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The Liechtenstein Garden Palace is a Baroque palace at the Fürstengasse in the 9th District of Vienna, Alsergrund . Between the palace, where the Liechtenstein Museum was until the end of 2011, and executed as Belvedere summer palace on the Alserbachstraße is a park. Since early 2012, the Liechtenstein Garden Palace is a place for events. Part of the private art collection of the Prince of Liechtenstein is still in the gallery rooms of the palace. In 2010 was started to call the palace, to avoid future confusion, officially the Garden Palace, since 2013 the city has renovated the Palais Liechtenstein (Stadtpalais) in Vienna's old town and then also equipped with a part of the Liechtenstein art collection.
Building
Design for the Liechtenstein Garden Palace, Johann Bernhard Fischer von Erlach in 1687/1688
Canaletto: View of Palais Liechtenstein
1687 bought Prince Johann Adam Andreas von Liechtenstein a garden with adjoining meadows of Count Weikhard von Auersperg in the Rossau. In the southern part of the property the prince had built a palace and in the north part he founded a brewery and a manorial, from which developed the suburb Lichtental. For the construction of the palace Johann Adam Andreas organised 1688 a competition, in the inter alia participating, the young Johann Bernhard Fischer von Erlach. Meanwhile, a little functional, " permeable " project was rejected by the prince but, after all, instead he was allowed to built a garden in the Belvedere Alserbachstraße 14, which , however, was canceled in 1872.
The competition was won by Domenico Egidio Rossi, but was replaced in 1692 by Domenico Martinelli. The execution of the stonework had been given the royal Hofsteinmetzmeister (master stonemason) Martin Mitschke. He was delivered by the Masters of Kaisersteinbruch Ambrose Ferrethi , Giovanni Battista Passerini and Martin Trumler large pillars, columns and pedestal made from stone Emperor (Kaiserstein). Begin of the contract was the fourth July 1689 , the total cost was around 50,000 guilders.
For contracts from the years 1693 and 1701 undertook the Salzburg master stonemason John and Joseph Pernegger owner for 4,060 guilders the steps of the great grand staircase from Lienbacher (Adnet = red) to supply marble monolith of 4.65 meters. From the Master Nicolaus Wendlinger from Hallein came the Stiegenbalustraden (stair balustrades) for 1,000 guilders.
A palazzo was built in a mix of city and country in the Roman-style villa. The structure is clear and the construction very blocky with a stressed central risalite, what served the conservative tastes of the Prince very much. According to the procedure of the architectural treatise by Johann Adam Andreas ' father, Karl Eusebius, the palace was designed with three floors and 13 windows axis on the main front and seven windows axis on the lateral front. Together with the stems it forms a courtyard .
Sala terrene of the Palais
1700 the shell was completed. In 1702, the Salzburg master stonemason and Georg Andreas Doppler took over 7,005 guilders for the manufacture of door frame made of white marble of Salzburg, 1708 was the delivery of the fireplaces in marble hall for 1,577 guilders. For the painted decoration was originally the Bolognese Marcantonio Franceschini hired, from him are some of the painted ceilings on the first floor. Since he to slow to the prince, Antonio Belucci was hired from Venice, who envisioned the rest of the floor. The ceiling painting in the Great Hall, the Hercules Hall but got Andrea Pozzo . Pozzo in 1708 confirmed the sum of 7,500 florins which he had received since 1704 for the ceiling fresco in the Marble Hall in installments. As these artists died ( Pozzo) or declined to Italy, the Prince now had no painter left for the ground floor.
After a long search finally Michael Rottmayr was hired for the painting of the ground floor - originally a temporary solution, because the prince was of the opinion that only Italian artist buon gusto d'invenzione had. Since Rottmayr was not involved in the original planning, his paintings not quite fit with the stucco. Rottmayr 1708 confirmed the receipt of 7,500 guilders for his fresco work.
Giovanni Giuliani, who designed the sculptural decoration in the window roofing of the main facade, undertook in 1705 to provide sixteen stone vases of Zogelsdorfer stone. From September 1704 to August 1705 Santino Bussi stuccoed the ground floor of the vault of the hall and received a fee of 1,000 florins and twenty buckets of wine. 1706 Bussi adorned the two staircases, the Marble Hall, the Gallery Hall and the remaining six halls of the main projectile with its stucco work for 2,200 florins and twenty buckets of wine. Giuliani received in 1709 for his Kaminbekrönungen (fireplace crowning) of the great room and the vases 1,128 guilders.
