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Name: George H Revell

Arrested for: not given

Arrested at: North Shields Police Station

Arrested on: 10 November 1905

Tyne and Wear Archives ref: DX1388-1-81-George H Revell

 

The Shields Daily News for 10 November 1905 reports:

 

"George H. Revell, tramp, Sheffield, was charged with being drunk and disorderly in Clive Street, and was remanded for eight days, there being a further charge against him of having stolen from the common lodging house, situate at No. 38 Duke Street, an overcoat and a jacket, valued at 7s, the property of Matthew Lazenby, yesterday".

 

The Shields Daily News for 17 November 1905 reports:

 

"George H. Revell (45), tramp, Sheffield, was charged on remand with being drunk and disorderly in Clive Street, and was fined 5s and costs or seven days. He was further charged with stealing, on the same date, from a common lodging house, situate at 31 Duke Street, an overcoat and a jacket, valued at 7s, the property of Matthew Lazenby, or otherwise with receiving the same. The accused pleaded guilty and was committed to prison for 6 weeks".

 

These images are a selection from an album of photographs of prisoners brought before the North Shields Police Court between 1902 and 1916 in the collection of Tyne & Wear Archives (TWA ref DX1388/1).

 

(Copyright) We're happy for you to share this digital image within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure please email archives@twmuseums.org.uk.

This picture represents two Christmas presents... I was given these lovely Christmas Lilies - which have opened up and are beautiful (thank you Iman); and a new camera lens 85mm f/ 1.4 (for portraits) which I have been wanting forever...thank you Santa! Perfect to bring the two together.

1978 Renault Alpine A310 information given by the owner.

 

The Alpine A310 was the successor of the Alpine 1961-1976 A110. The A310 was presented in March 1971.

In 1973 Renault took over the Dieppe based Alpine factory.

In 1976 the original 4 cylinder engine was replaced by a more powerful V6 and Robert Opron made a restyle for the A310 body.

 

2849 cc 6 cylinder V-shape engine.

Production Alpine A310: 3/1971-1985.

Production A310 V6 Mk2: 9/1976-1985.

Production A310 2.9 Litre: 1982-1985.

So probably this car has received a new and not original engine.

 

Seen in front of Renault Garage Ets. Heinen, Sankt Vith.

Collection Ludwig Heinen.

See also: www.google.nl/maps/place/Heinen+%2F+Ludwig/@50.2902313,6....

 

Number seen: 5.

 

Sankt Vith / Schönberg-Waldecho (B.), N626, Manderfelderstrasse, May 25, 2017.

 

© 2017 Sander Toonen Amsterdam | All Rights Reserved

St Margaret of Antioch, Cowlinge, Suffolk

 

Given its proximity to the Cambridgeshire border, some people would argue that this Suffolk church is closer to civilisation than most, and yet St Margaret of Antioch, Cowlinge, has a decidedly remote feel to it. Gentle hills enfold these pretty villages, and St Margaret stands distant from the houses it serves. Cowlinge, pronounced coo-linj, stands about a mile north of the Haverhill to Bury road, not far from the better-known Denston. You approach it up a track from the north, where it is rather hemmed in, but the graveyard opens up widely beyond on the other side.

 

The first impression is one of redness. From the outside, Cowlinge seems a rather pretty accretion of centuries' work, its tower a typical red brick 18th century rebuilding - there are similar ones across the county at Grundisburgh and Layham. The chancel and nave appear to have met each other by chance as much as intention, and all is pleasantly patched up, with solid red-brick buttressing and just about every kind of window you can think of. There are aisles, there is a clerestory, but this is not a grand church. Rather, it is the kind of building a DIY enthusiast might put together if he wanted a late medieval one in his back garden.

 

And somehow, this makes it beautiful, especially if seen from the south-east or north-east. You might expect the interior to be similarly ramshackle, but you step through the north door into cool whiteness, and as you walk through this treasure chest of a church, unusual vistas open up at each turn. This is a complex church.

 

Facing east to start with, the first impression is of the wall-painting above the chancel arch, and the gated rood screen beneath. There are gates in the screens at nearby Withersfield and Denston, but unlike those these doors rise to the full height of the screen. The screen itself is perhaps not as beautiful as the parclose screen enclosing the chapel in the south aisle. Mortlock points out how similar it is to the one up the road at Dalham. The paleness of the wood is very pleasing.I thought it compared very well with the parclose at Dennington, which has been repainted gaudily. Another good parclose of the same age is at Westhorpe. A memorial window contains 1920s glass by Christopher Webb of Christ with the fishermen at Galilee.

 

One the wall beside the parclose in the south aisle is a small exposed area of wall painting. It appears to be an unbearded male saint holding something that may well be a chalice, in which case it is St John the Evangelist. The better-known wall painting here is the one I mentioned earlier, above the chancel arch. It is often referred to as a doom, but it is organised rather differently to others of its kind. Instead of the day of judgement, with God in Majesty overseeing the parting of the ways into hell on his right and heaven on his left, it depicts St Michael, to the south of the arch, balancing a set of scales in which a sinner is being weighed against his sins.

 

St Michael is a common feature of doom paintings - he appears nearby at Stoke by Clare and on the famous doom at Wenhaston. The unusual aspect of this one, however, is to the north of the arch, where the Virgin Mother of God stands. She reaches out with a wand, and tips the balance of the scales. Simon Jenkins, in his England's Thousand Best Churches, suggests that she is tipping the balance in the favour of the virtuous. This is, of course, exactly what she is not doing. The virtuous had no need of intervention; the good in them would outweigh their sins in any case. Mary is intervening on behalf of sinners who have prayed to her for her help, and she is tipping the scales in the favour of those sinners. It represents the efficacy of intercessions to Our Blessed Lady, and as such it was anathema to the 16th century reformers.

 

In common with other wall paintings, this priceless art treasure was whitewashed over rather than destroyed. It would be interesting to know when this happened. We know that during William Dowsing's iconoclastic progress through Suffolk and Cambridgeshire in 1644, he found no wall paintings still in existence. It has always been assumed that they were covered by the Anglicans when the new Church of England took possession of our parish churches a century earlier. But I do wonder if they might have been done away with a century before even that, perhaps around the middle of the 15th century, when the ruling classes were enforcing orthodox Catholic dogma in the face of the superstitions of the ordinary people. Part of this process involved setting up larger roods at the east end of the nave, and I think this wall-painting may have been covered before that happened here.

 

The chancel arch beneath the doom is also extensively painted, and also of interest on all of the pillars a large amount of medieval graffiti, some of which is described as being consecration crosses. This, of course, cannot be so, for the medieval church ordered its liturgical needs rather better than this, and these are no doubt the work of some bored 17th century vandal.

 

Stepping through into the chancel, it is at once one of the loveliest in Suffolk, and one of the most dominated, since Peter Scheemakers' ugly 18th century memorial for Francis Dickins glowers against the north wall. Dickins was responsible for the building of the tower. The figures are life size, and the monument is wholly secular, even pagan. They look like nothing so much as a couple on their way to a toga party pausing to pose with the FA Cup.

 

Near the north door, a plaque on the wall records the visitation of 1618 when permission was given for the local house of correction to set up seating here for its inmates. There are still banked benches below, but these are later, and were probably intended for the village schoolchildren. Seating on a similar scale can be seen at nearby Kedington, divided there into boys' and girls' sections. On a somewhat larger scale they can also be seen at Laxfield.

 

A fine view of this church can be had by climbing to the spacious gallery beneath Dickins' tower. Once up here, the space is dominated by another huge classical memorial to Dickins and above it a George II royal arms, which also records that George Finton and Henry Seabrook were the churchwardens who set it up in 1731.

 

St Margaret is everything a historic church should be. Well-ordered, welcoming, suited to its Protestant present and mindful of its Catholic past. It used to be left open all the time, but a traumatic assault on the building some five years ago by a mentally ill man suffering from a religious mania, during which both screens and the altar were set fire to, means that it is now kept locked, but with a very cheerful churchwarden who was most happy to come and open up.

File name: 10_03_001343a

Binder label: Medical

Title: When I was given up to die, by the most skillful physicians, Parker's Tonic kept me alive and raised me up after everything else failed. It is just as good for children. Try it and be convinced. (front)

Date issued: 1870-1900 (approximate)

Physical description: 1 print : chromolithograph ; 12 x 8 cm.

Subject: Girls; Patent medicines

Notes: Title from item.

Statement of responsibility: Hiscox & Co.

Collection: 19th Century American Trade Cards

Location: Boston Public Library, Print Department

Rights: No known restrictions.

Given the choice this older gentleman eyes two beauties but it appears youth wins out over age

 

1935 Ford roadster

1931 Ford A coupe

 

Beach Hop Whangamata New Zealand

 

For my video; youtu.be/y9S_S3bV6zs

Given this building's location on North Halsted, it's probably not long for this world.

 

The photograph is a little wonky because of high-ISO and handheld imperfections, but I wanted to take advantage of the fact that there weren't any cars parked in front of the structures.

Ferrari Superamerica is the name given to the most exclusive and luxurious of Ferrari models.

 

Following on from the series of Ferrari 410 Superamericas that were produced from 1956 to 1959, the 400 Superamerica continued the low volume individualised style for the most special of Ferrari's customer. A total of 45 400 Superamericas were built, most to a general form, none two exactly the same.

 

The vee-twelve engine was now 4.0 litre swept capacity with a similar 340 hp produced to the earlier 410 series.

 

The particular vehicle illustrated here is the 1962 Aerodinamico coupe, one of the very last of the 400 series produced. The aerodynamic styling was very advanced for the time, and no doubt helped in achieving a very maximun speed (at 272 km/h, faster than most racing Ferraris of the period).

 

Exclusive Ferraris were on the wane, and Ferrari was now standardising to the 250. A later 500 Superfast series of 37 cars shared the Aerodinamico style. The 500 was the last ultra-luxury, ultra exclusive series Ferrari produced.

 

The Coupe Aerodinamico shown here is white, whilst some of the 400s have changed colour over time, and look stunning in more 'passionate' hues.

 

This lego model has been created using Lego Digital Designer for Flickr LUGNts 43rd build challenge, - "Plus or Minus Ten" - celebrating vehicles produce ten years before or after the birth year of the model creator.

