View allAll Photos Tagged functional
Esglesia Sant Joan de Caselles, nearby Canillo city, Vall d'Orient, Andorra, Pyrenees
More Canillo poble & Canillo parroquia images: Follow the group links at right side.
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* for large metadata-controlled business collections: photo-archives, travel agencies, tourism redactions
We offer 100.000+ photos of Andorra and North of Spain. The largest professional image catalog of Andorra from the newer history: all regions, all cities and villages, all times, all seasons, all weather(s). HighRes & HighColor GeoCoded stock-photo images including metadata in 4-5 languages. Prepared for an easy systematic organising of large image portfolios with advanced online / print-publishing as "Culture-GIS" (Geographic Info System). The big stockphoto collection from the Pyrenees.
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Andorra has more than 60 churches. See them all on 1 page >>> www.lutz-meyer.com/reise/0809and-churches.htm
New York's subway system is vast, complex, functional and efficient. It can also be bewildering, fascinating, and scary to some.
canon ae-1 program +
canon fd 50mm f1.8 s.c. +
fujifilm superia 200 (expired - 1 year)
no post processing or cropping, just as scanned.
taken at shutter priority mode.
makinenin fonksiyonlarını test etmek amacıyla hızlıca çektiğim fotoğraflardan biri.
herhangi bir oynama veya kırpma yok, tarayıcıdan ne çıktıysa o.
enstantane öncelikli modda çekildi.
The colorful lifeguard towers of Miami Beach are famous. They contribute beautifully to the overall aesthetic of the scenery
Tutorial on Instructables: www.instructables.com/id/Functional-LEGO-Nutcrackers/
With a simple pull of the lever, these decorative figures can open and close their jaws like authentic nutcrackers!
Both of these models were built in the recent weeks leading up to Christmas. The design was pretty straightforward, but two major issues were making the faces look good, and finally getting the hats right. In fact, the green nutcracker's crown took the longest to figure out, and was finally made with hinge plates.
As mentioned in the tutorial, although these can in fact function as real nutcrackers, they're somewhat rickety and best suited for holiday decorations.
Made to accompany an awesome teapot that I still need to photograph. #mug #coffee #cup #tea #teacup #green #bronze #metallic #mossy #moss #mug #clay #ceramic #stoneware #pottery #handmade #wheel #wheelthrown #functional #home #whimsical #closeup #surface #glaze
A good thing continues
Some six months ago, I posted almost 100 images and a few thoughts I felt were missing from the many existing RX1 reviews. The outpouring of support and interest in that article was very gratifying. When I published, I had used the camera for six full months, enough time to come to a view of its strengths and weaknesses and to produce a small portfolio of good images, but not enough time to see the full picture (pun intended). In the following six months, I have used the camera at least as frequently as in the first six and have produced another small set of good images. It should be noted that my usage of the RX1 in the last six (and especially in the last 3) months has involved less travel and more time with the family and around the house; I will share relatively few of these images but will spend some time sharing my impressions of its functionality for family snapshots as I am sure there is some interest. And let it be said here: one of the primary motivations to purchase the camera was to take more photos with the family, and after one full year I can confidently say: money well spent.
The A7/r game-changer?
In the past six months, Sony have announced and released two full-frame, interchangeable lens cameras that clearly take design cues from the RX1: the A7 and the A7r. These cameras are innovative and highly capable and, as such, are in the midst of taking the photography world by storm. I think they are compelling enough cameras that I wonder whether Sony is wasting its energy continuing to develop further A-mount cameras. Sony deserve credit for a bold strategy—many companies would have been content to allow the success of the the RX1 (and RX1R) generate further sales before pushing further into the white space left unexplored by camera makers with less ambition.This is not the place to detail the relative advantages and disadvantages of the RX1 versus the A7/r except to make the following point. I currently use a Nikon D800 and an RX1: were I to sell both and purchase the A7r + 35mm f/2.8 I would in many ways lose nothing by way of imaging capability or lens compatibility but would pocket the surplus $1250-1750. Indeed this loyal Nikon owner thought long and hard about doing so, which speaks to the strategic importance of these cameras for a company trying to make inroads into a highly concentrated market.Ultimately, I opted to hang onto the two cameras I have (although this decision is one that I revisit time and time again) and continue to use them as I have for the past year. Let me give you a quick flavor of why.
