View allAll Photos Tagged geometricpatterns
in the bustling parking lot of the mercadona supermarket in palmanova, a solitary figure crosses the zebra stripes, casting a stark silhouette against the glistening pavement. the harsh light of the mediterranean sun creates a dramatic interplay of shadows and highlights, turning the mundane act of crossing a street into a moment of abstract art. the figure’s shadow stretches and distorts, echoing the fleeting nature of our daily journeys. this image captures a transient moment, where light and dark dance together in an urban ballet, reminding us of the beauty hidden in everyday scenes.
Commissioned by Muhammad Hasan Khan and completed in 1797, the Khan’s Palace in Shaki is a remarkable example of Azerbaijani khanate architecture with strong Persianate influences. Its richly ornamented façade combines turquoise and ochre tilework, floral and hunting motifs, mirrored muqarnas, and intricate shebeke windows made from coloured glass and interlocking wood without nails or glue.
The palace reflects Shaki’s prosperity as a historic centre of silk production and Silk Road trade. The Historic Centre of Shaki with the Khan’s Palace was inscribed as a UNESCO World Heritage Site in 2019.
Architect: Traditionally attributed to Haji Zeynal Abdin of Shiraz; attribution uncertain
Commissioned by: Muhammad Hasan Khan
Year: 1797
Style: Azerbaijani khanate architecture with Persianate and Islamic decorative influences
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Using stark contrast and clean composition, I transformed this building detail into an abstract study of curved lines. The rhythmic pattern of white bands against black creates a sense of movement and flow, turning architecture into pure geometric poetry.
photo rights reserved by Ben
The eye is naturally drawn toward the central entrance of the Šarena Džamija, framed by white-painted columns and refined decorative details that give the wall a sense of harmony and balance. Above the doorway, calligraphic panels and ornamental elements create a calm, almost rhythmic order. The painted walls reveal floral motifs, geometric patterns, and subtle landscapes that gently balance one another. Soft daylight enters the space, highlighting warm tones and textures without overwhelming the interior. Everything feels carefully composed, with a natural sense of calm and proportion. On the pillars, small signs quietly remind visitors to remove their shoes and switch off mobile phones, inviting a moment of respect and stillness. Inside the Šarena Džamija, a richly decorated space unfolds where color, form, and symmetry come together. The mosque was originally built in the 15th century and later received its distinctive painted decoration. Despite its age, the space feels open and welcoming — a place where history, craftsmanship, and everyday life meet in quiet harmony.
Inside the Šarena Džamija in Tetovo, North Macedonia, color, light, and symmetry come together in a richly decorated interior. Built in the 15th century, the mosque remains a living place where history, craftsmanship, and daily life meet.
De blik wordt direct naar de centrale ingang geleid van de Šarena Džamija, omlijst door witgeschilderde zuilen en verfijnde schilderingen die de wand als een decoratief geheel laten aanvoelen. Boven de deuropening zorgen kalligrafische panelen en ornamenten voor een rustige, bijna ritmische ordening. De beschilderde wanden tonen bloemmotieven, geometrische patronen en subtiele landschappen die elkaar in evenwicht houden. Het daglicht valt zacht naar binnen en benadrukt de warme tinten en texturen, zonder de ruimte te overheersen. Alles oogt zorgvuldig opgebouwd, met een natuurlijke balans tussen decoratie en rust. Op de pilaren herinneren kleine symbolen bezoekers eraan hun schoenen uit te doen en hun mobiele telefoon uit te schakelen — een ingetogen uitnodiging tot respect en verstilling. Binnen in de Šarena Džamija ontvouwt zich zo een rijk gedecoreerde ruimte waarin kleur, vorm en symmetrie samenkomen. De moskee werd oorspronkelijk gebouwd in de 15e eeuw en kreeg later haar kenmerkende beschilderingen. Ondanks haar leeftijd voelt de ruimte open en toegankelijk — een plek waar geschiedenis, vakmanschap en dagelijks gebruik op een vanzelfsprekende manier samenkomen.