New Milton is a market town in south west Hampshire, England. ( In 1303, Thomas de Chaucombe was given permission to hold a weekly market on Tuesdays at Milton, as well as an annual fair on the feast day of Mary Magdalene. ) The town has a high street and holds a market every Wednesday. Situated on the edge of the New Forest, the town is about six miles ( 10 km ) west of Lymington town centre and 12 miles ( 19 km ) east of Bournemouth town centre. New Milton dates back to Anglo-Saxon times, and encompasses Old Milton, Barton on Sea, Ashley, Bashley, and Wootton. It is recorded as having a population of around 23,000 in 2001. The traditional village centre of Milton was just south of the church. Up to the 1960's, moated earthworks were still visible next to the road known as Moat Lane. Excavations of these earthworks in 1956 revealed a series of peasant enclosures and hut remains dating from the 9th to the 12th century, but no evidence of a manorial farmstead was found.

The parish church of Milton is dedicated to Mary Magdalene and consists of a chancel with vestry, a nave and a western tower. The medieval church was pulled down and replaced around 1830, although the tower is of an earlier 17th century date. In 1835 a Church of England National School was founded on an island of land near the village green, where children were taught until just after World War I. In 1881, the population of the entire Milton parish was only 1489 people, and Milton was still a small village. The location of the village on the main Christchurch to Lymington road ( now the A 337 ) meant that there were two coaching inns - The Wheatsheaf and The George.

In March 1888 New Milton railway station was opened, which is still in operation today. A new town developed, which expanded rapidly with the coming of the railway and the name New Milton was used for the first time and can originally be traced back to the Post Office that stood opposite the railway station. In 1895, the owner of the Post Office, Emma Newhook, commissioned a sign, which read - New Milton Sub Post Office to differentiate it from the post office in Old Milton. This was officially accepted in 1896, and so the name New Milton caught on. Much of the local farmland has been developed, first in the 1960's for commuter housing and again in the 1970's for small industrial / trade units. There is a mix of housing from cottages on the outskirts to more modern, urban housing in the central area.

Milton village subsequently became known as Old Milton, and lies between New Milton and Barton on Sea. There are a few notable architectural points of interest in the local area. However, a distinctive row of Coast Guard Cottages are to be found in Barton Lane, Barton on Sea, which were built at the end of the 19th century by the Government of the day to house armed guards to try to stop the smuggling that was rife at the time. The Barton on Sea and Mudeford coastline was renowned for smuggling with many of the offshore seaways and routes to shore being named after well known local smuggling families. It was in this context that Frederick Marryat, author of The Children of the New Forest, was sent on patrol here as a young naval lieutenant in 1821, to watch over the Christchurch Bay area. Britain's first reinforced concrete bridge was built in 1901 just outside New Milton at Chewton. There was an earlier experiment in building with this material in its un reinforced form at Sway ( Sway Tower ).

New Milton water tower. Built in 1900 was the Tudor style water tower, which can be found adjacent to the car park in Osborne Road. It has a staircase and is constructed with a turret, slit windows and battlements. It is a striking orange - red colour, was built from locally manufactured bricks. The German Luftwaffe carried out bombing raids on New Milton on the 23rd August 1940, the 8th August 1942 and on January 22nd 1943. The town's water tower was suggested as the target. During the Second World War, New Milton homed evacuees and was a transit station for soldiers going to the battlefields. It also had an army hospital. It was a favourite for the airmen who were based at the nearby airfields at Lymington and Holmsley. The Memorial Centre in Whitefield Road commemorates those who died in the raids, as well as towns people who have died more recently. Bricks can be purchased for inscription and insertion into the wall of the Memorial Room, which stands to the left of the front door and contains mementos saved from the original building, which was destroyed by fire in the 1970's.

Ballard Lake that borders Fernhill Lane and Lake Grove Road, in New Milton is a picturesque area of New Milton that you could spend a hot summers day feeding the many ducks, mallards, geese that live around this lake. A few walks branch out from this lake to stroll along. Seats have been sited from donations from residents who have passed away and serve as a reminder to long lost friends or family. The stream from this lake meanders for many miles in many cases forming picturesque walks further along New Milton.

 

6:45 this morning

  

baby spirit, left & giving-mama, my spirit birdita, right .. they are on the very top perch-able bough in lulu's tree ~ which is baby spirit's favorite place now :) and where she/he has stayed through the night lately.

love them so much..

 

 

you can see baby's right foot is still a little red today.. from re-injuring it four days ago (after the initial severe injury may 31st)

yet baby is doing fine about it now .. so thankful *

(will tell about baby spirit's adventures four days ago when this happened, in a comment below)

 

.

 

also!

 

its less easy to tell in this picture .. yet perhaps in other images you've seen, you can tell that baby is a slightly glowier color than all the other crystal-white fairy terns..

not sure if this is because baby spirit is so young or.. just because :)

 

in the hawai'ian language there is actually a name for this color!

came upon it years ago when reading the hawai'ian dictionary ;) .. and was enamored because then knew there is a word! for the glowing color of some rare clouds i've always called 'angel clouds'

 

the word for this glowy-ness (lovelight :) is puakea

which the hawai'ian dictionary describes as a tint between white and pink ~ as sunrise clouds

  

 

in hawai'i, babies are often given an hawai'ian name as well as their given name

tomorrow on hopechild's 2-month hatching birthday ;) will tell you baby's given name ...

and today, the hawai'ian name..

 

it is la'a puakea *

pronounced lah-ah pooah-kay-ah

 

la'a means sacred ... and is part of baby spirit's hawai'ian name, for.. like her/his mother, my spirit bird, baby spirit is a truly sacred gift from lulu *

 

.

  

at some point after lulu, my soulmate, made her passage into Fullness of Light..

i asked her to please be next to me again in the physical .. and .. in some way that i would Know her :*

 

told lulu that even though i would love to rescue a doggie.. &/or other animals .. because i live alone and have no family anywhere near, feel i am now at an age when having another animal child would not be wise .. for, if/when something happens to me, there would be no one to care for it.

 

so.. i was asking lulu to bring Herself .. part of her huge Spirit .. back in the form of someOne i would recognize..

 

know it was an enormous request ... and had no idea, since i cannot adopt another pet, how she could possibly do it ...

 

.

  

yet lulu found a way :*)

 

last summer .. just as my mother was going in for serious head surgery .. out-of-the-blue appeared my Spirit bird in lulu's tree *

 

(had never seen or heard of fairy terns .. even though i live by the ocean and fairy terns are seabirds .. as they are very rare)

  

the meaning to me of this Gift from lulu .. of lulu...... there simply are no words to express ...

 

.

 

and that my Spirit bird then, this Spring! .. march 3rd .. laid the egg of baby spirit... is beyond-the-beyond

 

baby spirit's personality and strength and funny tender beingness is all so like lulu :*)

and i know part of my heartchild lulu lives vibrantly in both of them *

 

≈♡♡≈

 

will tell about happenings with baby spirit in the last few days, below . . .

 

(have not been well since i last posted, yet still want to tell you about babyheart in the last few days .. this is also why have been so slow in visiting You on your streams.. only well enough visit a few of You each day, plus want to see everything you've posted since i was last there.. xox)

Given that jet fighters would be tricky to fly for pilots used to flying propeller aircraft, let alone new trainee pilots, Lockheed proposed in 1945 that a two-seat conversion trainer be built for the P-80 Shooting Star. The US Army Air Force rejected the idea on cost grounds, citing that the T-6 Texan already in service would be sufficient enough. After a series of fatal crashes of the P-80—including the one that killed the USAAF’s top ace, Richard Bong—the USAAF revisited Lockheed’s proposal, which included extending the P-80’s fuselage by three feet, extending the canopy backwards, and adding a second cockpit with full flight controls. This aircraft, designated first TP-80C on its maiden flight in March 1948, then TF-80C, then finally T-33A, would go on to be far more successful than the fighter it was based on.

 

The T-33 was designed to be simple, robust, and easy to fly for trainee pilots, though it was intended at first to be only used for propeller-qualified pilots to transition into jets. As propeller aircraft were mostly phased out of the independent US Air Force’s inventory, the service made the decision to go to an “all-jet” training syllabus, and as a result pilots began flying T-33s in flight school. The “T-Bird,” as it became known, could still be unforgiving in certain circumstances, and was less forgiving as the T-37 Tweet or the T-38 Talon that would eventually replace it. The T-33 was, however, eminently reliable. Even after it was withdrawn from training units in the mid-1950s, it soldiered on as a “hack” aircraft for units, a familiarization aircraft, advanced trainer, and aggressor aircraft, especially in Air Defense Command and Air National Guard units. Well into the 1980s, T-33s could be found in frontline USAF units, and it was said that, when the last F-16 was retired, the pilot would hitch a ride home in a T-Bird. While this did not prove true, it was not off by much—the last USAF T-33s did not leave the inventory until around 1988.

 

Because of its robustness and cheap flyaway price, the T-33 was also popular with foreign air forces: no less than 41 nations operated T-33s at one time or another, and it was license-built in Japan by Kawasaki and in Canada as the CT-133 Silver Star, which differed from US-built aircraft only in using a Rolls-Royce Nene engine. While it was usually used in the trainer role, many were modified for a variety of roles, including armed AT-33s and reconnaissance RT-33s (some of which were also used by the USAF). AT-33s, which were basically two-seat F-80s, were used in several conflicts worldwide, mainly in South America; Bolivia still uses its AT-33s as frontline counterinsurgency aircraft. While Bolivia remains the only air force to still operate T-33s on a regular basis, many of these nations did not retire their Shooting Stars until the late 1990s—Canada did not retire its last CT-133s until 2008, and Boeing Aircraft has two T-33As on charge as chase aircraft. 6557 T-33s were built overall, and today over 80 and possibly as many as a hundred survive, with many still flyable.

 

This T-33 is on display in the Malmstrom AFB Museum airpark, and represents a general "hack" aircraft assigned for general duties and familiarization for the base. The aircraft went on display around 2004; it's actually the newest aircraft in the airpark. I'm not sure of its provenance. It's finished in an anticorrosion silver paint to simulate bare metal. Though displayed as 56-1779, this is actually 57-0574.