The RX1 is smaller and more discrete
This is a small a point, but my gut reaction to the A7/r was: much smaller than the D800, not as small as the RX1. The EVF atop the A7/r and the larger profile of interchangeable mount lenses means that I would not be able to slip the A7/r into a pocket the way I can the RX1. Further, by virtue of using the EVF and its loud mechanical shutter, the A7/r just isn’t as stealthy as the RX1. Finally, f/2 beats the pants off of f/2.8 at the same or smaller size.At this point, some of you may be saying, “Future Sony releases will allow you to get a body without an EVF and get an f/2 lens that has a slimmer profile, etc, etc.” And that’s just the point: to oversimplify things, the reason I am keeping my RX1 is that Sony currently offers something close to an A7 body without a built-in EVF and with a slimmer profile 35mm f/2.
The D800 has important functional advantages
On the other side of the spectrum, the AF speed of the A7/r just isn’t going to match the D800, especially when the former is equipped with a Nikon lens and F-mount adapter. EVFs cannot yet match the experience of looking through the prism and the lens (I expect they will match soon, but aren’t there yet). What’s more, I have made such an investment in Nikon glass that I can’t yet justify purchasing an adapter for a Sony mount or selling them all for Sony’s offerings (many of which aren’t to market yet).Now, all of these are minor points and I think all of them disappear with an A8r, but they add up to something major: I have two cameras very well suited to two different types of shooting, and I ask myself if I gain or lose by getting something in between—something that wasn’t quite a pocket shooter and something that was quite a DSLR? You can imagine, however, that if I were coming to the market without a D800 and an RX1, that my decision would be far different: dollar for dollar, the A7/r would be a no-brainer.During the moments when I consider selling to grab an A7r, I keep coming back to a thought I had a month or so before the RX1 was announced. At that time I was considering something like the NEX cameras with a ZM 21mm f/2.8 and I said in my head, “I wish someone would make a carry-around camera with a full frame sensor and a fixed 35mm f/2.8 or f/2.” Now you understand how attractive the RX1 is to me and what a ridiculously high bar exists for another camera system to reach.
Okay, so what is different from the last review?
For one, I had an issue with the camera’s AF motor failing to engage and giving me an E61:00 error. I had to send it out to Sony for repairs (via extended warranty and service plan). I detailed my experience with Sony Service here [insert link] and I write to you as a very satisfied customer. That is to say, I have 3 years left on a 4 year + accidental damage warranty and I feel confident enough in that coverage to say that I will have this beauty in working order for at least another 3 years.For two, I’ve spent significantly less time thinking of this camera as a DSLR replacement and have instead started to develop a very different way of shooting with it. The activation barrier to taking a shot with my D800 is quite high. Beyond having to bring a large camera wherever you go and have it in hand, a proper camera takes two hands and full attention to produce an image. I shoot slowly and methodically and often from a tripod with the D800. In contrast, I can pull the RX1 out, pop off the lens cap, line up and take a shot with one hand (often with a toddler in the other). This fosters a totally different type of photography.
