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This three-pane panoramic image covers a uniquely beautiful part of the constellation Scorpius from the Cat’s Paw and War and Peace nebulae to the beautiful Ptolemy Star Cluster. This part of the night sky covers roughly 9 x 5 degrees, for reference the full moon is about half a degree in width.
The glowing red nebulae in this area to the right are is the aptly named Cat's Paw Nebula and the War and Peace Nebula. The Cat's Paw Nebula, an emission nebula and active star forming area located about 5,500 light years distant and bears a striking resemblance to a cat’s paw. The War and Peace Nebula also called the Lobster Nebula is also an emission nebula that contains proto-stars forming in the clouds of gas and dust that lie within this area. Also, in the War in Peace Nebula is the open cluster Pismis 24 which contains some of the more massive stars known, some of them approaching 100x the mass of our Sun.
As you move to the left in this image you'll notice the bright clouds of the Milky Way and dark dust lanes that are highlighted by two bright blueish stars at the bottom Shaula on the left and Lesath to the right, Shaula the second brightest star in the constellation Scorpius is relatively close to Earth and very bright at about 10,000 times the luminosity of the Sun which is why it shines at a 1.62 magnitude in our night sky. As you move further to the left there are two orange/yellow points of light, one is the star HR 6630 a close star to our solar system at around 126 light years away, and to the left of it is a much farther away Globular Cluster NGC6441 which is about 38,000 light years away!
Then finally once you head up to the top left of this image the very beautiful Ptolemy cluster shines with stars blue and golden in color. This open star cluster is visible to the naked eye and gets its name from Ptolemy who mentioned it around 130 AD when he described it as a, 'little cloud following the stinger of Scorpius.' The Ptolemy Cluster is about 1.3 degrees across in our night sky and has an actual diameter of 18-25 light years. It contains about 80 stars and being only 800-1000 light years distant they appear very bright in our night sky.
Cat's Paw Nebula on APOD: apod.nasa.gov/apod/ap170913.html
War and Peace Nebula wiki: en.wikipedia.org/wiki/NGC_6357
Shaula wiki: en.wikipedia.org/wiki/Lambda_Scorpii
NGC 6441 wiki: en.wikipedia.org/wiki/NGC_6441
Ptolemy Cluster from Universe Today: www.universetoday.com/31228/messier-7/
Technical Info:
~10x240" three-panel mosaic at 1600ISO
10x Dark
10x Flats
20x Bias
Camera: Canon 6D Hutech UV/IR Mod
Telescope: William Optics Star 71 Astrograph
Reveal Focus Filter by David Lane
Mount: Celestron Advanced VX
Guide Scope: Orion Mag Mini With SSAG
Capture Software: Backyard EOS
Stacking: Deep Sky Stacker
Processing: Photoshop CC, PixInsight
Date: 7/4/2019 PDT
Location: Los Padres National Forest, CA
Vandaag reed De Ex NS 466 van Stichting De Karel een extra rit ter ere van de tien jarige samenwerking van RTB-Cargo en Hutchison Ports. De rit ging op eigen kracht van Amerfoort naar Rotterdam Ysselnmonde. Omdat "De Karel" niet onder 25kV inzetbaar is, werd het treinstel hier aan de RTB-Cargo locomotief 193 945 gekoppeld en zo zou de rit voortgezet worden naar de Maasvlakte.
Rotterdam, 8 september 2023.
Today, the Ex NS 466 of the De Karel Foundation made an extra trip in honor of the ten-year collaboration between RTB-Cargo and Hutchison Ports. The ride went under its own power from Amerfoort to Rotterdam Ysselnmonde. Because "De Karel" cannot be used under 25kV, the trainset was coupled here to the RTB-Cargo locomotive 193 945 and so the journey would continue to the Maasvlakte.
Rotterdam, September 8, 2023.
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© All rights reserved.
This image is protected by Dutch and international copyright laws. You may not use or reproduce this image in any form, including copy and paste, without my prior permission.
Záhony in the North East corner of Hungary is the border station for the line to Čop (Chop) in the Ukraine. Between the two towns either side of the Tisza River the line is of mixed gauge (1435/1524mm) allowing traffic in both directions although at this location only freight used both gauges running to trans shipment yards on either side of the border. The passenger service tended to be standard gauge only with passengers changing trains in Čop or on long distance workings the coaches changed bogies in Čop.
On the standard gauge (1435mm) tracks in Záhony station are two MÁV passenger workings, one diesel one electric.
On the left M41-2132 has just arrived with train 6354 the 12.15 from Mátészalka. While on the right staff gather in front of V43-1086 waiting to form train 6243 the 14.00 to Nyíregyháza. At the time 23 years ago photography at locations like this could often attract unwanted official attention hence probably the reason the railway staff are staring. It was usually a case of take a couple of shots and return the camera to the bag and disappear. The Ukraine had only gained independence from the Soviet Union 17 months earlier but little had changed when it came to border regions like here so still plenty of barbed wire, watch towers and no mans land to look cross.
Light spreads across the lowlands of the Colorado River basin, creating intriguing shapes and forms that can be observed from Dead Horse Point.
PGB Photographer & Creative - © 2022 Philip Romeyn - Phillostar Gone Ballistic 2021 - Photo may not be edited from its original form. Commercial use is prohibited without contacting me.
Author's Note: The contents of this chapter include very sensitive subject matter and may be triggering to some individuals. Scenes of abuse of various forms are represented as not only for storytelling, but to raise awareness of what this behavior looks like. Abusive behavior in this story includes, but is not limited to: physical abuse, mental abuse, verbal abuse, gaslighting, manipulation, intentional triggering of another's PTSD, and trauma. In no way are these scenes intended to purposely trigger or harm anyone.
...
"...Vincent, it's me! Open the door! I need to talk to you now!"
After such an exciting (though socially exhausting) day, hearing Damien's persistent tone on the other side of the door caused him to tense as if he'd been doused with cold water. This was not how he would have liked to end his day! He really didn't want to deal with Damien right now, but he couldn't pretend he wasn't home anymore. He'd hoped Damien would have let him know before coming over. Vincent already felt a stress-headache coming on. He put the safety back on his pistol and gave a soft sigh. He could do this.
But as Vincent reached for the lock so he could let Damien in, the door was knocked on again! Vincent stared at the door and scowled. Well, that was rude of him, he thought sourly. He was sorely tempted to leave Damien out there even longer but then Damien called through the door again, "Come on, Vincent! Don't leave me out here like this. I thought you said you wanted to talk this out!"
Inhaling sharply through his nose, Vincent grit his teeth. Damien didn't need to make such a loud commotion for the whole building to hear! Deciding just to get this over with he let out some tension as he exhaled. Then he reached for the door, unlocked it, and pulled the door open to stare stoically up at his best friend of six years with his pistol resting at his side defenselessly.
Damien stared back at him with a look Vincent had seen many times; just never directed at him. In his interrogation mode, Damien's brows furrowed deeply and eyes darkened a certain way that could send chills down the spine of almost anyone who received it. His arms were folded over his chest and, in Vincent's opinion, he looked more impatient than he'd ever seen him. Vincent, however, was not like most people, and he maintained his stoic exterior. But oh, he was offended! Who the Hell did Damien think he was?! He opened his mouth to put Damien in his place but Damien cut in just a tiny bit faster.
"Are you alone?" Damien demanded quietly. Vincent blinked at him with just a hint of surprise at this question. He barely had a chance to utter, "Yes?" before Damien nodded and brushed past him to enter the flat. He grunted, "Good. We have much to discuss and I don't want any interruptions this time."
"What is the meaning of this?" Vincent asked incredulously as he pushed the door closed with a groan. "I was expecting you to let me know when you were coming over first. You always let me know first." And when he turned to look at Damien, he found Damien standing nearly an arm's length away and glowering at him.
"Well, I was expecting a bit more loyalty from YOU!"
"Loyalty?!"
"Yes! Why should I do what you want me to do when you won't do what 'I' want? All I wanted to do was to talk this out....just you and me. And all anyone else can do is put their nose in where it doesn't belong."
"It had nothing to do with Aiden!"
But at the mention of their engineer's name, Damien's nostrils flared and he spat out, "See how quickly you think of 'him?' You are proving my point. No, Vincent, it has EVERYTHING to do with YOU!" He pointed his finger right at Vincent's chest and accused, "You are throwing me to the side like a discarded, rotted apple core on the side of the road for the rats! I didn't even mention anyone in particular and already your mind went to him! Aiden this! Aiden that! Why does he even matter anyway?" Damien pressed his hands to his own chest and his expression implored Vincent to see his side as he pleaded, "Don't you care about me at all, Vincent?"
Fleetingly, Vincent was amazed that Damien had the courage to behave and speak to him like this when Vincent was armed. Despite his calm exterior, he was growing more confused and upset at Damien's onslaught of unexpected feelings. However, it was as Aiden was brought up that it shifted into anger. Vincent was done. He was going to put him in his place once and for all! But damn it all Damien asked him if he cared about him at all and Vincent felt like the wind had been knocked out of him! He felt as if he couldn't focus on what he was upset about anymore as he grappled with the unexpected, emotional question.
Of course he cared about Damien! Damien was like a brother to him! He loved him as much despite their current situation. It was what made it hurt so much worse as each second of this whole interaction passed. Had....he been unfair to Damien somehow? He did want to work things out! After all, he'd gone to Damien's temporary residence as Damien had told him before many times to do if he ever needed anything. Unlike Vincent, Damien didn't care if anyone simply dropped in. Damien's sister had insisted once before that it was fine if he stopped in anytime. Honestly, he'd wondered if Damien had nudged her into it but he was grateful to be able to see his friend all the same.
