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Ler e Formar Leitores no século XXI – leitura e inclusão foi o tema do II Encontro de Bibliotecas Escolares do Alentejo, que decorreu, durante os dias 3 e 4 de julho, no auditório dos Serviços Comuns do Instituto Politécnico de Beja.
Este evento contou com a organização da Coordenação Interconcelhia da Rede de Bibliotecas Escolares, do Instituto Politécnico de Beja e da Câmara Municipal de Beja - Biblioteca Municipal de Beja José Saramago. Teve por objetivos analisar o contributo das bibliotecas e da formação leitora para o exercício de uma cidadania mais consciente, crítica e responsável, assim como evidenciar o papel educativo e formativo das bibliotecas e da leitura no contexto da organização, estratégias e objetivos curriculares das escolas e da melhoria das aprendizagens. Pretendeu igualmente refletir sobre as problemáticas associadas à função e responsabilidade social das bibliotecas, enquanto fatores de inclusão, igualdade e justiça social, além de perspetivar possibilidades e vias de desenvolvimento das bibliotecas e das políticas de leitura no sentido da sua atualização e adaptação aos desafios e exigências do presente.
Mais reportagens fotográficas em: www.flickr.com/photos/40478366@N08/collections/
38° 00' 46.87''N
7° 52' 22.19''W
Dress Form Mannequin with Arms Floral Striped Fabric Ribbon Rosettes Decoupaged Painted Mint Green Vintage Dried Flowers
www.etsy.com/listing/221804460/dress-form-mannequin-with-...
I can be found here: www.etsy.com/shop/thewhiterabbitstudio?ref=l2-shopheader-...
Thank you for looking.
-Kimberly
Final match between Juan Monaco and John Isner at the 2012 US Men's Clay Championships in Houston, TX.
Dorothy Gillespie 'Colors and Forms in Flight', 1989, Fort Lauderdale/Hollywood International Airport, Fort Lauderdale, Florida
Philip Guston
American, born Canada, 1913-1980
For M.
1955
Oil on canvas
Anonymous gift.
72.21
From the placard: San Francisco Museum of Modern Art
"Architecture enables urban life, yet provides beauty and inspiration."
Original Gallery: www.littalshemerhaim.pics/forms-of-life/
Find more Positive Images by Littal Shemer Haim here: www.littalshemerhaim.pics/
All Rights Reserved.
LSH.300513.5978mp
Sold to me as a form of E.glutinosa, which it almost certainly isn't because that species is deciduous.
Am I right in thinking though that some deciduous trees have evergreen juvenile stages? I'm sure I've seen that somewhere.
It's not flowered yet so that's something to look forward to.
Protesters on an embankment as police form a cordon behind them.
EDO is a company in Brighton who protestors say provide bomb arming and release mechanisms used by Israeli aircraft. The 18th January 2009 saw the end of Operation Cast Lead, the Israeli air and ground offensive against Gazza.
To mark the first anniversary of the operation, Smash EDO called for a demonstration to remember those killed.
The majority of more than 300 protesters attempted to gain access to EDO's premises via woodland, some briefly entering the industrial estate. The remainder of the demonstrators stayed near the Lewes Road reading the names of Palestinians killed in Operation Cast Lead. Both groups then marched to the centre of Brighton.
There were some clashes with police. 5 protesters were reported arrested.
To view in chronological order see www.flickr.com/photos/daniel_c_c/sets/72157623238753886/
For footage by videojournalist Jason Parkinson see jasonnparkinson.blogspot.com/2010/01/smash-edo-brighton-2...
De forma simultánea, el presidente Danilo Medina también entregó el Centro Educativo del Nivel Secundario Estanislao Liberato (Tavito) a la comunidad de Monción, Santiago Rodríguez.
Foto: Luis Ruiz Tito/Presidencia República Dominicana
Enlace noticia:
presidencia.gob.do/noticias/presidente-danilo-medina-entr...