My “be-there” camera
The have-everywhere camera that gives DSLR type controls to one-handed shooting lets me pursue images that happen very quickly or images that might not normally meet the standards of “drag-the-DSLR-out-of-the-bag.” Many of those images you’ll see on this post. A full year of shooting and I can say this with great confidence: the RX1 is a terrific mash-up of point-and-shoot and DSLR not just in image quality and features, but primarily in the product it helps me create. To take this thinking a bit further: I find myself even processing images from the RX1 differently than I would from my DSLR. So much so that I have strongly considered starting a tumblr and posting JPEGs directly from the RX1 via my phone or an iPad rather than running the bulk of them through Lightroom, onto Flickr and then on the blog (really this is just a matter of time, stay tuned, and those readers who have experience with tumblr, cloud image storage and editing, etc, etc, please contact me, I want to pick your brain).Put simply, I capture more spontaneous and beautiful “moments” than I might have otherwise. Photography is very much an exercise in “f/8 and be there,” and the RX1 is my go-to “be there” camera.
The family camera
I mentioned earlier that I justified the purchase of the RX1 partly as a camera to be used to document the family moments into which a DSLR doesn’t neatly fit. Over the past year I’ve collected thousands and thousands of family images with the RX1. The cold hard truth is that many of those photos could be better if I’d taken a full DSLR kit with me to the park or the beach or the grocery store each time. The RX1 is a difficult camera to use on a toddler (or any moving subject for that matter); autofocus isn’t as fast as a professional DSLR, it’s difficult to perfectly compose via an LCD (especially in bright sunlight), but despite these shortcomings, it’s been an incredibly useful family camera. There are simply so many beautiful moments where I had the RX1 over my shoulder, ready to go that whatever difficulties exist relative to a DSLR, those pale in comparison to the power of it’s convenience. The best camera is the one in your hand.
Where to go from here.
So what is the value of these RX1 going forward, especially in a world of the A7/r and it’s yet-to-be-born siblings without an EVF and a pancake lens? Frankly, at its current price (which is quite fair when you consider the value of the the body and the lens) I see precious little room for an independent offering versus a mirrorless, interchangeable lens system with the same image quality in a package just as small. That doesn’t mean Sony won’t make an RX2 or an RX1 Mark II (have a look at it’s other product lines to see how many SKUs are maintained despite low demand). Instead, I see the RX1 as a bridge that needed to exist for engineers, managers, and the market to make it to the A7/r and it’s descendants.A Facebook friend recently paid me a great compliment; he said something like, “Justin, via your blog, you’ve sold a ton of RX1 cameras.” Indeed, despite my efforts not to be a salesman, I think he’s right: I have and would continue to recommend this camera.The true value of the RX1 going forward is for those of us who have the thing on our shoulders; and yes, if you have an investment in and a love for a DSLR system, there’s still tremendous value in getting one, slinging it over your shoulder, and heading out into the wide, bright world; A7/r or no, this is just an unbelievably capable camera.
Trendy? Or too early for boots?
Doll: MS Roller Skate(?) Chelsea (?)
Outfit: SIS Pasrty Kara 2 Wave(?)
Shoes: MS random(?)
This double row of white metal fences is designed to keep animals, cars, and people off the tracks as Amtrak trains zoom through the tiny village of Galien, Michigan, several times a day. The building in the background is currently the home of the storefront Galien Missionary Church. When I was growing up in the 50s & 60s it housed the Swem General Store. The store was on the first floor and the proprieters, Encell and Violet Swem, lived on the second floor.
The Ural 4350 is used primarily as a transport truck, but the Eurusian Army also uses a number of other versions – including a recovery version and a multiple-rocket launcher platform. The 4350 can also be seen in civilian use, most commonly as a fire truck, garbage truck or logging truck.
Credit goes to Otto for the idea of using inverted ladders on the truckbed.
For Halloween 2011, I made a fully-functional Nikon DSLR costume, complete with a built-in flash, shutter-release button and remote, and LCD screen. Also capable of trigging my Alienbees strobes with my Paul C. Buff Cyber Commander, and capable of winning any costume contest with the push of a button.
To see it work:
To see how it's made and see it in action:
Whilst it would never win prizes for looks, tamping machines in all their derivations play a vital role. Volker Rail DR73946 is seen just east of Castle Donington whilst tamping the new connection for the EMG sidings.
