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Couture Ateliers
Freilager-Platz 6
4142 Münchenstein
Tel. 061 267 54 97
info@couture-ateliers.ch
www.facebook.com/coutureateliers
www.instagram.com/atelierscouture
PVC Fittings are safe from any kind of fungal growth. Polyvinyl Chloride or PVC as we know it does not allow any fungal growth on the pipe or inside the pipes. contact us at 92-41-8741931.
Before cutting the wrap off your body, put tape (I just used sticky tape) along the cutting lines so that the mould will not distort.
The wrap will still stay to the shape of your body after cutting. I separated the upper area from the hip area by cutting along the waist.
Our 2 day kitchen fitting course enables you to gain confidence in using power tools including a router and jig
Decided to fit dry fit the ply for the seats before putting the gunwales on. Easier to get at it all, but they won't be installed for a while.
Test fitting the desk and shelf in place before finishing
Current Version 3.0:
Computer: Intel Pentium D 940 Presler 3.2GHz LGA 775 Dual-Core Processor on a Gigabyte GA-EP45-UD3L motherboard with GeForce GTS250, 8GB OCZ RAM and over 2.5TB storage. OS is 64bit Windows Vista Ultimate with 2 - 22" ACER widescreen monitors (P224W & AL2223W) and Creative Labs 3.1 audio.
Desk: Custom made for the space under my stairs with a single piece of 3/4" MDF and uses 2x4's for support. IKEA Expedit bookcase as the return (Right side), IKEA Expedit bookcase on left for storage/support. Lighting is 6 Hampton Bay 3-Light LED task and accent lights (~$46/3pk) mounted under the shelf. Monitor shelf above the desk is 9" deep and also made from 3/4" MDF with a Roman Ogee edge.
Fitting up the head badge on the frame prior to paint. When I had them made, they were designed for a 31.8mm head tube (you know, the standard) but sometimes I have to tap them open for a 36mm headtube. Head tube is drilled and tapped for tiny 4-40 stainless torx screws.
Now it’s almost ready for primer...maybe? I’ll go over the frame and fork one more time in the morning. Finish work can take an eternity if I let it. It’s just so relaxing sometimes. #headbadge #bicyclebuilding #softesthammer #chapmancycles
Building the 1/43 scale second hand car showroom.
Kingsway Models OSHC card kit. Fitting the walls to the detailed floor and pavement.
Only this fitting out hall of the aircraft manufacting factory survives. The complete factory complex, built for the construction of bombers was constructed in exactly a year, from 4th May 1936 - 4th May 1937. Planned in secrecy, it was part of the n+zi leadership's plan to dominate the rest of Europe. The complex was also supported by slave labour from two local concentration camps.
After WW2, parts of the complex were dismantled as reparations and transferred to the Soviet Union. What remained was used a Helicopter base and service area for the Soviet Army in East Germany.
The style of building was very advanced and the building, although now unloved and politically incorrect is listed, although it does seems dammed to crumble and fall.
Nur diese Ausrüstungshalle der Flugzeugfabrik ist erhalten geblieben. Der gesamte Fabrikkomplex für den Bau von Bombern wurde in genau einem Jahr, vom 4. Mai 1936 bis zum 4. Mai 1937, errichtet. Er wurde im Geheimen geplant und war Teil des Plans der NS-Führung, den Rest Europas zu dominieren. Der Komplex wurde auch durch Sklavenarbeit aus zwei örtlichen Konzentrationslagern unterstützt.
Nach dem Zweiten Weltkrieg wurden Teile des Komplexes als Reparationsleistung demontiert und an die Sowjetunion übergeben. Was übrig blieb, wurde als Hubschrauberstützpunkt und Versorgungsgebiet für die Sowjetarmee in Ostdeutschland genutzt.
Der Baustil war sehr fortschrittlich, und das Gebäude ist, obwohl es heute ungeliebt und politisch unkorrekt ist, erhalten geblieben, obwohl es zum Zerfall und Verfall verdammt scheint.