"Of course, I care about you," Vincent relented as his stoic expression faded and a small, sad frown pulled at his lips. Was that how Damien felt about him? About their friendship? "That's not fair, Damien. How can you even say that after everything we've been through?"
"I can say the same about you," Damien responded with just a touch of edge in his voice as he reached out with his metallic arm and pressed his mechanical hand to the door behind Vincent and leaned in slightly; almost a touch dangerously. It made Vincent tense involuntarily as he stared back up at him. However, Damien's voice softened and he sounded and looked hurt.
"I just wanted to talk. And you sent me away."
"I-I just..."
"You just what, Vincent?"
Vincent shrank back slightly against the door and gazed up at his best friend before sighing. Finally he replied, "I'm sorry. I didn't mean to make you feel like you don't matter." At his words, Damien's aggression dissipated as he smiled more. "I knew you would understand. I forgive you," Damien responded as his hand slid to squeeze Vincent's shoulder before resting there. Vincent glanced at his hand then gave a small nod before turning and brushing past Damien to head towards the veranda to get some air. As he walked past a bookshelf, he set down his gun then proceeded to run his hands through his hair. Bloody Hell...
Damien let his hand fall to his side as he turned slowly in place to visually follow Vincent's figure as he made to step outside. His eyes narrowed before he began to follow him out. Was something else wrong?
Out on the veranda, Vincent inhaled slowly and deeply through his nostrils before slowly exhaling as he glanced up at the evening sky. While he didn't mean to make Damien feel like he didn't matter, Damien's behavior as of late was....not okay. He really needed to talk to him about it. He needed to get to the bottom of it once and for all. Vincent could hear Damien following him out onto the veranda behind him. This was his chance to talk it out....just the two of them.
"Look... Damien..." Vincent turned to face Damien and he spoke sincerely as he tried to reason and understand. "I don't know what's been going on lately. I don't like this contention going on between us. I want you to talk to me. Tell me what's going on."
"There's nothing to talk about. You already apologized."
"Yes but that's not what I'm talking about."
"Then what ARE you talking about?"
"The contention going on between us lately; 'before' just the day before. Surely, you've felt it too?"
"Contention?"
"Yes. That's what I said."
"I don't know what you mean."
Damien looked genuinely confused! Vincent just couldn't understand why Damien didn't see what he was talking about. If he was being honest with himself, he had only noticed it during the last few weeks. Prior to that, they'd gotten on well enough and had always been able to work things out. It only seemed to be getting worse....and for some reason it felt like it was only around Aiden. He couldn't quite figure it out. Surely, that couldn't be it, he thought. Surely, Damien would tell him if he had a problem with Aiden! Up until the day before yesterday, the two seemed to have worked out whatever problem they had. But apparently they hadn't and something still seemed off between them even the other day. But...hadn't it always? Vincent had not forgotten what Bernadette had told him about Damien and Aiden's quarrel while he was still abed with high fever. He trusted she would never lie to him; especially about something like that. Therefore, he had taken her word that they had worked it. After all, Aiden hadn't come to him about Damien's misconduct. Was there not as big of a problem as he believed it was? Or was it just worse under the surface?
"Well," Vincent cleared his throat and began calmly, "that aside, I wanted to talk to you about something else. Just...I want to have a heart to heart, okay? Two days ago-"
"But you-"
"Don't interrupt me. Please let me finish."
Damien scowled but he closed his mouth and folded his arms over his chest defensively. However he did keep his mouth closed as he quirked his brow at Vincent and waited for whatever he was going to tell him. Opposite him, Vincent stared up at him calmly and waited for him. Once he saw Damien was actually going to listen he continued.
"Two days ago when you and I were speaking, some of the things you said to me were out of line." Vincent watched Damien's jaw tighten as his jaw clenched. Vincent felt a sinking feeling in the pit of his stomach but tried to explain how he felt anyway. "You really hurt my feelings; especially when you accused me of being too intoxicated." And, sure enough, he'd barely had a chance to utter the last word of his sentence before Damien cut in defensively, "Well YOU hurt MY feelings!"
"I know, and I already apologized. But I still want to talk about what you-"
"You know I can't help what I say when I get angry!"
"Damien, don't you see?! THIS is what I'm talking about! We never argue like this!"
"You are just mad that I called you out on it!" He took a step closer and poked Vincent's chest which caused him to gasp in surprise! "It's not MY fault you like to overindulge in alcohol and herbs! Damn it, Vincent! You know what? Sometimes it's hard to tell if it's 'you' I'm talking to, or your addictions!"
Vincent's face fell, and for the second time this week he very nearly broke down completely. He bit his lower lip and gave a small nod before turning and facing away from Damien. He defensively folded his arms over his chest as his shoulders sank depressingly. That had hurt. It had hurt a lot. Was that really how Damien felt?
Damien sighed. He ran his hands over his face then peeked at Vincent through his fingers. Vincent still wasn't looking at him. He was just...standing there dejectedly and hurt. Frowning slightly, Damien stepped closer and placed his hand on Vincent's shoulder. At his touch, however, Vincent turned away more; clearly not wanting to be touched.
"What do you want me to say, Vincent? I'm sorry, okay?"
After several seconds of no response, Damien huffed and leaned around him and peered at the side of his face. Still nothing. In fact, Vincent turned his head away from him even more! 'Damn it all!' Damien thought. He groaned softly and leaned his forearms against the railing and leaned against it. He hung his head down slightly before glancing back at Vincent.
"Come on. You know I didn't mean that," he tried again, his voice softening. This time he sounded more sincere. "I really am sorry, Vincent. You know sometimes I say things I don't mean. Don't let this silly misunderstanding ruin what we have." At this, Vincent took a deep breath and slowly let it out before turning to glance over his shoulder at Damien, his gaze lifting towards his face but unable to meet his eyes.
"Is that what you really think of me?"
"I just said I didn't. Look, why don't we just start over and put all this behind us? We agree there have been misunderstandings and things done and said that we don't mean."
Vincent licked his lips as he considered that. Maybe Damien was right and it would be best to put it behind them and move on from it. While things had never escalated this much, they had done the same thing in the past once they reached an understanding. It always seemed to work out and they were fine again. Though, this time Aiden was a third party in this. Would things be okay with Aiden too?
"What about Aiden?"
"He will be fine! And if he can't work this out with me, it's not a big deal. He can leave just like the others did and go back to that little garage you plucked him out of." Damien gave a noncommittal shrug then confidently slid his arm around Vincent's shoulders and drew him to his side with an encouraging grin. Much to his delight he watched as Vincent lifted his gaze to finally look at him and gave a small smile and replied, "I suppose you're right."
"Of course I am!" Damien tightened his arm around Vincent's shoulders and jostled him gently with a chuckle. "You and me against the world, right?"
Vincent smiled a bit more and nodded. "Yeah, you and me against the world." Damien grinned and looked up at the sky and continued to ramble on about how he couldn't wait to get back up into the air. Beside him, Vincent's gaze lowered and he looked down at the railing. He could feel his mood sinking more and more. He couldn't help feeling like he hadn't really had a chance to get out what he wanted to say. It felt unfinished on Vincent's end but they HAD agreed it was a misunderstanding and to just move on from it. He decided to push it down and just...tuck it away. Perhaps things would just get better after all; just like Damien was saying. However, there was still something he couldn't seem to shake.
While he had voiced his agreement, the idea of Aiden leaving because he couldn't work things out with Damien made him feel even worse; somehow even worse than this unfinished business with Damien. Aiden was NOT like the handful of others who had departed from Leon's Claw. Aiden was special...important. He didn't want to see him go!
"...and in a few weeks your ribs will be healed! Guh...I'm so bored. I can't wait to get back in the air again," Damien was saying beside him. He appeared not to notice Vincent's quick-sinking depression. Perhaps it was better that way, Vincent figured. He really didn't want to upset Damien even more tonight. He was tired and growing more and more exhausted. Honestly, he just wanted to be done. He wanted to be alone. More than anything, he just wanted to escape. However, Vincent noticed Damien didn't seem ready to leave anytime soon. He'd have to do something about that.
"You're right!" Vincent replied with a small smirk, nudging Damien gently with his elbow as an idea had suddenly come to him. All he had to do was play along to keep Damien in a good enough mood. "Just a few more weeks. You're worried about being bored right? So why don't you keep yourself entertained by going to your family's gathering?" Damien opened his mouth and was about to interrupt but Vincent turned in Damien's arm and quickly added, "I know you want to stay here with me but all I'm going to be doing is sitting around. Boring. I'm boring."
"Are you trying to get rid of me?"
"I am pointing out the benefits if you go...such as the amazing food you KNOW will be there and you can share all your new adventures with everyone. It's been a long while since you've been there. You know everyone loves to hear when you tell a story! It would be fun!"
Damien gave a smug smirk and shrug as Vincent stroked his ego. He was right: everyone DID enjoy a good story and Damien had plenty to share now. The younger generations of his family all seemed to look up to him. It never failed to boost his ego.
"Honestly," Vincent continued, "you won't miss a thing. I intend to spend the next few weeks with my nose in a book."
"You'd rather choose a book over my company? How nice."
"Hmph! I keep telling you I'm not nice!"