Functional art quilt.
Measures 17.5 x 17.5.
Colors inspired from the retro color combo of Avocado Green and Harvest Gold.
Meant to either hang on the wall or displayed on a table.
Made from 100% cotton fabrics from Robert Kaufman's Kona collection.
The living room in one of the suites.
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Camera: Sony a99 | Lens: Zeiss Vario-Sonnar T* 2.8/16-35
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I had the pleasure of staying at Citadines - Tour Eiffel for 3 nights during my visit to Paris. Located in the former village of Grenelle, Citadines - Tour Eiffel is in a prime location situated across from a major metro hub with tons of cafes, restaurants, and marketplaces all within walking distance. It is also quite close to the Eiffel Tower, the Seine, Invalides, and Champs des Mars. In fact, while staying there, I was able to easily take the metro across the street to Versailles (with a transfer) for the day which made things quite convenient.
The really cool thing about the hotel is that some of the rooms on the upper floors of the hotel feature really beautiful views of the Eiffel Tower. If you follow my Instagram, I posted a video of the Eiffel Tower's light show that I filmed with my phone from the window of my room at Citadines - Tour Eiffel. It's a pretty impressive view!
However, what makes this hotel standout from many others is that it is known as an aparthotel or apartment hotel because it also functions as a place to stay for extended periods of time if you wish. People can stay for a few nights, a few weeks, a month, a few months, even a year if that is what they wish. This makes this a great place for families or individuals looking to relocate who may need a habitable living space centrally located in the city they are trying to relocate to. It also makes it a great place for people who are looking to try to live in a city to get a feel for the city while having the comforts of home.
An intriguing facet of staying at an aparthotel is that not only do you have the comforts that you would associate with an apartment such as a fully functional kitchen and living area but you get the amenities and benefits of hotel living as well. For example, Citadines aparthotels offer various cleaning arrangements for all guests as well as other perks that you would typically associate with staying in a hotel. Only you can enjoy these perks during your extended stay in any of the Citadines locations all over Europe and the Asia Pacific.
I had a great stay during my time in Paris. I had the misfortune of getting quite sick with bronchitis while in Paris and the staff at Citadines Tour Eiffel were really wonderful when it came to getting me the medical help I needed and making my stay pleasant while I recovered. I really enjoyed the fact that there was a Monoprix right across the street. The Monoprix there had a huge grocery section which allowed me to buy reasonably priced groceries that I was able to store in the refrigerator. This was a great relief to my wallet since it let me save on certain meals since I could use the kitchen in my room.
And of course, I loved the views. But that goes without saying, right? :)
--- Read a dedicated post about the hotel with explanations of each photo here:
Citadines - Tour Eiffel - Rooms with a View
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Interested in viewing all of my Paris posts so far? Here they are:
Looking for these (and more) Paris photos to view larger? Here you go (click or tap on each photo to view larger):
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View my New York City photography at my website NY Through The Lens.
Interested in my work and have questions about PR and media? Check out my:
About Page | PR Page | Media Page
To use any of my photos commercially, feel free to contact me via email at photos@nythroughthelens.com
170 107 appraoches Luffenham crossing with its functional relay room cum portacabin and charming, white, pallisade fencing. A ruined windmill can be made out on the hill behind the un-ornate building and was the focus of the shot. CCTV mast removed!
Even though this was just meant to be an experimental vehicle at first, I've actually become quite fond of it.
Basics of reduced functionality:
Infinite zooming windows fill all available bandwidth. I used to browse 5 peoples' favorites all at once - i always open the favorites of anyone who favorites any of my photos. If you do that now, each window takes up 10X more bandwidth, because they are a bunch of hi-res pics instead of thumbnails.
Previously i could click the next 2 pages of someone's favorites (next 6 if it's page 1), and have it preloaded in another tab. Basically, I had an unending, uninterrupted stream of images to my eyes. Which is THE POINT of a photo site.
