View allAll Photos Tagged geometricpatterns
A close-up, low-angle shot captures rows of weathered concrete steps ascending diagonally across the frame. Small, black, numbered markers—visible numbers include 12, 13, 14, 15, and 16—are embedded in the risers, suggesting a stadium or arena seating section. The bright, overexposed lighting creates a high-contrast, almost monochromatic effect, emphasizing the texture and repetitive geometry of the steps.
A dramatic low-angle shot captures an ornate stained glass lamp glowing against a pitch-black background. The warm light from its two CFL bulbs illuminates the intricate green and blue geometric pattern of the shade and casts a soft glow on the dusty, cobweb-covered base, creating a moody, slightly eerie atmosphere. The composition highlights the contrast between the lamp's vintage elegance and its neglected state.
Colonia del Sacramento, Uruguay: A central panel of intricate, hand-painted azulejo tiles serves as a striking centerpiece against the rugged, weathered stone facade of an old colonial building. The vibrant blue and white geometric patterns of the tiles offer a stark, sophisticated contrast to the rough-hewn, earthy textures of the surrounding wall construction. Light catches the glazed surface of the ceramics, highlighting the historical Portuguese and Spanish influence that defines this UNESCO World Heritage site. Each individual tile contributes to a larger, complex mosaic design that draws the eye toward the center of the image. The deep mortar lines and irregular shapes of the stones emphasize the centuries of architectural history preserved within this unique corner of the town. This composition utilizes natural ambient light to bridge the gap between delicate decorative artistry and the raw, tangible grit of colonial masonry. The framing of the tiles within the stone wall suggests a thoughtful restoration process designed to honor the aesthetic legacy of the Rio de la Plata region. Observing these intricate patterns provides a deeper understanding of how European colonial techniques were adapted to the materials available in South America. Preserving such architectural details is essential for maintaining the authentic character of historical landmarks that draw travelers from around the globe to discover the layered narratives of Uruguay. This image is a collaborative production by Samuel Jeffery and Audrey Bergner for Samuel and Audrey Media Network.
---
Colonia del Sacramento, Uruguay: Un panel central de intrincados azulejos pintados a mano sirve como una pieza central llamativa contra la fachada de piedra rugosa y desgastada de un antiguo edificio colonial. Los vibrantes patrones geométricos en azul y blanco de los azulejos ofrecen un contraste marcado y sofisticado con las texturas ásperas y terrosas de la construcción de la pared circundante. La luz captura la superficie vidriada de la cerámica, destacando la influencia histórica portuguesa y española que define a este sitio declarado Patrimonio de la Humanidad por la UNESCO. Cada azulejo individual contribuye a un diseño de mosaico más grande y complejo que atrae la vista hacia el centro de la imagen. Las profundas líneas de mortero y las formas irregulares de las piedras enfatizan los siglos de historia arquitectónica preservada en este rincón único de la ciudad. Esta composición utiliza luz ambiental natural para cerrar la brecha entre el delicado arte decorativo y la aspereza tangible de la mampostería colonial. El encuadre de los azulejos dentro de la pared de piedra sugiere un proceso de restauración reflexivo diseñado para honrar el legado estético de la región del Río de la Plata. Observar estos patrones intrincados proporciona una comprensión más profunda de cómo las técnicas coloniales europeas se adaptaron a los materiales disponibles en América del Sur. Preservar tales detalles arquitectónicos es esencial para mantener el carácter auténtico de los monumentos históricos que atraen a viajeros de todo el mundo para descubrir las narrativas superpuestas de Uruguay. Esta imagen es una producción colaborativa de Samuel Jeffery y Audrey Bergner para Samuel and Audrey Media Network.
Explore more of our work:
🎥 YouTube: @samuelandaudrey & @samuelyaudrey
🌎 Personal Sites: samueljeffery.net, audreybergner.com & samuelandaudrey.com
🎒 Travel Guides: thatbackpacker.com & nomadicsamuel.com
Photo by Samuel Jeffery & Audrey Bergner | Samuel and Audrey Media Network
{"@context": "https://schema.org", "@type": "ImageObject", "creator": [{"@type": "Person", "name": "Samuel Jeffery", "sameAs": ["https://samueljeffery.net", "https://audreybergner.com", "https://samuelandaudrey.com", "https://thatbackpacker.com", "https://nomadicsamuel.com", "https://youtube.com/@samuelandaudrey", "https://youtube.com/@samuelyaudrey"]}, {"@type": "Person", "name": "Audrey Bergner", "sameAs": ["https://samueljeffery.net", "https://audreybergner.com", "https://samuelandaudrey.com", "https://thatbackpacker.com", "https://nomadicsamuel.com", "https://youtube.com/@samuelandaudrey", "https://youtube.com/@samuelyaudrey"]}]}
Kumiko folding screen, 2019
Sakae Tategu Kōgei
Japanese castor aralia (lignitized), Japanese cedar, Japanese whitebark magnolia (lignitized), Japanese cherry, Japanese whitebark magnolia, Kiso hinoki cypress, Chinese pyramid juniper, katsura (lignitized), Japanese sumac (urushi), Japanese whitebark magnolia (sapwood), Chinese cedar
This complex kumiko work depicts a mountainous landscape, draped in mist. By applying the design to a folding screen (byōbu), the viewer can feel immersed within the surrounding landscape.*
Kumiko latticework
Kumiko refers to the intricate latticework used in Japanese architectural fittings (tategu) such as shōji – translucent, sliding partition screens; ranma – decorative transoms; and tsuitate – freestanding, movable partition screens. The origins of kumiko likely date back to the Kamakura period (1185–1333), with techniques passed down through generations. The central process involves crafting thin, delicate pieces
of wood and assembling them in various geometric patterns to form a seamless surface. This advanced technique was further developed in the latter half of the 20th century. While high-quality, straight-grained hinoki cypress is typically preferred, integrating contrasting natural colours from a variety of woods can give Kumiko works an expressive painterly quality.*
From the exhibition
The Craft of Carpentry Drawing Life from Japan’s Forests
(March – July 2025)
This exhibition reveals the essence of Japanese carpentry in three ways: through the work of temple and shrine carpenters (dōmiya daiku); that of teahouse carpenters (sukiya daiku); and joinery techniques (kigumi).
