View allAll Photos Tagged five
There are so many colours in the market stalls of south east Asia. Some of these vegetables might be familiar to you while others may not be. There is always plenty of choice!
Erdmännchen***Meerkat***Suricata surcatta
Vorkommen:südliches Afrika
Lebensraum:offene Trockengebiete und Savannen
Kopf-Rumpf-Länge:24,5 - 29 cm
Schwanzlänge:26 - 28,5 cm
Gewicht:620 - 970 g
Nahrung:Insekten, Spinnentiere, Amphibien, kleine Reptilien und Vögel
Gefährdungsstatus:LC (Least Concern)
Source: Southern Africa
Habitat: open arid and savanna
Head and body length: 24.5-29 cm
Tail length: 26-28.5 cm
Weight: 620-970 g
Food: Insects, Arachnids, amphibians, small reptiles and birds
Risk status: LC (least concern)
Sculpture (and fountain during the summer season) called “De fem världsdelarna” (English: The Five Continents). The sculpture consists of five females representing five continents: Africa, America, Asia, Europe and Australia (Oceania). A ship at the top is seen sailing five streams, symbolizing the five oceans. The sculpture was made by Tore Strindberg and inaugurated in 1927. It is situated in the square Järntorget.
Farine Five Roses à l'heure bleue...
Sigma 17-70mm F/2.8-4.5.
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Yading. Sichuan. China. 2010.10
Five Color Sea is the highest Lake on Yading Mountain. The lake appeared front of our eyes suddenly when we climbed up the mountain painstakingly at noon time. Cloud got thicker and thicker, like they were lying on the mountain peak and we could even touch it. A beautiful blue color was reflected from the lake water. We breathed more rapid because of the high altitude. I got this wonderful shot at this time.
This photo is included in National Geographic and Getty Images.
We took a drive out in the country yesterday to the village of Radway to photograph an old grain elevator. In a field just across the road were these five old granaries used to hold the seasons crop after it was taken off the field. I love old finds like this as they remind me of the years when my grandparents farmed.
ODC-Five
I wasn't sure what I could use for this, I don't have too many things in the amount of five so dug into my purse found these.
Ducks in flight - London Wetland Centre, Barnes, London, England - Saturday September 27th 2008.
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I also managed to catch these ducks without the trees as well...lol..:O)))
As Faith from Buffy the Vampire Slayer and Angel says...Five by Five...:O)))
I hope you are all having an awesome "Humpday" Wednesday...:O)))
We spent about a month in Bulgaria this summer. We were there once before--in 2019, also for about a month--and instantly fell in love with the country. That summer we hiked the Bulgarian National Trail, the Kom Emine, which coincides with the E3, crossing Bulgaria from Kom Peak in the West to Cape Emine on the Black Sea in the East. That trail had some awesome scenery but was somewhat more of a cultural experience, since it had almost no foreign tourists and crossed through extensive stretches where people were engaged in shepherding, forestry and agriculture.
While we were there we made friends and learned of the Five Mountains Trail, which coincides with the E4 and crosses Bulgaria from Sofia in the north to the Greek border in the south. It is a more developed, heavily traveled, and rugged alpine trail. We knew we would return to do that some day, and when the opportunity presented itself this summer we jumped at it.
In about 250km the trail passes through five mountain ranges: Vitosha, Verila, Rila, Pirin and Slavyanka. There are many peaks and passes over 2000m, and the scenery in Rila and Pirin rivals that of much more famous European ranges. The trail also boasts a very well developed hut system so that you can end most days with good food, drink, company and shelter, which is usually what we chose to do.
Mrs. Orca on the first day of the E4, near the top of Cherni Vrah (2290m), Vitosha Mountains, Bulgaria.
Five winged horses appear as corbels on the front of Palazzo Nicolaci di Villadorata (1733) on Via Corrado Nicolaci in Noto, Sicily, Italy.
This is a photo from outside of 500 Boylston Street in Boston. I saw this view during a walk through back bay. Apparently this building cost 100 million to build. You can see that it just was getting dark out and the lights came on..
From left to right, South Shields 204, Rotherham 37, Bournemouth 99, Nottingham 493 and Maidstone 72. All but Bournemouth 99 are serviceable. 99 requires some bodywork attention and a new resistance bank.
