View allAll Photos Tagged geometricpatterns
O Claustro Pequeno, núcleo mais antigo do Convento da Madre de Deus, atual Museu Nacional do Azulejo, em Lisboa, exibe uma rica combinação de estilos arquitetónicos, do gótico tardio ao Renascimento. Fundado em 1509 pela Rainha D. Leonor, o claustro apresenta paredes revestidas a azulejos, destacando-se o padrão geométrico "ponta de diamante", em relevo, característico da azulejaria maneirista dos finais do século XVI, com influências sevilhanas e produção em Lisboa. Integra ainda um lavabo ou fonte em pedra, elemento comum nos claustros conventuais. Ao longo dos séculos, o complexo sofreu alterações, nomeadamente sob o reinado de D. João III e após o terramoto de 1755, acumulando traços manuelinos e barrocos. O piso superior apresenta uma galeria de arcadas em pedra calcária, assentes em colunas com capitéis coríntios, com painéis de azulejos hispano-mouriscos em padrão geométrico azul e amarelo. O espaço serve como um testemunho vivo da evolução da azulejaria em Portugal.
The Small Cloister, the oldest part of the Madre de Deus Convent, now the National Tile Museum in Lisbon, displays a rich combination of architectural styles, from late Gothic to Renaissance. Founded in 1509 by Queen Leonor, the cloister has walls covered with tiles, featuring the geometric “diamond point” pattern in relief, characteristic of Mannerist tile work from the late 16th century, with Sevillian influences and production in Lisbon. It also includes a stone washbasin or fountain, a common feature in convent cloisters. Over the centuries, the complex underwent changes, particularly during the reign of King João III and after the 1755 earthquake, accumulating Manueline and Baroque features. The upper floor features a gallery of limestone arcades, resting on columns with Corinthian capitals, with panels of Hispano-Moorish tiles in a blue and yellow geometric pattern. The space serves as a living testimony to the evolution of tile work in Portugal.
Using dramatic upward perspective, I transformed this Chabanon tower into a stark study of light and shadow. The black and white treatment emphasizes the repetitive pattern of balconies, creating a visual melody that plays with architectural geometry.
Standing at the base of this cooling tower, I wanted to capture how the concrete structure creates a mesmerizing spiral toward the sky. The natural lighting through the central opening adds drama, while the concentric patterns draw viewers into a geometric journey upward.
As Veida came through the door of her flat, she quickly closed it before turning on the standard lamp in the drawing room. "Punch" was full of cartoons lampooning the blackout, but she took even a chink of light very seriously, even in those early days of the war in that glorious 1939 September when everyone was adapting to the new government regulations. Her own light and airy Knightsbridge flat was now positively repressive with the addition of a thick blackout lining to the red shantung curtains. However, as an air raid warden, she had seen for herself what the enemy from across the Channel could do, as her beloved London was bombed night after night in what was now commonly known as "the Blitz". If the King and Queen could be bombed at Buckingham Palace, as they were the other night, Veida wasn’t going to leave anything to chance.
Veida turned the brown Bakelite lozenge knob of her wireless and waited for the valves to warm up. She removed the tin helmet emblazoned with ARP WARDEN in bold white printed letters from her head. Glancing critically at her shadowy reflection in the mirror over the fireplace she sighed wearily as she tugged at the waves in her pageboy bob that had been compressed by the uncomfortable headgear. “What a fright!” she tutted at her mirrored image. “Thank goodness you aren’t going dancing at the Embassy.” But there was no dancing for Veida now, not with Reggie away. It just didn’t seem right to go dancing with other airmen at a nightclub when your own fiancée was out there somewhere over Europe fighting for you. Primrose Chateris didn’t care, and told Veida so when she scolded her for dancing with a stranger in uniform last week. No; the beautiful sweeping silk and satin gowns Veida wore in 1938 were packed away until… until when? When Reggie returned? When the war ended? When life returned to its pre-war normality? Rubbing her temples, Veida silently wondered if life would ever return to normal. This war seemed to have turned the world she knew and everyone in it upside down.
