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Wall of wood , long and wide
Masking the lake, that does hide
Behind the trunks of freezing brown
That now form a winter town
Where the birds sing a song
As they dive and fly along
The wall of wood , stretching wide
In front of the wild blue found inside
💫MOVEMENT FORM⭐
✨POSSE ⚡ Pose Suicidal
📌SL: cutt.ly/JWejElH
💻MK: cutt.ly/rRjsRyE
💫WILD GRIL⭐
✨ROUPA Halloween set
HUD Texture Colors 17
INCLUDED IN
01 Nurse's Cap (02 HUD Colors) Simple and Blood
01 Witch Hat (05 Colors) Modify
03 Wedding Hat (White, Red and Black)
01 Bat (VAMPIRE) Colors - Lilac, Red, Orange, Purple and Violet
📌SL: cutt.ly/dEZl2pY
💻MK: cutt.ly/MRja29j
A solitary tree standing in fresh snow.
Minimal forms, soft winter light and gentle curves shaping a quiet landscape.
An image about stillness, balance and space.
Un arbre solitaire dans la neige fraîche.
Des formes minimales, une lumière d’hiver douce et des lignes apaisées composent un paysage silencieux.
Une image de calme, d’équilibre et d’espace.
Always love our cocktail hour on a Friday. This sing recorded
by The Cure in 1992. always was a great Friday night song for me.
www.youtube.com/watch?v=mGgMZpGYiy8 It's so right at the end of the week.
The Cure formed in 1978 and they have had many line up changes but Robert Smith has remained the band's only constant member. I have always love The Cure.
For 100x the 2023 edition. Song Titles
Swallowtail, southwest France this summer. I liked the way the insect and the leaf have the same shape and pattern
Ravens and crows together form the genus Corvus in the corvid family (Corvidae). The larger representatives are referred to as "ravens", the smaller ones as "crows". However, this is not a taxonomic classification. The genus includes 42 species, which are distributed almost worldwide and are missing only in South America. In Europe, the common raven, the carrion crow (carrion crow and hooded crow) and the rook occur. As a naturalized neozoon, the crow has also been breeding in the Netherlands since the late 1990s.
Ravens and crows are among the largest species within the order of passerines: the two largest representatives of the genus are the common raven (Corvus crassirostris) and the common raven (Corvus corax), each of which has a body length of between 60 and 70 cm and a body weight of up to Can reach 1.5 kg and are therefore the largest passerine birds ever.
Wiki
Raben und Krähen bilden zusammen die Gattung Corvus in der Familie der Rabenvögel (Corvidae). Die größeren Vertreter werden als „Raben“, die kleineren als „Krähen“ bezeichnet. Hierbei handelt es sich jedoch nicht um eine taxonomische Einteilung. Die Gattung umfasst 42 Arten, die fast weltweit verbreitet sind und nur in Südamerika fehlen. In Europa kommen der Kolkrabe, die Aaskrähe (Rabenkrähe und Nebelkrähe) und die Saatkrähe vor. Als eingebürgertes Neozoon brütet zudem die Glanzkrähe seit Ende der 1990er Jahre in den Niederlanden.
Raben und Krähen zählen zu den größten Arten innerhalb der Ordnung der Sperlingsvögel: Die beiden größten Vertreter der Gattung sind der Erzrabe (Corvus crassirostris) und der Kolkrabe (Corvus corax), die jeweils eine Körperlänge zwischen 60 und 70 cm und ein Körpergewicht von bis zu 1,5 kg erreichen können und damit die größten Sperlingsvögel überhaupt sind.
Wiki
La peppermint camellia — a colorful hybrid of a camellia shrub — blooming in winter, on the...
Decatur (Winnona Park), Georgia, USA.
1 March 2026.
***************
▶ Photo by: YFGF.
For larger image, press L or Z.
▶ Camera: Olympus OM-D E-M10 II.
— Lens: Olympus M.40-150mm F4.0-5.6 R.
— Settings: 66 mm | 1/60 sec | ISO 400 | ƒ/8.0.
— Edit: Photoshop Elements 15, Nik Collection (2016).
▶ Image licensed via Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 (CC BY-NC-ND 4.0). Reproduction permitted, but with these provisos:
— only in unadapted form
— only for noncommercial purposes
— attribution required (e.g., Cizauskas on Flickr)
— commercial use forbidden (except with explicit permission).