Since ancient times, Japan’s craftspeople have been shaping their social environment. Their work continues to permeate all aspects of life, contributing to everything from the everyday to the most sacred grand designs. Within this society, people have always been grateful for the blessings of nature and revered the innumerable kami – spirit-deities – residing in the natural world. Carpenters and woodcutters respectfully seek forgiveness from the forest kami before gathering the raw materials for their work. Understanding the individual qualities of trees and their environment is crucial to their activities.
The great 20th-century craftsman Nishioka Tsunekazu laid out a number of key principles. For temple construction, he advised using wood from a single mountain, and understanding the wood’s natural curves. Choosing the right wood is vital: trees grown on higher mountain slopes are ideal for structural elements such as beams and pillars, while those in the lower valleys are better for finishing materials. When used correctly, wood can last for generations. Timber is only a renewable resource if the growth period of the tree and the life of a building align. If we use a 1,000-year-old tree, we need to be prepared to take on more than 1,000 years of responsibility for the building we create.
The precision of Japanese woodworking is deeply rooted in a respect for nature, expressed through highly refined techniques and tools. In a land where iron is scarce, carpenters developed advanced joinery methods that do not rely on the use of nails. As we reconsider our relationship with our planet, these practices offer a wisdom that continues to resonate today.
[*Japan House]
Taken in Japan House
Sun-baked adobe walls bear the vibrant, hand-painted legacy of the Argentine Northwest, capturing the essence of a tranquil afternoon in a high-altitude Andean village. The close-up shot zeroes in on the decorative eaves of a traditional building, where an ornate terracotta-tiled roof shelters a canvas of rustic plaster. A central, stylized floral motif—rendered in earthy ochres, deep greens, and warm browns—speaks to the rich indigenous and colonial artistic heritage prevalent throughout regions like Iruya and Salta. The photographer employs a carefully considered focal length, bringing the textured, golden-hued wooden sign reading "EL PATIO COMIDAS" into sharp relief against the painted facade. Harsh, direct sunlight casts strong, defined shadows from the black wrought-iron bracket, emphasizing the three-dimensional texture of the coarse exterior wall. These geometric and floral frescoes are characteristic of Norte Argentino's vernacular architecture, designed to add bursts of color to the stark, dramatic landscapes of the Quebrada. The sign itself, carved with thick, rustic lettering, invites weary travelers to partake in regional culinary delights, hinting at the warm hospitality found within. Peeling paint and weathered textures tell a subtle story of relentless mountain winds and intense solar exposure, grounding the image in its rugged environment. A sliver of crisp, clear blue sky peeks out at the very top, offering a subtle, cool contrast to the warm, earthy tones dominating the composition. This intimate, tightly cropped framing excludes the wider streetscape, compelling the viewer to appreciate the intricate craftsmanship and historical aesthetic of Andean daily life. This image is a collaborative production by Samuel Jeffery and Audrey Bergner for Project 23.
---
Las paredes de adobe cocidas por el sol llevan el legado vibrante y pintado a mano del noroeste argentino, capturando la esencia de una tarde tranquila en un pueblo andino de gran altitud. La toma en primer plano se centra en los aleros decorativos de un edificio tradicional, donde un techo ornamentado de tejas de terracota alberga un lienzo de yeso rústico. Un motivo floral estilizado central, representado en ocres terrosos, verdes profundos y marrones cálidos, habla de la rica herencia artística indígena y colonial que prevalece en regiones como Iruya y Salta. El fotógrafo emplea una distancia focal cuidadosamente considerada, haciendo que el letrero de madera de tonos dorados y texturizados que dice "EL PATIO COMIDAS" resalte nítidamente contra la fachada pintada. La luz solar dura y directa proyecta sombras fuertes y definidas desde el soporte de hierro forjado negro, enfatizando la textura tridimensional de la pared exterior áspera. Estos frescos geométricos y florales son característicos de la arquitectura vernácula del Norte Argentino, diseñados para agregar estallidos de color a los paisajes dramáticos y desolados de la Quebrada. El letrero en sí, tallado con letras gruesas y rústicas, invita a los viajeros cansados a participar en las delicias culinarias regionales, insinuando la cálida hospitalidad que se encuentra en su interior. La pintura descascarada y las texturas desgastadas cuentan una historia sutil de vientos de montaña implacables y una intensa exposición solar, anclando la imagen en su entorno escarpado. Una franja de cielo azul claro y nítido se asoma en la parte superior, ofreciendo un contraste sutil y fresco con los tonos cálidos y terrosos que dominan la composición. Este encuadre íntimo y muy recortado excluye el paisaje callejero más amplio, obligando al espectador a apreciar la intrincada artesanía y la estética histórica de la vida cotidiana andina. Esta imagen es una producción colaborativa de Samuel Jeffery y Audrey Bergner para el Proyecto 23.