A crackling broke into Veida’s thoughts as the wireless sputtered to life and she heard the last few notes of a piece of classical music played on a piano. The dial on her walnut wireless glowed happily in the warm lamplight and she heard the familiar male voice announce; “This is the BBC Home Service”.
“Thank goodness,” Veida said aloud to her empty flat. “At least some things can still be relied upon in this topsy turvey world!” And she kicked off her heavy work shoes covered in brick dust and soot and curled up on the couch to hear the latest news and forget about her aching head and weary bones for a little while.
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This wonderful Art Deco walnut case wireless radio was made by the New Zealand manufacturers, Temple. According to its serial number, it was made in 1935 and is very much typical of a wireless found in most middle-class homes during the 1930s. It has a pyramid case; still a popular shape after “Egyptomania” or “Tutmania” gripped the world after the discovery of Pharaoh Tutankhamen’s tomb in 1922. Its edges however, are rounded, hinting at the Streamline Moderne style so popular in the mid 1930s. Whilst the fine veneer is a warm walnut, the very Art Deco speaker grille and the two fin details on the front are made of stained blackwood. The manufacturer’s name is picked out in brass on red enamel above the convex glass dial and the lozenge knobs are of mottled chocolate brown Bakelite (an early form of plastic that came into everyday use in the 1920s and 30s). Worked with beautiful glass valves, this radio has to be allowed to warm up before use, but still works beautifully, sending forth a soft, slightly dappled sound that only wireless radios of this era and vintage can do. It can still pick up all AM radio stations as well as shortwave radio from around the world.
Private collection.
The theme for "Smile on Saturday" on Saturday 2nd of May 2020 is "radio". This seemed a worthy entry.
Looking up inside Galleria Sciarra in Rome reveals a unique fusion of architecture, decoration, and light. The glass ceiling opens a view to the sky, filtering daylight onto the richly painted walls and intricate details of the gallery. Standing at the center and gazing upward, geometry and ornament meet, creating a striking sense of depth and harmony.
Kaleidoscope Wonders Coloring Art for Everyone, published by Leisure Art, Inc. www.leisurearts.com. Colored with Blick Artists’ Pencils and fine line Sharpie Pens. Highlighted with iridescent water color pains. Thanks for viewing. Your fav’s and comments are most appreciated.
Holy hell, this black-and-white shot of Naniboujou Lodge's dining room is a savage gut-punch. What was once a screaming psychedelic riot—Cree murals exploding in reds, blues, yellows, greens like a bad acid trip in the North Woods—has been bled dry into grayscale madness.
The color's gone, ripped out like ether from the veins, leaving raw textures and patterns that knife through the shadows: vaulted ceiling zigzags, stone fireplace looming like a pagan altar, bentwood chairs waiting like conspirators. No more rainbow frenzy; just stark, elegant brutality—timeless, vicious, pulling you into the void where form and shadow bite harder than any hue ever could.
Damn if it isn't beautiful in its stripped-down fury.
Here is yet another glass chapel very similar to the first I posted, both of which were created by Euine Fay Jones. This particular one is located near Bella Vista, Arkansas.
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What explodes onto your senses when you first behold the Mildred B. Cooper Memorial Chapel is not at all what was anticipated when you began down the meandering trail from the parking lot. It is not only the Chapel's lofty heights, or the massive wooden doors, or even the arches upon arches that gracefully flow above and below each other giving the impression of airy wonder...What is most impressive is that a building of this magnitude, designed and created by the mind of a man, could so seamlessly fit into the natural scene which envelopes it.
Bella Vista is proud to be the home of the Mildred B. Cooper Memorial Chapel. The Chapel was created by renowned Arkansas architect Euine Fay Jones. In 1991, Fay Jones was awarded the American Institute of Architecture's highest award, the AIA Gold Medal. Fay was a student of Frank Lloyd Wright where he was first introduced to the principle of Organic Architecture (designing to fit the environment).
