View allAll Photos Tagged frequency
Selects of the 2016 Coachella Valley Music and Arts Festival (Saturday - Weekend 1)
feat.
The Dead Ships
Ex Hex
The Black Madonna
Strangers You Know
Lost Frequencies
James Bay
Rhye
CHVRCHES
Disclosure (feat. Sam Smith)
Ice Cube (feat. NWA, O'Shea Jackson Jr., WC, Snoop Dogg)
Guns N' Roses
Zhu (feat. Bone Thugs N' Harmony)
and so much more!
Two of these Plaxton bus bodied Leyland Tigers came to Rhodes Coaches in 1991, they were ( in their day ) ideal buses for this operation...long route with a bit of get up and go required. This is 1991, since then to the present day the Leeds services via the A65 & Yeadon have seen at 60% reduction in service provision and three operators to one. The journey time has increased but i guess in real terms the vehicle age has dropped. Rhodes sold out to Yorkshire Rider in 1994 and the bus went on to operate with Quickstep, Leeds City Link, Brewers, Berwyn and was last known to be in Ireland. I always thought "Rhodeservice" was a clever catchy brand.
QSL cards have been used by Citizen Band (CB) radio folks for many years to indicate that they have talked together on a certain radio frequency, date and time.
Selects of the 2016 Coachella Valley Music and Arts Festival (Saturday - Weekend 1)
feat.
The Dead Ships
Ex Hex
The Black Madonna
Strangers You Know
Lost Frequencies
James Bay
Rhye
CHVRCHES
Disclosure (feat. Sam Smith)
Ice Cube (feat. NWA, O'Shea Jackson Jr., WC, Snoop Dogg)
Guns N' Roses
Zhu (feat. Bone Thugs N' Harmony)
and so much more!
A filibuster by the majority senate can only be broken with 60 votes or a three-fifths majority. In 2010, Republican Senate minority leader, Mitch McConnell stated, "The single most important thing we want to achieve is for President Obama to be a one-term president. (1)"
Republicans have executed 40% more filibusters since 1992, or nearly double the Democrat rate, in an effort to make the Obama administration and Democrats in Congress take the blame for not getting things done. While Tea Partiers claim to uphold the values of our Founding Fathers, it should be noted that the filibuster is not in the Constitution (2). The filibuster has been used with greater frequency since the 1970s, and practiced the most by Republicans over the past decade. In fact Tea Party favorite Rand Paul has voted for a Filibuster 79% of his 62 senatorial votes cast (3). Today the Republican actions make passing laws in the Senate into a 60 vote requirement (4), which has never been a constant in American governance until the past decade. Senate Majority Leader Harry Reid states, “60 votes are required for just about everything” (4). The political fallout from over-use of the filibuster has been drastic. In 2007 - 2008, the single largest filibuster year on record with 139 Republican cloture motions filed, a Gallup Poll for Congress Approval Rating was only 23% - the lowest in over 20 years (5 ). Today's 112th Congress has an abysmal 9% approval rating - the lowest on record (6).
When America is engaged in a costly War in Afghanistan, over 9% unemployment, and an unsustainable budget deficit, it is immoral for the minority Republican party to block passage of most of the majority legislation while deceptively convincing the public that the Democratic party is incapable of solving America's problems. Statistically, between 1920 to 1970, filibusters averaged one a year, but between 2005 - 2008, there have averaged 70 filibusters per year (7).
Because of the 231 Republican filibusters since President Obama took office, roughly one of every eight federal judgeships remain vacant, and as of September 2010, more than 190 presidential nominees were awaiting confirmation (7). This obstructionism has caused a lack of oversight, efficiency, and intellectual resources required for a functioning government to manage America's complex institutions. A common falsehood made by Republicans is to call out that even with 60 Democrat votes in 2009, and a Democrat President, the Democrats could not pass their legislation. But the data shows that in 2009, Democrats only enjoyed a 60 seat majority for only a brief 72 days due to Ted Kennedy's hospitalization for a brain tumor which led to his death, while at the same time Republicans filed 137 filibuster motions, the second largest number in U.S. history.
The founding fathers realized the functional dangers of requiring a supermajority to approve any action under the Articles of Confederation, and sought to limit a supermajority power to allow Congress to act. Only in recent times has partanship politics shackled the ability of Congress to take action and brought one of our most important institutions into gridlocked dysfunction. The blame for this dysfunction is not equal. Of the top 50 Senators to cast Filibuster votes 30% or more of their total votes taken, 47 are Republicans and only 3 are Democrats (3).
At this political impasse the Tea Party Republicans should reflect on the wisdom of Founding Father, James Madison, "[Requiring a supermajority] would mean the fundamental principle of free government would be reversed. It would be no longer the majority that would rule; the power would be transferred to the minority." (7) - James Madison, Federalist Papers No. 58
Maybe the transfer of power to the minority is the Republican Congressional strategy, at the cost democracy.
DATA SOURCE: www.senate.gov/pagelayout/reference/cloture_motions/clotu...
BACKGROUND SOURCES:
(1) www.sodahead.com/united-states/can-the-following-be-refut...
