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Henry Moore - Form and Material - Museum Beelden aan Zee - The Hague
In collaboration with the Henry Moore Foundation, Museum Beelden aan Zee has made a selection of works from the artist's substantial oeuvre. Around 70 objects and sculptures portray the artistic vision and creative process of one of the most important innovators of modern sculpture. The exhibition in Beelden aan Zee focuses on the influence of nature on his work and his growth and development as a sculptor. From promoting direct carving – carving without using preparatory sketches and studies – to experimenting with casting in lead and bronze. Henry Moore (1898-1986) is one of the most important British artists of the twentieth century. His sculptures balance on the boundary between figurative and abstract art and continue to be a source of inspiration to artists. His work has a recognisable and characteristic formal language. Important themes in his oeuvre are ‘mother and child’ and his reclining figures, which he explored extensively.
From the 1920s, Moore participated in countless British and international exhibitions, with solo as well as group exhibitions, he sold work on a regular basis, and so made a name for himself as an important modernist sculptor. However, the Second World War called a halt to these positive developments. Henry Moore left his teaching post and took up a commission as a war artist. It was in this capacity that he produced his deeply moving Shelter Drawings of Londoners crowding the city's underground stations sheltering from the Blitz. In the 1950s he created larger groups of figures. The prices for his works increased considerably and his fame as an international artist continued to grow. In later years he served as a trustee at both the Tate Gallery and the National Gallery and he was the recipient of a large number of prizes and honours.
17735 Kieselsteinring geschwungene Form, im Verlauf geschliffen, mattiert, Innendurchmesser 19.2mm, Edelsteinschleiferei Hochstrasser 20.8g
This image forms part of the digitised photographs of the Ross and Pat Craig Collection. Ross Craig (1926-2012) was a local historian born in Stockton and dedicated much of his life promoting and conserving the history of Stockton, NSW. He possessed a wealth of knowledge about the suburb and was a founding member of the Stockton Historical Society and co-editor of its magazine. Pat Craig supported her husband’s passion for history, and together they made a great contribution to the Stockton and Newcastle communities. We thank the Craig Family and Stockton Historical Society who have kindly given Cultural Collections at the University of Newcastle, NSW, Australia, access to the collection and allowed us to publish the images. Thanks also to Vera Deacon for her liaison in attaining this important collection.
Please contact Cultural Collections at the University of Newcastle, NSW, Australia, if you are the subject of the image, or know the subject of the image, and have cultural or other reservations about the image being displayed on this website and would like to discuss this with us.
Some of the images were scanned from original photographs in the collection held at Cultural Collections, other images were already digitised with no provenance recorded.
You are welcome to freely use the images for study and personal research purposes. Please acknowledge as “Courtesy of the Ross and Pat Craig Collection, University of Newcastle (Australia)" For commercial requests please consider making a donation to the Vera Deacon Regional History Fund.
These images are provided free of charge to the global community thanks to the generosity of the Vera Deacon Regional History Fund. If you wish to donate to the Vera Deacon Fund please download a form here: uoncc.wordpress.com/vera-deacon-fund/
If you have any further information on the photographs, please leave a comment.
Growing sunshine turned morning clouds interesting shades this morning. This is the first photo I have posted with this cell phone. I must try it more often to see how it manages colour...
A Coleção fotográfica faz parte integrante da cobertura efetuada durante a mesa redonda, sobre Moda, realizada a 24 de novembro no Auditório da ESTIG, com Raquel Prates e Carlos Ramos.
Todas as fotografias estão otimizadas para a internet e fazem parte do espólio do Instituto Politécnico de Beja. Nenhumas das fotografias podem ser reproduzidas, no seu todo ou parcialmente, de forma eletrónica ou impressas, sem a autorização do IPBeja. Para adquirir fotografias com maior resolução contacte o Gabinete de Imagem e Comunicação do Instituto Politécnico de Beja através dos seguintes mail:
gicom@ipbeja.pt
apassarinho@ipbeja.pt
jdomingos@ipbeja.pt
Site Institucional: WWW.ipbeja.pt
38° 00' 46.87''N
7° 52' 22.19''W
Skirza natural rock art. Liesegang rings formed from iron rich mineral deposition in Devonian Old Red Sandstone.