Garden
Liechtenstein Palace from the garden
The new summer palace of Henry of Ferstel from the garden
The garden was created in the mind of a classic baroque garden. The vases and statues were carried out according to the plans of Giuseppe Mazza from the local Giovanni Giuliani. In 1820 the garden has been remodeled according to plans of Joseph Kornhäusel in the Classical sense. In the Fürstengasse was opposite the Palais, the Orangerie, built 1700s.
Use as a museum
Already from 1805 to 1938, the palace was housing the family collection of the house of Liechtenstein, which was also open for public viewing, the collection was then transferred to the Principality of Liechtenstein, which remained neutral during the war and was not bombed. In the 1960s and 1970s, the so-called Building Centre was housed in the palace as a tenant, a permanent exhibition for builders of single-family houses and similar buildings. From 26 April 1979 rented the since 1962 housed in the so-called 20er Haus Museum of the 20th Century , a federal museum, the palace as a new main house, the 20er Haus was continued as a branch . Since the start of operations at the Palais, the collection called itself Museum of Modern Art (since 1991 Museum of Modern Art Ludwig Foundation ), the MUMOK in 2001 moved to the newly built museum district.
From 29 March 2004 till the end of 2011 in the Palace was the Liechtenstein Museum, whose collection includes paintings and sculptures from five centuries. The collection is considered one of the largest and most valuable private art collections in the world, whose main base in Vaduz (Liechtenstein) is . As the palace, so too the collection is owned by the Prince of Liechtenstein Foundation .
On 15 November 2011 it was announced that the regular museum operating in the Garden Palace was stopped due to short of original expectations, visiting numbers remaining lower as calculated, with January 2012. The Liechtenstein City Palace museum will also not offer regular operations. Exhibited works of art would then (in the city palace from 2013) only during the "Long Night of the Museums", for registered groups and during leased events being visitable. The name of the Liechtenstein Museum will no longer be used.
de.wikipedia.org/wiki/Palais_Liechtenstein_(F%C3%BCrstengasse)
canon ae-1 program +
canon fd 50mm f1.8 s.c. +
fujifilm superia 200 (expired - 1 year)
no post processing or cropping, just as scanned.
taken at program(auto) mode.
makinenin fonksiyonlarını test etmek amacıyla hızlıca çektiğim fotoğraflardan biri.
herhangi bir oynama veya kırpma yok, tarayıcıdan ne çıktıysa o.
program(otomatik) modunda çekildi.
These wings were fantastic, they deployed and retracted, I love it when the costumes actually do something.
21 May 2019 - OECD Forum
From Territorial to Functional Sovereignty: Competition in the Digital Age
Speakers : Claire Casey, Managing Director - Foreign Policy Analytics
Mathilde Mesnard, Deputy Director - OECD
Jacques Bughin, Director, McKinsey Global Institute; Senior Partner - McKinsey & Company
Nicolas Colin, Author, Hedge : A Greater Safety Net for the Entrepreneurial Age; Co-Founder & Director - The Family
Casper Klynge, Tech Ambassador - Denmark
Photo : © Andrew Wheeler / OECD
The model and its assembly:
My second attempt to create a functional H0 scale what-if locomotive – and after I “only” did a color variant with some cosmetic changes on the basis of a Märklin V160/BR 216 diesel locomotive, I wanted something more special and challenging. However, kitbashing model locomotives with a metal chassis that includes a functional motor, respective drivetrain/gearing and electronics is not as easy as gluing some plastic parts together. And finding “matching” donor parts for such a stunt is also not as easy as it may seem. But what would life be without attempts to widen its boundaries?
This time I wanted an electric locomotive. Inspiration (and occasion) somewhat struck when I stumbled upon a running/functional chassis of a Märklin E 10/BR 110 (#3039), just without light and naturally missing the whole upper hull. Due to its incompleteness, I got it for a reasonable price, though. With this basis I started to watch out for eventual (and affordable) donor parts for a new superstructure, and remembered the collectible, non-powered all-plastic locomotive models from Atlas/IXO.