Damien laughed and lifted his arm off of Vincent's shoulder so he could turn and face him properly as he leaned against the railing. Vincent turned fully to face him and gave him a small, amused smirk. "There are no plans except to sit and rest. Honest. No more adventures for me for a while. I am going to be resting. Bernadette's orders. Go with your sister. Go enjoy your vacation away and just have fun! You deserve it! You'll be back in three weeks from now, yes? By then my ribs should be good enough to go sailing! You and I can go together and then you can tell me all about your trip. It will give us both something to look forward to!"
"Fine," Damien finally agreed with a small chuckle. "I suppose you're right." He chuckled before he reached over his head and stretched and felt his back pop where he needed it and let himself drift off with thoughts of going to his family reunion after all.
"Good! It's decided!" Vincent agreed before Damien could change his mind. He had to fight to actually sigh with relief. While he truly did enjoy Damien's friendship, right now he really needed time away from him. It was best just to let him be happy and just...get past this for now. Maybe one day they could actually talk this out like he wanted to. He also figured that this time apart might be just what Damien and Aiden needed as well.
"Well since I'm here why don't we have dinner at The Fat Lady's? We can celebrate getting past all this messy business!" Damien was saying, but already Vincent felt his stomach lurch at the idea; especially at the mention of the tavern where Thorn and Micah had accused him of gambling. He smiled weakly and shook his head. "I appreciate the offer, but I think I will need to postpone. Why don't we celebrate tomorrow instead?"
"How come?"
"How come? Because I am not ready to go out tonight. I have a headache brewing, my ribs are aching, and I was not prepared for company let alone ready to go out in public tonight." Vincent pleaded exhaustedly. He just wanted to be left alone! And indeed, Damien finally began to see how tired Vincent looked. He did look a bit pale, didn't he? His brow furrowed in concern and asked, "Vincent, why didn't you say so? I could have just come back another time!"
Vincent fought back the knee-jerk reaction of angrily calling Damien a rather creative, colorful name. Instead, he sighed and just snorted at the irony of the situation and went to head back inside. Damien could have started with that when he first arrived! he thought.
Finally Vincent managed in a convincing voice as he paused at the door: "It's fine. Don't worry about it. Come on. I'll see you out."
NEXT PART:
www.flickr.com/photos/153660805@N05/52966552948/in/datepo...
To read the rest of the story, here's the album link:
www.flickr.com/photos/153660805@N05/albums/72157717075565127
***Please note this is a BOY LOVE (BL/yaoi/gay) series. It is a slow burn and rated PG13!***
Special thank you to my husband Vin (Be My Mannequin? Pose Store) for collaborating with me on this series and co-starring as The Captain!
DISCORD SERVER: That's right! The Captain and The Engineer has a Discord Server! If you wanna join and chat with other crewmates and see what's new and happening before it gets posted to Flickr, click the link!
***NEW!!!!***
The Captain and the Engineer now has a FACEBOOK PAGE! Please come Like, Follow, and join the crew! Thank you so much for all your support!
FACEBOOK PAGE:
Driftwood is a form of marine debris or "tidewrack" (rubbish deposited along the shore by the receding tide) and is abundant along the coast of northern California. It is wood that has been washed ashore by the action of winds, tides or waves. The driftwood provides shelter and food for birds, fish and other aquatic species as it floats in the ocean. Gribbles, shipworms and bacteria decompose the wood and gradually turn it into nutrients that are reintroduced to the food web. Sometimes, the partially decomposed wood washes ashore, where it also shelters birds, plants, and other species. It is also a collectible that can be used as part of decorative furniture or other art forms.
Mask (noun).
1. Covering for all or part of the face as a disguise or for protection.
2. Some kind of behaviour for pretension to be, passing oneself of as, impersonating, simulating or posing as.
As long time Japanese antique collector I took masks of old Japanese theatre Noh and Kyogen for definition of this word...
The date of man's invention of masks is unknown, their use is certainly several thousands years old. It's a fact that masks in one form or another have made their appearance in every culture shows how important role they have played in a human life.
With the development of dance and true drama, masks became less primitive and more artistic. Immobility of a mask, which seems such a disadvantage when compared with the living human face, makes about it a certain air of the supernatural and fantastic, that's why masks are widely used up to the present day.
Among the people of the world who still actively use masks, the Japanese are in many ways outstanding. Let's go back to 14th century when theatre No and Kyogen begins his history and the masks of this show became one of the finest dramatic masks the world has ever seen. I try briefly summarize the characteristics of the Noh and Kyogen masks. Mask of Noh is a mask of tragedy, mask of the Kyogen is the mask of comedy. A typical present-day No performance consists of five Noh plays, divided of three comic interludes of Kyogen, both the tragic and the comic elements being heightened in effect for the best contrasting result. Good and evil in Noh drama reflects these both sides of real life...
In real life you also making choice between good and evil. Many people wearing masks covering their real personality, as a artists playing roles not really belonging to them and as final result ruining the life of themselves or others. Make a right choice between good and evil, take a right mask or even take it off, throw it away and be yourself.
All masks and pictures used for this image are from my collection.
Created for The Dictionary of Image
Better viewed large.
Lake St. Moritz rests at the base of Alpine mountain beauty. St. Moritz is a resort where glamour, lifestyle, sports and untamed nature blend to form an exclusive cocktail. Celebrities, royalty, and high society have long frequented this glamorous destination. When thinking of Swiss mountain grandeur, St. Moritz is the place to be!
The cluster south of the river at the east side of the map is Greenwich. The one in the west is Kew Gardens.
Base map © OpenStreetMap, CC-BY_SA
Esta serie no trata de presentar una ave eststicamente Bonita, Mas Bien busca presentar de forma real como nuestras basuras llegan a todos los habitas afectando Paisajes y especies a todo lo ancho del Pais.
condiciones y de Ornao, todasa
* Playerito Menudo, Least Sandpiper (Calidris minutilla) (Migrante comun)
* El Playerito Menudo menudilla, becacina, patudo, correlimos, menudo o chichicuilote (Calidris minutilla) es una pequeña ave de la familia de los escolopácidos.
* Mide en promedio 14 cm y pesa 21 g. Las patas son verdosas y el pico negruzco y delgado. Los adultos en la época de reproducción su dorso es de color marrón oscuro con pintas marrón más claras y el vientre es blancos. Tienen una línea blanca sobre el ojo y una corona oscura. La coronilla y la parte posterior del cuello presentan un listado negro parduzco y ante.4 En invierno, son de color castaño grisoso con pintas negruzcas. Los ejemplares juveniles presentan brillantes dibujos anteriores con coloración rojiza y rayas blancas.
Esta ave puede ser difícil de distinguir de otras pequeñas aves playeras similares. Migran en bandadas, desde mediados de agosto hasta mediados de noviembre, al sur de Estados Unidos, las Antillas y hasta el norte de América del Sur
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The least sandpiper (Calidris minutilla) is the smallest shorebird.
This species has greenish legs and a short, thin, dark bill. Breeding adults are brown with dark brown streaks on top and white underneath. They have a light line above the eye and a dark crown. In winter, Least sandpipers are grey above. The juveniles are brightly patterned above with rufous colouration and white mantle stripes.
This bird can be difficult to distinguish from other similar tiny shorebirds
They migrate in flocks to the southern United States, Mexico, Central America, the Caribbean, and northern South America.
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Lugar de Observacion / Taken: Salinas de puerto Hermoso, peravia, Republica Dominicana.
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*
* Scientific classification
* Kingdom:•Animalia
* Phylum:•Chordata
* Class:•Aves
* Order:•Charadriiformes
* Family:•Scolopacidae
* Genus:•Calidris
* Species:•C. minutilla
* Binomial name
* Calidris minutilla
*
Shadow play or shadow puppetry is an ancient form of storytelling and entertainment using opaque, often articulated figures in front of an illuminated backdrop to create the illusion of moving images. It is popular in various cultures. At present, more than 20 countries are known to have shadow show troupes.
The Turkish tradition of shadow play called Karagöz and Hacivat was widespread throughout the Ottoman Empire and featured characters representing all of the major ethnic and social groups in that culture. It was performed by a single puppet master, who voiced all of the characters, and accompanied by a classical Ottoman music ensemble. Its origins are obscure, deriving perhaps from an older Egyptian tradition, or possibly from an Asian source.
During the 19th century these characters were adapted to the Greek language and culture, Karagöz and Hacivat becoming Karagiozis and Hadjiavatis with each of the characters assuming stereotypically Greek personalities. This tradition thrived throughout Greece after independence as popular entertainment for a largely adult audience, particularly before competition arose from television. The stories did, however, retain the period setting in the late years of the Ottoman Empire. Karagiozis theatre has undergone some revival in recent years, with the intended audience tends largely juvenile.
...taken at the Energy Museum section of SantralIstanbul...
Istanbul, Turkey...
Saw this cliff erosion at Del Valle Regional Park a few days ago. When I zoomed in, I could see the banding reminiscent of the landscapes in the southwest of Utah. Perhaps, in a few thousand years, any erosion from the wind would make hoodoos out of this.
The building, centre of picture, is the White Tomkins & Courage grain silo, Stanley Dock Liverpool, built c1913.
Grain imports were a quintessential component of Liverpool's historic port activity, employing several generations of local people. This particular building even had its own railway siding and the tracks still remain in place.
Apart from being of local heritage value the White Tomkins & Courage grain silo is a good (and locally rare) example of "industrial classicism" architecture. This evolved in the early 20th century as part of the Modern movement, promoted in Germany by Behrens, Loos, Gropius and Le Corbusier, whose key aesthetic aims were : -
(1) rejection of all unnecessary ornamentation
(2) use of the smooth, flat "modern materials" (reinforced concrete)
(3) expression of the building structure on the elevations as an integral component of the architecture
(4) in the absence of ornamentation, more focus on proportional perfection
This Liverpool dock estate building has all of these qualities in abundance in spite of an industrial silo being generally regarded as potentially a "low grade" architectural commission.