Leica M6 35mm Summicron-M F2: HP5+ (1600) ID-11 (21minsat 20)

Ah, Ukraine! When I first visited Rusfurrence in 2013, and was given a tour of Moscow by my excellent hosts, I thought I’d fallen in love with Russian cuisine – only to discover that nearly everything I’d devoured was in fact Ukrainian. Therefore, I knew I would one day have no choice but to visit the source, and boy howdy, was it worth it.

 

Our hosts and dear friends took such excellent care of us, with ‘us’ including a surprising number of foreigners, most of whom had never been to Ukraine before. My boyfriend Rush joined me, as did our friend Bostitch, and we met up with Oatcake and Fox Amoore and far, far too many other friends to mention.

 

The convention itself was fantastic, marked by the lively, can-do spirit the Ukrainians are known for, though I regrettably saw far too little of it. We’d wanted to take a quick look at Kiev while we were in the country but it wound up taking us three hours to get back, and it also didn’t help that I’d caught a bug that left me too tired to partake of many of the events – including a party bus!

 

Still, there was plenty of fun to be had in the evenings. The Tiger Bar set up in the corridor of the fourth floor, the Stone Soup bar in the suite and balcony of room 107, and of course the traditional picnic and barbecue in the woods, which I was told was how WUFF had originally started. It started raining rather fiercely immediately after the campfire got started, but the Ukrainians proved themselves indomitable, putting together a shovel team to dig emergency trenches and build dams around the fire, which never went out!

 

Words can’t describe the warmth and fun of the con. We’ll certainly be back.

 

For more WUFF ’16 photos, check out the gallery here: www.flickr.com/photos/alexfvance/albums/72157668089241926

 

As always, share and enjoy.

 

- Alex "Khaki” Vance

 

If you want to say hi, you can find me on Twitter @khakidoggy, or drop me an email at khakidoggy@me.com

 

[ If you appear in any of the photos you're free to use them; if you know anyone in a photo, please do share it with them! ]

 

For even more con photography: www.flickr.com/photos/alexfvance/albums/

via John Currin (JC - Ex RNZN) - Google+ Public Posts ift.tt/1VLTfMd

 

New post (Britons given a final chance to see an icon of the skies as the Vulcan fighter jet begins its farewell tour of the nation Read more: ift.tt/1K1lcZJ.) has been published on Naval, Military, and Marine Life The last flying Vulcan fighter jet has begun its farewell tour of the UK after it was decided to permanently ground it

Members of the public have today been tweeting pictures of the four-engine bomber as it flies over their homes

Today’s flight is heading north from Doncaster while tomorrow’s will cover large areas of the south of England

Following its £75,000 tour of Britain the Cold War veteran jet will take to the sky for the final time later this month.

Today’s flight headed north from Doncaster while tomorrow’s will cover large areas of the south of England.

The Avro Vulcan, which saw action in the Falklands, took off at 1pm and flew towards Scotland before looping back round in the direction of where its flight began.

It was pild flew again in October 2007.

Under the original plan, the aircraft was due to fly a further 250 hours before permanent retirement. The project’s engineers were able to extend its life slightly, but it was decided that it will fly for the last time this weekend in a £75,000 tour of Britain.

According to Chief Pilot Withers ‘both flights are now amongst the longest she has undertaken since the restoration’.

The aircraft is operated by the Vulcan to the Sky Trust.

Dr Robert Pleming, chief executive of the Trust said there has been tremendous public interest in the aircraft’s final flights.

He added: ‘The situation we find ourselves in is a tremendous complement to the passion and energy of XH558’s supporters, many of whom have donated time and money to allow her to fly.

‘As someone who has devoted a significant portion of his life to this aircraft, I fully understand.’

Posted by - David Arkwright

 

View full size (962x709)

www.nbcnews.com/news/us-news/louisiana-woman-says-rapist-...

 

Louisiana woman says her rapist was given custody of her child in ongoing court dispute

"It should never have gotten this far," the woman said.

 

A Louisiana woman said a court gave temporary custody of her daughter to the man who raped her when she was 16, a recent development in a yearslong legal battle that advocates say should never have happened.

 

Crysta Abelseth, 32, claims she was raped by John Barnes when she was under the age of consent in Louisiana, and he was 30. The assault resulted in Abelseth becoming pregnant with her now teenage daughter, she said.

 

Abseleth said Barnes, who has been confirmed through a paternity test to be the child’s biological father, was given sole custody of her daughter earlier this year amid a court battle that dates back to 2011. She was ordered to pay him child support, court records show.

 

Initially both had shared custody of the child, who is 15 years old today.

 

“It’s been consuming my life. It has just drained me emotionally, financially,” Abelseth said. “I’m just exhausted. My quality of life has been minimal, because of having to ‘co-parent’ with this man who raped me and having to see him and speak with him. Anytime she has an event, he’s there. It was very difficult.”

 

An attorney for Barnes did not respond to multiple requests for comment. Barnes, in an email, directed a reporter to court documents about the case. In court documents, Barnes has denied that he committed felony rape.

 

Abelseth told WBRZ, a local station in Baton Rouge that first reported her story, that Barnes raped her after offering to take her home following a night out with friends in 2005. She was under the legal age of consent in Louisiana, which is 17. She told the station that she let family and friends believe a boyfriend had impregnated her.

 

Abelseth said that she reported the rape to police in July 2015, after meeting with a trauma counselor who informed her that she was still within her right to pursue charges against Barnes. She said law enforcement has not acted on the complaint since.

 

On Thursday, the Tangipahoa Sheriff’s Office said in a statement to WBRZ that the initial complaint "never made it through the proper channels within the department to be assigned for investigation. Therefore, our department absolutely dropped the ball, and we simply must own our mistake.”

 

“The Tangipahoa Parish Sheriff’s Office has reviewed and identified the breakdown in operations relating to the initial complaint filed by the complainant,” Tangipahoa Parish Sheriff Daniel Edwards said in the statement. “Since that time, enhancements to department procedures have been implemented and measures put in place to ensure reports from the public never go overlooked or mishandled. Especially those cases alleging criminal acts against our youth.”

 

The department also said Abelseth did not follow up on the matter until April of this year, which Abelseth denies.

 

“I was calling and leaving messages and wasn’t getting responses,” she said.

 

The case has now been turned over to the local district attorney’s office, the sheriff’s department said in the statement. No charges have been filed.

 

Neither the Tangipahoa Sheriff’s Office nor Scott Perrilloux, the district attorney for Louisiana’s 21st District, responded to multiple requests for comment on Abelseth’s case.

 

In court documents, Abelseth has alleged that Barnes has been physically, mentally and sexually abusive toward their child.

 

www.wbrz.com/news/investigative-unit-rape-victim-ordered-...

 

INVESTIGATIVE UNIT: Rape victim ordered to pay her abuser child support

 

PONCHATOULA- It's one of the most egregious cases victims' advocates tell the WBRZ Investigative Unit they have ever seen, after a judge awarded full custody to a woman's abuser and forced her to pay child support.

 

This story dates back decades and involves a woman who was raped at the age of 16 by a man almost twice her age.

 

Crysta Abelseth knows all too well about overcoming adversity. The now 32-year old is a mother of a teenager that WBRZ has made an editorial decision not to identify because she's a minor. Abelseth's daughter is the child of a rape.

 

Abelseth met John Barnes in the City of Hammond back in 2005. She says he offered to take her home after a night out at a local bar with friends.

 

"Instead of bringing me home, he brought me to his house," Abelseth recalled. "Once inside, he raped me on his living room couch."

 

Abelseth did not know Barnes before that night, but came away from it pregnant.

 

"Everyone assumed it [the pregnancy] was from a boyfriend, and I let them believe that," Abelseth recalled.

 

Abelseth had a healthy baby girl, and everything was fine until John Barnes learned sometime in 2011 that he might have a daughter.

 

"When my daughter was five years old, he found out about her, and once he found out about her, he pursued custody and wanted to take her away from me," Abelseth said. "They granted him 50/50 custody despite the fact that [the child] was caused by rape."

 

A DNA test is part of court documents that proves with 99.97% accuracy, John Barnes is the child's father. Barnes was 30 years old and Abelseth 16 at the time of conception. The act was illegal at the time, even if it were consensual; Abelseth maintains it never was.

 

Seven years ago, in July 2015, Abelseth pressed criminal charges against Barnes. A report she filed with the Tangipahoa Parish Sheriff's Office for simple rape details everything that was done to her. Abelseth said she waited to file the police report because she did not know the law.

 

"I thought if I didn't do it the next day, there was nothing I could do about it," Abelseth said. "I went to a trauma counselor, and he said, 'No, you have 30 years after you turn 18.'"

 

From 2015 until now, nothing has happened with the report. The Tangipahoa Parish Sheriff's Office says an investigation is still open.

 

"It was never assigned to a detective, and nothing was ever investigated," according to Abelseth.

 

A search of John Barnes shows he owns Gumbeaux Digital Branding, a web company in Ponchatoula. Barnes' website shows Ponchatoula Police as a client.

 

Court records in the Tangipahoa Parish courthouse show Barnes admitted he's the biological father of the child. This year, he was granted custody of that child even though a criminal complaint was filed in 2015. Mysteriously those records are under seal, hidden from public view.

 

Stacie Triche works for the non-profit organization Save Lives. She's helping Abelseth through this tangled web that allowed her perpetrator to get custody of the child.

 

"When I found out she was a rape victim, and this rapist could potentially get full custody, that's when I stepped in and said something has to be done about this," Triche said.

 

Things took a dramatic turn this year when a judge granted Barnes full custody. It happened after Barnes alleged Abelseth gave her daughter a cell phone. Abelseth said she was also ordered to pay Barnes child support.

 

"She's been forced to pay her perpetrator," Triche said. "Forced to pay her rapist child support and legal fees and give up custody of the child that's a product of the rape. It makes no sense."

 

The WBRZ Investigative Unit discussed this case with the Louisiana Foundation Against Sexual Assault (LFASA). Their lawyers said not only is this egregious, but they've never seen a case like it.

 

"It seems pretty straight forward that not only did a crime take place, but as a result of the crime, this person should not have custody of the child," Attorney Sean Cassidy with LFASA said.

 

Abelseth said for years she's tried to go about this the right way through the courts. But having her daughter taken away weeks ago over allegations she gave her a cell phone left her with a lack of confidence that she'll ever get a fair shake with justice impossible to find for the past 16 years.