▶ Social media:
Instagram | Bluesky | Flickr | YFGF | Buy Me a Beer.
"Leandro Erlich gelingt es seit vielen Jahren mit seiner Kunst, die Besucher*innen auf ganz unterschiedlichen Ebenen zu begeistern. Viele seiner Werke erscheinen auf einer ersten Ebene spektakulär, irritierend, spielerisch und humorvoll. Aber bei einer genaueren Betrachtung zeigen sich viele Bezüge zu heutigen kulturellen, gesellschaftlichen und mithin politischen Erscheinungsformen und Herausforderungen, wie etwa der ganze Komplex rund um Fake News, dem (populistischen) Verdrehen von Wahrheit und Lüge, den weltweiten Fluchtbewegungen oder auch nicht zuletzt die immer bedeutender werdende Macht von Bildern und deren Manipulationsmöglichkeiten."
Quelle: www.wolfsburg-erleben.de
Der Künstler verwandelt das Museum in eine Blackbox, die gewohnte Perspektiven umkehrt und zum Träumen und Imaginieren einlädt.
Vom Verhältnis von Himmel und Erde, von oben und unten, von innen und außen handelt auch die mehrteilige Arbeit The Cloud (2018–2022). In vier Vitrinen fängt der Künstler vermeintlich flüchtige Wolken ein und „konserviert“ diese für die museale Präsentation. Die einzelnen Vitrinenobjekte bestehen jeweils aus mehreren bedruckten Glasscheiben, die hintereinander geschichtet zum freien Assoziieren von Formen einladen – wie beim Blick auf das Wolkenspiel am Himmel. Erst beim genauen Hinsehen werden in Erlichs Wolkenbildern Tiere oder die Umrisse Südamerikas sichtbar.
= = = = = = = = = = = = = = = = = = = = = = = = = = = =
Francisco Aragão © 2018. All Rights Reserved.
Use without permission is illegal.
Attention please !
If you are interested in my photos, they are available for sale. Please contact me by email: aragaofrancisco@gmail.com. Do not use without permission.
Many images are available for license on Getty Images
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B R A U N . . .
Mit kaum einer anderen Firma ist der Begriff der „Guten Form“ so eng verbunden wie mit dem westdeutschen Elektrogerätehersteller Braun.
In den Nachkriegsjahren repräsentierte er die neuen Grundwerte guter Gestaltung: Ökonomie der Mittel, Funktionalität, Hochwertigkeit, Langlebigkeit und Ehrlichkeit.
In den bürgerlichen Wohnzimmern der 1950er Jahre, wo Radios in edlen Holzgehäusen oder gar in sogenannten Musiktruhen versteckt wurden, löste der nüchterne Braun - Stil eine kleine Revolution aus.
Ein hell lackiertes Gehäuse, glatte, schmucklose Seitenteile aus Holz und bei den Truhen ein durchsichtiger Deckel aus Plexiglas, der den Blick auf die Bedienungselemente freigibt, war sensationell und zugleich schockierend in seiner asketischen Ästhetik.
Das Gestaltungskonzept überließ nichts dem Zufall: Die Bedienung der L-förmig angelegten Knöpfe erfolgte ausschließlich von oben, die Typografien der Skalen waren nach Vorgaben des Ulmer Architekten Otl Aichers gestaltet und z. B. die Plattenspielereinheit war ein Entwurf Wilhelm Wagenfelds.
Für das Gesamterscheinungsbild jedoch waren in der Hauptsache Hans Gugelot und Dieter Rams, der auch die Idee der Plexiglashaube einbrachte, verantwortlich.
Mit diesen Entwürfen läutete Braun eine neue Ära der technischen Produktkultur ein.
Überraschend schnell avancierten z. B. der der nüchterne Quader der Truhe (ich werde sie noch zeigen), im Volksmund, aufgrund der Plexiglashaube, auch „Schneewittchensarg“ genannt, zum Lieblingsobjekt der Architekten und Intellektuellen.
Und natürlich sehen wir hier ein Röhrenradio, kein Transistorradio ! Röhren findet man heutzutage nur in High-End-Geräten.
Die Welt ist viel zu vielseitig um einseitig betrachtet zu werden ...