The good thing about the Märklin 3039 chassis was that it was just a solid and flat piece of metal without integrated outer hull elements, headstock or side skirts, so that a new hull could (theoretically) be simply tailored to fit over this motorized platform. Finding something with the exact length would be impossible, so I settled upon an Atlas H0 scale Nederlands Spoorwegen Series 1200 locomotive model, which is markedly longer than the German BR 110, due to its six axles vs. the E 10/BR 110’s four. Another selling point: the NS 1200’s body is virtually blank in its middle section, ideal for shortening it to match the different chassis. Detail of the Atlas plastic models is also quite good, so there was the potential for something quite convincing.
Work started with the disassembly of the static Atlas NS Class 1200 model. It's all-styrene, just with a metal plate as a chassis. Against my expectations the model's hull was only held on the chassis by two tiny screws under the "noses", so that I did not have to use force to separate it. The body's walls were also relatively thin, good for the upcoming modifications. The model also featured two nice driver's stations, which could be removed easily, too. Unfortunately; they had to go to make enough room for the electronics of the Märklin 3039 all-metal chassis.
Dry-fitting the chassis under the Class 1200 hull revealed that the stunt would basically work - the chassis turned out to be only marginally too wide. I just had to grind a little of the chassis' front edges away to reduce pressure on the styrene body, and I had to bend the end sections of the chassis’ stabilizing side walls.
To make the Class 1200 hull fit over the shorter BR 110 chassis a section of about 3 cm had to be taken out of the body’s middle section. The Class 1200 lent itself to this measure because the body is rather bare and uniform along its mid-section, so that re-combining two shortened halves should not pose too many problems.
To make the hull sit properly on the chassis I added styrene profiles inside of it - easy to glue them into place, thanks to the material. At this time, the original fixed pantographs and some wiring on the roof had gone, brake hoses on the nose were removed to make space for the BR 110 couplers, and the clear windows were removed after a little fight (they were glued into their places, but thankfully each side has three separate parts instead of just one that would easily break). PSR on the seam between the hull halves followed, plus some grey primer to check the surface quality.
Even though the new body now had a proper position on the metal chassis, a solution had to be found to securely hold it in place. My solution: an adapter for a screw in the chassis’ underside, scratched. I found a small area next to the central direction switch where I could place a screw and a respective receiver that could attached to the body’s roof. A 3 mm hole was drilled into the chassis’ floor and a long Spax screw with a small diameter was mated with a hollow square styrene profile, roughly trimmed down in length to almost reach the roof internally. Then a big lump of 2C putty was put into the hull, and the styrene adapter pressed into it, so that it would held well in place. Fiddly, but it worked!
Unfortunately, the pantographs of the Atlas/IXO model were static and not flexible at all. One was displayed raised while the other one was retracted. Due to the raised pantograph’s stiffness the model might lose contact to or even damage the model railroad catenary, even when not pulling power through it – not a satisfactory condition. Since the chassis could be powered either from below or through the pantographs (the Märklin 3039 chassis offers an analogue switch underneath to change between power sources) I decided to pimp my build further and improve looks and functionality. I organized a pair of aftermarket diamond pantographs, made from metal, fully functional and held in place on the model’s roof with (very short and) small screws from the inside.
I was not certain if the screws were conductive, and I had to somehow connect them with the switch in the chassis. I eventually soldered thin wire to the pantographs’ bases, led them through additional small holes in the roof inside and soldered them to the switch input, with an insulating screw joint in-between to allow a later detachment/disassembly without damage to the body. There might have been more elegant solutions, but my limited resources and skills did not allow more. It works, though, and I am happy with it, since the cables won’t be visible from the outside. This layout allows to draw power through them, I just had to create a flexible and detachable connection internally. Some plugs, wire and soldering created a solution – rough (electronics is not my strength!), but it worked! Another investment of money, time and effort into this project, but I think that the new pantographs significantly improve the overall look and the functionality of this model.
Internally, the missing light bulbs were retrofitted with OEM parts. A late external addition were PE brass ladders for the shunting platforms and under the doors for the driver’s cabins. They were rather delicate, but the model would not see much handling or railroading action, anyway, and the improve the overall impression IMHO a lot. On the roof, some details like cooling fans and tailored conduits (from the Atlas Series 1200) were added, they partly obscure the seam all around the body.