(2) www.thedailybeast.com/articles/2012/05/11/still-evil-the-...
(4) www.washingtonpost.com/blogs/ezra-klein/post/the-history-....
(5) www.dailykos.com/story/2010/02/18/838260/-Political-party...
(6) The Future of Limitless Debate:The Filibuster in the 113thCongressMark Kogan. American University Washington College of Law digitalcommons.wcl.american.edu/cgi/viewcontent.cgi?artic...
(7) www.citizensforethics.org/policy/entry/filibuster-reform
We know that all Prime numbers, after 2 and 5, end with either a 1, 3, 7 or 9 as their last digit.
If we look at the frequency of individual last digits we can see that 1, 3, 7, or 9 more or less occur at a similar frequency. However, as soon as we look at the frequency of the same last digit occurring twice in a row, we find that this is far less common and even less common for the same last digit occurring three times in a row.
Kannan Soundararajan and Robert Lemke-Oliver produced a paper in March 2016 on this apparent bias which received considerable attention in mathematical journals www.quantamagazine.org/mathematicians-discover-prime-cons.... If you really want to dive into the maths, the full paper can be found here arxiv.org/pdf/1709.06168.pdf .
I found this old gem in a flea market near Ipoh old town couple of weeks back. Pretty cool retro looking radio though and it's still in pristine condition. Wonder if it's still working as the original box and user manual are still intact.
Jason Hummel Photography
On Facebook www.facebook.com/pages/Tacoma-WA/Jason-Hummel-Photography...
INFORMATION
Vessel Name NAO VIKING
Vessel Call sign ZCEN8
IMO No. 9722522
Ship Owner Nordic American Offshore Limited
Port of registry Hamilton
Building year 2015
Yard Ulstein Yard, Norway
Design Ulstein PX 121
CLASS: DNV GL: * 1A1 ICE-C Offshore Service Vessel Supply OILREC SF LFL* COMF-V(3)C(3) E0
DYNPOS-AUTR NAUT-OSV(A) CLEAN DESIGN Recyclable DK(+) HL(2.8)
Built acc. to NMD Rescue (200)
NAO Viking is a Platform Supply Vessel, designed and built by ULSTEIN. The hull form, with the ULSTEIN X-BOW®,
combined with diesel electric propulsion system, ensures the best performances with regard to fuel consumption, sea
keeping, station keeping, and speed. The main propulsion system comprises two azimuth pulling thrusters, each
driven by frequency controlled variable speed electric motor.
One retractable azimuth thruster and two tunnel thrusters forward are installed, ensuring the vessel to obtain the best
station keeping capabilities with ERN[99,99,99,89]. The vessel is equipped, built and certified according to IMO Class II
for Dynamic Positioning
MAIN PARTICULARS:
Length overall 83,40 m
Length between p.p. 76,50 m
Breadth moulded 18.00 m
Depth main deck 8,00 m
Max. load line draft midship 6.70 m
Max Speed (at T=4,5 m, approx) 15,6 knots
ERN 99.99.99.89
ACCOMMODATION: Accommodation and equipment for 20 persons
CAPACITIES:
Cargo deck area (free area - 10T/5T/m2) 850 m2
Deck cargo (COG=1.0 above main deck) 2 240 t
Deadweight 4 200 t
Fuel oil 1474,4m3
Base oil 259,5 m3
Water Ballast / Drill Water 1599 m3
Fresh Water 1033,5 m3
Dry Bulk 254,7 m3
Mud / Brine 1307,2 m3
Methanol 153,7 m3
ORO CAPACITY 1023 m3
MAIN ENGINES & GENERATOR SETS:
2 off main diesel engines, 2 250 ekW each, 690 V, 1 800 rpm
2 off main diesel engines, 940 ekW each, 690 V, 1 800 rpm
EMERGENCY GENERATOR SET:
1 off emergency generator set, 187 ekW, 690 V, 1 800 rpm
THRUSTER:
3 off el. driven side thrusters forward:
2 x Tunnel thrusters, 880kW, 0-1200 RPM
1 x Azimuth retractable thruster, 880 kW, 1800RPM
MAIN PROPULSION:
2 off azimuth thrusters, el. driven frequency controlled propellers
and water cooled drives.
Power: 2 200 ekW each
DECK EQUIPMENT:
1 off Hydraulic deck/ provison crane, 3T 18M
For various reasons (most of all to use proper 1.8v logic on the RAM bus) I switched FPGA boards. Now I'm using a pretty low-level breakout board from Spark Fun which gives access to all the pins on a Spartan 3E (XC3S500E). Two of the I/O banks are running at 3.3v, and two are configured for 1.8v I/O.
While I was at it, I also built a new USB interface using an FT2232H Mini Module from FTDI. This USB interface supports high-speed trace logging (over 27 MB/s currently) as well as configuring the FPGA and setting up runtime parameters (like clock frequency, read/write tracing, etc).
This started out as a pretty - but boring - landscape. I just thought it was missing a little something... You might need to view it large to work out what's meant to be going on.
