased anti-aircraft guns were sent to Hummock Hill and arrived on 4 February 1942. Ten days later (14 th February) Singapore fell to the Japanese and on 19th February 1942 Darwin was bombed and partially destroyed by the Japanese. The hummock Hill anti-aircraft guns were operational by 23rd March. One Royal Navy ship guarded the entrance to Whyalla for most of the War until 1944. Search lights were installed at Hummock Hill late in 1942. But no threat emerged during the War. Air raid practices were conducted by BHP from time to time warning people to take cover when the BHP siren sounded. Despite the practices and preparations no raid occurred but the need for precaution was not unfounded. Three of BHP’s merchant ships were sunk off the coast of NSW on their way to or from Whyalla with a total loss of 85 lives. By early 1944 Australia’s home defences were known to be out of danger but gunners at Whyalla had been withdrawn in August 1943 and their tasks taken over by civilian defence.

By 1943 Whyalla had a population of 5,000 people and people began to query the lack of local government as the city was run by BHP. Local government was instituted in 1944 with three elected and three BHP appointed councillors. 1944 was also the year the Morgan to Whyalla water pipeline was completed. In 1960 Whyalla became a city as it had around 14,000 residents. The Commission system of local government was ended in 1970 when locals could finally elect all councillors to their city. By 1976 Whyalla had 33,000 residents, the largest city outside of Adelaide but with the loss of shipbuilding in 1978 the city’s population declined to about 20,000. BHP sold their Whyalla works to OneSteel in 2000 which changed its name to Arrium. Sanjeev Gupta bought the insolvent Arrium steelworks in 2017 and has revitalised it albeit with recent difficulties. The Whyalla steel works are critical to the whole of Australia as steel is only made at Whyalla and Port Kembla. Whyalla is the only plant to make steel rail for all sorts of uses not just railways. In late 2024 Whyalla steel works employed 4,800 people directly and countless more indirectly in other firms. (Port Kembla employs around 3,000 people.) Perhaps the future of the city will be revitalised even more if the hydrogen hub proceeds. Whether that happens or not billions of dollars of investment are needed to move Whyalla steel works away from coal fired furnaces to gas or hydrogen fired furnaces. On the way to Hummock Hill lookout in Gay St. we pass the Whyalla Institute with a classical façade with the date as 1920. This was also the site of the first timber Institute opened in February 1905. The first Whyalla School opened in this Institute in April 1905.The current port of Whyalla exports iron ore and steel mainly. Port Bonython 16 kms north of Whyalla mainly exports crude oil and liquid gas from South Australia’s Cooper basin.

Some historic buildings in Whyalla.

Starting at the corner of Horwood Street and Darling Terrace.

1. On the corner is the Art Deco Courthouse and next to it in Darling St the original 1930s neo Georgian style Courthouse with two roof ventilators on it. The newer part was built in 1944 and the single storey part was built around 1930.

2. Opposite in Darling St is the former Whyalla Hotel with massive scale opened in 1933 by the SA Brewing company. Enlarged in 1940. Now the Whyalla Playford Apartments.

3. At the next corner turn right into Forsyth St. On the corner is the red iron stone and cement rendered brick Spencer Hotel with a clock tower. Look carefully at the frieze below the parapet roof line as they have indented sculptures of the steelworks, the port and the HMAS Whyalla corvette etc. The Hotel Spencer was completed in 1939 so the frieze with the Whyalla corvette was made a bit later

4. Next on the left is Lutine House in red ironstone with pilasters and a classical façade. This became chambers for local lawyers but it began life as a bank. Built around 1940.

5. On the next corner left is the Bay View Hotel also built in Art Deco style but in brick in 1941. Rounded corners, small tower.

6. Return to the Spencer Hotel and turn right into Darling Tce again and on next corner is the old Whyalla Primary School. Parts still date from its origin in 1915 but with many later additions. Opposite is the Catholic Convent (1942) and the Catholic High School – Samaritan College. St Theresa’s Catholic Church was here too. It was built in 1929 and became the Parish hall when the new church as built in 1941. About 3 minutes’ walk along Darling Tce you come to a roundabout

and the street ahead is Broadbent Tce. On the corner is the Whyalla High School. This impressive building was built in 1943 during the War and its central wing has an unusual wooden weather vane/vent. Return to the Main Street.

 

Mount Laura homestead dates from the origins of Hummock Hill. An earlier owner M Goode started building the homestead in 1910 completing the main homestead in 1922. The Nicholson family took out a 288 square mile leasehold in 1919 near Whyalla. After they purchased Mt Laura homestead in 1933 from the Goode family they

built the bungalow style stone front section of the homestead in 1933. The Nicholsons lived here until 1954 when the state government acquired it and the land around it for expansion of the city. The government donated the homestead to the National Trust in 1969. It is now their museum which includes the first BHP galvanised iron Office from 1914 which was located in Gray Street.

 

The new standard gauge line from Port Augusta to Whyalla opened on 6 October 1972. The Iron Triangle train service, using American Budd cars was initiated in 1975 by the Commonwealth Railways and Sth Australian Railways. The Budd car trains were made in Philadelphia and introduced by Commonwealth Railways in 1951 for the service between Woomera and Adelaide. The passenger service from Adelaide to Whyalla began in 1972 and the service closed in 1975. The 1972 to 1975 trains left Adelaide Monday to Friday at 12:30 pm and reached Whyalla at 1:15 am with an extra service Fridays leaving Adelaide at 7:35 am and reaching Whyalla at 3:25 pm. Another service operated from Adelaide on Sunday evenings from 4:45 pm reaching Whyalla at 11:15 pm. Trains departed Whyalla Monday to Friday at 10:20 am and on Sundays at 2:50 pm and on Fridays at 3:50 pm. There was also an overnight service on Fridays departing Whyalla at 10:15 pm and reaching Adelaide at 6:40 am. The train service to Whyalla re-opened eleven years later in April 1986 with refurbished American Budd rail cars with the service known as the Iron Triangle Limited. When the refurbished Budd car trains started in 1986 the timetable was more efficient and fast. Trains left Adelaide Mondays, Wednesday and Fridays at 5:30 pm arriving in Whyalla at 10:25 pm. Trains left Whyalla on Mondays, Wednesday and Fridays at 5:00 am and reached Adelaide at 10:00 am. What a pity this train service ceased on 31 December 1990. Budd cars were taken out of service in 1990 after 39 years of service. Australian National rail closed down all passenger services in South Australia in 1990.

 

View On Black