Unfortunately, due to the necessary space for the chassis, its motor and the electronics, the driver stations’ interiors could not be re-mounted – but this is not too obvious, despite the clear windows.
My wife's endurance training coach held a workshop to help people figure out if they were prone to certain injuries based on weakness of certain muscle groups. I think they were trying to do squats while holding the PVC pipe over there head. That's actually pretty hard unless you have good flexibility.
The Grace Dress has two bodice options and 5 variations of the skirt with varying amounts of ruffles. Four of the variations can be the perfect canvas for applique or some of the beautiful large scale prints that are available. The dress has elastic in back for a flexible fit. The straps thread through buttonholes in the bodice back to tie just above the sash bow.
You can purchase this pattern here: www.etsy.com/listing/112123162/instant-download-grace-ruf...
Col. John M. Scott, Commander, U.S. Army Garrison Red Cloud and Area I leads a group of Soldiers in cutting a ribbon to open the Camp Hovey Functional Fitness Facility June 25. The new Functional Training Center is equipped for cutting-edge cross-fit workouts. Located adjacent to the Camp Hovey Fitness Center, the new facility is equipped with an array of fitness equipment that includes dumbbells, kettle bells, medicine balls, and TRX equipment - a system of bands suspended from overhead supports that rely on gravity and afford a workout to a variety of muscle groups and joints.
Functional Arrhythmias
Steve Coleman (sax alto), Jonathan Finlayson (tromba),
Anthony Tidd (basso), Sean Rickman (batteria)
This modern, highly functional diaper bag is perfect for any mom who isn't into all the extra baggage. Great for carrying all of your and your baby's needs without cramping your style. Makes an excellent gift for any mom on the go!
The Denim Patchwork Baby Bag is both durable and spacious, with quick, easy access to all of the items within. It has a cell phone pocket sewn right onto front strap making it easy to hear and get to. Multiple inside storage compartments, including two bottle pockets, for keeping your items safe and organized.
Comes with matching changing pad and draw-string storage case, made just the right size to slip in the bottom of the bag. Ivory canvas changing pad rolls up and ties securely for easy storage. Quilted for baby's comfort.
Dimensions of bag: 25"h X 23"w
Dimensions of changing pad: 24"h X 18"w
Dimensions of storage case: 19"h X 5"w
The building of Hessing is completely integrated in the noise barrier of the A2 between Utrecht and Amsterdam. Early on the Sunday morning I did not have to wait too long to get a clear shot across the highway, at home some photoshopping to take out the lampposts and roadsigns.
Functionality of the Difference Layer Script.
Left is before, right after the script.
The top three layer together are the same image as the bottom layer. But you can switch the difference between the original and the modified layer on or off.
Kitten is from here:
Court of Justice - Chandigarh India – Le Corbusier 1956
Designed by Le Corbusier the High Court of Punjab and Haryana in Chandigarh has got a beautiful building. Apart from the Court rooms, it houses the Offices of many Administrative Branches such as Registrar's Office, Establishment Branch, Gazette Branch and Copying Branch etc. The Offices of Advocate-Generals, Punjab and Haryana also adjoin the main building. The High Court is a linear block with the main facade toward the piazza. It has a rhythmic arcade created by a parasol-like roof, which shades the entire building. Keeping in view the special dignity of the judges, Le Corbusier created a special entrance for them through a high portico resting on three giant pylons painted in bright colours. Very much in the tradition of the Buland Darwaza of Fatehpur-Sikri, this grand entrance with its awesome scale, is intended to manifest the Majesty of the Law to all who enter. Juxtaposed between the main courtroom of the Chief Justice and eight smaller courts, is a great entrance hall. Its scale--especially the height -- is experienced most intensely while walking up the ramp. The symbolism of providing an "umbrella of shelter" of law to the ordinary citizen is most vividly manifested here. The continuity of the concrete piazza running into this space establishes a unique site and structural unity of the structure with the ground plane. The massive concrete pylons representing again the "Majesty of Law" are painted in bright primary colours and visually punctuate the otherwise rhythmic facade of the High Court. The rear side of this ceremonial entrance for the judges is a working entrance and a large car park at a sunken level. The massive piers and the blank end walls have interesting cut-outs and niches, to establish a playful connection with the human scale.