7 Jesus falls the second time
8 Jesus meets the women of Jerusalem who weep
9 Jesus falls the third time
10 Jesus is stripped of his garments
11 Jesus is nailed to the cross
7DOS Friday Five
... reflecting the patterns on a souvenir Australian designed tea towel :-)
118 pictures of 2018/100 symbol... Kangaroo
222/365 2018
Whenever I have found myself stuck in the ways I relate to things, I return to nature. It is my principal teacher, and I try to open my whole being to what it has to say. Wynn Bullock
M39431 31 creeps through Brantford with CN 3245, CN 3154, CN 2189, IC 2455, CN 2428, and 193 cars.
The three C40's were once again destined for K&K in Pickering, ON
Maurizio Cattelan, the great provocateur...
Five horses which want to run (jump) headfirst into the wall.
Anyone who engages with Maurizio Cattelan as an exhibition organizer never really knows what awaits them. Born in Padua in 1960 and originally a laborer, the Italian artist has made a name for himself as a rule-breaker, a provocateur, but also a player of perceptions, an intelligent art clown, and a generator of surprising and often confusing ideas.
In 1993, he provoked audiences when he rented his exhibition space at the Venice Biennale to a PR firm that was promoting a commercial product. In 2000, he surprised the audience at Zurich's Migros Museum of Contemporary Art by emptying the halls. The only perceptible work of art to be discovered was a small wax figure in a Beuysian felt suit and with Cattelan's facial features, hanging helplessly from the coat rack. And another time, he even had the door of a gallery that had announced a Cattelan exhibition bricked up.
Five Horses with Their Heads in the Wall
He wasn't quite so radical in his refusal to exhibit at the Fondation Beyeler in 2013. His works were indeed on display there in a conventional museum setting. But strictly speaking, it was originally just one work, just one horse, the sculpture "Untitled" from 2007: a taxidermied brown horse with its head stuck high up in the museum wall, its muscular body hanging helplessly and pitifully. It appears as if the horse had leaped impetuously into the wall and remained there.
Cattelan had the horse prepared in five versions (he apparently hardly ever touches it himself). Three copies are owned by various international private collections, two are exhibition copies.
Breaking the Rule
With this, Cattelan once again broke a rule in the art world, namely that exhibition copies and "originals" are never shown at the same time in the same place. This is because doing so would impair the aura of the original. Maurizio Cattelan wouldn't be himself if he adhered to this rule. The owners of his originals are aware of this, of course. And indeed, the five copies of an old work now combine to form a new, temporary group of works. However, it's difficult to say whether a single horse with its head in the wall leaves a more lasting impression than five neatly lined up next to each other.
In 2011, Maurizio Cattelan bid farewell to the art world with a large-scale retrospective entitled "All" at the Guggenheim Museum in New York. Of course, no one really believed him. But it must have been an exceptionally spectacular farewell exhibition, with 130 of his works, all hanging from the museum's ceiling like a giant mobile. Among them were Cattelan's most famous works, such as the Pope Thrown to the Ground by a Meteorite (first shown at the Kunsthalle Basel in 1999) and the equally famous praying Hitler figure.
The same work, which was first shown in this arrangement in Switzerland, is now in the Centre Pomdedou in Metz. It hangs higher here than it did at the Fondation Beyeler, making it even more spectacular, I think.
In my triptych, I show the proportion of height to the human figure. A homeless person has also been added here, which further irritates the viewer. And finally, the third painting demonstrates the banalization in the colorful context of the large space with the exposed building techniques typical of the centre and distracting colorful artworks. Biomorphic is contrasted with inorganic construction, which seems to be a recurring theme in the exhibition...
Deutsch
Maurizio Cattelan, der große Profokateur ...
Fünf Pferde, die mit dem Kopf durch die Wand wollen.
Wer sich als Ausstellungsmacher auf Maurizio Cattelan einlässt, weiss nie so richtig, was ihm letztlich blüht. Der 1960 in Padua geborene italienische Künstler, der ursrünglich Hilfsarbeiter war, hat sich einen Namen gemacht als Regelbrecher, Provokateur, aber auch Spieler mit Wahrnehmungen, intelligenter Kunstclown und Generator mit überraschenden und oftmals auch verwirrenden Ideen.
So provozierte er 1993, als er seine Ausstellungsfläche an der Biennale in Venedig an eine PR-Firma vermietete, die dort für ein kommerzielles Produkt warb. Im Jahr 2000 überraschte er das Publikum im Zürcher Migros Museum für Gegenwartskunst mit leergeräumten Hallen. Als wahrnehmbares Kunstwerk war lediglich eine kleine Wachsfigur im Beuys’schen Filzanzug und mit Cattelans Gesichtszügen zu entdecken, die hilflos an der Garderobe hing. Und ein anderes Mal liess er die Türe einer Galerie, in der eine Cattelan-Ausstellung angekündigt war, gar zumauern.