The jet was taken at work (I work under the flight path of an airport). The field is a view over Osgathorpe (the posh end) with real sun and lens-flare. That's me wondering what's wrong with my remote control unit. The model plane is an exact replica from the ever-popular movie Flight from Mount Dubious.
Quite a bit of work went into that RC unit - it's made in Paint Shop from an old radio, my camera bag strap and the knob off my retro Namco 5 in 1 Stick. Then all that detail was lost when I had to shrink it to get the scale right! ;O)
36/365: lost frequency
everyone is walking on the edge of life
like a ghost of a shadow, barely alive
even time’s in a rush
but it’s going nowhere
everyone’s connected but no one is connecting
the human element has long been missing
tell me, have you seen it?
have you seen it?
© Cathy Neth #beEpic
Portfolio | thedook.com |
365 Photo Project | thedook.com/365 |
fb | fb.com/cnethphotography |
ig | instagram.com/cneth_photography |
It may just be a hunk of glass, but it is actually the most exciting bit of technology I've added to the lab during my stay.
Machined out of ULE (ultra-low expansion) glass, this special design of Jun Ye and Mark Notcutt at JILA (Colorado) could very well turn our 2051 nm Tm,Ho:YLF laser into a one-Hertz wide Monster of Coherence.
How does it work?
Its length, kept extremely constant, defines a set of Fabry-Perot fringes at fixed frequency which are used in a feedback loop to narrow the linewidth and cancel the drift of a noisy laser.
How is the length kept so constant?
First, the material is chosen to have a coeffecient of thermal expansion of zero a few degrees above room temperature. This temperature is found experimentally and then heavily regulated. Passive control is maximized by surrounding the cavity with an aluminum heat shield, and mounting it on insultating teflon rods in a vacuum chamber kept well below 10^-9 Torr (all shown here). The chamber itself will be housed in an insulated aluminum box which is temperature controlled to about 1 mK.
Second, all that passive sheilding goes a long way in reducing the coupling of vibrations on the floor and table into the cavity which would otherwise compress and expand the cavity's length dynamically, impacting any laser locked to it.
Third, the key innovation is the fact that the cavity is vertically supported at the exact midplane: there is an equal amount of mass above the supports as is below (to a percent or so). It turns out that vertical shocks will therefore not, to first order, change the bore length.
What's the bottom line?
Custom machined glass and an optical coating run: $14,000.
Vacuum components and an ion pump: $2,000.
A handful of optics and detectors: $1,200.
Building one of the narrowest lasers in the world: Priceless.
“If you want to find the secrets of the universe, think in terms of energy, frequency and vibration.”
Nikola Tesla
up: 2016/01/10
Selects of the 2016 Coachella Valley Music and Arts Festival (Saturday - Weekend 1)
feat.
The Dead Ships
Ex Hex
The Black Madonna
Strangers You Know
Lost Frequencies
James Bay
Rhye
CHVRCHES
Disclosure (feat. Sam Smith)
Ice Cube (feat. NWA, O'Shea Jackson Jr., WC, Snoop Dogg)
Guns N' Roses
Zhu (feat. Bone Thugs N' Harmony)
and so much more!
On Saturday February 4, Your LAFD Urban Search & Rescue trained firefighters from Fire Stations 3 (Civic Center/Bunker Hill), 85 (Harbor City), and 88 (Sherman Oaks) successfully completed a technical lift rescue operation in the Dragados Outfall Tunnel in Wilmington. These types of multi-company training drills ensure operational readiness for a low frequency, high risk incident which involves specialized equipment. The underground project, which involves building a new 7‐mile long, 18‐foot diameter tunnel to move treated water, is just one of multiple tunneling projects in the City of Los Angeles. Your LAFD is ready to respond to all emergencies in order to preserve life and property as an all risk life safety response provider.
Video Use Permitted via Creative Commons - Credit: LAFD Photo | Danny Wu
LAFD Event: 020423
Connect with us: LAFD.ORG | News | Facebook | Instagram | Reddit | Twitter: @LAFD @LAFDtalk
This was the first week on the road for the biggest challenger to GM Buses, Bee Line Buzz, and this was the Stockport terminus of their first route, the 1 to Wythenshawe and Altrincham. I forget the original frequency now, if it was every 5 or 10 minutes, but one bus always seemed to wait on the stand until the next one arrived behind it, so there was always one waiting for passengers to board it.
I really didn't waste much film on these Sherpas, or indeed the Dodges that followed them, and I don't think I ever visited the Stockport depot either - if I did, I have totally forgotten what it looked like ! Anyway, the whole sorry saga lasted less than 2 years under United Transport control, when their money and patience ran out, and if (or when) Arriva fail to gain any work in the third round of franchising, then all historical trace of its operation will vanish.
And if a life spent driving round Wythenshawe wasn't bad enough for it, D140 NON then went and spent its last years in Luton ! But at least it had company down there, as no fewer than 20 former Bee Line Sherpas made their way into the Challenger fleet from 1991 onwards.
Princes Street, Stockport, 7 February 1987
Location: St. Luke's Garden, Tokyo, Japan.