Treat Her Right at The Middle East, Cambridge, MA
www.myspace.com/treatherrightband
en.wikipedia.org/wiki/Treat_Her_Right
Treat Her Right
OriginBoston, Massachusetts, United States
GenresBlues, Low rock
Years active1984-1991, 1995-1998, 2009-10
LabelsRCA Records, Rounder Records
Members
The late Mark Sandman
Dave Champagne
Jim Fitting
Billy Conway
Gust: Billy Beard
Treat Her Right brought the blues back to the Boston rock scene with a fresh new approach, one which rolled back the too-cool veneer to illuminate the blues-based origins of rock. The power and sheer joy in their sets made clear the reasons why Brian Jones and company sought an avenue for young, white class rebellion at the feet of blues revivalists like Alexis Horner- and later at the actual source: Muddy Waters, Little Walter, Robert Johnson, Lightning Hopkins. THR obtained a weekly residency in Cambridge's Plough and Stars, the tiny Irish pub on Mass Ave. The series of shows that they played at the Plough established the band almost immediately as the premier drinking and dancing outfit in the city. David Champagne remembers those shows, as early as they were in the band's history, as their creative high point." We took chances at those shows that we - that I - wouldn't later on, once we were established. Indeed the band would always excel in small club situations. They were just perfectly suited to sweaty, smoky rooms that were packed with bodies crammed against one another. Some of my favorite THR shows aside from the Plough gigs were a Providence R.I. performance that I attended at a sometimes strip club to shoot super-8 footage of the band, and a NYC show at a miniscule dive that featured the Maneaters as the opener. The Maneaters were an all-female blues-rock act I'd worked with at the Fort when their producer, Peter Halsapple of the DB's (later a key touring presence with REM, and Hootie and the Blowfish) brought them to Boston; they were a good match for THR. After that Manhattan road trip I got a bit closer to Mark Sandman. We got together whenever we could to go candlepin bowling at the alleys underneath the Middle East Restaurant. I liked Mark tremendously right from the start. His philosophy of songwriting was wonderful- less is more would be an understatement to describe it. Mark told me once that the best songs had only one verse and, if necessary, a single chorus. Mark is the kind of guy who always had something to play for you when you came by his house- some wild kind of Brazilian American music or an obscure delta blues tune, or a tape of a song written for one of his many ongoing projects. I remember going by there one day and realizing he was playing in five different bands, all of which with the exception of Treat Her Right he had started himself. It was hard to keep up...Sandman, Candy Bar, Morphine, plus side projects slipped between the regular bands. I thought of Mark as an extremely shrewd musical investor who had diversified his holdings to minimize the risks and maximize the potential for hitting the jackpot. As it turned out it was Morphine that Mark Sandman would take to the bank when THR became insolvent, and Morphine within which he would develop his songwriting formula to its' logical, hypnotic end. The Morphine article isn't too long, but there are a large number of Morphine pages on the web, both official and unofficial, so I know you won't starve for lack of data. There is also a page on this site dealing with harp player Jim Fittin's new band, the Coots. Very different stuff, a combination of blues, country swing and New Orleans-style funk and rock. Just take this link to the Coots page to check them out. As for Dave Champagne, he started a very cool band after THR called the Jazz Popes. I think Dave wrote some of his best material for that band. Although David's post-THR refinement of his songwriting style didn't meet with the immediate commercial success of Mark's Morphine catalogue, I felt the material was just as interesting and unique as the latter's... but with a few more lyrics thrown in. Dave and his wife Katie played the ocassional show together when they could get a good babysitter under the name the Heygoods. Their performances at Billy Ruane's Valentine's Day '98 show at Green St, Grill and at Skeggie's Spring '98 Plough and Stars gig were thouroughly enjoyable, and shows at the Toad in summer '98, and in September at Green Street Grille revealed an act that just kept getting better. Here's a few pictures, and the Heygoods article has a lot more. You can also find a link there to the new Heygoods
Discography
Treat Her Right (1986)
Tied to the Tracks (1989)
What's Good for You (1991)
The Anthology 1985-1990 (1998)
The Lost Album (2009)
Orchestra Morphine at The Middle East, Cambridge, MA
www.hi-n-dry.com/orchestra_morphine/
en.wikipedia.org/wiki/Morphine_(band)
Orchestra Morphine is a living celebration of the music of Mark Sandman and Morphine, played with heart and commitment by a big band of Mark's friends. The group includes his Morphine bandmates Dana Colley, Billy Conway and Jerome Deupree, Either/Orchestra leader Russ Gershon, Club d'Elf bassist Mike Rivard, horn player Tom Halter, keyboardist Evan Harriman and vocalists Christian McNeill and Laurie Sargent. Morphine Orchestra formed to play the first Mark Sandman Memorial Concert on July 25, 1999, outdoors at an intersection of Central Square in Cambridge, Massachusetts - a bastion of clubs and Mark's musical stomping grounds - that was named Mark Sandman Square in his honor. Since then the Orchestra has toured America and abroad, recording several live albums as testimonials to their travels and, of course, to Mark himself.