 

"He's well connected," Abelseth said. "He's threatened me multiple times, saying he has connections in the justice system, so I better be careful and he can take her away anytime he wants to. I didn't believe him until it happened."

 

Abelseth said a hearing is scheduled next month to revoke Barnes' parental rights.

 

Barnes admitted over the phone Abelseth's daughter is his, but referred all questions to his lawyer, who never got back to the WBRZ Investigative Unit.

 

The Tangipahoa Parish Sheriff's Office continues to say the case is still open.

 

WBRZ reached out to Judge Jeffrey Cashe, who made the custody decision. An employee in his office said judicial canons prevent the judge from talking about it.

 

If you would like to help Crysta Abelseth with her mounting legal expenses, you can do that by clicking here.

Given the tendency of privatizing and leasing of all that is publicly, I wonder when will this association be privatized. :)

 

dirtygrain.com/

 

Thank you Bob (Notraces) for all your advices!

We had a transatlantic conference on photography, which was held for days. :)

Given to A.A. Milne's son Christopher. The birth of Winnie and his friends brought to us by Harrod's Dept Store via a friend of the family.

Whyalla. Population 21,200.

Hummock Hill was sighted and named by Matthew Flinders in 1802 and soon after given French names by Captain Baudin. The first pastoral runs were taken out here in the 1850s as it had the Middle Back ranges, coastal access and Port Augusta not too far distant. One of the early pastoralists was James Patterson who took out the Iron Knob leasehold of over 160 square miles in 1854 near Iron Knob. To the north and west of his leasehold was that of James Loudon who took out Caroona station in 1862. Other leaseholds in the region of Whyalla were Point Lowly, Pandurra and Middleback. In the early 1870s Loudon sold Caroona to Sir Samuel Davenport and Sir John Morphett and it was Davenport, with his interest in minerals and mining, who sent the first ore samples to England in 1878 for analysis. This resulted in a mining lease taken out in 1880 by Ernest Siekman. The lease lapsed as he did not pay the annual rental. BHP took out nine mining leases in 1896 and the future of iron Knob and the future Whyalla began. BHP began taking iron ore for smelting to Port Augusta in 1899 which took bullock drays two days. The Hundred of Randell which covered this area was declared in 1895 as interest in the ore deposits increased.

 

In 1896 the government released land fronting Spencers Gulf for lease. One of the first to take up land where Whyalla stands was Humphrey Cowled who leased 30,000 acres on the gulf which he called Nonowie. The town of Hummock Hill emerged in 1900 after BHP developed their ore leases. The ore was used for flux in the Port Pirie smelter and it was shipped across Spencers Gulf. Most of the early settler families at Hummock Hill also came by ship across the gulf from Port Pirie. These families remained the backbone of the Whyalla population until World War Two. In 1900 BHP proposed to the government of SA to enact a bill that would allow them to build a tramway from Iron Knob to Hummock Hill on the coast with a permanent leasehold of the route. Port Augusta Council opposed this as they wanted the tramway built to Port Augusta and its already existing port. There was some logic in this opposition as a tramway to Port Augusta would be 46 miles in length whereas the tramway to Hummock Hill was about 35 miles, not a significantly shorter distance. The government enacted legislation for a BHP tramway to Hummock Hill in 1901 and BHP had developed a small jetty and port by 1903. At the same time the town of Hummock Hill emerged partly on BHP leasehold land. By 1905 the settlement had its first school, a general store and a tin Institute in which the school was conducted. Church services were also held in the hall. In 1903 the community was pleased when Mr Delprat, the general manager of the Broken Hill mine visited Hummock Hill and Iron Knob. The first hotel opened in 1905 on the site that later became the Whyalla Hotel 20 or so years later. The beer was shipped to the hotel from Port Pirie. The isolation of Hummock Hill was reduced when a telephone service began in 1911. Gradually stone houses replaced early tin and timber houses and the town took shape. The government officially surveyed and changed the name of the town to Whyalla in 1914 which means “sound of the sea” in a local Aboriginal language. The new solid Institute was opened in 1920 by Mr Delprat the BHP manager in Broken Hill. At the time Whyalla had a population of around 1,000 people with sporting clubs, RSL, banks, and commercial enterprises. Water was shipped from Port Pirie when necessary. BHP established a dairy to provide milk for the residents and a small desalination plant was built to provide additional fresh water. The impressive red ironstone buildings, often in the Art Deco style were erected in the late 1930s or early 1940s as the city’s industrial base expanded to steel making and ship building. The iron stone Whyalla Hotel opened in 1933. It was enlarged in 1940. This was a company town run by BHP with the exception of the Post Office, the School and the Police Station run by the government and the commercial enterprises of the town. BHP was a paternalistic employer and during the Depression of the 1930s as work slowed BHP found other jobs for married male employees such as re grading the tramway from Iron Knob etc.

During World War One Mr Delprat had suggested a steel furnace and steel works in Whyalla but this did not happen. The steel industry in Australia began with a small furnace and plant at Lithgow in the Blue Mountains in 1901. This plant was superseded by the bigger steel works in Newcastle in 1915 and Whyalla jetty was then expanded to ship iron ore direct to Newcastle. The third steel plant in Australia was established at Port Kembla (Wollongong) in 1928 and Iron Knob ore was also shipped there. With the rise of Hitler and Third Reich in Europe in 1933 and the ominous threat of world war Australia began to be concerned about its future as it was clear we were no longer isolated from the rest of the world. In 1937 the SA government passed legislation for the Morgan to Whyalla Murray River water pipeline to ensure water reliability for Whyalla and this was an essential for the first production of steel by BHP. The 1937 act set aside 1,000 acres for BHP to establish the plant and adjacent harbour. Progress was not hasty and the furnace and harbour began in 1939. After the outbreak of World War Two work progressed quickly. The first steel was produced in 1941 and called pig iron. Port Kembla also produced pig iron or steel and its export to Japan in 1938 led to the Attorney General Robert Menzies being called Pig Iron Bob by striking wharf unionists. The union slogan at the time was “No scrap for the Jap.” At that time Japan was fighting the Sino-Japanese War and needed more steel. The industrial dispute at Port Kembla ended in January 1939 when the waterside workers loaded the ships at Port Kembla. In 1940 the Royal Australia Navy asked BHP if they could build ships in Whyalla and this became urgent with the war and work began in 1940 on the hulls of several ships before the steel blast furnace was completed. The town grew rapidly with an influx of new workers and the construction of the hospital, an abattoirs, the Spencer Hotel, and the establishment of a Whyalla newspaper in 1941/42. During the War the population rose from 1,350 in 1937 to 7,900 in 1944. During most of World War Two BHP employed around 2,500 men and women with a peak of 2,750 employees in 1941. During the War BHP also established an ammunitions annex to produce shells for war arms. In a couple of years Whyalla produced 748,000 shell cases. The Combined Unions Council negotiated with BHP for workers’ wages and conditions. The newly employed women to offset the war time labour shortage were employed in the war effort in the shell annex, the tool room and in ship building. The women received 90% of the men’s wages for the same job.

The first ship was launched in 1941 and named the HMAS Whyalla (650 tonnes) which is now part of the Information Centre and Maritime Museum. It was one of four corvettes made in Whyalla for the Royal Australia Navy and they mainly worked as minesweepers and surveillance. During and after World War Two Whyalla built 36 ships for the Australian Navy, four for Indian navy and 20 for the British Admiralty. After the War most of the ships built in Whyalla shipyards were mainly cargo and iron ore carriers. A total of 63 ships, one oil rig and two barges were built in Whyalla by 1978 when shipbuilding was closed down. Most of the corvettes manufactured in Whyalla had South Australian town names- Whyalla, Gawler and Pirie. Whyalla also built the Kalgoorlie corvette for the Royal Navy. Other SA named corvettes built interstate were the Kapunda, the Glenelg and the Wallaroo. After the war BHP built commercial ships and eventually in 1958 they decided to build an integrated steel works in Whyalla (completed 1965) to process the ore into steel. Railway lines and ships were among the steel products produced.

As a shipbuilding site and producer of ammunition shells Whyalla needed special consideration and defence during World War Two. Defence installations were erected on Hummock Hill during the Second World War (1942) as Whyalla was a potential Japanese bombing target. Four anti-aircraft guns were on the ready at Hummock Hill. Other defence installations were built south of Cowell at Port Gibbon to forewarn of a Japanese attack. Complacency about war threats was overturned when German shipping mines were discovered in Spencers Gulf in 1940 designed to impede BHP ore carriers to Newcastle and Wollongong. Across the Gulf Port Pirie produced half of Britain’s lead so it too needed special protection. A survey recommended special defences for both Iron Triangle cities but only Whyalla got special protection. As the threat of Japan increased anti-aircraft guns were sent to Hummock Hill and arrived on 4 February 1942. Ten days later (14 th February) Singapore fell to the Japanese and on 19th February 1942 Darwin was bombed and partially destroyed by the Japanese. The hummock Hill anti-aircraft guns were operational by 23rd March. One Royal Navy ship guarded the entrance to Whyalla for most of the War until 1944. Search lights were installed at Hummock Hill late in 1942. But no threat emerged during the War. Air raid practices were conducted by BHP from time to time warning people to take cover when the BHP siren sounded. Despite the practices and preparations no raid occurred but the need for precaution was not unfounded. Three of BHP’s merchant ships were sunk off the coast of NSW on their way to or from Whyalla with a total loss of 85 lives. By early 1944 Australia’s home defences were known to be out of danger but gunners at Whyalla had been withdrawn in August 1943 and their tasks taken over by civilian defence.