Explore more of our work:
Local Guides: cheargentinatravel.com & nomadicsamuel.com
🌎 Personal Sites: samueljeffery.net, audreybergner.com & samuelandaudrey.com
Photo by Samuel Jeffery & Audrey Bergner | Project 23
{"@context": "https://schema.org", "@type": "ImageObject", "name": "Traditional Painted Facade and Restaurant Sign in Norte Argentino", "description": "Close-up of a traditional painted facade with a wooden sign reading 'El Patio Comidas' in the Argentine Northwest.", "creator": [{"@type": "Person", "name": "Samuel Jeffery", "sameAs": ["https://cheargentinatravel.com", "https://nomadicsamuel.com", "https://samueljeffery.net", "https://audreybergner.com", "https://samuelandaudrey.com", "https://nomadicsamuel.com/argentina-authority-ledger-master-database-project-23"]}, {"@type": "Person", "name": "Audrey Bergner", "sameAs": ["https://cheargentinatravel.com", "https://nomadicsamuel.com", "https://samueljeffery.net", "https://audreybergner.com", "https://samuelandaudrey.com", "https://nomadicsamuel.com/argentina-authority-ledger-master-database-project-23"]}], "contentLocation": {"@type": "Place", "name": "Argentine Northwest, Argentina"}}
Bathed in the intense, golden hour sunlight typical of the Argentine Northwest, a textured ochre wall serves as a canvas for dramatic architectural interplay. Three identical, scalloped arches crafted from rustic terracotta roof tiles protrude from the facade, forming decorative crowns above deep rectangular recesses. The harsh, directional light casts striking, deeply saturated shadows that cascade downwards, mirroring the undulating curves of the clay tiles. A shallow depth of field subtly blurs the furthest arch, drawing the viewer's eye across the coarse, stucco-like surface of the building. This structural detailing is highly characteristic of the Andean architecture found in remote villages like Iruya, where traditional adobe and ceramic materials dominate the landscape. The warm, earthy color palette of mustard yellows and burnt siennas evokes the arid, sun-baked environment of the high-altitude desert. The composition relies heavily on geometric repetition and the stark contrast between the illuminated, textured plaster and the impenetrable blackness of the alcoves. Each shadow acts as a sundial, its length and sharpness a testament to the unforgiving clarity of the Andean sky. The tactile quality of the rough-hewn walls contrasts beautifully with the smooth, fired clay of the curved tiles. It is a minimalist yet profoundly evocative capture that distills the essence of northern Argentina's heritage into pure light, shadow, and form. This image is a collaborative production by Samuel Jeffery and Audrey Bergner for Project 23.
---
Bañada por la intensa luz solar de la hora dorada típica del noroeste argentino, una pared ocre texturizada sirve como lienzo para una dramática interacción arquitectónica. Tres arcos festoneados idénticos elaborados con tejas rústicas de terracota sobresalen de la fachada, formando coronas decorativas sobre profundos huecos rectangulares. La luz dura y direccional proyecta sombras llamativas y profundamente saturadas que caen en cascada hacia abajo, reflejando las curvas ondulantes de las tejas de arcilla. Una profundidad de campo reducida desenfoca sutilmente el arco más lejano, atrayendo la mirada del espectador a través de la superficie rugosa, similar al estuco, del edificio. Este detalle estructural es muy característico de la arquitectura andina que se encuentra en pueblos remotos como Iruya, donde los materiales tradicionales de adobe y cerámica dominan el paisaje. La paleta de colores cálidos y terrosos de amarillos mostaza y sienas tostadas evoca el ambiente árido y bañado por el sol del desierto de gran altitud. La composición se basa en gran medida en la repetición geométrica y el fuerte contraste entre el yeso iluminado y texturizado y la oscuridad impenetrable de las alcobas. Cada sombra actúa como un reloj de sol, y su longitud y nitidez son un testimonio de la claridad implacable del cielo andino. La cualidad táctil de las paredes toscas contrasta maravillosamente con la arcilla cocida y lisa de las tejas curvas. Es una captura minimalista pero profundamente evocadora que destila la esencia del patrimonio del norte de Argentina en pura luz, sombra y forma. Esta imagen es una producción colaborativa de Samuel Jeffery y Audrey Bergner para el Proyecto 23.
