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Formé à Helsinki en 1997, FINNTROLL propose un style folklorique combiné à des sonorités variant du Death Metal au Black Metal. Les titres revisitent contes et légendes finnoises entourant le roi troll fictif « Rivfader » et les trolls combattant contre l'invasion chrétienne de leurs terres afin de répandre leurs croyances.
Originaire du Danemark, HATESPHERE évolue dans un Death Thrash tranchant reconnaissable dès les premières notes. Outre ses guitares énervées, solos et batterie martelante, le quintette se démarque avec ses performances live saluées par de nombreux magazines spécialisés, au point d’être consacré Meilleur Groupe Live au Danemark à l'occasion des Metal Awards.
Groupe de Death n’ Roll finlandais, PROFANE OMEN voit le jour en 1999. Après plusieurs démos sorties entre 2000 et 2004, le combo divulgue sont premier album « Beaten into Submission » en 2006, album qui combine des titres agressifs aux riffs groovy et passages allant du Thrash au Death Metal mélodique. En 2007 le groupe est nominé comme « Nouveau venu de l’Année » aux Finnish Metal Awards. Depuis les Finnois ont donné naissance à 3 nouveaux albums studio, dont le dernier « Reset » est sorti en Mars 2014.
Tutti i vestiti nella foto sono stati confezionati da Inika ♥ e sono il risultato di un giorno di shopping al "Bambole a Roma" ^.^
From the Oct 1, 2008 Glens Falls, NY, Post Star Newspaper feature article about me making breads using sourdough cultures. In this photo I am forming a round loaf.
Madison, Ireland mission trip, collects information to form discipleship groups for the Ireland team.
Toma sin recortar:
Lente 50mm de forma inversa con adaptador puesto en lente 18-55mm y como luz Flash 430EX II con OringFlash..
Modelo: arañita encontrada en casa.
La Malaisie, en forme longue la Fédération de Malaisie, en malais Malaysia, مليسيا, est un pays d'Asie du Sud-Est, constitué de la Malaisie péninsulaire ou Malaisie occidentale (péninsule Malaise) et de la Malaisie orientale (nord de Bornéo). Elle est située à environ 200 km au nord de l'équateur. Sa capitale est Kuala Lumpur et sa superficie est égale à 329 750 km2.
Le pays est composé de deux régions distinctes :
* La Malaisie occidentale ou Malaisie péninsulaire (au sud de la Thaïlande) est divisée du Nord au Sud par une longue chaîne montagneuse dont le point culminant se situe à 2189 m (Mont Tahan) et où subsistent de vastes zones forestières. La côte Ouest est marécageuse et plate, la côte Est est, au contraire, composée de longues plages de sable. Les cultures et plantations sont d'abord situées le long des plaines côtières. Le Nord du pays (Perlis et Kedah) est considéré comme le grenier à riz du pays.
* La Malaisie orientale est composée des territoires du Sarawak et du Sabah et située au Nord de l'Indonésie (Bornéo). Cette partie représente 15 % de la population sur 60 % du territoire. Elle est essentiellement composée de forêts tropicales humides et d'un relief assez élevé (mont Kinabalu, 4100 m).
La Malaisie partage ses frontières terrestres avec le Brunei (381 km), l'Indonésie (1178 km) et la Thaïlande (506 km), et dispose de 4675 km de côtes. Elle est également reliée à Singapour par deux ponts traversant le détroit de Johor.
L'utilisation du nom de « Malaisie » pour désigner la péninsule Malaise est récente. Ce nom est la francisation de Malaya dans l'expression « British Malaya » (Malaisie britannique) de laquelle les Anglais désignaient, à partir de la fin du XIXe siècle, les territoires qu'ils contrôlaient sur la péninsule.
Jusqu'en 1912, le nom de « Fédération de Malaisie » ne s'appliquait qu'à l'entité créée en 1946-48 par les Britanniques et devenue indépendante en 1957, « l'Union malaise » (Malayan Union). Celle-ci regroupait, dans la péninsule Malaise, les États malais, qui avaient auparavant le statut de protectorats, et les Strait Settlements, c'est-à-dire les colonies de Malacca, Penang et Singapour.
Lorsque les territoires britanniques de Bornéo, Sabah (British North Borneo) et Sarawak deviennent indépendants en 1963 et acceptent de rejoindre la Malaisie, la nouvelle entité est baptisée du néologisme de « Malaysia ».
En français, « Malaisie » avait à l'origine un autre sens. En 1831, Jules Dumont d'Urville proposait à la Société de géographie de Paris une organisation de l'Océanie en quatre parties :
* la Polynésie (« les nombreuses îles »),
* la Mélanésie (« les îles noires »),
* la Micronésie (« les petites îles ») et
* la Malaisie.