Winning form returns against CIYMS
by Roger Corbett
In this important fixture, it was Bangor who took the victory against CIYMS by 22-5 resulting in the two sides swapping places in the league.
Bangor got the game underway, kicking off into a stiff breeze. Within 3 minutes, Bangor conceded the first penalty of the game, which CIYMS elected to kick for goal, but failed to convert. The Bangor back line looked sharp, with Davy Charles coming in from full back to break the CIYMS line and set up a promising attack. James Henly came close but the CIYMS defence was sound.
The Bangor pack had seen a number of changes as the result of ongoing injury problems, but it performed well in both scrum and lineout set pieces. In fact it was from a lineout after just 9 minutes that the ball was cleanly won and passed quickly to Jason Morgan at out half, who produced another great line to wrong foot the CIYMS defence and ghost in to score under the posts. The conversion was successfully taken by Neil Cuthbertson, putting Bangor into the lead by 7-0.
This gave Bangor the boost they needed, and they continued to dominate play. After a further 6 minutes, from a scrum just inside the CIYMS half, scrum half Craig Harper passed to Morgan who then off-loaded to Mike Aspley in the centre. Although tackled, he managed to get the ball to Phil Whyte who had followed up from propping in the scrum. Drawing the defending tacklers, he then passed to flanker James Henly who burst through to run in unopposed for Bangor’s second try under the posts. Again, the simple kick was converted by Cuthbertson, doubling the lead to 14-0.
CIYMS responded well, using the wind advantage wisely to bring play repeatedly back into Bangor’s territory, but mistakes at crucial periods of play denied them any meaningful scoring opportunities. Bangor, on the other hand, stuck to their plan and continued to apply pressure. This soon forced CIYMS to concede a kickable penalty, which Cuthbertson converted to increase the lead to 17-0 after 23 minutes of play.
However, just 3 minutes later, the referee showed the yellow card to captain Jamie Clegg after he was judged to have deliberately knocked on the ball while defending a CIYMS attack. From the subsequent penalty, CIYMS passed the ball wide to the left and made a push for the line. What looked like a certain try was prevented by great Bangor defending, as they managed to hold the ball up and win the turnover.
Within minutes of Clegg’s return from the sin bin, the circumstances that led to his penalty were repeated, this time by Jason Morgan who similarly was shown the referee’s yellow card. From this penalty, the CIYMS players didn’t make the same mistake as before, and finally managed to touch down for a try in the left hand corner. The difficult kick was missed, but CIYMS were now on the scoreboard, reducing Bangor’s lead to 17-5 as the first half drew to a close.
As the teams turned around and CIYMS got the second half underway, hopes were high that Bangor would build on their first half tries and use the wind to keep their opponents pinned down in their own twenty two. However, it’s fair to say that CIYMS came out the stronger and frustrated Bangor’s attacks, while moving the ball through their backs with more purpose and accuracy.
It was not until 30 minutes had been played that the second half deadlock was broken. From a long CIYMS clearance kick, the ball was safely taken by Harper inside his own half. Two long and quickly made passes, saw the ball move via Jason Morgan to Davy Charles whose pace was too much for the thinly spread CIYMS defence. Running wide, he rounded the final CIYMS players to score on the right hand side. Cuthbertson’s kick was just wide of the posts, but Bangor were now 3 tries to the good, and within sight of another bonus point victory.
However, just 2 minutes later, and with CIYMS moving back into Bangor territory, the game produced another sting for the home side. In his attempt to intercept a long CIYMS pass, he knocked the ball forward and stopped the CIYMS attack. The referee deemed this to be deliberate once again and produced a second yellow card which in turn led to a red card, and Morgan was to take no further part in the game. Stung by this set-back, and with just 8 minutes remaining, Bangor re-grouped and wisely focussed on defending their lead and denying CIYMS any further scoring chances. This they did, and as the final whistle was blown, they could celebrate a return to winning ways, and a return to their previously held 3rd position in the league.
This was an encouraging team performance that should give added confidence as the players now set their sights on the first round of the Towns Cup (next weekend, at home to City of Derry 2nds), followed by a challenging journey to league leaders Clogher Valley in the league afterwards.
