View allAll Photos Tagged framing
This image captures a headshot of a local, likely one of the guides, framed perfectly within the interplay of shadows cast by the late evening sun on the walls of Mutrah Fort. Perched atop a rocky hill overlooking the Mutrah Corniche, this historic fort dates back to the late 16th century, built by the Portuguese during their brief occupation of Oman. Once a critical defensive stronghold, it safeguarded the strategically vital port of Mutrah, a key hub in the region's maritime history – Mutrah, Muscat, Oman
The two big shapes on the left and right are a man and a women looking at a restaurant's menus.
Streetshot in Geneva - Switzerland.
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Les deux grands formes sur la droite et la gauche sont les visage d'un couple en train de consulter la carte d'un restaurant.
Streetshot à Genève - Suisse.
“Sometimes you don’t even notice that something has changed. You think you’re still you and your life is your life. Instead, one day you wake up, you look around and you don’t recognize nothing, absolutely nothing."
Roberta & Claudia
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1.Find Natural Frame
Photo includes : Foreground, Middleground, Background
2.This photo
3.It is a good photo because the the contrast of colour in this photo had produce a good texture. The lightning had heighten the mood and cast shadows.
4.It may be much more better if use another interesting subject.
5.Quality of photo : 3
It holds the record for the largest frame in the world. The building has a height of 150.24 meters and a width of 95.53 meters.
Week 6. "Framed" for "Compositionally Challenged" group.
The ceiling light in the bedroom reflected in a mirror on the wall.
I think here, the nature itself is in charge of framing...
The High Tatras, Slovakia
enjoy in full screen view!
ok, framed by nature, [explored] by flickr... thank you all!
Talk about luck -- the topic for the Compositionally Challenged group is Natural Framing, and this mallard framed himself perfectly for me this morning. I'd like to brag that I timed this shot on purpose, but I'm afraid it was just a lucky grab shot. My German shepherd had caught an intriguing scent and was straining at the leash when this duck flew by, so when I say it was a lucky grab shot, I really mean it. I had no idea I had it until I loaded it into the computer.
Reverse-knee mech frame. I have a Vertical Tank built on a variation of this that I'll get to posting when the Brickcon hullabaloo dies down.
Five points of articulation in each leg. Ball joints are both a blessing and a curse, especially when used as ankle joints bearing the weight of everything above it. They hold just fine, though. Click hinges in the knees, plate hinges and clip-rod joints in the hips.The feet need not be so long, the finished model I have stands on feet have as long (1 x 4).
Feel free to use and modify this, let me know if you do!
Pentacon Six TL w/ Carl Zeiss Jena Biometar 120mm f/2.8 and Kodak TMax100 (Kodak Xtol 1:1, Ilford rapid fixer). f/6.7, 1/500s. Epson V600 and EpsonScan @ 4800 dpi, downsized to 2400 dpi. Retouched and cropped.
Ever since I've gotten back from Hamburg I've been a bit paranoid about the P6's lightmeter. Except for when you got a white background and a dark skinned model in front, the lightmeter is usually quite accurate with the fresh battery.
However, I've noticed that my F3 tends to overexpose a stop or two whenever I'm in doubt.
In this particular case I thought that I had underexposed two stops due to the overexposed readings I got in the shade with the F3. So I decided to push the film to EI 400 (a bit extra is usually never a problem with an underexposed negative). But I read from the wrong line in my notes, so it was the times for Xtol stock. Luckily it was only about one stop push for 1:1. The negatives turned out just on point. A bit more contrasty than you expect TMax negatives to be, but that's probably due to the push.
In hindsight, f/6.7, 1/500s isn't that far off from Sunny 16 (ie f/16, 1/100s for ISO 100), which would be f/8, 1/400s or f/7.1, 1/500s. Just 1/6 of a stop difference.
I really like this series. Strong-minded nudes of an athlete in harsh light. It could be a propagandistic photos for Freikörperkultur. It was also the first time working with this particular model, who usually just do wedding fairs.
The location however, it was a bit ironic. Because when I scouted it a couple of days in advance it was almost completely empty except for some customs officers (it's near the Öresund Bridge), but when we did the shoot on a Saturday, it was quite a bit more people. So we couldn't use all the locations that I had in mind.
Model: Jenny
The lattice along the walk behind rose garden provided a natural frame for this single rose and the water dripping from the fountain behind it.
This is the fifth year in a row I have decided to publish a calendar to give as gifts to family, co-workers, and if I have a few left over, even sell a few.
Last year's subject was piers of Southern California. This year, I had a tough time deciding what I wanted to use as a theme, hence, my late start.
After coming home with a few keepers from this year's Albuquerque International Balloon Fiesta, I decided to go with the theme -- yep, you guessed it, balloons.
The one Mass Ascension I was able to attend though, was cancelled because of wind, (ironic, huh? since that's what makes them move through the air -- but too much of it is a very bad thing) and I needed something I didn't have -- a shot where literally countless balloons fill that amazingly blue New Mexico sky.
I decided to go into the archives -- this is from five years ago -- the 2007 Fiesta.
If you've never seen the Fiesta, it's really a bucket list item -- especially if you like to shoot photos with lotsa pretty colors. There's nothing like it.