Each courtroom was provided with an independent entrance from the piazza-and the gracefully curving overarching profile of the brise-soleil screen was intended to provide the symbolic protection. However, this "metaphor" of protection proved highly non-functional against intense summer heat and the monsoon rains - thus requiring a single-storeyed continuous verandah running in front of them as a later addition. Space for archives and library also proved insufficient, even after the open terraces of the library had been taken over, so Le Corbusier agreed to design an unobtrusive, expandable annex to the north. The judges declined to share the car entrance with the public so now the esplanade, where the pedestrian was to reign, is a motorway enabling the judges to drive right into the entrance hall. Colourful tapestries, one to each courtroom, cover the entire rear wall -- 12 metres square in the main courtroom and 8 metres square for the smaller courtrooms. A number of symbols that encapsulated Le Corbusier's view of man, earth, nature, the emblems of India and the scales of justice were depicted in abstract, geometric patches. They were also required for acoustical reasons.
I love the idea of having art on the gates that come down when the the restaurant is closed. Rather than the ugly grey, possibly tagged with grafitti, we get this amazing art.
Superlative contemporary and modern decorative arts, design and jewelry by internationally recognized museum class artists will be showcased by 55 international dealers from 12 countries at SOFA NEW YORK 2009.
Anthropologie French towel rack painted the same color as the trim in an
small old fashioned bathroom - grayed down shades of brown make this bathroom feel more modern and demure.
The old mirrored cabinet from over the sink was rehung over the toilet to provide interest, especially from a functional point of view for men - it also opens up the space by reflecting the new mirror, mirrored lights and window for a brighter fresher look, and more space for storage.
The Anthropology French rack brings history and functional style into a small space where everything must work.
Next up on the Vancouver list, Figma 237 - Ghost in the Shell: Stand Alone Complex Kusanagi Mokoto.
Here's another interesting one. it's a Figma that I've known about for years now, but never really found one for a price that was reasonable. Finally found a second hand one for $45 CAD while in Vancouver - not my ultimate best price, but a fair price. It was complete and in good shape, so why not? To date, there are two Figma of the character - the Stand Alone Complex version based on her appearance in the series, and a release of her in an Optical Camoflague suit that is based on her appearance in a movie that I guess I never saw. As the title suggests, this figure is based on the former.
Read enough manga or watch enough anime, especially Sci-Fi stuff, eventually you'll run into the Major, Mokoto Kusanagi. She is the lead protagonist of the Ghost in the Shell series, and is a fully body prosthesis cyborg, with the only organic elements being her brain and spinal cord. She is the field commander of Section 9, and effectively is written as a character that can do it all with a fierce sense of determination. She reminds me very much of another femme favourite of mine, Black Widow, though I suspect the Major would probably rip her to shreds. I have not read the original Manga, but I did see the John Woo anime movie back in the day, in theatres even, bits and pieces of the series, and yes, including the visually impressive but otherwise kind of boring live action version with the Widow herself, Scarlett Johansson. Mokoto is probably the most famous of the many detailed mecha based creations by Masamune Shirow.
Released in 2017/18, this figure represents the standard Figma figure in terms of pricing, clocking in a 5,370 Yen, and contents. There's the figure itself, three total face plates (neutral/determined, smiling, shouting), both still and windswept bang pieces, two chest parts, her traditional weapons of Seburo M-5 and Seburo C-26A, the latter with a removable barrel, a variety of hands and of course, your standard Figma stand. Again, not particularly rich in accessories, but the basics are there. Her jacket is made of a more pliable rubber as compared to the rest of her body to allow for "better" range of motion on her arms.
One interesting thing to point out at this time is that I remember this wardrobe on Mokoto, but I don't really recall the more skimpy version that she's worn for her other SAC merchandise, such as the Yamato VMF figure I have of hers. After a bit of research, it appears that the more skimpy stuff is based on Shirow's original artwork, whereas this more conservatively dressed version is straight out of the series itself. Changes like that do happen, so no real gasp of shock or astonishment from me.