Par ce dernier nom, Dumont d'Urville entendait une région regroupant l'Indonésie, la Malaisie et les Philippines actuelles. À l'époque en effet, on considérait que les habitants de cette région pouvaient être désignés par le terme englobant de « Malais ».
Au sens strict du terme, les Malais sont les populations qui parlent la langue malaise et qui habitent le littoral oriental de l'île de Sumatra, les îles Riau, la péninsule Malaise et le littoral de l'île de Bornéo.
Le traité de Londres de 1824 entre Anglais et Hollandais se traduira par un partage en deux de ce monde malais. On ne saurait donc identifier celui-ci à la seule Malaisie.
Pour éviter la confusion, on utilise le gentilé « malaisien » pour désigner ce qui relève de la Malaisie comme État, le mot « malais » désignant ce qui relève de la langue, de la culture, de l'ethnie, et couvrant donc un territoire plus vaste. Ainsi, l'expression « monde malais » au sens strict désigne l'aire géographique habitée par les Malais et décrite plus haut.
L'État du Pahang est le plus grand de la Malaisie péninsulaire avec 35964 km². Sa capitale est la ville de Kuantan, située sur la côte est de la mer de Chine méridionale.
Sources : wikipedia
My good buddy, Alan Cressler, and I recently visited a remote site in Clay County, Alabama for an Alabama endemic, Spigelia marilandica "candy-stripe" form. The common name for the species is Indian Pink. There are only two sites for this rare, unusually colored form, and they are both in Alabama.
For a discussion of the varied forms of this species which I've had the privilege to photograph, please go to Jim's Blog.
Musée National de l’Automobile, Mulhouse 2024
This Replica was made of remaining original parts and resembles the first body used on chassis #41111 as ordered by Armand Esders (industrialist). The original didn't have any headlights, as Esders didn't drive it by night. Wonderful ancient logic!
#41111 received a new Coupé de Ville body by Binder in 1938-39, very similar to the Coupé Napoléon, but a bit less intriguing as its passenger cabin is higher. It is owned by the Volkswagen AG.
We tested out a new (old) manufacturing technology in the Jocelyn H. Lee Innovation Lab - vacuum forming! We fabricated a platen and frame using the laser cutter, then used a toaster oven and a shop-vac to complete the process. Participants were able to vacuum-form a range of shapes out of plastic plates to use as candy molds or decorative artwork! Special thanks to the volunteers who helped make this project a success.
Learn more about Tuff Forms playground climbers! mrcrec.com/www/mrc-products/themed-playground-equipment/147
Forma una parte del Cárcamo de Dolores, diseñado por Diego Rivera/Part of the Cárcamo de Dolores, designed by Diego Rivera
This image forms part of the digitised photographs of the Ross and Pat Craig Collection. Ross Craig (1926-2012) was a local historian born in Stockton and dedicated much of his life promoting and conserving the history of Stockton, NSW. He possessed a wealth of knowledge about the suburb and was a founding member of the Stockton Historical Society and co-editor of its magazine. Pat Craig supported her husbandâs passion for history, and together they made a great contribution to the Stockton and Newcastle communities. We thank the Craig Family and Stockton Historical Society who have kindly given Cultural Collections at the University of Newcastle, NSW, Australia, access to the collection and allowed us to publish the images. Thanks also to Vera Deacon for her liaison in attaining this important collection.
Please contact Cultural Collections at the University of Newcastle, NSW, Australia, if you are the subject of the image, or know the subject of the image, and have cultural or other reservations about the image being displayed on this website and would like to discuss this with us.
Some of the images were scanned from original photographs in the collection held at Cultural Collections, other images were already digitised with no provenance recorded.
You are welcome to freely use the images for study and personal research purposes. Please acknowledge as âCourtesy of the Ross and Pat Craig Collection, University of Newcastle (Australia)" For commercial requests please consider making a donation to the Vera Deacon Regional History Fund.
These images are provided free of charge to the global community thanks to the generosity of the Vera Deacon Regional History Fund. If you wish to donate to the Vera Deacon Fund please download a form here: uoncc.wordpress.com/vera-deacon-fund/
If you have any further information on the photographs, please leave a comment.
Learn more about Tuff Forms playground climbers! mrcrec.com/www/mrc-products/themed-playground-equipment/147
A rosa (Rosa spp) é uma das flores mais populares no mundo, cultivada desde a Antiguidade. A primeira rosa cresceu nos jardins asiáticos há 5 000 anos. Na sua forma selvagem, a flor é ainda mais antiga. Fósseis dessas rosas datam de há 35 milhões de anos.