The White Tomkins & Courage building was demolished in September 2017. This action was taken following a local planning consultant's report that it was obstructing the conversion of the dock warehouses into residential accommodation and was "of no architectural or historic value".
COPYRIGHT © Towner Images
Hattingen Henrichshütte, Schaugiesserei.
Formen, Schmelzen, Gießen, Putzen - seit September 1997 sind die zentralen Arbeitsschritte des Gießens im LWL-Museum Henrichshütte Hattingen erfahrbar. Im Hattinger Museum des Landschftsverbandes Westfalen-Lippe (LWL) vermittelt die Schaugießerei den Museumsgästen das Prinzip des Formens und die Faszination des Gießens. In einem Elektroschmelzofen wird mit Aluminium und in einem Koksofen mit Bronze und Eisen experimentiert. In Handarbeit entstehen Modelle aus Holz und Gussformen aus Sand. "Auf der Hütte" wird wieder gegossen, wenn auch nicht mehr in Tonnen, sondern nur noch in Kilogramm. Besuche die Schaubetriebe des Fördervereins Industriemuseum Henrichshütte e.V. auf dem Gelände des LWL- Museums Henrichshütte in Hattingen.
Hattingen Henrichshütte, exhibition foundry.
Forming, melting, casting, cleaning - since September 1997, the central work steps of casting can be experienced in the LWL Museum Henrichshütte Hattingen. In the Hattinger Museum of the Westphalia-Lippe Regional Association (LWL), the show foundry teaches museum guests the principle of molding and the fascination of casting. Experiments are carried out with aluminum in an electric melting furnace and with bronze and iron in a coke oven. Models made of wood and molds made of sand are created by hand. “At the hut” is being poured again, although no longer in tons, but only in kilograms. Visit the exhibition operations of the Industriemuseum Henrichshütte e.V. support association on the grounds of the LWL Museum Henrichshütte in Hattingen.
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ALBANIA
Albanian Trilogy: A Series of Devious Stratagems
Armando Lulaj
Commissioner: Ministry of Culture. Curator: Marco Scotini. Deputy Curator: Andris Brinkmanis. Venue: Pavilion at Arsenale
ANDORRA
Inner Landscapes
Roqué, Joan Xandri
Commissioner: Henry Périer. Deputy Commissioner: Joana Baygual, Sebastià Petit, Francesc Rodríguez
Curator: Paolo de Grandis, Josep M. Ubach. Venue: Spiazzi, Castello 3865
ANGOLA
On Ways of Travelling
António Ole, Binelde Hyrcan, Délio Jasse, Francisco Vidal, Nelo Teixeira
Commissioner: Ministry of Culture, Rita Guedes Tavares. Curator: António Ole. Deputy Curator: Antonia Gaeta. Venue: Conservatorio Benedetto Marcello - Palazzo Pisani, San Marco 2810
ARGENTINA
The Uprising of Form
Juan Carlos Diste´fano
Commissioner: Magdalena Faillace. Curator: Mari´a Teresa Constantin. Venue: Pavilion at Arsenale – Sale d’Armi
ARMENIA, Republic of
Armenity / Haiyutioun
Haig Aivazian, Lebanon; Nigol Bezjian, Syria/USA; Anna Boghiguian Egypt/Canada; Hera Büyüktasçiyan, Turkey; Silvina Der-Meguerditchian, Argentina/Germany; Rene Gabri & Ayreen Anastas, Iran/Palestine/USA; Mekhitar Garabedian, Belgium; Aikaterini Gegisian, Greece; Yervant Gianikian & Angela Ricci Lucchi, Italy; Aram Jibilian, USA; Nina Katchadourian, USA/Finland; Melik Ohanian, France; Mikayel Ohanjanyan, Armenia/Italy; Rosana Palazyan, Brazil; Sarkis, Turkey/France; Hrair Sarkissian, Syria/UK
Commissioner: Ministry of Culture of the Republic of Armenia. Deputy Commissioner: Art for the World, Mekhitarist Congregation of San Lazzaro Island, Embassy of the Republic of Armenia in Italy, Vartan Karapetian. Curator: Adelina Cüberyan von Fürstenberg. Venue: Monastery and Island of San Lazzaro degli Armeni
AUSTRALIA
Fiona Hall: Wrong Way Time
Fiona Hall
Commissioner: Simon Mordant AM. Deputy Commissioner: Charles Green. Curator: Linda Michael. Scientific Committee: Simon Mordant AM, Carolyn Christov-Bakargiev, Max Delany, Rachel Kent, Danie Mellor, Suhanya Raffel, Leigh Robb. Venue: Pavilion at Giardini
AUSTRIA
Heimo Zobernig
Commissioner: Yilmaz Dziewior. Curator: Yilmaz Dziewior. Scientific Committee: Friends of the Venice Biennale. Venue: Pavilion at Giardini
AZERBAIJAN, Republic of
Beyond the Line
Ashraf Murad, Javad Mirjavadov, Tofik Javadov, Rasim Babayev, Fazil Najafov, Huseyn Hagverdi, Shamil Najafzada
Commissioner: Heydar Aliyev Foundation. Curators: de Pury de Pury, Emin Mammadov. Venue: Palazzo Lezze, Campo S.Stefano, San Marco 2949
Vita Vitale
Edward Burtynsky, Mircea Cantor, Loris Cecchini, Gordon Cheung, Khalil Chishtee, Tony Cragg, Laura Ford, Noemie Goudal, Siobhán Hapaska, Paul Huxley, IDEA laboratory and Leyla Aliyeva, Chris Jordan with Rebecca Clark and Helena S.Eitel, Tania Kovats, Aida Mahmudova, Sayyora Muin, Jacco Olivier, Julian Opie, Julian Perry, Mike Perry, Bas Princen, Stephanie Quayle, Ugo Rondinone, Graham Stevens, Diana Thater, Andy Warhol, Bill Woodrow, Erwin Wurm, Rose Wylie
Commissioner: Heydar Aliyev Foundation. Curators: Artwise: Susie Allen, Laura Culpan, Dea Vanagan. Venue: Ca’ Garzoni, San Marco 3416
BELARUS, Republic of
War Witness Archive
Konstantin Selikhanov
Commissioner: Natallia Sharanhovich. Deputy Commissioners: Alena Vasileuskaya, Kamilia Yanushkevich. Curators: Aleksei Shinkarenko, Olga Rybchinskaya. Scientific Committee: Dmitry Korol, Daria Amelkovich, Julia Kondratyuk, Sergei Jeihala, Sheena Macfarlane, Yuliya Heisik, Hanna Samarskaya, Taras Kaliahin, Aliaksandr Stasevich. Venue: Riva San Biagio, Castello 2145
BELGIUM
Personnes et les autres
Vincent Meessen and Guests, Mathieu K. Abonnenc, Sammy Baloji, James Beckett, Elisabetta Benassi, Patrick Bernier & Olive Martin, Tamar Guimara~es & Kasper Akhøj, Maryam Jafri, Adam Pendleton
Commissioner: Wallonia-Brussels Federation and Wallonia-Brussels International. Curator: Katerina Gregos. Venue: Pavilion at Giardini
COSTA RICA
"Costa Rica, Paese di pace, invita a un linguaggio universale d'intesa tra i popoli".