By 1943 Whyalla had a population of 5,000 people and people began to query the lack of local government as the city was run by BHP. Local government was instituted in 1944 with three elected and three BHP appointed councillors. 1944 was also the year the Morgan to Whyalla water pipeline was completed. In 1960 Whyalla became a city as it had around 14,000 residents. The Commission system of local government was ended in 1970 when locals could finally elect all councillors to their city. By 1976 Whyalla had 33,000 residents, the largest city outside of Adelaide but with the loss of shipbuilding in 1978 the city’s population declined to about 20,000. BHP sold their Whyalla works to OneSteel in 2000 which changed its name to Arrium. Sanjeev Gupta bought the insolvent Arrium steelworks in 2017 and has revitalised it albeit with recent difficulties. The Whyalla steel works are critical to the whole of Australia as steel is only made at Whyalla and Port Kembla. Whyalla is the only plant to make steel rail for all sorts of uses not just railways. In late 2024 Whyalla steel works employed 4,800 people directly and countless more indirectly in other firms. (Port Kembla employs around 3,000 people.) Perhaps the future of the city will be revitalised even more if the hydrogen hub proceeds. Whether that happens or not billions of dollars of investment are needed to move Whyalla steel works away from coal fired furnaces to gas or hydrogen fired furnaces. On the way to Hummock Hill lookout in Gay St. we pass the Whyalla Institute with a classical façade with the date as 1920. This was also the site of the first timber Institute opened in February 1905. The first Whyalla School opened in this Institute in April 1905.The current port of Whyalla exports iron ore and steel mainly. Port Bonython 16 kms north of Whyalla mainly exports crude oil and liquid gas from South Australia’s Cooper basin.

Some historic buildings in Whyalla.

Starting at the corner of Horwood Street and Darling Terrace.

1. On the corner is the Art Deco Courthouse and next to it in Darling St the original 1930s neo Georgian style Courthouse with two roof ventilators on it. The newer part was built in 1944 and the single storey part was built around 1930.

2. Opposite in Darling St is the former Whyalla Hotel with massive scale opened in 1933 by the SA Brewing company. Enlarged in 1940. Now the Whyalla Playford Apartments.

3. At the next corner turn right into Forsyth St. On the corner is the red iron stone and cement rendered brick Spencer Hotel with a clock tower. Look carefully at the frieze below the parapet roof line as they have indented sculptures of the steelworks, the port and the HMAS Whyalla corvette etc. The Hotel Spencer was completed in 1939 so the frieze with the Whyalla corvette was made a bit later

4. Next on the left is Lutine House in red ironstone with pilasters and a classical façade. This became chambers for local lawyers but it began life as a bank. Built in 1940 as National Australia Bank.

5. On the next corner left is the Bay View Hotel also built in Art Deco style but in brick in 1941. Rounded corners, small tower.

6. Return to the Spencer Hotel and turn right into Darling Tce again and on next corner is the old Whyalla Primary School. Parts still date from its origin in 1915 but with many later additions. Opposite is the Catholic Convent (1942) and the Catholic High School – Samaritan College. St Theresa’s Catholic Church was here too. It was built in 1929 and became the Parish hall when the new church as built in 1941. About 3 minutes’ walk along Darling Tce you come to a roundabout

and the street ahead is Broadbent Tce. On the corner is the Whyalla High School. This impressive building was built in 1943 during the War and its central wing has an unusual wooden weather vane/vent. Return to the Main Street.

 

Mount Laura homestead dates from the origins of Hummock Hill. An earlier owner M Goode started building the homestead in 1910 completing the main homestead in 1922. The Nicholson family took out a 288 square mile leasehold in 1919 near Whyalla. After they purchased Mt Laura homestead in 1933 from the Goode family they

built the bungalow style stone front section of the homestead in 1933. The Nicholsons lived here until 1954 when the state government acquired it and the land around it for expansion of the city. The government donated the homestead to the National Trust in 1969. It is now their museum which includes the first BHP galvanised iron Office from 1914 which was located in Gray Street.

 

The new standard gauge line from Port Augusta to Whyalla opened on 6 October 1972. The Iron Triangle train service, using American Budd cars was initiated in 1975 by the Commonwealth Railways and Sth Australian Railways. The Budd car trains were made in Philadelphia and introduced by Commonwealth Railways in 1951 for the service between Woomera and Adelaide. The passenger service from Adelaide to Whyalla began in 1972 and the service closed in 1975. The 1972 to 1975 trains left Adelaide Monday to Friday at 12:30 pm and reached Whyalla at 1:15 am with an extra service Fridays leaving Adelaide at 7:35 am and reaching Whyalla at 3:25 pm. Another service operated from Adelaide on Sunday evenings from 4:45 pm reaching Whyalla at 11:15 pm. Trains departed Whyalla Monday to Friday at 10:20 am and on Sundays at 2:50 pm and on Fridays at 3:50 pm. There was also an overnight service on Fridays departing Whyalla at 10:15 pm and reaching Adelaide at 6:40 am. The train service to Whyalla re-opened eleven years later in April 1986 with refurbished American Budd rail cars with the service known as the Iron Triangle Limited. When the refurbished Budd car trains started in 1986 the timetable was more efficient and fast. Trains left Adelaide Mondays, Wednesday and Fridays at 5:30 pm arriving in Whyalla at 10:25 pm. Trains left Whyalla on Mondays, Wednesday and Fridays at 5:00 am and reached Adelaide at 10:00 am. What a pity this train service ceased on 31 December 1990. Budd cars were taken out of service in 1990 after 39 years of service. Australian National rail closed down all passenger services in South Australia in 1990.

 

Given that two years ago we underwent a major revamp of our living quarters and did a massive declutter, it may seem odd that I've filled up a tiny space of our tiny home with a canvas. The reason for this is that when I was given a voucher for a canvas of Rhossili for our Charity Dinner Auction earlier in the month, I was also given an extra voucher to use at the same place. It also feels very self indulgent to put a photo I took myself onto the wall, but my OH insisted although I got to choose which one. I rarely if ever put full photos of our home on Flickr either unlike many but I've made an exception because it puts it into context.

Original pic in comments.

This area was given to the province of British Columbia by the H.R. MacMillan Export Company in 1944 as a way to preserve an incredible stand of trees. It is now one of British Columbia’s MacMillan Provincial Parks.

 

A few hundred years ago a fire destroyed all but a few giant trees in this forest. Protected from the heat by their thick, corky bark, the surviving veterans provided seeds that have grown into the present forest.

 

Cathedral Grove is home to a wide variety of plant species and wildlife. It stretches over 136,000 hectares of forest land. This land provides a home to a wide variety of trees and other plant life. Some of the trees found in this area are Douglas Fir, Western Red Cedar, Western Hemlock, Broadleaf Maple, and Balsam Fir. The Douglas Fir is the dominating species in this region. Some of these giant trees are estimated to be around 800 years old, with the majority ranging form 300-400 years old.

 

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My Most Interesting - { Planet Adventure BlogSpot }

St Margaret of Antioch, Cowlinge, Suffolk

 

Given its proximity to the Cambridgeshire border, some people would argue that this Suffolk church is closer to civilisation than most, and yet St Margaret of Antioch, Cowlinge, has a decidedly remote feel to it. Gentle hills enfold these pretty villages, and St Margaret stands distant from the houses it serves. Cowlinge, pronounced coo-linj, stands about a mile north of the Haverhill to Bury road, not far from the better-known Denston. You approach it up a track from the north, where it is rather hemmed in, but the graveyard opens up widely beyond on the other side.

 

The first impression is one of redness. From the outside, Cowlinge seems a rather pretty accretion of centuries' work, its tower a typical red brick 18th century rebuilding - there are similar ones across the county at Grundisburgh and Layham. The chancel and nave appear to have met each other by chance as much as intention, and all is pleasantly patched up, with solid red-brick buttressing and just about every kind of window you can think of. There are aisles, there is a clerestory, but this is not a grand church. Rather, it is the kind of building a DIY enthusiast might put together if he wanted a late medieval one in his back garden.

 

And somehow, this makes it beautiful, especially if seen from the south-east or north-east. You might expect the interior to be similarly ramshackle, but you step through the north door into cool whiteness, and as you walk through this treasure chest of a church, unusual vistas open up at each turn. This is a complex church.

 

Facing east to start with, the first impression is of the wall-painting above the chancel arch, and the gated rood screen beneath. There are gates in the screens at nearby Withersfield and Denston, but unlike those these doors rise to the full height of the screen. The screen itself is perhaps not as beautiful as the parclose screen enclosing the chapel in the south aisle. Mortlock points out how similar it is to the one up the road at Dalham. The paleness of the wood is very pleasing.I thought it compared very well with the parclose at Dennington, which has been repainted gaudily. Another good parclose of the same age is at Westhorpe. A memorial window contains 1920s glass by Christopher Webb of Christ with the fishermen at Galilee.

 

One the wall beside the parclose in the south aisle is a small exposed area of wall painting. It appears to be an unbearded male saint holding something that may well be a chalice, in which case it is St John the Evangelist. The better-known wall painting here is the one I mentioned earlier, above the chancel arch. It is often referred to as a doom, but it is organised rather differently to others of its kind. Instead of the day of judgement, with God in Majesty overseeing the parting of the ways into hell on his right and heaven on his left, it depicts St Michael, to the south of the arch, balancing a set of scales in which a sinner is being weighed against his sins.

 

St Michael is a common feature of doom paintings - he appears nearby at Stoke by Clare and on the famous doom at Wenhaston. The unusual aspect of this one, however, is to the north of the arch, where the Virgin Mother of God stands. She reaches out with a wand, and tips the balance of the scales. Simon Jenkins, in his England's Thousand Best Churches, suggests that she is tipping the balance in the favour of the virtuous. This is, of course, exactly what she is not doing. The virtuous had no need of intervention; the good in them would outweigh their sins in any case. Mary is intervening on behalf of sinners who have prayed to her for her help, and she is tipping the scales in the favour of those sinners. It represents the efficacy of intercessions to Our Blessed Lady, and as such it was anathema to the 16th century reformers.

 

In common with other wall paintings, this priceless art treasure was whitewashed over rather than destroyed. It would be interesting to know when this happened. We know that during William Dowsing's iconoclastic progress through Suffolk and Cambridgeshire in 1644, he found no wall paintings still in existence. It has always been assumed that they were covered by the Anglicans when the new Church of England took possession of our parish churches a century earlier. But I do wonder if they might have been done away with a century before even that, perhaps around the middle of the 15th century, when the ruling classes were enforcing orthodox Catholic dogma in the face of the superstitions of the ordinary people. Part of this process involved setting up larger roods at the east end of the nave, and I think this wall-painting may have been covered before that happened here.

 

The chancel arch beneath the doom is also extensively painted, and also of interest on all of the pillars a large amount of medieval graffiti, some of which is described as being consecration crosses. This, of course, cannot be so, for the medieval church ordered its liturgical needs rather better than this, and these are no doubt the work of some bored 17th century vandal.