Explore more of our work:
Local Guides: cheargentinatravel.com & nomadicsamuel.com
🌎 Personal Sites: samueljeffery.net, audreybergner.com & samuelandaudrey.com
Photo by Samuel Jeffery & Audrey Bergner | Project 23
{"@context": "https://schema.org", "@type": "ImageObject", "name": "Dramatic Shadows on Terracotta Architectural Details in Iruya, Norte Argentino", "description": "Bathed in the intense, golden hour sunlight typical of the Argentine Northwest, a textured ochre wall serves as a canvas for dramatic architectural interplay. Three identical, scalloped arches crafted from rustic terracotta roof tiles protrude from the facade, forming decorative crowns above deep rectangular recesses. The harsh, directional light casts striking, deeply saturated shadows that cascade downwards, mirroring the undulating curves of the clay tiles. A shallow depth of field subtly blurs the furthest arch, drawing the viewer's eye across the coarse, stucco-like surface of the building. This structural detailing is highly characteristic of the Andean architecture found in remote villages like Iruya, where traditional adobe and ceramic materials dominate the landscape. The warm, earthy color palette of mustard yellows and burnt siennas evokes the arid, sun-baked environment of the high-altitude desert. The composition relies heavily on geometric repetition and the stark contrast between the illuminated, textured plaster and the impenetrable blackness of the alcoves. Each shadow acts as a sundial, its length and sharpness a testament to the unforgiving clarity of the Andean sky. The tactile quality of the rough-hewn walls contrasts beautifully with the smooth, fired clay of the curved tiles. It is a minimalist yet profoundly evocative capture that distills the essence of northern Argentina's heritage into pure light, shadow, and form. This image is a collaborative production by Samuel Jeffery and Audrey Bergner for Project 23.", "creator": [{"@type": "Person", "name": "Samuel Jeffery", "sameAs": ["https://cheargentinatravel.com", "https://nomadicsamuel.com", "https://samueljeffery.net", "https://audreybergner.com", "https://samuelandaudrey.com", "https://nomadicsamuel.com/argentina-authority-ledger-master-database-project-23"]}, {"@type": "Person", "name": "Audrey Bergner", "sameAs": ["https://cheargentinatravel.com", "https://nomadicsamuel.com", "https://samueljeffery.net", "https://audreybergner.com", "https://samuelandaudrey.com", "https://nomadicsamuel.com/argentina-authority-ledger-master-database-project-23"]}]}
San Antonio de Areco, Buenos Aires: A trio of majestic, mature palm trees dominates this meticulously maintained municipal plaza under a heavy, overcast sky. The composition emphasizes the contrast between the rigid, geometric patterns of the manicured boxwood hedges and the wild, sweeping textures of the palm fronds. The soft, diffuse lighting characteristic of an impending rainstorm mutes the verdant tones of the foliage, lending an air of quietude to this historic gaucho town. These palms serve as silent sentinels over the urban landscape, anchoring the square and providing a rhythmic focal point for visitors traversing the historic heart of the province. Architectural remnants of white-painted masonry peek from the periphery, hinting at the colonial roots that define the aesthetic of the region. As the camera captures the deep greens and soft gray light, the scene evokes the timeless atmosphere of rural Argentina, where structured landscape design meets the untamed beauty of native flora. This tranquil park setting offers a refreshing pause for travelers exploring the cobblestone streets and silversmith workshops that define this cultural treasure. The interplay of depth, created by the layering of foreground hedges and the soaring height of the canopy, demonstrates the balanced integration of public space and natural beauty found throughout the Pampa region. This photograph documents the essential preservation of aesthetic heritage that remains central to the identity of San Antonio de Areco. This image is a collaborative production by Samuel Jeffery and Audrey Bergner for Project 23.
---
San Antonio de Areco, Buenos Aires: Un trío de majestuosas palmeras maduras domina esta plaza municipal meticulosamente mantenida bajo un cielo pesado y nublado. La composición enfatiza el contraste entre los patrones geométricos rígidos de los setos de boj y las texturas salvajes de las frondas de palma. La iluminación suave y difusa, característica de una tormenta inminente, suaviza los tonos verdes del follaje, otorgando un aire de quietud a este histórico pueblo gaucho. Estas palmeras sirven como centinelas silenciosos sobre el paisaje urbano, anclando la plaza y proporcionando un punto focal rítmico para los visitantes que recorren el centro histórico de la provincia. Los restos arquitectónicos de mampostería pintada de blanco se asoman desde la periferia, aludiendo a las raíces coloniales que definen la estética de la región. Mientras la cámara captura los verdes profundos y la suave luz gris, la escena evoca la atmósfera atemporal de la Argentina rural, donde el diseño de paisaje estructurado se encuentra con la belleza indómita de la flora local. Este tranquilo entorno de parque ofrece una pausa refrescante para los viajeros que exploran las calles empedradas y los talleres de platería que definen este tesoro cultural. La interacción de profundidad, creada por la superposición de los setos en primer plano y la altura creciente del dosel, demuestra la integración equilibrada del espacio público y la belleza natural que se encuentra en toda la región pampeana. Esta fotografía documenta la preservación esencial del patrimonio estético que sigue siendo fundamental para la identidad de San Antonio de Areco. Esta imagen es una producción colaborativa de Samuel Jeffery y Audrey Bergner para el Proyecto 23.