Gear: Fujifilm X-T1 + Fujinon XF 55-200mm
Processing: Lightroom 5.5 + VSCO Film
What goes on in your mind?
I think that I am upside down.
Lady, be good, and do what you should,
You know it'll work allright.
------------------------------------------------------------------------------------------Velvet Underground
FILE MÍDIA ARTE | FILE MEDIA ART
Aaron Oldenburg – Baptize – Estados Unidos | United States
Alan Bigelow – Saving the alphabet - Estados Unidos | United States
Alan Bigelow – My summer vacation - Estados Unidos | United States
Alan Bigelow – Brainstrips - Estados Unidos | United States
Alice Bradshaw – Static - Reino Unido | United Kingdom
Alix Poscharsky - Arthur N. Ghell - Reino Unido | United Kingdom
Annette Weintraub - One Text, Many Stories [URBAN MEMORY LOSS: a Nightmare of Change in which Time is Inscribed in Space or How a Text Became a Story] - Estados Unidos | United States
Apokalipso: Rafael Gomes, Áthila Benites, Sávio Oliveira, Leandro Caro, Natanael Andrade, Fernando Gavronski & Fernanda Ferreiro – Senmorta – Brasil | Brazil
Bam Studio - Estudio de Animação Barros Melo: Leonardo Domingues – A sorte – Brasil | Brazil
Bam Studio - Estudio de Animação Barros Melo: Marcio Vieira – Mundo mudo - Brasil | Brazil
Bam Studio - Estudio de Animação Barros Melo: Filippe Lyra & William Paiva – Voltage - Brasil | Brazil
boredomresearch: Vicky Isley & Paul Smith – Lost Calls of Cloud Mountain Whirligigs (View 2, Right & Left) - Reino Unido | United Kingdom
Brad Todd - film noir – Canadá | Canada
Bruno M. Rocha, Camilo S. Lima, Caroline V. Costa & Daniela Bissoli - WIRESCAPES_simulação transversa de uma condição de metrópole - Brasil | Brazil
Calin Man - Have a Nice Click - Romênia | Romania
Caterina Davinio - The First Poetry Space Shuttle Landing on Second Life – Itália | Italy
Céline TROUILLET - Song No. 9 – França | France
Céline TROUILLET - Song No. 11 – França | France
Chris Coleman - The Magnitude of the Continental Divides – Estados Unidos | United States
Christin Bolewski - Shan-Shui-Hua – Alemanha | Germany
Coletivo Vertigem: Juliana Rodrigues, Natalia Santana & Ygor Ferreira - Repensando a Obra de arte repensada, Eu Tu Ele, Nós, Vós, Eles ou Labirinto Flutuante – Brasil | Brazil
Daito Manabe & Motoi ishibashi - Pa++ern – Brasil | Brazil
Danilo Guimarãres - (L) anos de Brasília! – Brasil | Brazil
David Clark, Marina Roy & Graham Meisner - Sign After The X - Canadá | Canada
Eric Schockmel - Occupation: Movement I (Syscape#4) - Reino Unido | United Kingdom
Fernanda Antoun - Um, Dois! Um, Dois! - Brasil | Brazil
Fundamental Research Lab: Robert B. Lisek – NEST – Polônia | Polony
Gabriela Golder – RESCATE – Argentina | Argentina
hint.fm: Fernanda Viegas & Martin Wattenberg – Fleshmap - Estados Unidos | United States
Hyun Ju Song - NOTHING IS FINISHED - Alemanha | Germany
Ivan Henriques – ReLandscaping - Holanda - Netherlands
Jason Nelson - Evidence of Everything Exploding - Austrália | Australia
Jonathan Monaghan - French Penguin - Estados Unidos | United States
Juliana Yamashita - Metro Tracks - Brasil | Brazil
Kevin Evensen – Danses - Estados Unidos | United States
Kika Nicolela – Flickering - Brasil | Brazil
Kristoffer Ørum, Anders Bojen, Rune Graulund, Maja Zander, Kaspar Bonnén, Stig W. Jørgensen, Palle R Jensen, Ida Marie Hede Bertelsen, Peter Rasmussen, Kasper Hesselbjerg, Ulrik Nørgaard, Daphne Bidstrup, Andreas Pallisgaard & Kristian Haarløv - Radiant Copenhagen - Dinamarca | Denmark
lemeh42 - Inner Klänge – Itália | Italy
Leonardo Uehara - An interactive sound tale - Brasil | Brazil
Martin John Callanan - I wanted to see all the news from today - Reino Unido | United Kingdom
Maya Watanabe – ABRASIS – França | France
Michael Takeo Magruder - Data_plex (economy) - Reino Unido | United Kingdom
Michael Takeo Magruder - Data_sea - Reino Unido | United Kingdom
Michele Barker & Anna Munster - Duchenne's Smile - Austrália | Australia
Miriam Thyes - Global Vulva - Alemanha | Germany
mitumBACK: Coelestine Engels, Markus Hafner & Christof Berthold – mitumBACK - Áustria | Austria
moddr: Gordan Savicic, Walter Langelaar & Danja Vassiliev - Web 2.0 Suicidemachine - Holanda - Netherlands