Cientificamente, as rosas pertencem à família Rosaceae e ao gênero Rosa L., com mais de 100 espécies, e milhares de variedades, híbridos e cultivares. São arbustos ou trepadeiras, providos de acúleos. As folhas são simples, partidas em 5 ou 7 lóbulos de bordos denteados. As flores, na maior parte das vezes, são solitárias. Apresentam originalmente 5 pétalas, muitos estames e um ovário ínfero. Os frutos são pequenos, normalmente vermelhos, algumas vezes comestíveis.
Atualmente, as rosas cultivadas estão disponíveis em uma variedade imensa de formas, tanto no aspecto vegetativo como no aspecto floral. As flores, particularmente, sofreram modificações através de cruzamentos realizados ao longo dos séculos para que adquirissem suas características mais conhecidas: muitas pétalas, forte aroma e cores das mais variadas.
As rosas e o seu simbolismo
Rosas: o secretismo (sub rosa), e, de certa forma, um símbolo pagão, ligado muitas vezes a segredos escondidos da igreja durante a Idade Média. A cada cor está associado um significado diferente, alguns desses significados estão listados em baixo:
Rosas Amarelas: amor por alguém que está a morrer ou um amor platónico... ou... amizade
Rosas Azuis: verdadeiro amor eterno, raro, forte, que nunca se abala ou descolore, em algumas culturas ela tradicionalmente significa mistério ou a busca _ ou o alcance do impossível
Rosas Brancas: reverência, segredo, inocência, pureza e paz
Rosas Champanhe: admiração, simpatia
Rosas Coloridas em tons claros: amizade e solidariedade
Rosas Coloridas, predominando as vermelhas: amor, paixão e felicidade
Rosas Cor-de-rosa: gratidão, agradecimento, o feminino (muitas vezes aparece simbolizando o útero em algumas culturas, como o gineceu está para a cultura ocidental - ver cor-de-rosa)
Rosas Vermelhas: paixão, amor, respeito, adoração
Rosas Vermelhas com Amarelas: felicidade
Rosas Vermelhas com Brancas: harmonia, unidade
Rosas Laranjas: entusiasmo e desejo
Rosas Vermelhas bordeaux: beleza inconsciente
Rosas Azuis: confiança, reserva, harmonia e afeto
Rosas Verdes: esperança, descanso da juventude e equilíbrio
Rosas Violetas: calma, auto-controle, dignidade e aristocracia
Rosas Pretas: separação, tristeza e morte
Rosas Cinzentas: desconsolo, aborrecimento e velhice
Fonte:http://pt.wikipedia.org/wiki/Rosa
150105 formed of 52105 and 57105 is seen at New Street. This is one of only 3 left with London midland, and 150109 had departed down the Derby tunnel 5 minutes before running empty to Tyseley. 150107 is the other unit left working with London Midland.
The melanistic form predominates on nearby Vancouver Island. Both forms occur here. Whatcom Falls Park, Bellingham, WA.
© 2016 Andrew A Reding. Comments (including corrections) invited. Photographed RAW, so customizable. Photos are reduced; check my profile page for information on use of full-size originals.
Exposición permanente
Forma la colección permanente un numeroso conjunto de piezas (más de siete mil, sin contar libros, documentos y fotografías), de lo que se expone aproximadamente un cincuenta por ciento, que se agrupa en cuatro grandes áreas: Biología marina, Carpintería de ribera, Pesca tradicional e Historia de la navegación. Hagamos una breve descripción de sus contenidos.
Biología marina
El área de Biología marina sirve como una introducción al medio marino, y está formada por una amplia muestra de flora y fauna marinas, que abarca desde los tiempos prehistóricos (representados por numerosos especímenes fósiles), hasta los peces vivos que evolucionan en unos pequeños acuarios. Hay una espléndida colección de malacología, con bellos ejemplares que sorprenden por su brillo y colorido, y también crustáceos, corales, esponjas, aves que habitan los acantilados,..
Carpintería de ribera
La Carpintería de ribera puede considerarse uno de los puntos fuertes del Museo, pues hace honor a la importancia secular que tuvo en Luanco, donde se construyeron innumerables embarcaciones para todos los puertos del Cantábrico. Se ubica en la nave central del Museo, donde se ha reconstruido el casetón de un astillero, formado con elementos auténticos de antiguos talleres: herramientas, plantillas, gálibos, vagras, piezas de madera.