English
Few companies are as closely associated with the concept of "good design" as the West German electrical appliance manufacturer Braun.
In the post-war years, it represented the new fundamental values of good design: economy of means, functionality, high quality, durability, and honesty.
In the middle-class living rooms of the 1950s, where radios were hidden away in elegant wooden cabinets or even in so-called music chests, the austere Braun style sparked a small revolution.
A light-colored lacquered cabinet, smooth, unadorned wooden side panels, and, in the case of the chests, a transparent Plexiglas lid that revealed the controls, was sensational and, at the same time, shocking in its ascetic aesthetic.
The design concept left nothing to chance: The L-shaped knobs were operated exclusively from above, the dial typography was designed according to specifications by the Ulm architect Otl Aicher, and, for example, the record player unit was a design by Wilhelm Wagenfeld.
However, the overall appearance was primarily the work of Hans Gugelot and Dieter Rams, who also came up with the idea for the Plexiglas cover.
With these designs, Braun ushered in a new era of technical product design.
Surprisingly quickly, the simple rectangular box of the chest (which I will show later), nicknamed "Snow White's Coffin" by the public due to its Plexiglas cover, became a favorite among architects and intellectuals.
And of course, we see a radio with vacuum tubes receiver, here, no transistorized radio !
_V0A9458_pa2
Your Shadow is unleashed
with a sword shaped by lifetimes of courage,
and a map to a place no one is going to.
There's a faint flickering in the depth of these crimson eyes-
I will name you,
and I refuse to carry you in silence.
Sometimes we're forced onto paths
we ought to have chosen ourselves.
And maybe belonging is not a place,
but a person.
Eventually, I will- in one way or another,
maybe sooner rather than later.
Divination meets free will
when destiny is a mirror, not a cage.
And being wrong is tuition, not final verdict.
Fear is only the breath before transformation,
and I'm just awake enough to realize there's no escape.
But I was always meant to dance on fire.
And tomorrow has become today.
~ Poem by Bellaswan Garnet
Valley of Fire State Park is a public recreation and nature preservation area covering nearly 46,000 acres (19,000 ha) located 16 miles (26 km) south of Overton, Nevada. The state park derives its name from red sandstone formations, the Aztec Sandstone, which formed from shifting sand dunes 150 million years ago. These features, which are the centerpiece of the park's attractions, often appear to be on fire when reflecting the sun's rays.[5] It is Nevada's oldest state park, as commemorated with Nevada Historical Marker #150. It was designated as a National Natural Landmark in 1968.
Valley of Fire is located 50 miles (80 km) northeast of Las Vegas.
SOOC in low light and high ASA to emphasize a minimalistic subject. I so enjoy YouTube and often try and learn different approaches. The channel most enjoyable for myself is Andrew Banner.
The Sukhothai Historical Park (Thai: อุทยานประวัติศาสตร์สุโขทัย covers the ruins of Sukhothai, literally "Dawn of Happiness", capital of the Sukhothai Kingdom in the 13th and 14th centuries, in what is now Northern Thailand. It is located near the modern city of Sukhothai, capital of the province with the same name.
The city walls form a rectangle about 2 km east-west by 1.6 km north-south. There are 193 ruins on 70 square kilometers of land.There is a gate in the centre of each wall. Inside are the remains of the royal palace and twenty-six temples, the largest being Wat Mahathat. The park is maintained by the Fine Arts Department of Thailand with help from UNESCO, which has declared it a World Heritage Site.
Il parco storico di Sukhothai racchiude le rovine dell'antica Sukhothai, capitale del Regno nel tredicesimo e quattordicesimo secolo. È situato nella parte meridionale della Thailandia del Nord.
Le mura cittadine formano un rettangolo lungo 1.810 metri circa sull'asse est-ovest e 1.400 metri su quello nord-sud. Al centro di ogni lato si trova una porta di accesso. All'interno ci sono le rovine del palazzo reale e di 21 templi, il più grande dei quali è quello di Wat Mahathat, che era la cappella reale. Le mura, costruite in mattoni, sono circondate da un fossato e all'esterno vi sono altri templi e palazzi che fanno parte del parco.