Built to honor Mildred Borum Cooper, wife of John A. Cooper, Sr., Founder of Cooper Communities, Inc, the Chapel is a fitting memorial. Besides being a devoted wife, mother, and member of the community, Mrs. Cooper had a deep spirituality and love for nature. Her family commissioned the Chapel in her honor to celebrate her life and her dedication to God and his creations.
beautifulbellavista.com/chapel.htm
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Mildred B. Cooper Memorial Chapel
Bella Vista, Arkansas
081917
© Copyright 2017 MEA Images, Merle E. Arbeen, All Rights Reserved. If you would like a copy of this, please feel free to contact me through my FlickrMail, Facebook, or Yahoo email account. Thank you.
In this image, I wanted to capture that particular moment when the late afternoon light transforms an ordinary urban scene into a graphic tableau. The elongated shadows of the trees create dramatic lines on the ground, like a natural calligraphy. I waited for the light to be perfectly positioned so that the setting sun's rays would illuminate the building's facade, creating a striking contrast with the shadowed areas. The solitary silhouette on the right became a key element of the composition, as if absorbed by this theatrical end-of-day light. The black and white treatment emphasizes the drama of this transitory moment, as day gently fades away. This photograph captures that fragile instant when the city transforms, bathed in the last gleams of daylight, creating a contemplative atmosphere in the urban bustle.
This photograph, taken from a unique low-angle perspective, captures the architecture of Punta Pacifica, Panama. Utilizing the Canon RF 16mm f/2.8 STM Lens, the image portrays the towering buildings as they converge towards the sky, creating a surreal cityscape canopy. Shot in high-contrast black and white, the photograph amplifies these edifices' structural intricacies and geometrical alignment.
Magnolia Cone Close-Up. Found it while walking under a large Magnolia tree. This one fell off the tree prematurely either by weather or blight.
Chiesa di San Carlo alle Quattro Fontane (1638-1640).
Architect: Francesco Borromini.
Via del Quirinale.
Rome, Lazio, Italy.
Nikon D800 | Nikkor AF-S 14-24 mm f/2.8G ED.
Back in Melbourne we visited the National Gallery of Victoria (NGV) at Federation Square. This houses the finest collection of Australian art in the country (largely the result of several major bequests going back to the halcyon days of the Victorian gold rush in the 1880s).
The architecture of Federation Square is clearly post-modern, in so far as it seems to be an eclectic mix of radical styles based on geometric patterns. This atrium is a good example. It is through here that we enter the NGV (Federation Square).
The architects of Federation Square were Peter Davidson and Donald Bates from Lab Architecture.
These tiled façades in Lisbon’s Alfama district capture the enduring beauty of Portuguese azulejos, a ceramic tradition deeply woven into the city’s architectural identity. Dating back to the 16th century, azulejos reflect a blend of Moorish geometric influence and Renaissance ornamentation, later evolving into the baroque storytelling panels found throughout Portugal. Here, repeating starburst and floral motifs in shades of blue, green, and black cover the façades, contrasting elegantly with arched windows, wrought-iron balconies, and crisp stone frames. Beyond their decorative appeal, tiles served a functional purpose—cooling interiors and protecting walls from weather. Today, they remain an iconic symbol of Lisbon’s timeless charm.
Played around with Adobe a little with this one.
A small bit of crop, levels adj, high pass filter with soft light blend, tweak some contrast, add some saturation, and top it off with a dash of unsharp mask.
Captured in Panama City, this abstract snapshot of a skyscraper showcases its meticulously layered facade. The image emphasizes the building's rhythmic patterns, drawing the viewer into the cadence of urban architecture in a city renowned for its skyline.
A corner of Grand Central Terminal against a new glassy neighbor - on East 42nd Street, NYC
[GX85-1080047 PScc]
Out for a walk, I was struck by how precisely and symmetrically the snow had been blown into this pattern on a concrete block retaining wall. I took several views that I'm happy with, but I think I like this one best, with the bands disappearing into the corner of pure snow. The lines were on an angle from where I was standing, so I tilted the camera to match the lines. This is also one of those shots that you may think is b&w, but then may begin to realize you're actually looking at a color shot: note the small spot of brown bleeding through in the upper middle. I've also posted a monochrome, if you prefer — though I like this one better.