Andrea Prandi, Beatrice Gallori, Beth Parin, Biagio Schembari, Carla Castaldo, Celestina Avanzini, Cesare Berlingeri, Erminio Tansini, Fabio Capitanio, Fausto Beretti, Giovan Battista Pedrazzini, Giovanni Lamberti, Giovanni Tenga, Iana Zanoskar, Jim Prescott, Leonardo Beccegato, Liliana Scocco, Lucia Bolzano, Marcela Vicuna, Marco Bellagamba, Marco Lodola, Maria Gioia dell’Aglio, Mario Bernardinello, Massimo Meucci, Nacha Piattini, Omar Ronda, Renzo Eusebi, Tita Patti, Romina Power, Rubens Fogacci, Silvio di Pietro, Stefano Sichel, Tino Stefanoni, Ufemia Ritz, Ugo Borlenghi, Umberto Mariani, Venere Chillemi, Jacqueline Gallicot Madar, Massimo Onnis, Fedora Spinelli
Commissioner: Ileana Ordonez Chacon. Curator: Gregorio Rossi. Venue: Palazzo Bollani
CROATIA
Studies on Shivering: The Third Degree
Damir Ocko
Commissioner: Ministry of Culture. Curator: Marc Bembekoff. Venue: Palazzo Pisani, S. Marina
CUBA
El artista entre la individualidad y el contexto
Lida Abdul, Celia-Yunior, Grethell Rasúa, Giuseppe Stampone, LinYilin, Luis Edgardo Gómez Armenteros, Olga Chernysheva, Susana Pilar Delahante Matienzo
Commissioner: Miria Vicini. Curators: Jorge Fernández Torres, Giacomo Zaza. Venue: San Servolo Island
CYPRUS, Republic of
Two Days After Forever
Christodoulos Panayiotou
Commissioner: Louli Michaelidou. Deputy Commissioner: Angela Skordi. Curator: Omar Kholeif. Deputy Curator: Daniella Rose King. Venue: Palazzo Malipiero, Sestiere San Marco 3079
CZECH Republic and SLOVAK Republic
Apotheosis
Jirí David
Commissioner: Adam Budak. Deputy Commissioner: Barbara Holomkova. Curator: Katarina Rusnakova. Venue: Pavilion at Giardini
ECUADOR
Gold Water: Apocalyptic Black Mirrors
Maria Veronica Leon Veintemilla in collaboration with Lucia Vallarino Peet
Commissioner: Andrea Gonzàlez Sanchez. Deputy Commissioner: PDG Arte Communications. Curator: Ileana Cornea. Deputy Curator: Maria Veronica Leon Veintemilla. Venue: Istituto Santa Maria della Pietà, Castello 3701
ESTONIA
NSFW. From the Abyss of History
Jaanus Samma
Commissioner: Maria Arusoo. Curator: Eugenio Viola. Venue: Palazzo Malipiero, campo San Samuele, San Marco 3199
EGYPT
CAN YOU SEE
Ahmed Abdel Fatah, Gamal Elkheshen, Maher Dawoud
Commissioner: Hany Al Ashkar. Curator: Ministry of Culture. Venue: Pavilion at Giardini
FINLAND (Pavilion Alvar Aalto)
Hours, Years, Aeons
IC-98
Commissioner: Frame Visual Art Finland, Raija Koli. Curator: Taru Elfving. Deputy Curator: Anna Virtanen. Venue: Pavilion at Giardini
FRANCE
revolutions
Céleste Boursier-Mougenot
Commissioner: Institut français, with Ministère de la Culture et de la Communication. Curator: Emma Lavigne. Venue: Pavilion at Giardini
GEORGIA
Crawling Border
Rusudan Gobejishvili Khizanishvili, Irakli Bluishvili, Dimitri Chikvaidze, Joseph Sabia
Commissioner: Ana Riaboshenko. Curator: Nia Mgaloblishvili. Venue: Pavilion at Arsenale – Sale d’Armi
GERMANY
Fabrik
Jasmina Metwaly / Philip Rizk, Olaf Nicolai, Hito Steyerl, Tobias Zielony
Commissioner: ifa (Institut für Auslandsbeziehungen) on behalf of the Federal Foreign Office. Deputy Commissioner: Elke aus dem Moore, Nina Hülsmeier. Curator: Florian Ebner. Deputy Curator: Tanja Milewsky, Ilina Koralova. Venue: Pavilion at Giardini
GREAT BRITAIN
Sarah Lucas
Commissioner: Emma Dexter. Curator: Richard Riley. Deputy Curator: Katrina Schwarz. Venue: Pavilion at Giardini
GRENADA *
Present Nearness
Oliver Benoit, Maria McClafferty, Asher Mains, Francesco Bosso and Carmine Ciccarini, Guiseppe Linardi
Commissioner: Ministry of Culture. Deputy Commissioner: Susan Mains. Curator: Susan Mains. Deputy Curator: Francesco Elisei. Venue: Opera don Orione Artigianelli, Sala Tiziano, Fondamenta delle Zattere ai Gesuati, Dorsoduro 919
GREECE
Why Look at Animals? AGRIMIKÁ.
Maria Papadimitriou
Commissioner: Hellenic Ministry of Culture, Education and Religious Affairs. Curator: Gabi Scardi. Deputy Curator: Alexios Papazacharias. Venue: Pavilion at Giardini
BRAZIL
So much that it doesn't fit here
Antonio Manuel, André Komatsu, Berna Reale
Commissioner: Luis Terepins. Curator: Luiz Camillo Osorio. Deputy Curator: Cauê Alves. Venue: Pavilion at Giardini
CANADA
Canadassimo
BGL
Commissioner: National Gallery of Canada, Marc Mayer. Deputy Commissioner: National Gallery of Canada, Yves Théoret. Curator: Marie Fraser. Venue: Pavilion at Giardini
CHILE
Poéticas de la disidencia | Poetics of dissent: Paz Errázuriz - Lotty Rosenfeld
Paz Errázuriz, Lotty Rosenfeld
Commissioner: Antonio Arèvalo. Deputy Commissioner: Juan Pablo Vergara Undurraga. Curator: Nelly Richard. Venue: Pavilion at Arsenale - Artiglierie
CHINA, People’s Republic of
Other Future
LIU Jiakun, LU Yang, TAN Dun, WEN Hui/Living Dance Studio, WU Wenguang/Caochangdi Work Station
Commissioner: China Arts and Entertainment Group, CAEG. Deputy Commissioners: Zhang Yu, Yan Dong. Curator: Beijing Contemporary Art Foundation. Scientific Committee: Fan Di’an, Zhang Zikang, Zhu Di, Gao Shiming, Zhu Qingsheng, Pu Tong, Shang Hui. Venue: Pavilion at Arsenale – Giardino delle Vergini
GUATEMALA
Sweet Death
Emma Anticoli Borza, Sabrina Bertolelli, Mariadolores Castellanos, Max Leiva, Pier Domenico Magri, Adriana Montalto, Elmar Rojas (Elmar René Rojas Azurdia), Paolo Schmidlin, Mónica Serra, Elsie Wunderlich, Collettivo La Grande Bouffe
Commissioner: Daniele Radini Tedeschi. Curators: Stefania Pieralice, Carlo Marraffa, Elsie Wunderlich. Deputy Curators: Luciano Carini, Simone Pieralice. Venue: Officina delle Zattere, Dorsoduro 947, Fondamenta Nani
HOLY SEE
Commissioner: Em.mo Card. Gianfranco Ravasi, Presidente del Pontificio Consiglio della Cultura. Venue: Pavilion at Arsenale – Sale d’Armi
HUNGARY
Sustainable Identities
Szilárd Cseke
Commissioner: Monika Balatoni. Deputy Commissioner: István Puskás, Sándor Fodor, Anna Karády. Curator: Kinga German. Venue: Pavilion at Giardini
ICELAND
Christoph Büchel
Commissioner: Björg Stefánsdóttir. Curator: Nína Magnúsdóttir. Venue: to be confirmed
INDONESIA, Republic of
Komodo Voyage
Heri Dono
Commissioner: Sapta Nirwandar. Deputy Commissioner: Soedarmadji JH Damais. Curator: Carla Bianpoen, Restu Imansari Kusumaningrum. Scientific Committee: Franco Laera, Asmudjo Jono Irianto, Watie Moerany, Elisabetta di Mambro. Venue: Venue: Arsenale
IRAN
Iranian Highlights
Samira Alikhanzaradeh, Mahmoud Bakhshi Moakhar, Jamshid Bayrami, Mohammed Ehsai
The Great Game
Lida Abdul, Bani Abidi, Adel Abidin, Amin Agheai, Ghodratollah Agheli, Shahriar Ahmadi, Parastou Ahovan, Farhad Ahrarnia, Rashad Alakbarov, Nazgol Ansarinia, Reza Aramesh, Alireza Astaneh, Sonia Balassanian, Mahmoud Bakhshi, Moakhar Wafaa Bilal, Mehdi Farhadian, Monir Farmanfarmaian, Shadi Ghadirian, Babak Golkar, Shilpa Gupta, Ghasem Hajizadeh, Shamsia Hassani, Sahand Hesamiyan, Sitara Ibrahimova, Pouran Jinchi, Amar Kanwar, Babak Kazemi, Ryas Komu, Ahmad Morshedloo, Farhad Moshiri, Mehrdad Mohebali, Huma Mulji, Azad Nanakeli, Jamal Penjweny, Imran Qureshi, Sara Rahbar, Rashid Rana, T.V. Santhosh, Walid Siti, Mohsen Taasha Wahidi, Mitra Tabrizian, Parviz Tanavoli, Newsha Tavakolian, Sadegh Tirafkan, Hema Upadhyay, Saira Wasim
Commissioner: Majid Mollanooruzi. Deputy Commissioners: Marco Meneguzzo, Mazdak Faiznia. Curators: Marco Meneguzzo, Mazdak Faiznia. Venue: Calle San Giovanni 1074/B, Cannaregio
IRAQ
Commissioner: Ruya Foundation for Contemporary Culture in Iraq (RUYA). Deputy Commissioner: Nuova Icona - Associazione Culturale per le Arti. Curator: Philippe Van Cauteren. Venue: Ca' Dandolo, San Polo 2879
IRELAND
Adventure: Capital
Sean Lynch
Commissioner: Mike Fitzpatrick. Curator: Woodrow Kernohan. Venue: Pavilion at Arsenale - Artiglierie
ISRAEL
Tsibi Geva | Archeology of the Present
Tsibi Geva
Commissioner: Arad Turgem, Michael Gov. Curator: Hadas Maor. Venue: Pavilion at Giardini
ITALY
Ministero dei Beni e delle attività culturali e del turismo - Direzione Generale Arte e Architettura Contemporanee e Periferie Urbane. Commissioner: Federica Galloni. Curator: Vincenzo Trione. Venue: Padiglione Italia, Tese delle Vergini at Arsenale