Não se Cale!: Amanda Miyuki de Sá, Danilo Polo Cain, Douglas Ferreira Neto, Fábio Henrique Alves Will, Patrícia Hitomi Nakazone, Talles Marques Duarte - NÃO SE CALE: A VIOLÊNCIA CONTRA A MULHER A PARTIR DAS PROPOSTAS FOTOGRÁFICAS DE BARBARA KRUGER – Brasil | Brazil
Nicholas Knouf – MAICgregator - Estados Unidos | United States
Nicole Kenney & KS Rives - Before I die I want to - Estados Unidos | United States
Nicole Stenger – DYNASTY - França | France
Osvaldo Cibils - 300x300artsport - Itália | Italy
Owen Eric Wood – Holobomo - Canadá | Canada
Owen Eric Wood – Parallel - Canadá | Canada
OZCAN TURKMEN - ENTROPIC POETRY - Turquia | Turkey
Pipol - TV Cronópios - Brasil | Brazil
Rachelmauricio – towtom - Brasil | Brazil
Rachelmauricio – TexET - Brasil | Brazil
Rachelmauricio - NO_HAHAB - Brasil | Brazil
Regina Pinto – AlphaAlpha - Brasil | Brazil
Regina Pinto - DAVID DANIEL'S 200+ HUMANS BEINGÈD HYMN TO HUMANITY - Brasil | Brazil
rgb3000 - superfreedraw.com - Alemanha | Germany
Richard O'Sullivan – Monitor - Reino Unido | United Kingdom
Richard O'Sullivan - Broken Windows - Reino Unido | United Kingdom
Roderick Coover – Canyonlands - Estados Unidos | United States
Roderick Coover - SOMETHING THAT HAPPENED ONLY ONCE - Estados Unidos | United States
Rosa Menkman - Glitch Studies Manifesto - Holanda - Netherlands
Rui Filipe Antunes - Senhora da Graça - Reino Unido | United Kingdom
Sally Grizell Larson – Axiom - Reino Unido | United Kingdom
Sergio Sotomayor - Madera (Wood) - Espanha | Spain
Silvia Laurentiz - Poesias Digitais: Projeto Percorrendo Escrituras - Brasil | Brazil
Spot - Dreams In High Fidelity II - Estados Unidos | United States
Stanza – Sondcities - Reino Unido | United Kingdom
Stuart Pound - Dance 0-19 - Reino Unido | United Kingdom
Stuart Pound - She's not there - Reino Unido | United Kingdom
Stuart Pound - Bus Stop version 2010 - Reino Unido | United Kingdom
Stuart Pound - Not you again! - Reino Unido | United Kingdom
Stuart Pound - Oh no, not you again! - Reino Unido | United Kingdom
Stuart Pound - Sticky Pixels - Reino Unido | United Kingdom
Susanne Berkenheger - The Last Days of Second Life - Alemanha | Germany
Tchello d'Barros - "Convergências" | "Convergences" - Brasil | Brazil
Tim Webster - Wonderlands: Machu Picchu - Austrália | Australia
Tina Velho - Tão longe...tão perto - Brasil | Brazil
Trace Sanderson aka Lainy Voom & Tamara Russel aka Gala Charron - Virtual Build Archive (VBA) - Reino Unido e Estados Unidos | United Kingdom and United States
Tuvalu Vizualization Project: Hidenori Watanave, Makiko Suzuki & Shuichi Endou - Tuvalu Vizualization Project - Japão | Japan
UBERMORGEN.COM - SUPERENCHANCED GENERATOR - Áustria | Austria
UBERMORGEN.COM - UGI - UNIVERSAL HEALTH - Áustria | Austria
VJ Eletro-I-MAN - Projeto Representa Corisco - Espanha | Spain
Wilton Azevedo, Rita Varlesi & Savana Pace – Atame: a Angústia do Precário - Brasil | Brazil
ZAO – hearts - Brasil | Brazil
HIPERSÔNICA PARTICIPANTES | HYPERSONICA PARTICIPANTS
++CAYCE POLLARD coletivodeartecomputacional; Nicolau Centola e Fabrizio Poltronieri - A Night in São Paulo - Brasil | Brazil
4propri8 - Junglow Drift - Brasil | Brazil
all your gardening needs – Arranco - Brasil | Brazil
Basavizi: André Damião Bandeira, Fernando Visockis & Sérgio Saad - HID - Human Improvisation Delight - Brasil | Brazil
Berger Rond - Stairs of Unsteady - Canadá | Canada
Carlos Dohrn - x → y - Brasil | Brazil
Carol Robinson – BILLOWS - França | France
Claudio Parodi - The Mother of All Feedback - Itália | Italy
Daniel Gazana - MISTÉRIO MUDO - Brasil | Brazil
Daniel Gazana - RE-CONNECT - Brasil | Brazil
Daniel Gazana - THE KINGDOM OF THE STEEL PORTAL - Brasil | Brazil
Danilo Rossetti - Metropolis parte 1 - Brasil | Brazil
Debashis Sinha - The Bell Garden - Canadá | Canada
Edilson Cardoso - Hâhnio - Ruídos para Filmes de Horror B - Brasil | Brazil
Eduardo Patrício - Electric Talk M.M.S. - Brasil | Brazil
Edwin Lo - Auditory Scenes: The other side of Tides in Limbo - China | China
Emanuele Battisti - Electrode - Study on Pink Noise N.1 - Itália | Italy
Felipe Kirst Adami - Piano Harm - Brasil | Brazil
Franklin Valverde – Sonóricos - Brasil | Brazil
