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For my ABC-Along 2008 entries, I am taking two photos for each letter -- one is something that begins with or represents the letter, and one is the letter form itself (this is the letter 'T'); both are things found in nature.
O deputado Sargento Amauri Soares representou a Assembleia Legislativa na solenidade de formatura do Curso de Formação de Sargentos e do Curso de Formação de Soldados, no Centro de Ensino da Polícia Militar, Capital. Fotos: Saulo Almeida Batista
Bandeja verde oscura que tiene forma de corazón. Decorada con una cinta y purpurina, ambas doradas. Con aceite 100% natural de menta. Tamaño: 270 x 240 x 30 mm.
Artesanal.
También en:
Seen here is f. helice.
In about 5% of the population the female takes a pale form, f. helice, which can be confused with Berger's clouded yellow - Colias alfacariensis and the Pale clouded yellow - Colias hyale.
Anish Kapoor in Pitzhanger Manor, optical tricks with mirrors and metal
Anish Kapoor
(March to August 2019)
Within the newly restored gallery, with its three circular skylights, Kapoor’s sculptures challenge our traditional notion of form and space by disorientating the viewer and transforming their surroundings.
These sculptures echo Soane’s complex use of mirrors and light and will enable visitors to Pitzhanger to see Soane’s architecture from a fresh perspective.
[Pitzhanger Manor & Gallery]
Pitzhanger Manor was bought by Sir John Soane (1753-1837) in 1800. He demolished most of George Dance's building but retained the southern extension, replacing the main block with one of his own design. In the same year Soane employed John Haverfield to produce new designs for the grounds which were delivered by September 1800 (guidebook). The new mansion was used to display Soane's art collection and for entertaining, his Lincoln's Inn house being retained as the family residence. By 1809 Soane was only occasionally at Pitzhanger and in June of that year he instructed James Christie to sell the house and the estate. Once again the property passed through a series of owners until, in 1843, it was sold to the politician Spencer Walpole and became the home of his four unmarried sisters-in-law, the daughters of the Rt Hon Spencer Perceval. Prior to the death aged ninety-five of the last-surviving Perceval sister, Frederika, in May 1900, her nephew, Sir Spencer Walpole, had begun negotiations with Ealing District Council for the sale of the house and the estate. The sale negotiations were completed early in January 1900 and, following Miss Perceval's death, alterations were carried out. The then Borough Surveyor, Charles Jones, was responsible for the designs for the alterations to the house and grounds and in April 1902 the building was opened as a public library. At the time of the sale, the property was variously referred to as Manor House Park (Middlesex County Times, 19 May 1900) and Perceval Park (Middlesex County Times, 28 July 1900). The name Walpole Park was adopted after communications between the last owner and Ealing Borough Council towards the end of 1900.
Further major alterations to the library building were completed by 1940 and then, in 1984, the Central Library was moved to new premises in Ealing. The following year a continuing programme of restoration and repair to both the mansion and the grounds began. The restored manor house was reopened as a museum and centre for cultural events in the late 1990s. The grounds continue (2000) in the ownership of the London Borough of Ealing.
[Historic England]
© 2007 Michael Ortega & Associates.
Korona field camera w 135mm Xenor? Came across this view with the guy napping below on the hot cement. Ouch!
It has been a busy term for the 49Women in Science Committee, which was formed five years ago after identifying the need for supports and guidance for young women pursuing a career in STEM. Our fall 2022 student event was held on-campus on October 13. Students had the privilege of listening to guest speaker Dr. Fiona Brinkman, SFU professor in Bioinformatics and head of the Brinkman Lab. She shared her educational and career journey, inspiring those in attendance with what is possible.
Musée mémorial de la bataille de l’Atlantique, situé à la pointe de Pen-Hir, à Camaret-sur-Mer (Finistère). Parmi les ancres exposées sur le chemin, il y a celle du navire britannique Ocean Liberty, qui avait explosé dans le port de Brest en 1947. Il y a aussi l’ancre de l’ancien porte-avions Clemenceau, des cuirassiers Strasbourg et Dunkerque, et celle du cuirassé des Forces navales françaises libres (FNFL), le Courbet.