© Butch Leitz
All rights reserved
Ground floor at Versailles, straight in, back loge area (you enter via a main hall on the ground floor that "T"'s into this about 3 or 4 arches down on the right) (the room off to the left is like a huge windowed solarium type of thing running the length of this hall. The "solarium" looks out on the famous Versailles Gardens).
The thing I love about this shot is not only the obvious visual geometry, but how the edges of the colums are so sharp contrasted with the soft almost sensual quality of the stone work within each arch here - each appearing to melt into the next. The lighting was all natural, of course, and I love the way the shadows and light worked in this. I'm sure that different times of day would show dramatically different results in this hallway. The other thing I like is the lack of ornate over-the-top decoration compared to that found in the rest of Versailles.
Available for purchase, this looks fabulous in 20x30 or 30x40 in a formal frame or unframed mounted with wall offsets for nouveau settings. I had an office manager that bought a 20x30 and put it in an old fashioned gilt-gold ornate frame and hung it in her dining room. It looked fabulous, if I do say so myself! Starting at $450. (Don't worry, prints do not have watermarking shown here but are signed by me in the lower right corner after I have reviewed the print for quality.)
butchleitzphotography.blogspot.com/2011/01/versailles-pas...
This shot, taken in São Paulo, Lisbon, continues my "Urban Serendipity" series. The play of light and shadow against a simple urban backdrop caught my attention, creating a moment that feels both fleeting and reflective. The colors and textures bring a subtle shift from my usual monochrome focus, adding a new layer to the project.
SCOUT: "Paddy? Paddy!"
PADDY: "Yes Scout?"
SCOUT: "Why do we have to sit on this wall, Paddy?"
PADDY: "Because Daddy thinks it's an interesting piece of geometry."
SCOUT: *Scratches head with paw.* "What's 'geometry'? Can we eat it?"
PADDY: "No, Scout! Geometry is the part of mathematics that studies the size, shapes, positions and dimensions of things. Squares, circles and triangles are some of the simplest shapes in flat geometry. Cubes, cylinders, cones and spheres are simple shapes in solid geometry. So too are triangles and pyramids, like the way these bricks are laid."
SCOUT: *Scratches head again.* "You know what I think about geometry, Paddy?"
PADDY: "No, what, Scout?"
SCOUT: "I think it's hard... especially on my soft little bottom!"
My Paddington Bear came to live with me in London when I was two years old (many, many years ago). He was hand made by my Great Aunt and he has a chocolate coloured felt hat, the brim of which had to be pinned up by a safety pin to stop it getting in his eyes. The collar of his mackintosh is made of the same felt. He wears wellington boots made from the same red leather used to make the toggles on his mackintosh.
He has travelled with me across the world and he and I have had many adventures together over the years. He is a very precious member of my small family.
Scout was a gift to Paddy from my friend. He is a Fair Trade Bear hand knitted in Africa. His name comes from the shop my friend found him in: Scout House. He tells me that life was very different where he came from, and Paddy is helping introduce him to many new experiences. Scout catches on quickly, and has proven to be a cheeky, but very lovable member of our closely knit family.
Leica DC Vario-Elmarit 9.1-91mm f2.8-5.9 Asph
This image captures the intricate geometric patterns of a modern atrium, looking directly upwards towards a vast glass ceiling. Sunlight streams through the grid-like structure, illuminating the metallic and glass surfaces that reflect the sky and surrounding architecture. The perspective creates a sense of depth and dizzying height, emphasizing the building's complex design.
A striking black and white architectural photograph showcasing the angular modernist corner of the Manchester Metropolitan University Library building on Oxford Road. The dramatic low-angle perspective emphasizes the building's bold geometric design, with its repetitive pattern of concrete and glass creating powerful diagonal lines that converge toward a central point. The brutalist-inspired façade features a rhythmic succession of projecting elements that create deep shadows and strong visual texture against the moody sky. This contemporary educational architecture represents the confident modernist approach to university design from the late 20th century.
