View allAll Photos Tagged geometricpatterns
Dusk over London — The Shard and London Bridge illuminated beneath the evening sky. A timeless view from the Sky Garden 🇬🇧
In capturing this modern building, I was drawn to the striking geometry created by its angular corner. I positioned myself to emphasize the converging lines that lead the eye upward into darkness, creating a sense of ascension and limitlessness. Working in black and white was a deliberate choice to strip away distractions and focus purely on form, texture, and the interplay of light and shadow. The dark negative space surrounding the building isolates the structure and creates a dramatic stage for architectural elements to perform. I wanted to transform this functional structure into something abstract and contemplative—revealing the hidden rhythm in the repeating patterns of sun shades and windows that might otherwise go unnoticed. Through this image, I aimed to challenge perceptions of scale and perspective, making the familiar unfamiliar. By focusing on this single corner, I invite viewers to consider how fragments can sometimes tell more compelling stories than whole scenes, much like how a single architectural detail can embody the philosophy behind an entire design.
SCOUT: "Paddy? Paddy!"
PADDY: "Yes Scout?"
SCOUT: "Why do we have to sit on this wall, Paddy?"
PADDY: "Because Daddy thinks it's an interesting piece of geometry."
SCOUT: *Scratches head with paw.* "What's 'geometry'? Can we eat it?"
PADDY: "No, Scout! Geometry is the part of mathematics that studies the size, shapes, positions and dimensions of things. Squares, circles and triangles are some of the simplest shapes in flat geometry. Cubes, cylinders, cones and spheres are simple shapes in solid geometry. So too are triangles and pyramids, like the way these bricks are laid."
SCOUT: *Scratches head again.* "You know what I think about geometry, Paddy?"
PADDY: "No, what, Scout?"
SCOUT: "I think it's hard... especially on my soft little bottom!"
My Paddington Bear came to live with me in London when I was two years old (many, many years ago). He was hand made by my Great Aunt and he has a chocolate coloured felt hat, the brim of which had to be pinned up by a safety pin to stop it getting in his eyes. The collar of his mackintosh is made of the same felt. He wears wellington boots made from the same red leather used to make the toggles on his mackintosh.
He has travelled with me across the world and he and I have had many adventures together over the years. He is a very precious member of my small family.
Scout was a gift to Paddy from my friend. He is a Fair Trade Bear hand knitted in Africa. His name comes from the shop my friend found him in: Scout House. He tells me that life was very different where he came from, and Paddy is helping introduce him to many new experiences. Scout catches on quickly, and has proven to be a cheeky, but very lovable member of our closely knit family.
The stunning interior of a hotel in Turin, Italy showcases a breathtaking view of the atrium from the ground floor. The intricate wooden beams and railings create a mesmerizing geometric pattern leading up to a skylight, allowing natural light to illuminate the space. This architectural masterpiece blends modern design with historical charm.
Inside Málaga's Castillo de Gibralfaro, where Islamic geometric patterns adorn almost every ceiling, doorway and wall.
Islamic geometric patterns are one of the major forms of Islamic ornament, which tends to avoid using figurative images, as it is forbidden to create a representation of an important Islamic figure according to many holy scriptures.
The geometric designs in Islamic art are often built on combinations of repeated squares and circles, which may be overlapped and interlaced, as can arabesques (with which they are often combined), to form intricate and complex patterns, including a wide variety of tessellations. These may constitute the entire decoration, may form a framework for floral or calligraphic embellishments, or may retreat into the background around other motifs. The complexity and variety of patterns used evolved from simple stars and lozenges in the ninth century, through a variety of 6- to 13-point patterns by the 13th century, and finally to include also 14- and 16-point stars in the sixteenth century.
Geometric patterns occur in a variety of forms in Islamic art and architecture. These include kilim carpets, Persian girih and Moroccan zellij tilework, muqarnas decorative vaulting, jali pierced stone screens, ceramics, leather, stained glass, woodwork, and metalwork.
© Butch Leitz
All rights reserved
Ground floor at Versailles, straight in, back loge area (you enter via a main hall on the ground floor that "T"'s into this about 3 or 4 arches down on the right) (the room off to the left is like a huge windowed solarium type of thing running the length of this hall. The "solarium" looks out on the famous Versailles Gardens).
The thing I love about this shot is not only the obvious visual geometry, but how the edges of the colums are so sharp contrasted with the soft almost sensual quality of the stone work within each arch here - each appearing to melt into the next. The lighting was all natural, of course, and I love the way the shadows and light worked in this. I'm sure that different times of day would show dramatically different results in this hallway. The other thing I like is the lack of ornate over-the-top decoration compared to that found in the rest of Versailles.