The overall figure, at least from the front and kind of from the side, looks pretty accurate. You're gonna lose some accuracy due to the use of the standard Figma 2.0 as your basis for window dressing, but lets get it out of the way - most Figma don't look that great from the back, and Mokoto is certainly no exception. Her back view looks functional at best, but I guess it does the job. Her front view is helped by the general curves of the Figma body, as well as the two interchangable chest parts, one of which is full size, as it were, with the other slightly compressed to allow for more natural two armed weapon holding poses. Or so they say.. it wasn't particularly natural looking in my opinion, but to be fair I didn't try without the compressed chest part either. Head/face is a tad small, but again nothing new to the world of Figma, and as mentioned above, there's that rubbery jacket that allows for better movement. Unlike the VMF release, this jacket stays on the figure and has segmented sleeves instead. Detailing on both still and windswept hair is good considering the scale, with the windswept hair definitely being the one of choice for me, and quite honestly, Mokoto deserves to constantly be in action mode.
From an articulation perspective, Mokoto actually fares better than your typical Figma 2.0 figure. She's got the basics, of course - toes, ankles, knees, hips, waist, mid torso, shoulders with chest collapse, elbows with rotation, wrists, and neck. She also has, unlike most of the other 2.0s that I have, neck articulation as well, though you really need to force it to get the neck to pose as the rubber collar of the jacket gets in the way. The Figma body, as always, gets the job done, but after comparing it to the one on my Endgame Black Widow, who has a very similar shape and outfit style, you can kind of get a better appreciation for the work that Tamashi Nations put in to squeeze out better range of motion and overall better articulation with an equally jointed look (or in some cases, fewer joints exposed). Mind you, Figuarts tend to be pricier, so there is that. It's a shame that these days, it's unlikely that you will get a property with both Figma and Figuarts licensing because that would make for an interesting article.
Beautiful work from a paint perspective, though mind you, not as complex as say, Angela Balzac. Her body is pretty much that lavender/grey, with charcoal grey for her jacket. Overall, the short story is like every other Figma product you pick up, paint finish is smooth, unless there are some really intricate detailed parts, of which there are effectively none on Mokoto. Paint textures are smooth, and this includes the paint work on her exposed flesh tone parts. Her paints and jacket are a more glossy finish, most likely to replicate the look of leather. Decal work is solid, of course - no crossed eyes for this figure. Build quality on the figure is again that consistent Figma solid, with strong joints that hold up to typical forces applied while changing joints. As there is some heavy paint apps on pretty much all the body parts, assembly gaps aren't exactly evident even if there were there, but that's never really been a significant with Figma. I do have a bit of a QC grumble, as I think the tolerances on the rear of her hair might be a bit on the large side, causing the front piece to fall out rather easily. Better than the head not fitting on, I suppose.. stupid Megumin. Weapons fit in her hand perfectly, though as always, figuring out the grip on the C-26A is somewhat of a challenge.
So, other than wishing Mokoto had better articulation, she's everything I dreamed of. Simple clothing showcasing her curves, trademark weaponry - it's not exactly heavy weapons toting, wetwork wearing, pissed off Mokoto, but it's not meant to be.
I wonder if I'll find the movie version one day.
Located in Niceville, FL--just across the bridge from Destin and a short drive from Eglin Air Force Base, CrossFit Emerald Coast is not your ordinary gym. We don't have acres of shiny isolation exercise equipment, thousands of dollars worth of treadmills and elliptical machines (complete with their LCD screens or magazine racks), wall to wall mirrors, or a smoothie bar.
What we do offer is the most effective workout program possible! We are serious about real fitness. Our equipment is simple, extremely functional, and has application to daily life regardless of your occupation. Furthermore, our workouts typically last less than 25 minutes and are exceedingly more effective than spending hours doing isolation movements or trudging away on a treadmill. In fact, you will typically warm up, workout, cool down, and be on your way in less than 60 minutes! In as few as 2 sessions per week, you will quickly observe significant and quantifiable results in your fitness levels--even if you thought you were in 'good shape' when you started!
At CrossFit Emerald Coast, you will be trained by a certified personal trainer in either private sessions or in a small group during our regularly scheduled classes. No longer do you need to worry about planning your workout--we assign the WOD (Workout of the Day) to you when you arrive and help you perform it safely and effectively.