House for sale in 252 sqw with 3 house 7 bedrooms 9 restrooms, 5 minute form Central Festival at San Sai, Chiang Mai
ขายบ้านหร้อมที่ดิน 252 ตารางวา บ้าน 3 หลังติดกัน รวม 7 นอน 9 น้ำ ไปเซ็นทรัลเฟส 5 นาที อ.สันทราย จังหวัดเชียงใหม่รายละเอียดบ้าน 25 ลบใกล้ โลตัสสาขารวมโชค และมีโชคพลาซ่าไปเซ็นทรัลเฟส 5 นาทีพรอมเมนาดา 10 นาทีแบบบ้านสไตล์รีสอร์ทมี 3 หลังติดกัน รวม 7 นอน 9 น้ำ1 ห้องเก็บเสียง 1 ห้องแม่บ้าน1 ห้องออฟฟิตมีเครื่องล้างจาน 2 ตัวระบบสำรองน้ำ 6000 ลิตรระบบสัญญาณกันขโมยเชื่อมต่อมือถือกล้องวงจรปิดรอบบ้าน 8 ตัวwifi 3BB ตัวส่งสัญญาณ 3 จุดโทรศัพท์ TOTประตูรีโมทจอดรถได้ 8 คันราคา 25 ล้านบาท3 Houses for sale
in land size 252 sqw ( 7 bedrooms, 9 bathrooms)
-Location : Maejo near Tesco Lotus (RaomChok), Meechok Plaza,
about 5 min from Central Festival Chiangmai and 10 min from Promenada
Resort Mall.
- Resort Style
- sound proofed room, maid's room (housekeeper room) and
office room
- 2 dishwashers, water tank (storage about 6000 lite)
- burglar alarm (alarm to mobile), CCTV, Internet Wifi,
remote gate system, parking for 8 cars
- Price 25 M.THB
More Info: www.century21urban.com/listing_detail/index/160
Tel: 053-305040
Email: sales@century21urban.com
Line. c21urban
Facebook: www.facebook.com/pages/Century-21-Urban/599761070118960
Twitter: twitter.com/C21UrbanTH
GPlus: plus.google.com/+Century21urbanThailand
Youtube: www.youtube.com/channel/UC2p9mSTJjGC5zgJduWqlGOQ/
Century21Urban Welcome Corporation Co., Ltd96 Chaiyapoom Road, Changmoi ,Mueang Chiangmai, Chiangmai 50300
The line forms outside the Apple Store for the release of Mac OS X - Leopard. The line grew as it got closer to 6pm - they had 500 shirts to give away, but they still had some left by the time I left after I made my purchase. There was still a good line outside for people waiting to get in. You can see the iPod Nano displays in the window with some big popcorn pieces hanging near them.
Anish Kapoor in Pitzhanger Manor, optical tricks with mirrors and metal
Anish Kapoor
(March to August 2019)
Within the newly restored gallery, with its three circular skylights, Kapoor’s sculptures challenge our traditional notion of form and space by disorientating the viewer and transforming their surroundings.
These sculptures echo Soane’s complex use of mirrors and light and will enable visitors to Pitzhanger to see Soane’s architecture from a fresh perspective.
[Pitzhanger Manor & Gallery]
Pitzhanger Manor was bought by Sir John Soane (1753-1837) in 1800. He demolished most of George Dance's building but retained the southern extension, replacing the main block with one of his own design. In the same year Soane employed John Haverfield to produce new designs for the grounds which were delivered by September 1800 (guidebook). The new mansion was used to display Soane's art collection and for entertaining, his Lincoln's Inn house being retained as the family residence. By 1809 Soane was only occasionally at Pitzhanger and in June of that year he instructed James Christie to sell the house and the estate. Once again the property passed through a series of owners until, in 1843, it was sold to the politician Spencer Walpole and became the home of his four unmarried sisters-in-law, the daughters of the Rt Hon Spencer Perceval. Prior to the death aged ninety-five of the last-surviving Perceval sister, Frederika, in May 1900, her nephew, Sir Spencer Walpole, had begun negotiations with Ealing District Council for the sale of the house and the estate. The sale negotiations were completed early in January 1900 and, following Miss Perceval's death, alterations were carried out. The then Borough Surveyor, Charles Jones, was responsible for the designs for the alterations to the house and grounds and in April 1902 the building was opened as a public library. At the time of the sale, the property was variously referred to as Manor House Park (Middlesex County Times, 19 May 1900) and Perceval Park (Middlesex County Times, 28 July 1900). The name Walpole Park was adopted after communications between the last owner and Ealing Borough Council towards the end of 1900.