Available for purchase, this looks fabulous in 20x30 or 30x40 in a formal frame or unframed mounted with wall offsets for nouveau settings. I had an office manager that bought a 20x30 and put it in an old fashioned gilt-gold ornate frame and hung it in her dining room. It looked fabulous, if I do say so myself! Starting at $450. (Don't worry, prints do not have watermarking shown here but are signed by me in the lower right corner after I have reviewed the print for quality.)
butchleitzphotography.blogspot.com/2011/01/versailles-pas...
Abstract blue and white shapes overlap in a geometric pattern, creating a sense of depth. Light and dark shades intermingle, giving the composition a dynamic and layered appearance.
Using stark upward perspective on this modern building's facade, I created an abstract study in geometric patterns. The monochromatic treatment emphasizes the sharp angles and repetitive elements, transforming functional architecture into a graphic composition.
Inside Istanbul's new airport, I was struck by how the architectural elements created this compelling composition. The subtle green tones and gentle curves, punctuated by precise lighting, offered a perfect study in modern architectural design. I composed the shot to emphasize the flowing lines and create a sense of spatial depth.
A black and white fine art photograph capturing the elegant spiral of a staircase, transformed into a cosmic vision through light, shadow, and geometry. With a minimalist and timeless aesthetic, Michel Rouabah reveals the poetry of architecture in motion. Paris-based award-winning photographer specializing in fine art, architecture, portraits, weddings, and editorial work, available in France and worldwide.
Goliath. visually explores the theme of scale, emphasizing the contrast between the immense size of urban architecture and the relative smallness of individual human experience within these spaces. It is a study in contrasts: solidity and void, opacity and transparency, enormity and minutiae. Goliath. ultimately raises questions about the individual's place in the architectural colossus of the urban landscape.
Precision and repetition — the lens never blinks. A calm, clinical landscape where lines dominate and surveillance becomes part of the aesthetic language.
Geometric shapes of varying shades of green form a stylized forest against a light yellow background. Transparent circles overlay the triangular tree shapes, creating a layered effect.
This photo was taken inside the Bolo Haouz Mosque — a historic Friday mosque just across from the Ark of Bukhara, near Registan Square. Built in 1712, it was the official place of worship for the emirs during the final years of the Emirate of Bukhara.
"Bolo Haouz" means "Children's Pool", referring to the reflecting pool before the mosque. While the exterior is known for its elegant wooden columns, the interior is just as striking. Detailed geometric patterns, soft pastel colors, and Quranic calligraphy surround the mihrab (prayer niche).
I arrived at a quiet time — only one man was praying, alone in a peaceful place, surrounded by centuries of art and faith..
Jag gillar att studera olika byggnader och hus, deras former, färger, mönster, vinklar och linjer. Arkitektur är intressant. För veckans Fotosöndagtema föll sig därför valet naturligt att fånga en byggnads geometriska mönster med kameran. Detta är mitt bidrag.
I find architecture and the patterns, lines, forms, colours and angles of buidings and houses interesting. Therefore this week's Fotosöndag theme geometric patterns was especially fun to capture with my camera. This is my contribution to the theme.
An abstract monochrome study of intersecting metal wires and patterned plastic, photographed inside a laundromat. By isolating repetition, geometry, and tone, an everyday object transforms into a modernist visual rhythm.
An all-seeing eye under sterile chrome — surveillance camouflaged in elegance. At BMW Welt, function and design merge in silent observation
Library Square in Downtown Vancouver is a multi-use complex that brings together the Vancouver Public Library’s Central Branch, a Federal Office Tower, and various retail and service spaces. Designed by Moshe Safdie, the library’s distinct curved architecture was inspired by the Colosseum in Rome.
This photo captures layered reflections of the surrounding high-rises on the building’s glass surfaces, creating a blended cityscape where indoor and outdoor spaces merge.
Vancouver, BC, Canada
A black and white fine art photograph capturing the hypnotic spiral of a staircase, evoking the mystery of a distant galaxy. Through light, shadow, and geometry, Michel Rouabah transforms architecture into a cosmic vision. Award-winning photographer based in Paris, specializing in fine art, architecture, portraits, weddings, and editorial work, available in France and worldwide.
Lian Shan Shuang Lin Monastery, Singapore. Taken with YashicaFlex S using Ilford HP5 400. Developed in Tmax 1+9 and scanned with CanoScan 9000f Mark II.
captured in stark black-and-white, this image tells a quiet story of light and shadow, movement and stillness. one figure enters through a brightly illuminated door, casting long shadows across the floor, while another stands partially hidden in shadow, watching from the sidelines. the intense contrast and cinematic framing lend the scene a sense of mystery, reminiscent of classic film noir. in this moment, light becomes both a barrier and a bridge, highlighting the solitude of each figure in their own space within the frame.