Bangor side: P Whyte, A Jackson, J Leary (J Harrison), A Rushe, D Kelly, J Henly, R Latimer, J Clegg (c), C Harper, J Morgan, M Widdowson, M Aspley, C Morgan (G Caughey), N Cuthbertson, D Charles
Subs: J Harrison, G Caughey
Bangor scores: J Morgan (1T), J Henly (1T), D Charles (1T), N Cuthbertson (2C, 1P)
hauled by 66718 MT GBCM SV formed of 8 GATWICK EXPRESS coaches , 72622 72623 72636 72645 72711 72714 72507 72643
Viceministro de MYPE e Industria, Óscar Graham, inaugura la feria #PerúPRODUCE que forma parte de la sede #Culturaymi de los Juegos Panamericamos y Parapanamericanos 2019.
One of a series of new works created for the Lund Quartet to consider for their forthcoming CD: www.lundquartet.com/
Best viewed large on black: www.flickr.com/photos/david_lewis_baker_arts/5644802357/i...
Forms for individual children contain information entered by volunteers who visit to check on their welfare. The assessment forms enable social workers to determine the needs for each child and respond promptly to provide the support required. These forms, known as Form 1A, are entered into a “live” database and then filed.
Anish Kapoor in Pitzhanger Manor, optical tricks with mirrors and metal
Anish Kapoor
(March to August 2019)
Within the newly restored gallery, with its three circular skylights, Kapoor’s sculptures challenge our traditional notion of form and space by disorientating the viewer and transforming their surroundings.
These sculptures echo Soane’s complex use of mirrors and light and will enable visitors to Pitzhanger to see Soane’s architecture from a fresh perspective.
[Pitzhanger Manor & Gallery]
Pitzhanger Manor was bought by Sir John Soane (1753-1837) in 1800. He demolished most of George Dance's building but retained the southern extension, replacing the main block with one of his own design. In the same year Soane employed John Haverfield to produce new designs for the grounds which were delivered by September 1800 (guidebook). The new mansion was used to display Soane's art collection and for entertaining, his Lincoln's Inn house being retained as the family residence. By 1809 Soane was only occasionally at Pitzhanger and in June of that year he instructed James Christie to sell the house and the estate. Once again the property passed through a series of owners until, in 1843, it was sold to the politician Spencer Walpole and became the home of his four unmarried sisters-in-law, the daughters of the Rt Hon Spencer Perceval. Prior to the death aged ninety-five of the last-surviving Perceval sister, Frederika, in May 1900, her nephew, Sir Spencer Walpole, had begun negotiations with Ealing District Council for the sale of the house and the estate. The sale negotiations were completed early in January 1900 and, following Miss Perceval's death, alterations were carried out. The then Borough Surveyor, Charles Jones, was responsible for the designs for the alterations to the house and grounds and in April 1902 the building was opened as a public library. At the time of the sale, the property was variously referred to as Manor House Park (Middlesex County Times, 19 May 1900) and Perceval Park (Middlesex County Times, 28 July 1900). The name Walpole Park was adopted after communications between the last owner and Ealing Borough Council towards the end of 1900.
Further major alterations to the library building were completed by 1940 and then, in 1984, the Central Library was moved to new premises in Ealing. The following year a continuing programme of restoration and repair to both the mansion and the grounds began. The restored manor house was reopened as a museum and centre for cultural events in the late 1990s. The grounds continue (2000) in the ownership of the London Borough of Ealing.
[Historic England]
Anish Kapoor in Pitzhanger Manor, optical tricks with mirrors and metal
Anish Kapoor
(March to August 2019)
Within the newly restored gallery, with its three circular skylights, Kapoor’s sculptures challenge our traditional notion of form and space by disorientating the viewer and transforming their surroundings.
These sculptures echo Soane’s complex use of mirrors and light and will enable visitors to Pitzhanger to see Soane’s architecture from a fresh perspective.