Graeme Truslove - Divergent Dialogues - Reino Unido | United Kingdom
Graeme Truslove – Concrètisations - Reino Unido | United Kingdom
Graeme Truslove – Portals - Reino Unido | United Kingdom
Graeme Truslove – Elements - Reino Unido | United Kingdom
Gustavo Alfaix - (en)treses - Brasil | Brazil
John Young – Lamentations - Reino Unido | United Kingdom
Kunkuni Mix Project: Rosa Apablaza & Federico Duret - Posible Objetivo Patera - Holanda | Netherlands
Minusbaby - Subversive Motives in Chip Music or The 8bitpeople's party - Estados Unidos | United States
Ocp – Rejects - Portugal | Portugal
Panayiotis KOKORAS - Contruct Synthesis - Grécia | Greece
PAULO GUICHENEY - rec on struction - Brasil | Brazil
Philip Mantione - Dialtone and Strings - Estados Unidos | United States
Regina Porto - Metrópolis São Paulo - Brasil | Brazil
Rohan De Livera – Haiku - Sri Lanka | Sri Lanka
Secret Axis Sonic Collective: Vanderlei Lucentini, Kojiro Umezaki, Yann Novak, Manrico Montero, Terjen Paulsen, Adam Tindale, Scott Smalwood, Zbgniew Karkowski & Hangchul Ki - Secret Axis - Brasil | Brazil
SIMPLE.NORMAL: CLEBER GAZANA – CONSTRUCT - Brasil | Brazil
Sol Rezza - 25 segundos de vida - México | Mexico
The Tiny Orchestra - THE LANGUAGE OF WAITING - Canadá | Canada
Túlio Falcão - Túlio Falcão apresenta: a música de Enrorlando di Falcus - Brasil | Brazil
Vanessa Rossetto - Dogs in English Porcelain - Estados Unidos | United States
Victor Valentim – Estralactides - Brasil | Brazil
HIPERSÔNICA SCREENING – HYPERSONICA SCREENING
Daniel Gazana - MAN-MACHINE-TIME - Brasil | Brazil
Eduardo Raccah – EY - Alemanha | Germany
Fernando Velázquez - SP, automata landscape - Brasil | Brazil
Jaap: Harriet Payer Anderss, Jorge Esquivelzeta - Sound of this City - México | Mexico
Pink Twins - Defenestrator - Finlândia | Finland
Roberto Doati – Sindrome scamosciata - Itália | Italy
Rodrigo F. Cadiz - ID-FUSIONES - Chile | Chile
Sandra Crisp – Oceanics - Reino Unido | United Kingdom
Soundsthatmatter – skinstryment - Brasil | Brazil
Soundsthatmatter – bwavssh - Brasil | Brazil
Soundsthatmatter – soundstrain - Brasil | Brazil
FILE MAQUINEMA | FILE MACHINIMA
Andrzej Kozlowski aka CapKosmaty - Apocalypsis Ex Machinima - Polônia | Poland
Annie Ok - My life as an avatar (03-10) - Estados Unidos | United States
Annie Ok - My life as an avatar (04-08) - Estados Unidos | United States
Annie Ok - My life as an avatar (06-08) - Estados Unidos | United States
Basile Vignes aka Tutsy Navarathna - To Each one his own Dreams - Índia | India
Basile Vignes aka Tutsy Navarathna - Vegetal Planet - Índia | India
Berardo Carboni aka Finally Outlander – Volavola - Itália | Italy
Bernard Capitaine aka Iono Allen - The story of Susa Bubble - França | France
Chantal Gerads aka Chantal Harvey - A Woman´s Trial - Holanda | Netherlands
Corndog & Oil Tiger Machinima Team - War of Internet Addiction - China | China
Daniel Wasiluk aka Surgee - The Demise - Polônia | Poland
Egils Mednis aka Demoplay - The Ship - Letônia | Latvia
Elise Carlson aka Lyric Lundquist - Cradle and Trap - Estados Unidos | United States
Elise Carlson aka Lyric Lundquist - Cyberspace is Vast - Estados Unidos | United States
Elise Carlson aka Lyric Lundquist - Sideways Time - Estados Unidos | United States
Elizabeth Pickrd aka Liz Solo - The Death of an avatar - Canadá | Canada
Harrison Heller aka Nefarious Guy & Amorphous Blob Productions – Clockwork - Estados Unidos | United States
Iain Friar aka IceAxe – Clockwork - Reino Unido | United Kingdom
Iain Friar aka IceAxe – Embers - Reino Unido | United Kingdom
J. Joshua Diltz - Six Days - Estados Unidos | United States
James Thorpe aka Blackace - Daddy is Home - Reino Unido | United Kingdom
Les Riches Douaniers: Gilles Richard & Fabrice Zoll - Chevauchée Nocturne - França | France
Les Riches Douaniers: Gilles Richard & Fabrice Zoll – Kamikaze - França | France
Luca Lisci aka Voom – Prometheus - Itália | Italy
Luca Lisci aka Voom - The Blue Planet - Itália | Italy
Luca Lisci aka Voom - Valentina 'Riflesso' - Itália | Italy
Mark Capell aka Hardy Capo - Control Point - Reino Unido | United Kingdom
Miguel Moreira aka Hadj Ling - The Black Chant - Portugal | Portugal