African Ambassadors & Diaspora Interactive Form AAIF United Nations buildings International Maritime Organization HQ IMO London. Panel Discussion Moderated by Her Excellency Dr Justina Mutale
Village Green 2015 is a multi-art form and music festival, produced by Metal Culture in the picturesque grounds of a beautiful Victorian park in Chalkwell, Southend on Sea.
Eight different stages, green spaces, rose gardens, cricket pitches, pathways and marketplaces offer up a pot-pourri of international music acts, theatre, spoken word, poetry, lindy-hop/ fox trot lessons and displays, outdoor arts, circus and cabaret, vintage acts, musical theatre, visual arts, comedy, improvisation, film, workshops and games all set against the backdrop of the enigmatic estuary. Only six years ago Village Green Festival was a small scale celebration of the arts and music of Southend. Now, however, it regularly attracts over 20,000 festival goers.
Big thanks to 2,000 strong army of artists, performers, staff, crew, Village Green 2015 was amazing!
Pictures form Water Garden Expo 2010 the two-day extravaganza that has pond suppliers traveling from all over the country for a chance to attend. Pondliner.com offered an interactive experience with a tour of the facility and hands on training. For more information about Pondliner.com visit our website at www.pondliner.com.
This image forms part of the digitised photographs of the Ross and Pat Craig Collection. Ross Craig (1926-2012) was a local historian born in Stockton and dedicated much of his life promoting and conserving the history of Stockton, NSW. He possessed a wealth of knowledge about the suburb and was a founding member of the Stockton Historical Society and co-editor of its magazine. Pat Craig supported her husband’s passion for history, and together they made a great contribution to the Stockton and Newcastle communities. We thank the Craig Family and Stockton Historical Society who have kindly given Cultural Collections at the University of Newcastle, NSW, Australia, access to the collection and allowed us to publish the images. Thanks also to Vera Deacon for her liaison in attaining this important collection.
Please contact Cultural Collections at the University of Newcastle, NSW, Australia, if you are the subject of the image, or know the subject of the image, and have cultural or other reservations about the image being displayed on this website and would like to discuss this with us.
Some of the images were scanned from original photographs in the collection held at Cultural Collections, other images were already digitised with no provenance recorded.
You are welcome to freely use the images for study and personal research purposes. Please acknowledge as “Courtesy of the Ross and Pat Craig Collection, University of Newcastle (Australia)" For commercial requests please consider making a donation to the Vera Deacon Regional History Fund.
These images are provided free of charge to the global community thanks to the generosity of the Vera Deacon Regional History Fund. If you wish to donate to the Vera Deacon Fund please download a form here: uoncc.wordpress.com/vera-deacon-fund/
If you have any further information on the photographs, please leave a comment.
Here is a close up perspective of my Auntie's legs. I got her to pose in a way that recreated the style of Jenny Saville's artwork.
A Coleção fotográfica faz parte integrante da cobertura efetuada durante a mesa redonda, sobre Moda, realizada a 24 de novembro no Auditório da ESTIG, com Raquel Prates e Carlos Ramos.
Todas as fotografias estão otimizadas para a internet e fazem parte do espólio do Instituto Politécnico de Beja. Nenhumas das fotografias podem ser reproduzidas, no seu todo ou parcialmente, de forma eletrónica ou impressas, sem a autorização do IPBeja. Para adquirir fotografias com maior resolução contacte o Gabinete de Imagem e Comunicação do Instituto Politécnico de Beja através dos seguintes mail:
gicom@ipbeja.pt
apassarinho@ipbeja.pt
jdomingos@ipbeja.pt
Site Institucional: WWW.ipbeja.pt
38° 00' 46.87''N
7° 52' 22.19''W