[Pitzhanger Manor & Gallery]
Pitzhanger Manor was bought by Sir John Soane (1753-1837) in 1800. He demolished most of George Dance's building but retained the southern extension, replacing the main block with one of his own design. In the same year Soane employed John Haverfield to produce new designs for the grounds which were delivered by September 1800 (guidebook). The new mansion was used to display Soane's art collection and for entertaining, his Lincoln's Inn house being retained as the family residence. By 1809 Soane was only occasionally at Pitzhanger and in June of that year he instructed James Christie to sell the house and the estate. Once again the property passed through a series of owners until, in 1843, it was sold to the politician Spencer Walpole and became the home of his four unmarried sisters-in-law, the daughters of the Rt Hon Spencer Perceval. Prior to the death aged ninety-five of the last-surviving Perceval sister, Frederika, in May 1900, her nephew, Sir Spencer Walpole, had begun negotiations with Ealing District Council for the sale of the house and the estate. The sale negotiations were completed early in January 1900 and, following Miss Perceval's death, alterations were carried out. The then Borough Surveyor, Charles Jones, was responsible for the designs for the alterations to the house and grounds and in April 1902 the building was opened as a public library. At the time of the sale, the property was variously referred to as Manor House Park (Middlesex County Times, 19 May 1900) and Perceval Park (Middlesex County Times, 28 July 1900). The name Walpole Park was adopted after communications between the last owner and Ealing Borough Council towards the end of 1900.
Further major alterations to the library building were completed by 1940 and then, in 1984, the Central Library was moved to new premises in Ealing. The following year a continuing programme of restoration and repair to both the mansion and the grounds began. The restored manor house was reopened as a museum and centre for cultural events in the late 1990s. The grounds continue (2000) in the ownership of the London Borough of Ealing.
[Historic England]
Anish Kapoor in Pitzhanger Manor, optical tricks with mirrors and metal
Anish Kapoor
(March to August 2019)
Within the newly restored gallery, with its three circular skylights, Kapoor’s sculptures challenge our traditional notion of form and space by disorientating the viewer and transforming their surroundings.
These sculptures echo Soane’s complex use of mirrors and light and will enable visitors to Pitzhanger to see Soane’s architecture from a fresh perspective.
[Pitzhanger Manor & Gallery]
Pitzhanger Manor was bought by Sir John Soane (1753-1837) in 1800. He demolished most of George Dance's building but retained the southern extension, replacing the main block with one of his own design. In the same year Soane employed John Haverfield to produce new designs for the grounds which were delivered by September 1800 (guidebook). The new mansion was used to display Soane's art collection and for entertaining, his Lincoln's Inn house being retained as the family residence. By 1809 Soane was only occasionally at Pitzhanger and in June of that year he instructed James Christie to sell the house and the estate. Once again the property passed through a series of owners until, in 1843, it was sold to the politician Spencer Walpole and became the home of his four unmarried sisters-in-law, the daughters of the Rt Hon Spencer Perceval. Prior to the death aged ninety-five of the last-surviving Perceval sister, Frederika, in May 1900, her nephew, Sir Spencer Walpole, had begun negotiations with Ealing District Council for the sale of the house and the estate. The sale negotiations were completed early in January 1900 and, following Miss Perceval's death, alterations were carried out. The then Borough Surveyor, Charles Jones, was responsible for the designs for the alterations to the house and grounds and in April 1902 the building was opened as a public library. At the time of the sale, the property was variously referred to as Manor House Park (Middlesex County Times, 19 May 1900) and Perceval Park (Middlesex County Times, 28 July 1900). The name Walpole Park was adopted after communications between the last owner and Ealing Borough Council towards the end of 1900.
Further major alterations to the library building were completed by 1940 and then, in 1984, the Central Library was moved to new premises in Ealing. The following year a continuing programme of restoration and repair to both the mansion and the grounds began. The restored manor house was reopened as a museum and centre for cultural events in the late 1990s. The grounds continue (2000) in the ownership of the London Borough of Ealing.