JAPAN
The Key in the Hand
Chiharu Shiota
Commissioner: The Japan Foundation. Deputy Commissioner: Yukihiro Ohira, Manako Kawata and Haruka Nakajima. Curator: Hitoshi Nakano. Venue : Pavilion at Giardini
KENYA
Creating Identities
Yvonne Apiyo Braendle-Amolo, Qin Feng, Shi Jinsong, Armando Tanzini, Li Zhanyang, Lan Zheng Hui, Li Gang, Double Fly Art Center
Commissioner: Paola Poponi. Curator: Sandro Orlandi Stagl. Deputy Curator: Ding Xuefeng. Venue: San Servolo Island
KOREA, Republic of
The Ways of Folding Space & Flying
MOON Kyungwon & JEON Joonho
Commissioner: Sook-Kyung Lee. Curator: Sook-Kyung Lee. Venue: Pavilion at Giardini
KOSOVO, Republic of
Speculating on the blue
Flaka Haliti
Commissioner: Ministry of Culture, Youth and Sports. Curator: Nicolaus Schafhausen. Deputy Curator: Katharina Schendl. Venue: Pavilion at Arsenale - Artiglierie
LATVIA
Armpit
Katrina Neiburga, Andris Eglitis
Commissioner: Solvita Krese (Latvian Centre for Contemporary Art). Deputy Commissioner: Kitija Vasiljeva. Curator: Kaspars Vanags. Venue: Pavilion at Arsenale
LITHUANIA
Museum
Dainius Liškevicius
Commissioner: Vytautas Michelkevicius. Deputy Commissioner: Rasa Antanaviciute. Curator: Vytautas Michelkevicius. Venue: Palazzo Zenobio, Fondamenta del Soccorso 2569, Dorsoduro
LUXEMBOURG, Grand Duchy of
Paradiso Lussemburgo
Filip Markiewicz
Commissioner: Ministry of Culture. Deputy Commissioner: MUDAM Luxembourg. Curator: Paul Ardenne. Venue: Cà Del Duca, Corte del Duca Sforza, San Marco 3052
MACEDONIA, Former Yugoslavian Republic of
We are all in this alone
Hristina Ivanoska and Yane Calovski
Commissioner: Maja Nedelkoska Brzanova, National Gallery of Macedonia. Deputy Commissioner: Olivija Stoilkova. Curator: Basak Senova. Deputy Curator: Maja Cankulovska Mihajlovska. Venue: Pavilion at Arsenale - Sale d’Armi
MAURITIUS *
From One Citizen You Gather an Idea
Sultana Haukim, Nirmal Hurry, Alix Le Juge, Olga Jürgenson, Helge Leiberg, Krishna Luchoomun, Neermala Luckeenarain, Kavinash Thomoo, Bik Van Der Pol, Laure Prouvost, Vitaly Pushnitsky, Römer + Römer
Commissioner: pARTage. Curators: Alfredo Cramerotti, Olga Jürgenson. Venue: Palazzo Flangini - Canareggio 252
MEXICO
Possesing Nature
Tania Candiani, Luis Felipe Ortega
Commissioner: Tomaso Radaelli. Deputy Commissioner: Magdalena Zavala Bonachea. Curator: Karla Jasso. Venue: Pavilion at Arsenale – Sale d’Armi
MONGOLIA *
Other Home
Enkhbold Togmidshiirev, Unen Enkh
Commissioner: Gantuya Badamgarav, MCASA. Curator: Uranchimeg Tsultemin. Scientific Committee: David A Ross, Boldbaatar Chultemin. Venue: European Cultural Centre - Palazzo Mora
MONTENEGRO
,,Ti ricordi Sjecaš li se You Remember "
Aleksandar Duravcevic
Commissioner/Curator: Anastazija Miranovic. Deputy Commissioner: Danica Bogojevic. Venue: Palazzo Malipiero (piano terra), San Marco 3078-3079/A, Ramo Malipiero
MOZAMBIQUE, Republic of *
Theme: Coexistence of Tradition and Modernity in Contemporary Mozambique
Mozambique Artists
Commissioner: Joel Matias Libombo. Deputy Commissioner: Gilberto Paulino Cossa. Curator: Comissariado-Geral para a Expo Milano 2015. Venue: Pavilion at Arsenale
NETHERLANDS, The
herman de vries - to be all ways to be
herman de vries
Commissioner: Mondriaan Fund. Curators: Colin Huizing, Cees de Boer. Venue: Pavilion ar Giardini
NEW ZEALAND
Secret Power
Simon Denny
Commissioner: Heather Galbraith. Curator: Robert Leonard. Venue: Biblioteca Nazionale Marciana, Marco Polo Airport
NORDIC PAVILION (NORWAY)
Camille Norment
Commissioner: OCA, Office for Contemporary Art Norway. Curator: Katya García-Antón. Deputy Curator: Antonio Cataldo. Venue: Pavilion at Giardini
PERU
Misplaced Ruins
Gilda Mantilla and Raimond Chaves
Commissioner: Armando Andrade de Lucio. Curator: Max Hernández-Calvo. Venue: Pavilion at Arsenale – Sale d’Armi
PHILIPPINES
Tie a String Around the World
Manuel Conde, Carlos Francisco, Manny Montelibano, Jose Tence Ruiz
Commissioner: National Commission for Culture and the Arts (NCCA), Felipe M. de Leon Jr. Curator: Patrick D. Flores. Venue: European Cultural Centre - Palazzo Mora
POLAND
Halka/Haiti. 18°48’05”N 72°23’01”W
C.T. Jasper, Joanna Malinowska
Commissioner: Hanna Wróblewska. Deputy Commissioner: Joanna Wasko. Curator: Magdalena Moskalewicz. Venue: Pavilion at Giardini
PORTUGAL
I Will Be Your Mirror / poems and problems
João Louro
Commissioner/Curator: María de Corral. Venue: Palazzo Loredan, campo S. Stefano
ROMANIA
Adrian Ghenie: Darwin’s Room
Adrian Ghenie
Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Mihai Pop. Venue: Pavilion at Giardini
Inventing the Truth. On Fiction and Reality
Michele Bressan, Carmen Dobre-Hametner, Alex Mirutziu, Lea Rasovszky, Stefan Sava, Larisa Sitar
Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Diana Marincu. Deputy Curators: Ephemair Association (Suzana Dan and Silvia Rogozea). Venue: New Gallery of the Romanian Institute for Culture and Humanistic Research in Venice
RUSSIA
The Green Pavilion
Irina Nakhova
Commissioner: Stella Kesaeva. Curator: Margarita Tupitsyn. Venue: Pavilion at Giardini
SERBIA
United Dead Nations
Ivan Grubanov
Commissioner: Lidija Merenik. Deputy Commissioner: Ana Bogdanovic. Curator: Lidija Merenik. Deputy Curator: Ana Bogdanovic. Scientific Committee: Jovan Despotovic. Venue: Pavilion at Giardini
SAN MARINO
Repubblica di San Marino “ Friendship Project “ China
Xu De Qi, Liu Dawei, Liu Ruo Wang, Ma Yuan, Li Lei, Zhang Hong Mei, Eleonora Mazza, Giuliano Giulianelli, Giancarlo Frisoni, Tony Margiotta, Elisa Monaldi, Valentina Pazzini
Commissioner: Istituti Culturali della Repubblica di San Marino. Curator: Vincenzo Sanfo. Venue: TBC
SEYCHELLES, Republic of *
A Clockwork Sunset
George Camille, Léon Wilma Loïs Radegonde
Commissioner: Seychelles Art Projects Foundation. Curators: Sarah J. McDonald, Victor Schaub Wong. Venue: European Cultural Centre - Palazzo Mora
SINGAPORE
Sea State
Charles Lim Yi Yong
Commissioner: Paul Tan, National Arts Council, Singapore. Curator: Shabbir Hussain Mustafa. Scientific Committee: Eugene Tan, Kathy Lai, Ahmad Bin Mashadi, June Yap, Emi Eu, Susie Lingham, Charles Merewether, Randy Chan. Venue: Pavilion at Arsenale – Sale d’Armi
SLOVENIA, Republic of
UTTER / The violent necessity for the embodied presence of hope
JAŠA
Commissioner: Simona Vidmar. Deputy Commissioner: Jure Kirbiš. Curators: Michele Drascek and Aurora Fonda. Venue: Pavilion at Arsenale - Artiglierie
SPAIN
Los Sujetos (The Subjects)
Pepo Salazar, Cabello/Carceller, Francesc Ruiz, + Salvador Dalí
Commissioner: Ministerio Asuntos Exteriores. Gobierno de España. Curator: Marti Manen. Venue: Pavilion at Giardini
SYRIAN ARAB REPUBLIC
Origini della civiltà
Narine Ali, Ehsan Alar, Felipe Cardeña, Fouad Dahdouh, Aldo Damioli, Svitlana Grebenyuk, Mauro Reggio, Liu Shuishi, Nass ouh Zaghlouleh, Andrea Zucchi, Helidon Xhixha
Commissioner: Christian Maretti. Curator: Duccio Trombadori. Venue: Redentore – Giudecca, San Servolo Island
SWEDEN
Excavation of the Image: Imprint, Shadow, Spectre, Thought
Lina Selander
Commissioner: Ann-Sofi Noring. Curator: Lena Essling. Venue: Pavilion at Arsenale
SWITZERLAND
Our Product
Pamela Rosenkranz
Commissioner: Swiss Arts Council Pro Helvetia, Sandi Paucic and Marianne Burki. Deputy-Commissioner: Swiss Arts Council Pro Helvetia, Rachele Giudici Legittimo. Curator: Susanne Pfeffer. Venue: Pavilion at Giardini
THAILAND
Earth, Air, Fire & Water
Kamol Tassananchalee
Commissioner: Chai Nakhonchai, Office of Contemporary Art and Culture (OCAC), Ministry of Culture. Curator: Richard David Garst. Deputy Curator: Pongdej Chaiyakut. Venue: Paradiso Gallerie, Giardini della Biennale, Castello 1260
TURKEY
Respiro
Sarkis
Commissioner: Istanbul Foundation for Culture and Arts. Curator: Defne Ayas. Deputy Curator: Ozge Ersoy. Venue: Pavilion at Arsenale – Sale d’Armi
TUVALU
Crossing the Tide
Vincent J.F. Huang
Commissioner: Taukelina Finikaso. Deputy Commissioner: Temate Melitiana. Curator: Thomas J. Berghuis. Scientific Committee: Andrea Bonifacio. Venue: Pavilion at Arsenale
UKRAINE
Hope!