North Kensington
Fujifilm Superia X-Tra 400 (expired)
Shot at 400
Canon EOS 30
Sigma 20mm f/1.4 DG HSM Art
In capturing this scene, I wanted to reveal the raw beauty that resides in modern architecture. My intention was to transcend the simple utilitarian function of a stair railing to extract an abstract and clean composition. I chose black and white to amplify the dialogue between geometric lines and concrete texture, thus creating a visual tension between the dynamic diagonal and the static wall. The regular circles left by the formwork add a subtle rhythmic punctuation to the whole. Through this image, I seek to invite the viewer to rediscover the hidden poetry in the architectural details that surround us daily, transforming a functional element into a contemplative work.
The stunning interior of a hotel in Turin, Italy showcases a breathtaking view of the atrium from the ground floor. The intricate wooden beams and railings create a mesmerizing geometric pattern leading up to a skylight, allowing natural light to illuminate the space. This architectural masterpiece blends modern design with historical charm.
Inside Málaga's Castillo de Gibralfaro, where Islamic geometric patterns adorn almost every ceiling, doorway and wall.
Islamic geometric patterns are one of the major forms of Islamic ornament, which tends to avoid using figurative images, as it is forbidden to create a representation of an important Islamic figure according to many holy scriptures.
The geometric designs in Islamic art are often built on combinations of repeated squares and circles, which may be overlapped and interlaced, as can arabesques (with which they are often combined), to form intricate and complex patterns, including a wide variety of tessellations. These may constitute the entire decoration, may form a framework for floral or calligraphic embellishments, or may retreat into the background around other motifs. The complexity and variety of patterns used evolved from simple stars and lozenges in the ninth century, through a variety of 6- to 13-point patterns by the 13th century, and finally to include also 14- and 16-point stars in the sixteenth century.
Geometric patterns occur in a variety of forms in Islamic art and architecture. These include kilim carpets, Persian girih and Moroccan zellij tilework, muqarnas decorative vaulting, jali pierced stone screens, ceramics, leather, stained glass, woodwork, and metalwork.
Goliath. visually explores the theme of scale, emphasizing the contrast between the immense size of urban architecture and the relative smallness of individual human experience within these spaces. It is a study in contrasts: solidity and void, opacity and transparency, enormity and minutiae. Goliath. ultimately raises questions about the individual's place in the architectural colossus of the urban landscape.
An all-seeing eye under sterile chrome — surveillance camouflaged in elegance. At BMW Welt, function and design merge in silent observation
Inside Istanbul's new airport, I was struck by how the architectural elements created this compelling composition. The subtle green tones and gentle curves, punctuated by precise lighting, offered a perfect study in modern architectural design. I composed the shot to emphasize the flowing lines and create a sense of spatial depth.
Blue slips between pale concrete ribs, gathering around a circle of cloud. Sunlight traces each narrow edge while the windows below retreat into shadow. Between the dark diagonals, the structure seems to open and close at once. A fan made of stone, holding the sky just beyond reach.
Ribbed skylight & oculus at Simon Fraser University (SFU), Burnaby, BC.
Arthur Erickson, architect.
Jag gillar att studera olika byggnader och hus, deras former, färger, mönster, vinklar och linjer. Arkitektur är intressant. För veckans Fotosöndagtema föll sig därför valet naturligt att fånga en byggnads geometriska mönster med kameran. Detta är mitt bidrag.
I find architecture and the patterns, lines, forms, colours and angles of buidings and houses interesting. Therefore this week's Fotosöndag theme geometric patterns was especially fun to capture with my camera. This is my contribution to the theme.
Green is often associated with nature, freshness, health and renewal. Give your week a fresh start and photography something green.
Using stark upward perspective on this modern building's facade, I created an abstract study in geometric patterns. The monochromatic treatment emphasizes the sharp angles and repetitive elements, transforming functional architecture into a graphic composition.
A detailed architectural view of the decorated ceiling inside Fatih Mosque in Istanbul, Turkey. The composition highlights the symmetrical geometric and floral ornaments, painted decoration and distinctive Ottoman architectural craftsmanship.