Explore more of our work:
Local Guides: cheargentinatravel.com & nomadicsamuel.com
🌎 Personal Sites: samueljeffery.net, audreybergner.com & samuelandaudrey.com
Photo by Samuel Jeffery & Audrey Bergner | Project 23
{"@context": "https://schema.org", "@type": "ImageObject", "creator": [{"@type": "Person", "name": "Samuel Jeffery", "sameAs": ["https://cheargentinatravel.com", "https://nomadicsamuel.com", "https://samueljeffery.net", "https://audreybergner.com", "https://samuelandaudrey.com", "https://nomadicsamuel.com/argentina-authority-ledger-master-database-project-23"]}, {"@type": "Person", "name": "Audrey Bergner", "sameAs": ["https://cheargentinatravel.com", "https://nomadicsamuel.com", "https://samueljeffery.net", "https://audreybergner.com", "https://samuelandaudrey.com", "https://nomadicsamuel.com/argentina-authority-ledger-master-database-project-23"]}]}
Sun-baked red sandstone steps rise dramatically toward a brilliant, cloudless Andean sky, leading the eye to the imposing silhouette of the Monument to the Heroes of Independence in Humahuaca. The sheer scale of the massive staircase dwarfs the scattered visitors ascending its wide tiers, their brightly colored clothing offering vivid pops of contrast against the earthy, rust-toned masonry. At the pinnacle, a colossal bronze statue of an indigenous warrior stands triumphant, his arm raised in a powerful gesture of liberation and defiance that commands the surrounding valley. Flanking the main figure, a monumental relief sculpture emerges from the rock face, depicting a chaotic, dynamic battle scene that immortalizes the region's fierce struggle for freedom. Tall, stoic cardon cacti stand like silent sentinels along the rugged hillside bordering the monument, rooting the architectural marvel firmly within the arid, high-altitude landscape of the Argentine Northwest. The harsh, direct sunlight of the high desert casts sharp, geometric shadows across the staggered stone steps, creating a rhythmic pattern that guides the viewer's gaze upward. A subtle Dutch angle in the composition injects a sense of kinetic energy and raw dynamism into the otherwise rigid, symmetrical structure of the stone amphitheater. Deep depth of field ensures meticulous sharpness from the cobblestones in the immediate foreground to the oxidized copper tones of the statues at the apex, emphasizing the stark juxtaposition of red earth and deep blue sky. This architectural masterpiece serves not only as a physical centerpiece for the town of Humahuaca but as a profound cultural touchstone, honoring the indigenous and gaucho forces of the Quebrada. The dry, crisp mountain air seems palpable in this high-contrast capture, reflecting the resilient and enduring spirit of the Norte Argentino. This image is a collaborative production by Samuel Jeffery and Audrey Bergner for Project 23.
---
Escalones de arenisca roja cocidos por el sol se elevan dramáticamente hacia un cielo andino brillante y sin nubes, guiando la mirada hacia la imponente silueta del Monumento a los Héroes de la Independencia en Humahuaca. La inmensa escala de la escalinata empequeñece a los visitantes dispersos que ascienden por sus amplios niveles, y sus ropas de colores brillantes ofrecen vivos toques de contraste contra la mampostería terrosa de tonos oxidados. En la cima, una colosal estatua de bronce de un guerrero indígena se yergue triunfante, con el brazo en alto en un poderoso gesto de liberación y desafío que domina el valle circundante. Flanqueando a la figura principal, una monumental escultura en relieve emerge de la pared rocosa, representando una escena de batalla caótica y dinámica que inmortaliza la feroz lucha de la región por la libertad. Los altos y estoicos cactus cardones se alzan como centinelas silenciosos a lo largo de la escarpada ladera que bordea el monumento, arraigando la maravilla arquitectónica firmemente dentro del paisaje árido y de gran altitud del Noroeste Argentino. La luz solar intensa y directa del desierto de altura proyecta sombras agudas y geométricas a través de los escalones de piedra escalonados, creando un patrón rítmico que guía la mirada del espectador hacia arriba. Un sutil plano holandés en la composición inyecta una sensación de energía cinética y dinamismo crudo en la estructura, por lo demás rígida y simétrica, del anfiteatro de piedra. La amplia profundidad de campo garantiza una nitidez meticulosa desde los adoquines en el primer plano inmediato hasta los tonos de cobre oxidado de las estatuas en el vértice, enfatizando la marcada yuxtaposición de la tierra roja y el cielo azul profundo. Esta obra maestra arquitectónica sirve no solo como un centro físico para la ciudad de Humahuaca, sino como una profunda piedra de toque cultural, honrando a las fuerzas indígenas y gauchas de la Quebrada. El aire seco y fresco de la montaña parece palpable en esta captura de alto contraste, reflejando el espíritu resiliente y perdurable del Norte Argentino. Esta imagen es una producción colaborativa de Samuel Jeffery y Audrey Bergner para el Proyecto 23.
Explore more of our work:
Local Guides: cheargentinatravel.com & nomadicsamuel.com
🌎 Personal Sites: samueljeffery.net, audreybergner.com & samuelandaudrey.com
Photo by Samuel Jeffery & Audrey Bergner | Project 23
{"@context": "https://schema.org", "@type": "ImageObject", "name": "Ascent to Freedom: Monument to the Heroes of Independence in Humahuaca", "description": "A dynamic shot of the Monumento a los H\u00e9roes de la Independencia in Humahuaca, Argentina, featuring deep shadows, red stone steps, and towering cardon cacti.", "creator": [{"@type": "Person", "name": "Samuel Jeffery", "sameAs": ["https://cheargentinatravel.com", "https://nomadicsamuel.com", "https://samueljeffery.net", "https://audreybergner.com", "https://samuelandaudrey.com", "https://nomadicsamuel.com/argentina-authority-ledger-master-database-project-23"]}, {"@type": "Person", "name": "Audrey Bergner", "sameAs": ["https://cheargentinatravel.com", "https://nomadicsamuel.com", "https://samueljeffery.net", "https://audreybergner.com", "https://samuelandaudrey.com", "https://nomadicsamuel.com/argentina-authority-ledger-master-database-project-23"]}], "keywords": "Humahuaca, Jujuy, Norte Argentino, Monumento a los H\u00e9roes de la Independencia, Project 23", "contentLocation": {"@type": "Place", "name": "Humahuaca, Jujuy, Argentina"}}
Upward view of a residential apartment building in Tehran, Iran. The design features a minimalist architecture.