Gli edifici furono costruiti nel classico stile di Sukhothai, che subì influenze delle preestistenti architetture khmer, cingalesi e mon.A sua volta lo stile di Sukhothai avrebbe influenzato gran parte della successiva architettura siamese. Nelle statue dei Buddha, la forma allungata del naso e la protuberanza a forma di fiamma posta sulla sommità del capo, chiamata Usnisa, che rappresenta lo splendore dell'energia spirituale, sono caratteristiche mutuate dalla tradizione cingalese. La doppia linea attorno alla bocca deriva invece dall'arte khmer.
Di rilievo le antiche opere idrauliche presenti nella città murata. Il fossato che circonda le mura, scavato anche per proteggersi dagli attacchi nemici, i 175 stagni ed i 147 pozzi erano alimentati con le acque di un vicino canale ed usati come riserve d'acqua. Il sistema di trasmissione delle acque è rappresentato da un antico acquedotto, le cui tubazioni sono fatte in terracotta smaltata.
Il parco è gestito dal Dipartimento delle Belle Arti della Thailandia con la supervisione dell'UNESCO che l'ha dichiarato patrimonio dell'umanità.
(wikipedia)
An artistic rendering of a macro view of a Pop It Topper bubble fidget toy. The frame represents a span of two-inches across.
Those who are not familiar with Pop It Toppers can click the below link to a Wikipedia article about them (with pictures). The version I photographed (in its entirety) is a very small topper with only four bubbles on it.
Strobist info:
The scene was illuminated by two Nikon SB900 speedlights and a steady LED light. The SB900s were placed CL/CR and fired in Manual mode @ 1⁄32 power through 24" gridded soft boxes and triggered by PocketWizard Plus Xs. The LED was placed @ 11-o'clock.
Lens: Tokina AT - X M100 AF PRO D(AF 100mm f / 2.8 Macro) with 12mm + 20mm extension tubes attached.
inspired by Barbara Hepworth!
ODC CONFUCIUS OR CONFUSION SAYS 17 - 23 January
(read description in the thread)
"Everything has its beauty but not everyone sees it."
www.flickr.com/groups/ourdailychallenge/discuss/721576612...
_X4A1317 copy
There are two sea stacks that together form Drangarnir. These impressive natural formations have become a symbol of the Faroe Islands’ unspoiled landscapes and untamed wilderness. To me, they conjure visions of a dragon's back, rising up from the icy waters swirling along its base. It is a haven for birdlife and a bucket list item for photographer's fortunate enough to find themselves in this Viking wonderland.
For me, it was an experience of a lifetime and the fulfillment of a bucket list dream that all began with a tiny image I saw on Instagram of a grass roofed cottage. What an incredible privilege to photograph the immense Drangarnir sea stacks (the smaller one rises out of the ocean to a height of over 200 '), probably one of the most iconic formations of the Faroe Islands.
Unfortunately, it is also one of the more harrowing places to get to. If I wasn’t grey already, that day would have done it in spades. Thank God for great travel partners, and our gifted leader, Thomas Vikre, who guided us through the gauntlet of eel-slippery rocks, steep slopes ending abruptly into the North Atlantic, and high tides bouncing our Zodiac around like a ping pong ball. Honestly, I would have turned back each time if given a choice. I have no desire to “prove” myself, or conquer fears at this point in my life, but it was a one way street, so no way to turn back. And in the end, I am glad for that. The beauty and majesty of the place is really indescribable, and to stand in the midst of it was truly an “epic” 😉 experience for us all.
“You must do the thing that you think you cannot do.”
—Eleanor Roosevelt
Beinn Alligin (Scottish Gaelic: Beinn Àilleagan) is one of the classic mountains of the Torridon region of Scotland, lying to the north of Loch Torridon, in the Highlands. The name Beinn Alligin is from the Scottish Gaelic, meaning Jewelled Hill. The mountain has two peaks of Munro status: Tom na Gruagaich (922 metres (3,025 ft)) to the south, and Sgùrr Mhòr at 986 metres (3,235 ft) to the north.
One of the most prominent features of Beinn Alligin is a great cleft known as Eag Dhubh na h-Eigheachd (black gash of the wailing) or Leum na Caillich, which cuts into the ridge south of the summit. It is the scar of the most spectacular rockslide or rock avalanche in Britain, which runs out into the corrie of Toll a' Mhadaidh Mor. It occurred around 3750 years ago and is around 3.5 million cubic metres in volume.According to local folklore shepherds on the mountain would hear cries from the gash; those who investigated the source of these cries would inevitably fall to their deaths.
