View allAll Photos Tagged frames
I had a lightbulb moment when i read DeeRoo G 's comment about using low volume solids in the Angled Frames discussion thread. I knew immediately what I wanted to try for: solids. My stack of aqua/teal/blues were perfect. When I went back to read the tutorial again I laughed as I realized those were the colors she used as well!
slurl.com/secondlife/Hangout/7/93/1001/
Please stop by and see the new series . . . and there are many other artists, really amazing ones, at Amore Perduto Gallery, as well.
My sport frames have curves, rubber padding, and plastics, to make them so comfortable and durable that I can sleep in them. It seems like throughout history, the most comfortable glasses can always be found in the sports and safety industry.
Favorite Glasses by Decade: www.flickr.com/photos/47355639@N00/albums/72157669220942204
The screen windows at the Leviathan provide for a lovely silhouette and a photo battle with the lovely Willow.
Fancy carved ivory frame for you to use in your own art. Download the original size for a .png file with transparent background
I'd love to know what you use it for.
www.dabasformumebeles.lv - mirror frames from wood
Nature form furniture - Unique furniture and design elements:
Harijs Stradiņš - a craftsman working with natural shape wood processing, has been designing furniture and other interior design elements since 1997 selecting the best parts of the tree from top to root. In his works Harijs uses such materials as stone, glass, hammered works, fabric, clay and other natural materials to be able to make common design for a particular room.
Мебель природных форм - Уникальная мебель и элементы дизайна:
С 1997 года мастер по обработке природных форм дерева Харий Cтрадиньш, работая с деревом, изпользует его с корня до верхушки, отбирая самые интерессные части для создания своей мебели и елементов дизайна. Думая об общем дизайне помещения, в своих работах Xaрий изпользует также камень, ковку, лён, стекло, глину и другие природные елементы.
Dabas formu mēbeles - Unikālas mēbeles un dizaina elementi:
Kopš 1997. gada dabiska koka formu apstrādes meistars Harijs Stradiņš sadarbojas ar koku, kā dabas elementu, mēbeļu un dizaina elementu radīšanā, izmantojot to pēc iespējas pilnīgi (no saknes līdz gaotnei). Domājot par telpas kopējā dizaina risinājumu, savos darbos Harijs Stradiņš izmanto arī akmeni, stiklu, metālkalumus, audumu, mālu un citus dabas elementus.
COPYRIGHT - Creative Commons Attribution-Noncommercial-No Derivative Works:
- This image is licensed under Creative Commons, this means you can use it on your site (blog) if you credit the author (or authors website).
- Это изображение является лицензией Creative Commons, это означает, что вы можете использовать его на своем сайте (блоге), если вы кредита автора (или авторов сайта).
- Attēlam ir piešķirta Creative Commons licence, Jūs to varat izvietot savā mājas lapā (blogā) ar norunu, ka norādāt tā autoru (vai autora mājas lapu).
Rusting metal frames in the old shed out back - setup with a black backdrop
Scavenger Challenge – October 2018 Assignment – Triangles
Our subject this month is "triangles." This could be a single naturally-occurring object like a piece of broken shell, or it could be something man-made like a traffic cone. It could also be something more subtle, like a beach scene in which three people form a "visual triangle" because they are standing at the points. In this case, the "triangle" should be immediately obvious to anyone looking at the photo. In other words, the three people occur as the elements of photographic (artistic) composition. The remainder of the photo should be relatively uncluttered. You want the viewer's eye to be caught by the three points.
Two frames, which I made a few months ago. With a custom underslung GL, some shells, and an underslung assault rifle just becuase.
It's a bit cluttered.
Fancy carved ivory frame for you to use in your own art. Download the original size for a .png file with transparent background
I'd love to know what you use it for.
Time to make sure the frames me have a few are original actually fit the bus before I spend any more time and money on them. Only 5 seats can go in this week as 2 legs are odd and 1 original leg is needed to act as a template.
It's the Old Wood Frames texture created in the Filter Forge plugin. It can be seamless tiled and rendered in any resolution without loosing details.
You can see the presets and download this texture for free on the Filter Forge site here — www.filterforge.com/filters/7636.html (created by CFandM)
To use this texture download Filter Forge 30-day trial version for free here — www.filterforge.com/download/
www.dabasformumebeles.lv - mirror frames from wood
Nature form furniture - Unique furniture and design elements:
Harijs Stradiņš - a craftsman working with natural shape wood processing, has been designing furniture and other interior design elements since 1997 selecting the best parts of the tree from top to root. In his works Harijs uses such materials as stone, glass, hammered works, fabric, clay and other natural materials to be able to make common design for a particular room.
Мебель природных форм - Уникальная мебель и элементы дизайна:
С 1997 года мастер по обработке природных форм дерева Харий Cтрадиньш, работая с деревом, изпользует его с корня до верхушки, отбирая самые интерессные части для создания своей мебели и елементов дизайна. Думая об общем дизайне помещения, в своих работах Xaрий изпользует также камень, ковку, лён, стекло, глину и другие природные елементы.