This piece, 'Elevation Odyssey,' interprets the high-altitude odyssey of paragliders using digital art techniques. Crafted with Midjourney software to create a surrealistic landscape, it was then refined through Photoshop to enhance the visual contrasts and amplify the vibrant palette, encapsulating the adventurers' bold defiance of the serene mountain's daunting scale.
I took this shot inside one of the many mausoleums at Shah-i-Zinda, the "Street of the Living King." I think it might be the Tuman Aqa Mausoleum (built for one of Timur's wives)… but to be honest, there were so many stunning spots along the way and I got a bit sloppy with my notes. What I do remember clearly is stepping in, looking up, and just being blown away. That golden ceiling, with its detailed patterns and Arabic script all around… it felt like standing inside a piece of jewelry. One of those moments where you have to stop, stare, and say "wow."
The image depicts a woman in a sophisticated pose, wearing an elegant black off-shoulder dress, against a textured wall with geometric patterns. Her makeup is polished, and she has a poised expression.
Model : Fanny, Location:
SKP, Chengdu, Sichuan province, China
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Another shot from my ongoing "Urban Serendipity" project, taken in São Paulo, Lisbon. This vibrant neighborhood, with its mix of historic charm and modern energy, provides endless inspiration for capturing the contrasts of urban life. Excited to share more as this series evolves!
São Paulo, Lisbon, Portugal
Geometry watches you. Angles converge with precision while the chrome sentinel blends into the modernist canvas — quiet but vigilant.
O Forte da Graça, ou Forte de Lippe, em Elvas, ergue-se como um exemplar da arquitetura militar setecentista, construído entre 1763 e 1792 sob a direção do Conde de Lippe. A fortificação abaluartada, com planta estrelada, integra o sistema defensivo da raia e foi modernizada sob a égide pombalina. No interior do reduto central, o átrio da Casa do Governador destaca-se pelo pavimento de mármore regional com padrões geométricos, iluminado por um óculo zenital. As paredes apresentam inscrições e representações de âncoras que funcionavam como propaganda nacionalista em 1930, exaltando a soberania ultramarina e a vocação marítima de Portugal num espaço de reclusão. O conjunto, que articula robustez militar e elementos neoclássicos, reflete a engenharia militar e a história de Portugal, fazendo parte da classificação UNESCO "Cidade Fronteiriça e Fortificações de Elvas".
The Forte da Graça, or Forte de Lippe, in Elvas, stands as an example of 18th-century military architecture, built between 1763 and 1792 under the direction of the Count of Lippe. The star-shaped bastioned fortification is part of the defensive system of the border and was modernized under the Pombaline regime. Inside the central stronghold, the atrium of the Governor's House stands out for its regional marble floor with geometric patterns, illuminated by a zenithal oculus. The walls feature inscriptions and representations of anchors that served as nationalist propaganda in 1930, extolling Portugal's overseas sovereignty and maritime vocation in a space of seclusion. The complex, which combines military robustness and neoclassical elements, reflects Portugal's military engineering and history, forming part of the UNESCO classification “Border Town and Fortifications of Elvas.”
Through careful composition of architectural elements, I created this abstract study where white lines intersect against pure black. The precise arrangement transforms a building's functional features into a geometric ballet of light and shadow.
The sleek, curving corridor of the London Underground’s Jubilee Line at London Bridge Station captures both the elegance and efficiency of Britain’s famed transit system. This photograph highlights the station’s futuristic tunnel design, where steel ribs and gradient blue paneling arch overhead like a spaceship interior. The perspective leads the viewer’s eye forward, toward the distant glow of the next connection and the promise of movement beneath the city’s surface.
London Bridge Station is one of the oldest and busiest transport hubs in London, serving not only the Jubilee Line, but also the Northern Line and multiple National Rail services. Opened in 1836 and rebuilt several times since, the station has evolved into a modernized gateway connecting southeast London to the city’s heart. The Jubilee Line itself is one of the youngest in the Tube system, known for its accessibility, modern design, and architectural drama.
In this image, the symmetry and lighting create an almost cinematic feel. Harsh fluorescent tubes run cleanly along the ceiling, casting their glow onto alternating metal grates and signage. The green emergency exit sign and blue directional placard mark the utilitarian function of the tunnel, while also adding subtle visual punctuation to an otherwise tightly disciplined space. The walls are marked with “London Bridge” repeating across the curved panels—a visual rhythm that reinforces the location and adds texture to the shot.