A black and white fine art photograph capturing the elegant spiral of a staircase, transformed into a cosmic vision through light, shadow, and geometry. With a minimalist and timeless aesthetic, Michel Rouabah reveals the poetry of architecture in motion. Paris-based award-winning photographer specializing in fine art, architecture, portraits, weddings, and editorial work, available in France and worldwide.
An abstract monochrome study of intersecting metal wires and patterned plastic, photographed inside a laundromat. By isolating repetition, geometry, and tone, an everyday object transforms into a modernist visual rhythm.
Lian Shan Shuang Lin Monastery, Singapore. Taken with YashicaFlex S using Ilford HP5 400. Developed in Tmax 1+9 and scanned with CanoScan 9000f Mark II.
In the soft glow of low evening sun, Sandvatn in Telemark transforms into a canvas of light and shadow. Along the western shoreline, rows of trees cast elongated silhouettes across the still surface, creating an intricate dialogue between land and reflection. The calm water mirrors not just the landscape, but the rhythm of time itself — a quiet moment where nature’s geometry reveals itself in fleeting harmony.
Fun fact
Tree shadows stretching across water can appear longer and sharper in the evening due to the low angle of the sun, enhancing contrast and creating dramatic visual depth.
A black and white fine art photograph capturing the hypnotic spiral of a staircase, evoking the mystery of a distant galaxy. Through light, shadow, and geometry, Michel Rouabah transforms architecture into a cosmic vision. Award-winning photographer based in Paris, specializing in fine art, architecture, portraits, weddings, and editorial work, available in France and worldwide.
A Bab Oudaya, também conhecida como Bab el-Kbir, é uma monumental porta fortificada erguida por volta de 1195 durante o reinado do califa almóada Yaqub al-Mansur, no seguimento da vitória em Alarcos. Situada em Rabat, na costa atlântica marroquina, marca a entrada cerimonial da Kasbah dos Udayas, cidadela militar edificada sobre um promontório junto à foz do rio Bou Regreg. A composição organiza-se em torno de um arco em ferradura polilobado, emoldurado por bandas concêntricas de decoração esculpida em arenito, incluindo entrelaçados vegetais, palmetas, conchas e uma faixa epigráfica em caracteres cúficos com versículos alcorânicos. Os motivos geométricos e florais, dispostos em enxutas e sobre o alfiz, ilustram o refinamento ornamental almóada, que influenciou posteriormente a arte hispano-mourisca de Sevilha e Marraquexe. A porta desempenhava simultaneamente funções defensivas, com corredor em cotovelo interior, e de representação do poder califal. A figura sentada nos degraus permite aferir a escala imponente do conjunto, hoje classificado como Património Mundial da UNESCO desde 2012.
Bab Oudaya, also known as Bab el-Kbir, is a monumental fortified gate built around 1195 during the reign of the Almohad caliph Yaqub al-Mansur, following the victory at Alarcos. Located in Rabat, on Morocco’s Atlantic coast, it marks the ceremonial entrance to the Kasbah of the Udayas, a military citadel built on a promontory near the mouth of the Bou Regreg River. The composition is organized around a polylobed horseshoe arch, framed by concentric bands of carved sandstone decoration, including interlaced plant motifs, palmettes, shells, and an epigraphic band in Kufic script containing verses from the Quran. The geometric and floral motifs, arranged in medallions and on the alfiz, illustrate the Almohad ornamental refinement, which later influenced the Hispano-Moorish art of Seville and Marrakesh. The gate served both defensive functions—with an interior L-shaped corridor—and as a symbol of the caliph’s power. The figure seated on the steps allows one to appreciate the imposing scale of the complex, which has been designated a UNESCO World Heritage Site since 2012.
This piece, 'Elevation Odyssey,' interprets the high-altitude odyssey of paragliders using digital art techniques. Crafted with Midjourney software to create a surrealistic landscape, it was then refined through Photoshop to enhance the visual contrasts and amplify the vibrant palette, encapsulating the adventurers' bold defiance of the serene mountain's daunting scale.