 

Stepping through into the chancel, it is at once one of the loveliest in Suffolk, and one of the most dominated, since Peter Scheemakers' ugly 18th century memorial for Francis Dickins glowers against the north wall. Dickins was responsible for the building of the tower. The figures are life size, and the monument is wholly secular, even pagan. They look like nothing so much as two well-pleased fans posing with the FA Cup.

 

Near the north door, a plaque on the wall records the visitation of 1618 when permission was given for the local house of correction to set up seating here for its inmates. There are still banked benches below, but these are later, and were probably intended for the village schoolchildren. Seating on a similar scale can be seen at nearby Kedington, divided there into boys' and girls' sections. On a somewhat larger scale they can also be seen at Laxfield.

 

A fine view of this church can be had by climbing to the spacious gallery beneath Dickins' tower. Once up here, the space is dominated by another huge classical memorial to Dickins and above it a George II royal arms, which also records that George Finton and Henry Seabrook were the churchwardens who set it up in 1731.

 

St Margaret is everything a historic church should be. Well-ordered, welcoming, suited to its Protestant present and mindful of its Catholic past. It used to be left open all the time, but a traumatic assault on the building some five years ago by a mentally ill man suffering from a religious mania, during which both screens and the altar were set fire to, means that it is now kept locked, but with a very cheerful churchwarden who was most happy to come and open up.

Aankomst in Rotterdam van het containerschip EVER GIVEN , VB TIGER , ROTTERDAM , SD STINGRAY en RT ROB van Boluda Towage assisteerden naar de ECT in de Amazonehaven.29-7-2021 gezien vanaf de KRVE 71

Ah, Ukraine! When I first visited Rusfurrence in 2013, and was given a tour of Moscow by my excellent hosts, I thought I’d fallen in love with Russian cuisine – only to discover that nearly everything I’d devoured was in fact Ukrainian. Therefore, I knew I would one day have no choice but to visit the source, and boy howdy, was it worth it.

 

Our hosts and dear friends took such excellent care of us, with ‘us’ including a surprising number of foreigners, most of whom had never been to Ukraine before. My boyfriend Rush joined me, as did our friend Bostitch, and we met up with Oatcake and Fox Amoore and far, far too many other friends to mention.

 

The convention itself was fantastic, marked by the lively, can-do spirit the Ukrainians are known for, though I regrettably saw far too little of it. We’d wanted to take a quick look at Kiev while we were in the country but it wound up taking us three hours to get back, and it also didn’t help that I’d caught a bug that left me too tired to partake of many of the events – including a party bus!

 

Still, there was plenty of fun to be had in the evenings. The Tiger Bar set up in the corridor of the fourth floor, the Stone Soup bar in the suite and balcony of room 107, and of course the traditional picnic and barbecue in the woods, which I was told was how WUFF had originally started. It started raining rather fiercely immediately after the campfire got started, but the Ukrainians proved themselves indomitable, putting together a shovel team to dig emergency trenches and build dams around the fire, which never went out!

 

Words can’t describe the warmth and fun of the con. We’ll certainly be back.

 

For more WUFF ’16 photos, check out the gallery here: www.flickr.com/photos/alexfvance/albums/72157668089241926

 

As always, share and enjoy.

 

- Alex "Khaki” Vance

 

If you want to say hi, you can find me on Twitter @khakidoggy, or drop me an email at khakidoggy@me.com

 

[ If you appear in any of the photos you're free to use them; if you know anyone in a photo, please do share it with them! ]

 

For even more con photography: www.flickr.com/photos/alexfvance/albums/

Big Boy was the name given to the Union Pacific Railroad's twenty-five 4000 class 4-8-8-4 articulated steam locomotives built between 1941 and 1944 by Alco. No. 4012 is on display at the Steamtown National Historic Site at Scranton, PA.

 

A világ legnagyobb gőzmozdonya a Union Pacific vasúttársaság Big Boy artikulált (csuklós) 4-8-8-4 tengelyelrendezésű mozdonya. A 4012-es sorozatszámú egyik túlélő mozdony a pennsylvaniai Scranton vasúttörténeti emlékhelyén van kiállítva, távolról sem tökéletes állapotban - nekem viszont óriási élmény volt a monstrum megérintése, alapos megszemlélése, miután annyi mindent olvastam róla különböző könyvekben.

 

The Big Boys were the only locomotives to have the 4-8-8-4 wheel arrangement, combining two sets of eight driving wheels with both a four-wheel leading truck for stability entering curves and a four-wheel trailing truck to support the large firebox.

 

The Big Boys were specifically designed to pull a 3,600 short ton (3,300 t) freight train over the long 1.14% grade of the Wasatch Mountains in Utah. Before their arrival, helpers were needed. Adding and removing helpers from a train slowed them down. For such locomotives to be worthwhile, they had to be faster and more powerful than slow mountain luggers tried after World War I. To avoid locomotive changes, the new class would need to pull long trains at sustained speed—60 miles per hour (100 km/h)—once past the mountain grades. Towards the end of the 4000's career (in the late 1950s) it was found that they could still pull more than their rated tonnage - they regularly pulled 4,450 short tons (4,040 t) up the Wasatch grade, unassisted.

 

They were designed for stability at 60 miles per hour (100 km/h). They were built with a heavy margin of reliability and safety, as they normally operated well below that speed in freight service. Optimal horsepower was achieved at about 35 mph (56 km/h); optimal tractive effort, at about 10 mph (16 km/h).

 

25 Big Boys were built, all were coal burning, with large grates to burn low quality Wyoming coal from mines owned by the railroad. Postwar increases in the price of both coal and labor and the efficiency of diesel-electric motive power foretold a limited life for the Big Boys, but they were among the last steam locomotives taken out of service. The last revenue train hauled by a Big Boy ended its run early in the morning on July 21, 1959. Four of them remained in operational condition at Green River, Wyoming until 1962. Their duties were assumed by diesels and turbines.

Wikipedia says:

 

Kuntur Wasi (Quechua kuntur condor, wasi house, "condor house") is the name given to the ruins of a religious center with complex architecture and stone sculptures, located in the Andean highlands of Peru.

 

It is believed the inhabitants had a link with the Chavín culture.

 

Kuntur Wasi is located in the Northern Mountain Range of Peru, specifically at the headwaters of the Jequetepeque River, in the region of the city of Cajamarca near the small town of San Pablo. The Jequetepeque valley provided a transportation corridor between the coastal region and the highlands.

 

Kuntur Wasi was a center where people congregated.

 

It is thought to have been constructed around 1000-700 BCE, during the Initial Period. The architecture consists of a hill-top temple, quadrangular platforms, a sunken courtyard, and series of rooms.

 

In the floor of one room there is an anthropomorphic figure made of clay, about 30 inches (75 cm) in height. It is painted with cinnabar red, malachite green, and black, yellow, and pink. Its face has big square eyes and a wide mouth with prominent canine teeth. There are also stepped platforms and funeral structures.

 

Lithosculptures have been found, similar to the Chavín style.

 

Kuntur Wasi was occupied between the years 1200-50 BC.

 

It was first discovered in 1945 by Julio C. Tello. In 1989, scientists from the University of Tokyo excavated four tombs at Kuntur Wasi. Valuable items, such as pectoral necklaces (decorative breastplates), gold crowns, ornamental stone beads, earrings, sets of dishes and iconographies of people were discovered in the burial area.

 

Since the beginning of the University of Tokyo's archaeological mission, eight tombs have been found in the area.

 

The Kuntur Wasi Museum, managed by local citizens, opened in 1994.

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Según Wikipedia:

 

Kuntur Wasi es un sitio arqueológico que data del Formativo Inferior, se encuentra ubicado en el centro poblado del mismo nombre, en la provincia de San Pablo, en el departamento de Cajamarca, en el Perú.

 

En la lengua quechua Kuntur Wasi significa "Casa del Cóndor". Según el arqueológo japonés, Yoshio Onuki, estudioso principal de este sitio arqueológico, Kuntur Wasi es una expresión prechavín pero que posteriormente posee una gran influencia no solo de Chavín sino también de Cupisnique especialmente en la orfebrería y la cerámica.

  

Kuntur Wasi pasó por los siguientes periodos:

 

Fase Ídolo: Construcción del centro ceremonial con pisos enlucidos con cal de color blanco. En esta fase hay una cierta relación con Huacaloma y Pacopampa.

 

Fase Kuntur: Construcción de un nuevo complejo ceremonial en forma de U. Se desarrolla la cerámica fina y la orfebrería.

 

Fase Copa: Modificación del complejo arquitectónico ceremonial y la renovación del sistema de canales de drenaje.

 

Fase Sotera: Existe una relación con la Fase Layzón del valle de Cajamarca.

Corresponde a la decadencia de Kuntur Wasi.

Given the 86" rise to the main trunk line, heavier items will remain in the floor sweep during clean up. These too can be sucked up by putting a conventional straw broom across the floor sweep opening, thus increasing the air flow rate.

SmartEdu Computer Education - First Year Anniversary - Best Performance Award to Ms.Kavitha (Senior Faculty), Given by Mr.Jai Shankar

AU250 - Untaxed since 2014 currently on display at Nottingham's Industrial Museum.

I was recently very kindly given a disc of old car show photos from the mid to late 70's which were found on glass slides in a skip and then scanned to disc, i thought i'd uploaded them to here, there are over 1100 images so it could take me a while!

I'm not completely happy with this one, given the lens flares, the weird blob like shape of the sun, and the slight noise in the bottom of the frame, but I still liked the colors so I figured what they hey? This was taken during EHM one morning of our last trip, and I'm pretty sure every other guest on property was there with us that morning. But we made the most of it, and got the two things done there that we like and moved on for the day.

 

Thanks for looking, and I hope everyone has a great rest of the week!

My husband was given this Galileo thermometer years ago as a holiday gift. It consists of a sealed glass tube filled with water and floating bubbles. The bubbles are filled with a colored liquid, and tags hand from each denoting a particular temperature. As the room temperature changes, so does the density of the water, causing some bubbles to float, while others sink. The bubble that sinks the most denotes the current approximate temperature. It's a pretty ingenious little invention, and a lot of fun to photograph too!