We understand you may feel intimidated about training with us--don't worry! Even though the WOD may look difficult or nearly impossible to the mere mortal, every workout is scalable to your abilities. We all have a starting place. In fact, it is not uncommon to have a 16 year old football player, a 26 year old service member, a 36 year old accountant, and a 67 year-old retiree in a class doing the exact same workout together! If you have any questions or concerns, our trainers are very experience in helping you properly and safely scale your workout. We promise those of you saying, "I could never do that!" will soon be saying, "I can't believe I just did that!" We see it all the time!
CrossFit training is hard--we won't water it down. You will be physically and mentally challenged each and every time you step through the door. However, your biggest obstacle is not our WOD--it is your motivation. The most difficult step is the first one. All you need to do is pay us a visit and we'll take it from there! True fitness requires more than a new gym membership--it is a change in lifestyle.
CrossFit will change the way you approach fitness for the rest of your life. We are ready to help you get started. Are you?
Please visit our website www.crossfitemeraldcoast.com, email us at info@crossfitemeraldcoast.com, or call 850-420-5350 for more information.
Go to Page with image in the Internet Archive
Title: United States Naval Medical Bulletin Vol. 1 Nos. 1-3, April, July, October 1907
Creator: U.S. Navy. Bureau of Medicine and Surgery
Publisher:
Sponsor:
Contributor:
Date: 1907-04
Language: eng
Vol. 1 No. 1<br /><br />Preface .............. vii<br />Special articles ................................... 1<br />The Gross Pathology of Samoa, with comments upon sanitary features<br />and treatment. By A. M. Fauntleroy................................... 1<br />A petition from Samoa................................... 14<br />A Preliminary Note on Flagellates; their Significance and Cultivation.<br />By H. W. Smith................................... 14<br />A case of Tropical Febrile Splenomegaly. By H. W. Smith .................22<br /><br />Clinical notes................................... 27<br />Tinea Tropica Circinata. By G. F. Freeman................................... 27<br />Dengue and Influenza in the Tropics; a method of differential diagnosis.<br />By E. R. Stitt ................................... 30<br />A Case of Aneurisrn of the Abdominal Aorta. By H. A. May ............. 33<br />A Case of Adams-Stokes Disease. By P. T. Dessez................................... 39<br /><br />Current comment...................................41<br />Medical Department organization for battle................................... 41<br /><br />Medical progress................................... 42<br />Laboratory - United States Navy Blood stain; typhoid emulsion; a<br />new modification of the Romonowski stain................................... 42<br />Bacteriology-The question of supersensitation................................... 47<br />Tropical medicine-- Mode of Infection in dracontiasis; trypano-somiasis;<br />dengue...................................47<br />Surgery-Methods of suturing the abdominal wall; gonorrheal joint<br />disease; cardiovascular regulation; subdeltoid bursitis ........................... 48<br /><br />Vol. 1 No. 2<br /><br />Preface . . . . . . . . . . . . . . vii<br /><br />Special articles .... . ......... . .................... . ....... . . . 55<br />The West Indian Bilharziosis in its relation to the Schistosomum Mansoni,<br />with memoranda in ten cases. By R. C. Holcomb.................... 55<br />Elephantiasis of the Scrotum; its operative care. By A. M. Fauntleroy.. 80<br />Preliminary report on Corynebacterium Aureum (Lee), a pseudo-diphtheritic<br />organism producing marked orange pigment. By A. K Lee...... 84<br /><br />Clinical notes...... . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88<br />Epidemic, Bronchial Asthma of Guam. By G. F. Freeman.............. 88<br />A note on the Pathology of the Lungs in Epidemic Asthma of Guam. By<br />O.J. Mink..... . ................................... .. . .. ........... 91<br />Median Cervicle Fistula. By F. L. Pleadwell .. .. . . . . . . . . . . . . . . . . . . . . 92<br />A case of Gangosa in a white man. By E. R. Stitt . . . . . . . . . . . . 96<br />Treatment of Pneumonia (Lobar) by quinine; report of a case. By D. N.<br />Carpenter. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97<br />A case of Apoplexy simulating opium poisoning. By W. D. Owens..... . 98<br />Wood Alcohol Poisoning; report of three cases. By H. E. Odell........ 