Yevgenia Belorusets, Nikita Kadan, Zhanna Kadyrova, Mykola Ridnyi & SerhiyZhadan, Anna Zvyagintseva, Open Group, Artem Volokitin
Commissioner: Ministry of Culture. Curator: Björn Geldhof. Venue: Riva dei Sette Martiri
UNITED ARAB EMIRATES
1980 – Today: Exhibitions in the United Arab Emirates
Abdullah Al Saadi, Abdul Qader Al Rais, Abdulraheem Salim, Abdulrahman Zainal, Ahmed Al Ansari, Ahmed Sharif, Hassan Sharif, Mohamed Yousif, Mohammed Abdullah Bulhiah, Mohammed Al Qassab, Mohammed Kazem, Moosa Al Halyan, Najat Meky, Obaid Suroor, Salem Jawhar
Commissioner: Salama bint Hamdan Al Nahyan Foundation. Curator: Hoor Al Qasimi. Venue: Pavilion at Arsenale – Sale d'Armi
UNITED STATES OF AMERICA
Joan Jonas: They Come to Us Without a Word
Joan Jonas
Commissioner: Paul C. Ha. Deputy Commissioner: MIT List Visual Arts Center. Curators: Ute Meta Bauer, Paul C. Ha. Venue: Pavilion at Giardini
URUGUAY
Global Myopia II (Pencil & Paper)
Marco Maggi
Commissioner: Ricardo Pascale. Curator: Patricia Bentancour. Venue: Pavilion at Giardini
VENEZUELA, Bolivarian Republic of
Te doy mi palabra (I give you my word)
Argelia Bravo, Félix Molina (Flix)
Commissioner: Oscar Sotillo Meneses. Deputy Commissioner: Reinaldo Landaeta Díaz. Curator: Oscar Sotillo Meneses. Deputy Curator: Morella Jurado. Scientific Committee: Carlos Pou Ruan. Venue: Pavilion at Giardini
ZIMBABWE, Republic of
Pixels of Ubuntu/Unhu: - Exploring the social and cultural identities of the 21st century.
Chikonzero Chazunguza, Masimba Hwati, Gareth Nyandoro
Commissioner: Doreen Sibanda. Curator: Raphael Chikukwa. Deputy Curator: Tafadzwa Gwetai. Scientific Committee: Saki Mafundikwa, Biggie Samwanda, Fabian Kangai, Reverend Paul Damasane, Nontsikelelo Mutiti, Stephen Garan'anga, Dominic Benhura. Venue: Santa Maria della Pieta
ITALO-LATIN AMERICAN INSTITUTE
Voces Indígenas
Commissioner: Sylvia Irrazábal. Curator: Alfons Hug. Deputy Curator: Alberto Saraiva. Venue: Pavilion at Arsenale
ARGENTINA
Sofia Medici and Laura Kalauz
PLURINATIONAL STATE OF BOLIVIA
Sonia Falcone and José Laura Yapita
BRAZIL
Adriana Barreto
Paulo Nazareth
CHILE
Rainer Krause
COLOMBIA
León David Cobo,
María Cristina Rincón and Claudia Rodríguez
COSTA RICA
Priscilla Monge
ECUADOR
Fabiano Kueva
EL SALVADOR
Mauricio Kabistan
GUATEMALA
Sandra Monterroso
HAITI
Barbara Prézeau Stephenson
HONDURAS
Leonardo González
PANAMA
Humberto Vélez
NICARAGUA
Raúl Quintanilla
PARAGUAY
Erika Meza
Javier López
PERU
José Huamán Turpo
URUGUAY
Gustavo Tabares
Ellen Slegers
001 Inverso Mundus. AES+F
Magazzino del Sale n. 5, Dorsoduro, 265 (Fondamenta delle Zattere ai Saloni); Palazzo Nani Mocenigo, Dorsoduro, 960
May 9th – October 31st
Organization: VITRARIA Glass + A Museum
Catalonia in Venice: Singularity
Cantieri Navali, Castello, 40 (Calle Quintavalle)
May 9th - November 22nd
Organization: Institut Ramon Llull
venezia2015.llull.cat
Conversion. Recycle Group
Chiesa di Sant’Antonin, Castello (Campo Sant’Antonin)
May 6th - October 31st
Organization: Moscow Museum of Modern Art
Dansaekhwa
Palazzo Contarini-Polignac, Dorsoduro, 874 (Accademia)
May 7th – August 15th
Organization: The Boghossian Foundation
Dispossession
Palazzo Donà Brusa, Campo San Polo, 2177
May 9th - November 22nd
Organization: European Capital of Culture Wroclaw 2016
wroclaw2016.pl/biennale/
EM15 presents Doug Fishbone’s Leisure Land Golf
Arsenale Docks, Castello, 40A, 40B, 41C
May 6th - July 26th
Organization: EM15
Eredità e Sperimentazione
Grand Hotel Hungaria & Ausonia, Viale Santa Maria Elisabetta, 28, Lido di Venezia
May 9th - November 22nd
Organization: Istituto Nazionale di BioArchitettura - Sezione di Padova
Frontiers Reimagined
Palazzo Grimani, Castello, 4858 (Ramo Grimani)
May 9th - November 22nd
Organization: Tagore Foundation International; Polo museale del Veneto
Glasstress 2015 Gotika
Istituto Veneto di Scienze Lettere ed Arti, Palazzo Cavalli Franchetti, San Marco, 2847 (Campo Santo Stefano); Chiesa di Santa Maria della Visitazione, Centro Culturale Don Orione Artigianelli, Dorsoduro, 919 (Zattere); Fondazione Berengo, Campiello della Pescheria, 15, Murano;
May 9th — November 22nd
Organization: The State Hermitage Museum
Graham Fagen: Scotland + Venice 2015
Palazzo Fontana, Cannaregio, 3829 (Strada Nova)
May 9th - November 22nd
Organization: Scotland + Venice
Grisha Bruskin. An Archaeologist’s Collection
Former Chiesa di Santa Caterina, Cannaregio, 4941-4942
May 6th – November 22nd
Organization: Centro Studi sulle Arti della Russia (CSAR), Università Ca’ Foscari Venezia
Helen Sear, ... The Rest Is Smoke
Santa Maria Ausiliatrice, Castello, 450 (Fondamenta San Gioacchin)
May 9th - November 22nd
Organization: Cymru yn Fenis/Wales in Venice
Highway to Hell
Palazzo Michiel, Cannaregio, 4391/A (Strada Nova)
May 9th - November 22nd
Organization: Hubei Museum of Art
Humanistic Nature and Society (Shan-Shui) – An Insight into the Future
Palazzo Faccanon, San Marco, 5016 (Mercerie)
May 7th – August 4th
Organization: Shanghai Himalayas Museum
In the Eye of the Thunderstorm: Effervescent Practices from the Arab World & South Asia
Dorsoduro, 417 (Zattere)
May 6th - November 15th
Organization: ArsCulture
Italia Docet | Laboratorium- Artists, Participants, Testimonials and Activated Spectators
Palazzo Barbarigo Minotto, San Marco, 2504 (Fondamenta Duodo o Barbarigo)
May 9th – June 30th; September 11st – October 31st
Organization: Italian Art Motherboard Foundation (i-AM Foundation)
www.venicebiennale-italiadocet.org
Jaume Plensa: Together
Basilica di San Giorgio Maggiore, Isola di San Giorgio Maggiore
May 6th – November 22nd
Organization: Abbazia di San Giorgio Maggiore Benedicti Claustra Onlus
Jenny Holzer "War Paintings"
Museo Correr, San Marco, 52 (Piazza San Marco)
May 6th – November 22nd
Organization: The Written Art Foundation; Museo Correr, Fondazione Musei Civici di Venezia
correr.visitmuve.it
Jump into the Unknown
Palazzo Loredan dell’Ambasciatore, Dorsoduro, 1261-1262
May 9th – June 18th
Organization: Nine Dragon Heads
9dh-venice.com
Learn from Masters
Palazzo Bembo, San Marco, 4793 (Riva del Carbon)
May 9th – November 22nd
Organization: Pan Tianshou Foundation
pantianshou.caa.edu.cn/foundation_en
My East is Your West
Palazzo Benzon, San Marco, 3927
May 6th – October 31st
Organization: The Gujral Foundation
Ornamentalism. The Purvitis Prize
Arsenale Nord, Tesa 99
May 9th – November 22nd
Organization: The Secretariat of the Latvian Presidency of the Council of the European Union in 2015
www.purvisabalva.lv/en/ornamentalism
Path and Adventure
Arsenale, Castello, 2126/A (Campo della Tana)
May 9th – November 22nd
Organization: The Civic and Municipal Affairs Bureau; The Macao Museum of Art; The Cultural Affairs Bureau
Patricia Cronin: Shrine for Girls, Venice
Chiesa di San Gallo, San Marco, 1103 (Campo San Gallo)
May 9th – November 22nd
Organization: Brooklyn Rail Curatorial Projects
curatorialprojects.brooklynrail.org
Roberto Sebastian Matta. Sculture
Giardino di Palazzo Soranzo Cappello, Soprintendenza BAP per le Province di Venezia, Belluno, Padova e Treviso, Santa Croce, 770 (Fondamenta Rio Marin)
May 9th – November 22nd
Organization: Fondazione Echaurren Salaris
www.fondazioneechaurrensalaris.it
www.maggioregam.com/56Biennale_Matta
Salon Suisse: S.O.S. Dada - The World Is A Mess
Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)
May 9th; June 4th - 6th; September 10th - 12th; October 15th - 17th; November 19th – 21st
Organization: Swiss Arts Council Pro Helvetia
Sean Scully: Land Sea
Palazzo Falier, San Marco, 2906
May 9th – November 22nd
Organization: Fondazione Volume!