Pineapple Pictures: Kate Fosk & Michael Joyce – Voices - Reino Unido | United Kingdom
Piotr Kopik - Big Psomm 2 - Polônia | Poland
Rob Wright aka Robbie Dingo - Watch the world(s) - Reino Unido | United Kingdom
Sam Goldwater aka Lorka - The Monad - Reino Unido | United Kingdom
Simone Schleu aka Sisch - Saving Grace - Alemanha | Germany
Simone Schleu aka Sisch – Transient - Alemanha | Germany
The Do Group: Clemens Fobianke aka Cisko Vandeverre - Der Erlköning - Alemanha | Germany
The Do Group: Clemens Fobianke aka Cisko Vandeverre - Der Handschuh - Alemanha | Germany
Tobias Lundmark aka Dopefish & Malu05 - Among Fables and Men - Suécia | Sweden
Tom Jantol - Brief Encounter - Croácia | Croatia
Tom Jantol - Wizard of OS: The Fish Incident - Croácia | Croatia
Tony Bannan aka Ammo Previz - Folie à Deux - Austrália | Australia
Trace Sanderson aka Lainy Voom – Fall - Reino Unido | United Kingdom
Trace Sanderson aka Lainy Voom – Postcard - Reino Unido | United Kingdom
Trace Sanderson aka Lainy Voom – Push - Reino Unido | United Kingdom
Van Aerden & Nicolas Bonne – Metabup - França | France
Van Aerden & Nicolas Bonne - Transbup (Trailer) - França | France
Vivian Kendall aka Osprey Therian - Alazi Sautereau - Estados Unidos | United States
Vivian Kendall aka Osprey Therian - Virtual Reality in the Future - Estados Unidos | United States
Zachariah Scott - Jill´s song - Estados Unidos | United States
GAMES
Alexandre Machado | 44 Bico Largo - Robo Sucata - Brasil | Brazil
Behold Studios | Buraco de Bala - Luna - Magnetoware Adventures - Brasil | Brazil
Eddy Boxerman & Dave Burke – Osmos - Canadá | Canada
Elias Holmlid, Dmitri Kurteanu, Guy Lima Jr. & Stefan Mikaelsson – Continuity - Suécia | Sweden
Erik Svedäng - Blueberry Garden - Suécia | Sweden
Florian Faller & Adrian Stutz – Feist - Suíça | Switzerland
Grupo Yellow Jam: Luciano José Firmino Júnior, Luiz José Barbosa de Moura Souza, Rafael Valle Barradas & Heloise Dantas Oliveira - Last Hope - Brasil | Brazil
Guilherme Bischoff, Francesco Sciamarella, Cauê Madeira & Evandro Valente | Kidguru Studios – Lumaki - Brasil | Brazil
Jairo Margatho | Overplay - Night Life - Brasil | Brazil
Joannie Wu & Lee Byron – Fireflies - Estados Unidos | United States
Kokoromi & Polytron - super HYPERCUBE - Canada | Canadá
Leonardo Arantes | Isis Interactive Graphics - Freestyle Challenge - Brasil | Brazil
Luiz Gerosa | Interama - Esther Art Gallery - Brasil | Brazil
Paulo Biagioni – Mutualismo - Brasil | Brazil
Philip Mangione - Chameleon Puzzle Runners - Brasil | Brazil
Q-Games - PixelJunk Eden - Japão | Japan
Rafael Fernandes | TecToy Digital - Vovó a solta - Brasil | Brazil
Rob Jagnow – Cogs - Estados Unidos | United States
Steph Thirion – Eliss - Portugal | Portugal
Tales of Tales – Vanitas - Belgica | Belgium
Tiago Fernandes | TecToy Digital - Dragon vs Heroes - Brasil | Brazil
Tiger Style Games - Spider: The Secret of Bryce Manor - Estados Unidos | United States
Tyler Glaiel – Closure - Estados Unidos | United States
Petri Purho - Crayon Physics Deluxe - Finlândia | Finland
INSTALAÇÕES | INSTALLATIONS
Andrew Hieronymi - Virtual Ground - Estados Unidos | United States
Corby & Baily, Jonathan Mackenzie - Southern Ocean Studies # 1.0 - Reino Unido | United Kingdom
Electronic Shadow: Naziha Mestaoui & Yacine Aït Kaci – SuperFluidity - França | France
Ernesto Klar - Luzes relacionais (Relational Lights) - Estados Unidos e Venezuela | United States and Venezuela
Guto Nóbrega – Breathing - Brasil | Brazil
Jarbas Jácome – Vitalino - Brasil | Brazil
Jeraman & Filipe Calegario - Marvim Gainsbug - Brasil | Brazil
Jonas Bohatsch - v+ - Áustria | Austria
Jörg Piringer - abcdefghijklmnopqrstuvwxyz for iPhone - Áustria | Austria
Jorge Luis Crowe - 2x (Power of two) - Argentina | Argentina
José Luis de Vicente, Irma Vilà & Bestiario - Atlas of Electromagnetic Space - Espanha | Spain
Keiko Takahashi & Shinji Sasada - Diorama Table - Japão | Japan
LEMUR: League of Electronic Musical Urban Robots & Eric Singer - LEMUR GuitarBot II - Estados Unidos | United States
Luo, He-Lin & Chen, I- Chun - Light Calligraphy - Taiwan (R.O.C.) | Taiwan (R.O.C.)