[Historic England]
This image forms part of the digitised photographs of the Ross and Pat Craig Collection. Ross Craig (1926-2012) was a local historian born in Stockton and dedicated much of his life promoting and conserving the history of Stockton, NSW. He possessed a wealth of knowledge about the suburb and was a founding member of the Stockton Historical Society and co-editor of its magazine. Pat Craig supported her husband’s passion for history, and together they made a great contribution to the Stockton and Newcastle communities. We thank the Craig Family and Stockton Historical Society who have kindly given Cultural Collections at the University of Newcastle, NSW, Australia, access to the collection and allowed us to publish the images. Thanks also to Vera Deacon for her liaison in attaining this important collection.
Please contact Cultural Collections at the University of Newcastle, NSW, Australia, if you are the subject of the image, or know the subject of the image, and have cultural or other reservations about the image being displayed on this website and would like to discuss this with us.
Some of the images were scanned from original photographs in the collection held at Cultural Collections, other images were already digitised with no provenance recorded.
You are welcome to freely use the images for study and personal research purposes. Please acknowledge as “Courtesy of the Ross and Pat Craig Collection, University of Newcastle (Australia)" For commercial requests please consider making a donation to the Vera Deacon Regional History Fund.
These images are provided free of charge to the global community thanks to the generosity of the Vera Deacon Regional History Fund. If you wish to donate to the Vera Deacon Fund please download a form here: uoncc.wordpress.com/vera-deacon-fund/
If you have any further information on the photographs, please leave a comment.
www.tonyearchem.com/polyaluminium-chloride-for-municipal-...
Polyaluminium chloride(PAC) is a kind of water purification materials, inorganic polymer coagulant. According to its form, it can be classified as: solid and liquid form. The solid form has the yellow or dark yellow color, dark brown, dark gray resin-like color. The liquid presented as a colorless, transparent, slightly yellow, light yellow to brown color. PAC in the application of different colors and production technology also has difference a kind of highly effective water purification, which is wildly used in the purification of drinking water, industry water, industry circulation water and wasted and polluted water from pharmacy industry, paper making industry and printing and dying industry, as well as life wasted water.
Technical Literature
Polyaluminium chloride (PAC) for drinking water treatment (non-Fe)
Test Items
Specification
Aluminum Oxide(AL2O3)
28-30% min
Basicity
40-90%
PH value 1% aqueous solution
3-5
Water insoluble matter
0.6% max
As Content
0.0002% max
Cd Content
0.0002% max
Cr6+ Content
0.0005% max
Pb Content
0.001% max
Hg Content
0.00001% max
Fe Content
Non
Test Items
Specification
Aluminum Oxide(AL2O3)
28 min
Basicity
30-90%
PH value 1% aqueous solution
3.0-5.0
Water insoluble matter
1.5% max
Fe Content
5% max
As Content
0.0015% max
Pb Content
0.006% max
Polyaluminium chloride (PAC) for waste water treatment
Applications
Urban drainage purification: river water, reservoir water, groundwater.
Municipal Wastewater Treatment
Industrial wastewater treatment: dyeing wastewater, leather wastewater, wastewater containing fluoride, heavy metal waste water, wastewater, wastewater, coal washing wastewater, mine drainage, brewing wastewater, metallurgy wastewater, meat processing wastewater, sewage treatment.
Industrial wastewater and waste metal materials recycling
Packages & Delivery:
PAC for drinking water: 25KG net weight woven bags, 20-22MT per 20 feet container loading.
PAC for industrial water: 25KG net weight woven bags, 25MT max per 20 feet container loading.
PAC Powder Polyaluminium Chloride for Municipal Sewage Treatment
Polyaluminum chloride is a water purification material, an inorganic polymer coagulant, and a polymer with a relatively large molecular weight and a relatively high charge of inorganic polymer produced by the bridge action of hydroxyl ions and the polymerization of polyvalent anions. Pharmacy. In form, it can be divided into two kinds: solid and liquid. The solids are divided into brown, beige, golden yellow and white according to different colors, and the liquid can be represented as colorless, transparent, yellowish, light yellow to yellow-brown.