Pinkas synagogue in Prague

The synagogue and the name Pinkas is first mentioned in 1492. It is probable that a prayer house or synagogue already existed at this point. Excavations between 1968 and 1990 have given rise to this presumption, but further evidence must follow.

The synagogue in today's street Široká ulice was the property of the Horovsky family. Isaiah Horovsky the synagogue in 1519 passed on to Aron Meschullam Horovsky who had the synagogue rebuilt in 1535. Horovsky was a grandnephew of the original founder of the synagogue, a certain rabbi of Pinkas. In the historical records there are quarrels between the "rebellious" family of the Pinkas with the long-established of the Old-New-Synagogue suspected who for this reason in 1472 on a wasteland near the church of Saint Valentin founded a synagogue. Parts of this old synagogue have survived. Between 1607 and 1625, occurred an extension of a Renaissance meeting room with cross vaults, with flat stone ribs and domed windows decorated with a lisene on the outside. There also arose the nave of the women and a gallery open with arcades into the hall of the main prayer room. The architect of the reconstruction, Judah Goldschmied de Herz, is buried in the adjoining old Jewish cemetery. On his tomb stands: "On Tuesday, the 2nd Tischri 5386 (1625). Here rests the wise and skillful man Judah Goldschmied de Herz. He was always cautious and did his prayers godly, he nursed himself by his handwork, and according to his plans the whole construction of the Pinkas Synagoge and a part of the Maisl Synagogue was carried out. Glory be to him".

An idea of the size of the prayer room in the Pinkas Synagoge gives the number of seats. In its lower part there were 177, in the female part 100, and in the gallery, which was intended exclusively for women, 143 seats. The Pinkas Synagoge over the centuries over and over again became a victim of floods (most recently in 2002). As a result of flood catastrophes in the 17th and 18th century, She sank deeper and deeper into the ground and had to be renovated again and again.

At each renovation, original decorations were lost and modifications were made. Up until the 19th century, in the Pinkas Synagoge souvenirs of the Jew Schlomo Molcho who had been burned on the pyre in Spain in 1432 were kept, who held on to his Jewish faith and was therefore burned.

In the years 1922-1925, the foundation walls of the medieval synagogue were exposed, in the years 1950 - 1953 also the original plaster; a ritual bath, a mikwe, was found in the seventies and further renovations were carried out later.

In 1960 a memorial for the Jewish victims of Nazifascism coming from Bohemia and Moravia was founded here. 77,297 names were recorded on the walls of the main nave as well as of the adjoining premises. The names of the Prague Jews are recorded in the main nave. The names, the date of birth and the date of the deportation to the east are named in alphabetical order. In the neighboring rooms are the names of the Jews from other communities of Bohemia and Moravia. On the wall where the Thora shrine once stood one reads the names of the concentration and extermination camps in which those people were killed. Source: 636)

 

Pinkas-Synagoge in Prag

Die Synagoge und der Name Pinkas wird erstmals im Jahr 1492 erwähnt. Es ist wahrscheinlich, daß es an dieser Stelle bereits vorher ein Bethaus oder eine Synagoge gab. Ausgrabungen zwischen 1968 und 1990 haben zu dieser Vermutung Anlass gegeben, weitere Belege müssen jedoch folgen.

Die Synagoge in der heutigen Široká ulice war Eigentum der Familie Horovsky. Jesaja Horovsky vererbte die Synagoge im Jahr 1519 an Aron Meschullam Horovsky, der die Synagoge im Jahr 1535 umbauen ließ. Horovsky war ein Urneffe des ursprünglichen Gründers der Synagoge, eines gewissen Rabbiners Pinkas. In den historischen Unterlagen werden Streitigkeiten zwischen der „rebellischen“ Familie der Pinkas mit den Alteingesessenen der Alt-Neu-Synagoge vermutet, die deswegen im Jahre 1472 auf einer Brachstelle unweit der Kirche des hl. Valentin eine Synagoge gründeten. Von dieser alten Synagoge sind Teile erhalten geblieben. Zwischen 1607 und 1625 kam es zum Anbau eines Renaissance-Sitzungssaales mit Kreuzgewölben, mit flachen steinernen Rippen und Kuppelfenstern, die außen mit einer Lisene geschmückt sind. Es entstand auch das Frauenschiff und eine mit Arkaden in den Saal des Hauptbetraumes geöffnete Galerie. Der Architekt des Umbaues, Juda Goldschmied de Herz, ist auf dem nebenan liegenden alten jüdischen Friedhof bestattet. Auf seinem Grabmal steht: „Am Dienstag, den 2. Tischri 5386 (1625). Hier ruht der weise und geschickte Mann Juda Goldschmied de Herz. Er war immer vorsichtig und verrichtete gottesfürchtig seine Gebete, er nährte sich durch seiner Hände Arbeit und nach seinen Plänen wurde der ganze Bau der Pinkassynagoge und eines Teils der Maislsynagoge durchgeführt. Er sei gepriesen.“

Von der Größe des Betsaals in der Pinkassynagoge zeugte die Zahl der Sitze. In seinem unteren Teil befanden sich 177, im Frauenteil 100, und auf der Galerie, die ausschließlich für Frauen bestimmt war, 143 Sitze. Die Pinkassynagoge wurde im Laufe der Jahrhunderte immer wieder Opfer von Überschwemmungen (zuletzt 2002). Als Folge von Hochwasserkatastrophen im 17. und 18. Jhdt. sank sie immer tiefer in den Boden ein und musste immer wieder renoviert werden.

Bei jeder Renovierung gingen ursprüngliche Verzierungen verloren, wurden Änderungen vorgenommen. Bis ins 19. Jahrhundert hinein wurden in der Pinkassynagoge Andenken an den 1432 in Spanien auf dem Scheiterhaufen verbrannten Juden Schlomo Molcho aufbewahrt, der an seinem jüdischen Glauben festhielt und deswegen verbrannt wurde.

In den Jahren 1922 – 1925 wurden die Grundmauern der mittelalterlichen Synagoge freigelegt, in den Jahren 1950 – 1953 auch der ursprüngliche Putz; in den siebziger Jahren wurde ein rituelles Bad, eine Mikwe, gefunden, später wurden weitere Renovierungsarbeiten durchgeführt.

Im Jahr 1960 wurde hier eine Gedenkstätte für die aus Böhmen und Mähren stammenden jüdischen Opfer des Nazifaschismus gegründet. 77.297 Namen wurden an den Wänden des Hauptschiffes als auch der anliegenden Räumlichkeiten verzeichnet. Im Hauptschiff sind die Namen der Prager Juden festgehalten. In alphabetischer Reihenfolge werden die Namen genannt, das Geburtsdatum und das Datum der =>Deportation in den Osten. In den Nachbarräumen stehen die Namen der Juden aus anderen Gemeinden Böhmens und Mährens. An der Wand, an der einst der Thoraschrein gestanden hat, liest man die Namen der Konzentrations- und Vernichtungslager, in denen diese Menschen ums Leben kamen. Quelle: 636)

www.ghetto-theresienstadt.info/pages/p/pinkas.htm

I was given this excellent looking Super 8 movie camera a while ago, and when I put batteries in it everything seemingly worked. It even had a film in it, but I stupidly threw it out as at that point I had no idea expired film could still sometimes be usable. It just sits around the place as my unimaginative mind can't think of anything interesting enough to film that would justify the expense, but someday I'll use it.

Ah, Ukraine! When I first visited Rusfurrence in 2013, and was given a tour of Moscow by my excellent hosts, I thought I’d fallen in love with Russian cuisine – only to discover that nearly everything I’d devoured was in fact Ukrainian. Therefore, I knew I would one day have no choice but to visit the source, and boy howdy, was it worth it.

 

Our hosts and dear friends took such excellent care of us, with ‘us’ including a surprising number of foreigners, most of whom had never been to Ukraine before. My boyfriend Rush joined me, as did our friend Bostitch, and we met up with Oatcake and Fox Amoore and far, far too many other friends to mention.

 

The convention itself was fantastic, marked by the lively, can-do spirit the Ukrainians are known for, though I regrettably saw far too little of it. We’d wanted to take a quick look at Kiev while we were in the country but it wound up taking us three hours to get back, and it also didn’t help that I’d caught a bug that left me too tired to partake of many of the events – including a party bus!

 

Still, there was plenty of fun to be had in the evenings. The Tiger Bar set up in the corridor of the fourth floor, the Stone Soup bar in the suite and balcony of room 107, and of course the traditional picnic and barbecue in the woods, which I was told was how WUFF had originally started. It started raining rather fiercely immediately after the campfire got started, but the Ukrainians proved themselves indomitable, putting together a shovel team to dig emergency trenches and build dams around the fire, which never went out!

 

Words can’t describe the warmth and fun of the con. We’ll certainly be back.

 

For more WUFF ’16 photos, check out the gallery here: www.flickr.com/photos/alexfvance/albums/72157668089241926

 

As always, share and enjoy.

 

- Alex "Khaki” Vance

 

If you want to say hi, you can find me on Twitter @khakidoggy, or drop me an email at khakidoggy@me.com

 

[ If you appear in any of the photos you're free to use them; if you know anyone in a photo, please do share it with them! ]

 

For even more con photography: www.flickr.com/photos/alexfvance/albums/

Only by for Austria successful outcome of Ottoman wars in Europe the conditions were given to turn the old Hofburg, which until now was more fortress than imperial residence, into a befitting palace of a powerful dynasty. When Emperor Charles VI in 1711 succeeded to the throne, stood along the Schaufler alley until St. Michael's square yet the old two-story Chancellery Wing from the time of Ferdinand I. It was significantly lower than the Amalien wing and the Leopoldine wing, bordering the Interior Castle courtyard on the southwest and the southeast side. Between the Chancellery Wing and the Swiss courtyard there was a by Daniel Suttinger created Gate construction. In its place erected Johann Lukas von Hildebrandt in 1712 the so-called Carolingian Triumphal Arch but which was as well demolished in 1728 because now they had laid the foundation for a much more representative Chancellery Wing and in 1723 started the construction work. Hildebrandt's plans provided the unification of the entire inner castle but failed in the end due to the immense cost. 1726 he had to cede construction management to in the meantime appointed Court architect Joseph Emanuel Fischer von Erlach. This one let the already finished construction at Schaufler alley remain but put in front of it the splendid late baroque wing at the courtyard side. Fischer too could due to lack of sufficient liquid funds of the Imperial family his ideas which comprehended also the entire castle not fully realize. Work came to a halt in 1735 and was finally discontinued. The St. Michael's gate was only from 1888 after the demolition of the old Hofburg theater finished.