The absence of people in this photo lends a sense of quiet anticipation. It’s a rare moment of stillness in one of the world’s busiest metro systems. The tunnel becomes a character itself—calm, sturdy, waiting. For photographers, this type of image represents a celebration of urban minimalism: clean lines, practical beauty, and infrastructure that hums with human purpose, even when humans are temporarily absent.
The Jubilee Line is also one of the most accessible lines on the Underground, and London Bridge Station underwent significant renovations to improve step-free access, clear signage, and better wayfinding. These improvements reflect the broader push across the Transport for London (TfL) system toward more inclusive, modern infrastructure.
For travelers, this image evokes memories of navigating the Tube—watching the blinking signs, rushing through corridors like this to make a connection, or standing still to admire how impressively the system is built. For locals, it may feel like a moment of calm in the daily commute. For architecture and design fans, it’s a testament to form following function, where even public transportation tunnels can possess a quiet, industrial beauty.
Mísula decorativa localizada no Claustro Pequeno do Convento da Madre de Deus, atualmente integrado no Museu Nacional do Azulejo, em Lisboa. Este elemento arquitetónico, esculpido em pedra, evidencia a influência do estilo manuelino, característico do início do século XVI em Portugal, reconhecível pelos motivos vegetalistas e naturalistas, como folhas entrelaçadas, que remetem à exaltação da natureza e à riqueza simbólica da época. A mísula serve de suporte estrutural e decorativo, integrando-se harmoniosamente na abóbada de nervuras e dialogando com o revestimento de azulejos policromados do pavimento, típico da azulejaria portuguesa. O Claustro Pequeno constitui o núcleo mais antigo do convento, fundado em 1509 por D. Leonor, rainha de Portugal, e reflete a transição entre o gótico tardio e o renascimento, testemunhando a importância do convento enquanto espaço religioso e artístico. A preservação destes detalhes permite compreender a evolução da arte e arquitetura conventual em Portugal.
Decorative corbel located in the Small Cloister of the Convent of Madre de Deus, currently part of the National Tile Museum in Lisbon. This architectural element, carved in stone, shows the influence of the Manueline style, characteristic of the early 16th century in Portugal, recognizable by its plant and naturalistic motifs, such as intertwined leaves, which refer to the exaltation of nature and the symbolic richness of the period. The corbel serves as a structural and decorative support, blending harmoniously into the ribbed vault and dialoguing with the polychrome tile covering of the floor, typical of Portuguese tile work. The Small Cloister is the oldest part of the convent, founded in 1509 by D. Leonor, Queen of Portugal, and reflects the transition between the late Gothic and Renaissance periods, testifying to the importance of the convent as a religious and artistic space. The preservation of these details allows us to understand the evolution of convent art and architecture in Portugal.
Black and white conversion taken on the 13/12/2014 at 20:14:02Hrs using a Nikon D3100 camera with an AF-S DX NIKKOR 18-55mm f/3.5-5.6G VR Lens
The Celebrity Summit's Solarium is a covered, adults-only pool area on the Resort Deck.
Looking up at this Toulouse apartment building, I captured the mesmerizing geometry of its modernist architecture. The pink-washed facade, characteristic of the 'Ville Rose', creates a striking contrast with the blue sky, while the repetitive pattern of balconies and windows generates a dizzying perspective that challenges our spatial perception.
For "Weekly Theme Challenge", topic: "Geometric patterns"
For Flickr group "Fantastic Monday!"
04.03.2019 063/365
I've been experimenting with patterns and tiles lately and have a couple of designs that I'm happy with. The idea started with wanting to find a city and working with the side of a building. I needed some new lines and decided to travel into New York and see what I could find, I wasn't disappointed and managed out a couple of shots that I'll be posting. Some are just me having fun with Protoshop, some are fairly straight. The concept for this is actually pretty simple in that you start with one tile and add until you have four, flatten and that becomes the new tile and you add another three, flatten and repeat. This image is 8x8 tiles and you can get some interesting results! My idea of fun and takes me back to my Vasarely study days.
As 2011 comes to a close, I'd like to thank all my Flickr friends, contacts and everyone else that takes to time to ponder my craziness and perhaps toss a comment and/or fave my way! As my first year on Flickr winds down, I can't believe what an experience it's been trading comments with some of the best photographers-artists that I've seen! I truly enjoy looking at all the fantastic photographic work from the widest of styles/genres and value all the friendships that have started this year. My hope and wish for the New Year is that all the friendships continue to grow in 2012. THANK YOU ALL and Happy New Year.
Sliders Sunday is still on I hope??? :)