Fünf Pferde mit dem Kopf in der Wand
Ganz so radikal verweigerte er sich anlässlich einer Ausstellung 2013 in der Fondation Beyeler nicht. Dort waren tatsächlich Werke von ihm in einem gängigen musealen Rahmen zu sehen. Doch genau genommen war es ursprünglich nur ein Werk, nur ein Pferd, die Plastik «Untitled» aus dem Jahr 2007: Ein präpariertes braunes Pferd, das mit dem Kopf hoch oben in der Museumswand steckt und dessen muskulöser Körper hilflos und jämmerlich herunter hängt. Es scheint so, als ob das Pferd ungestüm in die Wand gesprungen und dort hängen geblieben sei.
Cattelan hat das Pferd in fünf Ausführungen präparieren lassen (selber legt er ja offenbar die Hand kaum je an). Drei Exemplare befinden sich im Besitz von verschiedenen internationalen Privatsammlungen, zwei sind Ausstellungskopien.
Bruch mit der Regel
Damit brach Cattelan einmal mehr mit einer Regel im Kunstbetrieb, nämlich dass Ausstellungskopien und «Originale» eigentlich niemals zur selben Zeit am selben Ort gezeigt werden. Dies, weil damit die Aura des Originals beeinträchtigt wird. Maurizio Cattelan wäre aber nicht er selbst, wenn er sich an diese Regel halten würde. Das wissen natürlich auch die Besitzer seiner Originale. Und tatsächlich vereinigen sich die fünf Kopien eines alten Werks nun zu einer neuen Werkgruppe auf Zeit. Dabei ist aber schwierig zu sagen, ob nun ein einzelnes Pferd mit dem Kopf in der Wand einen nachhaltigeren Eindruck hinterlässt als gleich deren fünf, sauber nebeneinander aufgereiht.
2011 hat sich Maurizio Cattelan mit einer gross angelegten Retrospektive mit dem Titel «All» im New Yorker Guggenheim-Museum vom Kunstbetrieb verabschiedet. Natürlich glaubte ihm das niemand so richtig. Aber es muss sich um eine ausgesprochen spektakuläre Abschiedsausstellung gehandelt haben mit 130 seiner Werke, die allesamt wie ein riesiges Mobile von der Decke des Museums hingen. Darunter Cattelans bekanntesten Arbeiten, wie etwa der Papst, der von einem Meteoriten zu Boden geworfen wurde (1999 erstmals in der Kunsthalle Basel zu sehen) oder die nicht weniger bekannte betende Hitlerfigur.
Das gleiche Werk, das in dieser Zuammenstellung erstmals in der Schweiz gezeigt wurde, befindet sich jetzt im Centre Pomdedou in Metz. Es hängt hier höger als es in der Fondation Beyeler hing und ist damit noch spektakulärer, finde ich.
In meinem Triptychon zeige ich die Proportion der Höhe zum Menschen. Hier ist auch noch eine Obdachlose hinzugekommen, die zusätzlich Irritaionen auslöst. Und schließlich zeigt das dritte Bild die Banalisierung im bunten Kontext des großen Raumes mit den centre-typischen, freigelegten Gebäudetechniken und ablenkenden bunten Kunstwerken. Biomorphes wird gegen anorganische Konstruktion gestellt, was mehrfach in der Ausstellung Thema zu sein scheint ...
Ihr könnt euch vorstellen, das 4 Bilder vorzubereiten und alle wichtigen Informationen dazu zusammen zu stellen viel "Arbeit" erfordert ... hoffe, es findet sich jemand, der das zu schätzen weiß ;-) ...
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Wittow / Rügen / Mecklenburg-Vorpommern / Germany
Album of Germany (the north): www.flickr.com/photos/tabliniumcarlson/albums/72157712098...
Well, hello, Monday! We meet again!
Mondays are generally my busiest day of the week - and it doesn't help that I'm a total night owl and not at all a morning person! I don't even drink coffee! *gasp*
Ok, I used to all the time until I worked at a coffee shop and well you know how that goes...
Anyway, ya boy needs to invest in an alarm clock or something coz right now all I want are just...5...more...minutes...pleaaaase?
The highlight of the Old Oak Common Open day today was a line up of six class 50s. Unfortunately 50 050 was tight up against the wall of a building so was in shadow all day so only it's buffer intrudes at left in this composition of the other five; 50 049, 50 044, 50 017, 50 026 and 50 007. This is probably because it was on the naughty step after failing yesterday while engaged in shunting a line of 13 locos that proved too much for the turbo.
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