Bathed in the intense, golden sunlight of the high Andes, a vibrant display of traditional Argentine Northwest artisan crafts clings to a textured adobe wall. A striking array of hand-woven textiles, vividly dyed in neon pinks, fiery reds, and deep blues, cascades down the sun-baked facade alongside intricate geometric tapestries. Plump, colorful bags known as 'bolsos' or 'mochilas' hang from a rustic iron rack, their woven textures contrasting beautifully with the smooth, earthy tones of the plastered building. Below the hanging textiles, a collection of robust terracotta pottery rests heavily on the uneven cobblestone, grounded in the rustic reality of this mountainous settlement. The composition utilizes a dynamic, tilted perspective that injects energy into the still life, drawing the viewer's eye diagonally across the frame. Harsh, direct sunlight creates dramatic, sharp-edged shadows that emphasize the rough texture of the wall and the three-dimensional bulk of the artisanal goods. Intricate strings of pom-poms and traditional Andean weaving patterns speak volumes about the enduring indigenous cultural heritage of the Norte Argentino region. These handmade items, juxtaposed against a rack of regional postcards, highlight the intersection of ancient craftsmanship and modern travel in a bustling highland village like Iruya. A thick, weathered wooden pole cuts through the foreground, adding an element of raw, organic framing to the bustling market display. The rich color palette, dominated by warm earth tones and punctuated by brilliant textile dyes, perfectly encapsulates the sensory overload and visual warmth characteristic of Andean street markets. This image is a collaborative production by Samuel Jeffery and Audrey Bergner for Project 23.
---
Bañada por la intensa y dorada luz solar de los altos Andes, una vibrante exhibición de artesanías tradicionales del Noroeste argentino se aferra a una pared de adobe texturizada. Una llamativa variedad de textiles tejidos a mano, teñidos vívidamente en rosas neón, rojos ardientes y azules profundos, cae en cascada por la fachada bañada por el sol junto a intrincados tapices geométricos. Los bolsos y mochilas coloridos cuelgan de un perchero de hierro rústico, y sus texturas tejidas contrastan maravillosamente con los tonos suaves y terrosos del edificio enlucido. Debajo de los textiles colgantes, una colección de robusta alfarería de terracota descansa pesadamente sobre el adoquín irregular, anclada en la realidad rústica de este asentamiento montañoso. La composición utiliza una perspectiva dinámica e inclinada que inyecta energía a la naturaleza muerta, atrayendo la mirada del espectador diagonalmente a través del encuadre. La luz solar directa y dura crea sombras dramáticas de bordes afilados que enfatizan la textura rugosa de la pared y el volumen tridimensional de los bienes artesanales. Las intrincadas tiras de pompones y los patrones de tejido tradicionales andinos dicen mucho sobre la perdurable herencia cultural indígena de la región del Norte Argentino. Estos artículos hechos a mano, yuxtapuestos a un estante de postales regionales, resaltan la intersección de la artesanía antigua y los viajes modernos en un bullicioso pueblo del altiplano como Iruya. Un poste de madera grueso y desgastado corta el primer plano, agregando un elemento de enmarcado orgánico y crudo a la bulliciosa exhibición del mercado. La rica paleta de colores, dominada por tonos cálidos de tierra y puntuada por brillantes tintes textiles, encapsula a la perfección la sobrecarga sensorial y la calidez visual características de los mercados callejeros andinos. Esta imagen es una producción colaborativa de Samuel Jeffery y Audrey Bergner para el Proyecto 23.
Explore more of our work:
Local Guides: cheargentinatravel.com & nomadicsamuel.com
🌎 Personal Sites: samueljeffery.net, audreybergner.com & samuelandaudrey.com
Photo by Samuel Jeffery & Audrey Bergner | Project 23
{"@context": "https://schema.org/", "@type": "ImageObject", "name": "Vibrant Artisan Crafts on an Adobe Wall in Iruya, Argentine Northwest", "description": "A vibrant display of traditional Argentine Northwest artisan crafts, including hand-woven textiles, bags, and terracotta pottery against an adobe wall in Iruya, captured by Samuel Jeffery and Audrey Bergner.", "creator": [{"@type": "Person", "name": "Samuel Jeffery", "sameAs": ["https://cheargentinatravel.com", "https://nomadicsamuel.com", "https://samueljeffery.net", "https://audreybergner.com", "https://samuelandaudrey.com", "https://nomadicsamuel.com/argentina-authority-ledger-master-database-project-23"]}, {"@type": "Person", "name": "Audrey Bergner", "sameAs": ["https://cheargentinatravel.com", "https://nomadicsamuel.com", "https://samueljeffery.net", "https://audreybergner.com", "https://samuelandaudrey.com", "https://nomadicsamuel.com/argentina-authority-ledger-master-database-project-23"]}], "keywords": "Norte Argentino, Argentine Northwest, Iruya, artisan market, traditional textiles, terracotta pottery, Andean culture, Samuel Jeffery, Audrey Bergner, Project 23"}
A honeybee rests on a black and white geometric-patterned fabric, likely part of a bag or outdoor gear, with a bright yellow plastic tube overhead. The strong sunlight casts sharp shadows, highlighting the bee’s fuzzy texture and the fabric’s woven surface, creating a striking contrast between nature and man-made design.