Pesca tradicional
El área de Pesca tradicionalestá próxima a la de Carpintería de ribera, compartiendo con ella la nave central, ya que entre ambas existe una obvia relación de complementariedad. Conforma esta sección una gran variedad de artes y aparejos de pesca -redes de abareque, volanta, palangres, caceas, cales, nasas, cedazos, trueles, fisgas, poteras,...-, clasificadas según las especies a capturar, todas del entorno del Mar Cantábrico -bonito, congrio, lubina, xarda, palometa, merluza, besugo, pulpo, angula...
Historia de la navegación
La sección de Historia de la navegación ocupa la segunda planta y en ella se hace un recorrido por la evolución de la tipología de los buques, con la exhibición de casi un centenar de maquetas elaboradas con todo detalle. Desde la remota Antigüedad hasta la actualidad, se pueden ver barcos egipcios, fenicios, griegos, romanos, vikingos, que dan paso al desarrollo de la vela con la carabela portuguesa, el galeón español, los espectaculares navíos de gran aparejo y los rápidos clipers, para desembocar en los barcos de vapor y después en los de motor.
Spectators enjoy late summer sunshine at Highfield, home to Fulwood & Broughton Cricket Club. Note the mural. Captured during the closing stages of a Tommy Wilson Trophy T20 final clash with Northern Premier League rivals Netherfield.
The Kendal-based visitors pipped Fulwood & Broughton in a low-scoring thriller that went to the last ball. Needing one to tie and two to win, with one wicket remaining, the hosts completed a single but suffered a runout going for the second. Having lost fewer wickets, Netherfield were able to celebrate. Some felt ‘super overs’ should have been used to determine the winner.
A difficult wicket and a damp outfield ensured both teams had trouble putting runs on the board - despite Highfield being a relatively small ground. With bowlers in command, each team managed only one six. Fours were in short supply, too. Netherfield were 50-3 after 10 overs then 66-4 after 15.
At tea, few would have put money on a Netherfield win. However, Fulwood & Broughton lost two wickets, before scoring a run, in the first over. Game on! The hosts were 49-3 after 10 overs then 67-5 after 15. Twenty-five was needed from the last 18 balls then 13 off the final over. A valiant effort, late in the game, gave Fulwood & Broughton a sniff of the cup but they fell agonisingly short.
Match statistics
Fulwood & Broughton versus Netherfield
Northern Premier League, Tommy Wilson Trophy, Final (20 over match, 2pm start)
Admission: free. Programmes: none. Attendance: 245. Netherfield won the toss and elected to bat. Netherfield 97-6 off 20 overs (Josh Dixon 21, Old Wileman 20, Dominic Jackson 3-16, Matthew Hurst 2-14) tied with Fulwood & Broughton 97 off 20 overs (Matthew Smith 34, Matthew Newby 27, Samuel Medhurst 5-17, Old Wileman 2-12). Netherfield won because they lost fewer wickets. Umpires: Adrian Darlington and Hillal Namajee.
Acherontia atropos brown form
Please support my work on Patreon! I'm an independent entomologist that studies moths: www.patreon.com/BartButterflies
This hollow form of fine silver was created by wrapping layers of silver and painting liquid silver in layer upon layer before firing in the kiln. As a final touch, a fine silver wire was painted with liquid silver and formed into the bail before one last firing. Beautiful!
Winning form returns against CIYMS
by Roger Corbett
In this important fixture, it was Bangor who took the victory against CIYMS by 22-5 resulting in the two sides swapping places in the league.
Bangor got the game underway, kicking off into a stiff breeze. Within 3 minutes, Bangor conceded the first penalty of the game, which CIYMS elected to kick for goal, but failed to convert. The Bangor back line looked sharp, with Davy Charles coming in from full back to break the CIYMS line and set up a promising attack. James Henly came close but the CIYMS defence was sound.
The Bangor pack had seen a number of changes as the result of ongoing injury problems, but it performed well in both scrum and lineout set pieces. In fact it was from a lineout after just 9 minutes that the ball was cleanly won and passed quickly to Jason Morgan at out half, who produced another great line to wrong foot the CIYMS defence and ghost in to score under the posts. The conversion was successfully taken by Neil Cuthbertson, putting Bangor into the lead by 7-0.
This gave Bangor the boost they needed, and they continued to dominate play. After a further 6 minutes, from a scrum just inside the CIYMS half, scrum half Craig Harper passed to Morgan who then off-loaded to Mike Aspley in the centre. Although tackled, he managed to get the ball to Phil Whyte who had followed up from propping in the scrum. Drawing the defending tacklers, he then passed to flanker James Henly who burst through to run in unopposed for Bangor’s second try under the posts. Again, the simple kick was converted by Cuthbertson, doubling the lead to 14-0.