99<br />A case of Aneurism of the Thoracic Aorta. By I. 8. K. Reeves..... . .... 99<br /><br />Current comment . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102<br />Should Protected Hospitals be built in ships of war? By J. C. Wise..... 102<br /><br />Medical progress...... . .. .. ....................... . .......... . ........... 105<br />Laboratory - Notes on opsonins and their present diagnostic and therapeutic status. By E. R. Stitt........................................ 105<br />Observations on vaccine treatment in Sir A. Wright's laboratory, St. Mary's<br />Hospital, Paddington, London. By H. W. Smith...... . ....... .. .... 112<br />The Diazo Reaction in Tuberculosis..... . . . . . . . . . . . . . . . . . . . . .. . 115<br />Surgery-gunshot wounds of the stomach; gastric ulcers; visceral rupture;<br />perforation in typhoid fever. By H. C. Curl.... .. . . . . ............... 115<br />Tropical medicine-Neurasthenia........... . .......................... 119<br />Hygiene-Typhoid fever infection; the epidemiology of Malta Fever;<br />leprosy in Japan. By W. H. Bell............. . ..................... 120<br /><br />Vol. 1 No. 3<br /><br />Preface...........................vii<br /><br />Special articles........................... 123<br />The so-called functional or accidental heart murmurs; with special reference to their etiology and classification. By P. E. McDonnold ... ........123<br />Splenectomy ; a case. By H. C. Curl ........................... 146<br />An operation for Internal Hemorrhoids. By B. F. Jenness .................... 150<br /><br />Suggested devices ........................... 153<br />Modification of the Esmarch Chloroform Mask. By W. F. Schaller ........ 153<br /><br />Clinical notes ...........................<br />Record of a case of supposed Locomotor Ataxia with interesting points in Diagnosis. By N. J. Blackwood ........................... 154<br />A case of Fractured Patella; twice fractured and twice sutured. By G. F. Freeman ........................... 156<br />A case of Strangulated Inguinal Hernia (right) in a male who was operated on for the same condition eighteen months previous. By E. H. H. Old ........................... 158<br />A case of Septicaemia. By H. E. Perlie ........................... 160<br />A case of Empyaemia. By F. G. Abeken ...........................161<br />A case of Pyaemla following Tonsilitis. By W. A. Angwin ...............162<br />A case of Myositis Purulenta ( ?) . By J. E. Gardner ...........................163<br />A case of Ankylostomiasis. By S. H. Dickson ...........................164<br />A case of Tubercular Abscesses of Liver. By R. C. Persons ..................165<br />A case of Cerebro-spinal Meningitis. By S. H. Dickson .....................165<br />A case of Aneurism of the Aorta. By C. M. Oman ...........................166<br />Case reports from Canacao Hospital: Liver abscess; acute nonsuppurative<br />internal nephritis; gunshot-fractured spine; gallstones; 3 cases of internal derangement of knee ........................... 167<br /><br />Current comment...........................170<br />Medical Department Battle Stations. By W. H. Bell ...........................171<br />Venereal Prophylaxis. By G. L. Wickes ...........................172<br /><br />Medical progress ........................... 175<br />Surgery - Drainage in Appendicitis; suture of blood vessels; statistics in re carcinoma ; typhoid perforation ; the preappendicitis state; treatment of delayed union of fractures; treatment of infected wounds. By H. C. Curl and H. W. Smith ........................... 175<br />Pathology and Bacteriology - Detection of syphilitic antibodies; Iodine reaction in the leucocytes; a new method for blood cultures; spirochetes in Hodgkins disease; stain of spirochetes in tissue. By C. S. Butler and O. J. Mink........................... 179<br />Parasitology - The bedbug as the Intermediary host of Leishman-Donovan<br />body of Kala azar; Is the distinction between Entamoeba Coli and Dysenteriae valid? By H. C. Holcomb ........................... 183<br />General medicine - Radium therapy; recent advances in our knowledge<br />of syphilis; other sources of the dangers attributed to wood alcohol. By R. M. Kennedy........................... 186<br /><br />Reports and letters...........................<br />Association of American Medical Colleges; J. C. Wise, delegate ........................... 190<br />Council on medical education of the American Medical Association;<br />N. T. McLean, delegate ........................... 191
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