The polyaluminum chloride having a content of aluminum oxide between 27 and 30 is mostly khaki-yellow yellow solid powder. These types of polyaluminum chlorides have relatively good water solubility, and in the course of dissolution, physicochemical changes such as electrochemical, agglomeration, adsorption, and precipitation eventually lead to [Al2(OH)3(OH)3] precipitation, thereby achieving the purpose of purification. In the use of polyaluminum chloride, without the need for other additives, floe formation is fast and thick, high activity, rapid precipitation, and a clear effect on high turbidity water purification.
The raw material of the yellow polyaluminum chloride is calcium aluminate powder, hydrochloric acid, bauxite, mainly used for sewage treatment and drinking water treatment, if the raw material for drinking water treatment is aluminum hydroxide powder, hydrochloric acid, and slightly calcium aluminate Powder, plate and frame pressure filtration processes or spray drying processes have strict requirements on heavy metals in the drinking water treatment countries, so both raw materials and production processes are better than tan PACs.
The raw materials for the tan aluminum polyaluminum chloride are calcium aluminate powder, hydrochloric acid, bauxite and iron powder. It is mainly used for sewage treatment because it contains iron powder so the color is tan. The more iron powder is added, the darker it is. If the iron powder exceeds a certain amount, it is sometimes called polyaluminum chloride iron. , has excellent results in the treatment of sewage.
Concentration ratio method:
1. According to the situation of raw water, do a small test before using to obtain the best dose. Small test solution configuration by weight ratio (W / W), generally 2-5% with good. Assembled with 3% solution: said polyaluminum chloride PAC solid 3g, into a 200ml measuring cylinder, add about 50ml of water, to be dissolved and then diluted with water to 100ml scale, shake it.
2. When producing polyaluminum chloride PAC for production, mix and dissolve according to polyaluminum chloride PAC solid: water=1:9 to 1:15 weight ratio. Solutions with a content of alumina less than 1% are prone to hydrolysis and can reduce the effect of use. Concentrations are too high to be easily added evenly.
3. Dosing according to the best dosing amount obtained by small test. For example, if sedimentation tanks are found to be less, if there are large amounts of turbidity, the dosage will be too small. If the sedimentation tank is large and upturned and the remaining turbidity is high, the amount of dosing is too large and adjustments should be made.
Polyaluminium chloride use method:
After the solid product is dissolved in water at 1:3, it is used as a liquid, diluted with 10-30 times of fresh water to a desired concentration. The optimal PH value for the dosing is 3.5-5.0, and the best PH value is added to maximize the benefits of coagulation. The dosage can be determined according to the different turbidity of the raw water, and the best dosage is determined. When the raw water turbidity is 100-500mg/L, the dosage per kiloton is 10-20kg. When the turbidity of the raw water is high, the dosage is appropriately increased, and when the turbidity is low, the dosage can be appropriately reduced.
The dosage of polyaluminum chloride in different water quality:
First, in low turbidity water, the solid polyaluminum chloride product is diluted 1:3 (weight ratio) plus tap water and stirred until completely dissolved.
Second, in the life and production use of sewage, with reference to each ton of sewage before adding about 30g of polyaluminum chloride products. Then add the diluted polyacrylamide product (if the effect is not obvious, please reduce or increase the product dosage as appropriate).
For my ABC-Along 2008 entries, I am taking two photos for each letter -- one is something that begins with or represents the letter, and one is the letter form itself (this is the letter 'T'); both are things found in nature.
O deputado Sargento Amauri Soares representou a Assembleia Legislativa na solenidade de formatura do Curso de Formação de Sargentos e do Curso de Formação de Soldados, no Centro de Ensino da Polícia Militar, Capital. Fotos: Saulo Almeida Batista
Skiers wait to make their way to the start of the run down the Vallee Blanche, from the Aiguille du Midi back to Chamonix.