Dabas formu mēbeles - Unikālas mēbeles un dizaina elementi:
Kopš 1997. gada dabiska koka formu apstrādes meistars Harijs Stradiņš sadarbojas ar koku, kā dabas elementu, mēbeļu un dizaina elementu radīšanā, izmantojot to pēc iespējas pilnīgi (no saknes līdz gaotnei). Domājot par telpas kopējā dizaina risinājumu, savos darbos Harijs Stradiņš izmanto arī akmeni, stiklu, metālkalumus, audumu, mālu un citus dabas elementus.
COPYRIGHT - Creative Commons Attribution-Noncommercial-No Derivative Works:
- This image is licensed under Creative Commons, this means you can use it on your site (blog) if you credit the author (or authors website).
- Это изображение является лицензией Creative Commons, это означает, что вы можете использовать его на своем сайте (блоге), если вы кредита автора (или авторов сайта).
- Attēlam ir piešķirta Creative Commons licence, Jūs to varat izvietot savā mājas lapā (blogā) ar norunu, ka norādāt tā autoru (vai autora mājas lapu).
*ICARUS FRAMES* road complete bike
BLUE LUG custo
SPEC
Frame: *ICARUS FRAMES* road
Headset: *CHRIS KING* nothreadset
Wheel: *ENVE* SES rim × *PHILWOOD* 11-speed road hub
Tire:*CONTINENTAL* grand prix classic tire
Crankset: *SRAM* force
Shift&Brakelever:*SRAM* force
FD&RD:*SRAM* force
Brake: *PAUL* racer medium brake
Stem: *ICARUS FRAMES*
Handle: *NITTO* m106
Seatpost: *THOMSON* elite
Saddle: *FIZIK*
Bar tape:*CADENCE* pro wrap bar tape
Porche West’s artful expresssions exists at the nexus of photography and sculpture, the point where photography and sculpture converge. Dramatic and thought-provoking photographs are “housed” within salvaged architectural elements adorned with thought-provoking, symbolic objects. The net effect is additive - the sum is greater than the parts - photographs encorported within sculpture deepen the meaning and message of the art.
It is Porche West’s contention that flat photographs fail to achieve the richness and dimensionality of photographic sculpture. Though a framed photograph can tell a good story, a photograph “housed” in sculpture gives a more nuances and deep narrative. Salvaged architectural debris door casings, flooring, window frames, knobs and pulls give the photograph a sense of place, an authenticity that comes from being at home in the soul of the artist’s works.
Porche West’s assemblage is cultural “curatorialism” masked as art. The simple behaviors and beliefs of ordinary people are universal and easily understood. Religious faith, death and burial rituals, celebration and suffering are comprehended, if not shared, by all humanity. To see one’s own emotions in the face of a Haitian child or the hands of an elderly woman in New Orleans, is to be reminded that that which binds us together is greater than that which divides us. We are in essence, one.
'The Bank of Soul' - A four minute video rendering of the artist's studio, philosophy and vision:
Photographer Christopher Porche West was born in California but has family ties in Louisiana. He has been working with the scenes and people of New Orleans for more than 30 years. His interests began in the late 1970s when he came to New Orleans from the University of California Santa Cruz to research free people of color. He continued to be interested in the city's culture and decided to pursue topics in contemporary New Orleans, including Creoles, Mardi Gras Indians, jazz funerals, neighborhood events, and passing rites. Though he kept up his commercial studio in Newport Beach, California, he self-published 'Eloquent Visages,' a series of Mardi Gras Indian portraits. In 1995, West permanently moved in New Orleans. He set up a temporary studio for the Indians that allowed them to be in control of the means of their documentation; this was a first. In the late 1990s, he continued to explore his curiosity in the people of New Orleans, but he also began experimenting with scrap material that he found around the city. His new medium was part photography, part sculpture. His relationship with the American Haitian Development Association allowed him to make three trips to Haiti in the time span of two years, from 1998-2000. These trips were the first of a series of visits to the Caribbean. In 2003, Carnival Interests led him to visit Cuba. in 2004 and 2012. Though he has been featured in over 40 exhibitions, his most notable accomplishment was being chosen to singularly commemorate the Louisiana bicentennial in Paris. For this event, his work was featured at Festival L'espirit Jazz a Saint Germain des Pres. His work can be found at the New Orleans Museum of Art, Harvard University, Amistad Research Center, and the University of California-San Diego.
Publications:
Eyes of Eagles: New Orleans Black Mardi Gras Indians, A Studio On Desire, New Orleans LA (2009)
'New Orleans - What Can't Be Lost: 88 Stories and Traditions from the Sacred City' University of Louisiana Lafayette Press, Lafayette LA (2010)
'New Orleans: What Can't Be Lost' Louisiana Cultural Vistas, Louisiana Endowment for the Humanities 2011
Expositions:
Through the Lens: 'Photographing African American Life' Amistad Research Center, New Orleans LA 2013
Expo Personal: Christopher Porche West “La Odisea Cultural de New Orleans a Santiago de Cuba, Association Hermanos Paiz, Santiago de Cuba 2012
NOLA NOW : Landscape, Seascape, Cityscape Contemporary Art Center , New Orleans, LA 2012
Residents and Visitors: Twentieth-Century Photographs of Louisiana, New Orleans Museum of Art, 2010
New Orleans Jazz and Heritage Festival, Contemporary Arts and Crafts, New Orleans, LA 2008, 2009, 2010.