Further major alterations to the library building were completed by 1940 and then, in 1984, the Central Library was moved to new premises in Ealing. The following year a continuing programme of restoration and repair to both the mansion and the grounds began. The restored manor house was reopened as a museum and centre for cultural events in the late 1990s. The grounds continue (2000) in the ownership of the London Borough of Ealing.
[Historic England]
Learn more about Tuff Forms playground climbers! mrcrec.com/www/mrc-products/themed-playground-equipment/147
The narrow south window of the apse contains glass reused from the previous church and was presumably its main east window, though seeing as it appears to date from c1830 it can't have been in place for much more than a decade before the church was rebuilt in its present form. The maker is unrecorded but I would suggest an earlier work by either William Warrington or possibly the much more local William Holland. Thirteen narrative panels remain (one is rather cropped to fit in an adjoining clerestorey window) with tracery lights featuring the symbols of the four evanglelists (again split between two windows).
This window was not restored when the main windows were releaded in the 1990s by Norgrove Studios, thus it remains rather dark by comparison given the amount of dirt and the fact that it is also still obscured by an outer layer of quarry glazing (which was removed from the main apse windows when they were restored) which also renders the scenes very difficult to read. It was suggested it should receive the same treatment but funds were not forthcoming (and it was considered a lower priority considering it is barely visible from outside the immediate area of the sanctuary). The glass appears to be in poor structural condition and will require an intervention before long, but with a cathedral-sized church to look after the parish can't be blamed for having other priorities. Chances of a reprieve are slim, especially since this is the only glass from the previous church and will sooner or later be lost if nothing can be done.
All Saints is Leamington Spa's cathedral-like main church, begun in 1843 over the site of a much more modest building. The bulk of the church was completed in the following years by J.C.Jackson, though the west end of the nave and the soaring south west tower were added in 1898-1902 by Sir Arthur Blomfield. It seems a crossing tower was originally intended but only the stump was built, owing to insufficient foundations or funds. Nevertheless a small clock tower with a spire was added off the north transept giving the church a distinctive outline.
The apse and transepts are largely French Gothic in style (an odd choice for a Regency town) with elaborately traceried rose windows based on authentic examples in Rouen (alas without stained glass). The apse windows are amongst the tallest of their kind in an English parish church.
The interior is hugely spacious (if a little gloomy) and can not fail to impress with its cathedral-like ambition and grandeur. The eye is drawn down the nave towards the apse with its three tapering windows while the crossing encloses yet more space in the form of a generous transept with its enormous clear-glazed rose windows and chapels on the east side (an imposing memorial chapel on the south side, and a much more intimate Lady Chapel beneath the organ to the north). The west end of the nave was partitioned off around 1990 in order to form parish rooms with a gallery above.
The church has much glass of the Victorian period, the rich apse windows of 1851 being the work of Chance Bros of Birmingham and in part shown at the great exhibition. They were much improved by restoration in the late 1990s (a project over several years in which I was involved).
All Saints is normally open during the day most days of the week (except Monday) with a small cafe operating at the west end.
While in the building this time, we found a good number of forms on the floor of a room that was full to bursting with huge empty bookcases. These are shipping manifests and similar papers.
I can't figure out how they got there. Someone must have found a bunch of them, hidden somewhere out of the elements, and left them all over the floor.
Rather than see them get ruined sitting out in the open in a room with no windows where water clearly collects in rain, I straightened them up into a stack and took them with me. I have them saved in a folder.
With each passing week Key West Contemporary becomes a little more pleasing to my eye. Every year I go to the Orchid Show at the NYBG as often as possible. Each year I start out with fond memories of the previous year's showing and every year by the final day I claim that this year's show is the best ever.
Forming part of a COP26 Global Day of Action, Extinction Rebellion - who have worked with a puppet production company to create a giant, smoldering koala (name'd Blinky), representing the terror our animals are facing in the climate emergency - led a march through St Kilda's Catani Gardens. It was joined by the Red Rebel Brigade, as well as drummers and musicians.
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