Herakles of Mattielli

In Chancellery wing were until 1806 when Emperor Franz II/I resigned the Roman-German Imperial Crown the central offices of the administration of the Holy Roman Empire housed. This included especially as the most important Imperial authority the Aulic Councel. 1810 lived here the French ambassador Berthier, when he, on behalf of Napoleon, asked for the hand of Maria Louise, the daughter of Francis I. At the time of the Vienna Congress in some rooms of the Imperial Chancellery Wing was housed the king of Bavaria. 1848 served archduke Johann a suite of rooms as an apartment. In the summer of this year, he received in Great Audience Hall a delegation from Frankfurt Imperial Diet, offering him the dignity of a "German Imperial Regent". A few years later the rooms were renovated, refurbished and converted into apartments for the Imperial family. Traditionally, no Austrian Emperor has taken over the apartment of his predecessor. Franz Joseph moved into his apartment in 1857, three years after his marriage, and lived there until his death in 1916. The apartment of his wife Elisabeth was in the neighboring Amalien wing. Today, the Imperial Apartments as well as the recently opened Sisi Museum and the former Court Silver and Table Room can be visited. The latter is dedicated to the culture of courtly household and the court ceremonial.

While the front is not very spectacular in Schaufler alley, turns the five-story face side of the Imperial Chancellery Wing towards the interior courtyard. This one served till the 16th century as a tournament court. In 1561 issued Thurnierbuch (tournament book) is yet of tournaments of the future Emperor Maximilian II reported which this one had held here in June of last year. In the 17th century but here no more tournaments took place but mounted tournaments, as the then popular horse ballet. The long facade facing the courtyard is accented by three only little projecting risalits with portals and balconies (1727/29) and divided by giant pilasters. The design of the façade is already reminiscent of the design language of French classicism. Franz Joseph and Elisabeth got through the Imperor's gate in central projection to their rooms on the first floor. The leading upwards Emperor's stairway has a magnificent stucco marble equipment and is decorated with gilted bronze vases. But it is hardly ever used. Today's visitor entrance to the Imperial Apartments is located beneath the dome of St. Michael's gate. The five windows above the Emperor's gate are preceded by a long balcony which rests on strong consoles. On the attic of the central projection is attached the huge blazon of Emperor Charles VI with the double-headed eagle. It is overtopped by the German imperial crown and surrounded by a golden chain with the Golden Fleece. Flanked is it by two, carrying trumpets genii. Beside the portals of the side projections stand each two sandstone sculptures of Lorenzo Mattielli. They show the deeds of Hercules. On the ground floor were housed until 1918 various court offices, as the Chamber for payments of the Court, the House, Court and State Archives (until 1902) and the Control office of the Court. In the premises of once Imperial linen room was from 1921 to 1987 the Vienna tapestry manufacture whose leading products have been exported throughout the world.

Study of Franz Joseph

Additionally to the living quarters of the Emperor - those of the Empress were in neighboring Amalien wing - belongs to the Imperial Apartments the Guard room where the bodyguards were on sentry duty but most of all the large Audience waiting room and the Audience chamber, where the Emperor, standing at his desk, used to receive his visitors individually. Under Maria Theresa, took place the deliberations of the Imperial, Court and State Councils of the former Imperial Chancellery in Audience waiting room. Unfortunately, this beautiful, decorated in white, red and gold hall was similarly to fairy-tale grotto recently equipped with figurines in the national costume of the individual crown lands in order to document that here waited people from all walks of life and from all provinces of the country for an audience. During his long reign, there were at least more than 250,000. In this room, hang large, many-figured murals (1832) of Biedermeier painter Peter Krafft, showing scenes from the life of Emperor Franz I. From the ceiling hangs a eighty-flammy Bohemian crystal chandelier still dating from the time of Maria Theresa. The originally fitted with candles chandelier of the Imperial apartments were in 1891 electrified. The ornate pottery kilns partly still stem from the 18th century. They were heated externally via the situated behind the rooms heating passage with wood. In the equipment of his private rooms the personal modesty of the emperor is reflected. Unlike his wife, he had not even running water injected. Noteworthy is also the simple iron military bed that served him for decades as a place to sleep. His office, in which he most of the time was yet active from six o'clock in the morning is adorned with numerous photos and paintings of his family. Here hangs also a famous portrait of the Empress by Franz Xaver Winterhalter. The equipment of the 22 official and residential premises of Emperor Franz Joseph and his wife Elisabeth, which today can be visited as Imperial Apartments, stems from several eras: from late Baroque to Rococo and the Empire to the 19th century neo-Baroque. These include also the four rooms of Stephan's apartment which is named after Archduke Stephan Viktor. The former theater corridor which enabled a direct connection to the old Hofburg Theater is walled off today.

www.burgen-austria.com/archive.php?id=512

Unused picture postcard of c.1940's. No publisher's details or a location given. The quality of the carving would suggest a cathedral, high church, abbey or castle, possibly York. Such grotesques are normally found decorating a corbel string course or the capitals of pillars.

Amy Butler Sandlewood Jacket made using Tina Givens Pernilla's Journey fabrics, this side is Homestead gardens in cotton candy technologyandtutus.com/2012/01/02/sewing-for-2012/

Womenswold, Wymynswold, Wimlingswold or Wyiningswould (as I saw on a memorial yesterda!) is a church I have sruggled to get into over the years. There are two keyholders, but last time, neither answered their doors. Yesterday, however, one did, and I was given a simple modern key to unlock the inner door, and finally see inside.

 

St Margaret's has just been renovated, thanks to a grant from the Lottery Heritage fund, the most obvious change, for returning visitors, is the reloaction of the font. It does look spanking inside, I have to say, and this ancient church, which is covered with memorials is worth half an hour of anyones time.

 

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Coming into Womenswold is almost like visiting a miniature village. Houses hem in the church and the view from the approach road is completely filled by flint wall. The church is mostly thirteenth century - full of lancets - but remodelled in the late medieval period and again by the Victorians. The nave north wall has no windows and displays three impressive memorials including one by Sir Robert Taylor. In the chancel are two tomb recesses - the north one still has its original thirteenth century coffin lid with Lombardic script whilst the southern one was messed about with in the nineteenth century when its coffin lid was moved a few feet to the west and hidden under the choir stalls. It has recently been uncovered again. Behind the altar is a lovely tin inscription plate whilst below it is some nineteenth century stencilling that would have looked good through the legs of the altar. The sedilia and piscina have all been recut by the Victorians. The pulpit hangs over its stone bases almost like the prow of a ship whilst the font has a row of very lively encaustic tiles around its base. All in all a lovely and well cared for church.

 

www.kentchurches.info/church.asp?p=Womenswold

 

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LOCATION: On a raised roughly triangular shaped site (churchyard) at c. 320 feet above O.D. The church is in the N.W. part of the parish surrounded by a group of c. 18 cent. houses; Woolage is the larger population area in the S.E. part of the parish.

 

DESCRIPTION: The nave and chancel form one continuous long rectangle, with an added tower to the west. The coursed flintwork and western quoins of the nave suggest that this is a 12th century structure, which had an enlarged chancel added in the late 13th century. The tower is also probably late 13th century, while the small north transept (? a chapel) is a little later (? c. 1300) with its wider lancet. The chancel has eastern buttresses, and three lancets on each side as well as an eastern triplet. (There is a bishop's head sculpture - ? corbel - set in the east gable). There is a small 13th century doorway in the S. chancel wall with a hoodmould, and a restored buttress in the middle of the S. wall marks the nave/chancel boundary. A small brick porch was added on the S.W. (dated 1729 on keystone), in Flemish bond with some blue headers.

A sunken boiler house has been added on the northside of the tower (with steps down from the west), and surprisingly the N. wall of the nave has no windows in it. It seems to have been completely refaced (or totally rebuilt?) in c. 1300 when the north transept was built. The latter now contains the organ, so that the interior is obscured. It used to house the Old Nethersole pew.

Internally the chancel, of the late 13th century is the best surviving part of the medieval building. It has a continuous string course and tomb recesses on either side as well as a triple trefoil-headed sedilia, and a trefoil-headed piscina on the south-east. There are good mouldings to the rere-arches. Hasted (op cit., 265) mentions 'old French capitals, nearly obliterated' over one tomb-recess. The new chancel may have been built c. 1286 when, Wingham College was set up.

The south side of the nave has two two-light early 16th century windows with depressed heads. These windows perhaps replace early 14th century windows, as shown by the pointed knapped-flint relieving arches over them.

There is a 1749 Bell inscribed: THO I AM BUT SMALL I WILL BE HEARD AMONG YOU ALL.

Unfortunately the major restoration of 1869 was a heavy one with much new work, both masonry repairs and the new roofs, and the church was not visited by Sir Stephen Glynne, until the following year.

 

BUILDING MATERIALS: (Incl. old plaster, paintings, glass, tiles etc.): The principal imported stone is Caen for the quoins, lancet jambs, etc. There are also a few reused the Roman bricks and a little Reigate stone (eg. N. side of tower), and the c. 1869 restoration seems to be in Bath stone (eg. restored E. buttresses, W. doorway and W. nave quoins).

 

www.kentarchaeology.org.uk/01/03/WOM.htm

Given where this snake was and how obvious it was, I would venture to say that someone ran this one over on purpose. Always sad to see but especially so in Ohio, where they are state-endangered.

The glass fence around this outdoor dining area has been given a really good hiding. The whole pane was cracked all over.

 

Taken with iPhone 4S.

One of four NAVCAM images taken from a distance of 94.3 km from the centre of Comet 67P/Churyumov-Gerasimenko on 26 February. The image resolution is 8.0 m/pixel and the individual 1024 x 1024 frames measure 8.2 km across. The mosaic measures 14.6 × 14.7 km.

 

More information and the original image via the blog: CometWatch: Sideways - CometWatch 26 February

 

Credit: ESA - European Space Agency, CC BY-SA 3.0 IGO

 

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