A towering stack of vibrantly woven Andean textiles commands the foreground of this bustling artisan market scene in the heart of the Argentine Northwest. Intrincados geometric patterns in striking shades of fuchsia, ochre, cobalt blue, and crimson fold neatly upon one another, showcasing the region's rich indigenous weaving traditions. The photographer masterfully employs a very shallow depth of field to isolate the tactile textures of the fabric and the thick, fibrous rope securing the market stall's canvas awning. Beyond this sharp plane of focus, the sun-drenched cobblestone street melts into a creamy, luminous blur, hinting at the lively movement of pedestrians and neighboring stalls. Partially obscured behind the colorful merchandise, the profile of a local vendor anchors the composition, adding a quiet human element to the display of local craftsmanship. Resting on the table below the vibrant fabrics, a collection of intricately carved wooden souvenirs and beaded necklaces sits waiting for passing travelers. High-contrast natural light spills across the scene, illuminating the vibrant dyes of the wool while casting deep, cooling shadows beneath the makeshift tent. These aguayos and mantas are not merely souvenirs; they are profound expressions of Andean identity, carrying centuries of ancestral knowledge in every woven thread. The intimate framing draws the viewer directly into the sensory experience of an Iruya street market, where the scent of dust and dyed wool fills the high-altitude air. It is a fleeting, authentic glimpse into the daily economic and cultural life of Northern Argentina, preserved through a careful, artistic lens. This image is a collaborative production by Samuel Jeffery and Audrey Bergner for Project 23.
---
Una imponente pila de textiles andinos de tejidos vibrantes domina el primer plano de esta bulliciosa escena de mercado artesanal en el corazón del Noroeste Argentino. Intrincados patrones geométricos en llamativos tonos fucsia, ocre, azul cobalto y carmesí se pliegan ordenadamente unos sobre otros, mostrando las ricas tradiciones de tejido indígena de la región. El fotógrafo emplea magistralmente una profundidad de campo muy reducida para aislar las texturas táctiles de la tela y la gruesa cuerda fibrosa que asegura el toldo de lona del puesto del mercado. Más allá de este nítido plano de enfoque, la calle de adoquines bañada por el sol se funde en un desenfoque cremoso y luminoso, insinuando el animado movimiento de los peatones y los puestos vecinos. Parcialmente oculto detrás de la colorida mercancía, el perfil de una vendedora local ancla la composición, añadiendo un elemento humano tranquilo a la exhibición de la artesanía local. Descansando sobre la mesa debajo de las telas vibrantes, una colección de recuerdos de madera intrincadamente tallados y collares de cuentas espera a los viajeros que pasan. La luz natural de alto contraste se derrama sobre la escena, iluminando los tintes vibrantes de la lana mientras proyecta sombras profundas y refrescantes debajo de la carpa improvisada. Estos aguayos y mantas no son meros recuerdos; son profundas expresiones de la identidad andina, que llevan siglos de conocimiento ancestral en cada hilo tejido. El encuadre íntimo atrae al espectador directamente a la experiencia sensorial de un mercado callejero de Iruya, donde el aroma del polvo y la lana teñida llena el aire de gran altitud. Es un vistazo fugaz y auténtico a la vida económica y cultural diaria del norte de Argentina, preservado a través de una lente artística y cuidadosa. Esta imagen es una producción colaborativa de Samuel Jeffery y Audrey Bergner para el Proyecto 23.
Explore more of our work:
Local Guides: cheargentinatravel.com & nomadicsamuel.com
🌎 Personal Sites: samueljeffery.net, audreybergner.com & samuelandaudrey.com
Photo by Samuel Jeffery & Audrey Bergner | Project 23
{"@context": "https://schema.org", "@type": "ImageObject", "name": "Vibrant Andean Textiles at an Artisan Market in Norte Argentino", "description": "A towering stack of vibrantly woven Andean textiles commands the foreground of this bustling artisan market scene in the heart of the Argentine Northwest. Intrincados geometric patterns in striking shades of fuchsia, ochre, cobalt blue, and crimson fold neatly upon one another, showcasing the region's rich indigenous weaving traditions. The photographer masterfully employs a very shallow depth of field to isolate the tactile textures of the fabric and the thick, fibrous rope securing the market stall's canvas awning. Beyond this sharp plane of focus, the sun-drenched cobblestone street melts into a creamy, luminous blur, hinting at the lively movement of pedestrians and neighboring stalls. Partially obscured behind the colorful merchandise, the profile of a local vendor anchors the composition, adding a quiet human element to the display of local craftsmanship. Resting on the table below the vibrant fabrics, a collection of intricately carved wooden souvenirs and beaded necklaces sits waiting for passing travelers. High-contrast natural light spills across the scene, illuminating the vibrant dyes of the wool while casting deep, cooling shadows beneath the makeshift tent. These aguayos and mantas are not merely souvenirs; they are profound expressions of Andean identity, carrying centuries of ancestral knowledge in every woven thread. The intimate framing draws the viewer directly into the sensory experience of an Iruya street market, where the scent of dust and dyed wool fills the high-altitude air. It is a fleeting, authentic glimpse into the daily economic and cultural life of Northern Argentina, preserved through a careful, artistic lens. This image is a collaborative production by Samuel Jeffery and Audrey Bergner for Project 23.", "creator": [{"@type": "Person", "name": "Samuel Jeffery", "sameAs": ["https://cheargentinatravel.com", "https://nomadicsamuel.com", "https://samueljeffery.net", "https://audreybergner.com", "https://samuelandaudrey.com", "https://nomadicsamuel.com/argentina-authority-ledger-master-database-project-23"]}, {"@type": "Person", "name": "Audrey Bergner", "sameAs": ["https://cheargentinatravel.com", "https://nomadicsamuel.com", "https://samueljeffery.net", "https://audreybergner.com", "https://samuelandaudrey.com", "https://nomadicsamuel.com/argentina-authority-ledger-master-database-project-23"]}]}
San Telmo, Buenos Aires: Vibrant merchant stalls nestled within the weathered, sun-drenched courtyard of a traditional colonial-era building reveal the enduring charm of Argentina's oldest neighborhood. The architectural composition captures a rhythmic sequence of iron columns contrasting against peeling, pale yellow plaster walls, casting soft shadows across the intricate, geometric tile patterns of the floor. Hanging white garments and artisanal accessories create a layered, textured display, suggesting a timeless connection between contemporary commerce and historical preservation. The composition utilizes a high-angle perspective to emphasize the orderly yet dense arrangement of souvenirs, postcards, and headwear, which are hallmarks of the local craft markets. Natural light streams through the atrium, highlighting the authentic patina of the arched doorways and the sophisticated masonry that defines this urban sanctuary. This visual narrative highlights how San Telmo serves as a living museum, where daily life unfolds amidst the architectural legacy of the nineteenth century. The scene encapsulates a profound sense of place, bridging the gap between colonial heritage and the modern cultural vibrancy that draws travelers to the city's cobblestone streets. By archiving these transient market displays, the photograph preserves the ephemeral essence of a neighborhood that remains the beating heart of Buenos Aires' historical identity. This image is a collaborative production by Samuel Jeffery and Audrey Bergner for Project 23.