CIYMS responded well, using the wind advantage wisely to bring play repeatedly back into Bangor’s territory, but mistakes at crucial periods of play denied them any meaningful scoring opportunities. Bangor, on the other hand, stuck to their plan and continued to apply pressure. This soon forced CIYMS to concede a kickable penalty, which Cuthbertson converted to increase the lead to 17-0 after 23 minutes of play.
However, just 3 minutes later, the referee showed the yellow card to captain Jamie Clegg after he was judged to have deliberately knocked on the ball while defending a CIYMS attack. From the subsequent penalty, CIYMS passed the ball wide to the left and made a push for the line. What looked like a certain try was prevented by great Bangor defending, as they managed to hold the ball up and win the turnover.
Within minutes of Clegg’s return from the sin bin, the circumstances that led to his penalty were repeated, this time by Jason Morgan who similarly was shown the referee’s yellow card. From this penalty, the CIYMS players didn’t make the same mistake as before, and finally managed to touch down for a try in the left hand corner. The difficult kick was missed, but CIYMS were now on the scoreboard, reducing Bangor’s lead to 17-5 as the first half drew to a close.
As the teams turned around and CIYMS got the second half underway, hopes were high that Bangor would build on their first half tries and use the wind to keep their opponents pinned down in their own twenty two. However, it’s fair to say that CIYMS came out the stronger and frustrated Bangor’s attacks, while moving the ball through their backs with more purpose and accuracy.
It was not until 30 minutes had been played that the second half deadlock was broken. From a long CIYMS clearance kick, the ball was safely taken by Harper inside his own half. Two long and quickly made passes, saw the ball move via Jason Morgan to Davy Charles whose pace was too much for the thinly spread CIYMS defence. Running wide, he rounded the final CIYMS players to score on the right hand side. Cuthbertson’s kick was just wide of the posts, but Bangor were now 3 tries to the good, and within sight of another bonus point victory.
However, just 2 minutes later, and with CIYMS moving back into Bangor territory, the game produced another sting for the home side. In his attempt to intercept a long CIYMS pass, he knocked the ball forward and stopped the CIYMS attack. The referee deemed this to be deliberate once again and produced a second yellow card which in turn led to a red card, and Morgan was to take no further part in the game. Stung by this set-back, and with just 8 minutes remaining, Bangor re-grouped and wisely focussed on defending their lead and denying CIYMS any further scoring chances. This they did, and as the final whistle was blown, they could celebrate a return to winning ways, and a return to their previously held 3rd position in the league.
This was an encouraging team performance that should give added confidence as the players now set their sights on the first round of the Towns Cup (next weekend, at home to City of Derry 2nds), followed by a challenging journey to league leaders Clogher Valley in the league afterwards.
Bangor side: P Whyte, A Jackson, J Leary (J Harrison), A Rushe, D Kelly, J Henly, R Latimer, J Clegg (c), C Harper, J Morgan, M Widdowson, M Aspley, C Morgan (G Caughey), N Cuthbertson, D Charles
Subs: J Harrison, G Caughey
Bangor scores: J Morgan (1T), J Henly (1T), D Charles (1T), N Cuthbertson (2C, 1P)
Learn more about Tuff Forms playground climbers! mrcrec.com/www/mrc-products/themed-playground-equipment/147
former legislative chamber
Palacio de Gobierno
Guadalajara, Jal.
Mural by Jose Clemente Orozco
103_1974
Go to Page with image in the Internet Archive
Title: The natural history of plants : their forms, growth, reproduction, and distribution
Creator: Kerner von Marilaun, Anton, 1831-1898
Creator: Oliver, F. W. (Francis Wall), 1864-1951
Creator: Macdonald, M. F. (Mary Frances)
Creator: Busk, Marian, Lady
Creator: Royal College of Physicians of Edinburgh
Publisher: London : Blackie
Sponsor: Jisc and Wellcome Library
Contributor: Royal College of Physicians in Edinburgh
Date: 1895
Language: eng
Description: This material has been provided by the Royal College of Physicians of Edinburgh. The original may be consulted at the Royal College of Physicians of Edinburgh
Royal College of Physicians of Edinburgh
If you have questions concerning reproductions, please contact the Contributing Library.
Note: The colors, contrast and appearance of these illustrations are unlikely to be true to life. They are derived from scanned images that have been enhanced for machine interpretation and have been altered from their originals.
Read/Download from the Internet Archive