Beinn Alligin lies on the National Trust for Scotland's Torridon Estate, which has been owned by the charity since 1967,[6] and forms part of both a Site of Special Scientific Interest (SSSI) and a Special Area of Conservation (SAC).
a dangerous train ...
The pine processionary (Thaumetopoea pityocampa) is a moth of the subfamily Thaumetopoeinae in the family Notodontidae, known for the irritating hairs of its caterpillars, their processions, and the economic damage they cause in coniferous forests.
Toxicity :
Stinging hairs contain a toxic protein that is very irritating and inflammatory: thaumetopoein. It penetrates where the “harpoon” is planted: most often in the skin, but also in the eye, the nose, the mouth…
The hair breaks and the toxin released causes a reaction similar to that of nettle stings: red pimples in the form of blisters, red itchy patches, appear on the skin.
General symptoms may occur in the event of significant exposure. The immune system then goes into overdrive, which can lead to a sudden drop in blood pressure, discomfort or loss of consciousness.
Is there a risk for animals? With their noses at ground level, animals are exposed to contact with these stinging hairs, particularly dogs. They can get it on their coat, or even take a caterpillar in their mouth, which can cause very serious inflammatory reactions including necrosis of the tongue.
Un train dangereux ...
La processionnaire du pin (Thaumetopoea pityocampa) est un papillon de nuit de la sous-famille des Thaumetopoeinae de la famille des Notodontidae, connue pour les poils irritants de ses chenilles, leurs cortèges et les dégâts économiques qu'elles provoquent dans les forêts de conifères.
Toxicité
Les poils urticants contiennent une protéine toxique très irritante et inflammatoire : la thaumétopoéine. Elle pénètre là où le « harpon » s’est planté : le plus souvent dans la peau , mais aussi dans l’œil, le nez, la bouche…
Le poil se casse et la toxine libérée provoque une réaction semblable à celle des piqûres d’ortie : des boutons rouges sous forme de cloques, des plaques rouges qui grattent, apparaissent sur la peau.
Des symptômes généraux peuvent survenir en cas d’exposition importante. Le système immunitaire s’emballe alors, pouvant mener à une baisse brutale de la tension artérielle, un malaise ou une perte de connaissance.
Y a-t-il un risque pour les animaux ? La truffe au ras du sol, les animaux sont exposés au contact avec ces poils urticants, notamment les chiens. Ils peuvent en avoir sur le pelage, voire prendre une chenille dans leur gueule, ce qui peut provoquer des réactions inflammatoires très graves jusqu’à une nécrose de la langue.
(A7R02442_DxO)
Excerpt from the plaque:
Red/Amber Sliced Descending Form by Harvey K. Littleton
Harvey K. Littleton was a pioneer in the use of glass as a material for sculpture. He was the first academic to set up a university glass program-at the University of Wisconsin-Madison in 1963-and he championed the introduction of glass into art school and university curriculums across the country and around the world.
To gain control of the world of space is certainly one of our tasks. The danger begins when in gaining power in the realm of space we forfeit all aspirations in the realm of time. There is a realm of time where the goal is not to have but to be, not to own but to give, not to control but to share, not to subdue but to be in accord. Life goes wrong when the control of space, the acquisition of things of space, becomes our sole concern.
Nothing is more useful than power, nothing more frightful. We have often suffered from degradation by poverty; now we are threatened with degradation through power. There is happiness in the love of labor; there is misery in the love of gain. Many hearts and pitchers are broken at the fountain of profit. Selling himself into slavery to things, man becomes a utensil that is broken at the fountain.
AS CIVILIZATION ADVANCES, the sense of wonder almost necessarily declines. Such decline is an alarming symptom of our state of mind. Mankind will not perish for want of information, but only for want of appreciation. The beginning of our happiness lies in the understanding that life without wonder is not worth living. What we lack is not a will to believe but a will to wonder.
-Thunder in the Soul To Be Known by God, Abraham Joshua Heschel
2024 was one of the hardest years of my life.
I learned so much about myself - strengths and weaknesses.
I broke myself repeatedly to form a more solid me.
I sacrificed true love on an altar of commitment.
I watched generations wither and stepped into the gap.