Welcome to Kabukicho Ichiban-gai, the iconic gateway to Tokyo’s most vibrant entertainment district. This unmistakable red arch, adorned with retro-style neon lights and bold Japanese characters, serves as a cultural and architectural landmark. The bright red design juxtaposes modern Tokyo’s sleek, high-rise buildings and reflects Kabukicho’s lively energy as the “Sleepless Town.” The signage warns visitors that smoking on the street is prohibited, a nod to Tokyo's meticulous city planning and emphasis on urban cleanliness.
Originally developed after World War II, Kabukicho was named for a planned kabuki theater that was never built. However, its name lives on, and the area flourished into a hub of entertainment, blending traditional Japanese aesthetics with ultra-modern urban design. The Ichiban-gai entrance stands as a symbolic welcome to a world of eclectic adventures, from izakayas and karaoke to late-night ramen shops and vibrant nightlife.
Framing the entryway are modern glass-front buildings, such as the one on the left featuring geometric patterns, contrasting sharply with the bold, colorful advertising to the right. This architectural mix highlights the district’s adaptability, fusing cutting-edge design with the neon-drenched nostalgia of mid-20th-century Tokyo. The narrow streets beyond the arch hold endless treasures, including hidden alleyways brimming with culinary delights and niche bars.
Kabukicho Ichiban-gai is more than an entertainment district—it’s a testament to Tokyo’s ability to evolve while retaining its unique character. Whether you’re here for a night of exploration or simply soaking in the atmosphere, this dynamic entryway sets the tone for the unforgettable experiences that lie ahead.
It was weird of Sears to think it needed a specially dedicated building just for making keys.
Ugh the humorless self-satisfaction of the key shop's 20th century customers. I hate to remember those people.
I do like whoever chose pink as the color of the siding.
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In Toledo, Ohio, on April 28th, 2018, outside an abandoned Sears store (closed 2017) off the north side of Central Avenue (Ohio State Route 120) between Secor Road and Executive Parkway.
The building was erected in 1960, according to the Lucas County government's "Auditor's Real Estate Information System" website.
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Getty Thesaurus of Geographic Names terms:
• Lucas (county) (1002611)
• Toledo (7014378)
Art & Architecture Thesaurus terms:
• abandoned buildings (300008055)
• black (color) (300130920)
• department stores (300005344)
• dots (300010145)
• evening (300343633)
• geometric patterns (300165213)
• keys (hardware) (300033579)
• kraft paper (300014133)
• Mid-Century Modernist (300343610)
• outbuildings (300008001)
• pink (color) (300124707)
• siding (300014861)
• sunset (300343635)
• white (color) (300129784)
Wikidata items:
• 28 April 2018 (Q45920259)
• 1960 in architecture (Q2812256)
• 1960s in architecture (Q11185676)
• April 28 (Q2534)
• April 2018 (Q23994861)
• business failure (Q5001874)
• key duplication (Q60788515)
• Northwest Ohio (Q7060133)
• Ohio State Route 120 (Q2491917)
• Sears (Q6499202)
• stop sign (Q250429)
• Treaty of Detroit (Q1639077)
• vacant building (Q56056305)
A black and white photograph capturing the dense, geometric patterns of city high-rises, contrasted by the organic diagonal lines of rain and intersected by stark horizontal power lines. The juxtaposition of nature's gentle rain and the man-made verticality created a dance between the organic and inorganic. A reminder that even in the heart of a concrete jungle, rhythms of life and nature persist.
Mother Nature supplies most peoples with a lot of stones and rocks, but these precious gifts are used variously. In New England in USA they are used to make fences, as they are in parts of England. Many old streets were made of cobblestones. But in Andalusia I noticed that the stones were set in an artistic fashion to create stunning plazas. This image is from Córdoba.
captured in the heart of paris, this image portrays a lone figure walking with quiet determination, as if moving between light and shadow. the architectural lines above stretch like a futuristic web, guiding the viewer's gaze directly to the man at the center. there's a sense of stillness and introspection in his steady steps, while the silhouettes in the background fade like distant memories, barely tangible. the black-and-white format emphasizes the geometry and rhythm of the lines, creating an atmosphere of detachment and contemplation. it's a silent, almost melancholic moment that reflects the pace of modern life, highlighting the contrast between the solitude of the individual and the busy world around him.