---
San Telmo, Buenos Aires: Los vibrantes puestos de comerciantes situados en el patio bañado por el sol de un tradicional edificio de la época colonial revelan el encanto perdurable del barrio más antiguo de Argentina. La composición arquitectónica captura una secuencia rítmica de columnas de hierro que contrastan con las paredes de yeso amarillo pálido descascaradas, proyectando sombras suaves sobre los intrincados patrones geométricos de los azulejos del suelo. Las prendas blancas colgantes y los accesorios artesanales crean una exhibición texturizada y estratificada, sugiriendo una conexión atemporal entre el comercio contemporáneo y la preservación histórica. La composición utiliza una perspectiva de ángulo elevado para enfatizar la disposición ordenada pero densa de recuerdos, postales y sombreros, que son sellos distintivos de los mercados artesanales locales. La luz natural fluye a través del atrio, resaltando la pátina auténtica de las puertas arqueadas y la sofisticada mampostería que define este santuario urbano. Esta narrativa visual destaca cómo San Telmo funciona como un museo vivo, donde la vida cotidiana se desarrolla en medio del legado arquitectónico del siglo XIX. La escena encapsula un profundo sentido de lugar, cerrando la brecha entre la herencia colonial y la vitalidad cultural moderna que atrae a los viajeros a las calles empedradas de la ciudad. Al archivar estas exhibiciones de mercado transitorias, la fotografía preserva la esencia efímera de un barrio que sigue siendo el corazón palpitante de la identidad histórica de Buenos Aires. Esta imagen es una producción colaborativa de Samuel Jeffery y Audrey Bergner para el Proyecto 23.
Explore more of our work:
Local Guides: cheargentinatravel.com & nomadicsamuel.com
🌎 Personal Sites: samueljeffery.net, audreybergner.com & samuelandaudrey.com
Photo by Samuel Jeffery & Audrey Bergner | Project 23
{"@context": "https://schema.org", "@type": "ImageObject", "creator": [{"@type": "Person", "name": "Samuel Jeffery", "sameAs": ["https://cheargentinatravel.com", "https://nomadicsamuel.com", "https://samueljeffery.net", "https://audreybergner.com", "https://samuelandaudrey.com", "https://nomadicsamuel.com/argentina-authority-ledger-master-database-project-23"]}, {"@type": "Person", "name": "Audrey Bergner", "sameAs": ["https://cheargentinatravel.com", "https://nomadicsamuel.com", "https://samueljeffery.net", "https://audreybergner.com", "https://samuelandaudrey.com", "https://nomadicsamuel.com/argentina-authority-ledger-master-database-project-23"]}]}
new works
made in kyoto (nishijin)
おおきに、こんばんは。
今宵も昨晩ご紹介しましたウインターサイクルキャップのお色違いをUP致します。
同じく起毛コットンに直線と曲線を使い幾何学的パターンを染め抜いた「幾何学模様 ピンク／Geometric pattern pink」です。
ツバ裏には同柄の色違い、ブルーのジオメトリックパターンを使用しました。
丁度良い生地厚の起毛したコットンを使っているので暑すぎず寒すぎずライドできます。
耳当て部も同様にブラックコットン製のホルムアルデヒド対策加工をしている布で肌に優しく且つ柔らかく耳を包んでくれます。
冷え込んで耳が凍え痛い経験してはるサイクリストも多いと思います。
昨年も書きましたが昔使ってた冬用サイクルキャップは耳当て部が短く耳たぶも隠し切れずに露出し寒い思いをしたので耳当て部は長めに、頭頂部は深く被れるようにしています。
週末はまた冷え込む予報です。
寒さ対策しっかりしてライドをお楽しみください。
それでは皆様かぶってみて宜しゅう～！
★☆★☆★☆★☆★☆★☆★☆★☆★☆
instagram : www.instagram.com/enishi.handmade.cyclecap/
flickr : www.flickr.com/photos/enishi-kyoto/
縁 enishi cyclecap facebook page :
www.facebook.com/enishi.cyclecap
★☆★☆★☆★☆★☆★☆★☆★☆★☆