If something was interesting, I would click on it.
Now? Nope, no preview. You have to load the full size of everything. And if you want to preload the next page, you have to go to the bottom of the page to click that. Except you can't, because ajax requests will fill the page up with new full-size-bandwidth-sucking images.
Nevermind that when you finally get to the bottom of page 1, it always says you are on page 2.
The net result is - by the time i cycle through to a tab, maybe 5 or 10 more images have loaded.
More intensive means harder. Doesn't matter if someone is 56kbps or 100Mbps. Using more bandwidth than you want to use is always a bad thing. My bandwidth is often tight due to use patterns here.
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That's just one of many examples.
How about the crowded page? If I'm in another application, and click back to chrome (because I left a favorites page in mid-load, becuase it takes forever), I need to scroll. Previously I could click on the whitespace to change my focus. Now I need to be extra careful and only click on the scrollbar, or on the TINY TINy whitespace between pictures. Smaller click targets are harder by definition.
And the penalty for missing? You have to re-load the HUGE UNENDING PAGE again. And if you were near the bottom? It might take 5 minutes to load the pictures to get back to where you were. Back button is no longer sufficient like in the past.
Same thing if you accidentally close a tab. You can re-open it ("undo tab close") ... But your connection will be servered, and you generally won't be able to scroll down any further. So if you want to pick up where you've left off, you have to reload all the huge, full-size, neverending pictures up to the point where you were. Which will always, always take more time and bandwidth than with the old flickr.
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I have meaningful titles and captions written for all my photos. When you went to my page, you would see them. That was part of what I was building every day for 8 years.
Now? You don't see them. The curative info I worked hard to create is now buried past a click.
Same thing with privacy settings. Previously you could see which pictures were public/private by the color next to it. But they removed those summaries. If I want to go change the status, I first have to get to the picture on the neverending hi-res large-bandwidth page (which itself can be a problem if it's 300 down), and click into it... Just to find out something I could find out before.
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Same thing with views. I would look at my first few pages and see the view counts. Now I can't do that. Unless I click into every damn image.
Do I need to explain the concept that having more user interactions to get to user information is a bad thing? I'm a web developer myself, and even with my 10 years experience, I know better.
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Same thing with when a photo was uploaded. When going through someone's photostream, I often only want to go back to see their most recent (say, 2 months) images. So I would browse back until I saw a date of 2 months ago. Except now that date is buried. There's no way to know. Yay for hiding photo information from a photo view on a photo viewing website!
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They took away browser zoom when viewing individual photos. Previously I would use browser zoom to zoom into the picture. Sometimes I want it 50% larger than my screen to look at a detail. This applies to preview resolution AND full resolution.
Now they override that, removing a basic browser functionality, and making it harder to control the size of the image I'm viewing. On an image viewing website. Genius.
Ironically, they still allow browser zoom during the neverending-highres vomit view... And that's the one place you DON'T want it, because you're suddenly resizing 400 images at once, throwing yourself onto a totally different part of the page. THIS IS THE OPPOSITE OF HOW IT SHOULD BE ON BOTH COUNTS!
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Now I'm going to grab some popcorn a wait for the inevitable No True Scotsman and Ad Hominem responses.
4th APRIL, LONDON - @andres.loeh explains all about how datatype-generic programming in GHC works, and presents several examples of its use, including examples of how it already is successfully being used in some prominent Haskell libraries. See the SkillsCast recording (film, code slides) at: skillsmatter.com/podcast/scala/a-haskell-lecture-with-lea...
4th APRIL, LONDON - @andres.loeh explains all about how datatype-generic programming in GHC works, and presents several examples of its use, including examples of how it already is successfully being used in some prominent Haskell libraries. See the SkillsCast recording (film, code slides) at: skillsmatter.com/podcast/scala/a-haskell-lecture-with-lea...