Raymond James Gasparilla Festival of the Arts, Tampa FL 2008
Bayou City Art Festival Memorial Park, Houston TX 2008
“Santiago de Cuba: ReBirth & Congas en la Calle” McKenna Museum of African-American Art, New Orleans, La 2008
Three Rivers Art Festival, Covington, LA 2007
Bogue Falaya Award
“Regards sur la Nouvelle Orleans” (Visions of New Orleans) French Ministry of Culture, Saint Honor? Paris, France 2007.
New Orleans Jazz and Heritage Festival, Contemporary Arts and Crafts, New Orleans, LA 2007
'Fresh Art' New Orleans Arts Council 2006, Award of Merit
“Unforgotten Souls- New Orleans, Haiti, Cuba, Liberia” 333 Bush Street, San Francisco, CA 2006
Sausalito Arts Festival, Sausalito, CA 2006- 1st Place Mixed Media
Coconut Grove Art Festival, Coconut Grove, FL 2006
New Orleans Jazz and Heritage Fesitval, Contemporary Arts and Crafts, New Orleans, LA 2006 Best of Show
From Louis XIV to Louis Armstrong: A Cultural Tapestry, The Historic New Orleans Collection, New Orleans 2006
The Darkroom, New Orleans Center for Photographic Arts, New Orleans, LA 2005
New Orleans Jazz and Heritage Fesitval, Contemporary Arts and Crafts, New Orleans, LA 2005
La Louisiane, del la colonie franciais a l’Etat americain, Mona Bismark Foundation, Paris 2006
Haiti Cherie: 200 Years of Independence, Alliance Francaise, New Orleans, LA 2005
New Orleans Jazz and Heritage Festival 2004, Contemporary Arts and Crafts. ?Best Display.
Haiti Cherie: 200 Years of Haitian Independence, Alliance Francaise, New Orleans, LA 2004
Galerie Laurent Herschtritt, Paris, France. 2003
“L’ame Creole: Visages de la Nouvelle-Orleans et Haiti” Alliance Francaise, Paris, France. 2003
“Remembrance,” A Memorial of the 911 Anniversary - Pan American Life Building, New Orleans, LA 2002
“A Moveable Feast: The Essence of New Orleans in Elements of Art & Architecture,” International House, New Orleans, LA 2002
'Fresh Art' New Orleans Arts Council 2001
New Orleans Jazz and Heritage Festival 2001 Louisiana Marketplace ?
Exploring Assemblage in New Orleans,' Barrister's Gallery, New Orleans, LA 2000
Group Show: 'Friends of Haiti,' Barrister's Gallery, New Orleans, LA 2000
'Haiti Cherie' Haitian Association for Human Development, New Orleans, LA 2000
“Love and Death in Louisiana'' New Orleans Jazz and Heritage Festival Grandstand, New Orleans, LA 2000
Kentuck Festival of the Arts, Northport, Alabama. 1999
New Orleans Jazz and Heritage Festival 1999 Contemporary Crafts 1999: Best Display Award,
New Orleans Jazz and Heritage Festival ??New Orleans Jazz and Heritage Festival, Louisiana Marketplace 1998
'Native Visions,' Galerie Royal, New Orleans, LA 1998
Folk Arts of Louisiana, Festival International, Lafayette, LA 1998
'A View From New Orleans,' L'Atelier Piroska, New Orleans, LA 1997
'You See What I Say,' University of Alabama, State Black Archives; Huntsville, AL 1997
'The Mardi Gras Indians,' Mardi Gras Museum, Galveston TX 1997
The Power of the Needle and Thread,' New Orleans Center, New Orleans 1995
'You See What I Say,' La Belle Gallerie; New Orleans, LA 1995
'New Orleans Views' Sheraton Hotel, Atrium Gallery, New Orleans 1995
'Jazz Fest and Heritage of Nouvelle Orleans' Indigo Nights Gallery, New Orleans, LA 1995
'Local Scenes,' City Hall, New Orleans, LA 1994
The Center for Creative Photography of San Juan Capistrano, CA 1993
'Mardi Gras Indians' Tilden Foley Gallery, New Orleans 1991
'Architecture for People: A Social Message,' Lyceum Theatre, San Diego, CA 1990
'Wine History of the Santa Cruz Mountains' The Octagon, Santa Cruz County Historical Museum, Santa Cruz, CA 1980
'Creoles of Color: A Vanishing Louisiana Legacy' Merrill College, University of Calif., Santa Cruz, 1980
Group Show, Gallery of Contemporary Photography, Laguna Beach, CA 1980
Light Works, Studio Gallery - Santa Ana, CA 1980