I gained beautiful flowers in my garden of friends.
I froze in the face of trial and closed within myself.
I created from the depths of my agony.
I screamed in silence for dreams unfulfilled.
I stepped up and made the choice - God over everything else.
I struggled out of the pit of surviving.
I don't know what 2025 holds.
But I know there will be continued pain... continued longing...continued moments of falling and picking myself back up. Moments of showing up for myself in solitude. Moments of nostalgia... and memory... that crush the air from my very chest.
And likely...Grief.
But through it all...
I will continue to persevere as best I can.
I will continue to cry out to God in my confusion and gain clarity.
I will continue to soak up the sun and dance in the rain.
I will continue to find small joys in the birds song.
I will continue to breathe in and out.
I will continue to believe.
I will continue to live.
For I know the plans I have for you, declares the LORD, plans for welfare and not for evil, to give you a future and a hope.
Jeremiah 29:11
Forever is composed of Nows
Tis not a different time
Except for Infiniteness
And Latitude of Home
~Emily Dickinson
A mushroom, or toadstool, is the fleshy, spore-bearing fruiting body of a fungus, typically produced above ground, on soil, or on its food source. The standard for the name mushroom is the cultivated white button mushroom, Agaricus bisporus; hence the word mushroom is most often applied to those fungi (Basidiomycota, Agaricomycetes) that have a stem (stipe), a cap (pileus), and gills (lamellae, sing. lamella) on the underside of the cap. Mushroom also describes a variety of other gilled fungi, with or without stems, therefore the term is used to describe the fleshy fruiting bodies of some Ascomycota. These gills produce microscopic spores that help the fungus spread across the ground or its occupant surface. Forms deviating from the standard morphology usually have more specific names, such as bolete, puffball, stinkhorn, and morel, and gilled mushrooms themselves are often called agarics in reference to their similarity to Agaricus or their order Agaricales. By extension, the term mushroom can also refer to either the entire fungus when in culture, the thallus (called a mycelium) of species forming the fruiting bodies called mushrooms, or the species itself. 20063
In our earth-lab, a life form has existed randomly, thanks to the reaction of atoms of the ingredients which were already there, in the lab, for the creation of this life form. It has started to develop and expand on the earth, randomly. Later, after billions of years, it got conscious, randomly , but not all life forms have headed to the same direction. The evolution occurred according "the tree of life”.
Speculation:
Big bang has sealed the fate of our future by creating the atom based universe, like all the necessary ingredients were put in a beaker, in a chemical lab, to become the expected ( not randomly) chemical solution.
A life form is the expected result, depending of the time, of the existence and reaction of ingredients in a beaker.
Boulders Beach is a sheltered beach made up of inlets between granite boulders, from which the name originated. It is located on the Cape Peninsula, in Simon's Town in the Western Cape province of South Africa. It is also commonly known as Boulders Bay. It is a popular tourist spot because of a colony of African penguins which settled there in 1982. Boulders Beach forms part of the Table Mountain National Park.
These African penguins are only found on the coastlines of Southern Africa (South Africa and Namibia). These penguins are currently endangered. As a result, the penguins are under the protection of the Cape Nature Conservation.
Although set in a residential area, it is one of the few sites where this vulnerable bird (Spheniscus demersus) can be observed at close range, wandering freely in a protected natural environment. From just two breeding pairs in 1982, the penguin colony has grown to about 3000 birds in recent years. This is partly due to the prohibition of commercial pelagic trawling in False Bay, which has increased the supply of sardines and anchovies, which form part of the penguins' diet. as well as the help from former SANDF naval officer, Van the Penguin Man
Bordered mainly by indigenous bush above the high-water mark on the one side, and the clear water of False Bay on the other, the area comprises several small sheltered bays, partially enclosed by granite boulders that are 540 million years old.
The most popular recreational spot is Boulders Beach, but the penguins are best viewed from Foxy Beach, where newly constructed boardwalks take visitors to within a few metres of the birds. It is also a famous swimming beach, although people are restricted to beaches adjacent to the penguin colony.
Two different forms of transportation momentarily meet as the BHS heads lite to switch Odyssey. The MASSIVE Cargill terminal at the port sets the backdrop for this scene. This may or may not be what I've heard called the "100" Crew. I clearly have a lot to learn about this operation... but that's what makes things fun!