Sepphoris. Alessandro Valeri
Molino Stucky, interior atrium, Giudecca, 812
May 9th – November 22nd
Organization: Assessorato alla Cultura del Comune di Narni(TR); a Sidereal Space of Art; Satellite Berlin
Tesla Revisited
Palazzo Nani Mocenigo, Dorsoduro, 960
May 9th – October 18th
Organization: VITRARIA Glass + A Museum
The Bridges of Graffiti
Arterminal c/o Terminal San Basilio, Dorsoduro (Fondamenta Zattere al Ponte Lungo)
May 9th - November 22nd
Organization: Associazione Culturale Inossidabile
The Dialogue of Fire. Ceramic and Glass Masters from Barcelona to Venice
Palazzo Tiepolo Passi, San Polo, 2774
May 6th - November 22nd
Organization: Fundaciò Artigas; ArsCulture
The Question of Beings
Istituto Santa Maria della Pietà, Castello, 3701
May 9th - November 22nd
Organization: Museum of Contemporary Art, Taipei (MoCA, Taipei)
The Revenge of the Common Place
Università Ca' Foscari, Ca' Bernardo, Dorsoduro, 3199 (Calle Bernardo)
May 9th – September 30th
Organization: Vrije Universiteit Brussel (Free University Brussels-VUB)
The Silver Lining. Contemporary Art from Liechtenstein and other Microstates
Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)
October 24th – November 1st
Organization: Kunstmuseum Liechtenstein
The Sound of Creation. Paintings + Music by Beezy Bailey and Brian Eno
Conservatorio Benedetto Marcello, Palazzo Pisani, San Marco, 2810 (Campo Santo Stefano)
May 7th - November 22nd
Organization: ArsCulture
The Union of Fire and Water
Palazzo Barbaro, San Marco, 2840
May 9th - November 22nd
Organization: YARAT Contemporary Art Organisation
Thirty Light Years - Theatre of Chinese Art
Palazzo Rossini, San Marco, 4013 (Campo Manin)
May 9th - November 22nd
Organization: GAC Global Art Center Foundation; The Guangdong Museum of Art
Tsang Kin-Wah: The Infinite Nothing, Hong Kong in Venice
Arsenale, Castello, 2126 (Campo della Tana)
May 9th - November 22nd
Organization: M+, West Kowloon Cultural District; Hong Kong Arts Development Council
Under the Surface, Newfoundland and Labrador at Venice
Galleria Ca' Rezzonico, Dorsoduro, 2793
May 9th - November 22nd
Organization: Terra Nova Art Foundation
tnaf.ca
Ursula von Rydingsvard
Giardino della Marinaressa, Castello (Riva dei Sette Martiri)
May 6th - November 22nd
Organization:Yorkshire Sculpture Park
We Must Risk Delight: Twenty Artists from Los Angeles
Magazzino del Sale n. 3, Dorsoduro, 264 (Zattere)
May 7th - November 22nd
Organization: bardoLA
Wu Tien-Chang: Never Say Goodbye
Palazzo delle Prigioni, Castello, 4209 (San Marco)
May 9th - November 22nd
Organization: Taipei Fine Arts Museum of Taiwan
There were a few cute little baby Song Sparrows working the fountain area where people sit in benches and eat lunch. Smart.
We visited a very dimly lit Batemans today, the former home of Rudyard Kipling. Lovely house and gardens to wander around, nice and quiet when it's this cold!
This is the result of a day-long visit to northern Georgia, Murray County to be specific. Joining me on the trip were my good friends from Atlanta, Alan Cressler and Henning von Schmeling.
There were wildflowers galore, including some very rare ones and ones yet to be named. Included were a couple of "life list" ones for me, so it was a super botanizing day!
To read the full trip report, please go to Jim's Blog.
Two shots of June Lake CA, stitched together to form a panoramic shot. After leaving the heat of Death Valley in the morning, by mid afternoon we were in the snow covered mountains. Sure glad I decided to keep a pair of jeans on the back seat to change into.
Best viewed on black background.
La Farmacia La Estrella forma parte de la historia nacional. Fue el Dr. Bernardino Rivadavia el creador de esta primera botica de la ciudad de Buenos Aires, cuando en 1834 encargó a un importante bioquímico y botánico la dirección de la misma. Con el tiempo, y ya bajo otro dominio, se sumó la droguería a la farmacia, llegando a convertirse en la más importante de Sudamérica. Fue en 1885 cuando la farmacia La Estrella inauguró este edificio con una decoración que impactaba por su valor artístico y detalles de gran nivel: cristales de murano, estanterías de nogal, mármol de carrara, y los frescos en los cielorrasos del artesano Barberis que se destacan por los simbolismos que aluden a “la salud”, “la enfermedad” y “la farmacopea”. Su fachada ostentan una herrería original en sus puertas y una cargada ornamentación, en la que tres angelitos parecen dejarse caer hacia la nada. La Estrella tuvo su fama bien ganada gracias a la oferta de prestigiosos productos originales, que aún son recordados con nostalgia: la limonada Roge, el tónico esperidina, y las píldoras para la tos Parodi, entre tantos otros. Además de su actividad comercial, en sus salones se realizaron importantes tertulias por donde pasaron las figuras más destacadas del ámbito político como Carlos Pelligrini, Julio A. Roca, y Bartolomé Mitre, entre otros. Es el comercio más antiguo de la Ciudad de Buenos Aires, que aún conserva su estilo y sus detalles originales de gran valor estético, gracias a lo cual ha merecido numerosos premios y reconocimientos. Hoy sigue prestando servicios de laboratorio Homeopático y Alopático de recetas magistrales, y ofrece importantes productos de herbonistería y perfumería.
ubicación: Defensa 201, Monserrat, Buenos Aires
fuente: info.todobuenosaires.com/descripcion/descripcion_lugar.ph...
Copyright © Susana Mulé
© All rights reserved.
© Please don't use this image on websites, blogs or other media without my explicit permission
A breach of copyright has legal consequences
If you are interested in this picture, please contact me. Thanks.
susanamul@yahoo.com.ar
Taken years ago at the end of East Long Island Road in North Grand Pre. Tens of thousands of Sandpipers had been sleeping on the beach below the dyke facing Boot Island when a falcon appeared and started to dive on them. Once the flock took off the falcon flew straight through it and snagged several Sandpipers. I remember the sound of their wings was like the wind, and the motion of the cloud they formed was really something to see as it billowed and flexed in response to the attack of the falcon. After the falcon had left with its meal, the flock settled down on the shore again.
The mudflats of the upper Bay of Fundy is a great place to photograph masses of Sandpipers as they feed in preparation for their fall migration. Only once have I been in the right place at the right time to see this happening.
This was taken before the arrival of the falcon with a Nikon F3 and a borrowed Nikon 500mm f/4 P lens. Swiveling the camera around for a minute, seeking an interesting composition that wouldn't look like a drab lumpy carpet, I spotted this rock with two birds asleep on top and another pair in front. I thought it a bit unusual that the rock sat in the middle of an area of bare ground, almost as if the birds were avoiding it for some reason.
This is an image from an Ektachrome 400 slide copied with a Nikon D3500 camera, Micro-Nikkor 55mm f/3.5 lens fitted with a Nikon 4T close-up lens, with a Sigma 1.6x achromatic close-up lens on the 4T. The slide carrier from a Spiratone Bello-Dupliscope was mounted on the Sigma. Lighting was provided by a 5000k LED bulb in a small goose-neck table lamp. A large ground glass screen was placed between the lamp and the slide carrier.
D3500-CC-DSC0178K
.
Un film.
La Forme de l'Eau.
Treize nominations aux Oscars.
Une fable sous la forme d'un magnifique film !
Cela nous fait penser à la diversité, à l'amour au-delà des frontières,
aucune bête, aucune beauté, aucune sexiste ou féministe, pas tellement,
juste très attachant et très charmant !
Je sais, tu essaieras de résister,
mais finalement un jour vous regarderez
et vous ne serez pas capable de oublier.
Pour quelle raison ?
C'est un film dans une belle fable, que vous trouverez dans cette action,
pour se retrouver à si meme dans les profondeurs de votre perception.
Oui, vous pouvez,
dans le 21 février
au cinéma.
"C’est quand on arrive à ce que le public fasse Ahh!"
oui surprenant Réalisateur je suis d'accord
: ]
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L'art du cinéma nous surprend rapidement
et d'un côté à l'autre elle nous joue,
initialement esthétiquement et à la fin dans notre intériorité,
même dans nos plus profonds préjugés,
oui Chaplin avait raison, le cinéma est la vie en mouvement,
oui, labourer la terre à la fin de l'hiver comment
couper et doulers comme aussi sur vous,
mais les graines germent
toujours.
Oui, ne l'oublie pas mon ami(e).
: ]
Ivan