HI-N-DRY
191 Highland Ave, Somerville, MA 02143
Tel. 617-440-3991| Fax 617-440-5007
info@hi-n-dry.com
I copied the wrap onto paper and then cut and rotated the dart so that I had the dart divided between the side and the waist. I probably did not need to do that but most patterns look like that.
Went into a fitting room with a bundle of clothes and hung the clothes on the nearest hook. I noticed that "maybe" was written above one of the hooks and, on closer inspection, discovered "definitely" above the hook on which I had placed the clothes. By the time I was through, most of the clothes were discarded on the bench instead of on a hook.
SET 2 – Horn Lake Target, Post-Remodel
The fitting rooms are in the same spot as before, but totally reconfigured, including a more squared-off wall, as shown here. Now, the department sign is no longer visible from the full corner – and as we discussed last time when we first saw it, the text is rather crammed together! (I guess that’s somewhat not as obvious in this view with the pole right in the way, but you can see what I’m talking about in that linked pic.)
(c) 2025 Retail Retell
These places are public so these photos are too, but just as I tell where they came from, I'd appreciate if you'd say who :)
One of the concrete pontoons for the State Route 520 bridge project is seen being pushed (just barely) into place for lifting through the Ballard Locks.
Driving power is provided by Westar Marine Services' tug SOLANA. Built in 1975 at Krotz Springs, Louisiana by the Louis G. Ortis Boat Company, the tug originally bore a name I have yet to determine. Later she would be renamed MORMON ISLAND, then GOLDEN EAGLE, before coming under the possession of Westar. Normally based in the San Francisco bay area, SOLANA and her fleetmates MUDCAT, TERILYN and TAURUS have relocated to Puget Sound for the duration of the bridge project.
Selinsgrove, PA. March 2018.
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A rare Italian armet, circa 1490-1500. With hemispherical skull rising to an angular low comb slotted for fitting a crest and the rear of the skull extending to form a characteristic narrow tail, fitted with large deep reinforce over the brow, the forward edge with outwardly flanged inward turn, the inner edge cut to form accentuated cusps and fitted with external pivoted hinges for the visor, with internally hinged large cheek-pieces closed by a stud at the chin and almost meeting at the rear, the sides drawn in along the jaw, swept outwards at the base and flared towards the rear, the right-hand cheek-piece replaced, the faceopening finished with an outward turn, studded with lining rivets around the base of the neck and with a later fluted disc-guard and moulded peg fitted over the rear closure, "sparrows' beak" visor formed without breathes and with the arms fitting over the pivot hinges, and complete with a detachable low wrapper formed with two articulated lames. H: 29 cm - L: 32 cm - W.: 19.5 - Wt.: 3110 g. Wrapper Wt.: 450 g. The form of close helmet referred to as an armet is characterised within the 15th century by the unique construction of the sides which are hinged at a point above the ear and closed at the front beneath the lower edge of the visor. The armet is the direct evolution of the earlier bascinet and its sculptural qualities have given it an iconic place in the development of Italian Gothic armour. The Italian armet in its fully developed form is chronicled by Paolo Uccello in his series of paintings of the Route of San Romano painted between 1454 and 1457, and also in a tapestry "The Gathering of the Knights" from the famous suite of ten woven in Bruxelles circa 1500-1515 and depicting the life of David and Bethsabée (Musée de la Renaissance française, Écouen, ECL 1613-1622). Centres of production in Flanders, England, Germany, and Spain copied the Italian armet. The group of armours forming the celebrated find in the church of Santa Maria della Grazie in Mantova includes a broad corpus of designs charting the range of the development of the Italian armet from circa 1440 to 1510. An example closely paralleled with the present armet is preserved in the Casa della Contandinanza, Udine. See, BOCCIA, Lionello G., Le armature di S. Maria delle Grazie di Curtatone di Mantova e l'armatura Lombardia del ?400, 1982, fig. 164. For a comprehensive discussion of the development of the Italian armet, see BLAIR, Claude, European Armour, 1958, pp. 86-91.