Markus Decker, Dietmar Offenhuber & Ushi Reiter - From Dust Till Dawn - Áustria | Austria
MARS: Media Arts Research Studies: Monika Fleischmann & Wolfgang Strauss – Mediaflow - Alemanha | Germany
Muk - disc.o - Áustria | Austria
Multitouch Barcelona: Dani Armengol, Roger Pujol, Xavier Vilar & Pol Pla - Hi! A real human interface - Espanha | Spain
Myrto Karanika & Jeremy Keenan – Strings - Reino Unido | United Kingdom
Pierre Proske - Frame Seductions - França e Austrália | France and Australia
Rachel Zuanon & Geraldo Lima – BioBodyGame - Brasil | Brazil
Raquel Kogan – Reler - Brasil | Brazil
Ricardo Barreto, Maria Hsu & AMUDI: Núcleo de Arte e Tecnologia da Escola Politécnica de Engenharia da USP: Breno Flesch Franco, Daniel Augusto Azevedo Moori, Erica Usui, Guilherme Wang de Farias Barros, João Flesch Fortes, Leandro Molon e Nadia Sumie Nobre Ota – feelMe - Brasil | Brazil
Ricardo Brazileiro – METROBANG - Brasil | Brazil
Rob Seward - Death Death Death - Estados Unidos | United States
Robert Mathy - Light Frequency Fingertips - Áustria | Austria
Sebastian Schmieg - Roy Block - Alemanha | Germany
SWAMP: Douglas Easterly, Matt Kenyon & Tiago Rorke – Tardigotchi - Nova Zelândia | New Zealand
Yacine Sebti - Jump! - Bélgica e Marrocos | Belgium and Morocco
PERFORMANCE
27/07
Minusbaby (Richard Alexander Caraballo) - Subversive Motives in Chip Music, or The 8bitpeoples' Party - Estados Unidos | United States
Celia Eid, Sébastien Béranger & Amilcar Zani – Dislocations - Brasil | Brazil
28/07
Jaime E Oliver LR - Silent Percussion Project - Peru | Peru
Panetone - Short lived like a butterfly - Brasil | Brazil
29/07
HEARTCHAMBERORCHESTRA - TERMINALBEACH: Erich Berger [Áustria e Finlândia | Austria and Finland] & Peter Votava [Áustria e Alemanha | Austria and Germany]
30/07
MooM: Dino Vicente & Bill Meirelles - Câmara Secreta - Brasil | Brazil
Ricardo Carioba - dáblio (w) - Brasil | Brazil
DOCUMENTA
27/07
Gustavo Godinho & Vladimir Cunha - Brega S/A- Brasil | Brazil
Claudio Mojope - Talk o Meu Coração ZunZunZunTV - Brasil | Brazil
28/07
Andreas Johnsen & Rasmus Poulsen - Man Ooman (Man Woman) - Dinamarca | Denmark
Fenton Bayle & Randy Barbato - Party Monster: The Shockumentary - Estados Unidos | United States
29/07
João Wainer & Roberto T. Oliveira – PIXO - Brasil | Brazil
Otávio Donasci - 30 Anos de Vídeocriaturas - Brasil | Brazil
30/07
Andreas Johnsen - Good Copy Bad Copy - Dinamarca | Denmark
Robert Baca & Joshua Rizzo - Welcome to Macintosh - Estados Unidos | United States
Senior Airman Dustin Harris, left, and 1st Lt. John Day, center, discuss radio frequencies with a Soldier assigned to the 82nd Airborne Division during an exercise in frequency hopping at Fort Bragg, N.C. Frequency hopping is changing regular frequencies during transmission, a radio operation technique that ensures secrecy and protects against communication channel jamming. Day and Harris are tactical air control party members with the 14th Air Support Operations Squadron. (U.S. Air Force photo by Airman 1st Class Alexander W. Riedel)